#before the boy-who-lived

[wanologic]

and they were roommates

[malinaa]

if i think about the hunger games in peeta's perspective i WILL start sobbing

[cassandracain52]

Reverse trope

where instead of the Bats forgetting that they’re adopted (something actual adoptees do on occasion and is hilarious) they forget that some of them *cough Damian cough* aren’t

_______

Jason in the heat of a probably ridiculous argument: Yeah well YOU’RE adopted!

Tim just as invested in said argument: So are YOU! We all are!

Damian who had previously been quietly watching this unfold while he drank his tea: Actually I’m not

Tim and Jason who didn’t realize he was there but are already DoneTM: …… Damian continuing to sip his tea entirely unbothered: :)

Damian: Because I’m not an orphan-

Jason: ok, yoU KNOW WHAT-

____

or like in their group texts (that we know they have thanks to Nightwing (2016) #79)

*Steph changed the group chat name to “Bruce Wayne’s Personal Orpanage”*

Jason: Really?

Steph: ¯\_(ツ)_/¯

Steph: It’s the truth Damian: Both my parents are very much alive

Steph: Shhh you don’t count

Cass: Mine too Duke: Technically so are mine

Barbara: I still have a dad so there’s that

Steph: YOU GUYS ARE RUINING THE JOKE

Tim: Stephanie aren’t BOTH of your parents alive???

Steph: KNOW WHAT? FINE

*Steph changed the group chat name to “The Technicality Police”*

Tim: well that’s more accurate at least

Steph: :)

_____

Damian in his 10th argument with Tim of the day: That’s- this is-

Tim in full Antagonizing Big Brother mode: I’m listening

Damian -a Gen Z and best friend to Jon Kent- extremely frustrated: This is such Motherless behavior!

Tim taken aback: [voice cracking] W-what-?

Damian who didn’t mean to say that but doubling down anyway because his bloodline doesn’t believe in admitting mistakes: THIS! This is such Motherless behavior!

The rest of the family who is also motherless: :O

Cass whose been spending way too much time with Meme Queen Stephanie Brown and not involved in the argument but finding it entertaining regardless: [nodding along seriously] Facts

Tim: [visibly betrayed] CASS WHAT-

A video copy of the interaction gets sent out anonymously to the entire family. Barbara is the prime suspect but there is no proof as of yet (and they will never find any)

Steph, Cass, and Duke continue to respond “Motherless behavior” everytime one of the bats does something they deem questionable/insane. It is said often

It only stops when one night in the middle of patrol. Batman is in full Dark Knight mode (possibly in the middle of threatening someone) and descends from the ceiling into the middle of a warehouse drug deal, dark cape billowing out behind him-

and Steph just automatically whispers “Motherless behavior” forgetting her com was still very much on

She immediately realizes what she said and frantically apologizes but it’s too late.

Bruce just- Blue Screens. Completely stunned into silence

Dick -who was unfortunate enough to be the one teamed up with Batman tonight- is fighting for his life to choke back his laughter

Jason doesn’t even try to stop his and has collapsed to his knees from lack of air from how hard he’s laughing. Cass try’s half heartedly patting his back to help to no avail

The criminals are terrified into surrender from The Red Hood just laughing hysterically at seemingly nothing while Batman just Stands There

Damian ends up being the only one still functioning enough to continue arresting everyone, though he is privately amused and strangely proud

Tim and Barbara have saved both the com recordings and cowl footage to at least three different servers and sent it to absolutely everyone before Batman even recovers

Duke finds out second hand the next morning and is furious he missed the chance to see it in person. He declares he is moving to the nightshift so it doesn’t happen again. (He is all talk and goes to bed by 9 pm)

Bruce bans the phrase for life and promises swift and server punishment to anyone who dares to use it again

[viktorpartner]

Haven't been able to think about anything other than the victorian/edwardian/WW1 twink and his 80's punk almost-boyfriend for a week, send help

[ghostbsuter]

"Oh, fuck no." The door is slammed, unfortunately for him, the guy stuck his foot in the jamb and pushed it open again.

"C'mon luv!" Constantine smiles charmingly, not waiting for Danny and entering the apartment.

At least Batman, Nightwing and Spoiler had the patience to wait for him to invite them in. Sagging against the door, he beckoned them inside.

Despite the caution, Spoiler gleefully stepped in, looking around like a child in an amusement park— which might not be too far off.

His apartment is, with all its wards and enchantments, very magical inside than it is outside.

The planetary system of another world, used as light for the living room and for practice.

(Nightwing is careful with what he touches. He still remembers the hours they spent in Mumbo Jumbo's hat.)

Batman on the other hand is following Constantine and Danny to what he assumes to be the office, if the amount of magical stuff carelessly laying around means anything.

"Alright fucker, what are you doing here? And how did you even know I live in gotham?"

John had the audacity to look abashed, scratching the back of his head with a nervous chuckle.

"Something came up and you know Gotham doesn't like me. She is much more used to you and I wanted to introduce bats to you, in case of emergency."

The young adolence stares owlishly.

(How did Constantine expect him to act at the fact that he's trusting a magical situation into the hands of a stranger?

Batman isn't sure how good the boy even is!)

"That's incredible thoughtful of you Connie." Danny hums. "What did you lose for your sorry ass to come here?"

Spoiler snorts, petting a red salamander. "He didn't lose anything." She reassures with a wave, giving an exaggerated smile and raising her brows to show that she's finding it very amusing.

Constantine sputters.

"Ancient knows how Zatanna and Raven deal with him."

Nighteing perks up from the side where he'd looked over the books, some pixie fairies(?) fawning over him? "Raven? You know her?"

Danny suppresses another sigh.

[pastelchad]

I know it’s common for RE fans to lament the fact that Leon never got to live his dream of being a cop but I feel like he was going to have a severely rude awakening resulting in the loss of his innocence either way. His chief of police was a serial rapist and murderer who liked to taxidermy his victims’ bodies. In an AU where umbrella never existed and there’s no zombies he most likely would have been harassed/threatened off the force bc he tried to expose Irons.

[puppetmaster13u]

Prompt 139

So. Dan has somehow found a small child. A practically newly born ghostling who had literally fallen right on top of him. A ghostling who had practically formed right above him, far away from nurseries and instead above him of all ghosts? 

Him, the Sunkiller? The Worldeater? Jordan Vladimir FentonNightingale-Foley-Manson? Son of Space and War? Bringer of the End?? Seriously, what the hell! Ghostlings shouldn’t even be able to form within other ghost’s Lairs, and he knew for a fact this wasn’t his own ghostling seeing as he wasn’t interested in such things. 

So here Dan is, feeling more confused than he ever has with a newborn ghostling clinging to him and sobbing in his arms about wanting his dad. What even is his unlife right now.

[starry-bi-sky]

danny and officer martinez's relationship in "late at night, when the nightingale sings" in a nutshell:

Martinez: FREAK! GET YOUR FUCKING KID!

Battinson, on the other side of the crime scene: he don't bite

Martinez, with Nightingale firmly attached his arm, visibly biting him: YES HE DO!

*points at them* Danny is the Bugs Bunny to Martinez's Elmer Fudd.

Another Officer: i can't believe you're fighting with an actual twelve year old. Martinez: i swear to god that is not a twelve year old, that is a little hellion that crawled out of batman's shadow one dark and stormy night and decided to dedicate his existence to tormenting me. Officer: Are you really that mad about him putting a sticky note on your back-- Martinez: thats not the point

in danny's defense: the word "freak" is. a mini beserker button for him for.... obvious ghostly reasons, so like, even if its not directed at him, he still very much unappreciates Martinez's insults at Battinson. Danny may or may not be projecting.

he's not going to hurt the guy! not in any serious or permanently disfiguring way at least! But he is going to leave mean sticky notes on the square part of his spine that he can't reach, and stick salt in his 3AM Late Night Crime Scene Coffee, and kick the bottom of his heel while he's walking so he stumbles. And other petty, infuriating things that tally up and boil over, over time.

[b4kuch1n]

simulated earth (it does not matter)

transcript

[pettyprocrastination]

whoever this beloved anon was I am so touched by your kindness! You definitely didn’t have to do this but I am so happy you enjoy this idea and I will happily expand upon it for you!

this is just a collection of word vomit bullet points for the time being but I will happily answer any and all questions about this pair!!

warnings: violence, angst, child death (Sarah Miller), foul language, the same warnings that apply to tlou, reader is Sarah's mom and described as having similar features to her. 

So the general Idea is that you and Joel are happily married before the outbreak. 

You had been Sarah's mother, his high school sweetheart he got pregnant when neither of you were old enough to have any reaction to the pregnancy test other than a fucking panic attack in one another’s arms. but you made it work 

you both worked but made time for one another and your sweet girl, going to museums every other weekend and joel insisting on swooping you off for a date every now and then 

nothing special. He knows you’re more of a diner gal than anything too fancy that makes you both feel out of place. 

On his birthday in 2003, you had planned to tell him that you were pregnant again. But the memories of your own fears of motherhood from all those years ago begin to swirl through your head again and you get cold feel. deciding to tell him the morning after

it is his birthday afterall, you want to focus on him. 

but when you’re woken up in the middle of the night because tommy needs to get bailed out, Joel kisses you sweetly one last time before promising he’ll be back and you can’t shake the feeling that something bad is happening. 

its you that shakes sarah awake that night. shouting at her to put on her shoes when she’s still rubbing the sleep from her eyes because you’ve been listening to the radio for the past two hours, calling joel again and again and again praying for him to fucking pick up but to no avail. 

Sarah, bless your little girl’s bleeding heart is the one who insists you check on the adler’s against your better suspicions and when you find the eldest looming over her daughter, blood and sinew dripping from her mouth, you grab your daughter hand and burst into a full sprint until something slams into your back and sends you tumbling onto their front lawn

its how joel finds you, struggling to keep the once sweet old woman, whose now nothing more than dead eyes and gnashing teeth straining to snap at your pulse point as you push against her while sarah shrieks before your husband runs forward and cracks her skull with a wrench. 

there’s hardly a moment of pause, just enough for him to pull you up and into his arms before he’s ushering you both into the car with an urgency. 

when the truck crashes, you get separated from them. Perhaps at Tommy’s side when the flames rise and create a wall, separating you from your husband, or maybe pulled into the mob of chaos when trying to escape from those already infected-

all joel knows is that you promise you’ll find him: just get sarah to safety and you’ll meet him at the river

Poor thing is already so frightened, held in her father’s arms with tears streaming down her face insisting they can’t leave you they just can’t but her father kisses her forehead and reassures her its going to be okay 

“we just need to be brave, okay babygirl? Your mama’s real tough, she’s gonna be alright.” 

he isn’t sure if he’s saying it to his daughter or himself. 

but when he comes to the river you aren’t there. Only a soldier who points a gun at the scared little girl in his arms and then he loses everything

its when the light is gone from his daughter’s eyes that he realizes. His voice cracked and raw from sobbing that he looks around to see his brother with drawn in shoulders and tears in his eyes but his wife is nowhere to be found. 

Tommy says you got lost in the chaos. Everything was so loud, so sudden that he turned around and suddenly you weren’t there. 

Joel wants to go back but its Tommy that stops him, that dulls the red in his vision to a sad faded pink because his brother points at the orange horizon not too far from them, so much of the city is already in flames. 

“We’re gonna find her, but not there.” 

So Joel searches. for the first year spent in the world post-outbreak its all he did. 

He became a smuggler because of it. 

Information came at a price and he needed to be able to fucking pay it, whether it be in blood or ration cards. He was willing to do anything to find you or any thin thread that lead your way. 

But it’s Tommy that asks him to give up. Not in those words of course. 

The youngest Miller knows better than to say something so cruel that would make his brother, the only person he has in this world turn on him. 

But his voice is worried when he asks him one night in Boston when he hasn’t even had the chance to wash the blood from his knuckles 

“You think she would have wanted this for you?” 

the fight that followed his words was brutal. Vicious insults and scarred fists slamming against each brother until they're both too tired and bloody to continue. Each leaning against a wall for support and Tommy’s wavering voice breaking the silence. 

“I don’t know where she is, Joel. But I do know you're gonna get yourself killed if you keep lookin’ for her.” 

All he can do is nod. 

It’s a few days later when he meets Tess. Who has heard plenty of stories about the elder miller’s brutality and wants him to put that muscle to good use for some extra profit. 

It begins his new life. One that empty and cold but one he can live. 

Until of course, Ellie comes along. The sweet and incredibly opinionated girl that makes him become something akin to the man he thought died twenty years ago. 

its when he’s traveling with Ellie, that it happens. When a warm familiarity has settled between the two because so much blood and pain has been shared he can’t help but see her as something close, something bright even though all he can force himself to utter in her reference is “cargo” 

when theyre traveling through the woods as Ellie chatters away, probing his memory about a movie that may or may not have existed thirty years ago because her descriptions of the plot are incredibly odd he hears a voice shout for them to stop and finds himself staring at a man- no, a boy- pointing a gun at them. 

Ellie stills, but Joel can see enough to know that from the lanky figure and dimpled face that he’s young. Maybe twenty, twenty-two at the oldest, but his eyes dart from Joel to Ellie with a pinprick of fear that allows Joel the time to charge forward and slam him to the ground before wrestling the gun from his hands. 

He has enough to time to tuck it under the stranger’s chin before he hears the sound of the safety being turned off and finds himself looking up and seeing a gun just inches from his face. 

Joel’s head whips around when Ellie’s voice calls out his name in fear, he turns to see another stranger holding her a gun point, shoulders drawn back and a shadow cast over their face by the had obstructing their identity. 

“You hurt one of mine, I hurt one of yours. That a fair deal?” 

Its takes him a moment to recognize you. It’s been so long since he’s heard your voice, the sweet tease when you would poke at him each time he woke up late despite the fact that you reminded him to set his alarm the night before, the times you’d chide him with a harsh “Joel Miller!” whispered in public anytime he was able to grab you a bit too passionately to be appropriate in public but the laughter in your voice let him know you were never truly mad at him. You didn’t know how to be. 

But that sweetness is buried under a cold rasp that cuts through the air as you point a rifle at the scared little girl in front of you.

“You think I won’t?” You’re older now, skin covered in scars from a life he didn’t know you got the chance to live and your eyes are cold as they regard your husband. “Put the gun down and get the fuck off of him, I won’t repeat myself.” 

Joel mumbles your name in awe. The woman he loved, the woman he mourned the one he fought so hard to find stands before him like some sort of hallucination and suddenly the world feels like its spinning until you bark orders at him again. 

“You’ve got five seconds Joel, make a fucking choice before I make it for you.” 

He looks down and realizes the boy under him, the one with the bleeding nose and snarling face has your eyes and his dimples. 

“One.” 

The one above him has Sarah’s hair. Soft brown curls that shine under the sun. 

“Two”

Wait. No, they both do.

“Three.” 

Twins. Jesus fucking Christ you had twins. 

“Four.” 

Joel holds the rifle up above his head and the one boy standing snatches it from his grasp, tossing it to the ground and kicking it far from his reach. He slowly stands, allowing your son- dear god your son- to scramble to his feet. 

Your voice softens just for a moment. “You okay, Duke?” 

Blood stains the bottom half of his face from where Joel slammed his fist into the boy’s nose just moments before, but he nods nonetheless. 

Now, they both stand on one side of you and he can see the resemblance clear as day the same way he would whenever Sarah was by your side.

When you order him to hand over his bag, he does so without question before telling Ellie to do the same. 

She watches him with wide eyes, her hands still up in the air but gaping at her companion as if he had grown a second head. 

“Joel!” “Just do it, alright?”

He doesn’t miss the way you watch their interaction with narrowed eyes until she tosses her bag to you and you slowly lower your gun. 

“Now, you want to tell me what the fuck you think you’re doin’ at my home?” 

[itzrafee]

A thing on Uran and Helena in Pluto

Okay a short little thing on Pluto. Uran and Helena are my absolute favourite characters in Pluto. Urasawa has always had amazing side characters, from Mr. Rosso in Monster to Lee Harvey Oswald and Jackie in Billy Bat to God in 20th Century Boys, but very few have tied off the emotional ends of the story like Uran and Helena.

Maybe I'm projecting here but much like myself I feel like Urasawa is absolutely obsessed with Frankenstein. And he recognizes the influence Frankenstein has on Dr. Umataro Tenma. Or at the very least, the similarities between the two. And so when he made the protagonist of one of his most popular works Monster, Dr Kenzo Tenma, he solidified that connection. Kenzo Tenma calls back to Victor Frankenstein needing to end his creation while also calling back to Japan's other famous Tenma, thus making the connection explicit. Another throughline between the three of them is that all three are father figures to their creations and have obligations to their children, though all three have varying levels of success with them.

I've only read what I like to call Urasawa's "Core Four", conspiracy minded thrillers that are essentially road trips featuring usually two main protagonists that we see the world through, Monster, 20th Century Boys, Pluto and Billy Bat. Though I still haven't caught up to Asadora and that could still possibly fit this mold, Urasawa's Core Four share a lot of themes and ideas. One of the most important being the responsibility for one's creations, whether it was Kenji Endo and the Book of Prophecy or Kevin Yamagata and Billy Bat or Dr. Kenzo Tenma and Johan, all of his protagonists could arguably be seen as someone with the need to take up the responsibility of their creations. So where do the protagonists of Pluto fit in there? That's where Uran and Helena come in.

But first, we should take a look at Pluto's themes. While I could be wrong, at a cursory glance, I feel like the general consensus towards it's themes is that it's about hatred. I don't really think that's what it is as I feel like Urasawa is more trying to show us what it is to be human and what it is to be alive. And in that, he has a hidden protagonist in Pluto. Someone who's influence snakes through the plot and isn't seen much, but without who the story's themes would remain incomplete. Pluto tackles what it is to be alive through many things, such as memory, sadness, grief, hatred, love and parenthood. But none of that works without the realization by Tenma of his own mistakes. And Uran and Helena bookend these revelations and are absolutley key to understanding that.

In my favourite chapter of the series, Chapter 37, Uran goes from person to person as she finds a way to deal with her grief and eventually comes across Tobio's grave, Tenma having left recently. It's an absolutely beautiful chapter that shows Uran's humanity and Urasawa's love for sharing these kind and soft moments. But it also sheds a light on Tenma as Uran realizes someone who was grieving has just left. Without saying much at all we realize that Tenma has finally realized his mistakes. In the process of grieving one son, he lost the other. While remembering Tobio, he let Atom go. His grief towards Tobio is clear in the following chapter, Chapter 38. All of the things he wanted Atom to be; Tobio come back to life, Tobio's ghost punishing him, Atom rejected. And Tenma could only see that rejection, and not what he had, another son.

Uran shows us very clearly what Pluto, the story, is. It's a chapter in their lives. And we've come into a story nearing the end for Tenma. And it's through the humanity of two absolutely amazing characters in their own right, Uran and Helena, that we are able to so fully understand Tenma. Despite being robots, these two characters are the most alive of everyone. They love fully and freely and are catalysts of change. Uran's vibrant and full of life in a way that really sticks out. And Helena has such depth that it's evident in every scene she's in. She's not pointed out to be made by any famous scientist so all the life she has is her own. These two represent the life of robot's more than any other characters in the series.

So it's that much more poignant when Helena finally breaks down after putting on such a strong front of everybody. Grief intersects and she brings out Tenma's sadness as well. They've both been putting up such strong fronts that it's heartbreaking to see them collapse. It completes Tenma's growth and strikes a heartbreaking contrast between the two. Tenma became the way he is through the loss of his son whereas Helena doesn't even get to remember her own loss. It makes you wonder if the grief for her and Geischt's child compounds her sorrow too.

Without these two and their grief, a large part of Pluto becomes inaccessible. Pluto is largely about death so when two characters come in who've never had a hand in the grim work of taking life, you see the world through a lens that's absolutely crucial in order to fully connect with all of the character's and their situations. Death and Grief has scarred the characters in Pluto. Time and time again they've chosen the worst path. They've chosen revenge and hatred. But Uran and Helena are different. Without them, the story is incomplete. They provide an alternative. They provide the path towards healing.

im sorry for this one:

[merakiui]

breaking news: my third eye is open again and i'm falling for lilia and his charms.

[ceramicwings]

[gai-sucks-titties-in-my-basement]

People criticize the Itachi reveal often because I think they have it in their heads that the Uchiha somehow had a chance of survival in a war, when Kishimoto intentionally shows us that the Uchiha failed a war before to a much less powerful and all encompassing opponent. Because the Uchiha aren’t built for war, they are built for love. Itachi made the only decision he could that would guarantee the life of Sasuke Uchiha would be spared. The point of Sasukes character is that he was always loved. His path of darkness does not exist. His revenge is not against a random act of cruelty on him, isolate him, victimized because he is unloved, but a battle for a bloodline that was declared dead the moment Madara conceded. The Itachi reveal is not to “redeem” Itachi its to let us know that the core of Sasukes character was never darkness, but love.

[ranarenee]

I'm allergic to colors and I have bunny disease.

[naamahdarling]

Augh