#best promo

[basil-the-scorned]

PROMO IN AN ELEVATOR!

[bebx]

crying over this Longlegs promo poster and the fact it’s official.

“After Despicable Me 4” 😭😭😭

[lauraneedstochill]

“Which character in House of the Dragon would you most want to hang out with at the pub? Who would you want to go for a drink with?” (source) > Eve Best, the CEO of Aemond Targaryen fanclub (apparently 😏)

+ BONUS: Steve Toussaint isn’t a fan:

[fandom-fandom]

True… lust

Have you ever been drawn to someone

you can’t trust?

[hotdaemondtargaryen]

EWAN, TOM, EVE & STEVE | IN CCXP MÉXICO.

[prancingart]

And it's just a case of tragic magic When you can't remember feeling fantastic

[odetokeons]

her pre-raphaelite muse looks and her sorrowful and melancholic energy have bewitched me body and soul

[akai-anna]

please, tell me i'm not the only one who is obsessed over kaito chilling there and making friends with seagulls

[owarinaki]

House of The Dragon Cast Photo

Credit : GMA

[homoeroticgrappling]

I love everything about this but especially "this is NOT piss" "it might be piss" "it's not piss" "are you sure?"

[thedemonlady]

Emma D’arcy, Matt Smith, Harry Collett, Bethany Antonia, Eve Best and Steve Toussaint

📸 Photo taken by Emilio Madrid

[mizgnomer]

A hair-ruffle for Tennant Tuesday (or whatever day this post finds you)

David Tennant promoting Good Omens 2 on Times Radio (July 12, 2023)

[scimitar-and-longsword]

Charlize Theron as Andromache The Scythian The Old Guard (2020)

Character Intro Post, via @Skydance on Instagram, June 15th 2020

TOG Promo Material (Part 3/?)

[wishjacked]

HEY GUYS! just wanted to shout out the @spiderforestcomics anthology that's currently on Kickstarter!! Here's the link. The prompt for this one is "immortal", all the comics in it center on that theme somehow. :)

It literally only has HOURS left and it's still rather far from the goal! I've backed these anthologies in the past and they're so fun, they've been a good way for me to introduce some of my friends to short comics and webcomics. Here's a couple of comic previews...

The Silence at the End of the Universe by Phineas An immortal being realizes that the universe around them is dying.

~

He Got Better  by Jacki Crabbng Bon can't die. How is he sure? (that Dumb Ways to Die song starts playing really aggressively in the background)

~

Little Light by Toby The sun makes a friend. This comic is set during the prehistory of Toby's webcomic, which has a kind of DnD inspired setting, and I think it's such a fun idea to mash prehistoric and fantasy settings together!!

~

Good Luck Cat by Kaija Harrison A musician realizes her shockingly long-lived cat will likely outlive her and asks for help in finding her a new home.

~

Also, if you end up wanting to grab one of the tiers that includes their previous anthologies, I super recommend the Haunted anthology, that's my favorite one that I've read so far!! (Here's one of the comics from that anthology, so you can see the kinds of comics that their anthologies often have :D)

[dollypopup]

I think it's interesting to look at the 'Mr. Bridgerton' scene as a backdrop for the eventual mirror scene. Firstly, in the fact that I think we've kind of misinterpreted it.

So many people are of the mind that scene's purpose to 'drag' Colin, but really, that scene has 3 primary functions. The first is to inform Colin that Penelope is aware of what he said of her, thus opening the door to clearing the air between them and providing an avenue for which Colin can apologize. The second is to establish the ground that they are currently on: Penelope has given up on the dream of Colin Bridgerton, in particular the perfect prince that can do no wrong, and has made it clear to him. It also creates distance between them that they will bridge.

But the third, and to me the most wrapped up in the mirror and the inner workings of their relationship is that it reveals how Penelope feels about *herself*. It's not necessarily an echo of what the ton considers her as, after all, we have a lot of evidence indicating that, for all intents and purpose, people aren't *unkind* about her, but rather that they ignore her. Audience members recognize this as Penelope's own shyness being the cause, she is often sitting off on the sidelines or not really talking to much of anyone, in the books she's referred to as the 'one who doesn't speak', and her LW business takes her away from being a character in the action of the ton to a bystander, kind of a self-fulfilling prophecy of sorts that perpetuates itself. Pen felt unseen so she became LW to have some power, but then LW herself must remain unseen and Penelope continues to be by design of her own making.

No, I think what it really reveals is that Penelope has incredibly low personal self esteem. We as a fandom has lauded that scene as her dragging Colin, saying that he's cruel and calling him Mr. Bridgerton is absolutely meant to create distance between them, but I don't think she's dragging him.

Because the person she is *actually* dragging here. . .is herself. And it is a general theme in her life. In Whistledown. Aloud. Even with Marina, when she complimented her, she assumes that she's lying. When Edwina says she's wearing a pretty dress, Penelope puts herself down and doesn't believe her, even when the compliment is genuine. In truth, Portia is not seen as being particularly unkind to Penelope. At least, speaking as someone who's mum was *awful* about my size and weight and outfits, Portia is. . .overall rather mild. She's not KIND and loving, not by a long shot, but she's also not targeting Penelope only. She's plenty mean and critical to Prudence, too, even to the point where she foists her off to her own cousin as a pawn piece. Penelope has low self esteem because of a lot of reasons, she's bullied by Cressida (I think a lot of girls are, she was pretty mean even to Daphne in S1) and her family isn't very tender to her, and she's not being pursued at every turn, but part of it is also her own perpetuation.

Listen to what she says "Of course you would never court me" "I embarrass you" "I am the laughingstock of the the ton". She sees *herself* as an embarrassment. She puts *herself* down. Arguably, more so than the ton does. She's meaner to herself than anyone else is, aside from Cressida. And honestly? Looking at Colin's face there. . .he is HURT that she considers herself this way. That she's projecting that onto him. Yes, he's hurt that he hurt her, of course he is, he never wants to hurt her. And yes, he's ashamed that he said he wouldn't court her the way he did and that in doing so, he validated her fears that she is unloved and unwanted, but also because. . .she already feels that way about herself. She's felt that way for years. And it's painful to care about someone, to see them as wonderful, and realize. . .they don't feel the same about themselves at all. I don't think Colin is out here feeling so wounded over the fact that she called him cruel and won't refer to him by first name anymore, but that he's most hurt by what she says about herself.

Because he *doesn't* see her the way she accuses. She says she never expected him of all people to be so cruel, but he feels the same way. He never expected her to be so cruel to *herself*. He wants to go somewhere private, not because she is an embarrassment, but because he wants to have a private conversation with her. Maybe assure her. Maybe explain himself. Maybe hash it out. But god Luke Newton's acting. . .he is *aching* for her. And it feels like he's going to do those lessons not in atonement for what he said (thank god) but to genuinely help his friend who thinks badly of herself. To lift her up. It's not about him at all, not about earning forgiveness, but about elevating Penelope. And that's. . .fuck, I just find that's just so heart stoppingly beautiful.

You can see, in that scene, how much he cares about her. How deeply and genuinely he adores her as a person. And just how painful it is for him to know he has validated, whether on purpose or otherwise, how poorly she feels about herself. How low her self-confidence really is. She is giving him a glimpse into the cracks of her heart, and when he sees them, he wants to reach out with both hands and make it feel better. Make her feel better.

After she says 'even when I change my entire wardrobe', he looks so fucking crushed. So 'don't say that'. So 'you really believe that?'. So 'God, I hate that you think that way'.

Because regardless of it all, he does love her. It's not romantic yet. It's not sexual yet. But he genuinely, truly, from the bottom of his heart, thinks she's wonderful. That was evident even in the 'purpose' scene. Every time Penelope opens up and reveals a facet of herself, he likes it. He likes her barbs and her dreams, he likes talking to her. He likes her. And he feels awful that he hurt her. And he feels awful that she's hurting herself. He loves her. He wants her to love herself.

And that's where the mirror scene comes in. Because the mirror scene isn't about sex, not really. Not entirely, at least. The mirror scene is about *intimacy*. The mirror scene is about being seen. Not just her seeing him, or him seeing her, but for Penelope to see *herself*. In a way, through his eyes. Because hers are biased rather negatively toward herself, which is evidenced in the 'Goodnight Mr. Bridgerton' scene, and in so many little moments we've already gotten where she's literally looking down on herself, feeling down. She doesn't necessarily *like* what's in the mirror, but he does. Because he likes *her*. And he wants to show her that he does. Show her that he finds her beautiful and have her recognize that in herself.

The 'Goodnight Mr. Bridgerton' scene is about Penelope revealing how she sees herself. The mirror scene is about Colin showing her how *he* sees her. The Goodnight scene is about Penelope thinking she means nothing to him, that he thinks of her the way she thinks of herself, that this is how everyone thinks of her, and the mirror scene is a direct response to that: No, he doesn't. No, he doesn't think she's embarrassing. No, he doesn't think she's a laughingstock. No, he doesn't think she's unappealing. And he doesn't think she should, either.

And he's going to show her that. Not just tell her, but show her. The mirror scene is so often a focus on Penelope, so much of Polin is in Penelope's focus, but approaching it from Colin's perspective and his motivations is so fulfilling, too. It's a glimpse into them in conversation, and a demonstrate of how Colin loves her. How Colin loves in general, openly and earnestly and altruistically. How he encourages her to be braver and more confident in herself, bolstering her because he just likes her *that much*. How he finds the most fulfillment and satisfaction in caring aloud. The mirror scene is a demonstration of his heart in reflection.

When Luke Newton said the first word that came to mind with the word 'Mirror' was 'Exposed', he doesn't just mean physically. He means emotionally, too.

God this couple is so fucking good.

[hotdaemondtargaryen]

POSTERS OF GREEN AND BLACK TEAM DRAGONS IN HOUSE OF THE DRAGON SEASON TWO.