#behind the symbol { headcanon };

[juaneloriginal]

This is the story of a woman named Mariella

TW: BLOOD AND MISSING ARMS

aaaand a couple doodls

ignorance is bliss

@blackkatdraws

[loadinghellsing]

Hello! Can you share your Alucard headcanons please?

Thank you 💞

AN EAGER YES- (I have quite a lot so I brought it down to my top 3)

Vlad's human form maintains its human scars. It bears the visual weight of age and time. Within Alucard, Vlad is akin to an open wound. An infected wound bleeding memories of his humanity and tales of his damnation.

2. Hellsing's seals don't reach Vlad. Where Alucard's waking moments are amidst a dream, Vlad is the dreamer. Alucard's a monster sculpted from anger, betrayal, and vengeance. The seals are to control the monster. The dream that only works to destroy its self and all those in its way. They have no say over the human Alucard buries away and hides like an ugly wound.

3. Alucard is a bird person.

3 is the most important.

(edit: explained HC 1&2 in more depth with anon if anyone wants further insight to why)

[queensparklekitten]

time princess players how do y'all picture the MCs of every story

like since every set and piece of official art has a different hair colour, length, and style with every picture of them, and sometimes there's descriptions that don't match the images, which one do you go with

and do you make half of them look like your avatar or have your own designs

[espritradieux]

Imaginary preservation Himeko is real and she'll look disappointingly at you if you have a shitty sleep schedule before proceeding to ruin her own half figuring out how to effectively fix yours and half partying like there's no tomorrow

[darabeatha]

ANYWAYS- I don't have much energy in general but I just wanted to drop by and say I had a thought in regards to the rather unique shape of the scar on his forehead in his fate design (which is a reference to the oftentimes more commonly known version of his story that recounts the motif of his death being by dying from his people throwing rocks at him which is the version f.ate seems to have followed) that it's not just there to represent this version of the story but could also be a reference to an iconographic pre-Hispanic attribute from Tezcatlipoca itself that is called the Ezpitzal, which is this:

(though in this piece, Tezca is shown under the guise of Tepeyollotl, it's still tezca) The Ezpitzal is often shown as a stream of blood that emanates from Tezcatlipoca's head. Professor Batalla pointed out that this term also relates to the Nahuatl concept of expressing anger

'it’s worth remembering that Tezcatlipoca was a god notorious for sowing discord and deceit'

So I just thought of how fitting it would be for M.octezuma to have this and how similar it looks to his scar (or well, how fitting it would be to a fictional stylized version of course) as M.octezuma's name is basically a compound of the noun 'lord' and the verb that means 'to frown in anger' which altogether gets interpreted as 'he who frowns like a lord' or 'he who is angry in a noble manner' and well, how this ties back to the Ezpitzal as a symbol that expresses anger

NOW IT COULD just be the shape of his scar and there's no deep meaning behind it but I still think it would be a nice little detail about his design if that was the case (if not then its just me overthinking symbolisms again), not to mention that even after the Spanish conquest took place and how as a consequence, a lot of characteristic traits and symbolisms were lost in regards to images, even then the Ezpitzal was still depicted (though barely there) with these protruding rounded edges

[thebananwithaplan]

— 𝐔𝐍𝐔𝐒𝐔𝐀𝐋 𝐌𝐔𝐒𝐄 𝐀𝐒𝐒𝐎𝐂𝐈𝐀𝐓𝐈𝐎𝐍𝐒 :

spice :  cinnamon

weather event/natural disaster : rainstorm /wildfire

color : golden yellow

magical power : musical / too many others to list-

shoe : white work/leather boots

plant : yellow and red rose

animal : snake / slug

weapon : baseball bat / shovel

subject/major : N/A

gemstone/mineral : yellow topaz

makeup product : concealer

candy : banana runts

fear : [ACCESS DENIED]

sport (traditional or extreme) : baseball

method of long–distance travel : teleportation

hour:  5pm

wood: yellowheart

mythological creature : demon chimera

three  emojis : 🍌🎤🎸

moon phase: waning crescent

[visionkept]

Tomoya’s ELEMENTAL BURST looking like a flower from afar, a sakura blossom. Tomo’s to SPRING what Kazu’s to autumn, and as winter came they withered alongside the sakura blooms.

[unofficialadamtaurus]

Seeing Adam in casual attire as well little-to-no styling done to his hair makes him look fresh--like roses. I bet it would feel nice to go a day without having to put in all that effort he does to look cool and sleek. It's appreciated, always noticed, but to see him effortless is ♡

How does he get that perfect shape down the center of his hair? Does he have one big curler just for it? The easiest answer is he's Born With Anime, but it's not as fun as imagining his styling routine.

Even when he’s dressed casually he still puts enough product in to sweep his hair away from his face lol.

I don’t think a curler would get the pretty sharp bends tbh. Maybe an initial pass with pomade or gel to get it stiff and shape-able, then a much more careful pass with more product to get the defined spikes? That’s how I’d attempt it, at least.

Born with anime sounds so much easier 😅

[korinthiakos]

What I kind of imagine the Corinthian's heart looks like-- I still find it strange that the glass they find is almost shaped like a heart. But it's part of the inspiration. And perhaps Nada was a little bit of an influence in the end.

[j-a-n-e--d-o-e]

If you buy into the idea of visions being celestial curses not blessings then it actually makes alot of sense.

I mean, if Visions really are a way for Celestia to spy on those who might defy the Fate she wove as well as chaining them to it, then what better than ice to douse a flame and trap it?

Given the Alberich Clan’s whole deal of “lead lives as those who blaze like fire, rather than those who wallow in the embers” and all of the other weird connections between Kaeya’s past/Khaenriah and fire, it’s really funny that Kaeya ended up with a Cryo vision. 

[anantaru]

EX HUSBAND WRIOTHESLEY

— ꒰ synopsis ꒱ — ex! husband wriothesley headcanons

— ꒰ warnings ꒱ — [ex]plicit, fem! reader, reader is referred to as "wife", a little sad, unprotected syx, hitting it raw, very rough fucking lmao, love sick & feral wriothesley, very messy too

ex! husband wriothesley who will hesitantly accept your upsetting decision to file for divorce, and to nullify your earnest promise— nonetheless, it's evident that it was crushing him through the very inside, the pain your words caused had invited him to explore the enormity of sorrow. however, do not be fooled because he won't show it to you, meaning his pure and real emotions, instead wriothesley will decide to verbally jester around about the current happening to brighten up an otherwise daunting interaction between two past lovers.

it was to no avail, the agony festering on his facial expressions and there was nothing in his life worth remembering other than you and a concealed shade of his past— yet, the last thing he'd want to happen was to lose you entirely, signifying that if he was to put his foot down and tell you that he doesn't want the divorce to happen, it probably doesn’t mean much after all.

ex! husband wriothesley who will reminisce about past events in front of you, your first kiss or that one particular date where he asked you to marry him, just small, little details about you that only your ex husband knew of— but, he'll do it in a subtle way, sneakily sprinkling it into a conversation in hopes you'd get a dash of sudden yearning as well— the same he did whenever he casted his mind back towards the good, old days.

ex! husband wriothesley who will speak in riddles to you, keep his quick-witted demeanor in order to fool you into thinking that he was doing quite well after the divorce was fulfilled— and his intentions weren't in wanting to make you feel bad, sorrowful or even jealous. no, not at all. in fact, he thought that if he was to hide his raw emotions and genuine feelings in front of you, you wouldn't feel awful about your decision and were able to continue living a normal life, yet without him.

ex! husband wriothesley who promised you that he will take off the ring that symbolized your once passionate marriage— but will behind your back grab a necklace to loop it inside the precious metal, so he could always wear the ring around his neck, secretly hiding it from your eyes to see while holding on to it whenever he found himself in trouble, or saddened.

ex! husband wriothesley who feels helplessly confused still, harshly drawing back for air as he let a brittle thread of a nervous laughter go when you suddenly ask him if he wanted to remain friends with you, which— in truth, he didn't, and the second after you proposed that insane idea to him he thought you must be joking, or that you surely must've lost your mind (which would make the divorce explainable).

it goes without saying that the real reason as to why the duke didn't seek out to befriend you, had nothing to do with the feelings he harbors towards you suddenly dissolving, it's quite the opposite because he was so helplessly in love with you, archons, he was bloody obsessed with you.

certainly, he thought that such friendship between two past lovers would only cause injury to you both in the end, for the main part to you who he cared the utmost about.

aside from the fact that even now, when he notices how you steadily keep your distance from him, at all times, it breaks him from within.

how cold it was when all ex! husband wriothesley sought after was your gentle caress and delicate kisses, he longed for an opportunity to just swiftly hush you with one step, raw and earnest trapping you against his strong arms while pressing his lips on top of yours when— oh, he does it again, he was indulging in fantasy, gradually yielding to an alternative version of you two ending up together.

in the duke's own words, he believed that love should be warm, a sweet addiction, a magic gifted by the universe, so why— just what had went so terribly wrong that he was struggling to understand it? you should just say you do not care for him, tell him you feel nothing so he can walk away, or maybe, regardless he will stay.

ex! husband wriothesley who despite you both being apart now, remains faithful to you, protective and nurturing to your every needs— because it was simple as that— for the duke, you are his shining sun, and will still remain it to his dying day.

to his crushed and painful body, your caressing trace was his only medication, and your smile? it was the light to his broken heart, for that is what he had called a warm love.

ex! husband wriothesley who noticed how the natural warmth surrounding his body had but faded completely as his mind began to gather around great negativities— perhaps he was flawed and that's the reason you left him all along, cursed to feel the deep sadness slither through his veins like a freezing liquid conquering his body as he shuts himself off for a while, until he can recollect himself again that is.

ex! husband wriothesley who had inappropriate thoughts enter his mind whenever he thought about you— here is to note that he utterly disliked the way his brain just so happened to work and how he wasn't able to shake off those strong and vivid fantasies playing in his mind on repeat.

but how can he not dream about his wife? well, ex-wife, which in his memories was pressed under his large figure exposed with your breasts on full display, his hips working constantly to please you just the way he knew you liked it.

because you see, the duke knew your body, in and out, one might even assume he knows it better than you do. and he still has a couple of your panties left in his drawer— in fact, he wanted to return them, please believe him, but he found himself to be quite busy these past weeks that he must've simple forgotten to do so.

ex! husband wriothesley who at some point, cannot live like this anymore and was desperate to see you again. after your marriage had crushed, you weren't visiting the fortress of meropide anymore and as the duke was rarely leaving it himself, it could've been the perfect situation to move on from each other, yet he simply could not do that, not when you were constantly on his mind.

ex! husband wriothesley who will find courage and leave the fortress to visit you at your new place, in fact, the mere sight of the duke exiting the underworld was rarely seen, so the guards figured that it must be of graven importance— as invisible and weightless as your love for him might be for now, in the middle of the night he walks out to find you, taking in a last view at the fortress  before an itching impatience got the better of him. 

he just had to see you, now.

ex! husband wriothesley who will show up at your doorstep and suddenly admit that he cannot do this anymore, that he felt incredibly miserable and heartbroken, confessing his undying love and affection towards you, using words he had once spelled out to you the night you had gotten married.

"night and day, i dream of you," wriothesley yells, as if there had been nothing left to his choice, the sight of your glowering eyes and those soft, frowning lips he just misses to kiss.

"and there is not one corner on this world that you could possibly travel to in order to free me from this torture," he adds forbiddingly.

through dark eyelashes, wriothesley stares at sudden tears welling up in your glassy eyes, a sharp amenity invading your cheeks as he places his palms on top of them in order to brush your warm tears away. "you're mine," he said, the corners of his mouth slightly quirking upwards, his hot breathing lingering around your gasping lips, "and not even a divorce can change that."

ex! husband wriothesley who places a delicate splatter of warm and passionate kisses on top of your lips the moment you pull him by the collar of his shirt, his surprised growl turning into a stifled cry when you wrap your arms around his neck in order to keep him close to you, together stumbling into the coziness of your home as one hand was firmly placed against your back, his mouth eagerly parting as your lips welcome the teasing slide of his tongue lapping across your own.

ex! husband wriothesley who will hiss upon revelling in your soft fingers tracing over his twitching muscles when you undress each other, his disheveled hair accentuated with a fond smile as his hands trail down the sides of your face, leaning his hungry lips against yours again, the lingering, familiar scent of your fragrance penetrating his nostrils turning him needier, on the brink of passing out.

ex! husband wriothesley who loves hearing you only reply in soft and crumbled whimpers of his name slipping past the edges of your tongue as he cannot wait to feel you�� fuck, and neither can you wait to feel him again, a clashing pressure on your hot core narrowing the space between your bodies as he lines himself up with you, your nails slithering down his chiseled back as he slides into you abruptly, your neglected cunt instantly welcoming him.

and you squeal out in pleasure as he thrusts into you, the maddening scent of his musky perfume persisting around your shivering frame as wriothesley hooks one leg over his shoulder, the squelching sounds of your wet sex echoing throughout the entire bedroom just signalizing how much you must've missed him as well, his addicting gaze always flickering across the way your body reacted to him.

ex! husband wriothesley who shoves himself further into your soft cunt— and you're just so unbelievably cute and adorable at your desperate attempts to silence those candid whines and mewls of his name. one of his hands was now placed on the headboard for additional support as to not suddenly suffocate you with his large body towering above before he increases the pace on your cunt, setting for a deep and fast rhythm that would surely stay engraved in your walls even after he's done.

ex! husband wriothesley who kisses you like a starved animal as your tears tickle the soft features on his face, your hidden emotions running wild at the sheer passion he unlocked in you, his erection throbbing harder as he groans into your lips, triggering every last one of your nerves in your body and infusing them with persisting vibrations— now, you're gasping at the lack of oxygen in your lungs as his constant thrusts into you drove you deeper into the mattress, if that was even possible, considering the fact that your whole body had been caged in between your bed and wriothesley's frame towering on top.

ex! husband wriothesley who chokes back a desperate growl as he sought out further friction, growing feral, then hissing sharply as his sensitive cockhead reaches into your deepest parts, his shaft all the way sucked in by your used pussy lubricating him so he can ram himself in and out of you harder, slick pooling out of your hole whenever he pulls out only to press back inside with one quick snap.

ex! husband wriothesley who worships your body, making you feel every thick vein as it throbs violently against your walls, your thudding hole making him lose his mind on how you're convulsing while he curls into you— your swollen cunt tensing and releasing, grinding up a little as thick, white cum gathers at the base of his cock, his mesmerizing eyes glued on the creamy spot that was showing him just how much you enjoyed this too.

ex! husband wriothesley who resumes his fast tempo, your teeth rattling with every new impact of his hips bouncing against your flesh blanking your mind into pure paradise— your moving bodies couldn't stop anymore as you're fucking each other well over the limits of your endurance, drool dribbling down the corners of your mouth as wriothesley was fucking your cunt desperately, unhinged and making it a point to rock your hips in and out along a particular angle that you'd always squeeze over the rigid veins prancing on the underside of his shaft.

ex! husband wriothesley who exhales heavily when you tell him that you're close, his hips pressing and digging into your sensitivity once more before lifting you off the mattress, chasing your relief like a wild beast that he so graciously wanted to see unfold— low profanities and fast tumbles of his name falling from your lips as your thighs begin to shake and ache, your throat turning dry— you're done for, and wriothesley just fits so perfectly in you, into every curve, every spongy spot and every bump inside that you're so painfully full, crowded and overflowing of his thick shaft.

you're hiccuping due to the pressure he presses into your sensitivity as you're way beyond your own limits now, at last feeling a twitch and quake as your body pleads to cum, his grueling thrusts aiding you when you violently convulse around his length, a sharp intake of breath breaking every other noise in the room when you cum all over his cock, your orgasm hitting you hard, wriothesley continuing with slow, language thrusts until you've rode out your high.

the duke was being eager to watch it all happen, something primal at the back of his mind manifestikg when the sudden constriction of your fluttering hole made him grunt lowly against your ear, rolling his hips nearly painfully hard between your legs before dragging himself away, cumming inside of your walls and marking you up for good with his warm, sticky cum.

ex! husband wriothesley who watched you being short of breath, and couldn’t resist looking at the mess between your legs, your abused cunt twitching around his girth as your pussy flutters around nothing, your legs were quivering with a combination of your essence and his seed oozing out of your hole, staining the silky bedsheets.

ex! husband wriothesley who'll press himself back into you with one sharp snap, leaving his cock in so you could clench and throb, small thrusts turning sloppy and sticky with his dampened bangs glued on his forehead as he kisses the tip of your nose before embracing your pouty lips again, your mouth partly open as you whine out, your sensitivity spiraling of his cock still being nestled in you, his shaft already hard and thick again, your battered cunt jolting underneath him.

wriothesley smiles, "it is maddening, how much you consume my very being, my love." and speaks through his heart.

© 2023 anantaru do not repost, copy, translate, modify

[sincerlyus]

Reverse Falls!!

Soo this is my take on Reverse Falls!! I don't really know which are the original designs or which are the new personalities that each character adapts, so I made my own headcanons!! :3

It should be noted that there are characters who do not change personalities with anyone, but rather their personalities are more exaggerated or are opposite to the originals. Or (in the case of McGucket) their relationships are different so they change their way of being progressively.

EXPLANATION TIME:

This is quite long, I'm going to explain the personalities of each one and how they relate to various characters. Credits to: hours of daydreaming and Google Translate  (TW: child abuse, emotional and physical abuse, homophobia, classism. I don't know if there's anything else, just in case)

Pacifica Northwest: Outgoing and very expressive. She didn't know Gideon very well until her parents sent her to Reverse Falls. She likes to knit, draw, and has a lot of stuffed animals. She has a lot of hair, and likes to do different hairstyles every day ("to be innovative"), cries when she has to cut it. She is very affectionate with Gideon and tries to get him out of his shell. She is a little insecure, but likes to see the positive side of things. She gets along very well with Bud, although sometimes she feels he is a little weird. Symbol: Llama (on her sweater)

Gideon Gleefull: Insecure, has little self-confidence, very skittish and anxious. Has a habit of chewing when he is thinking, like OG!Dipper (chewing on pens, his shirt, etc.). He didn't really know how to talk to Paz at first since the first time they met they were very little, what was she going to say?, was a "Hello" enough?, a handshake?, a complicated handshake?, was she going to ignore him? Paz simply gave him a big hug when she got off the bus (+ gave him a sweater she made on the way). Symbol: Telepathy star (in his hat)

Bud Gleefull: Ultimate scammer. Very friendly and funny, although sometimes a little intimidating. Bye Hawaiian shirts. Very patient with Gideon. He is basically the “cool uncle/dad”. He put Paz to work the day she arrived, although he became attached very quickly and gave her family privileges (he does the same with Gideon).

Mason “Dipper” Pines: He is still very insecure but is able to feign confidence when standing on stage with his sister. He still has a lot of passion for science, he is not very affectionate, he holds back his emotions as he does not want to look vulnerable, especially in front of Stanford. He has a lot of respect for Ford (or rather, fear), being his apprentice he sees him more as a teacher, a superior figure than as an uncle; however he has very little respect for Stan, threatening him and making fun of him. He does not usually use his amulet much, only to practice tricks or in his shows. He has a very distant relationship with his sister, similar to that of the Stan twins. They have many disagreements, but they still have each other's back, especially when Ford is aggressive with one of them. The most sincere relationship he has is with F, although he still treats him like an employee, knowing that he was one of the brilliant minds behind the portal he respects him. Sometimes he discusses theories and shares discoveries with him (although he is embarrassed to think that his only "friend" is an employee of his uncle). Once he met Gideon and Paz, he was able to show his more fragile side and be himself, although he doesn't consider them completely friends (that changes post-weirdmageddon). Symbol: Pine tree (a small pin)

Mabel Pines: A spoiled brat, basically. She's very charming and friendly on stage and with guests at the Pines' many parties, but she's very whiny and selfish behind the scenes. She's not at all affectionate, to the point that she hates physical contact, especially if it's from townspeople. She resents her brother a lot for being Ford's "favorite" (he doesn't really have favorites, he's just less strict with Dipper because he's useful to him). She's Stan's spoiled child, giving her what she wants when she wants it (they have a nice relationship actually, Stan being one of the only ones who comforts her when she's sad). Instead of knitting, she likes to design her own dresses and accessories for shows and parties (her guilty pleasure is arts & crafts, since it's a very "childish" activity for a Pines). Obsessed with Paz, but learns to respect her limits throughout the story. Symbol: Shooting Star (a small pin)

Stanley Pines: He basically swaps personalities with Bud, runs the Telepathy Tent, is very friendly, and is scared of his brother and the twins. He never gets involved in Ford's experiments, having a very tense relationship with him. He loves the twins very much but knowing the power they have with those amulets he prefers to go along with them and not question too much what they ask (he knows when to be firm but the one who really has an impact on them and can make them see reason is Ford). Symbol: Oyster(?? (on a necklace)

Stanford F. Pines: Did you think OG! Ford was a jerk? Well now he's twice as much! He doesn't have an ounce of empathy in him, he's very narcissistic and only cares about his projects and his image. He doesn't care at all about the twins, only seeing them as a way to make money, demanding the most out of them, and he doesn't hesitate to use violence if any of them get out of line. He's very distant with Stanley, speaking to him very dryly (or rather, barely speaking to him at all). He's almost a hermit, living in his laboratory, not letting the townspeople get to know him; although unlike OG! Ford, he cares a lot about how he presents himself in front of the public, taking care of his image and clothing. He's very demanding with Mabel, as he feels she's nothing more than a spoiled child, the image of the Telepathy Tent along with her brother. He is a bit kinder to Dipper, as he realizes that he has a brilliant mind for his age (though not more so than his own), so he includes him in many of his experiments and research if he proves useful; but excluding that, he is just as insensitive as he is with his twin, mistreating him if he does not comply with what is due. His relationship with McGucket is kinda weird: although they were friends in college, the power that Bill/Will offered him completely consumed him, being abusive to F, forcing him to work long nights, keeping him awake by force. He only sees him for his use: his great skill with mechanics (which Ford does not have, although he hates to mention it). Although he was in love with F while he was at Backupsmore, he currently has no romantic feelings towards him, considering him an employee, his assistant, nothing more. He has internalized homophobia (a gift from Filbrick) and classism, so he hates to remember when his relationship with F was one of equals, friends. It disgusts him to think about when he would get so emotional around him. Symbol: Six Fingered Hand (the diaries)

Fiddleford H. McGucket: He is still the brilliant mind he was in his youth, but stress eats him alive. He started to age very quickly thanks to it. He invented the memory gun to try to forget all the horrible things he witnessed or that Ford made him suffer, but his boss doesn't allow him to use it too much since it can damage his mental health and erase knowledge, making him less efficient and useful. He doesn't have a very deep relationship with Stanley, since he practically lives in the lab where Ford forces him to work, but they are able to talk whenever F has a break (almost never). He can't stand the twins too much, not only because he feels that they are very annoying, but because the simple presence of children in his day to day life reminds him a lot of Tate, with whom he no longer has contact. Everyone knows about the abusive relationship he has with Stanford, they are not indifferent to it but they try not to mention it or get involved in his affairs (practically out of fear of Ford).  Throughout his stay with Stanford he started developing an emotional dependence on him: not only did he make him feel that he was useless without him, but he uses violence on him when he is not fulfilling his duty, causing F to blame himself when this happens (What did he do wrong? What can he do to improve?). This got to the point where he started to hurt himself when he did not do something right. Ex: hitting himself when he noticed that his leg was bouncing in front of his anxiety (something that bothers Ford a lot), pulling out clumps of hair in front of the stress of not being able to achieve something, biting his nails, scratching himself, hitting his head (imagine Dobby from HP). Such actions and the mixed feelings he had towards Ford, made him develop masochism, enjoying when he inflicts pain on himself and when he is the victim of Ford's physical and psychological abuse, he clearly hid this for a while since it would look very unprofessional on his part.  Eventually his boss found out and used this to his advantage, being quite sadist himself (he enjoys watching or inflicting pain and/or humiliation on others, in this case, he gets sexual pleasure). So every time Ford needs to let off some steam, vent his frustrations (or is just horny), he uses Fiddleford to fulfill his fantasies, making F's wishes come true as well. He basically uses him as a sex toy, and F doesn't complain, having suffered so much emotional manipulation, he even considers himself lucky that his boss wants to be with him like this, even if it's NOT healthy. Symbol: Spectacles

Bill Cipher: I don't like the idea of ​​changing his name, so Bill stays. He's still the same chaotic demon as in the original series, but this time he's been tricked by Ford into working for him and doing his bidding. He's also forced to do the twins' bidding. We already know that Bill can change his shape and color, so I think all of his shame and self-pity manifests itself in his appearance, turning blue over time (any strong emotion makes him change his appearance). He manipulates Gideon and Paz, making them feel sorry for him so they'll do his bidding (it doesn't work, clearly). The people he has the most contact with are Ford and Fiddleford, as they spend most of their time in the basement where he's locked up.

So that's it. I don't really know how this timeline would work, considering the portal and the journals, but I just wanted to have fun with the character designs and relationships (I feel like the weirdmageddon would happen sooner than in the original timeline). If you want me to go deeper into certain relationships or characters, let me know!!(≧▽≦) I'll see if I can go deeper into the relationship between Ford and Fiddleford that you guys liked so much (you guys really like toxic yaoi, huh??). I'm thinking of making a fanfic or smt to explain their day to day life in the lab and how Ford invited F to work with him (SPOILER: it didn't go well...).

That's it ig, LIKE AND SUSCRIBE!!!1!!1!Σ(°ロ°)

[yandere-kokeshi]

I remember you posted that you write alien vs predator now, so if possible could you write something about a yandere yautja x chubby!f!reader??? Like maybe she accidentally witnessed some them hunting on earth but as they were going to kill her another yautja grabbed her and ran or fought the others, he’s usually content just watching but she was threatened and he couldn’t stay away…. Or even just headcanons about them and what they’d be like as a partner

Sorry🫣

— Yandere Yautja with a female! chubby mate

Warnings: yandere behavior, talks about chubby reader, and yautja stuff.

A/N: I changed it up a bit and decided to write headcanons about having a darling who is chubby. I hope that’s alright :)

In his planet, or rather culture, female Yautja have a naturally larger and masculine build: muscular thighs, fit hands that’ll be thrown at anybody, and a good athletic build. But, since the day he saw you and touched you? He died at the second, and swore to protect you to all the Gods. And ensuring, you’d be his by the end of the night. 

To get it easy — he sees no issue with your size. Generally sees you as a ‘plushy’ and more huggable, there’s nothing wrong with that. 

But if he senses you being sad over your weight, he clicks in annoyance. How dare you insult yourself like that? Within seconds, he hikes you up on his shoulders by one hand, showing you that weight doesn’t mean a thing to him, so nor should you care. 

It’s no surprise that Yautja’s love heat, and your beloved mate sees you as a heat source. He has to be touching you at every given moment, muzzling his face deeper into your belly rolls as you two sleep in. 

Finds your stretch marks remarkable. Scars are a symbol of strength, and are praised highly in the culture and with your lovely Yautja, he views them as a form of scars. 

Handsy to a capitalized H, and doesn’t know a thing of personal space. Your skin is so warm and soft, his paws squishing and handling you is his favorite hobby. Adores the scent you have, and uses your thighs as pillows. 

Generally would love for you to go naked in the house. Nudity isn’t a source of shame in yautja culture, so he’d be confused if he sees you embarrassed. In all, he admires and wishes for the day to come; imagining himself pulling your clothes off, chirping and clicking in excitement as his hand covers your hips and addicting curves. 

Very protective, and whilst that’s guaranteed with his aggressive stance, it’s mustered up a bit because of how gorgeous you are. He’s convinced that if any other ‘ooman, or yautja, sees you – they might get attracted and try to steal you away. He’s ready to fight and tear off limbs if must. Possessive to its finest. 

Treats you with the finest things he can find and cook. He cooks you amazing food, ones that leave your mouth salivating, and wakes you up with breakfast in bed; admiring your sleep figure and messy hair from awakening. 

Loves to dress you up in clothes, especially if it’s in pelts that he hunted for you. Admires looking at you from behind, smiling like he’s made the day, and stares you down like a mad-man. You’re just so cute, ‘ooman.

—

Masterlist || Please consider reblogging and commenting instead of liking. It helps me as a creator!! Stay well!!

© yandere-kokeshi 2024 — Do not copy, modify, edit, repost, or use my works for ASMR readings, tiktoks, or other content.

[mysticdragon3md3]

Has anyone else noticed the use of shadows and light in Nimona? Cause I find it really interesting how through most of the movie Ballister is stuck in the shadows while Ambrosius is always in the light.

For example:

It also draws parallels between Gloreth and Ambrosius as Gloreths statue is always bathed in lights, due to the fact we only ever see it at night (I think) surrounded by darkness.

I think it’s also interesting that once Ballister meets Nimona the contrast between shadows and light becomes even more pronounced, with the two of them living together in a darkened lair, sneaking around at night and rarely being seen in daylight. This contrasts Ambrosius who we never see without the spotlight shining on him.

This contrast becomes clearest in the “nacho” scene, when its glaringly obvious just how different the twos views on Nimona and the Institute are.

However, the motif is subverted after this when Ballister confronts Nimona on the statue of Gloreth. For the first time in the movie since the death of the queen he is in the spotlight, pulled from the shadows into the light.

This is especially beautiful as he pulls Nimona, a character who till this point had always been in the shadows, into the light with him. (There’s probably a metaphor for mental health, transness and queer identity in there but someone else can probably put that far more eloquently than me).

From this point onwards Ballister is never framed in shadows again, but more importantly, he is only framed in natural light, often with a warm tone contrasting the previous cool toned unnatural lighting (warm tones also being used in relation to Nimona):

While I think the meaning of all this could be debated my personal favourite interpretations of it are:

- the changes in lighting represent Ballister’s feelings towards himself through the film, specifically in relation to his relationship with Ambrosius (him being in shadows more after the queens death, seeing himself as inferior to Ambrosius, being in light as he is going through the “evil lair” showing his acceptance (?) of Nimona’s “passing” and his contribution to it).

- the way he is perceived by the in film audience viewing him (more shadows when he “kills” the queen, in light when he saves Nimona).

Anyway, feel free to add anything extra or any additional observations or anything I missed

(I have dyslexia so please don’t be to hard on any mistakes I’m really trying I promise)

[ineffable-romantics]

Some thoughts on why and how I believe Crowley and Aziraphale's relationship would incorporate sex/why I do not read them as wholly asexual:

This is something I've seen the most discourse about in this fandom, and I've had a few thoughts of my own that I really wanted to expand upon in a full meta/character analysis post. I do understand that this can be a contentious topic, so first, let me clarify a few things:

First of all, this is going to be long. Tbh it probably won't be that organized either. I ramble and I'm not very good at editing, so just... you know. Be warned. (*Hi, it's me from 2 days after writing this; I'm really not kidding, it's LONG)

These are all my own thoughts. They might not be hot takes, because recently I've seen more than a few people come to the same conclusions on a lot of these points as I have. But I've also had these notes in my drafts for about a week and a half now, and have been continuously adding to it as things have occurred to me. This post is essentially just somewhere for me to collect the separate but related meta I've been kicking around in my head.

I fully respect anyone who does see and prefer an asexual reading of this relationship. These are my own thoughts and interpretations as someone who is not asexual. I am in the LGBT+ community, so while I do know a few things about the asexuality spectrum, I am by no means an expert.

This is NOT something I expect, need, or even necessarily want the show (or, God forbid, Neil's tumblr ask box) to address. Tonally, it's just not that kind of show. Newt and Anathema's sex scene was very much played for laughs, and it worked for that reason. If the show found a way to address it in a way that was both appropriate for the tone of the show and ultimately satisfying, then great! But there is so much more to this relationship than sex, and I didn't need a kiss to confirm their love, so I certainly don't need a sex scene. As immortal beings (as I assume they'll stay) there is so much of the rest of their lives we'll never get to see. You can headcanon them as asexual and potentially be right. I can headcanon them as not and be equally potentially right. Again, these are just a collection of my own thoughts, because I think the question of sexuality (or lack thereof) is just as interesting a facet of these characters as any other.

Note: Tbh I've been second-guessing this whole post and debated deleting the whole thing several times for being silly or unnecessary, bc I don't want anyone to think that this is the only thing I care about when it comes to this story/characters. But if nothing else, it's inspired me to write in a way that nothing has in a very long time, so I've decided it's worth continuing, if for no other reason than that.

This is going to be a mixed bag of textual reading, subtextual reading, and a full-on reach or two. It's been a while since I've been in an English class, but if my teachers expected me to find a deeper meaning behind blue curtains, you can expect me to read too deeply into the symbolism of a loaded rifle or an ox rib. (This is probably not what my professors had in mind when grading my literary analysis papers but oh well) My point is, if it feels like a reach, I'm as aware of it as you are. I am in no way saying that all (or even any) of my points made were deliberate on the part of Neil or the actors or the writers or the directors. I am no longer the delulu Apple Tree Yard child of my youth, I promise.

If anything said here is in any way offensive or hurtful to anyone in the asexual community, please do not hesitate to message me or comment and let me know exactly what it was. I promise you it is not my intention to do so, and am happy to clarify or outright edit anything that reads that way.

With all that being said, let's talk about why I think Crowley and Aziraphale would absolutely fuck nasty incorporate sex into their relationship.

Note: I am out of practice with essay writing, so I think I'll just go down the bullet points of notes I have been making, and expand on each as best I can

Food

Where better to start than with Aziraphale's introduction to Pleasures Of The Flesh? (Just a heads up, this entire post may feel very Aziraphale-heavy, and with good reason).

This might be the least hot take here. We've all seen the Job minisode. We've all seen That Scene.

Whether this was intentional or not, the symbolism here is off the charts. Eve was tempted by an apple. So why not go a similar route and tempt Aziraphale with another fruit, or cheese, or bread, or literally anything else for his first experience with food? Instead, we go with a huge, glistening slab of fresh meat that he proceeds to absolutely go feral upon, moaning and gasping into his meal while Crowley watches with what definitely doesn't look to be disgust or even satisfaction with a good temptation. There's surprise at the ferocity of Aziraphale's appetite, certainly. But ultimately he looks to be intensely fascinated by it, while the thunder crashes, the music crescendos, and the earth literally shakes around them.

(It's also interesting to note how very little it takes for Crowley to tempt him with the ox rib. One murmured suggestion, a bit of unwavering eye contact, and vavoom Aziraphale immediately meets him in the middle.)

Cut to Aziraphale devouring the rest of the meat with Crowley splayed back on a makeshift bed, drinking wine and continuing to watch him indulge through half-lidded eyes. Outside a thunderstorm rages while they're learning secrets about each other in warm flickering firelight. It's cosy, it's intimate, and if they'd thrown in a bearskin throw blanket, it might as well be a post-coital scene straight out of Game of Thrones.

The next time (chronologically) we see them discuss food is when Aziraphale "tempts" Crowley with oysters in Rome. So Crowley first tempts Aziraphale with meat and then Aziraphale tempts Crowley with what is widely regarded to be an aphrodisiac. Interesting.

And then chronologically after that, the Arrangement begins to form, which has always reeked of a friends with benefits situation. Just to throw that in there.

It's What Humans Do

In the very first episode, we're shown Gabriel's obvious disgust and bewilderment towards Aziraphale eating sushi, calling it "gross matter" and being proud of the fact that he does not sully his body with it. Aziraphale initially tries to defend his own enjoyment in it, before passing it off as something that humans do, as something he simply has to do in order to blend in (which we know very well is not the case).

He does this again in season 2, passing off Nina and Maggie being in love as "something humans do". But it isn't, is it? Angels are beings of love, and can sense it, and understand very well what it is... up to a point. Even romantic love is obviously within their wheelhouse, given what we now know happened between Gabriel and Beelzebub (we'll come back to them).

What the "humans do" that angels wouldn't understand is messy, physical forms of love.

But here's the thing: Aziraphale and Crowley love doing what the humans do. They love drinking, they (or at least Aziraphale) love eating. They love music. Crowley loves driving and sleeping and watching rom-coms and sitcoms. Aziraphale loves reading and doing magic and earning little licenses and certificates for achievement in his various hobbies. They love to playact at being human so much that they've stopped playacting and started building a genuinely human lifestyle for themselves and with each other.

Once together in an unambiguously romantic sense, why do we think they wouldn't also want to explore one of the most prominent, intimate, powerful human expressions of love and desire with each other?

Angels, Demons, & Asexuality

Here's where I really want to clarify that in no way do I mean that sex is necessary for a healthy, fulfilling, and loving romantic relationship, or that the lack of desire for sex makes you any less human. Asexuality is a sexuality as valid and human as any. What I would say is that it is definitely in the human minority compared to allosexuality.

Angels and demons, on the other hand, are predominately asexual. Sexless/genderless unless Making An Effort. (Which, btw, is a concept introduced as early as the original book; why even bring it up as a possibility? Why not keep angels/demons being sexless/asexual as a hard and fast rule, if not to open up the potential for later use? Chekhov's Effort, if you will. And isn't that something that Aziraphale in particular is shown to do time and time again? He makes an effort in French and driving and magic, doesn't he?)

And this is why I don't believe Aziraphale and Crowley necessarily need to be asexual, narratively. There is already a huge amount of ace rep within the angels and demons (and no, not just the horrible ones. Muriel also doesn't "drink the tea" and has no reason or desire thus far to Make An Effort, and there are certainly other angels and demons who aren't horrible like the archangels seem to be who likely wouldn't Make An Effort either).

The central conflict for Aziraphale and Crowley is that they are on their own side, the ones who went native, the ones who are so different in so many ways from their respective hives. It would make sense for them to also break away from traditional angel/demon asexuality.

I say "traditional angel/demon asexuality", because I would also like to note that I would absolutely not rule out demisexuality for either of them. This post is being written to as a response to people who specifically believe that they (like the rest of the angels/demons seem to be) would be sex-averse in a relationship, and that it wouldn't be a factor in their relationship. I could easily read them as demisexual, but I do think there would be no real way of verifying this, because they've never been able to form as close an emotional relationship with anyone else but each other. Certainly not in heaven, and I can't imagine they would be able to form that kind of attachment with any of the humans, who they love and emulate but ultimately regard as the separate species they are. So yes, they could either be allosexual or demisexual, in my opinion.

Then again, now that I think about it, Making An Effort itself could be a great metaphor for demisexuality, since they would be entirely sexless/asexual until they have enough of an emotional connection with someone to consciously manifest otherwise. Since the other angels and demons don't generally form those types of emotional connections with anyone, there hasn't been a precedent for it.

Except...

Brielzebub

We do have a precedent for it now, don't we? Gabriel and Beelzebub fell in love. They are a direct foil for Crowley and Aziraphale's relationship, speedrunning right through their courtship and finding their happily ever after on the other side of things.

For being such a 1 to 1 comparison, it feels deliberate that they did not kiss. They held hands, they were gooey with each other, but they did not kiss. That feels like such a deliberate thing to omit when you know what's to come at the end of the episode between Crowley and Aziraphale.

And going back to the food = sex metaphor for a moment, let's notice how even as they fell in love over the years, even when pints and crisps were there on the table in front of them, they never felt the desire to reach out for them. They didn't need to. It's a date (love story) even if you aren't eating dinner (sleeping together).

Yes, I know Jim liked hot chocolate. No, I am not counting it because I don't consider Jim and Gabriel to be the same person with the same proclivities, and Jim was highly suggestible at the time anyway.

Gabriel and Brielzebub's big happily ever after moment (as of now) was one between two asexual supernatural beings. They did not need to kiss to drive the point home. They showed what Crowley and Aziraphale could have, if they would only acknowledge it.

Crowley & Aziraphale's Dissatisfaction

But they do have that already, don't they? If you really think about it, what do Gabriel and Beelzebub do with each other that Crowley and Aziraphale don't already? They hold hands, they spend time together, they create little rituals, they give gifts, they're visibly and verbally affectionate with each other, etc. They are more or less already in a romantic asexual marriage relationship with each other, aren't they?

And it doesn't seem to be enough for either of them.

At the beginning of the season, Crowley is immediately shown to be unsatisfied with the way things are. Obviously part of it comes from living in his car, but it seems to be more than that (especially since Aziraphale makes it clear that the bookshop is just as much Crowley's as his, implying that he could have been living there the whole time and is choosing not to, for some reason?). You could argue he's feeling unmoored without Hell telling him what to do, but isn't that what he wanted? Isn't that what he still wants, by the end of the season? All season long, he's never indicated the desire for a new job, or a new project. He stopped the apocalypse because he wanted the freedom to openly spend time with Aziraphale, to spend his time on Earth however he sees fit. Until Gabriel arrives, he has exactly that (minus a flat).

So where does the dissatisfaction come from? And if it represents anything to do with his relationship, what does he want out of it that he isn't getting already?

I think Crowley only really comes to the realisation of what he's missing when Nina names it for him, not only putting them in the category of romantic, but physical (outright asking if they are sleeping together). These two posts [1], [2] go into more detail about what I mean, but I think it really pushes him into acknowledging that their relationship is more human than either of them have stopped to consider, and what that might mean as far as everything a human relationship can entail.

After all, Nina and Maggie only advised that he should talk to Aziraphale, make clear his feelings. The decision to kiss him, to tip them over the edge from nonphysical to physical, that was all him. And no, kissing isn't sex, but I wonder how taboo even that might be in the kind of all-encompassing asexuality most angels seem to identify with. (If they're disgusted by food and drink, I can only imagine what they think of snogging, much less sex.)

Aziraphale doesn't have this moment of someone observing their relationship from the outside. He loves Crowley, and as of 1941 probably even knows he's in love with him in a way that Crowley doesn't understand yet. Which makes sense, since love is technically his job, he'd be more likely to recognise it for what it is.

However, Aziraphale's reference for romance and relationships is Jane Austen. It's chaste. It's dancing and dinner and doing sweet things for each other and roses and candles and handholding. He contextualises his love for Crowley in that soft fantasy sort of way, where it's there, it's obviously there, but it's neat and easy and unspoken. Not to quote Glee in this, the year of our lord 2023, but it's all very "the touch of the fingertips is as sexy as it gets".

Someone should tell that to Aziraphale's face, then.

I'm not going to pretend I know what Michael Sheen's script notes were, but there were definitely some Choices™ made. Because yes, there were plenty of moments in both seasons with Aziraphale looking at Crowley in a sweet, loving, smitten way. And then there were moments that were yearning.

But yearning for what, exactly? All of those sappy Jane Austen tropes already apply to the two of them. So why are there moments where Aziraphale is looking Crowley up and down like the last eclair in the window and licking his lips and visibly exhaling like he's trying to get in control of himself (see: Bastille scene + Crowley telling Muriel to ask him if they have any other questions about love)? Why is Aziraphale not only unconcerned when Crowley shoves him bodily up against a wall in s1, but staring at his lips and a beat too late in noticing Sister Mary's arrival? Why are some of his lines so suggestive? I'm sorry, but the car ride after the church explosion might as well have been the beginning of a Pizza Man porn with a really weird Blitz theme. If even my mother picked up on that vibe, I can't imagine it wasn't intentional on part of both the dialogue and the delivery.

(This section may feel like more of a reach/joke, but I'm really only 20% joking. These are writers and actors who are EXTREMELY good at their jobs; they know what they were doing here.)

More importantly, I don't think Aziraphale is even aware that there is more to what he wants. He lives in the Jane Austen fantasy and it never even occurs to him that he might be interested in anything further. It never even occurs to him that, as an angel, there is anything further to be interested in in the first place. Until Crowley forces it to occur to him. Just like I believe Nina forced Crowley to confront the idea that romantic love is what he's been feeling all along, I believe Crowley forced Aziraphale to confront the idea that physical intimacy is something he's been wanting, without even realising.

Aziraphale's Hedonism

Expanding on Aziraphale for a moment. We talked about his relationship with food, but we all know that Aziraphale is defined by his love of things that Feel Good.

It isn't just that he and Crowley love human things. Aziraphale loves the best of the best, or at least his version of it. He doesn't just love food, he loves going to fancy restaurants. He doesn't just love clothes, he loves soft, cosy, warm, plush clothes, or shiny, flashy, bougie fashion. He loves the warmth of tea and cocoa, loves getting drunk, and sitting in a comfy chair in the sunlight. He doesn't just experience, he indulges.

Given the emphasis put on things that Aziraphale loves just because they Feel Good, it feels narratively strange to assume that he wouldn't enjoy the feeling of being touched, or that he wouldn't be willing to try it, at least once, with someone he cared very deeply for. And just like the ox rib, I think that once he gets the first taste of things, he would absolutely tip over into complete and utter self-indulgence.

Dancing

I also think that dancing could be construed as a huge metaphor here. After all, we're told flat-out that angels don't Dance. Except one.

I would argue that Aziraphale, in fact, Made An Effort to learn how to Dance. He threw himself into the gavotte with delight (at a Victorian gay club; noted) and worked hard to be good at it. He's chomping at the bit to Dance with Crowley, working up the nerve to ask him with undeniably romantic intent and eagerness. So, angels don't Dance... unless they Make An Effort to do so.

We are told that demons, on the other hand, do Dance, but not well. Makes sense, since they're the ones who would want to encourage a deadly sin like lust, but have as little understanding of human love and physical intimacy as the angels. Crowley, however, is shown to be an excellent dancer at the ball, especially in his compatibility with Aziraphale.

(But Aziraphale WandaVisioned the ball so everyone knew how to dance! Yes, he did. However, the rest of the brainwashing doesn't seem to affect Crowley in any way, and they did actually live through the time period where this sort of dancing was a social norm; I'd be surprised if he never needed to learn. After all, the demons can't spell either, and Crowley is at least functionally literate, as far as we know.)

As of today, it's also been confirmed that when Aziraphale asked Crowley to dance, Crowley replied with "you don't dance." Not "WE don't dance". So going along with the metaphor, Crowley is just now discovering that Dancing is something Aziraphale is interested in at all, much less with him, and not denying that he himself is interested in Dancing. In his defense, I believe he was asleep for a few years while Aziraphale was learning the gavotte, so he wasn't exactly aware of Aziraphale's hot girl summer.

Love Languages

I want to expand on that; Crowley and Aziraphale's compatibility. Specifically in regards to their individual love languages.

We all know Crowley's love language is Acts of Service. I don't think there's any debate there. He loves it, Aziraphale loves it, they're both aware of it, we're all aware of it, God and Satan are aware of it, no surprise there.

You may disagree with me, but I believe Aziraphale's love language is Physical Touch, for a number of reasons. One of which being his aforementioned hedonism. Aziraphale likes things that Feel Good, remember? He likes soft clothes, and well-worn books. Neil himself has said that they like holding hands. And any time he is taken by surprise (Brielzebub getting together, the wave of love in Tadfield, etc.) what is the first thing he does? Reaches out for Crowley. He stops him with a hand to the chest in the pub. He leads him by the hand to the dance floor. He guides him by the waist in the graveyard. He reaches out during the entire Brielzebub scene, whether he can reach Crowley or not. Despite his own turmoil, he grasps at Crowley's back during the kiss.

The one time Crowley reaches out for him (not counting the kiss yet; we'll get there), he is aggressively pushed against a wall (by someone he loves and trusts) with a complete and utter lack of concern (and perhaps some interest, depending on how you read it).

And when he isn't reaching out for anyone, or there isn't anyone to reach out to? Well, he's wringing his own hands together, squeezing his own fingers, as if to find that physical comfort in himself.

So. With that theory in mind, we have Aziraphale (Physical Touch) + Crowley (Acts of Service). Throw in 6000+ years of deep love, cherished companionship, and forcibly repressed longing, and there is a very real potential of this combination resulting in fierce sexual compatibility. Where Aziraphale would want to touch and be touched, to indulge in physical pleasure with someone he adores, in the same the way he indulges in every other fine thing in his life. And where Crowley would want to indulge him in return, to give him everything he wants, and to take pleasure in Aziraphale's pleasure, in the same way he enjoys watching him take joy in food everything else.

So Aziraphale is an angel who is insecure about his own less-than-holy desires, who would want to treat Crowley like a luxury to be touched and cherished and adored. And Crowley is a demon who has, over the millennia, been unhappy about how they've been forced to deny even their friendship with each other, who would want Aziraphale to feel comfortable and safe and encouraged to indulge in earthly delights. That sounds like a stunning recipe for sexual compatibility to me.

"You said 'trust me'" / "And you did"

Just like the Job minisode, the Blitz is RIFE with symbolism (intentional or otherwise). This one will be quick, but I did want to touch on it because I thought it was interesting. Maybe I'm reaching at this point, but I'm assuming you read the tin.

First of all, Crowley not wanting to admit to never firing a gun before; comes off as someone who very much does not want to admit to their crush that they're a virgin ("You must have done this lots of times!" / "Umm.... yyyyyeah.")

(You could make the argument that Aziraphale having a firearms license and a Derringer in a hollowed-out book is symbolic of him not being a virgin while Crowley is. I disagree, for reasons I'll go into later, but it's a valid reading. However, I see it more like keeping a condom in your wallet; it's there in case you need it, but the opportunity has not yet risen no pun intended.)

More importantly, the theme of this entire minisode is trust. We already know they trust each other with their lives against the rest of Heaven, Hell, and the world. But specifically, this is about the importance of having complete trust in your partner in a charged, physically vulnerable, intimate moment, where the only danger is between the two of you.

Aziraphale needs to believe Crowley would never hurt him if he can help it. Crowley needs to trust Aziraphale's unwavering blind faith in him. Frankly, it all feels very symbolic of two people deeply in love losing their respective virginities with each other.

The trick is a success, and they share an intimate candlelit dinner in which they reaffirm their faith in each other. Aziraphale also begins to voice his agreement with Crowley, that maybe Heaven's rules shouldn't have to be as black and white as they are, and that there are benefits to... blurring the lines, shades of grey, wink wink (at which point even my mom was like, whoa guys, this is a family show).

Btw also: Can we all agree how much it looked like Crowley was getting ready to get a lapdance in that one scene? You know the one.

Also also: "Aim for my mouth"? Come on.

The Birds & The Bees

Now that I think of it, there's also something to be said for the fact that Crowley and Aziraphale are both obviously familiar with where babies come from (how they're made and how they're born) while the other angels aren't.

Something something Aziraphale and Crowley fundamentally understand sex and reproduction in a way the other angels (and probably demons) very much do not, nor have any desire to.

Probably not important. Just thought it was worth mentioning.

The Kiss™ & Religious Trauma

The Kiss. Where to even begin?

This has definitely been the hardest one to start, because there is so much going on here that I definitely won't be able to cover it all, and will certainly miss a few things here and there.

Aziraphale's reaction to the kiss afterwards is the most interesting to me. And I don't mean directly after, I don't mean the "I forgive you" part. I mean the way he touches his lips when Crowley is no longer in the room and he no longer needs to save face, when he is completely alone. Had it been directly after the kiss, it would have been rightfully read as horror, or disgust, a shield to discourage further action.

It's not. It isn't just a touch, it's a press. As desperate and angry and unexpected and imperfect as the kiss had been, Aziraphale is pressing it into himself, recreating the feeling as best he can. Beneath all the poor timing and shock and hurt from their fight and fallout, I think it's fair to say that it was something he enjoyed. Something he doesn't think he should enjoy, something that Feels Good that he only allows himself to indulge in when completely alone.

Remember, Aziraphale's idea of love is Jane Austen and gentleness and courtship and fantasy. If he'd ever even considered kissing an option, it might have been gentle pecks, cheek kisses, forehead kiss, hand kisses. Soft, safe, chaste affection.

Crowley's kiss turns all of that on its head. He introduces physical intimacy in a very real, very messy, very human way that I don't think Aziraphale ever even considered could apply to them. Considering what other angels are like and what they look down on, even Aziraphale's Jane Austen fantasies probably would have been considered taboo.

So for their first kiss to be rough and desperate and passionate in the way it was, of course he was confused and in shock. It was deeply physical, and as overwhelming and awful as it was in the moment, it Felt Good. Enough that he grasped at Crowley and kissed back, if only just for a moment, before stopping himself. Enough that he actively pressed it into his lips afterwards, in private, to remember.

I adore how Neil has decided to evolve these characters past the first book/season. More so in this season, Aziraphale and Crowley have both become such interesting allegories for queer people on either side of the spectrum of toxic religion. Aziraphale in particular obviously, because he is the side that so desperately wants to believe, to make a difference, and to unlearn all of the propaganda he's been fed over such a long time. Just like so much of organised religion, there is so much that he is told, time and time again, that he should not want, that he is silly or stupid or outright wrong for wanting. It reminds me so much of the severe Catholic guilt one might feel for wanting/engaging in sex for the first time, and the stigma of being queer layered on top of that.

What is so critical to Aziraphale's character is that he goes on wanting, and more than that, actively pursues. He was convinced to go up against Heaven and Hell and stop all of Armageddon because he wanted to go on listening to music and eating lunch and reading books and enjoying the simple company of the person he cares most deeply for, even if that person is supposed to be the enemy.

All this to say that if angels are as generally asexual/sex-averse as I believe them to be, narratively speaking, it would make sense for Aziraphale to be singular in that regard as well. Mirroring his first experience with food, it would make sense for Crowley to be the one to first introduce this new messy, physical, human dynamic between them, for Aziraphale to hesitate (obviously we are at the Hesitation phase at the moment), and then (eventually) for him to dive in wholeheartedly, to absolutely glut himself on this new thing that Feels Good. It would make sense for his character development to show him overcoming his metaphorical Catholic guilt and pursuing the sexual intimacy most (if not all) of the other angels would scorn.

(I can't help but remember that plot idea Neil described from the unwritten sequel, with Aziraphale in a hotel room trying to watch a full porno by way of the free 2-minute teaser clips so he wasn't technically sinning by paying for it. I so hope this is used in season 3, because gosh, I wonder why Aziraphale would suddenly be so interested in observing human physical intimacy after 6,000 years. Lonely and doing a little surreptitious research there, angel?)

Crowley, on the other hand, is the queer person who has broken free from his toxic religion. He prides himself on being his own person, on their his own side. He doesn't have the hang-ups Aziraphale does. He doesn't worry that he's going to be judged or cast aside for wanting things he's not supposed to. So it only makes sense for him to be the first one to suggest/initiate physical intimacy. It makes sense for him to be the one who "goes too fast" (another fantastic example of this dynamic beginning as early as s1; what is that conversation in the car meant to represent, if not Aziraphale being overwhelmed by the intensity of their relationship, and his fear of succumbing to it when he believes he shouldn't? It's also interesting that this is the first conversation to take place in Soho, just after watching Aziraphale realise he's caught feelings for a demon, with the red glow of lust serving as the backdrop).

Do I think the kiss in and of itself was sexual? No. I think it was a passionate and devastating last-ditch effort on Crowley's part to convey the way he feels for Aziraphale. Not just that he loves him, but that he loves him in the most human way possible. But I do think that the kiss represents how they can move forward from here, and what they might want to explore with each other once they feel free enough to do so.

In Conclusion

I am sure, deep in my bones (unless we are explicitly told otherwise), that this was both of their first kisses no, I'm not counting the gavotte, and that neither of them have ever thought to do anything else physical with the humans while they have been on Earth. Like I said before, they adore the human race and lifestyle in general, but ultimately view them as a separate species altogether, and they seem mostly happy to keep to themselves and each other, unless otherwise necessary. I just can't see either of them being drawn enough to a human to pursue anything close to sex. If Crowley in particular has had anything to do with sex in the context of temptations, I'm positive he would be inciting lust amongst the humans themselves, not involving himself directly. At least not that directly.

So, like every other human experience they've had on Earth, sex is something new that they could explore together, just the two of them, on their own side. A deeply intimate, tangible declaration of their love and everything they've gone through to earn it. A visceral finger to give both Heaven and Hell. A renewed appreciation for their corporations and for each other's. A enjoyable method for immortal beings to simply pass the time in each other's company. A new and exciting way to Feel Good, and all the variations that come with it.

You might agree with this post, or you might not. Whether this is something that is ever addressed or not, it doesn't matter to me. This is a brilliant love story either way, and I genuinely feel so privileged to witness it.

But I just can't find it in myself to imagine, given everything we know about these two characters, that sex isn't an experience they would both consume with wholehearted enthusiasm, curiosity, and profound, ineffable adoration.

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Bonus feature: the very silly notes I made to myself that inspired this post

[meme-the-frog]

Thanks @ato-dato for so delightful idea! It inspired me for a little comic.

My own little headcanon for this cute AU is that Crowley loves to express his feelings and emotions by the language of flowers. That's why I hid his eyes behind glasses. He knows much about that (so, definitely, he lied to Zira, when he said he has no idea about meaning of jasmine). And Crowley's boyfriend considers his hobby kinda ridiculous and stupid, because he doesn't understand it. But Aziraphale is always so excited about learning new things, especially things which Crowley is interested in. The florist finds it very charming.

Later that evening Aziraphale's gonna find out that jasmine is a symbol for purity, divinity, beauty and love.