#being an esc fan means I nailed the first and I remembered more than I thought I would for the second

[ferociouslycreativemystery]

I have set myself a challenge: before summer (let's say whenever gos2 is released) I will have learned where every country on earth is located

[dorizardthewizard]

So I watched the Eurovision movie

Uh, I have a lot of thoughts because this is the closest we’re gonna get to the real thing this year ;^; First, the positives!

What they got right:

Overall, I like that it wasn’t really taking the piss out of the competition – whether you agree or not with how it was portrayed, the creators do have a lot of love for the show and that is reflected in how much it means to the characters. I think it was fitting to start with the kids watching and being inspired by ABBA’s win (I’m always up for showing people where the group’s fame started), and making it their life goal to perform in the contest. Just like Lars and Sigrit, many musicians in Europe grow up with Eurovision being an annual tradition and it’s their big dream to one day perform on that international stage, so yeah I think it decently showed how important ESC is here.

They got the overall vibe right too – most of the songs really felt like Eurovision songs (maybe a little dated but still), from the Viking-Europop opener to the Lordi-aesthetic one to whatever the hell Russia was doing. I don’t think Greece’s song was something they’d ever send though; it fits the character but not what the country typically sends. Then again, Estonia have sent an opera song in Italian and Romania sent yodel rap so actually, I take back that statement. They were missing a Balkan ballad though! Staging was on point – I think it was filmed at the Tel Aviv stage so that’s obviously a factor, but big angel wings and hamster wheels also bring a lot of familiarity :P No pianos being set on fire though, which, in a movie with so many on-stage disasters, is honestly surprising.

Of course there’s also the past contestant cameos, for that I’ll say one thing – needs more Verka. Maybe some contestants from earlier years would have been nice too, at least we did hear Céline Dion’s song in the song-along. Would also have been nice if the whole mashup was Eurovision songs, instead of throwing in some other ones just to make it more recognizable for non-Eurofans. Otherwise, the mashup was really seamless and sounded good.

Another thing the movie got right was European’s attitudes to Americans, not sure how I feel about it since the movie was made by Americans, but it’s self-aware and pretty funny :P There’s also the funny gag about countries not wanting to host because of how expensive it is, not sure why a guy working for the national broadcaster would care about that but looking at Iceland’s population size, I wouldn’t be surprised if he was also an economist for the government or something.

What they got wrong:

Of course, there were some things they didn’t quite get right. First of all, did the UK win for it to be hosted in Scotland??? Unless Australia won, or some other country that didn’t want to host or something. They actually made a joke about UK getting zero points, but they said it’s because no one likes us, when in reality we just send the blandest songs :/

There were also a whole lot of technical inaccuracies like Sweden breaking the rule on number of people allowed on stage, big five countries taking part in the semi-final (come on, how can you not get that right? Maybe they were afraid Americans wouldn’t recognise half the flags? :P), the contestants were just sitting by themselves in some room like it’s The Voice or something, their delegations nowhere to be seen, and then there’s the total lack of security or planning around the competition, with Lars just running around doing whatever. The countries presenting their votes in the semi-final stood out as well, but since we didn’t get to see the final I can brush over it, just so we experience the voting somewhere in the movie. Wonder why they didn’t use past contestants for the points announcements? They also had the French one speaking in English but you know what, they remembered to make sure he was standing in front of the Eiffel Tower so I’ll let them off :P

One thing that did bother me was how hard the movie tried to make us think the Icelandic song was a failure, except the song wasn’t even bad so they had to resort to all the incidents on stage. They even had that complete silence after the hamster wheel incident, and there is NO WAY that would ever happen – even the null points songs get cheers! In fact, people would cheer harder, and I don’t think Graham Norton, or anyone for that matter, would be that surprised that people remembered the song and actually gave it points (oh yeah, great to see him in this!).

Okay, some of those inaccuracies were nitpicks, but they’re just fun to point out. I don’t think they quite nailed the portrayal though, but more on that later.

The movie itself:

Judging the rest of the film, the humour really didn’t do it for me- it was just kind of jarring that one half of the movie felt like your usual light-hearted music contest film that was fairly rooted in reality, then the next there’s a dismembered ghost of Demi Lovato and a guy getting stabbed by Elves??? I know it’s classic Will Ferrel random comedy but honestly, those parts could have been cut out of the movie just fine, it’s like half an hour too long anyway and you can tell by the way the humour drags. It can basically be summarised by the ending scene where Lars is yelling at the Americans and then just keeps going, and I know that’s the joke in that scene but they do this throughout the whole movie – something will happen and the characters will keep reacting back and forth and it’s honestly exhausting. That might just be me though, maybe I’d prefer more witty and self-aware humour in a Eurovision movie but I guess non-fans wouldn’t get half the jokes so they went for over-the-top ridiculousness ¯\_(ツ)_/¯

As for the characters, Sigrit was great; she’s a good mix between cute and weird. Lars is… annoying tbh, maybe I just don’t care for Will Ferrel's character type but when Alexander asks Lars what he can possibly offer Sigrit I was like “yeah Lars, what CAN you offer?”. Their relationship was cute though and his arc about caring too much about winning was decent, it does kind of resonate with Eurovision because yeah, lots of countries will revamp their songs to have English lyrics and the style is increasingly converging to Americanized radio-friendly pop music. I do wish they’d focused more on this conflict, rather than bringing in a love square (?) with Alexander and Mita.

Speaking of Alexander, I actually liked how they portrayed the Russian character; he wasn’t a villain, he was fun to watch and was genuinely happy to see Sigrit succeed. I did not expect them to go there with the whole “there are no gays in Russia” thing – I laughed but also actually felt for the guy, and his friendship with Mita was peak mlm/wlw solidarity, it was sweet.

The ending:

For me, this is where it goes American Hollywood style and kinda reminds me of Madonna’s speech about everyone being winners. Felt like I was watching Camp Rock for a second then (which is funny since Demi is in this movie) – all the other acts are fun songs but we’ll just change ours to a ballad so it must be more heartfelt and resonate with the audience, as if a good chunk of ESC songs aren’t ballads already!! To be fair, they do well in having it be a personal song about her hometown and adding in parts in Icelandic (although I’ve heard it’s so butchered you can’t understand what’s being said), it’s a sweet ode to one of the best parts of Eurovision – celebrating where you’re from and making your country proud.

Wish they’d focused more on that tbh, we really could have done without Lars speaking to the audience – that’s the more Hollywood moment for me and kind of reminds me of acts that try to connect with the audience like it’s a concert. Sorry but we don’t do that here :P Instead of the “music is feeling”-like message, it would have been nice if the movie was more directed towards celebrating why the contest is so big and important even decades after it began, and how it literally brings an entire continent together for one night. This would have been nice especially because of all the cynicism towards ESC and its dismissal as just a dumb, campy event with no quality music whatsoever.

Huh, I just remembered there are no live instruments at Eurovision so how everyone can hear the piano at the end is beyond me, also the instrumental kicks in despite the fact that that song has never been recorded in a studio, let alone able to be played out loud onstage. But I’ll just imagine that’s for us to see, the audience actually just heard her singing and nothing else. I don’t think it would have been that impressive, so Iceland probably won everyone’s hearts through memes instead :’D

Overall, I don’t think the movie was terribly offensive or anything, just some silly fun that missed out on the potential of better portraying the Eurovision spirit. I might eventually watch it again, but with skipping out half the comedy :P

[borisbubbles]

Eurovision 2010s: 55 - 51

55. fusedmarc - “Rain of revolution��� Lithuania 2017

[2017 Review here]

Who else? My love for Fusedmarc has become a BorisBubbles.tumblr calling card and come on, there’s no way I wouldn’t drag them this high. Two years later and I still cackle thoughout this song with the exact same vigor as I did two years back. 🤭 Now, I do understand that “Rain of revolution” is one of the worst 10 songs in this decade and... well, yeah, (yeah, yeahyeah NRG yeah yeah yeeeeaaah) that’s the entire point. If we lived in the universe where ESC entries can be compared to motion pictures, in which “Waterloo” is Citizen Kane and “A matter of time” is fucking Titanic, then “Rain of revolution” is The Room, for Viktorija and Denis posses the exact same endearing insanity, inscrutability and genius as Tommy Wiseau.  And honestly, this song should be shown in movie theatres because it turned inteptitude into an artform. Reminder that fusedmarc were the only 2017 act to refuse PBC:UA’s offer for stand-in rehearsals because they were afraid Ukraine would fail at getting their ~vision across~ 😂😍

Reminder that this resulted in technical errors DURING THEIR LIVE PERFORMANCE. 😍

Reminder that they song is punctuated by endless YEAH YEAH YEAHs 😍

Reminder that they only won Eurovizijos Atranka because a diehard vegan facebook group found out that fusedmarc were *also* vegan and urged their lithuanian members to vote for them, allowing them to beat Aiste 😍

Reminder that Victorija styles herself after Little My from the Moomins 😍

Reminder that her diction is equivalent or worse  to the English spoken in the Nekci Menij show. 😍

Reminder that Viktorija’s nail game is more on fleek than yours.😍

Remember that LIFE LIKE ROLLERCOASTEN, SPEENING MI ORAWND 😍

It’s all about MICKIN a start and let their light shine FRUUU U. So DANCE to the RIVEM of ur SOLE, chant ‘LIETUVA’ like that random woman does at the start of the performance (IS THIS THE SAME LITHUANIAN FRUMP who went all out during Belarus, because if so I may have found a soul sibling), end the reign of RevoLucian and look for the reason why hamster on the road. Life is like a rollercoaster and live it to the fullest.

________________________________________________________________

54. Tom Dice - “Me and my guitar” Belgium 2010

I’ll be honest: As a Belgian, Tom Dice has a lot of emotional value for me. The year was 2010: Belgium hadn’t qualified for a final for six straight contests, sending failure after failure. Neither VRT had, until that point, shown any idea behind what they were doing, consistently picking the wrong songs during the national selections. RTBF meanwhile, didn’t even try, sending novelty acts they knew would never qualify. So, imagine being Belgian and seeing Tom get announced, fedora perched askew on his head, with a tepid guitar ballad and you’re like “oh MORE of the same, well bye 😬", except SURPRISE Tom is naturally charismatic and has a great voice and turns his by all standards generic song into an experience. 

It’s the Todevska principle: Tom OUTSOLD. Is he the best entrant? No. Like many ESC alumni he entered the contest with his least good song. Is he the most exciting entrant? Far from it. 

However isn’t it fair to state that we, Eurovision fans from Europe, have always had at least one dark age in our history with the contest? Periods where our supposed “best” wasn’t good enough? Periods where we struggled being proud of whom we were and where we came from. For someone to come out of nowhere and put you country back on the map after years of adversity, be it an ABBA, or a Bobbysocks! or a Tamara Todevksa, that makes for a magical rebirthing experience. Tom Dice is Belgium’s and I am #Proud of it. 

oh and also the live owns dwi. 🤭

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53. Aram MP3 - “Not alone” Armenia 2014

WOD EEF EETS ONLE WAN KEES!

Long before ASMR became a popular thing, Armenia send an entry that is only enjoyable if the listeners plugs in their best airphones, clears their heads and lets the music sweep over them.

And I mean, “Not alone” may be a mere Build-Up-To-An-Epic-Climax Ballad, but dear gods is it effective. You see, “Not alone” starts off quiet and solemn, a gentle piano tapping, punctuated with small drums... and then the orchestra comes in and builds and builds and builds until

at long last

WOD EEF EETS ONLE WAN KEES

DAT TERNS AL SIEDS INTO TRIZZ

DE STRONGEIST VIND INTO BRIZZ

OHPEN ALL DORS WIDNO KEEZ

and fuck, take my lifetime supply of hairpieces because that shit is awesome? The only real downside Aram has for me is that he requires a lot of set up: you really NEED to be in The Proper Mood to enjoy “Not alone” in its fullest glory. But when you are willing to take that plunge and be swept away by its rawness, you’re in for three minutes of catharsis. PS: Aram performing it drunk at the finale 😍 

being awesome AND being incompetent in two different performances, what a kraljic <3

________________________________________________________________

52. Ott Lepland - “Kuula” Estonia 2012

There are two reasons why “Kuula” ranks this high and neither is Estonia bias :o

The first is, obviously, the context. I’ve spoken widely about how terrible Baku2012 sounded as a whole, and how disappointment everything was. Well, “Kuula” was not only acoustically sound, it is actually the ONLY song that I was pleasantly surprised me. I had no opinion whatsoever going into Baku and he roses to my #3 of the year.

Which brings me to the second reason why “Kuula” ranks this highly. It is just... really fucking good, lol?

With powerballads such as these it’s REALLY important to suck the listener/viewer in and the combination of Ott’s great voice, adorable personality, the magical language that is Estonian (which also, conveniently, allows me forget “Kuula” has Deep Meaning and Touching Lyrics 🤗), and a great organic build up captivate me immensely. Even though songs like “Kuula” are far from what I normally love, it never fails to sustain me, proving tho every great rule they’re always a greater exception. 🤗

________________________________________________________________

51. Anouk - “Birds” the Netherlands 2013

~She slayed it from the outside~

Oh my god Anouk was such a rollercoaster. From my end, I was OBSESSED with Anouk from the second she was announced (as the first participant of 2013!!!) because hell yeah I LOVED “Nobody’s wife” and “Girl” and this expected ~High Voltage Rock OWNAGE~

What we got instead was... something just as great, if completely different. “Birds” may not have been an in-your-face rock song, but it never-the-less was a beautiful, mesmerising, unpretentious avant garde ballad. “If being myself is what I do wrong, then I would rather not be right” sticks out as an absolutely brilliant line that I often use in my daily writing. 😍 I LOVE how Anouk performs btw, on the satellite stage, in a sea of f(l)ags:

While also delivering distinctly Dutch diction. 😍 Paraphrasing:

“Burds follin daun de roeftops, aut of de skai laik reendraups, no eir, no praad.” 

Like ^ pronounced that in dutch and you literally have Anouk’s diction nailed. 😍

“Birds” was basically the “Me and my guitar” of the Netherlands, but there’s also the added bonus of  Anouk herself. You see, in contrast to her song’s ethereal demeanor, Anouk is KNOWN to be a huuuuuge abrasive confrontal bitch with zero filter 😍 and fragments of her diva personality definitely oozed into Malmö as well, from nonchalantly recording a gritty webcam vid for official channel’s preview vid (😍) to  flippantly pulling a hood over her face each time a journalist wanted to interview her. It ended, how else, with Anouk writing “Walk along” for Trijntje, and then cussing her out for being frumpy / talentless / sucking at life when she NQ’d. When Trijntje tried pinning them blame Anouk for writing her a bad song on purpose (lmfao), Anouk retaliated by stealing Trijnje’s coach seat on The Voice NL. PETTY QUEEN <3 We truly aren’t worthy of this irl Cersei Lannister. 😍

Also um, I just realized I ranked those two on opposide ends of the Dutch chart:

The 2010s marked wonderful renaissance for the Netherlands. I’m never ~OBSESSED~ with their entries, but they are a very solid Eurovision country, reliably delivering good music. I think they’re also the country that has the lowest amount of godawful entries on average (literally 2. Fuck you, “Without you” and “Amsterdam”.). If anyone deserved to win based on track record alone it was definitely them. 

[sole-cuore-amore-e-droga]

Tel Aviv 2019: Straight outta Hungary to Eurovision with yet another father song apparently

Hungary, I love you, but you're bringing me down...

Never in my life have I wanted to fight a NF as much as A Dal 2019. The lineup was considerably less engaging with me than the previous year's one (but in the end it turned out to be even MORE engaging than the previous year's one), the design update (to which I got used to like 10 minutes later anyway) happened, the jury exterminated a handful of favourites, and a common Eurofan's worst fear apart from not having at least one glitzy-schlager-fiesta-wrapped entry a year occured yet again - the under/over-staging of songs with potential. What could've been a smooth sailing sweet ballad sung by a man with all his heart turned out to be a confused fisherman's piano boy tune with little to no emotional connection with the televiewer; a killer electropop soundscape piece sprinkled with intensity, fragility and neon-like colors was supposedly performed by a lost-on-stage housewive who probably has 2 kids and 2 cats at home; and that one folksy melody set to campfire suddenly lost all its fire with a snow backdrop behind. Truly a wrong time to become a full-on Hungary stan.

And yet, out of all this hot savaging and rampaging mess, entangled with fan-fave losses and one eliminee too late thanks to a common ESC song's worst fear (plagiarism accusations), emerged one gloriously victorious soul in the shape of a brave man of gypsy 'origo' who once has been elected to Eurovision to make his country proud with his killer ethnic track 2 years ago, and he nailed that right to the T, with the help of an onstage dancer and violinist (both female) to create some space for the song to breathe and exhale the passion of what he sang out of his heart by then - Joci Pápai. Yes, him again! Who did you expect, András Kállay-fucking-Saunders??

Anyways, his song this year is titled “Az én apám” (My father), written by him and partially co-written by a man hiding himself behind the name Caramel (and I prefer caramel candy more than the actual raw caramel tbh), who is probably finally lucky enough to see a composition of his go to Eurovision after he himself couldn’t quite make it as himself right back on the very first A Dal. This year he also wrote a cute little harmless ballad for a 16 year old girl but we’ll discuss her later (maybe), because it’s Joci’s time. Again.

As the title already indicates, it’s another song about a father, and unlike for AWS’s lead singer, Joci’s father is... alive and well, surprisingly, considering Joci is 37 and, at the time of his fatherly loss, Örs Siklósi from AWS was approximately 24-25. That definitely does not mean the parents’ loss can’t come in at any time of your year - A Dal 2019 had a contestant whose mother was murdered when he was NINE. 0_0 Not to mention that some mothers die during childbirth, too. Or even maybe some fathers die before children were born because all they need to be in part of babymaking is to give her satisfaction at the right time and boom, 9 months (or even earlier/later) of wait. But I digress. This is much different song from “Origo” as “Origo” had this ethnic upbeat rhythm to it, with violins included, and was mostly a captivating song with a little bit of rapping because Joci couldn’t fit so many words in all of the other verses he could have thought of for this song without having to extend the song for A Dal submission, so he had to do the rap, sorry “Origo” rap bit’s haters. “Az én apám”, meanwhile, has him project his feelings against a musical backdrop of a little bit more softer, acoustic, chill tune with a little poppier arrangement (and add some violins during his live performance on two of the A Dal shows, that are now a permanent part of the ESC version of the song!). And instead of the Romani onomatopoeia we’re getting “na na na, ya ya yah” in the chorus, which is as nice, but I’d rather “jalomaloma” out some bitches than have this.

For this one, he’s all alone, on his own, except for the other songwriter’s aid (dare I say that this personal song’s lyrics weren’t even written by Joci himself??? Not even a microscope??? Caramel you mastermind you). But mostly on stage, he’s alone. And shoeless. And with a starry-ish backdrop. Simple enough staging for a simple enough song, right? As it’s proven that simplicity can work in the past Eurovisions (see Sobral), and maybe, just maybe, Hungary does stand a chance for once again for being just simple, like Boggie was (but mostly she was more inoffensive and singing about a topic that’s still beaten to death every now and then, although this topic has fizzled out lately, which paved the way to all the love songs dominating NFs now, as well as the Latino craze). Though I doubted it was gonna remain so “simple” after it was revealed the Hungarian team is looking for everyone’s fathers’ pictures to be submitted to them. Yes, it was supposed to be one of THOSE kind of backdrops. I don’t even know what kind of use did Michael Schulte have of the fatherpics people sent HIM! Most of the backdrop focused of his lyric video aesthetic on the choruses, and I remember more of THAT, not the photos... so I doubted it was gonna work out on this one either. But in the end Joci wasn't satisfied with how all of those pics looked, so he will go for only showcasing his very own papi now.

Oh shit I forgot to talk what I feel about the song myself... well, safe to say that I didn’t warm up to it when I first heard the snippet ahead of every other A Dal snippet, but as in full, it just so happened to be nice enough, although I preferred “Origo” because reasons - not to mention that looking back at the A Dal 2017 state that I’ve seen from, I’d probably have had Joci as a legit fave to win it! And I already found Tótova to be too strange at first, unsure if it’s worth it to give them a second shot (post-2nd-listening-note: I did and it wasn’t that... bad?). And so, with low enough expectations, I didn’t even look into his chances all that further, especially with him being sick on the heat 3 day and only managing to barely tie-win in his heat just so he could dominate further rounds. But man did it turn out to be a beast later on.

So let’s, for now, say that I like it, but it’s just one of those artist return expectations that let you down because you really wanted to maybe see them again, but there would never be another song like the first one. Time will probably make me forget it all happened though and I’ll be able to enjoy it as much as “Origo”, as the “na na na” chorus part is really lovely enough. The song though, it is bafflingly too much reliant on too long verses in order to make the song just only have 2 of them and 2 choruses, and for the person that is biased for ‘2 verses - 3 choruses - bridge somewhere in between’ kind of songwriting that I am, it’s lowkey a glaring problem (as I'm finishing this weeks later than initially planned I actually got used to this structure and it even slightly compliments the song, but only slightly), as “Origo” has not only an engaging song but an engaging structure - nothing seems throwable out, nothing seems needed to additionally to be added. This one, however, is just there with its structure, and although hearts and minds are swayed by this, I don’t think I’ll get used to it this as a whole easy, unlike, like I said, time makes me forget the NF messfest and focus my love and support towards those that ARE going, not those that COULD’VE BEEN going. For now, I am not sure if I finished my review rant this properly, but for now, I’ll just wish Joci the best of luck, eventhough he’ll 1) never read this and 2) never understand this :( But still ^_^ Don’t let your nation down, big man and a father of two!

Approval factor: Despite reasons I’ll detail a little later, I’ll approve this entry, as I can’t be mad enough at Joci, for the humble man that he exists as, and the message he’s spreading, and the man he teamed up with. I approve of him but not of the background things.

Follow-up factor: From substance things, let’s just say it’s a bit of a yes and a bit of a no. No because ‘omfg it’s too soon for him wtf!!’ and I agree but if that’s what the juries initially wanted after seeing him in the lineup, and this return of his is now a bit more unnoticed and anonymous... but yes because it’s not a bad choice after AWS, because it was to be expected Hungary will send something softer after going out hard the last time, and they delivered the softness.

Qualification factor: depends on how does the audience feel for this emotionally, if Joci transmits his love for his father and that other supposed message as well well enough to the audience, in this simple staging of things (well if the fatherpic concept is still considered as ‘simple’ and nothing too cheesy or creepy). For now though I’ll be optimistic enough for Hungary - they won’t break their streak this year. If this simple-ish enough staging with just the singer on it doing his best worked for our lovely Ieva last year (despite these two not being a comparable songs), this would as well! And then settle around in top 15 provided enough people are there to give Joci just the right amount of love and patience that he needs (jury is a different question but since it’s not ethno-aggressive I think they might warm up to this as well, despite this being Hungary). Or even 16th-20th.

NATIONAL FINAL BONUS

A Dal 2019, with all things considered, needs to immediately die in a hellhole. Mainly because of the juries doing their dirty work by drowning the public favourites yet again, and especially the good ones (I've mentioned some of them earlier in the first paragraph by description). Let me demonstrate two of my favourites to the unsuspecting audience:

• Let’s get the elephant out of the room first. LEANDER FUCKING KILLS. Would you even think they’d have had any sort of victory of a NF potential?? Well, not off the AWS’s heels, considering both them and AWS play metal music. But their 2019 entry, "Hazavágyom", was something else. It’s if your dad went out with a couple of his friends to start a campfire somewhere in the woods, and then he took out a guitar because he remembered that he wanted to play something new he learned after listening to a lot of Irish folk music. And they all go off together - one rhythm drum, one guitar, the others jam out to the rhythm and create a fully-fledged campfire song, and a mysterious violinstress appears out of nowhere to help keep the party going. No really, it’s in the music video. Them being the most positive surprise of the lineup 2019 really melted my heart as I didn't expect so many people siding with another shade of their music. And even I started to draw myself into that song more and more, of how dancy and heartfelt it sounded with them decent lyrics about some sort of personal affection (maybe??), hoping that the jury will listen with their hearts and minds open to this Leander’s change of things and let them win the selection that way. But in the end... you know that Assi Azar quote. That’s right. And even so guess what - their first hurdle was their last. Sure, you can say they had a flawed live performance (no violinstress :( too rough vocals at the last chorus :((((((), but if you crush a future of good potential ahead, you’ll never know what might have you lost and how much would you have liked it better if things were slightly improved according to what you thought that needed to be changed in it. As it is for now, both "Hazavágyom" and Leander Kills ended up being robbed of Tel Aviv 2019. Hats off for trying, though.

• And then we have this fantabulous guy down here, with the name of Gergő Szekér and his journey-like legendary folk-tale, written for us guys, to let the past go, just like a (little) bird, and keep what matters only - “Madár, repülj!” mesmerized me from its first snippet (with me additionally commenting on that he’s a nice guy somehow), and then the full version came - with some rapping, wavy electronic bassline (that we haven’t seen striving since last days of dubstep’s relevancy), great choice of instruments, THAT gorgeous way of singing this whole song - I was ready to run away from the disappointment I had from Leander’s flop and immerse in this song fully knowing that it’s gonna be ‘such a jury darling!’... but a-MOTHERFUCKING-las! The boi missed the mark by 4 points in the superfinal vote-up in order just to tie with the unexpected new jury darling that was even BEATEN by Gergő in the semi, Bogi Nagy (the 16 year old I mentioned earlier)... the last juror thought that shooting up Bence Vavra to the superfinal spot was a good idea, and I can’t blame him as Bence deserved to go to the A Dal final for the little that he has participated in, but NOT AT MY BOI’S EXPENSE. ;_; I truly doubt that at this day and age there’ll be anyone capable of filling in the Gergő shaped hole in my heart... well, I can certainly TRY cutting him out of me, but the pre-NF-hype-build, his song’s remix with his X Faktor’s friends and my imagination of him dancing in the Telavivian postcards and engaging with his new Eurofandom fam through live interviews will haunt me from here on end... ugh.

And normally I hype up the NF participants that I supported last time previous year but then they become just artists for me and I wanted more of their song but not of the actual performer in Eurovision and therefore I don’t want them to ESC anymore, but if both of those above artists go to Eurovision at some point, I’m likely stanning both the hell out of their songs AND themselves, for who they are and who they stand for (hopefully nothing too controversial, we already have had a fanfave oppose gay marriage once so imagine a Hungarian A Dal winner doing the same at some point :O). Leander for his overall talent, Gergő for everything he is (and plus a little bit of mutual acknowledgment I’m gonna talk about later UwU bias is strong ahahaha).

Now with my sorrows out of the way, let’s highlight some more of this shit-fest:

• How the fuck wasn’t Dávid Heatlie’s staging a big meme during the season?? At least nationwide?? Seriously. “La Mama Hotel”, his actual entry, might not be too much of a standout (considering it’s just some by-numbers-synth-heavy song with its only major saving grace being a kickass guitar solo), and he did not perform all his best, BUT THE LAMPS. THE FUCKING LAMPS. Too many of them, and they’re slightly too oldfashioned, but so aesthetically-satisfying out of nowhere. If I were a moth, I’d immediately run to his lamps at any given time, and even stay with them after they’re eventually returned to MTVA’s stage props garage or to a Hungarian IKEA. Yes I know the moth meme is dead btw but so what?

Not to mention the guy himself is a bit of a meme in my eyes.

• I already discussed about this on my only one-time “Fanwank Assimilation” bulletin and I have no intent to reiterate all that I said from there on this one word-for-word but let’s go on anyway. Olivér Berkes, the hipster friend of Zävodi from A Dal 2017, returned on his own to win many more hearts with a soft piano/acoustic ballad “Világítótorony” (lighthouse), which couldn’t have been staged more... disconnectingly. To summarize, it’s somewhat of a love song inspired by a lighthouse symbol (quite literally lol), staged as if it was like fisherman taking care of one lighthouse himself, coming and going to do his thing. And like, there was no click with people that made Olivér stand out with something else other than just this ballad, like he did by constantly tele-qualifying with Ádám Szabó’s current girlfriend back in A Dal 2016 and being put in the superfinal with aforementioned Zävodi in 2017. His song itself was just a nice song and kind of a lot people liked it it seems, but I wasn’t really getting it until too much later on after Olivér’s heat was over, so I was surprised with his elimination, but my feelings I got from this song off my first impression weren’t disappointed over this. Check his performance here.

• Can I call Rozina Pátkai a highlight? You might have not heard of her unless you’re Hungarian and/or THAT into their jazz scene, as she’s big on there. This year though she has had a “noisy electropop” song through to the chosen 30 of the A Dal selection, and it was of the name “Frida”. Nothing was too bad until she also ended up having some unfortunate first-hand mis-staging. I did say at the beginning of this post that she kinda looked like “lost-on-stage housewife who probably has 2 kids and 2 cats at home”, and that’s just me not being fond of the outfit she got, though I don’t really imagine in better clothes, or do I? Nevertheless, the Rubik’s cube visuals of her pictures and bright pink lighting (where visible) looked great on her staging somehow (and the on-screen effects), just not the visual aesthetic of the singer’s. Witness it here. Also witness what I meant with the visual parts of things:

Triple woman?? now I’m scared

who’s this shocked gal in the background that got cubed???? UwU

curious woman telling you a bedtime story on TV

Sorry, these captions are a little too silly, but still. The jurors were alright with it except for one (and that’s also the one who killed Olivér’s chances too a little) and the televote was harsh (5 points, yikes, the lowest ever telescore of this A Dal year). Well, if it was studio, we’d probably see her through, but me personally, I saw it as a semifinalist at best when I first heard her song. Now I think it would have been decent enough for a final too maybe? As at least the chorus of this is good but I was never too hooked on the first verse as it always reminds me of the annoyingly soft indie pop that dominates the current music trends... well alas.

(Sidenote: maybe her moterly styling was dedicated to her future child she’s currently carrying? Yep, turns out Rozina is currently pregnant, just like one other A Dal contestant this year!)

• A personal highlight for me, besides that one time Gergő Sz. spoke out to an ESCBubble interviewer that “there’s this, like, a guy or a girl from Lithuania, and [he] said “yeah, I’ve some re-LAH-tivs [sic] ... in Lithuania and she was like *exasperated gasp noise* “Lithuania! Oh my God! We love you so much!”” (and for a matter of fact, it was me :) I’ve been only acknowledged once ever but the acknowledgement still exists!!), was discovering Fatal Error (and USNK but mainly just Fatal Error) before they entered A Dal 2019 with THE EXACT SAME SONG I FIRST HEARD OF THEIRS. Yeah. “Kulcs” music video featured Örs Siklósi, your favourite Hungarian screamer/singer, as a presenter rather than a part of the song, and a good-ass metal song did he present. And as the A Dal 2019 season rolled on at the beginning, Fatal Error were on my hyping target until some better songs came on and I didn’t feel like stanning Fatal Error’s song as much as I only stanned them because they’re here for the fans even more at even more times than I expected them to be - liking their comments on the band’s Instagram and Youtube posts - nothing against other contestants though (Leander included), if they have their lives to carry on and only sit down to check Instagram twice a week or so, it’s perfectly fine. :) I am quite sure Joci is probably like this also. Nevertheless, Fatal Error totally rocked, despite coming off AWS’s heels, and they’re at least encouraging other rock acts to come over to A Dal to open themselves to the world of many eager people discovering new artists every now and then. Just like the victory of AWS sort of did. Also one of the guys from that band said that their mother was delighted to see his band live, which brings us to...

• ...The Middletonz, a fresh new band for András Kállay-Saunders to leech on through next few A Dals now that the band of his name is no longer a thing. They, and yesyes, were the first ever fan favourites to emerge, mainly for sounding modern and having these artists people hate seeing back to A Dal only because of so many tries in the show, but happy to see back in hopes for them finally taking A Dal by their hands (and for András it’s a ‘finally AGAIN’ moment), but problems arose when the juries weren’t fond of both Middletonz AND yesyes, so much so that the frontman of the latter band spoke that he’s not coming back to A Dal again (unless he lies to us by coming back in 2022 or so). What amuses me more about The Middletonz, other than the song (which is fine for the most part, the D’n’B + acoustics mix is neat and catchy, but the beat drops harder than my will to live, and it IS bad (okay further listens later it’s not THAT bad but still... you gotta have had tried harder, men), is their nationality. Besides the hidden phantom member of the group that we never heard on any interview but appeared to be present (at least on the heat stage of the NF), here we have András, which is Hungarian-American, and his friend of the (nick)name of Slashkovic, which is Dutch-Iranian! That’s a colourful palette of double nationalities. And not to mention, despite it being a minority language, therefore a perfectly fine addition, some Russian language is heard in their song, courtesy of Slashko himself. That and on the A Dal 2019 final night Slashko had his parents watching him perform live for the first time... and based on the amount of years he has hidden that from his parents, it took him SO DAMN LONG somehow to reveal himself. Damn. Anyways, anyone up here to bet we’ll see András again, especially after him being reminded to “never give up” by one of his fans? Well, now that he has definitely seen Joci win A Dal twice on his both attempts, it’s highkey positive. Now with or without Slashko? We’ll see.

• The infamous plagiarism incident, which actually hung like a shadow on one of the contestants and those accusations probably scared him for life, and then the scandal outright knifed out a completely different contestant, Petruska (if you remember him from 2016, you know who he is), a little too late into the competition. If you were so certain his song sounded alike, you’d have either eliminated him in the heats or not accepted his song at all, which... maybe did sound like a Vampire Weekend song, I’ll let you judge.

I can’t be arsed to highlight anyone else because there was a lot to go after. Like, two young-bun A Dal acts that came from the same kidshow (different season though) and one did the song all by himself but couldn’t carry it quite as far despite his basic technotronic visuals, another was completely dependent on Caramel’s songwriting capabilities and fared WAY better than everyone else expected, tied-winning the heat with Joci, being the 3rd qualifier on the semi and beating Gergő Sz. during the superfinal vote-up by 4 points (and Feró’s endorsement lol). Yes the latter person I was talking about was Bogi Nagy. Have her song linked too if you want to listen to it. (I could have also talked about her sitting on a hula hoop and having a long extended projector dress to showcase her childhood pictures onto, but that’s just a song-saving gimmick in my opinion, and I don’t wanna waste my thoughts on her any longer tbh.) And USNK, those two that won X Faktor 2018, Soundcloud-rapped a song about HASHTAGS HASHTAGS HASHTAGS, gave a needlessly over-colourful stage show and took Leander’s spot of qualification to the semis through televoting (and additionally pissed me and borisbubbles off. Ya welcome for an indirect tag too!). Wow. But enough being a bitter Betty, I’ll have to let the bird fly until the next NF season and wait for some more eager names to cheer for, even if they don’t have an exciting “#háttérzaj” of nationalities. Until then, A Dal, my love...