#being the only people who can make decisions for him

[taradactyls]

I think the one I see this most strongly with is Pamela; Or, Virtue Rewarded by Samuel Richardson.

It's hard to read in the modern day. Pamela is a servant girl who spends a lot of time trying not to be raped by her employer, who eventually kidnaps her, and the only other woman in a position to aid her actively helps the attempted rapist to assault her in various ways. At one point she holds Pamela down in bed so it can happen (apparently the woman is this awful because she's an atheist). At another time the employer actively says that he would've continued and actually raped her if she kept fighting him, it was only because Pamela fainted that he stopped the attempt. She woke up from that attempt with her stays (underwear) cut up.

Pamela ends up marrying this man, after realising she has fallen in love with him, who is then 'reformed' by her 'goodness.'

It's meant to be a happy and uplifting tale. Obviously, to us, it's more of a horror story.

We see the victim blame in 'if you'd kept fighting you would've been raped' and also know that being unconscious actually makes you more at risk, and understand that a woman who eventually gave in to her master's advances is not any less 'good' for fearing being violently raped (or worse) if she continued protesting. We are less likely to believe people can be so entirely reformed by the 'virtue' of others, and see a man who would take advantage of power dynamics like that as bad even if he wasn't so aggressive in his advances. There are no real consequences for his crimes and continued harassment of a FIFTEEN YEAR OLD in his employ and who had zero protection or options. It's just all round horrid to our modern eyes.

But in many ways it was actually progressive for the time.

Pamela is a servant who ends the book married (not mistress to) a gentleman with an estate and eventually being accepted and adored by the land owning class. This is a rise of a magnitude far higher than Elizabeth marrying Mr Darcy, Jane Eyre and Mr Rochester, or even Cinderella as she was highborn, and was really making the case that servant women could and do have as much inherent worth as gentlewomen by birth. For how classist 1740 England was, that's a controversial take.

And though it's considered a backwards view now, this was the first novel/work which was really reaching out to lower-class women and saying 'your virtue is worth as much as upper-class women.' I dislike the whole concept of sexual virtue and disagree that Pamela's virtue would be lost through rape, but the point remains that this book was making a case for greater equality between classes in a time where the ruling class relied on being considered naturally better by birth and chosen by god to rule. The novel was criticised for exactly this.

Not only that, but by promoting virginity, he was also championing a woman's right to say no. Pamela's ability and decision to refuse is upheld both positively and as what should have been the final word. The male main character only becomes a 'good' person once he truly understands and respects that. An idea only becomes outdated once the societal framework supporting the status quo has changed, and Samuel Richardson was writing in a time where a servant girl (or any woman really, for instance marital rape wouldn't become a crime for another 250 years) who refused her master's advances would have little recourse or sympathy if he didn't respect that no. This novel was telling all those girls your sexual autonomy is worth fighting for... you're worth fighting for.

And, though we see that Pamela's abuser essentially gets what he wanted and gets off scot-free (an illness and a change of heart isn't going to fly with a judge, you douche), it was revolutionary for the time in that it's told from the victim's perspective as a horrible series of events. These acts, many of which were common place and not illegal (some even actively considered romantic) at the time, was a criticism of many masculine behaviours and championed the woman's/victim's perspective. It drew attention to what we now consider domestic violence and abuse of power. Though we might argue about his methods (a minority of contemporary readers viewed the novel as salacious because of the inclusion of the assault scenes) the author's intent was to actively give moral instruction into proper domestic behaviour. Which, aside from 'sexually assaulting your employees is bad' does also include less radical and actively harmful views such as 'be loyal and loving to your employers no matter what.' Historical novels are a mixed bag like that, but he was still advocating for mutual social contracts towards each other, and rejecting the idea that the rich men who ruled the world could do whatever they wanted. He was speaking for the powerless against those in power.

I'll probably never read the book again, it was too uncomfortable for me, but without an understanding of the time it was written it would feel like gratuitous assault and a glorification of abusive relationships, when really, it was the exact opposite. We're just lucky enough to live in a society where many of his arguments have been accepted both socially and legally for so long that it's hard to imagine a case ever needed to be made in their favour.

tbh nothing frustrates me more then when people brush off classics like pride and prejudice or jane eyre because they don’t fit into today’s modern standards of feminism and social justice etc.

remember that these novels were published in the 19th century. and that some of the things that were written in these books may seem trivial to us today but would have absolutely fucking shook readers in the victorian era

like,,,,,elizabeth rejecting mr collins because she doesn’t love him even though it would have been considered her duty in her family to marry him? or jane eyre not agreeing to marry mr rochester unless it was on her own terms? hell even anne brontë wrote a lesser known novel about a wife leaving her abusive husband with her five year old son to live a better life?? do y’all realize how unheard of that would be in the 1800′s?? where women were considered more of a commodity than actual human beings??

even though they might not be up to todays standards of modern feminism and romance, they were still HUGE building blocks for equality for that time period. so if you’re a reader who says to themselves ‘I read classics with modern standards applied and I can’t get past that’ then you are most likely going to be disappointed when reading classics and not fully understand their significance to that time period 

[darkficsyouneveraskedfor]

Meet the Family 1

No tag lists. Do not send asks or DMs about updates. Review my pinned post for guidelines, masterlist, etc.

Warnings: this fic will include dark content such as dubcon/noncon and other possible triggers. My warnings are not exhaustive, enter at your own risk.

This is a dark!fic and explicit. 18+ only. Your media consumption is your own responsibility. Warnings have been given. DO NOT PROCEED if these matters upset you.

Summary: Your boss needs a last-minute favour for the holidays.

Characters: Lloyd Hansen

Note: um I woke up to this in my head. Sorry.

As per usual, I humbly request your thoughts! Reblogs are always appreciated and welcomed, not only do I see them easier but it lets other people see my work. I will do my best to answer all I can. I’m trying to get better at keeping up so thanks everyone for staying with me <3

Your feedback will help in this and future works (and WiPs, I haven’t forgotten those!) Asking for more or putting ‘part 2?’ is not feedback.

Love you all. You are appreciated and your are worthy. Treat yourself with care. 💖

You honk your horn as another driver slowly veers toward the line. You’re not letting them in. If they can’t weave in, then they aren’t fast enough to leave the slow lane. You sigh and gesture at them as kindly as you can in that instant. You have enough going on. 

Your phone starts to ring. Again. You tap the button on your steering wheel to answer. You would know who it is even without his custom ringtone. Your boss allows no space for breathing, even on a call. 

“How far out are you, pixie?” Lloyd asks as you growl and lean on the gas pedal. You hate driving on the highway, especially at night, and the sky is steadily dimming. 

“Close,” you assure him. “Next exit,” you flip your blinker on. 

“Thank god. You got everything?” 

Yeah, everything you forgot. You don’t give the dry retort aloud. You know better. Where your boss has no filter to be found, you find yourself often censoring yourself. As much for his ego as for others’. Arguing never gets you anywhere. 

“I believe so--” 

“You believe or you do?” He asks impatiently. 

“Mr. Hansen, I got everything on the list,” you assure him. “All with a bow on top.” 

“A life saver, pix, I swear,” he praises, but a compliment from him is rarely genuine, more transactional. You did him a favour so he’ll give you a treat. 

“Alright, I need to get over, ramp’s coming up. So--” 

“Yeah, yeah,” his ends rustles and you hear a muffled female voice, “I got shit going on too. You got the address, text me.” 

He hangs up first. You can never be the first to end the call. He has to make the decisions. You just know how to guide him to the right one. You merge into the exit lane and follow the ramp away from the whirring stream of headlight. Finally. 

You’re less than pleased to be within minutes of your destination. This isn’t how you envisioned your holiday. A last-minute itinerary change to fix yet another of Mr. Hansen’s oversights. It’s never a mistake, he’s just a man with so much going on that it slipped his radar. Another bandage for his ego. 

The slower pace feeds your agitation. At least on the highway, you felt like you were getting somewhere. The lazy roll of the cars in the town tweaks at the nape of your neck. You just want to be in one place and that won’t happen even when you get to Mr. Hansen. 

You’ll be lucky to have two hours of sleep before you have to catch your rebooked flight. Yep. You’ll play Santa and drop off your lot before hiding at the hotel long enough to dread the airport jungle. Then it’s off to your own familial obligations. Those are rarely enjoyable and being a day later than promised will hardly please your mother. 

Your phone announces your arrival at the destination. The long drive of the over-sized suburban mansion is full. You park on the street and turn on the interior light. You get out and open the back seat. The whole medley of shiny paper and quaffed bows stares back at you. 

You text Mr. Hansen and wait, huffing and puffing with impatience. Of course, you have to upheave your plans to meet his deadlines, but he’s taking his time. It’s not a surprise, not even a disappointment, you expected as much. 

“Pixieee,” Lloyd drags out the last syllable, “there you are, pretty pixie.” 

Pretty Pixie? He’s drunk or he’s going to ask for something else. You brace yourself as his shadow struts up the long driveway and passes beneath the cone cast by the tall street lights. Coloured lights glimmer over him from the eaves of the surrounding facades. 

“Mr. Hansen, wrapped, labelled, everything you requested,” you gesture to the backseat. 

“An angel. A true saviour, pixie,” he surprises you as he grabs your head, his palms pressing to your cheeks as he bends to kiss your forehead, “did I ever tell you you’re immaculate?” 

“Mr. Hansen,” you gently pull his wrists until he drops his hands. You smell the alcohol radiating off of him. 

“It’s the holiday, call me Lloyd, sweet cake,” he insists. 

“Right,” you tut and turn to drag out the largest gift bag, “here, you better just take all this, I have to check-in--” 

“About that,” he ignores the gift as you hold it out. “We’re just about to start dinner, you should pop in, have a bite.” 

“I can’t, Mr. Hansen--” 

“Of course you can,” he insists. You look up at him. His eyes gleam in the spectrum of lights shining from your car, the houses, and the tall poles. You sniff. He’s only tipsy, there’s still the hint of authoritarianism firmly implanted in his tone. “I told everyone you would.” 

“Everyone?” You echo anxiously. 

“The family,” he exclaims as if it should be obvious. 

“Okay, I can come say hello but--” you wiggle the bag at him. 

“Damn right you can,” he catches your hand and takes the bag. He drops it on the ground carelessly. 

“Mr. Hansen, that’s fragile,” you say. 

“Shhhh,” he grabs your hand and you curl and unfurl your fingers desperately, “Lloyd, remember?” He feels around in his pocket as he keeps you in his vice, “now, you just need to slip this on.” 

He struggles to line up the ring with your finger as you squirm in confusion. What is he doing? 

“Mr. Han--” 

“Lloyd,” he growls, all humour trickling away. He squeezes until you whimper. “Look, I just need you to smile and bat those long lashes of yours, alright?” 

“What’s going on?” 

“As far as anyone knows, I proposed to you on Thanksgiving,” he says. 

“Proposed?!” You nearly shriek. 

He hushes you again and finally rams the ring down to your knuckle. “Look, pixie, mommy’s being a real pain in my ass so you just need to play along.” 

“Mr.--” 

“If I have to tell you one more time--” 

“Lloyd,” you gulp, “please. I... this is... strange. What? Why? I have a flight in eight hours.” 

“Cancel it,” he sneers. “Double time and a half for holiday overtime. See the family in the New Year.” 

“What? That’s-- This is insane--” 

“This is your job, honey,” he clings to your hand. “To do what I say or you can spend your January trawling the job boards.” He squeezes until the band digs into your flesh. “Now, I know Mr. Walker thinks you’re darling and he offered you a role last year but once I tell him about your little defiance issue, I don’t think he’ll be interested--” 

“Huh?” 

“I know a lot more than you think,” he grits. “Alright? So let’s start getting this shit inside. That’ll give you a chance to get yourself together.” 

“Lloyd,” you gasp. “Why--” 

“No more fucking question. Since when did you get so uppity,” he barks. 

“Sir--” 

“Ah, none of that, either,” he lets you go and waggles his finger in your face. “Relax. Have some eggnog when we get inside and take the edge off.” 

“This can’t be happening,” you murmur. 

“It’s fucking happening, alright?” He picks up the bag off the ground. “I keep you around ‘cause you’re quick on your feet, Pix, so let’s get to it.” 

“Oh god,” you utter. 

“Keep it to yourself,” he warns. 

Your disbelief has you a bit dumb. You’re panicking. He knows you have an insurance policy with Walker and you have no doubt he’ll do all he can to spoil your future if you fuck around with his present. You’ve worked long enough for him to believe his threats, even when everything else is dubious. 

You turn and grab several gifts from the backseat. You move out of his way and he gathers some more himself. He backs up and uses his knee to close the door. He nods you toward the house. 

“Smile, act like you’re excited,” he commands. 

You pass him and stare up at the blaze of holiday lights. The lawn is decorated with a Santa and sleigh, complete with all his reindeer. You make the march up the walk and towards the glowing windows that trim the front door.  

Lloyd comes up next to you and kicks it, “open up.” 

It isn’t long before obedience appears from the other side. You do a double take at the man who answers the door. He looks a lot like Lloyd but not. He doesn’t sport the same bristly stache and his hair neatly combed, the sides unshaved but tidy. He rolls his eyes. 

“Was hoping you got lost in the snow,” the man scoffs. 

“Shut up,” Lloyd shoulders through, “always a fucking prick, Hugh.” 

The other man snarls, “don’t fucking call me that.” 

“Aw, I’m sorry, baby boy,” Lloyd puts the gifts on the bench against the wall, under the large mirror with an elaborate frame. “Why don’t you go suck on mommy’s teat?” 

“You’re disgusting,” the other man, Hugh, hisses. 

“Speak for yourself. We’re the OnlyFans thot? She not joining us?” 

“Oh, fuck you.” 

“Fuck you, fuck me, we already did this, remember?” Lloyd faces him. 

“And who’s this slut?” The man tosses you a sharp glare.  

“Woah, man, that’s my future wife,” Lloyd lies so easily it startles you. He sounds almost genuine and you’ve never heard him sound like that. “Not a slut, so keep your eyes and your hands to yourself.” 

“Huh, I didn’t believe it,” the man puts his hand on his hip as he looks you up and down, “she’s tiny.” 

You narrow your eyes, speechless as they talk about you like a new lamp. 

“Ransom,” Lloyd gestures to him derisively, “Pixie. Now you’ve met so you can skedaddle back to the liquor cabinet.” 

The man, Ransom, snickers, “good luck, sweetheart,” he scoffs. “If you need a drink, just look for me. You probably will. At least for the next forty years.” 

He struts off through the archway behind him and you look at Lloyd. He takes the armful of gifts from you and grumbles. He stops and crosses his arms.  

“Well, get your boots off. Mom will kill you if you’re tracking salt all over her freshly polished floors,” he shakes his head. “And a bit of advice, stay away from my cousin. Ransom’s a fucking pest.” 

“Right, sir.” 

He tilts his head and you show your palms, “Lloyd.” 

“Good girl,” he says and slips free of his loafers. “Now, you’re going to have to meet my parents before anyone else or I won’t hear the end of it. I’ve already got an earful. I know I shoulda booked that resort...” 

You unzip your boots and set them aside on the rack. You stand and he beckons you past the open archway and down the hallway. You take in the decor; gold on beige on ivory. It’s all very luxurious. 

He pushes through a white birch door and warmth enshrines you along with the smell of turkey. There’s a clattering beneath a shrill voice snapping out orders, “oh, not mashed, whipped!” 

A tall blonde woman crosses her arms as she hovers like a vulture over the aproned staff crowded around the large marble island. Lloyd grabs your hand and drags you after him. Your socks slip on the tile as dread coils up your limbs. 

“Mom, she’s here,” he announces as he gets close to her. 

“Ugh, about time, they already set the table and I was dreading the empty plate,” she slithers. She turns her chin down to see you, “Oh, look at her. She’s so... petite.” She levels her hand with the top of your head, “much different than I envisioned.” 

You look at Lloyd as he pushes his shoulders back. You’ve never heard anyone talk to him like that and you’ve never seen him so uptight. You turn your attention back to the woman. 

“Hello, Mrs. Hansen, it’s nice to meet you,” you offer your hand. 

She considers it then grabs it, turning the ring up. You examine the jewel as she does the same, your first glimpse at the thing. She harrumphs, “that’s the ring?” 

“Mom,” Lloyd utters. 

“Mm, very well. Dear, you may call me Gwenyth, not Mrs. Hansen,” she lets you go. “Now, dear son, out of my way. I’m trying to get dinner done.” 

Lloyd stares at her, almost expectantly, the takes your hand again and leads you away. He pulls you back through the door. You don’t dare say a word. He leads you away from the kitchen and the wall of voices buzzing from the front room. He guides you through the archway opposite and around to another door. 

He knocks and there’s a lull as you wait. He taps again. There’s coughing from the other side. “What do you want?” 

“Just me, Dad,” Lloyd answers. 

“Ugh, get in here then,” the timbre calls back. 

Lloyd twists the knob and urges you in ahead of him. The smell of cigar smoke blows in with the cold wind. A gray-haired man puffs by the window, his efforts to puff through the opening sabotaged by the wintry gusts. 

“Close the door. I don’t need the banshee sniffing me out,” he growls. 

“Sure,” Lloyd shuts the door. “Dad, uh, this is her. The woman I told you about. My fiance.” 

“Took you long enough,” the man sneers. You flinch and his grey eyes soften, “him, I mean. Forty-three years--” 

“Dad,” Lloyd rasps. 

“Well,” his father looks you over, “she’s young. Bit small...” 

You do your best not to let your annoyance show. So you’re a little shorter than average. 

“William,” he introduces himself, “and you are?” 

“Pixie,” Lloyd answers for you. 

“Didn’t ask you, boy,” William rebukes and keeps his eyes on you. “You smoke?” 

You mull his question and sigh, “never tried it but I guess it’s never too late to start.” 

William snorts, “truer words.” He puffs, “I don’t recommend it. Horrible habit.” He tamps out the stogie in a copper tray. “Well then, is the food ready, or did you just come to show me your woman?” 

Lloyd stiffens and touches your lower back, “guess I just came to do that.” He mutters, “come on, let’s go get something to drink.” He turns and opens the door. 

“Don’t let the smoke out,” William snips as you spin around. 

[an-idyllic-novelist]

Ken "Okarun" Takakura relationship headcanons

warnings: established relationship, fem!reader, tooth-rooting fluff, spoilers up to episode 8 in the anime.

divider by @cafekitsune

Ken “Okarun” Takakura is a socially awkward guy with an all-consuming interest in anything related to the supernatural, especially cryptids and aliens. Some people may think he is too much to handle because he’s a nerd or his appearance is a little off-putting, but he’s used to that after being bullied throughout elementary and middle school. He can handle the taunting, the jeers. It’s nothing new to him.

But when he hears a nasty rumor being spread around school about you, his precious girlfriend? Momo is going to have a hard time keeping him calm and will definitely drag you away from class as a last resort to revert the transformation into his yokai form. Good luck with handling an extremely overprotective boyfriend, especially if you unintentionally get caught in the crossfire of whichever ghost or alien are targeting him for his reproductive organs.

He doesn’t know why everyone is after his junk, so please do not ask him that question.

You are important to Okarun, so his happiness is your happiness. He’s not really a person who would do over-the-top gestures just to make you smile, though he shows his affection for you in the small things like leaving little snacks on your assigned desk or waiting to walk home with you once classes are over for the day.

Physical intimacy with him is going to be like a slow-burn in those romance novels, so please respect his boundaries and decision to relish in the feeling of your interlocked fingers or sharing kisses on the cheek before going into the heavier stuff. He’s shy and wants to do things the right way, even when every relationship is different for everyone. If you start something instead of him for a change? His face will resemble a ripe cherry, and smoke will come out of his ears before squeaking in embarrassment.

Cuddles? Definitely possible, but much further down the road once he gets more comfortable in the relationship.

He’s the guy who doesn’t mind doing an X-Files or horror movie marathon on the couch with you and it counts as a date. Any time with you is precious.

You have a part-time job? No worries, he’ll be more than happy to wait until you get off if you’re working late to walk you home!

Okarun trusts you, and he hopes you will trust him. Communication is also key, so if there is something bothering you, please tell him. He won’t know unless you say something, and you avoiding or giving him the silent treatment will have him second-guessing and thinking he really isn’t good enough for you. He’s a green flag. Seriously, talk to the guy if you got troubles on your mind. He will listen and not judge you.

Remember what happened when Aira tried to kiss him in the school courtyard during lunch and he pushed her away? He did it once, and will gladly do it again to her, to any girl who tries to make a move on him because he doesn’t want them. He wants only you.

Treasure this cinnamon roll and treat him like the amazing person he is, because there is no other guy around who would fight yokai and aliens to protect you like Ken Takakura.

Taglist: @hoodiepandaninja16 @napbatata @silverklaus @karai-frost @anonymity-222 @melodiblues @myduality @cumbersome-robes @taesy-miranda-lee @osarumi @satorousgf @theofficialfem @sadprimrose @miaurieee @bumblebeebutter @shidousprincess @minnie-1-3 @cherie-soup @kazudare @sleep-all-day-everyday @decay-1 @justamegafan @bdudette @skwunkler

[hyperions-light]

The Poison Fruit Ripens

#defendingtheending here we go

First of all mega super ultra spoilers for the ending teaser that Steam says like… 6% ? Of players have seen? So you’ve been warned. No cuts baby, it’s Miyazaki style

Okay, so it’s the Executors, and they’re probably coming across the sea in the next game (if EA doesn’t nuke BW), from what I can gather. I mean, this is fine from a lore perspective. All we knew about those people before is that 1) they are mysterious 2) they are from over there, across the ocean

And now they’re maybe connected to the revealed Qunari lore, which I am ! So excited to have! We already knew that the Qunari fled across the ocean for unspecified reasons, and that going back there was Not A Thing. But now we know that they left because of the (probably metaphorical?) Devouring Storm, which could be connected to the Executors. What are the odds that there are two separate Huge Bad Things Over There that both want to destroy Thedas? Probably is just one big thing— also the title Executor implies they are doing the bidding of someone else, so whatever the Qunari were talking about could be it. (They also talked about being agents of someone else’s will in the Inquisition War Table quest).

So the cinematic shows a bunch of our prominent villains from the previous games being influenced in some way by the Executors. Which I think people are upset about, but I think it’s fine because:

- They did not really specify the manner of influence. I would be annoyed if they retconned Loghain’s decision to leave Cailan on the battlefield because it makes him interesting, but they didn’t say that. They just said they influenced his decisions. They could have done that by stoking his paranoia about Orlais, or by planting Arl Howe to influence him after the battle. He did a lot of OOC stuff while he was King Regent, and this could be a chance to explain what didn’t make sense for his previously established character and was just put in there to make him seem Very Evil.

- They also were around some people doing a blood magic ritual… there weren’t enough of them to be the Magisters, technically, but that is usually what it looks like when we see them in DA art so I’m going to assume that’s them for now. I mean that’s wild if that’s what it is bc that was such a long time ago? Thee guys have really been playing the long game I guess

- The other person they directly influenced seems to be Bartrand, which is really easy because who the fuck gave him that damn map? We NEVER found out who pointed Bartrand to the Thaig! Someone did it, and they probably did it on purpose! It may as well be these guys

- the rest of the villains don’t get guys whispering to them, so I have to assume they mean to imply that they just set up the circumstances that would lead to these people gaining power. I mean someone sent the Carta to the Vimmark mountains, right? And there was like some weird demon there, too.

-So basically they’re just implying that these people have been manipulating events to make sure that shit in Thedas is hitting the fan all at once, which does kind of explain the frankly improbable number of world-ending events that have happened during the Dragon Age. I mean, three Blights, two Magisters, two Evanuris, Antaam invasion, major mage rebellion, Templar schism, and the death of the Southern Divine? It’s only been like 50 years!!! Before the Dragon Age there had only been four Blights since the Ancient Age! Shit does not normally happen this fast in Thedas

I think the phrase itself is pretty direct (also giving Southern Reach vibes). All this chaos they helped sew is reaching its culmination, and now they’re getting ready to cash in the chips. They’re coming to Thedas at the moment that all the great powers are at their weakest, when there’s basically no one to oppose them. Tevinter? Fucked. Qunari? No military anymore. Antiva? Haha! lol, even. Fereldan? Basically gone. Orlais? In shambles. Free Marches? Decimated. Anderfels? There’s like 100 Wardens left in a swamp. Nevarra? I actually don’t know, maybe the lichlords can do something. Maybe Rivain could field some token resistance if they didn’t get hit by the Antaam too badly, but that’s kind of it IMO. This is THE time to come in and conquer(?) the land, or whatever they’re trying to do. Kill everybody?? Turn them into Darkspawn? Who knows!

Some speculation about what could be done to repel invasion:

- shit ton of blood magic

- fix titans, wake them up??? But idk if they’d be into it

- adaari, but idk if there are that many

- people with dragon blood, like the Theirins, are maybe super special and can do things?

- pirates, baby!!! Woooooo!

- I guess Mythal could know something? She can see the future a bit

- dragon army! Dragon army!!

[a-god-in-crime-alley]

Ok, so this is how I think it would work and I feel like you’re looking at this from the perspective that Danny is still a teenager. If he’s Ghost King (as the prompt says) than it’s already a huge stray from DP canon, anyway. But let me lay out some possibilities real quick.

I actually imagine Danny is probably in his 20s here, at the youngest. I doubt anyone would let him be Acting King before he’s as least an adult by the Living’s standards. Let’s say, Mid 20s. Give him some time to have Been King for a few years.

In old fashioned monarchies it’s possible for a high enough ranking person in a group to represent that group to petition a ruling monarch. In this case, a respected enough ghost can represent the Jokers victims.

If we break it down into a trial:

The Jokers victims are the “Witnesses”

The Representative is the “Prosecutor”

There would probably be someone high ranked in the Zone that doesn’t think they should Interfere with any of the Livings problems. So there’s our “Defense” who is only tangentially representing Joker.

With the Ghost King, Danny, acting as Judge. He may make a Jury of council members. Older ghost that he trusts. But ultimately, the final decision will have to come from Danny.

As for why Danny would be the one to hunt down Joker himself? Can you honestly say he would let one of the Ghost out to do so? The only ones I can see would be Fright Knight or Skullker and both a pretty intense and not really concerned with collateral damage. Plus, the need to keep his people safe from possible harm.

Danny being willing to kill also would make sense for the Joker Specifically. His numerous unsanctioned resurrections would be a violation of the balance between life and death. With his many murderus act being seen as overcompensating and Increasing the imbalance by the forces of the universe.

Even without Jokers victims coming forward to seek justice, Death of the Endless would probably ask Danny to solve the issue. Death would probably be considered the God of the Infinite Realms. As a primordial. And I actually think the Realms would be within her own domain, so Danny would still be the highest power Within the Realms but Death is still above him.

Plus, an older Danny that’s been steeped in Ghost Politics for a few years would have learned very quickly that death isn’t a big deal for them. Those that have died and resurrected have a higher chance of becoming ghost, so death isn’t really The End for them.

Especially for the Joker because he’s died and come back so often. He’s not a normal human anymore. The normal rules don’t apply. Joker doesn’t have anyone who will actually miss him either. No one to truly mourn him.

The most mourning anyone would be doing is Batman. Mourning the fact Joker never changed despite the many chances he had. And that’s not really mourning Him, just who he could have been.

So, really, wouldn’t it make sense for Danny to be the one to handle it. He would be somewhat desensitized to what death means for mortals, and Joker would be on his radar because a large group of his citizens (his people, his responsibility) would have brought him to his attention.

DPxDC Legal Power

Batman: You can not punish the Joker

Batman: You are no judge, jury, and executioner

Danny Fenton, standing over Joker's beaten body: Actually, I am

Danny Fenton, raising the Creep Stick up: I am the High King of Infinite Realms, and this bitch has been resurrected more than once

Danny Fenton, smacking Joker like a piñata: With the use of a pool of some nasty smelling ecto, mind you, but it puts him under my jurisdiction nonetheless

Danny Fenton, smiling at Batman as Joker is wheezing and trying to crawl away: So I am the judge, jury, and executioner for him since I'm the highest power in a Realm where he is a denizen

Danny Fenton, catching the Joker by the ankle and dragging him back: And as the King, I hereby sentence him to death by a repetitive use of The Creep Stick over his whole body

Batman: ...

Red Hood, with a bowl of popcorn: Do you mind switching The Creep Stick for a crowbar?

[maxdibert]

“Sirius killed people-“ so did Snape, supposedly loved Lily but betrayed her location to Voldemort because he was jealous of James actually winning her heart, not to mention convincing Harry the abuse was his fault, nearly giving Neville PTSD to the point where his boggart was Severus Snape himself, being a racist pos to anyone born of muggle parents, and becoming a high ranking member of the death eaters so what? He could protect Harry?

“It’s easier to cry in a Ferrari-“

it’s easier to defend a terrible character and play the racism and eat the rich card when you can’t understand context and inference clues that JK Rowling laid out.

What’s easy is inventing canon. What a load of made-up nonsense, mate.

1. Learn to read. I didn’t say Sirius killed anyone, but he did attempt murder. And he did it because he thought it was funny to torture Severus.

2. There’s no evidence that Severus killed anyone before Dumbledore asked him for euthanasia. This is made quite clear when Dumbledore talks about his concern for Draco’s soul, and Severus immediately questions him about his own soul. If Severus is so worried about it, it’s implied he hadn’t killed anyone before—or at least not in cold blood.

3. Have you even read the books? The only person who knew the Potters’ location was Peter. He’s the one who betrayed them.

4. There’s no evidence he was a racist. First off, equating racism with the concept of blood purity not only trivializes a serious social issue but also makes it clear that some of you have no idea what racism is or its history. The discriminatory dynamics and their foundations are completely different. But anyway, putting that aside, there’s no evidence whatsoever that Severus discriminated against Muggle-borns. The only time he makes a comment is during the incident with Lily—which, conveniently, happens when James and Sirius are sexually assaulting him, and Lily seems to smile at James. I don’t think you can judge someone’s ideology based on a comment made in an extremely tense moment. Canonically, Severus doesn’t treat Muggle-born students worse in class or make comments about their heritage. Nor does he badmouth Muggles. At most, he makes condescending remarks—which, let’s be real, all the characters do, even the “good ones,” because they’re ridiculously patronizing toward Muggles.

5. Severus was literally a double agent and reached the highest ranks of the Death Eaters to, yes, protect Harry. That’s literally why. He’s following Dumbledore’s orders. Like, have you read the books, or are you just pulling this stuff from fanfics? 99% of what you’ve said so far is pure fantasy, mate.

6. Yes, love, it’s actually pretty easy for me to defend people whose actions are a direct consequence of their life circumstances, and whose poor decisions were directly influenced by a lack of opportunities, security, and the violence of their environment. In fact, that’s literally my job. That’s what I do for a living.

Look, I don’t give a damn if you’re a Sirius fangirl. You can love a character while admitting he was a massive piece of crap. I love The Penguin, and there’s no way to justify him at all. Like, it’s fine, you know? You also have every right to feel sorry for him—I’m not going to judge you for that or anything. I’m not invalidating other people’s feelings if they think Sirius’s life was super tragic and feel a lot of compassion for him. Everyone has their own feelings and points of empathy. But that’s not the case for me. I don’t feel sorry for him. There’s no excuse for being an abusive bully with sociopathic tendencies toward someone who was canonically in a position of social and economic disadvantage. If Severus had come from a good family, with money and power—or if Sirius had been someone without a name, wealth, or status—then I’d view the situation differently because they would have been on equal footing. But just like the Black family chose Muggle-borns to torture because they knew they could, Sirius chose Severus because he knew he could. He’s a hypocrite and a piece of garbage. At least Bellatrix admitted her tendencies.

[a-fatal-word]

I saw the Theatre Du Châtelet production of Les Miserables, and here's a rundown wyth my thoughts:

In the Prologue, the first set of prisoners are on a boat, then a second group is brought in to help move it. I loved this direction, as we see the physical feats they are forced to do. Valjean is brought on separately to these groups. Guards also beat the men, conveying the aggression of this environment which impacts Valjean’s character.

Part of the set is a ramp up stage left, which gets used a lot. During the Runaway Cart scene, we actually see the cart go down the hill and fall on Fauchelevent and the actor really milks it, it's brilliant. The set has these two huge curved pieces, which are used to create multiple settings, plus box sets which helps separate different locations.

Claire Perot is a perfect Fantine, we understand her immediately. She is watched by all the men in the factory, which she's aware of but hasn't grown hardened as a protection. She's so vulnerable and clearly uncomfortable with the attention. I really enjoyed the 'J'avais Reve' ('I Dreamed a Dream') lyrics, and Perot's delivery of the line about Cosette being close to dying was PERFECTLY delivered. She stopped to take the moment, and it was the best I've ever seen it done. My favourite Fantine, maybe even including the film adaptations I've seen.

The pimp comes on with Bamatabois and has the lines with the sex worker that in the English version says 'only joking, deary knows her place'. When Javert arrests Fantine, the other sex workers start towards her but stop, clearly on her side but unable to stand up to Javert. This asserts the dynamic between these men, who always have more power in the situation, and the powerless women.

Champmathieu and two guards walk in from of Valjean during 'Le Proces' ('Who Am I'), so he sees whose life his decision will impact. It's a shame the actors look nothing alike, I feel like they could've given the actor portraying Champmathieu a beard 😂

I preferred the 'Une Poupee Dans la Vitrine' lyrics to 'Castle on a Cloud' lyrics, they're so much more specific to her experience as she dreams of playing with the doll Catherine. love that she sings about Catherine. I wish that the Catherine that Valjean gives her was bigger, though, it more resembles the size of a doll you would buy today instead of the large doll of the novel. Her broom is literally twice her size though, it's a perfect staying to reflect the famous artwork of Cosette sweeping.

The Sergeant of Waterloo Inn is a box set which covers half the width of the stage so you can see the snow outside behind this set piece, which really makes it seem that the inn is bursting with people. This really highlights how far the Thenardiers fall. We see Cosette and Valjean meet in the space away from the set, which is cold and isolated.

These Thenardiers feel genuinely dangerous; they're funny but there's less playing up to the audience. They dress similarly to the rest of the cast, but there's always something out of place. For example, in Maitre Thenardier (Master of the House), Thenardier's outfit is identical to an ensemble member's, but then his hair is unusually styled compared to the rest of the casts'. During the wedding, everyone wears black and white (white dresses and black suits), whilst the Thenardiers arrive in black and white striped outfits. It's like they try to fit in, but they're always off. I also enjoyed that the Patron Minette are in Maitre Thenardier, backing up Thenardier as he over charges someone (his wife has a go at him in a nice touch of ensemble work). It's like they're mates who then went into crime together. The 'Colette' line also remains.

During the confrontation, which happens whilst the nuns are present, Javert whacks out a giant gun which he points at the nuns, after that the nuns throw a bucket at him. When I say I DIED.

This Grantaire isn't the Grantaire we know, he's way too optimistic and put together. When he first started singing, I thought he might be Prouvaire or Courfeyrac and they'd given one of those characters those lines! It made me think that having Courfeyrac make fun of Marius would be so much fun, they'd get to have a bit more of a relationship there, and Courfeyrac could keep his snarkiness from the novel. But I still enjoyed his performance. This Grantaire still makes fun of Marius in jest, but he is as passionate as Enjolras and can easily jump into action mode. Their dynamic slightly resembles Achilles and Patroclus' in Madeline Miller's novel, in that Enjolras and Achilles are focused and charismatic, whereas this Grantaire, like Patroclus, jumps in to help the wounded. His protection of Gavroche is there, and Gavroche sings his final lines to Grantaire, before falling into his arms dead (Gavroche throws the bag of ammunition over before stumbling back to their side of the barricade with his hand clutching his stomach, resembling Eponine's demise).

The costumes for everyone are stunning. Fantine's deshevelled look is gorgeous and Javert has an incredible black leather coat. Enjolras wears a gorgeous slightly orange toned red coat, then a red striped waistcoat at the barricade, whilst Grantaire is in a green suit, with a top hat in the early Musain scenes.

In 'Bonjour Paris' ('Look Down - Paris') we see a group of middle class men walking to the front of the stage, surrounded by the poor they appear disgusted by, whom we are encouraged to judge.

Minor characters portrayed by the ensemble are given chances to shine, and this production really feels like it is presenting a society, as the novel does. A father and daughter appear in Paris, and this father then joins the revolution. He kisses his wife goodbye as she leaves the barricade, and it's heartbreaking when we see his corpse when they are defeated. We also see a member of the ensemble listen in to Javert's confession to Valjean when he has suspicions that he's an ex-convict. This moment especially evokes the small town attitude of Montreuil-sur-Mer in the novel.

Stanley Kassa's Enjolras is one of the best I've ever seen. He's commanding, serious, and clearly empathetic; having told Courfeyrac to keep watch whilst Valjean sings 'Comme un Homme' ('Bring Him Home'), he also keeps watch, and a couple of times looks back to watch over his sleeping comrades. You can really see that he has a lot going on internally, and is reflecting on the previous day and what is to come. Before sending the fathers and women home, he does this sigh to himself, and lets us in on the inner torment and regret that the people didn't join them. Kassa also dies leaning back off the barricade with his arms out, and he keeps them there until the barricade is removed, which is impressive given the time he has to keep this position for.

In 'Dans ma Vie' ('In my Life'), there are bars to the garden stage left, then bars projected on a screen in front of the set, so Cosette actually feels boxed in and isolated from the outside world in her garden.

Cosette telling Valjean about the 'four men scheming' (replacing 'three men I saw beyond the wall' makes more sense. She and Marius actually see the end of the Eponine, Thenardier and Patron Minette scene, so she tells Valjean as she has reason to worry.

They make the decision to have the barricade rise outside the Musain rather than the Corinthe, probably to simplify things. This also creates an emotional link, as they dream of creating a new world and it's next to that space that they try to achieve that new world.

This production's Prouvaire has a beautiful openness as a performer, he carries a little book on the barricade which feels very apt.

After the defeat, two national guardsmen, plus Javert, survey the barricade, which is covered in the dead, making them face up to what they have done. We also have the national guard giving the orders at the back of stage, visible through the barricade.

'Le Suicide de Javert' ('Javert's Suicide') is heart stopping; he is on top of one of the large set pieces and towards of the song is raised higher. His death is achieved by falling back 90 degrees and the screen in front shows a projection of him falling in slow motion into the Seine. This production takes place 5 minutes from the Seine, which really hits you in this moment.

'Seul Devant ces Tables Vides' ('Empty Chairs at Empty Tables') is done with projections of shadows on the Musain set, which is a wooden piece stage right. Of course we see Grantaire drinking, recognisable as the shadow with the top hat.

'Tourne Tourne' ('Turning') is performed as the moment the families have to identify the dead, such a unique staging choice.

When things get awkward at the wedding, the master of ceremonies asks the 'Maestra' to play a specific song. When things get awkward again when the Thenardiers are eating all the food, Thenardier tries the same thing and asks the 'Maestro' for a song (there was a joke were he said something that wasn't a song, but I can't remember what). The Musical Director is then revealed upstage when she corrects him that's she's a 'Maestra', which got a big clap.

Eponine doesn't duet with Fantine in the Finale until later than usual, so we get a beautiful scene between Fantine and Valjean where she puts his hand on the book before he gives it to Cosette.

Once Valjean dies, he gets to greet everyone in death, included Myriel, who he hugs, and Javert, who he shakes hands with. And Enjolras, who feels very central to this production. He's used a lot in the trailer and Stanley Kassa has the most amazing charisma, you really root for him.

Overall, I loved this production. A lot of the lyrics are tell the novel's story more explicitly and are still poetic at times. I especially loved Fantine's lyrics, and it's so refreshing to see a different take on the material visually. I really hope this production gets a longer life, and I'm so glad we have an album with this cast. They all have golden voices, especially Oceane Demontis as Eponine. I also have to shout out Juliette Artigala for her portrayal of Cosette, I thought she was so endearing.

[opal-kitty333]

So, I like Horror Sans, and being a nerd, I've been thinking about him a lot during my recovery with brain damage. A lot of people treat his wounds like brain damage, giving him memory problems, chronic headaches/migraines, speaking difficulties, fugue states, just issues collecting his thoughts. All understandable and reasonable symptoms, but there's something about just what truly horrific, completely life altering, brain damage to such an extent can do to a person that hasn't been explored very much. Yes, he doesn’t technically have a brain, but considering someone with head trauma like him would be in a comatose like start for weeks to a month, we can choke up him taking that hit like he did and being able to walk and talk to that. Plus, we can take inspiration from real injury and science and have wiggle room for it to not be 100% accurate. Anyway-

This is Phineas Gage.

It is one of the earliest extreme cases of brain damage where the patient survived while psychology as a scientific practice was getting on it's feet. If you've taken a psychology class, you've heard of him. He was a railroad worker foreman who had a rod blown through his skull in an accident, destroy most of his frontal lobe.

If you don’t know what the frontal lobe is it's where your ability to reason and make decisions, the ability to control your muscles voluntarily, and your ability to process knew information and recall old information. It's well known for being the part of your brain that inputs logic, the part gives you the ability to remember what happened last time you picked a fight with someone, so instead you choose to walk away despite how much your want to punch them for being a prick.

As I stated before, this man was a foreman, well known for keeping a level head, being responsible, and hard working. After the injury, that completely changed. Everyone agreed he was barely recognizable as himself. He was impulsive, prone to extreme mood swings, impatient, making massive plans only to almost immediately abandon them, and generally seemed to have no control over his desires or ability to distinguish between a want or a need.

Now, let's look at Horror.

I'd say it's safe to say his frontal lobe but also part of his parietal lobe would be utterly fucked. Your parietal lobe controls your ability to process sensory information (mostly touch) and to understand not only where you and your body is, but to process the world around you. You see a massive enough tent, some clowns running around, the right music, and your parietal lobe is what does the work to label that as a circus.

To have these two structures damaged, or the closest equivalent in a monster, would radically alter Sans' personality, his ability to move, his understanding of the context around him, and connect with others.

He'd become rather self centered on his own desires and beliefs, struggling to even have the patients let alone the want to give other people the time of day. His actions would be impulsive, made on his emotions in the present moment and with little concerns other than the immediate consequences. He'd be prone to loud outbursts, not just rage, but any other emotions like sadness or glee with little ability to realize how he's acting may be overblown or inappropriate. Not only could his ability to put his thoughts into words be a struggle, but his ability to say those words could be affected as well. He'd be very present focused, with pass relations or responsibility mattering little as he keeps marching to the beat of his own drum.

That is, if he could march. He'd not only struggle to know where his limbs are or what he's touching, but his sense of balance would be awful. He'd likely have a constant wobble, having to go slowly and potentially hold onto or lean on things if he wanted to move quickly. God forbid how much he'd bump into furniture or trip and struggle actually grab onto something to catch himself. It's entirely possible he'd have difficulty reading and writing or confusing his left and right regularly. He'd need more time to process a situation and could very easily misidentify what's actually going on could likely lead to him acting even more unpredictable as the world around him is so much more dangerous and he's struggling to fully understand what everyone is doing and trying to keep two steps ahead of everyone around him.

But here's the thing. The brain is also incredibly adaptable in ways your wouldn't believe. Phineas Gage slowly recovered over time. He died twelve years after the incident from epilepsy but over time he slowly regaining his social skills and general functionality. He picked up a job as a stage coach four years after the indecent even. He was never quite the same person he was before, but he wasn't doomed to be what he first was after the indecent.

Imagine what this kind of thing could mean for Sans. Not only would the betrayal cut deep enough and the world falling apart put him through trauma that would shred the soul, but people he trust literally damaged his ability to think logically and control his impulses. Of course he's going to lash out, focus on doing anything he can to survive with little respect for what anyone else thinks. Even forcing his brother to do things and refusing to listen to him unless given no other option. All while he thinks the biggest problems after the indecent is how much his head hurts, how his memory is shot, that it's harder or even down right painful to think, and how he's struggling to cling to his independence while never having the patience or resources to give himself the ability to heal. He doesn't even realize how much he's changed. If you point it out Sans would likely get defensive and aggressive, or brush it off as everyone underground being awful people out to eat each other alive.

But then he gets out to the surface. He gets stable food, a safe place to live. His brother is recovering and as the years pass his mind can finally start pulling itself together and healing, finally. Sans begins to regain his ability to think critically on his own actions and others, his emotional outburst and vindictive behavior start to wind down and fade. He's able to think and start sifting through all the shit he remembers.

The guilt of what he did, the people he hurt for no reason other than pettiness. The stupid decisions he made that hurt himself and/or Papyrus in the long run. All the hindsight he has now. Imagine how much he would bury those memories and thoughts. Justifying everything he could and insisting he had reasons, or that it's just how it was and that everyone was as awful and cruel he was. Or just accepting that what Undyne had done to him and the famine after had ruined him, broken and rotted all the good he had and left him vile and malicious. That he'll never have a chance to truly be who he was before.

[dalliancekay]

And it is All. Aziraphale's. Fault.

NO IT FUCKING ISN'T HIS FAULT

First of all: I'm pretty sure every time we see Az and Crowley in the past, Crowley is wearing whatever is the height of fashion while Aziraphale wears things that are well made but several decades out. Meaning he is wearing them for a good while. Swapping his clothes around when they become maybe too worn, maybe too conspicuous.

Walking the clean, gas-lit avenues with Crowley and Elspeth, Aziraphale is oblivious to the privilege he has in this world.

Really? Was he born yesterday? He has no idea how the world works?

the angel spouts trite pontifications created by the rich to justify poverty. He genuinely believes Elspeth has more opportunities for goodness.  After all, look at Wee Morag. 

It wasn't invented by the rich. It was 'invented' or used rather by the church that got used by the rich to keep the poor in place. There is no way you can blame Aziraphale for this. All he wanted is for Elspeth not to end up in Hell. Which Crowley wanted too, after he saw how upset it made Aziraphale. That's not fucking wrong. And you can't tell me either that rich have more opportunities to do good. Or that they do so. Or that more of them go to Heaven.

The inequality in humanity? Well, Adam and Eve had nothing. We have caused all this bullshit to ourselves. Nothing to do with Aziraphale. Or Crowley.

He respects her goodness tremendously.  It proves to him his “rightness.” 

Did you mean to say, he's glad she's not heading for Hell.

And so he sabotages Elspeth’s attempt to sell the body she dug up in her attempt to support Wee Morag.  Dalrymple gets no body, Elspeth gets no money, and Aziraphale believes he’s saving her soul.

He WAS saving her soul. Remember? Heaven and Hell being real places you go to when you die in GO?

Selling stolen bodies puts good in the world.  He’s all for it now, and goes back to encourage Elspeth.  Good heavens, he’s even willing to help this time!

Maybe next time try to be a bit more condescending to someone who just learned something new. And IMMEDIATELY changed his mind about it. Plus, Crowley had no idea digging up bodies could be spun to be a good thing either. He was learning just as much as Aziraphale. But I haven't seen one single FUCKING META about how Crowley was completely disinterested in Elspeth and her life. Only in having his usual argument with Aziraphale. Until he didn't. (And as I pointed out, he wasn't right about - you have start people off equal, people did start off equal, we are just assholes)

But, as we know, it all goes wrong.  Wee Morag is shot by a grave gun, and dies of her injuries.  Elspeth steals laudanum, and plans suicide. 

In other words, everyone makes their own choices, things go badly for Wee Morag. Maybe re-watch the ep and see how Elspeth doesn't blame Aziraphale (or Crowley) for what happened. So why do you?

Crowley drinks the laudanum, saves her in a compassionate Scottish frenzy, and is stolen away by hell because of his kindness.  

Is he? Or is he taken cos he sent two guards directly down to Hell, alerting them?

And it is All. Aziraphale's. Fault.

(I deleted what I wrote here)

He considers all of the money he casually spends on fine clothing and expensive tailoring.  He wonders how many lives could change if that money was better spent on helping to relieve the poverty that surrounds him. 

There's absolutely NOTHING in canon to support this. We can HC whatever we want sure, I for example think that Az wears things, as I said above, that are stylish but always out of fashion because it takes him time to find the right things and then he wears them for decades and decades. Because that's what is suggested by the canon, by the care he puts into his clothes and how well loved they are. The fact that 'male' fashion got less flamboyant down the centuries was not Aziraphale's decision. I for example HC too that Azi, when building his bookshop, and using his own, earned money as you rightly say, was spending miracles on making sure his workers didn't injure themselves, that he spent miracles looking after the street urchins in the very poor neighbourhood he has chosen to settle in (as opposite to say Mayfair). And that when Gabriel told him off for using too many 'frivolous miracles' in 1792 he got mad and decided to go to Paris like the stupid angel he apparently is and get, say, ravished by his enemy who would surely find him helpless and not able to save himself in a prison.

What would Crowley do, if he were free to be kind? And so Aziraphale changes.

Yes, because Aziraphale is an asshole who cares about nobody, and nothing, right?

the angel who took too long justifying a life-saving miracle for Wee Morag

Because he's NOT ALLOWED TO INTERVENE.

who hesitated to give Elspeth his 90 Guineas

Do you think he should have just worked and worked and give all his money to poor people? Is that the answer to all the world's problems? Making Aziraphale poor?

willingly and freely gave Maggie forgiveness for thousands of pounds of debt

Why wouldn't he. It's his property and I am sure he lends it to Maggie for significantly less than anyone else would have. Definitely less than those 'gentlemen' in the book who come and try to persuade the angel from time to time to sell his bookshop.

I'd love to know what else he's done over the last 180+ years!

He's been the kind, big hearted angel he always was. Looking after his shop, his tenants and anyone else who he could. Saving babies in prams and making sure shady men never came back. Looking out for Crowley, trying to keep him out of trouble, worrying about him, keeping an eye out to see if he's not doing something reckless. Finding out the demon wants to rob a church, handing him the one thing that could take him away forever with the heaviest of hearts. While of course, Crowley was doing the same thing. Not giving in to Aziraphale's princess act in the Bastille because he knew it would not ultimately end well for them. Understanding when Aziraphale said no to a date in 1967, not surprised since he remembered well what happened in 1941 when they were seen together.

*** YES if Aziraphale did absolutely nothing on the graveyard, Wee Morag would have probably lived a bit longer. How much longer though... and they would very likely end up in Hell, because they would have had to do much more crime down the road. Maybe even get hanged for graverobbing. Also see: Aziraphale just wanted to help. Did you never make a mistake??? He didn't mean to hurt anyone. If he did nothing, he'd never have learned yet another way the world is complicated and not black and white. Crowley was going to do nothing at all, just have a laugh at someone robbing a grave. No one cares. He's a demon. He stopped Elspeth from killing herself and everyone applauds, yes, it is super kind of him, and dangerous for him too, but it is the right thing to do. He didn't want her to go to Hell either.

The people who think they would have figured everything out before any events happened at all...well, good luck in your life.

And people who think Az should have done nothing - okay then. Let's just all do nothing at all, hoping we avoid all the bad things. Also: Changing the world is not done via charity but via changing the society, creating better welfare systems, housing, medical care, education. Those are things one lone angel (and his husband) can't do. And it's not their place anyway. I have like 5 pounds in my bank account (I hope) and yet I am not blaming someone well-off for that. It's the systems that are failing us. Much like the systems failed Aziraphale and Crowley. Putting two wonderful beings through so much pain because - that's how it is done.

And as I have said a million times before, Aziraphale is not learning some morality lesson in GO (HE IS A WONDERFUL, GOOD, KIND, GENEROUS, BRAVE BEING ALREADY), he doesn't need to get off his high horse, he doesn't need to finally 'see things clearly'. He knows how fucked the system he lives in is. He's just trying to help. Even Crowley says (in the book) that Heaven is the better option over Hell. However fucked it is.

Aziraphale learns from Crowley that he can question things, yes. But not in some, oh he's so blind and stuck and deep in some dogma bullshit. NO. He was always told things will happen a certain way. That Earth gets 6000 years tops. That God Herself made a Plan. It may be Ineffable, but it is a Plan.

I'm sorry, if you think you are far smarter than this and you would have figured out that God is telling porkies, good for you, I'm glad such intellects exists.

Because Crowley also didn't know the Plan could be changed until the end of S1. Yes he asked Az to try stop Armageddon but I don't think he really believed they could. He just wanted to give it a go. Cos - well what did he have to lose?

And they did change it. They held Adam's hands and they told him to be himself and when Gabe and Beez wanted to go ahead anyway Az confused them by asking about which Plan said what. So yes, he learns to question things. And he learned that from Crowley. And Crowley? Who was abandoned by the one Being who was always supposed to love him? Well. Crowley looks into those blue eyes and trusts.

The Night That Changed an Angel (or, why does Aziraphale still wear that shabby vest?)

Mini-Meta Musing (#4)

I've been brooding for a long time about, of all things, Aziraphale's worn velvet vest and the long cream jacket he's kept in "tip top condition for over 180 years now." I love the sweet familiarity, but this is the same angel who popped across the Channel and almost lost his fluffy-topped head in 1793 for dressing like an aristocrat.

"I have standards!"

He's the height of elegance, extravagance even. A dandy. We've seen the same at the Globe Theater 1601, Edinburgh 1827, and even as a Knight of the Round Table in 527 Essex, where he's wearing a glorious pelt across his shoulders! However, sometime after Edinburgh 1827, Aziraphale's stylish extravagance ends. He adopts the dress of distinguished but modest gentility. No seamstresses strain their eyes for days hand stitching ruffles and trims for him any longer. When we next see him in 1862, his clothing is refined, simple, and serviceable. It becomes his uniform, with only minor replacements. Why? What happened to change him?

Edinburgh 1827 happened. And his encounter with tragedy ran over his sensibilities like a locomotive.

Aziraphale had, we were told, saved his earnings over time and had bought land, invested wisely, and became quite well off. He used real money, not miracles, to build the bookshop, paying the builders well and taking care of bills honestly. He built himself up to a more than comfortable lifestyle, from nearly nothing. And his clothes are real, not miracled from nothingness like Crowley's. (source: original showrunner)

Aziraphale's wealth allows him to afford luxurious tailoring and fancy shoes and ruffles and trims. He'll certainly pay the cobblers and tailors and seamstresses well for their labors. It will be a substantial expense for the era. (The linked post gives a wonderful perspective on 1793 lifestyles and costs.)

https://agoodflyting.tumblr.com/post/753227014283083776/why-aziraphales-white-satin-pumps-are-ridiculous

The angel's Edinburgh multilayered and trimmed top coat, soft leather gloves, matching scarf, jacquard vest, silk cravat, etc., look entirely out of place in the back alleys where the poor huddle. Walking the clean, gas-lit avenues with Crowley and Elspeth, Aziraphale is oblivious to the privilege he has in this world.

As he strolls along in philosophical banter with Crowley about the "blessing" of poverty, the angel spouts trite pontifications created by the rich to justify poverty. He genuinely believes Elspeth has more opportunities for goodness.  After all, look at Wee Morag.  He respects her goodness tremendously.  It proves to him his “rightness.”  And so he sabotages Elspeth’s attempt to sell the body she dug up in her attempt to support Wee Morag.  Dalrymple gets no body, Elspeth gets no money, and Aziraphale believes he’s saving her soul.

It’s a poignant moment, though, when Aziraphale cradles the jar containing a tumor from a seven year old child who died because there wasn’t enough medical knowledge to save him.  Turning point number one.  It becomes Real, not a philosophical debate.  Selling stolen bodies puts good in the world.  He’s all for it now, and goes back to encourage Elspeth.  Good heavens, he’s even willing to help this time!

But, as we know, it all goes wrong.  Wee Morag is shot by a grave gun, and dies of her injuries.  Elspeth steals laudanum, and plans suicide.  Crowley drinks the laudanum, saves her in a compassionate Scottish frenzy, and is stolen away by hell because of his kindness.   And it is All. Aziriphale’s. Fault.

Turning point number two.  Another watershed moment where Aziraphale’s world changes again.

One of Crowley’s last earthly acts, before getting plunged into hell, is to have Aziraphale give Elspeth all of his pocket money.  What is pocket money to the angel is a fortune to her, one that can set her up for a better life.  I have no doubt that in the aftermath of the traumas of that night, missing and worrying about Crowley, Aziraphale thinks about all of this.  He considers all of the money he casually spends on fine clothing and expensive tailoring.  He wonders how many lives could change if that money was better spent on helping to relieve the poverty that surrounds him.  He wants to help, and to try to make amends for the harm he caused.  What would Crowley do, if he were free to be kind? And so Aziraphale changes.

I’d love to know the story of how it all played out.  Did he sell his fine clothing and donate the proceeds?  Did he become involved in charitable foundations?  Did he buy the clothing of a simple gentleman and decide to preserve it, however worn it became, as a reminder to himself of his past blindness and vanity?  We see in Season 1 how important it is to him to preserve that coat. (Sure, it's also a fantastic opportunity to flirt and flutter those angelic eyelashes... But, nonetheless!)

By Season 2, the angel who took too long justifying a life-saving miracle for Wee Morag, and who hesitated to give Elspeth his 90 Guineas, willingly and freely gave Maggie forgiveness for thousands of pounds of debt. I'd love to know what else he's done over the last 180+ years!

Whatever happened, it began that night in a graveyard.

[emin-folly]

(@ftl-faster-than-life HI THIS TOOK A HOT MINUTE WEH Also thanks Tumblr for eating my asks again smh) oH BOY, WHERE DO I START Oh Barry, Barry, Barry, my sweet babygirl, how you've been so incredibly villainized by this fandom I'm going to take this opportunity to address and debunk as many misconceptions about Barry's character that I can remember, in the case if someone who doesn't really know Barry all that well is reading this or to hopefully change some people's minds~

* "Barry is boring": Well, yes but actually no. That's the beauty of Barry--he is designed to be your average, unassuming everyday kind of guy. Problem is, a lot of people think that's all there is to him, but that's really only just the surface.

He has flaws. He's prone to making decisions without consulting his family if he thinks it's for the greater good. You need to explicitly tell this man if you wanna be his lover because he absolutely can NOT read romantic cues to save his own life, he's a guilt sponge, he's weird, he LOVES science and comics and is a huge nerd!! He gets jealous!

Guys-Guys?? He's aN ELDRITCH HORROR??? HELLO????? He is CONSTANTLY living in sheer and utter denial and is desperately grasping his extremely thin veneer of being human, and yet, because of this, he actually puts his family in more jeopardy. Do you even realize how fascinating that is

Barry is a character who also deeply craves companionship/people. He struggles with depression and suicidal tendencies ever since being resurrected. He tries so hard to be what everyone else wants him to be and meet their expectations while failing to take care of himself in the process. He's so much more complex than just "Wally's nice father figure who died in Crisis". People also tend to equate "boring" with "being good/kind" which, you know...I very much disagree with but that's just my opinion * "Barry is racist!" LOL This one is just so wildly incorrect. The origin of this misconception comes from an out-of-context panel Justice League of America #173) of Barry being angry about Black Lightning joining the JL. If you read the whole page the panel comes from, you'd see that in actuality Barry is NOT angry about a black man joining the League but rather, he's angry that that seems to be the only reason Oliver wants him and Barry is (rightfully) calling Oliver out on that. There has been no other time where Barry has a problem with people of color

* "Barry is a Republican" I don't even know where this fanon came from. I think this may have originated from Wally's run where Wally was a conservative and he just assumed?? Barry was the same??? Which is SO laughably wrong (Wally bby, stop projecting on your uncle challenge) For the major part of Barry's original run (and honestly, the majority of the Flash runs after that), he remained largely apolitical . People see a white guy from the 60s and automatically assume he's right leaning /shrug * "Barry's a cop!" Yeahhh, not quite actually. He's a CSI, a forensic scientist, not a blue collar badge sporting cop. He's the behind-the-scenes guy, the one who studies the crime scene and tries to piece together the evidence and bring the culprit to justice. There IS a difference. But people don't really care about the technicalities, tho, they just want to hate Barry and him being "basically" a cop is a fast and easy excuse to do so. And DC certainly isn't helping matters with them constantly pushing the cop agenda for him (thanks a lot DC) * "Barry is sexually-repressed": This is a headcanon I seen a fair amount of and--okay, I get it. Barry is shy and reserved and blushes up a mad storm when someone compliments him. I can see how that might lead people to interpret that as him being sexually repressed/being a prude. But like....Buddy. Homie. Amigo.

This man had more canon sex than Hal Jordan. He and Iris were getting it on FREQUENTLY in the Silver Age and that's not me exaggerating. Just look at Flash #197 where it was Barry's birthday and he and Iris made out and stayed in bed practically the whole day together. Maybe you could say they just did that in the morning and they did other things later buuuut I don't believe that for a minute lol. Or! In Flash #195 where Barry was late to a ceremony of a submarine departure because (you guessed it!) he was too busy exploring his wife's mouth. Just because Barry doesn't make sexually-charged remarks or cop a feel from Iris constantly doesn't mean he's opposed to sex. I see it more as him just being way more private and reserved about it, but he IS very much down to fuck as she is (or Hal! Whichever your ship may be~)

While we're kinda on the subject, I'm really not a fan of the whole Barry being "shojo-fied/uwu-fied" thing, if I'm being honest?? Like, yes, if you give him any kind of compliment, he will blush furiously and stutter. But that's different from him being totally ignorant on what sex is/being a weak, delicate little flower who needs a "Big, Strong man" like Hal to save him (also, like...can we stop treating Barry as the "girl" of the ship just because he's skinnier and smaller than Hal pls and thank you). He is an mid-20-30 year old adult man. And a forensic scientist who probably seen a lot of sex-related crimes in his line of work. I'm pretty sure he knows what sex is, guys (in fact, he would be the guy who actually hosts Sex Ed classes bc the misinformation out there is staggering lol)

"Barry is weak/one of the weaker superheroes": Ok, I've never seen anyone say this persay, but it is very evident in how people portray him a lot of the time. They see his smaller frame and the fact that he runs fast to mean he's a glass cannon (Honestly they do this to a lot of the other speedsters as well) which hi! Wrong again! Speedsters are actually INSANELY durable little dudes. He could tank a punch from Darkseid. He can drag MASSIVE SHIPS behind him!! Wally once punched Eobard with the equivalent force of a dwarf star. Yeah. Now I get whump, I personally love it, I do, but I also enjoy seeing Barry being the absolute powerhouse he is. He can vibrate through solid matter, he can manipulate frequencies, and he's incredibly smart with how to use his powers, always thinking up on the spot improv strategies and techniques! Please stop nerfing him, guys, speedsters get too much of that from the writers OTL * "He's conservative because of his buzzcut!" Ok this one actually had like, a whole article?? On it?? And it truly is so wild lmao. When the only thing people can find to hate a character on is his haircut, you know they have no basis for their argument lol * "Barry is abusive!" Nope. Not even close. People love to pull this as a "gotcha" to Barry fans, regarding the panels of "Barry" beating up Wally and verbally abusing him (The Return of Barry Allen). Except....that wasn't Barry, that was Eobard disguised as him. You know...if you read the full run, you would know that lol You literally couldn't find a more least abusive person than Barry lol. Which actually leads me into the next one... * "Barry was an example of toxic masculinity!" AH yes, of course, with how he's so openly kind and compassionate, how he loves kids and animals, how he openly cries and shows emotion, how he's super respectful of people regardless, how he chugs Respect Women juice all day everyday, how he's contributing to fundraisers to help impoverished people and further medical progress, how he's so concerned about the state of the environment and is firmly against consumption of fossil fuels, how he constantly tells his son nephew he's so proud of him and that he's his hero, how he runs home after work bc he's genuinely so excited to see his wife, how he loves her SO much and smothers her with kisses every chance he gets UGH. How does Iris stand him /s And since we're talking about Barry and how the fandom treats him, I can't not talk about the elephant in the room--Flashpoint To start off, lemme preface this real quick:

FLASHPOINT WAS NOT BARRY'S FAULT

He DID NOT intend to trade the lives of his family for his mom He DID NOT run back in time because he was jealous of Wally (uhh lmao what???? Yeah, I can't even begin to explain how wack that is) He DID NOT run back in time because he was "selfish" and "wanted his mommy back" (unfriendly reminder that Nora is a separate character and shouldn't be treated as just an appendage of a male character <333) Some actual context for non-comic readers: Eobard killing his mom is actually an aberration of the true timeline. It was PERFECTLY REASONABLE to assume that it would restore itself to its original version!! Barry had also traveled in time before in the comics without any repercussions or ill effects, so there was NO CONCEIVABLE REASON FOR HIM TO THINK ANYTHING OF THE SCALE OF FLASHPOINT WOULD EVEN HAPPEN If people had read the issues preceding Flashpoint, they'd see Barry did all of that for Nora!! Because he despised the fact that she had to pay with her life because of a villain of his!! That it wasn't right for her to die for his sake!!

"But Eobard said Flashpoint was Barry's fault-!" EOBARD is A BITCH ASS LIAR who purposely twists the truth to hurt Barry as much as he can!! Of COURSE he would say that!! What ACTUALLY happened is that Eobard is the one who somehow made Nora's death such a critical and important fixture in time to the point of just tempering with that can cause a catastrophic domino effect. Flashpoint is EOBARD'S FAULT and HIS ALONE (and Idk, Doctor Manhattan's too ig if you wanna include him)

Barry loves his family and cares so, so, SO EXTREMELY MUCH. He could literally not be any prouder of Wally if he actually tried!! Everything he does is for his family, even sacrificing his own mental health and happiness for them and it makes me SO sad to see everyone cling to this butchered version of him in their minds (though it's not entirely their fault, DC is also definitely to blame)

[dykedvonte]

I find the line "I have to believe our worst moments don't make us monsters." Fascinating because it comes from Anya, and I feel she really proves it the best.

For obvious reasons most people are in the "Anya did nothing wrong" camp and for good reason but there is a single action that I don't think she did well and it was her suicide. Specifically her method.

Realizing that Anya took Curly's painkillers was horrifying to me. As a Nurse I have no doubt that she'd know how terrible dying from overdose is. She had access to a gun which is well known for having a far more instant and far less painful death. And despite everything falling apart around her, knowing how bad Jimmy was, she still left Curly alive.

I don't think I thought about it much like that at first but the longer this game has sat with me the more horrified I am by the action. Curly is man who has been horribly disabled and is completely unable to help himself and he is very much a human being who does not deserve to be anywhere close to that amount of pain. Those painkillers were one that the few things that could give him any amount of relief and Anya took them.

She could have shot herself and left the painkillers for whoever was left to help Curly. She could've shot Curly and then taken the painkillers. She could've shot them both and quickly put an end to their misery, yet she didn't. Anya had a great amount of her agency stripped away from her, to the point that she didn't deem life to be worth it anymore and ended it, right next to a man who couldn't make that choice for himself even if he wanted to.

It is easily her most horrific choice and yet, she's still an angel.

(Please don't take this as Anya slander, I genuinely love her so much. I just find this to be an incredibly interesting thing)

I do subscribe to the idea that Anya realized that Jimmy was hitting Curly when giving him his medicine but didn’t intervene. I also don’t think her taking the pills from Curly as monstrous mainly because (while she knew he suffered worse with out them) she likely also knew they were basically bandaids on a bullet wound.

I have this sort of belief that that statement can only really apply to Jimmy in the inverse. Like some statements in the games aren’t meant to apply to all characters and not in every context of every action they do. It’s the idea that no one should be responsible for Jimmy’s actions but himself but they are forced to by him or the environment. Everyone is experiencing their worst moments but no one is a monster outside of Jimmy due to his inability to take responsibility and how he escalates the severity of the situation through his bad choices. Even then it’s not one moment that makes Jimmy a monster it’s the culmination of every moment that prove his inability to be anything but in this scenario.

With Anya you must remember she did have the code to the gun. Yeah, she could’ve broken it open but who’s to say how easy or how long it would’ve taken. Not to mention, there’s this misconception that she wanted the gun to kill Jimmy which isn’t true. She wanted the gun to defend herself in the case he got aggressive which is an important note of Anya being the only proactive person on the ship vs reactive. Locking the door, knowing there was no way in was likely a duel mercy for them both. A person in his state would die relatively soon without constant care and she has ample time to pass. It’s a hard decision to make for herself and someone else but it was the easiest even if it caused more damage than it was ever meant to cause.

It’s a sort of parallel to how Curly made choices he thought would help Anya and everyone but ultimately doomed them all further. Jimmy got what he wanted in both scenarios of crashing the ship and wanting Anya gone. What happened on the Tulpar will go down as a tragedy if they are ever found, a mystery if not but certainly not in a way that Jimmy wanted. Anya and the pregnancy are effectively gone but he’s still facing the repercussions for it.

There’s this idea that it’s controversial to say that Anya was anything but perfect and while I don’t think she did anything wrong, she certainly didn’t make the best choice in telling Jimmy but that again was because of the situation and environment she was in. We don’t know why she didn’t wait on Curly after their conversation in the cockpit, we know that was the plan and we know Jimmy finding out through her alone was the catalyst to the crash within like the next hour, yet you can’t really blame her. We don’t know why Jimmy came to medical nor what anyone else was doing. It can be considered her one mistake but then again we can’t blame a reasonable action on someone’s unreasonable response.

I think that’s a big aspect a lot of people look over in the characters actions. Most of them are normal, reasonable, human. But the systematic responses to them and Jimmy’s are unreasonably harsh and punishing.

This has gone off in a tangent from what you originally posed but I genuinely think of what might do happened if that confrontation happened with Curly there and away from the cock pit. I assume it’d happen in medical or even utility, hell, an area away from anything sensitive but what if? If the ability to do something awful wasn’t at Jimmy’s finger tips, if there was more than one voice in Curly’s head during that moment, what would’ve changed?

When I look at Anya I see her as having the best responses to anything happening during the events of the game but the environment, systems against her and even the other crew mates to an extent made it so it would inevitably backfire on them and mostly her hard.

[possessedopossum]

The Veilguard: my full review [positive, long post, less about game mechanics and more about meta, spoilers]

The thing that makes Veilguard special to me is how self aware the game is. In every dialogue, plot twist or quest I can feel the presence of somebody who wanted to share something with me. Be it personal experience, message, pain or joy. As of 2024, many games have lost their creative spark. Video game industry is no longer a nerd only zone, it's a business no different than others. Many studios utilize AI to write their plots, chase after current trends or simply make decisions that would create the biggest audience possible at the expense of something people love the franchise for. Veilguard did well, because it showed me something I haven't seen in a very long time: the human soul.

Perhaps you have noticed it on your own. The world has gone completely nuts after the covid. Or maybe it has always been this way and I only noticed it now. It is not a surprise to me that players want their game to be darker, to have more aggressive dialogue and to have a morally grey or even evil protagonist. For the past few years I've been feeling like someone had turned the lights off. And the game gave me an impression that someone at bioware feels this way too.

Only negativity gives content creators views and money these days. Open any social media, read any post or watch any video. If something is on top, it's almost always a hate post. What was the last movie most reviewers enjoyed? The last game? Perhaps the one that was released 10 years ago? What was the last time, you, my dear reader, have smiled? Not bitterly or sardonically, but out of genuine joy?

It is extremely fitting that Rook's mentor figure is Varric. Varric is somebody who always sees the best in people. He grew up in one hell of a city but he still loves it. He can find something to laugh about no matter how dire the situation is. He is a people person who can build friendship with anybody. Varric is very charismatic and tends to avoid conflict. He is a chronic liar but that doesn't make him bad because he never lies with malicious intentions. And in some ways, Rook is similar to him.

Yes, Rook can't be a complete asshole. Because the game is not about being an asshole. One of our antagonists, Solas, considers the world to be sick. Modern Thedas is a grave mistake that haunts him. He can't forget and move on because even the elves themselves wear his mistakes on their faces. Many things that are normal to the player character aren't normal to Solas. The world is so wrong and disgusting to Solas that he is willing to sacrifice things and people who are dear to him just to make the twisted world better.

Rook is nice because they are supposed to represent what is good in modern Thedas. They are supposed to be somebody who thinks the world is worth fighting for. And to a certain extent, their factions as well. The crows are contract killers and the lords of fortune are thiefs. Grey wardens are very concerned with politics and all the secrets they refuse to share constantly get people killed. Mourn watch has their immoral power hungry politicians as well and veil jumpers are sometimes willing to trade people for ancient secrets. They all aren't without sin but that's not the point. The point is, even with all the ugliness and darkness, there is still a place for light. And the light in the darkness is the exact message bioware tried to convey. The crows not being comically evil is not bad writing. It is a conscious writing choice to give us a human face for something we consider ugly and not worth fighting for. The player is metaphorically Solas, who needs to be persuaded that the world is worth at least something. The writers didn't need to bare the souls of player factions in all their mistakes, imperfections and cruelty. Because they showed us the factions' humanity. Some cruelty is still there, on the background, but it doesn't overshadow what is good. The crows, no matter how terrible, are a family. Viago may call Rook an idiot and while Rook considers their training literal torture, they sure love Viago back.

In fact, familial love is one of the core themes of the Veilguard. We have Emmrich and Manfred, Davrin and Assan and uncle Endrin, Lucanis and Caterina and Illario, Taash and Shathann, Bellara and Cyrian. It's a bit less direct with Neve and Harding. Neve has a lot of love for her city which is almost like a person to her, and Harding...I'll explain with a quote. "You're Lace Harding! You're more than this rage! You believe that the world is beautiful! That people are good! Hold onto it, hold on to who you are!".

Even the evanuris share the theme of family. Rook can compare Elgar'nan and Solas to relatives who can't get along. Elgar'nan calls Ghilan'nain his sister. Both shards of Mythal consider modern elves her children. Different but no less beloved, as Morrigan puts it.

Veilguard shows family without rose-tinted glasses. It shows that sometimes to love your children is to sacrifice something else you love (Lichdom for Emmrich), that parents have their own problems that may harm their children no matter how much parents wish to protect them (Shathann understands she is not the best mother and has complicated relationships with the Qun that harmed Taash), that sometimes parents do not understand their children at all and it's only up to children themselves to close the gap in understanding (Mythal, Solas and Rook), that familial love and desire to protect your family may turn into something ugly (Caterina being cruel to her grandchildren to prepare them for harsh realities of the antivan crows).

There is conflict in Veilguard, of intergenerational nature. Companions and their families, Rook and their faction leader, elves ancient and modern. It's up to the player how to deal with the last one. Humans, dwarves and qunari may not share blood ties with ancient elves but they still live in the world ancient elves created. As Rook, you're allowed to lash out in anger at Mythal and Solas. You can call Mythal guilty of all modern problems and fight her. You can bind Solas to the veil by force, call him asshole and express your frustrations with him multiple times throughout the game. You can also express sympathy and forgive them both. Because forgiving is neither condoning nor condemning, it's understanding and letting go. Being understood and allowed to peacefully let go of his mistakes is the exact thing that Solas needs to change his mind.

I believe that the Veilguard companions are one of the very best I've ever seen in a video game. They may not have as many different fates as for example Alistair has but is goodness measured with the amount of ways a character can be killed? I love the Veilguard crew because they all feel very real. Their personal problems are universal and very close to the player. Taash's story is not about being non-binary. It's about growing up, finding your place in the world, separating from your family and learning to appreciate it despite the mistakes your parents did while parenting you.

It's hard to decide who is my favorite. Taash's story made me cry but so did Harding's and Bellara's. The last scenes of Lucanis romance made me feral. I can't stomach the scene where Davrin and Assan die. The consequences of destruction of Minrathous/Treviso were hard to look at. I felt guilt, and if a game makes me feel something, it's a good game. I laughed, I cried, I was afraid and I felt joy, I was angry, I felt shame, I felt love. The game made me feel alive, I played through Rook's story like it was my own, what not to love about it?

The double blight wreaking havoc in Southern Thedas is sad but beautifully symbolic. Almost like a love letter from a long lost lover, It felt like bioware's meta commentary to me. "Yes, a whole lot of time has passed. We are no longer as young as we used to be, and so are you, not only the player, but our treasured friend as well. We have changed, you have changed and so did the world around us. Gaming and the video game industry are not what they used to be. We will never be able to go back no matter how much we want it because the only path that is left is the path forward. It doesn't mean that we no longer remember our shared past, no. We may not be able to go back but we promise to remember it fondly. We are still capable of creating beauty and the past will serve as a foundation for something new. We still have hope, and so should you".

The Veilguard to me is about nostalgia as well. I don't want to feed my inner Solas who sees the current world as sick. I want to make space for my inner Rook who is hopeful about the world just enought to fight for its future.

[ken-katayanagi]

Plus, SPOILERS: in other books we see how often the chance to go to battle school is kind of held over kids heads. Zeck deeply opposes Battle School as a concept but they basically threaten him with exposing his 'satanic' photographic memory to his father if he doesn't attend (his father who is shown in the first few pages to be abusive to the point of obvious scarring and Zeck letting an insect just crawl all over him (hell I think it might've been his eye) to avoid being accused of 'not listening' in church and thus again being beaten).

Bean attends partially to escape horrific poverty but also because part of his education on planet is predicated on the idea he's going to Battle School.

Hell, even when kids go voluntarily, they go because something big and scary happened and they, being children, feel it's easier just to go to Battle School. Bonzo goes because his parents are on the brink of divorce and he reacts very normally for a child, basically running away from the idea of his family structure changing. Han Tzu's dad gets arrested helping him cheat to get into Battle School (which he rlly didn't need to), and Han is like well my dad just went to jail for this guess I'm going. A less, well, evil system might wait until these big life events have calmed down so that these kids can make more rational decisions.

It's a system very aware of the people it's 'recruiting', and its only voluntary if they can afford to not have you attend.

anyone contrasted Starship Troopers (movie) with Ender's Game (movie) in the way that they both involve teenagers being drafted by a fascist state into genocidal war against aliens?

[amuseoffyre]

Fyre's convention adventures - Day 1

I've never done a con before, but for the chance to meet 5 of the folk from my favourite little pirate show, of course I was going to break that streak. Especially since it was a convention entirely focused on them and the show.

And since this is liable to get long, lemme put a lil snip

Since it was a hotel con and only focused on the one show, it was a lot smaller and more intimate than the more intimidating scale (to me) of Comiccons and things like that. Plus loads of people I knew already from fan meet-ups and things were going, which made it sound a lot more fun.

It was also the time for the wider OFMD fan community to meet the OFMD muppets :D My priority was to take down all of the characters of the cast who would be attending, so 5 in all: my latest Stede, Izzy, a new Calypso, Lucius and Jim. And two extras on commission - a second Stede and a full-body Ed in his Penitence Onesie. Seven in all 😅

I had three of them shipped down special delivery and the other four filled my case. Thank goodness for a generous hand-luggage allowance is all I can say. It also turned out to be the best decision of my life to bring them because they cause chaotic joy all over the place.

Did a bunch of mingling and scheming (more details on the Elusive Birthday Scroll later) and then the opening night and got to say it never stops being surreal seeing people off the telly in the same room as you.

Since I was treating myself to the gold ticket, I got to go along to the fanmeet which is basically a group of 8 at a table get a few minutes with each of the guests, speed-dating style (we also did chair rotation so everyone got a chance to sit beside the guests). Since we had enough muppets for nearly everyone, lo, we had them arrayed around the table on peoples' laps :)

I'm gonna do a brief summary of each, pulling in from my notes made the morning after as well.

First up was Vico when I was sitting by the guest seat and I got exactly the "OMG!" reaction I had hoped for when they saw the puppets❤️ Turns out they're super into puppetry (as is their partner) and have been incorporating it into their drag routines and have been planning to do a lot more with it with mention of an N'Sync style puppet routine for themself as well.

They also talked about an actor they've been compared to for years - Roberta Colindrez - and that they have recently done some work together and it made Vico realise that they are the muppet version of Colindrez in human form XD They are so animated as well, all hands all moving all the time :D I also said if I could arrange it, I'd try and get the puppet to them if they wanted it (Con rules are that you can't hand gifts directly to guests)

Nathan was second and went "ooooh those are all so creepy... except that one. He's gorgeous" about the Lucius puppet :D He chatted a bit about the show and adamantly insisted that he is a professional actor no matter what the sandwich to the head scene tells you.

Kristian was our third and for the first time in my life, someone recognised my accent as Scottish 🥹 Turns out we both have family from similar parts over here :D We had a nice chat about the places people were all from around the table.

And, of course, he got to see and hold Calypso :) Unlike all my other muppets, I redesigned her specifically for him. My usual design, the neck would be too small, so instead, I left the back of her head open and scaled up the body with a flat base.Course, he didn't know this and went a-seeking the hole 🤣 I explained she'd been redesigned and he had a chuckle about the fact "I went straight under the skirt there" :D "She's got better make-up than me" as well :D

And when I told him she was for him, his eyes went as big as Puss in Boots. And of course, then started pondering what would happen if he crossed her with his furry Calypso muppet and what kind of babies they would have. Probably furry XD

Next up was Con and with the most perfect timing, he arrived at the table just as one of our gang was shoving their hand right up the Izzy muppet 🤣 "Blooooody hell," says he and just has a good look around at all the mups. Asks who made them and all fingers point my way and he was out of his chair in an instant and around the table to give me the biggest hug and tell me "these are genius".

There may have been a bit of blue-screening in that moment and mental declarations of fealty.

I don't even remember how he ended up holding the Izzy muppet (or why he ended up giving it a snog 🤣), but he happily cradled it for the rest of the chat and looked very thrilled when I said that he could have it after the con if he wanted. Topic moved on and led to discussions of the boyfriend of one of the attendees, who made an... impression on him. Relating to size. And proportion. And how bits... fit 🤣

When asked about cars, he said he likes something sturdy and reliable and a bit like him and someone said, "what? A mini?" XD He also would like to go back to theatre, but says it would absolutely have to be the right piece. There have been discussions but they fell through, and he's off back to America to do some filming this week.

And lastly, with me back in the guest-neighbour-seat, it was our captain, who is very excited about getting back on the road with his stand-up tour and has lots of other bits of work coming his way.

He also talked about the fact that OFMD isn't going anywhere. He compared it to shows like Fawlty Towers, where there's the kind of humour and character stuff in there that was good and funny and loved for years, despite not running long at all.

The Star Trek stuff wot he can't talk about has him all excited but he would also love to do Doctor Who, ideally as some kind of helpful alien, though he wouldn't mind playing a bad guy.

He'd also like to do Star Wars at some point, but after they've stopped doing this oversaturation stuff, because there is so much of it all pouring out all of the time and they've lost sight of the heart of it. He loved Rogue One, though, so more like that :)

They were all so lovely and attentive and enthusiastic and it genuinely did just feel like sitting down for a chat with a bunch of friends. And so. frigging. funny in such different and fantastic ways :D It was definitely a great start to the weekend and it only escalated from there :)

There was some music and discoing, but after early travel and much dashing about, honk-shu time was calling and day one of the Fyre's first con experience was done :)

[darkficsyouneveraskedfor]

Unwanted 5

Warnings: non/dubcon, bullying, insults, body insecurity, perversion, and other dark elements. Not all kinks or triggers are tagged. My username actually says you never asked for any of this.

My warnings are not exhaustive but be aware this is a dark fic and may include potentially triggering topics. Please use your common sense when consuming content. I am not responsible for your decisions.

Summary: You’re used to being unwanted, but a strange man might just convince you that’s a good thing.

Note: this is a sequel to Unsolicited/Unexpected, but with a different reader. This is Lloyd’s sequel. Peaches is flourishing somewhere else.

As usual, I would appreciate any and all feedback. I’m happy to once more go on this adventure with all of you! Thank you in advance for your comments and for reblogging.

You run away from the uber and nearly crash into the front door. You scramble to get the keys in the lock as you refuse to look back at the car idling at the curb. You shake as you twist so hard your wrist throbs. You swing inside and just as quickly turn the lock. 

You heave and turn your back to the door. You can't believe what just happened. What he did with you right there in the back seat. Your eyes tinge with hot tears and your nose tingles. 

“What’s it this time?” Derrick scoffs as he appears in a pair of loose grey sweats and oversized hoodie. You can’t tell that he’s been sleeping all day. “You’re such a cry baby.” 

“Nothing,” you turn and drop your bag on the side table. “It’s cold, that’s it.” 

“Sure,” he peels open the bag of chips in his hands. 

You shrug. He doesn’t care. He just likes an easy target. 

You unzip your coat and hang it. You leave your boots on the mat and swipe up your bag. You tramp past him and up to your room. 

You shut the door and throw your bag on the end of your bed. You’re restless. Unsettled by that strange man. Why is he bothering you? Of all people. How did he tack onto you. You’re nothing. You’re insignificant. Maybe that’s why. Just like Derrick, he knows you’re weak. 

Your phone vibrates in your back pocket. You flinch. It’s probably your mom ready to bitch you out about the dishes or dinner. You slip the cell free and check it. Private number. 

You answer, it could be your manager. 

“Hello?” You quaver into the speaker. 

“Mmm, there’s that caked-up cutie,” the gravely purr makes you shudder. “I was just thinking of you. Again.” 

“No,” you exclaim and hang up. You throw your phone and pace around. Why? Oh, maybe it’s all your own fault. 

You’re used to being unnoticed. Being the forgotten one. And for so long, you just wanted to be seen. You dreamed of some guy way out of your league picking you out of the crowd and telling you you’re special. But not like this. No, never this. That man is a creep. 

But who are you to be picky? 

No! No. Don’t do that. You’d rather be alone. The way he talks about you, the way he looks at you, even you can see that he’s no good. He’s just a pervert and you’ve seen enough Tiktoks to know better. 

Your phone vibrates again. You ignore it. That’s your only option. 

You leave your room and your cell. You go down and start on dinner. At least your mom won’t have anything to rant about, but you’re sure she’ll think of something. 

You glaze the chicken breast and put it in the oven. You start on the potatoes, seasoning them and adding lemon wedges to the pan. You slide those on the middle rack and rinse asparagus. The front door opens and closes as you focus on the simple tasks over the complicated thoughts nipping at your ears. 

“Smells good,” your father chimes as he enters, then clears his throat, “oh, your mother isn’t home?” 

“Not yet,” you look at the time. You know she had her office holiday party but it is getting late. 

“Hm, well, put some aside for her,” he says. “Is it almost done? I’m starving.” 

“Yeah, twenty minutes,” you answer. 

He doesn’t say anything else before he leaves. You hear him upstairs as he gets changed then comes back down to flip on the television. Your brother’s surround speakers blare through the other wall as he games on his PC. 

The front door opens again. Your mother’s shrill voice carries through with a gust. 

“Oh, that’s so wonderful,” she preens. “How sweet of you.” 

You put the asparagus in the pan and pause. Who is she talking to? You turn with the spatula in hand and near the doorway. You peer down the hall and see a broad set of shoulders. Wait, you know the back of that head. 

“I mean, much more considerate than my own daughter. She’s never mentioned you,” she touches his chest as you see the smirk on her face. You grimace. 

“I think I spoiled the surprise,” Lloyd says. “We were just talking earlier and she told me to come for dinner.” 

“She did? Well, isn’t that spontaneous. So unlike her,” your mom muses wryly. “Just like having a secret boyfriend. Older too.” 

“What’s going on?” Your dad’s growl wafts through and you shrunk back behind the doorframe and listen with dread. 

How are they not freaking out? This weirdo forty-year-old is just waltzing right into your house. This isn’t happening. 

“Hello, sir,” Lloyd says before he gives his name, “I’m here to see your daughter.” 

“That would explain the flowers.” 

“Scotch for you and wine for the missus, of course,” Lloyd explains. 

“Hm, that’s... top shelf,” you dad comments. Of course, he would care more about the fancy bottle than his own daughter. “Mitch,” he introduces himself. 

Your mom hollers your name, “you have companyyyyyy.” 

You cringe into yourself. How did he do it? How has he escalated everything so quickly? And why? Because you hung up on him? Because you closed your eyes when he-- 

Ew! 

She calls you again. You put your head back and gather what little courage you have. You turn and step into the hallway. 

“I’m just cooking dinner,” you say. 

“Get over here,” your dad demands. You know better than to disobey. 

“So when were you going to tell us?” Your mother prompts. 

“Tell you what?” You look at Lloyd sheepishly as he spins to face you and grins. 

“About us, sweetie,” he holds out a bouquet of pink roses, “oh, shoot, did I get the wrong day? I’m always forgetting these things, you know? I’m an executive and I have a pretty full calendar--” 

“Executive?” Your father echoes. 

Your mother hums, impressed. 

“We didn’t...” you try to summon a lie but you’re speechless. “Ummmm.” 

“I don’t know why you felt you had to hide us,” your mom challenges. 

“I didn’t? What?” 

“Well, it is about time, isn’t it, Enid?” Your dad intones. 

You gape at Lloyd as he shoves the flowers towards you, “these will need some water, sweetie.” 

You reach for them and look between your parents. You plead silently for help. Aren’t they supposed to protect you? Shouldn’t they be concerned that there’s an old man bringing you gifts? 

“Oh, dear,” your mom says, “do put them in crystal. They are so pretty.” 

“Just like her mother,” Lloyd adds. 

“Eh,” your father grunts playfully, “you could at least pour me a drink before you start flirting with my wife.” 

[magnuspanoptes]

readings of the podcast which try to frame jon as having been tragically manipulated and forced through every decision by elias are of no interest to me. because it's not true, is it. when elias tells him in mag 92 "you always chose to see," he's being cruel, yes. victim blaming him, even. but to completely disregard it as an attempt at manipulation would be a mistake. much of the podcast is about exploiting people's trauma. as i've said before, jon's role as head archivist, back when it was still presented as a mundane office job to the audiences, and he hadn't developed any beholding powers yet, involved filing away statement givers' trauma without offering help of any kind. the institute subsists on this form of exploitation, in a literal sense obviously, because it's a temple to the eye. but even if you take that reveal away, it's also true in simply an administrative sense in season one. and jon used to ruthlessly dismiss every single statement giver with as much apathy as he could muster (while knowing that if a statement doesn't record digitally, then it's the truth), and note that faking skepticism was a form of coping mechanism for him, it was the choice between making statement givers feel small or making himself feel vulnerable—and is this not simply the bureaucratic version of what he does later as a supernatural avatar of the beholding, vampirically feeding on people's terror to stay alive or risk being consumed by the eye?

(Season 3) MAG 117 - "Testament" // (Season 4) MAG 142 - "Scrutiny"

of course, i'm not saying he bought it on himself, that he deserved to be put in an impossible situation later for being an arse in season one. jon too, has had his trauma exploited in the form of a guest for mr spider, an experience which eventually led him to the magnus institute where he would help fulfill the web's designs. so, in the grand scheme of things everyone was puppeteered by forces beyond their control, but would you excuse jonah for eveything he's ever done because of it? then why must jon be rendered completely non-agentic? yes, elias manipulated him, but he has never had to straight up coerce jon into anything. jon's just always done what's been expected of him. because they're alike. their shared desire for knowledge originates from fear. jon always chose to see because something had hurt him once and he needed answers, and we can assume jonah chose the beholding because it was the only entity which would expose him to information on all the other fears. knowledge is a means of survival for both of them, an inclination which later manifests literally as they become avatars who must subsist on terror. it all really comes down to letting yourself be exploited or exploiting someone else to escape that fate (you don't escape, not really, nobody does in the podcast), and jon did choose (with as much agency he could've possibly had in a story like this). the difference between them being that elias feels no remorse for his choice, but jon's character is defined by the enormous guilt he feels about the things he has done and what he must do to continue living, until he doesn't.