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religion-is-a-mental-illness · 3 months ago

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By: Benjamin Ryan

Published: Oct 24, 2024

[ That’s a quote from a talk that pediatric gender medicine doctor Johanna Olson-Kennedy gave in which she was dismissing concerns about young people potentially regretting getting double mastectomies for a gender transition. ]

Some of the biggest names in the pediatric gender medicine field are part of an entrenched global trend in which they prioritize the transgender advocacy mission over honest and direct science. They hide inconvenient research findings. And they seek to prevent other researchers from even asking questions that might yield inconvenient answers. Supporting them is a cabal of activists and LGBTQ nonprofits standing at the ready to bully and cancel any scientists or journalists who might bring to light any of the more questionable aspects of pediatric gender medicine.

This pattern is not just limited to Children’s Hospital Los Angeles’ Dr. Johanna Olson-Kennedy. If you haven’t already heard, according to reporting in The New York Times, this major leader in the pediatric gender medicine field has been sitting on null findings from her National Institutes of Health–funded study of puberty blockers for gender dysphoric children because, she said, publishing them would prove politically inexpedient. (I wrote about an undercover video of her talking about mastectomies here.)

Where have we heard this story before?

Let’s take a trip across the pond to the British National Health Service’s now-shuttered pediatric gender clinic, GIDS. (I encourage you to read all about this troubled clinic in Hannah Barnes’ book Time to Think. Make sure to get the new 2024 U.S. paperback, which has a vital new epilogue.) After it was founded in 2011, GIDS’s leaders sought to recreate the findings of the original Dutch protocol that was first cultivated in the mid-1990s and that ultimately gave rise to the global pediatric gender-transition treatment movement during the 2000s and 2010s.

But the British team failed. They did not find a substantial benefit from providing puberty blockers to gender dysphoric children by following the Dutch protocol. So did these researchers alert the world to their troublesome findings? Did they send a word of caution to a field that by then was circumnavigating the globe, setting up what would soon be hundreds of pediatric gender-clinic outposts?

No, they kept their failure secret.

It wasn’t until Oxford sociologist Michael Biggs became suspicious and ultimately rooted out the truth that the GIDS clinicians finally owned up and published their failed study.

Also in England, the NHS’s Cass Review, which was published in April after a four-year effort to assess pediatric gender medicine at home and worldwide, sought to assess the long-term outcomes of the wider population of former GIDS patients. But the adult NHS gender clinics refused to share their de-identified data on those now-adult patients, providing only specious reasons for their refusal.

Now it seems as if the NHS will ultimately force them to do so. But for now, the world is poorer for not having that data. Because this entire field is compromised by a woeful lack of long-term data, in particular about the more recent cohorts of gender-dysphoric adolescents who have undergone gender-transition treatment, and whose profiles are vastly different from those kids who entered the original Dutch study.

After the Cass Review came out, activists went into overdrive to tell wild falsehoods about it, as I reported at the time. Hilary Cass, the pediatrician lead author of the report, was appalled, and told a reporter that those activists were harming children.

There are also plenty of examples of academics being discouraged from even asking research questions that might lead to an answer that would prove inconvenient for the pediatric gender medicine movement. Take, for example, the trio starting a long-term study to assess whether rapid-onset gender dysphoria is a true phenomenon. These three seasoned investigators have had to self-fund their research and are subject to persistent derision and scorn by trans activists for daring to ask difficult questions about this medical field and about the reasons for the recent surge in trans identification in natal girl adolescents in particular.

One of those three investigators, physician-researcher Dr. Lisa Littman, spoke to me for my article on The Trans Tipping Point in the New York Post. She said of the activists who attack her: “It’s as if their loyalty is to the transition interventions and not to the long-term health and well-being of transgender-identified young people.”

Here’s another example. When UCL neuropsychologist Sallie Baxendale sought to obtain peer review for her review paper about what scientists know—and don’t know—about the neuropsychiatric impacts of puberty blockers, here was what happened, according to what she wrote in Unherd:

None of the reviewers identified any studies that I had missed that demonstrated safe and reversible impacts of puberty blockers on cognitive development, or presented any evidence contrary to my conclusions that the work just hasn’t been done. However, one suggested the evidence may be out there, it just hadn’t been published. They suggested that I trawl through non-peer reviewed conference presentations to look for unpublished studies that might tell a more positive story. The reviewer appeared to be under the naïve apprehension that studies proving that puberty blockers were safe and effective would have difficulty being published. The very low quality of studies in this field, and the positive spin on any results reported by gender clinicians suggest that this is unlikely to be the case. Another reviewer expressed concerns that publishing the conclusions from these studies risked stigmatising an already stigmatised group. A third suggested that I should focus on the positive things that puberty blockers could do, while a fourth suggested there was no point in publishing a review when there wasn’t enough literature to review. Another sought to diminish an entire field of neuroscience that has established puberty as a critical period of brain development as “my view”.

Dr. Baxendale ultimately published her vital review paper, which concluded: “Critical questions remain unanswered regarding the nature, extent and permanence of any arrested development of cognitive function associated with puberty blockers. The impact of puberal suppression on measures of neuropsychological function is an urgent research priority.”

Meanwhile, the American Academy of Pediatrics has assured the public in its 2018 policy statement on the gender-affirming care method that puberty blockers are “reversible.” Twenty Republican attorneys general recently sent a stern, probing letter to the AAP, suggesting that that claim, which they assert is false, violates consumer protection laws. A lawsuit is likely imminent. The AAP is already being sued by a detransitioner over the statement. The original legal complaint lambasts the AAP for never responding to Canadian sex researcher James Cantor’s scathing fact check and critique he published of the policy statement in 2019.

Personally, I don’t think the claim that puberty blockers are reversible is definitively false, given what science is able to tell us at this time. But on the flip side, we also know that it is not definitely true either. As Dr. Baxendale’s paper demonstrates, there remain too many substantive and unanswered questions about how using drugs that throw vital human development processes out of synch might impact a young person, possibly for the rest of their lives.

The AAP announced in August 2023 that it was going to conduct a systematic literature review of the evidence behind pediatric gender medicine—and then never said another word about it. The authors of such reviews are expected to publish their methodology in advance, and the there is no sign that the AAP has done so.

Then there’s the World Professional Association for Transgender Health, or WPATH, which as the Alabama attorney general’s subpoenas have revealed and Jesse Singal reported for The Economist in June, suppressed systematic literature reviews about this field that it commissioned from Johns Hopkins. And after a Biden Health official and the AAP strong armed WPATH into removing the age restrictions on gender-transition treatment and surgeries in the update to its trans-care guidelines in 2022, WPATH president Dr. Marci Bowers coordinated for the leadership to lie about why they had done so. All of this is detailed in scathing, unsparing detail in the Alabama AG’s amicus brief to the Supreme Court, which argues that the court should uphold Tennessee’s law banning pediatric gender-transition treatment.

And in the wake of today’s news about Dr. Olson-Kennedy, we have an example of yet another front in this battle over pediatric medicine: the sheer denial and deflection coming from transgender activist Ari Drennen of Media Matters and the LGBTQ “media watchdog” GLAAD. As you can see from the tweet below, all they could do in the face of such a damning report was deflect.

This makes me wonder: What exactly is GLAAD’s endgame? This is the same nonprofit that had the temerity to condescend to the New York Times last year and falsely claim that the “science is settled” on pediatric medicine with their protest truck they drove around the Times building in Midtown Manhattan.

The science is, of course, not settled. No science is. It is always evolving, in particular in this tempestuous and troubled field of pediatric gender medicine. And there are many people in this wider movement who are seeking to suppress the full, ever-changing truth from coming to light.

At the center of this story is a burgeoning population of very troubled children. They are owed the best science possible. They are owed the truth, whatever that might be.

I previously posted about Olsen-Kennedy's tone-deaf endorsement of medical mutilation.

Imagine a medical study of a cancer treatment that was found to be ineffective, which was then covered up. Why would a report about that coverup need to quote people who had had cancer? These fanatics think we're stupid.

People wonder why the trust in our institutions is so low. It's because they keep producing this kind of fraud, which isn't science any more than Intelligent Design is science.

When the devoutly Christian John Templeton Foundation funded a study on intercessory prayer, they were forced to publish it, even though it found that it was ineffective. Or worse.

Conclusions Intercessory prayer itself had no effect on complication-free recovery from CABG, but certainty of receiving intercessory prayer was associated with a higher incidence of complications.

These genderists are doing religious proselytization.

#Benjamin Ryan #Johanna Olsen Kennedy #medical scandal #medical corruption #medical malpractice #fraud #medical fraud #scientific fraud #this is not science #science #gender affirming care #gender affirming healthcare #gender affirmation #academic corruption #religion is a mental illness

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hiro-doodlez · 11 months ago

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Watch this

Stage 1 - Beaten frowns Stage Stage 1 - Beaten frowns after

Here we experience the first sigs of memory loss. This stage is most like a beautiful daydream. The glory of old age and recollection. The last of the great days.

TRACKLIST & SAMPLES:

A1 - It's just a burning memory | Heartaches - Albert Allick Bowlly . Isador Simon Phillips and His Melodians

A2 - We don't have many days | Say It Isn't So - John Turner Layton Jr. and Clarence Johnstone

A3 - Late afternoon drifting | It All Depends On You - John Turner Layton Jr. and Clarence Johnstone

A4 - Childishly fresh eyes | Moonlight and Shadows - Russell Morgan and His Orchestra

A5 - Slightly bewildered | Alabamy Bound - John Turner Layton Jr. and Clarence Johnstone .. The Wedding Of The Painted Doll - John Turner Layton, Jr. and Clarence Johnstone

A6 - Things that are beautiful and transient | The Waltz You Saved For Me - Harold Wayne King and His Orchestra

B1 - All that follows is true | Medley: It Looks Like Rain In Cherry Blossom Lane - Ronnie O'Dell . Maurice Winnick and His Orchestra

B2 - An autumnal equinox | In A Little Second Hand Store - John Turner Layton Jr. and Clarence Johnstone

B3 - Quiet internal rebellions | Water Lilies In The Moonlight - Hughie Diamond . Maurice Winnick and His Orchestra

B4 - The loves of my entire life | Willow Weep For Me - John Turner Layton Jr. and Clarence Johnstone

B5 - Into each other's eyes | Smoke From A Chimney - Samuel Gabriel Costa . Maurice Winnick and His Orchestra

B6 - My heart will stop in joy | Room With A View - Mert Curtis . Russel Morgan and His Orchestra

Stage 2 - Pittor Pickgrown in Khatheinstersper

The second stage is the self realisation and awareness that something is wrong with a refusal to accept that. More effort is made to remember so memories can be more long form with a little more deterioration in quality. The overall personal mood is generally lower than the first stage and it a point before confusion starts setting in.

TRACKLIST & SAMPLES:

C1 - A losing battle is raging | Love's Old Sweet Song - Chester Gaylord

C2 - Misplaced in time | Lullaby Of The Leaves - George Edward Olsen Sr. and His Orchestra

C3 - What does it matter how my heart breaks | Heartaches - Seger Pillot Ellis

C4 - Glimpses of hope in these trying times | Grand Canyon Suite: Painted Desert | Paul Samuel Whiteman and His Orchestra

C5 - Surrendering to despair | Sweet and Low - Chester Gaylord

D1 - I still feel as though I am me | Grand Canyon Suite: Sunrise - Paul Samuel Whiteman and His Orchestra

D2 - Quiet dusk coming early | To Be Forgotten - David Rubinoff

D3 - Last moments of pure recall | Into My Heart - Harold Rodman Lambert . Roger Wolff Kahn and His Orchestra

D4 - Denial unravelling | Phillips Dewey . Paul Samuel Whiteman and His Orchestra

D5 - The way ahead feels lonely | Grand Canyon Suite: Sunset - Paul Samuel Whiteman and His Orchestra

Stage 3 - Hag

Here we are presented with some of the last coherent memories before confusion fully rolls in and the grey mists form and fade away. Finest moments have been remembered, the musical flow in places is more confused and tangled. As we progress some singular memories become more disturbed, isolated, broken and distant. These are the last embers of awareness before we enter the post awareness stages.

TRACKLIST & SAMPLES:

E1 - Back there Benjamin | Goodnight, My Beautiful - Russell Morgan and His Orchestra

E2 - And heart breaks | Heartaches - Albert Allick Bowlly . Isador Simon Phillips and His Melodians

E3 - Hidden sea buried deep | Birth Of The Blues - John Turner Layton Jr. and Clarence Johnstone .. Piano Medley of Layton and Johnstone Successes: Intro - My Blue Heaven - John Turner Layton Jr.

E4 - Libet's all joyful camaraderie | Goodnight, My Beautiful - Russell Morgan and His Orchestra

E5 - To the minimal great hidden | Paddlin' Madelin' Home - John Turner Layton Jr. and Clarence Johnstone

E6 - Sublime beyond loss | Stardust - Charlie Spivak and His Orchestra

E7 - Bewildered in other eyes | The Prettiest Little Song Of All - Albert Benzler

E8 - Long term dusk glimpses | Exactly Like You - Harold Rodman Lambert . Roger Wolff Kahn and His Orchestra

F1 - Gradations at arm's length | [Sample unknown]

F2 - Drifting time misplaced | Lullaby Of The Leaves - John Turner Layton Jr. and Clarence Johnstone

F3 - Internal bewildered World | Il Trovatore - Ferruccio Giannini

F4 - Burning despair does ache | Heartaches - Seger Pillot Ellis

F5 - Aching cavern without lucidity | Heartaches - Seger Pillot Ellis

F6 - An empty bliss beyond this World | The Wedding Of The Painted Doll - Victor Salon Orchestra

F7 - Libet delay - Goodnight, My Beautiful - Russell Morgan and His Orchestra

F8 - Mournful cameraderie | Heartaches - Seger Pillot Ellis

Stage 4 - Glitsholder

Post-Awareness Stage 4 is where serenity and the ability to recall singular memories gives way to confusions and horror. It's the beginning of an eventual process where all memories begin to become more fluid through entanglements, repetition and rupture.

SECTIONS & SAMPLES:

G1 - Post Awareness Confusions

Section A: [Sample unknown] | Grand Canyon Suite: Sunset - Paul Samuel Whiteman and His Orchestra | Lullaby Of The Leaves - George Edward Olsen Sr. and His Orchestra

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Section B: Goodnight, My Beautiful - Russell Morgan and His Orchestra | Heartaches - Seger Pillot Ellis | Heartaches - Albert Allick Bowlly . Isador Simon Phillips and His Melodians

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Section C: Ancient Court Whisperings - Albert Benzler | The Japanese Sandman - Paul Samuel Whiteman and His Ambassador Orchestra

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Section D: Don't Put The Blame On Me - John Turner Layton Jr. and Clarence Johnstone | [Sample unknown] | Belle Of the East - Albert Benzler

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Section E: The Prettiest Little Song Of All - Albert Benzler | Heartaches - Gaetano Alberto Lombardo and His Royal Canadians | To You - Mert Curtis . Russell Morgan and His Orchestra | [Sample unknown]

..............

H1 - Post Awareness Confusions:

Section A: Goodnight, My Beautiful - Russell Morgan and His Orchestra

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Section B: Winterreise No. 05: Der Lindenbaum - Gerhard Heinrich Wilhelm Fritz Hüsch and Hanns Udo Müller | The Wedding Of The Painted Doll - John Turner Layton Jr. and Clarence Johnstone | [Sample unknown] | [Sample unknown] | Any Time, Anywhere - John Turner Layton Jr. and Clarence Johnstone

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Section C: Russian Rose - Samuel Browne . Joshua Alexander Loss and His Orchestra | Melody: Bist du denn Gottes Sohn? - Guildford Cathedral Choir | [Sample unknown] | Heartaches - Seger Pillot Ellis

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Section D: [Sample unknown] | The Waltz You Saved For Me - Harold Wayne King and His Orchestra | Melody: Und führe uns nicht in Versuchung - Guildford Cathedral Choir | Paddlin' Madelin' Home - John Turner Layton Jr. and Clarence Johnstone | Winterreise No. 20: Der Wegweiser - Gerhard Heinrich Wilhelm Fritz Hüsch and Hanns Udo Müller

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Section E: Gradana - Mantovani and His Orchestra

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Section F: Piano Medley of Layton and Johnstone Successes: Intro - My Blue Heaven - John Turner Layton Jr.

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I1 - Temporary Bliss State:

Section A: The Prettiest Little Song Of All - Albert Benzler

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Section B: The Prettiest Little Song Of All - Albert Benzler

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J1 - Post Awareness Confusions:

Section A: [Sample unknown] | The Prettiest Little Song Of All - Albert Benzler | To You - Mert Curtis . Russell Morgan and His Orchestra | In The Mission By The Sea - Maurice Winnick and His Orchestra | [Sample unknown]

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Section B-a: Into My Heart - Harold Rodman Lambert . Roger Wolff Kahn and His Orchestra | Grand Canyon Suite: Painted Desert | Paul Samuel Whiteman and His Orchestra

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Section B-b: Say It Isn't So - John Turner Layton Jr. and Clarence Johnstone

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Section C: The Wedding Of The Painted Doll - John Turner Layton Jr. and Clarence Johnstone | [Sample unknown] | Paddlin' Madelin' Home - John Turner Layton Jr. and Clarence Johnstone | [Sample unknown]

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Section D: Ancient Court Whisperings - Albert Benzler | The Japanese Sandman - Paul Samuel Whiteman and His Ambassador Orchestra

Stage 5 - Eptitranxisticemestionscers Desending

Post-Awareness Stage 5 confusions and horror. More extreme entanglements, repetition and rupture can give way to calmer moments. The unfamiliar may sound and feel familiar. Time is often spent only in the moment leading to isolation.

SECTIONS & SAMPLES:

K1 - Advanced Plaque Entanglements:

Section A-a: [Sample unknown] | Black And White Rag - Albert Benzler | The Mocking Bird - Harry Taft | Black And White Rag - Albert Benzler | [Sample unknown]

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Section A-b: Laura - Charlie Spivak and His Orchestra

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Section B: The Wedding Of The Painted Doll - John Turner Layton Jr. and Clarence Johnstone | [Sample unknown]

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Section C1-a: Was It A Dream? - Richard Ewing Powell

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Section C1-b: Melody: Prière à Notre-Dame

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Section C2-a: I'm Following You - Lawrence Gray

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Section C2-b: Melody: Prière à Notre-Dame

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Section D: [Sample unknown] | Il Trovatore - Ferruccio Giannini | Heartaches - Seger Pillot Ellis | Winterresie No. 06: Wasserflut - Gerhard Heinrich Wilhelm Fritz Hüsch and Hanns Udo Müller | [Sample unknown]

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Section E: [Sample unknown] | Alabamy Bound - John Turner Layton Jr. and Clarence Johnstone | Reckless Night On Board An Ocean Liner - Sydney John Lipton and His Grosvenor House Orchestra

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Section F-a: Ancient Court Whisperings - Albert Benzler | Black And White Rag - Albert Benzler | Heartaches - Albert Allick Bowlly . Isador Simon Phillips and His Melodians | Heartaches - Seger Pillot Ellis | Goodnight, My Beautiful - Russell Morgan and His Orchestra | [Sample unknown]

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Section F-b: [Sample unknown] | Belle Of The East - Albert Benzler | Heartaches - Gaetano Alberto Lombardo and His Royal Canadians | The Prettiest Little Song Of All - Albert Benzler

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Section G: The Wedding Of The Painted Doll - John Turner Layton Jr. and Clarence Johnstone | Goodnight, My Beautiful - Russell Morgan and His Orchestra | Garden Of Weed - Louis Stone and His Band

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Section H: Memory Street - Elsa Macfarlane and Stanley Augustus Holloway | Melody: Und führe uns nicht in Versuchung - Guildford Cathedral Choir | [Sample unknown] | [Sample unknown]

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Section I-a: [Sample unknown] | Garden Of Weed - Louis Stone and His Band | Il Trovatore - Ferruccio Giannini | The Prettiest Little Song Of All - Albert Benzler | Grand Canyon Suite: Sunrise - Paul Samuel Whiteman and His Orchestra

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Section I-b: In The Mission By The Sea - Maurice Winnick and His Orchestra | [Sample unknown] | [Sample unknown] | Room With A View - Mert Curtis . Russel Morgan and His Orchestra | [Sample unknown]

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Section I-c: Granada - Mantovani & His Orchestra

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Section I-d: Water Lilies In The Moonlight - Hughie Diamond . Maurice Winnick and His Orchestra

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Section J: Grand Fantasia - Paul Samuel Whiteman and His Orchestra | [Sample unknown] | In A Little Second Hand Store - John Turner Layton Jr. and Clarence Johnstone | [Sample unknown]

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Section K: Invincible Eagle March - James Fitzgerald | There's Too Many Eyes That Wanna Make Eyes At Two Pretty Eyes I Love - Arthur Jarrett . Wilfred Theodore Wemyes and His Orchestra | Don't Put The Blame On Me - John Turner Layton Jr. and Clarence Johnstone | Alabamy Bound - John Turner Layton Jr. and Clarence Johnstone

L1 - Advanced plaque entanglements

Section A: Don't Put The Blame On Me - John Turner Layton Jr. and Clarence Johnstone | [Sample unknown] | [Sample unknown] | Il Trovatore - Ferruccio Giannini | Belle Of The East - Albert Benzler

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Section B1: Russian Rose - Samuel Browne . Joshua Alexander Loss and His Orchestra | Melody: Bist du denn Gottes Sohn? - Guildford Cathedral Choir | [Sample unknown] | Heartaches - Seger Pillot Ellis

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Section B2: Russian Rose - Samuel Browne . Joshua Alexander Loss and His Orchestra | Melody: Bist du denn Gottes Sohn? - Guildford Cathedral Choir | [Sample unknown] | Heartaches - Seger Pillot Ellis

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Section C: The Prettiest Little Song Of All - Albert Benzler | Heartaches - Gaetano Alberto Lombardo and His Royal Canadians | [Sample unknown]

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Section D-a: Black And White Rag - Albert Benzler

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Section D-b: [Sample unknown] | [Sample unknown]

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Section D-c: Garden Of Weed - Louis Stone

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Section D-d: The Wedding Of The Painted Doll - John Turner Layton Jr. and Clarence Johnstone | Goodnight, My Beautiful - Russell Morgan and His Orchestra | [Sample unknown] | [Sample unknown]

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Section D-e: The Wedding Of The Painted Doll - John Turner Layton Jr. and Clarence Johnstone | [Sample unknown] | Goodnight, My Beautiful - Russell Morgan and His Orchestra | Russian Rose - Samuel Browne . Joshua Alexander Loss and His Orchestra | Goodnight, My Beautiful - Russell Morgan and His Orchestra

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Section E: Il Trovatore - Ferruccio Giannini | [Sample unknown] | Stardust - Charlie Spivak and His Orchestra

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Section F: Winterresie No. 06: Wasserflut - Gerhard Heinrich Wilhelm Fritz Hüsch and Hanns Udo Müller | Reckless Night On Board An Ocean Liner - Sydney John Lipton and His Grosvenor House Orchestra | [Sample unknown] | Medley: It Looks Like Rain In Cherry Blossom Lane - Ronnie O'Dell . Maurice Winnick and His Orchestra

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Section G: [Sample unknown] | [Sample unknown] | [Sample unknown]

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Section H: Goodnight, My Beautiful - Russell Morgan and His Orchestra | [Sample unknown]

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Section I1: Memory Street - Elsa Macfarlane and Stanley Augustus Holloway | [Sample unknown] | The Prettiest Little Song Of All - Albert Benzler | Medley: It Looks Like Rain In Cherry Blossom Lane - Ronnie O'Dell . Maurice Winnick and His Orchestra | [Sample unknown]

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Section J: Black And White Rag - Albert Benzler | Winterresie No. 06: Wasserflut - Gerhard Heinrich Wilhelm Fritz Hüsch and Hanns Udo Müller | [Sample unknown] | [Sample unknown]

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Section K: Goodnight, My Beautiful - Russell Morgan and His Orchestra | Winterreise No. 05: Der Lindenbaum - Gerhard Heinrich Wilhelm Fritz Hüsch and Hanns Udo Müller | The Wedding Of The Painted Doll - John Turner Layton, Jr. and Clarence Johnstone | [Sample unknown] | Russian Rose - Samuel Browne . Joshua Alexander Loss and His Orchestra

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Section I2: Memory Street - Elsa Macfarlane and Stanley Augustus Holloway | [Sample unknown] | The Prettiest Little Song Of All - Albert Benzler | Medley: It Looks Like Rain In Cherry Blossom Lane - Ronnie O'Dell . Maurice Winnick and His Orchestra

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Section L: Goodnight, My Beautiful - Russell Morgan and His Orchestra | [Sample unknown] | Grand Fantasia - Paul Samuel Whiteman and His Orchestra | In A Little Second Hand Store - John Turner Layton Jr. and Clarence Johnstone | [Sample unknown]

M1 - Synapse retrogenesis:

Section A1:

Memory Street - Elsa Macfarlane and Stanley Augustus Holloway | Il Trovatore - Ferruccio Giannini | Heartaches - Seger Pillot Ellis | Heartaches - Seger Pillot Ellis | Meditation From "Thais" - Jesse Crawford

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Section B1: Black And White Rag - Albert Benzler | [Sample unknown] | Winterresie No. 06: Wasserflut - Gerhard Heinrich Wilhelm Fritz Hüsch and Hanns Udo Müller

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Section C-a: Heartaches - Seger Pillot Ellis | Ancient Court Whisperings - Albert Benzler | Lullaby Of The Leaves - George Edward Olsen Sr. and His Orchestra | Heartaches - Albert Allick Bowlly . Isador Simon Phillips and His Melodians | Heartaches - Seger Pillot Ellis | Goodnight, My Beautiful - Russell Morgan and His Orchestra

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Section C-b: Goodnight, My Beautiful - Russell Morgan and His Orchestra | [Sample unknown] | Russian Rose - Samuel Browne . Joshua Alexander Loss and His Orchestra | [Sample unknown] | Gradana - Mantovani and His Orchestra

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Section C-c: [Sample unknown] | Don't Put The Blame On Me - John Turner Layton Jr. and Clarence Johnstone | Belle Of The East - Albert Benzler | [Sample unknown] | Heartaches - Gaetano Alberto Lombardo and His Royal Canadians

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Section A2: London Town (You Haunt Me) - Stanley Augustus Holloway | Heartaches - Seger Pillot Ellis | There's Too Many Eyes That Wanna Make Eyes At Two Pretty Eyes I Love - Arthur Jarrett . Wilfred Theodore Wemyes and His Orchestra | Il Trovatore - Ferruccio Giannini | Winterresie No. 06: Wasserflut - Gerhard Heinrich Wilhelm Fritz Hüsch and Hanns Udo Müller

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Section B2: Black And White Rag - Albert Benzler | Winterresie No. 06: Wasserflut - Gerhard Heinrich Wilhelm Fritz Hüsch and Hanns Udo Müller

N1 - Sudden time regression into isolation

Section A1: [Sample unknown] | Lullaby Of The Leaves - John Turner Layton Jr. and Clarence Johnstone | Stardust - Charlie Spivak and His Orchestra | Medley: It Looks Like Rain In Cherry Blossom Lane - Ronnie O'Dell . Maurice Winnick and His Orchestra | Memory Street - Elsa Macfarlane and Stanley Augustus Holloway

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Section B1: Goodnight, My Beautiful - Russell Morgan and His Orchestra | Winterreise No. 05: Der Lindenbaum - Gerhard Heinrich Wilhelm Fritz Hüsch and Hanns Udo Müller | The Wedding Of The Painted Doll - John Turner Layton, Jr. and Clarence Johnstone | [Sample unknown] | Melody: Und führe uns nicht in Versuchung - Guildford Cathedral Choir

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Section B2: Goodnight, My Beautiful - Russell Morgan and His Orchestra | Winterreise No. 05: Der Lindenbaum - Gerhard Heinrich Wilhelm Fritz Hüsch and Hanns Udo Müller | The Wedding Of The Painted Doll - John Turner Layton, Jr. and Clarence Johnstone | [Sample unknown] | Russian Rose - Samuel Browne . Joshua Alexander Loss and His Orchestra

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Section B3: Goodnight, My Beautiful - Russell Morgan and His Orchestra | Russian Rose - Samuel Browne . Joshua Alexander Loss and His Orchestra | Melody: Bist du denn Gottes Sohn? - Guildford Cathedral Choir | [Sample unknown]

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Section C: Lullaby Of The Leaves - John Turner Layton Jr. and Clarence Johnstone | Piano Medley Of Layton & Johnstone Successes (Ramona / My Ohio Home) - John Turner Layton Jr.

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Section A2: Medley: It Looks Like Rain In Cherry Blossom Lane - Ronnie O'Dell . Maurice Winnick and His Orchestra | Memory Street - Elsa Macfarlane and Stanley Augustus Holloway | [Sample unknown] | Stardust - Charlie Spivak and His Orchestra

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Section A3: [Sample unknown] | Melody: Und führe uns nicht in Versuchung - Guildford Cathedral Choir | Medley: It Looks Like Rain In Cherry Blossom Lane - Ronnie O'Dell . Maurice Winnick and His Orchestra | Memory Street - Elsa Macfarlane and Stanley Augustus Holloway

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Section B4 (Hell Sirens 4): Goodnight, My Beautiful - Russell Morgan and His Orchestra | Melody: Bist du denn Gottes Sohn? - Guildford Cathedral Choir | [Sample unknown] | Granada - Mantovani and His Orchestra

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Section D: Winterresie No. 06: Wasserflut - Gerhard Heinrich Wilhelm Fritz Hüsch and Hanns Udo Müller | Melody: Und führe uns nicht in Versuchung - Guildford Cathedral Choir | [Sample unknown]

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Section E1 (Last Of The Bliss): Hello Tucky - John Turner Layton Jr. and Clarence Johnstone | Piano Medley Of Layton & Johnstone Successes (Ramona / My Ohio Home) - John Turner Layton Jr. | Lullaby Of The Leaves - John Turner Layton Jr. and Clarence Johnstone | Winterresie No. 06: Wasserflut - Gerhard Heinrich Wilhelm Fritz Hüsch and Hanns Udo Müller | Melody: Und führe uns nicht in Versuchung - Guildford Cathedral Choir

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Section E2: Hello Tucky - John Turner Layton Jr. and Clarence Johnstone | Melody: Und führe uns nicht in Versuchung - Guildford Cathedral Choir

Stage 6 - Necrotonomigaud

Stage 6 is without description.

SECTIONS & SAMPLES:

O1 - A confusion so thick you forget forgetting:

Section A: The Waltz You Saved For Me - Harold Wayne King and His Orchestra | Goodnight, My Beautiful - Russell Morgan and His Orchestra | Il Trovatore - Ferruccio Giannini | [Sample unknown]

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Section B: The Wedding Of The Painted Doll - John Turner Layton, Jr. and Clarence Johnstone | Goodnight, My Beautiful - Russell Morgan and His Orchestra

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Section C: Heartaches - Seger Pillot Ellis | interresie No. 06: Wasserflut - Gerhard Heinrich Wilhelm Fritz Hüsch and Hanns Udo Müller | Meditation From "Thais" - Jesse Crawford

..............

P1 - A brutal bliss beyond this empty defeat:

Section A1: Hello Tucky - John Turner Layton Jr. and Clarence Johnstone | Melody: Und führe uns nicht in Versuchung - Guildford Cathedral Choir

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Section B-a: Memory Street - Elsa Macfarlane and Stanley Augustus Holloway | [Sample unknown]

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Section B-b: Goodnight, My Beautiful - Russell Morgan and His Orchestra | [Sample unknown] | [Sample unknown]

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Section B-c: There's Too Many Eyes That Wanna Make Eyes At Two Pretty Eyes I Love - Arthur Jarrett . Wilfred Theodore Wemyes and His Orchestra

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Section B-d: [Sample unknown] | Alabamy Bound - John Turner Layton Jr. and Clarence Johnstone | Goodnight, My Beautiful - Russell Morgan and His Orchestra | Russian Rose - Samuel Browne . Joshua Alexander Loss and His Orchestra | Granada - Mantovani and His Orchestra

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Section A2: Hello Tucky - John Turner Layton Jr. and Clarence Johnstone | Melody: Und führe uns nicht in Versuchung - Guildford Cathedral Choir | The Last Rose Of Summer - Jesse Crawford

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Section C: Winterresie No. 06: Wasserflut - Gerhard Heinrich Wilhelm Fritz Hüsch and Hanns Udo Müller | London Town (You Haunt Me) - Stanley Augustus Holloway | Melody: The Haunted Ballroom

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Section D: There's Too Many Eyes That Wanna Make Eyes At Two Pretty Eyes I Love - Arthur Jarrett . Wilfred Theodore Wemyes and His Orchestra

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Q1 - Long decline is over:

Section A-a: Il Trovatore - Ferruccio Giannini | Weary River - John Turner Layton Jr. and Clarence Johnstone | [Sample unknown] | The Wedding Of The Painted Doll - John Turner Layton Jr. and Clarence Johnstone | Grand Canyon Suite: Sunrise - Paul Samuel Whiteman and His Orchestra

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Section A-b: Weary River - John Turner Layton Jr. and Clarence Johnstone | Grand Canyon Suite: Sunrise - Paul Samuel Whiteman and His Orchestra

..............

R1 - Place in the World fades away

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Section A-b: Weary River - John Turner Layton Jr. and Clarence Johnstone

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Section B: [Sample unknown] | Il Trovatore - Ferruccio Giannini

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Section C (Last 5 minutes): Melody: Laßt mich ihn nur noch einmal küssen - Guildford Cathedral Choir

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Section D: [No sample]

14 notes · View notes