#bentley r type
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carsthatnevermadeitetc · 3 months ago
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Bentley R-Type Continental Coupé, 1954, by Pininfarina. There were 207 R-Type Continentals made but only chassis #BC 49 C had bodywork by Pininfarina. It was presented at the Turin Motor Show
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blueiscoool · 6 months ago
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1953 Bentley R-Type Continental Fastback Sports Saloon by H.J. Mulliner
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diabolus1exmachina · 2 years ago
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Bentley R-Type Continental Fastback Sports Saloon (1 of 207). 
When Rolls-Royce’s Chief Projects Engineer Ivan Evernden set out to create a high-performance Bentley for the 1950s, his challenge was to meld refinement and sophistication with true pace. Though no easy feat, the goal was achieved with aplomb. A top speed of around 190 km/h awarded the Continental the status of the world’s fastest four-seater, yet the R-Type retained all the luxurious qualities associated with the Bentley name. When unveiled, the Bentley was one of the most elegant cars ever produced—an accolade it still carries to this day.
Clothed in aluminium bodywork by H.J. Mulliner, the Continental gained a performance edge thanks to its relatively light weight and carefully honed aerodynamics, courtesy of the Rolls-Royce wind tunnel. Beneath its skin, the car employed the same “cruciform” chassis and running gear as its saloon sister models, while mechanical upgrades were surprisingly few. The model cost £6,928 at a time when the average UK annual salary was £468, meaning only the wealthiest of enthusiasts could afford this decadent masterpiece. As a result, the production run ended with 207 units after a three-year run.
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wheelsgoroundincircles · 2 years ago
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1953 Bentley R Type Fastback Coupe La Sarthe
1953 Bentley R Type Fastback Coupe La Sarthe by Bensport
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garlic-sauc3 · 1 year ago
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I think kon should take tim to an old car show. as a treat yknow
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mystic-orb88 · 1 year ago
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Ineffable.
I DREW A PICTURE, GUYS. SEASON 2 HAS RUINED ME, YA'LL. ALSO PLEASE BE NICE TO MR GAIMAN AND HELP RENEW THE SHOW.
Under the cut are some things I want to discuss. Spoilers ahead, so be warned:
I kinda think the coffee theory has a good chance of being true, given all the research and speculation by fans. I hate The Metatron. I hope he dies.
Laudanum-High Crowley is a celestial treasure. So is Angel Crowley. And yes, even when he was tackily disguised.
WHY IS INNEFFABLE BEAUROCRATS LEGAL, BUT MY PRECIOUS-SLOW-BURN-BEST-LOVE-STORY-OF-ALL-TIME CAN'T BE REAL??!!
AHHHHHHHH I HATE GABRIEL BUT HE'S HILARIOUS.
As a Bentley admirer and model collector, I am infuriated by the golden Bentley. But I can't stay mad at her. That was one of my favourite scenes, and it was gloriously fun, too.
People keep saying the kiss was too long and looked too tense, but c'mon. Can you seriously imagine trying to, in a desperate, last resort plea, confess the love you've felt for someone over the course of over 6000 years in a single kiss?? Brilliant score over that scene too, might I add.
I'm terrified and always have been since I read the book years ago, that Heaven and Hell will condemn Aziraphale and Crowley to human lives. I don't think that'll be incredibly likely, with Mr. Gaiman being the annihilator of cliché, and all, and with Gabriel and Beelzebub tottering off on their merry way. However, I do not. Trust. The. Metatron. Did I say I hope he dies?? I hope he dies a horribly hell-fire-ry mess of a death.
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trstmeimaliar · 2 years ago
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1954 Bentley R-Type
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englishcarssince1946 · 2 years ago
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1952 Bentley R-Type Saloon
My tumblr-blogs: https://www.tumblr.com/blog/germancarssince1946 & https://www.tumblr.com/blog/frenchcarssince1946 & https://www.tumblr.com/blog/englishcarssince1946
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crownedstoat · 2 years ago
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Old and new Type Rs
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illuminated-fox · 10 months ago
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Bentley R-Type
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duckduckduckbear · 10 months ago
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Bentley R Type
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carsthatnevermadeitetc · 5 months ago
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What a difference 72 years makes juxtaposition of Bentley R-Type Continental Sports by Mulliner, 1952 & Bentley Continental GT Speed, 2024. The new generation Continental becomes the most powerful road going Bentley ever created thanks to a 782 PS, 1000 Nm ‘Ultra Performance Hybrid’ powertrain. It uses the VW Group 4.0-litre V8 working in tandem with a 190 PS electric motor to achieve 0-60 mph in 3.1 seconds (0-100 km/h in 3.2 secs) and a top speed 208 mph (335 km/h). There's also 50 miles (81 km) of usable electric-only range and total range of 534 miles (859 km) for those trans-continental trips.
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welovedoll · 1 year ago
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1954 Bentley R-Type
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frenchcurious · 22 days ago
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Bentley R-Type 4.9-Litre Continental 1954. - source Amazing Cars.
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chaotic-orphan · 4 months ago
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Intoxicating Fear (XVIII)
New Player on the board
Part one // Masterpost // Continued from here
This part is dedicated to @neongalaxiie for their comment that made me smile today, I hope you enjoy!
*~*~*~*~*
Ambrose got Kit into the car with relative simplicity. He was surprisingly lighter than before, which didn’t concern Ambrose. Not at all, it was just some information he stored in his head in case he needed it in future. Perhaps this time Ambrose can actually feed the hero properly…
Well, he could decide all that on the way. Right now he had to decide whether or not to throw the hero in the boot or in the backseat. He settled on the backseat, it was easier to keep an eye on the hero in case that red lightning guy came back.
Ambrose suppressed a shiver at the thought of that. That thing wasn’t Kit Mallory. Or, not the one Ambrose knew anyways. It did add to his curiosity about the boy, what kind of life he lived with Mentor. Ambrose set him in the backseat sitting up, hands cuffed in front of him with power dampeners just in case. He strapped the seatbelt over Kit and plugged it in before slamming the door shut and walking around to the driver’s side.
Ambrose didn’t exactly drive… under the radar. He was what his assistant would call a petrolhead, and it wasn’t a nickname he loathed. Ambrose had loved cars since he was five and his parents brought him to a vintage car show. He could still remember the first time he sat behind the wheel of a 1954 Bentley R-Type continental, he knew that he had to have one. A car that was, not a Bentley, he wasn’t some wedding chauffeur.
His obsession with cars only grew from there, from his first Volkswagen to now. His beast, his beauty, his pride and joy: a 2016 Rolls-Royce Wraith, with a monster 6.5 Litre Twin-Turbo V12 engine under the bonnet, custom painted black exterior. He had to get Tony to paint the door handles too (who almost cried when she saw it). Ambrose replaced the original wheels with forgiato wheels to add to the sleekness of the car. Original white, leather interior still as good as the day Ambrose bought it.
He loved it more than anything in the world.
And it was all his.
It represented everything that he wanted people to associate with him. Elegant, opulent, and functional, above all functional. The grace, style and status were just perks that came along with it.
It was late, close to ten when Ambrose got onto the main road. He could take the quick way through the backstreets to his house, but he hadn’t seen the city of like lights for what felt like a long, long time. He took the left into the city and drove along at a leisurely pace.
The radio was playing softly in the background, the Wraith’s purrs making up most of the background noise. Ambrose let out a soft sigh as he pulled up to a red light. He glanced in his rearview to see Kit still fast asleep. No red veins or blue ones, his head lolled against the window.
There was something so innocent about the gesture that made Ambrose look sharply away, eyes turning front again. He never had a little brother or sister, but in that moment, some small part of him — some delusional, sentimental part — wondered if this was what it was like. Checking the rearview to make sure that his brother was sleeping soundly, that he wasn’t showing any signs of pain or distress, or psychotic mania.
He wondered if he would be a good older brother in this hypothetical. Then he quickly disregarded the thought. Such a silly little thought experiment. Besides, of course he would be a good older brother. He would be the best, hands down, no doubt about it. Even if his passenger in the backseat would disagree.
His mind was wandering dangerously, simply because it was so quiet. It had to be because it was quiet, so Ambrose turned up the radio louder, but the song that was playing just ended. Instead a news reporter started speaking urgently.
Ambrose shook his head, tapping his fingers on the wheel when the light turned green just beside Hero plaza: well, Mentor’s memorial garden, more specifically.
“Stay out of the city tonight, there is a rogue Villain, perhaps Supervi—”
Ambrose didn’t get to hear the rest of the news report. When the light turned green he was already moving past the intersection, heading straight, driving through the Hero Plaza in the centre of the city.
His eyes were fixed forward so he didn’t see the hailstorm of debris from a shattered building coming from the right. He didn’t see the Supervillain levitating where Mentor’s statue should have been.
Ambrose didn’t see what was happening to his right. More like he heard it. A sudden onslaught of panicked thoughts that weren’t his raced through his mind and he panicked along with them.
What! They’re never this strong! Not unless— Ambrose glanced to his right and saw Villain levitating ten metres off the ground. As if meeting his gaze, the villain threw his hands forward and a hailstorm of debris went racing towards them.
Ambrose hit the gas, manoeuvring the gears quickly as he took off. The debris fell behind the Wraith, some stones clipping the tail end as he swerved a sharp corner, trying to cut off Villain’s eyesight from the car.
Of course, this was the same moment that Kit woke up. His head hit off the window of the car and he groaned, reaching his hands up to rub the bump. “Ambrose?”
Ambrose’s black eyes caught Kit’s in the rearview mirror. Something hard in them alerting Kit to the danger. “We have a problem.”
“A problem?”
Just as Ambrose was about to drive back into Villain’s sight line, debris like meteorites fell in front of them, tearing up the road ahead of the Wraith. Ambrose slammed his foot on the brakes and the pair jolted forwards in their seats.
“What’s going on?!” Kit demanded, searching the windows to try and see what the commotion was all about. Behind them Kit could see a pile up of cars, people screaming and sirens already blaring. “Ambrose!”
Ambrose’s grip on the wheel was white-knuckled, his face paler than usual as his chest heaved up and down. “There’s a Villain by Mentor’s memorial garden.”
“What?! Let me out!”
Ambrose didn’t reply. Kit went to unhook his seatbelt but Ambrose stopped him. “Kit! It looks like they have telekinesis,” Ambrose said through clenched teeth.
It felt as if the debris fell on Kit’s chest, crushing it from the inside out. A disbelieving what? fell from his lips. His vision seemed to narrow to a pinpoint, his lungs slowing his breaths. His voice raised a little hysterically: “what do you mean they have telekinesis?”
“It’s just what I saw.”
“Well you saw wrong!” Kit argued, his eyes wide and desperate. “The chances of another telekinetic—”
“I know—”
“Do you hear what you’re saying?! There’s no way—”
“I KNOW!” Ambrose barked. His own emotions thrown through a loop at the information.
A long, choking silence passed between them, though they were both thinking the same thing: that Villain can’t be Mentor.
~*~*~*~
Four blocks away a new Supervillain was making their mark in front of the Hero plaza. He was levitating off the ground, bits of debris from Mentor’s memorial statue circling around him like moons of Saturn.
Superhero tried not to think about how much this Supervillain reminded him of Mentor. He really tried not to think about it, but he couldn’t stop himself. The likeness was uncanny, and it was rare for two people with the same abilities to emerge in the same city. It happened but it was rare.
Telekinesis. And not just that, a mastery of his ability, how effortless the destruction seemed to him. An unwillingness to yield.
This must be Supervillain, and if it was Superhero was hesitant to engage. Which sounded terrible as the leader of the Heroes but, even leader’s get scared.
Supervillain was fighting four seasoned Heroes and Superhero all at once — not to mention Tides who was the only new recruit there — without breaking a sweat. Superhero had tried to call Kit, but no luck. Supervillain’s face was covered by a mask and he wore civilian clothes, as if this was a casual affair for him. Like he just walked off the streets and decided, why not cause some chaos? Sirens and emergency services rushed to the scene of people in need, people who had been hit by the debris.
Thankfully, it looked to be a small amount of casualties due to how late it was, but still. Something was wrong with the scene, and Superhero needed to find out what. If that Supervillain… was actually Mentor or not.
And if so, how? How was he here? Why had he escaped and turned out like this? What was going on?! A Supervillain? Threatening the city? That wasn’t Mentor’s way… unless this was Omen’s plan all along, to destroy the legacy of a great man. To make the great man a monster and destroy it himself.
Supervillain inclined his head at Superhero, raising his hand palm up and flexing his fingers goading Superhero into a fight. Superhero lunged for him, bouncing from one building towards Supervillain. When he was in mid-air, Supervillain made a wide sweeping gesture with his arm and a hurricane of rocks and concrete hurtled towards Superhero.
He dodged between the initial wave, but he didn’t expect the second. Mentor’s stone arm caught him around the waist and the pair went flying into a building.
While Superhero was distracted, Supervillain turned his attention to Tides. He aimed for the water under her feet keeping her in the air, wiping it away with a sweep of his arm. Tides cried out as she started to fall, but Supervillain caught her, keeping her suspended in mid-air.
Superhero recovered quickly, and went soaring again, taking the wind in his wings with a grin. It felt so good to let them out again. His eyes zeroed in on Supervillain, hoping he would realise Superhero was behind him too late and they could all go home and sleep in their beds tonight.
At the last second, right before Superhero made contact with Supervillain, Supervillain turned their head to Superhero. Superhero’s eyes widened but it was too late, they had committed to the movement, already in mid air. With a sweep of his hand, Supervillain sent Superhero back two blocks, tumbling onto a rooftop. His wings wrapped around him cushioning his fall as he rolled.
Supervillain turned back to Tides who was struggling in his hold and shot towards her. He grabbed her by the neck, and threw her down onto a roof behind her. Tides almost passed out from the impact, her entire body arching as breath was stolen from her lungs. Her body bounced off the concrete, like she was a rag-doll being thrown before rolling to a stop, gasping in air. Supervillain followed her with easy steps, before kicking her onto her back and standing above her. He pressed his foot down on her chest.
“Where’s Malyn?” Supervillain asked, tilting his head. Tides cried out as Supervillain’s foot gathered telekinesis behind it and forced her down into the concrete, cracking the roof around her. A small crater Tides shaped now etched on the rooftop.
“I won’t tell you,” Tides said through gritted teeth. The pressure increased and Tides screamed, her hands flying to Supervillain’s ankle and clawing at it, trying to get it to budge. Supervillain put his hands in his trouser pockets, as if this were a casual conversation, like he wasn’t even breaking a sweat.
“Tell me or I’ll break every bone in your body, Tides.”
Tides abandoned trying to dislodge Supervillain’s foot, and instead gathered a canon of water behind him. She splayed her fingers and the canon blasted towards Supervillain before losing momentum as Tides let out a blood-curling scream.
Her wrist snapped like a twig, leaving her arm useless as she tried to summon water. The pain was blinding, but Supervillain didn’t let up for a second, moving his foot idly from her chest to her broken wrist.
“Where,” Supervillain asked again, leaning forward so more of his weight pressed on Tides’ wrist. “Is Malyn?”
“I don’t know,” Tides cried out, her mind going blank as the pain burned through her, tears blinding her. “I don’t know! I don’t!”
“Hmm,” Supervillain hummed above her. “I don’t believe you.”
Tides screwed her eyes shut and looked away, not wanting to see the final blow coming. She wasn’t masochistic enough for that, quite happy to live in blissful ignorance.
Then the pressure was suddenly off her with a thump of body meeting body and Tides' eyes flew open. Supervillain was gone, and Tides took to sobbing. She glanced at her mangled wrist and felt bile climbing her throat. Every breath was an effort as she tried to sit up and failed, opting to just lay on the roof, motionless and cry.
Superhero shot like a bullet, barreling into the new Supervillain and flying away from the city to the local park instead where there would be far less casualties. Superhero threw Villain down to the ground with a terrifying force and floated down after him.
~*~*~*~
Ambrose kicked the car into reverse just as Kit saw two figures flying over the night sky. “Ambrose! We have to go after them! That’s Superhero!”
Ambrose hooked his arm over the passenger seat, turning to look back out the window as they reversed.
“Do I look like I care?” Ambrose asked, meeting Kit’s glare. “Genuine question, Mallory. Do I look like I give a shit what happens to the number one fuck up in the city? Cause if I do, I need to fix that.”
“This isn’t some joke! Stop the car. Let me out! Let me go, Ambrose.”
“No.”
“That could be Mentor!” Kit yelled after Ambrose turned front again and manoeuvred around the debris in the road. Kit huffed out a breath through his nose reaching for his seatbelt.
“Don’t touch your seatbelt if you know what’s good for you, Kit, I swear to God. I will knock you out again.”
Desperation rose in Kit’s stomach as Ambrose took a backstreet shortcut to get out of the city. Kit could only watch as they passed the park. Superhero was hovering over the trees, throwing a body down into the grass when Ambrose sped past.
~*~*~*~
Supervillain rolled until he gained ground beneath his fingertips and got to his feet two metres away from Superhero.
“Who are you?!” Superhero demanded, voice livid.
Supervillain tilted his head but said nothing. Superhero’s lip curled back into a snarl and he shot off again, leaving a small crater where his feet were. Flying wasn’t exactly a great superpower, but it was what Superhero had and he learned to use it to his advantage in fights.
He flew at Supervillain, drawing his fist back with a roar and aimed for Supervillain’s cheek. Supervillain lifted his forearm, diverting the blow. He punched Superhero in the gut, a jab, then an uppercut. Superhero dodged back, pushing off his heels as his hands outstretched going for Supervillain’s porcelain mask.
Supervillain ducked, swiping Superhero’s legs out from under him. Superhero dropped, his back barely hitting the ground before he launched himself towards Supervillain.
Supervillain moved with speed and grace, as if he’d been fighting all his life, and he didn’t even seem to be breaking a sweat. Superhero, on the other hand, was tiring quickly, not used to the amount of power and focus he was using to try and land a hit on Supervillain.
Supervillain went to sweep his arm. Superhero caught it with a death grip, grinned and spun. Planting his left foot in the ground he pivoted and threw Supervillain as far as he could. Supervillain went flying backwards, getting caught in the leaves of a tree. The branches split and broke around him, a tear in the earth opening from where Supervillain had split the tree open to let himself down.
He wiped the leaves off his shoulders and Superhero grinned. Maybe he can be beaten. Superhero launched himself at Supervillain again, not giving him a chance to recover.
“Enough playtime.” Supervillain said.
Supervillain lifted a hand lazily and Superhero froze in mid-air, the air turned against him, freezing him in place. Superhero’s eyes widened. That’s not possible. There’s no way that he’s… that that’s Mentor, there’s…
Villain walked slowly towards Superhero, taking his sweet time about it. He stopped in front of Superhero, mask to face. “Don’t you recognise me, Superhero?”
Superhero flinched at the voice. It was disguised, which… no, there’s no way that was Mentor. Mentor was always transparent and never wore a mask. He wouldn’t.
But then again… that’s when Mentor was a hero, a symbol of peace and justice in the city.
Villain reached out and grabbed a fistful of Superhero’s hair, yanking his head back. Superhero grit his teeth but didn’t cry out. “Where’s Malyn?”
Superhero’s shock must have shown on his face. “What?”
Villain yanked their neck back farther and Superhero couldn’t contain the groan from the strain. “Malyn. I want him. Now. Where. Is. He?”
Superhero frowned. Surely Mentor would know where Kit lived? But then… no, he wouldn’t. Kit moved after Omen drove Mentor crazy.
“You won’t find him.” Superhero said, huffing a breath out through their nose. Supervillain hummed. He stepped back and clicked his fingers. Superhero’s body moved at an impossible speed, back snapping against the bark of a tree and Superhero cried out.
Supervillain didn’t stop. He was dragged back along the dirt by his ankle, as if being pulled by an invisible lasso. He blacked out from the blow, but his brain shot him back into consciousness as his back was dragged harshly over the terrain. Supervillain came into view again. Superhero’s body was forced up as if suspended from the air, hanging like a limp puppet.
“Malyn, Superhero. I don’t have the patience for this game of cat and mouse.”
“Why… why are you—” Superhero’s breath hitched as his body contorted against his will. “D-doing this?”
“I want the boy. If you don’t bring him to me in three days, I will destroy the rest of the city, and all of your pathetic heroes.”
Supervillain closed their hand into a fist and Superhero screamed. “Have him meet me at the Hero Academy, 10pm. Alone. Any funny business and I’ll make sure that Tides dies, do you understand?”
“T— Leave Tides alone! Take- take me!”
“Oh, I would,” Supervillain said, opening his fist again. Superhero fell to the ground, his head slapping off the dirt. Supervillain crouched down in front of him and with a gloved hand tilted Superhero’s chin up. “But you have the best chance of getting me what I want. The boy for Tides. Hero Academy. Three days. 10 O’clock, got it?”
Superhero let out a broken breath of air which Supervillain took to mean yes. Villain slapped Superhero’s cheek. “Good boy. At least you still know how to take orders.”
Villain disappeared after that, leaving Superhero shaking in the dirt.
~*~*~*~
Ambrose didn’t even bother to make Kit forget the way to his house. If he was honest, he was exhausted. This was not how tonight was supposed to go. They pulled up to Ambrose’s house, stopping in front of two giant gates. Ambrose pressed a button and the gates opened.
“What are you, Batman?” Kit asked as he took in the mansion they were driving into. Ambrose chuckled at the comment but didn’t reply. The gates closed behind them as they drove in. The driveway was long, like something out of a movie and had a fucking roundabout at the entrance to the house.
Ambrose opened the door and stepped out. He walked around to the passenger side and opened Kit’s door, pulling the seat forward. “You can get out now, child.”
“I’m not a child,” Kit grumbled, obeying the order.
“Yes, you are,” said Ambrose with a sigh. He slammed the door after Kit got out, locking the doors over his shoulder with a click of his keys and a flash of lights. “You don’t do anything without being told, and you push boundaries like a fucking toddler.”
“Yeah, your stupid enforced boundaries because you’re a fucking control freak, and everything has to go Ambrose’s way! Right?!”
Ambrose ignored him, unlocking the door to his house and holding it open from Kit to follow. Kit scoffed and walked inside.
“You know this whole silent brooding thing is really starting to piss me off!” Kit told him.
Ambrose shut the door and locked it. “Your irritation is duly noted. I’ll file it under I don’t give a fuck.”
Kit whirled on Ambrose again, about to tear him a new one but paused. Ambrose stood pinching the bridge of his nose, letting out a long, laboured sigh. Kit bit back his gripes.
“Tell you what,” Ambrose said eventually. His voice soft and so un-Ambrose like. Tired, Kit realised. It was as if all energy had been zapped from him after the drive, and maybe it was. Adrenaline had a habit of doing that to you. Ambrose took the key for the cuffs out of his pocket and tossed it. “You can sleep on all of the names you want to call me, and tell me over breakfast tomorrow.”
Kit caught the key, eyes wide with surprise as he unlocked the cuffs around his wrist. He glanced up at Ambrose, but Ambrose was already making for the stairs with tired movements. He lifted a hand without turning back to face Kit.
“Take whatever room you want. I honestly couldn’t care less.”
Kit stood shocked as he watched the villain ascend the staircase straight from the titanic to the second floor. Disbelief ebbed to his own wave of sleep that overtook him and he followed Ambrose up the stairs. He could think more tomorrow. Sleep would bring clarity. He could think logically in the morning.
Kit took the door closest to him and kicked off his shoes. He pulled his jacket off, unzipping his jeans, stepping out of them as he fell into— fuck this was probably the most comfortable bed he ever lay on.
That was his last thought before the blackness swallowed him, eyelids falling heavy over his eyes.
*~*~*~*~*
Continued here
Orphanage roll-call (lmk if you wanna be added or removed): @beatenbruisedandbloody @404lunar1216 @whumpyworld @nameless-beanie @andithewhumper @annablogsposts @whumpasaurus101 @0eggdealer @rejectedbytheempty @sleepy-pearl @n3rv0usn0v4 @whumpatize-me-captain @sunshiline-writes @burningkittypoet @honeyed-euphrates @sacredwrath @theonewithallthefixations @acer-gaysimpstuff @m3rakii @xxgalgurlxx @princess-bubble-blossom @blood-enthusiast @steh-lar-uh-nuhs @andtheysaidspeaknoww @dutifullykrispyland @mononeigbour @tippytappytyping @stefaniesblogs @shinokoro @bedtimescenarios @whatwhump
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humbledragon669 · 2 months ago
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S2E1 - The Arrival Write Up P5 - the Present Day from Crowley’s arrival at the coffee shop up to his entry to the book shop
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Alright, buckle up, because despite the fact I said I wasn’t going to be so detailed, there is A LOT to cover in these next couple of scenes, and it is ALL about the subtext.
The first thing I picked up on is mere seconds after Crowley gets out of the Bentley, because despite the fact that Aziraphale told him to meet him in the coffee shop (literally 2 minutes previously, if we’re to believe the demon’s time estimates), his reflex is to go straight to the book shop as soon as he’s out of the car:
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That is one hard-wired reflex, isn’t it? He’s several steps into his approach before he realises that’s not where he’s supposed to be going. Cute. Not so cute is the foreshadowing that we can see on the board outside the coffee shop:
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It’s not easy to make out in this little screenshot, but it reads “Life begins after coffee”. Knowing how intricately designed this series is with the Easter eggs and references, I can’t help but believe this is alludes to what is planned to come in season 3 (after Aziraphale’s coffee). That’s the simple solution. The letters in this simple phrase can actually be rearranged into something else however:
L I F E  B E G I N S  A F T E R  C O F F E E
===============================
I F  C E E  F O R G E T S  I N E F F A B L E
Obviously I would interpret “CEE” as Crowley in this potential Clue, and the reference to “ineffable” being the Ineffable Plan. So expanding the phrase becomes “If Crowley forgets the Ineffable Plan”. But that would mean that the demon either currently knows or has previously known the details of the Ineffable Plan, which is in theory impossible (unless he was also God). And what’s the rest of the sentence? What happens if Crowley’s memory does empty of those details? I don’t have any answers to these questions, all I know is that the ability to rearrange those letters into something that makes incredible contextual sense cannot be coincidental.
This next scene in the coffee shop is one of my absolute favourites across this show - there’s just so much to it! Before we get into the weeds with the conversation that’s about to ensue, I just want to pick up on the background music being used here: it’s an instrumental version of Bohemian Rhapsody, possibly for a string quartet. In the write up for episode 5 of season 1, I hinted that there might be something to look at about music when it’s used as an “in-universe” element (rather than when it’s used as soundtrack for the audience), and this is a great example of that. We know that pretty much all music that plays in the Bentley (at least when Crowley is driving it) is by Queen, whether that was the original choice of the passengers in the car or not. That combined with Queen’s music being frequently used in the soundtrack to represent Crowley means that we, the audience, have come to associate anything that sounds remotely like Queen with the demon. Likewise, we have been given a lot of information to suggest that the same applies to classical music being associated with Aziraphale. What we have in the background of the coffee shop in this scene is an example of the merging of the two very different styles to produce a rather beautiful result, where both styles can be recognised and heard, whilst also projecting an air of individuality of its own. Here’s why I think this is interesting – this is exactly how we’ve come to think of the relationship between Crowley and Aziraphale. Furthermore, the fact that the music is playing in-universe here would suggest, if my badly formed (and yet to be written up) ideas about Crowley are correct, that its presence is the demon’s (possibly subconscious) doing in the first place.
One last thing before I start looking at the conversation: How gorgeous is that camera one-shot as it passes “through” the coffee shop window? We see quite a few of those types of shots in this show, and they’re always seamless. The benefit they add to the flow of the storyline is undeniable.
OK, I lied. This really is the last thing before I get to the conversation. I am not ignoring the fact that the walls in the coffee shop could be littered with Easter eggs in amongst all the “graffiti” there. I have been collecting screenshots of the walls in the scenes when I can, and will put together a collage of them at some point. I’ve yet to find anything of particular interest, but I also feel like somebody has already done quite a bit of research into this, so I’ll see if I can find that post before I talk about it any further.
Alright, finally – our hero couple are united in the present day for the first time in this season! Here’s our first reminder of the familiarity that exists between them:
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Aziraphale looks over his left shoulder to see if Crowley has appeared yet because that’s “Crowley’s side”. He actually seems to get quite the fright when he suddenly detects a presence on the opposite side of him.
I love the insight we get from Crowley reeling off the reasons that Aziraphale calls him: finding out that the angel instinctively calls the demon to satisfy his need for intellectual engagement (when he’s bored), for approval, or for help when he needs it highlights just how intricately woven into one another’s lives they are. I think it’s the middle of those points that strikes the biggest chord with me though; that the only person Aziraphale wants to share his successes with is Crowley speaks volumes, and it’s the only one of the three points he feels any need to defend (which in turn tells us how highly he thinks of Crowley). The familiarity that comes out of this speech just oozes, and I absolutely love how casually the demon delivers it.
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Here we have the start of the next part of the case for my “Aziraphale and Crowley are already together” theory. Notice how the angel asks Crowley if this mega-espresso has calming properties:
AZIRAPHALE: Does it calm you down?
Not does it calm people down. Specifically “you”, which in this case is Crowley. Aziraphale knows that what he’s about to tell Crowley is not going to go down well, and wants to make sure the demon is as calm as possible, which he recruits Nina in to help with:
AZIRAPHALE: What do you sell that calms people down?
Again, the words here give the game away; he doesn’t ask what would calm “him” down, but what item would be particularly useful for calming other people down. Those Eccles cakes aren’t for him, they’re for Crowley. And why on earth Nina says that these calm people down, I have no idea – I’ve certainly never heard of them as having particularly restful qualities. You would have thought that maybe a chamomile tea would be a better solution.
If we combine all of this information with THAT look from Crowley and THOSE looks from Aziraphale (you know the ones, but I’m going to GIF them below anyway – I do love it so), I think the case for believing this pair to be secretly romantically involved already looks pretty strong.
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There is a LOT going on in that tiny snippet of film so let’s break it down a bit. First we have this look of dread from Aziraphale when Nina drops him in the shit:
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That is guilt, embarrassment, fear, desperation, and chagrin all wrapped up in one right there, and there’s really only one thing that tends to bring that complex mix of emotions to the fore in people – getting caught doing something you know very well you shouldn’t have been doing in the first place. And Crowley’s reaction tells us everything we need to know about how he feels about this new and shocking piece of information:
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There is one phrase that comes to mind when I see Crowley’s expression here: “EXPLAIN YOURSELF”. That little head tilt at the end says that loud and clear. Most importantly for my case, there is no amusement on his face at all. He’s not entertained by this rather amusing turn of events, he’s fuming, as his expression makes very obvious.
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And Aziraphale knows very well how much trouble he’s now in:
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The wide eyes, increased breathing, inability to get his words out, and pathetic protestations – he is floundering here, badly. As well he should.
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There are two more indicators here that there is something more going on between the two of them that is being overtly stated at this point in the storyline. Firstly, there’s that look he flicks over to Crowley to check in with him and see where the demon is in the emotional journey. Secondly there’s the appropriate look of somebody absolutely cowed by a sequence of events:
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Bless his little cotton socks, he’s so ashamed. It’s such a childlike expression, exactly what you’d see if somebody had been reprimanded for something they knew they shouldn’t have done, didn’t have any good explanation for why they’d done it, and can only say how sorry they are in their own defence. Lastly (for this exchange anyway), we can see that Crowley is still awaiting his explanation at this point, even if we (very sadly) don’t get to see his expression:
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Out of focus as Crowley’s face is, it’s still clear to see that his gaze is firmly fixed on Aziraphale. His attention is only diverted when Nina asks him a direct question. So, to sum all of this up: Aziraphale’s shame and desperation and Crowley’s indignant expression – that’s really all it took for me. This pair are a couple at the very least, more likely married. End of. Case closed. However, if you’re still on the fence, there’s one other thing that might push you over the edge. Listen, VERY CLOSELY, to the music in the background here:
Just after Nina says the phrase “naked man friend”, you can hear a very high-pitched note in the string arrangement, followed by a small pause. Almost like the music has crashed to a halt with the shock of the information that’s just been given (I’m sure you know what I mean – it’s a pretty common device to use in media). If that’s not a coincidence, that would further strengthen my ideas about Crowley influencing the music around him, and provide some more evidence for how he’s feeling at that particular time.
Right, let’s move on to the next piece of evidence for my case:
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This is so lovely to me. How could he possibly sum up what he and Crowley are in one tiny sentence? Not only that, it’s clear he doesn’t know how to describe the situation between them without lying. He could have said they were friends (not entirely a lie, not entirely the truth), or even work colleagues (ditto). Instead, he says the only thing he can think of that is definitely true. And as a quick side note, both he and Crowley are so focussed on the mess that the angel has found himself in here, they miss the quick once over Nina gives the demon as she leaves the table.
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There’s something really primal in me that makes me want to pull her hair and scream at her to stay away from him, like a crazed jealous teenager. I have no idea why; we all know Crowley has absolutely no interest in anybody or anything other than Aziraphale. Besides, he’s fair too concerned with reminding Aziraphale that he’s still in trouble.
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Whoop, more evidence to add to my case! This is so beautifully done – Crowley changes the subject, thinking to lull the angel into a false sense of security, only to bring it immediately back to the issue that he clearly feels still needs to be resolved (and rightly so), and his expression clearly tells Aziraphale that this conversation is far from over, that he’s still not amused, and that he’s still waiting for an explanation:
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Now that Aziraphale hasn’t got someone watching on, he’s become a little bit braver, actually managing to speak some of his defence, but I think it’s pretty obvious he knows there isn’t going to be anything he can say or do in the coffee shop that will resolve this situation. And if there was any doubt about that, Crowley’s gesture after downing his mega-espresso (which I find almost threatening) is clearly meant to be a reminder that he is still pissed about things.
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Message received loud and clear:
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In another casual display of intimate familiarity, and despite Crowley’s clear displeasure with the situation, he still holds the door open for his angel (ever the romantic). There is something going on in this shot here that I find interesting though:
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What is that look going on between Nina and Crowley? This is an odd one, not least because of that once over we saw her giving him earlier on. And unfortunately we can’t see his face in this shot to be any degree of sure. To me it feels almost territorial, in a reverse sort of way – as if Crowley is making sure Nina bears witness to his romantic gesture, delivering a subtle but clear message about his interests. I’d buy into that totally if it didn’t run completely contrary to the need for them to hide their relationship. What I do like about this little interaction, and Aziraphale’s behaviour during it, is that we’re already being shown that this pair are still really bad at picking up on the other’s cues – whilst Crowley is busy pissing on a lamp post, Aziraphale’s face is giving away just how worried he is about what’s about to come:
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Alright, final thing of note for this part, because this seems like quite a neat place to stop. Remember way back when I said that those Eccles cakes weren’t really for Aziraphale, but for Crowley? (Side note - way to go, stealing crockery from a local coffee shop Aziraphale, I hope you took it back at some point. Not that Nina seems to give much of a shit. Such odd behaviour.) Well we’re about to see the realisation of that.
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Alright, I know, it could just be that Aziraphale hands the plate to him so that he has both hands to find the right key with (another side note – what are all the rest of those keys for?) but there’s a fleeting expression on Crowley’s face that suggests otherwise, as if he’s just now realising that the food is really for him:
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He’s really not impressed with the quality of this peace offering, is he? Which is unsurprising, given that he’s not the one of them that has a burning desire to inhale anything that tastes good. At best, he might get to see Aziraphale eat it later I suppose. He’s gracious about his gift at least, because we don’t see him hand the plate back to the angel after the door is opened (in fact we’ll see it placed on the pedestal that the statue he uses to rest his glasses on later).
Right then, I have yet again wittered on quite long enough about this very small piece of film, so let’s wrap this up here. I’m hoping that now we’ve had the reunion of our hero couple in the present day, and the main establishment of the premise of the season, my write ups might get to be a little less picky (with some exceptions for notable scenes), but I guess we’ll find out. For now though, and as always, questions, comments, discussion – always welcome. See you next time 😊
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