#bereczki

[theroidgutarchive]

Krisztian Bereczki at 278lbs earlier this month. So huge! 😳

[haveyouseenthismovie-poll]

[dailymercutio]

25 double-casting ~ @mercutiosometimes

[giuliettacapuleti]

Rómeó és Júlia + text posts

[justmuscle4u]

Krisztian Bereczki 🇪🇺🇭🇺

[fufferfluffer]

lehetsz király

[musical-trash-goblin]

I literally have nothing to say. This is the post. Enjoy

Left: Bereczki Zoltán as Mercutio [Rómeó és Júlia musical]

Right: Lillium White [Countdown to Countdown webcomic] by @velinxi

[kitschy-gillyflowers]

—— “Jégmosoly” (“Kein Lächeln war je so kalt”) from Rebecca ——

LEFT: Bereczki Zoltán as Maxim de Winter & Szinetár Dóra as Én

RIGHT: Szabó P. Szilveszter as Maxim de Winter & Vágó Zsuzsi as Én

[properbloke79]

Krisztian Bereczki

[saltavenegar]

Hi me again. Realized I never shared this to tumblr dot com. It’s a redraw with a fav silly moment between BZ and SZpSZ

[superiorstr8men]

[starboymp3]

i feel so terribly sorry for everyone who has never seen/doesnt even know about the iconic wonder that is rómeó és júlia musical 2005 starring dolhai attila and szinetár dóra and bereczki zoltán and szabó p szilveszter 💔

[i-am-aci01]

Elisabeth musical parallels - Semmi se nehéz / Mint két gálya    (Nichts ist schwer / Boote in der Nacht)

[giuliettacapuleti]

Every friend group should include:

(inspired by this post)

[szollibisz]

Never thought I'd praise french people and hungarian translators in the same sentence, but Lehetsz király may just be the greatest piece of music ever put on stage.

[aliesafenlock]

For the lovely @neednottoneed, with thanks for all the work they have done for our European musical fandom. Nagyon szépen köszönöm!

Images from Budapesti Operettszínház's 2002 production of Cabaret, starring Szilveszter Szabó as the Emcee, Edit Balázsovits as Sally Bowles, and Zoltán Bereczki as Cliff Bradshaw.

This was a fantastic production with lots of queer overtones, directed by openly-gay Hungarian theatre legend Róbert Alföldi. Having seen both in person, I found it comparable to the concurrently running Broadway production at the Roundabout Theatre.

English text of the advertising flyer pictured at the top and bottom:

"The setting is 1930, in Germany. (It is three years before Hitler assumed power: at this point, the Führer-to-be has used resounding National Socialist slogans, written Mein Kampf as a Bible for his movement, and organized the SA, his party's paramilitary force.) The people of Berlin have been asleep since the Treaty of Versailles or barely beginning to stir at dawn. Based on 'isolated incidents,' Berliners are starting to sense that something is happening: why are these National Socialists so wild? After all, their slogans are so promising and attractive. Why isn't Herr Schultz, a small-business owner, considered German if he is Jewish? At the moment the answer is a shrug: these lads are still young; if they are a bit rough around the edges, life will straighten them out. Only Cliff, a young American writer notices - perhaps because as an outsider and the son of a nation woven of immigrants, he is more difficult to fanatize - that, poetically speaking, the sleeping Venus has conceived and is about to give birth to a monster. The unique merit of 'Cabaret', reaching well beyond its own meaning - and possibly the reason for its worldwide success - is that it presents this monster as a cub. Like all young animals, this cub snaps occasionally, but that's only natural - it is merely sharpening its teeth."

@cooter-n-tooter the Hungarian Cabaret production!