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Top 6 Epic Mickey Characters

Today is the release of the new “Rebrushed” Edition of a game I loved a ton growing up: “Epic Mickey.” I was OBSESSED with this game when it came out way back in 2010, and at the time it came out, it was treated as a big deal! There was a ton of merchandising and advertisement for this title, more so than you would get for most Disney games, and it’s not hard to see why: the game promised to provide a different kind of adventure for Mickey Mouse, with a darker tone and a focus on more obscure Disney characters and old cartoons. Nowadays, in hindsight, I feel the game could have gone even further than it did (and, apparently, the creators WANTED it to go further than it did, but either due to budget constraints, corporate meddling, or a bit of both, they couldn’t), but I still have a huge soft spot for it. It’s probably my favorite thing to feature Mickey Mouse as a heroic character, and it still has a notable cult following. Ironically for a game that focused on the obscure and the forgotten, the game itself sort of faded into obscurity for a while; despite the release of two sequels (namely a console follow-up called “Power of Two,” and a portable spin-off called “Power of Illusion”), the franchise sort of fizzled out pretty quickly, and for a long time it was seen as naught but an unusual footnote in the history of Disney and its presence in gaming. To celebrate the return of this game to store shelves (and, I believe, online distribution), I decided to do a quick rundown of my Top 6 characters from the games. Why Top 6, you may ask? Simple: because after six, it all gets kerbobbled. It’s harder for me to choose and rank characters beyond that point, simply because who I favor among them changes depending on my mood and how recently I’ve revisited portions of the game. My Top 6, however, have consistently been my Top 6 - both in terms of choices and ranking - pretty much from day one, and I don’t think will ever change, so they’re the ones I feel most comfortable discussing. Also, I’m going to attempt to avoid spoilers with this list, so I’m going to keep focused as much as possible on the first game, with less emphasis on the sequels. (Fortunately, all six characters appear in the first game, though some of the Honorable Mentions are from later titles.) I'll also try to avoid giving away too many of the twists in the plot, for those who will be playing Epic Mickey for the first time via this Rebrushed Edition. With that said, let’s dive into the Wasteland! These are My Top 6 Favorite Characters from Epic Mickey!
6. Pete.
What many people may not realize about Mickey’s famed arch-enemy is that Pete is actually the single longest-lasting recurring Disney character in history. Pete doesn’t just predate Mickey himself, he even predates Oswald the Lucky Rabbit: the character first showed up as a recurring villain in the silent animation/live-action hybrid “Alice Comedies,” with his first appearance dating back to 1925. That’s a whole three years before Mickey, and two years before Oswald! It’s therefore not entirely surprising to see Pete in the Wasteland, especially since the character has had so many different guises and roles throughout his long history…a fact that Epic Mickey takes humorous advantage of. You see, there isn’t just ONE Pete in the Epic Mickey universe. Oh, no. There are no less than FOUR. “Pete Prime” (the one picture here) is Big Bad Pete, who appears to be the town sheriff of Mean Street. Next there’s Small Pete, who lives in the Gremlin Village and is comically dressed up like a little Dutch girl doll. Then there’s Petetronic, who is basically what you’d get if Pete cosplayed as Commander Sark and is the head of Tomorrow City. Finally, there’s Pete Pan: a parody of Peter Pan who flies around Ventureland, mostly spending his time annoying the Wasteland’s version of Captain Hook. Interestingly, most of these Petes seem to be relatively nice characters, rather than real menaces to toon society…but be careful: a character with such a long and checkered past may not always be trustworthy.
5. Gremlin Gus.
Of all the characters left stranded and forgotten in the Wasteland, the Gremlins are easily the most obscure of the bunch. The characters were conceived in the mind of Roald Dahl - the author best known for his works of children’s literature, such as “The BFG” and “Charlie and the Chocolate Factory.” Dahl wrote a story simply called “The Gremlins” that was going to be transformed into a Disney movie…but for various reasons, the film never came to pass. The book itself has fallen into utter obscurity, and the scrapped project is largely unknown by even the most ardent Disney fans: I, myself, only knew of the Gremlins prior to Epic Mickey because of a paper ad for a re-release of the book in the early 2000s. In “Epic Mickey,” however, the Gremlins are a major part of the universe: since the movie was never really a thing, and the book is so little-known nowadays, the creators of the game were able to create their own twist on the Gremlins unique to this world. They are essentially the custodians of the Wasteland, performing a variety of jobs and services to keep the place ship-shape. The most prominent of them all is their leader, Gus. Gremlin Gus is a sort of “Papa Smurf” figure for the Gremlins, and acts as Mickey’s guide through the games, providing bits of advice and various hints along the rodent’s journey. Think of him along the lines of the Cheshire Cat from the American McGee’s Alice games, or one of Link’s many companions (such as Navi, Midna, or Fi) from The Legend of Zelda. In the first game, the vocal effects for Gremlin Gus were provided by veteran voice actor Bob Joles. In “Power of Two,” Gus was given a proper speaking voice, provided by none other than the Dread Pirate Roberts himself, Cary Elwes…and I can’t help but think such casting is why they perhaps gave Gus a few TOO MANY lines in the sequel, buuut that’s another story for another time.
4. Mickey Mouse.
I debated whether or not to give Mickey a place in the ranks of his own, for various reasons, but after some deliberation…yeah. I think he’s earned it in this case. As I said in the preamble, this is probably my favorite thing made to feature Mickey himself, and Mickey is part of that. This is one of those rare occasions where the premise of the story largely results from Mickey’s own actions and inactions, rather than the machinations of some other scoundrel: it is due to Mickey’s own foolery that the Phantom Blot and the Thinner Disaster are created. It is due to Mickey’s popularity that Oswald and several other characters in the Wasteland are forgotten to begin with. Now, Mickey has to essentially remember and salvage the very things that are in ruin because of him. The game plays around with this idea of saving and destroying through its chief mechanic: the magic paintbrush Mickey uses can destroy things by shooting streams of hyper-acidic thinner, or create through use of an enchanted paint. Different obstacles can be overcome by different uses of the two tools, and some can be dealt with in multiple ways: choice is a key factor of Mickey’s story, as well as the player. Originally, the game makers wanted to go even further with this idea, with the player’s decisions making Mickey more good or more evil throughout the story, but while the final result may be toned down from their initial schemes, I think it still works brilliantly. Mickey is still the fun-loving hero we all recognize, but there’s that little bit of mischief and extra depth to the character present because of this idea of choice and the way he’s depicted. The sequels continued these ideas, with choice remaining a major part of the story in “Power of Two” once more, and paint and thinner still being equally useful in “Power of Illusion.” Bottom line: move over, Kingdom Hearts. THIS is how you make Disney’s most recognizable rodent into an action-ready gaming star.
3. The Phantom Blot.
This character is the main antagonist of the original Epic Mickey, and has been referred to by multiple names: Shadow Blot, Storm Blot, King Blot, or simply “The Blot.” Whatever you call this character, I’ll always refer to him as “The Phantom Blot,” since that is who the character basically is meant to be. In Disney comics and cartoons, the Blot has been an enemy of Mickey Mouse for many years - dating back to the 1940s, in fact. Typically, he’s depicted as a campy supervillain; a costumed criminal mastermind garbed in an inky cloak and cowl. However, in “Epic Mickey,” the Blot is reimagined as something far more monstrous: a creature made of ink, accidentally formed by Mickey when he meddled with some magic in Yen Sid’s workshop, the Blot is the cause of all the misery going on in the Wasteland. This Blot eventually turns out to be bigger than a castle, and able to send out swarms of “bloticles” to literally drain the life from the Wasteland. The Blot is intelligent, but not complex: he has no purpose other than to destroy, and longs to take Mickey’s heart, since only toons with hearts can leave the Wasteland. With that power, he can venture forth and continue to devour other worlds of their energy and life. I had heard of the Phantom Blot before Epic Mickey, but I really didn’t know much about the character: this radical reinvention, for a kid, was quite the introduction. And while I’ve since looked into the ACTUAL Phantom Blot and found great joy in his exploits, I still enjoy this reimagining. In my opinion, the Blot is one of the best video game villains of all time; more a force of cruel nature than anything else, he is a terrifying beast few players will ever forget.
2. The Mad Doctor.
So, here’s something interesting to note: out of all the “forgotten” characters featured in Epic Mickey, I actually knew almost all of them when the game came out. Some of them I knew pretty well, others I didn’t but I had at least heard of before the game’s release. The one exception to this rule was this guy: the Mad Doctor. The Doc was the titular antagonist of the Mickey Mouse cartoon “The Mad Doctor” from 1933 - one of the few Disney cartoons that’s actually managed to fall into the public domain. Many consider it to be one of the darkest Mickey cartoons ever made, and in “Epic Mickey,” the infamous mad scientist has not mellowed much with age. It’s explained that the Mad Doctor, when he first came to the Wasteland, was seemingly a friendly figure, and became an ally to Oswald. He was considered one of Oswald’s best friends, in fact. However, it’s ultimately revealed that the Mad Doctor was always just as wicked as he was in the cartoon; biding his time till he could make a grab for power. When the Blot came to the Wasteland, in the wake of the Thinner Disaster, the Mad Doctor turned on the good people of the kingdom, creating an army of cartoon cyborgs called “Beetleworx” (part toon, part machine) to help conquer everything. There’s a lot more I could say about the Mad Doctor that makes him interesting - especially in regards to the sequel games and a few twists in the launch title - but since I’m trying to avoid spoilers, I think it’s best I save a lot of that for another time. Suffice it to say, this was a great introduction to a great villain and a great cartoon, and I’m glad that Epic Mickey was able to give a little bit more attention to the Mad Doctor for modern audiences.
1. Oswald the Lucky Rabbit.
Oswald was the main reason I got so interested in Epic Mickey so long ago, and was, in fact, more or less the reason the game happened to begin with. One of Walt Disney’s earliest creations, Oswald - who was the inspiration for not only Mickey himself, but also Bugs Bunny of WB fame in real-life - was the world’s first major cartoon star. After copyright issues led to Walt Disney breaking away from Universal Studios, and forming his own company, Oswald rapidly declined in popularity, and eventually pretty much vanished off the face of the Earth. In the real world, when Disney bought the rights to Oswald back from Universal many years later, this immediately transitioned into using him in a big (marketable) way, which led to the idea of Epic Mickey. Warren Spector (head of the team behind the game) became interested the instant Oswald was mentioned, being a huge animation buff, and as production went on, Oswald became a richer and richer character. In early concepts of the game’s story, he was actually going to be one of the main villains of the story, but by the time the game came out, he had transformed into the secondary protagonist. In the fictional story of the games, Oswald is the ruler of the Wasteland…but unlike others who are more or less happy with their existence, Oswald’s feelings of dejection have steadily consumed him. He is portrayed as Mickey Mouse’s long-lost brother; he resents the fame and fortune Mickey got, while he was basically left to rot. He is so obsessed that he creates a place called Mickeyjunk Mountain, where he spends countless hours brooding over his failures and his lost family, surrounded by remnants of Mickey’s fame that span decades; everything from bubble gum machines to NES game cartridges. The adventure in the Wasteland gives Mickey a chance to not only connect with his past and save the world, but to reconnect with and save Oswald, too. It’s the relationship between Oswald and Mickey, beyond all else, that makes the games so powerful, and Frank Welker - who provided Oswald’s vocal effects/voice in all the games - gives probably one of my favorite performances in his entire career. And keep in mind, this is the guy who played characters like Megatron, Garfield, Mr. Mxyzptlk, Fred AND Scooby from various takes on Scooby-Doo, and more “creature voices” than you can shake a stick at. To call this among his best is saying a LOT. For both his fictional prominence and historical significance, it’s no surprise that I name Oswald the Lucky Rabbit as My Favorite Epic Mickey Character. Case closed.
HONORABLE MENTIONS INCLUDE…
The Three Little Pigs.
Horace Horsecollar.
Gremlin Prescott.
Clarabelle Cow.
Captain Hook.
#list#countdown#favorites#best#top 6#disney#epic mickey#mickey mouse#characters#video games#epic mickey rebrushed#oswald the lucky rabbit#the mad doctor#phantom blot#pete#gremlin gus
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remember when halloween 2018 (or as i like to call it, halloween h40) came out and people were making those flowchart-style diagrams explaining the various halloween timelines? i like when people try to do that for the texas chainsaw massacre series because it is a fool's errand. you cannot divide that series into distinct specific continuities because there aren't any. there's a good argument to be made that every single film in that series takes place in its own completely separate timeline because it so often does not bother to meaningfully connect them beyond the single recurring character of leatherface.
i've mentioned before that tcm2 is my favorite sequel and the only one i actually like and will accept as a canon sequel to the original film, and part of that is because despite the complete 180 in tone it does, it's the only one that bothers at all to be a sequel. i think it's the only one that makes sense as a continuation of the first movie - the only glaring continuity errors are confined to the opening scroll text, which you can take or leave as part of the films' canon. (by this i mean the first movie's opening implies that the sawyers' crimes were discovered after sally's escape, while the second film explicitly says no evidence was found. also it retcons sally's last name to be "hardesty-enright" instead of just making lefty's last name also hardesty, for whatever reason.) there's one newly introduced member of the family but you can infer why he wasn't there in the first movie, and the one who isn't there this time has a good reason to be absent (he's died.) one of the main characters in this movie is a relative of the first film's final girl and his involvement in the plot is explicitly connected to what happened to his niece and nephew. the events of the first movie clearly happened in this universe. low bar, i know.
this could be attributed to this being the only sequel also directed by tobe hooper, although the original film's screenwriter did not return, and him having more of a vested interest in continuing the story of his own work. most of the original film's cast did not return for this one (can't say i blame them), but they work with that pretty well. i do think the film ends in a way that pretty decisively puts the brakes on any possible continuation from there, which could be attributed to hooper not really wanting to do a sequel in the first place and trying not to get asked back for another one. (i agree this was not a film that should ever have had sequels, much less become a full-on franchise. but you can tell that upon having to do it they were just like fuck it, let's have fun. hence the tone.) not that that stopped the studios from valiantly trying again and again to profit off of this title.
which might explain why the later sequels are so particularly weird. they don't really have a lot to go off of, i guess. i think part of the problem is that this is one of the few slasher films where the villain is actually a group of people, not a single recurring killer or identity various killers take up. they do have a silent, masked slasher who can be played by whichever new stunt guy you get for each film, but what about the rest of the family? it's always felt important to me that there isn't anyone outside of this isolated little unit in the first movie, but sequels keep inventing totally new characters out of nowhere with no explanation as to where they've been in previous installments. doesn't matter - we're in a new continuity now. tcm3 does not logically follow in any real way from tcm2 or tcm1. it's not a sequel despite the number in the title. it's a reboot.
(i've kind of come around on tcm4 aka tcm: the next generation. i used to think it was the worst sequel but now i think i get what it's trying to do a little better, although it is a pretty stupid movie in a lot of ways. some people have described tcm2 as a deliberate parody of the first film but i think that applies way better to the next generation, seeing how it follows a lot of the same plot beats but done in a more outlandish and parodic way. also, hey: same screenwriter as the original, returning this time as director.)
then the remake made a shit ton of money and kickstarted a new direction for 2000s horror (great. thanks for that.) and got a prequel that also actually made sense as existing in the same continuity as the film it was a prequel to. (again it probably really helped that they were able to get most of the cast back. no need to invent new family members when you still have all the same people playing them.) then in 2013 we got a sequel that promised to Finally be a Direct sequel to the original movie and...it made no sense as one. they try to pick up right where the original left off but right away there are once again a whole bunch of new characters who definitely weren't there in the first movie suddenly appearing in the house, including a baby whose existence is crucial to the plot.
(i'm sure everyone knows about the bizarre timeline decisions of this one, namely the main character ostensibly having been born in the same year as the events of tcm1 but only being about 18 years old during the main events of texas chainsaw 3d, despite it seeming to take place in the modern day. however there is an explanation for that! originally the film was supposed to take place in the early 90s when a character born in 1973 would have been that age, but studio meddling forced them to reshoot it to be 2013. you might notice that any mention or depiction of the exact year the opening scene takes place seems conveniently obscured in this film, implying that it is yet another alternate timeline where the events of tcm1 occurred sometime in the 1990s. this also serves as further demonstration that 1. studio executives are the dumbest people alive, and 2. people really don't care that much about the first movie. more on that later.)
leatherface 2017 is an attempt at a prequel that also makes little to no sense as a backstory for its titular character; i wouldn't be surprised if it started out as an original screenplay that got retrofitted into a tcm movie. there are no new sawyer relatives invented for this film (i don't think), but it does seem strangely insistent on keeping its leatherface away from the family for as much of the film as possible, making it feel especially like it didn't actually want to be a tcm movie. (the twist of the titular character's identity is clearly meant primarily to be surprising and not to make sense, but i can only say: there's no way that the original film's leatherface grew up apart from his birth family for that long and also used to be a "normal"-by-neurotypical-standards, verbal kid. different continuity.)
then in 2022 we get yet another attempt at No Guys Seriously For Real, This is a Direct Sequel to the First Movie, and i should have known things weren't looking good when it was announced this was actually getting dumped on netflix in february but my expectations plummeted to rock bottom when that teaser came out that thought the most relevant part of the movie to sell to people was a "canceled" joke. jesus. tcm:tng i'm sorry, this is the clear worst sequel. (if it was just that one dumb joke it might not be, but there's so much more that's awful in this movie - whatever.) anyway continuity-wise i guess this isn't completely disconnected, there is clear acknowledgement that the events of the first movie happened, but it's really not relevant to the main plot at all, when you get right down to it. pro tip: if a slasher sequel advertises the return of the original film's final girl, she will most likely not be in the film for more than five minutes. there's some implied backstory about leatherface running away to this neighboring town and being taken in by the lady who runs the orphanage, but honestly this could easily be yet another different continuity where leatherface is the adopted son of a kindly old lady (who still has a confederate flag in her window, jfc, i think this is the first time that imagery has ever been used in this series and it's associated with a character who's supposed to be sympathetic??) who was keeping a lid on his murderous tendencies before she died. points for effort i guess but i don't think it deserves much.
i really don't know why this series in particular is like this. most horror franchises will have their movies clearly follow each other and exist within the same continuity, sometimes with a reboot or two if they've gone on long enough (see: halloween having at least three different timelines, but all clearly branching from the same source.) if it's supposed to be an anthology series, they'll just...say that. i've heard it said that this series works best when viewed as variations on a theme, like the original film's events are an urban legend of sorts being told and retold around the campfire and every version is different because everyone remembers it differently or makes up their own. i do like that and think it makes the franchise make more sense but i know most people watching these movies aren't thinking about it like that, they're thinking of them all as sequels to the same movie, with the remake and its prequel being the only ones clearly existing in their own separate continuity.
it's a little sad to see how no one making official movies in the series seems to really care that much about the ostensible source material. maybe i'm biased because it's the film my brain latched onto the hardest when i started really getting into horror, but i think this movie is so interesting and there's so much there to explore with the little we're given about these characters and their dynamics and what they do and why they do it, and even if you can't really dive into all that in a movie you could at least use what's already there for your sequel and most of them just...don't. like they don't seem to have watched the original movie even before writing a sequel to it, just going off their own vague memories about that one scary movie about a guy with a human skin mask and a chainsaw. i know i shouldn't be expecting any more from a slasher franchise on its 9th installment but...whatever. it is what it is. this was never supposed to be a franchise in the first place. at least i can shout into the void about my thoughts and feelings on here.
(i think i read somewhere that the filmmakers were actually forbidden from referencing cannibalism in the script for texas chainsaw 3d and if that's true...oh boy. talk about missing the point. if you feel like something significant is missing in the later films in this series that's probably part of it.)
#texas chainsaw massacre#tcm#my thoughts#REALLY sorry about how long my original posts keep getting#i just have a lot to say and this is the only place i can share it#and tonight you're getting rambling about the tcm movies' continuity or lack thereof and why it bothers me so much#i know a lot of people don't like tcm2 that much and don't think it works as a sequel and i understand why#but it's still putting a lot more effort into being one than any other sequel in the series#fwiw i do appreciate texas chainsaw 3d as a dumb fun movie in its own right.#someone said that it works best when viewed as someone's self-insert wattpad fanfic written by an edgy 13-year-old#who doesn't care about logical consistency or getting details right as much as their oc who is friends with their slasher fave#and i fully agree.#(texas chainsaw 3d and leatherface 2017 are the kinds of movies that aggravate me because of how easily i think i could do better#with what they're trying to do. i could fix this. please. why wouldn't you go with the obvious better ways to execute these ideas)
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GASP! Could it really be? The lost season 4 of Xiaolin Showdown is finally being released to the public! OH I am SEATED 🍿🍿🍿🍿🍿🍿
Kicking off the season with another 🤝👫team-building exercise👥🧑🤝🧑 from Master Fung, how classic! A lot of those in the show itself, so the opening slots right into the roster! Feels so real!
The different is that this time it's a team-building exercise that's meant to emphasize the team that's no longer composed of equals, since one of them is apparently their better and their superior now... Shaking up the team dynamic after all that talk about them working together as one by promoting one to manage the others, I can see why it's already going to Raimundo's head and he's trying to pull rank. He was sort of doing that already in season 3 before it was even official, so now that it's official, that 🤴"as your leader"🤴 talk is so so him, LOL... Mixing pulling rank in with one of the kids' usual bouts and adding Kimiko's hair-trigger temper into the mix too! 😡 And Master Fung comes in just in time to break up the fight and use it to segue into today's lesson! I can only imagine how many rewatches you've have of the series because that whole set up in the opening plays out exactly like it does in the episodes itself! That's so cool!
And I didn't expect a cameo from Megan again after all this time! 👧🎀 She's still the cutest! And the age-typical brattiness makes her even cuter! And Jack is cute looking after her! The Spicer cousins are being so cuuuute! 🎀🍥 And Megan even gets a part in the showdown a little like Dojo does sometimes! The powers that be gave Megan a better role than they usually give Dojo though.
I never even imagined that mochi-making could be a showdown challenge! 🔨🐇 Kimiko had some ANGER put behind those blows! Cute having her bring in something from her culture for the playing field today too! That's how you stack the odds! And it finally gave Kimiko a chance to show her expertise and show a situation where she gets to take charge and has the knowledge they need. Even in season 3's own Kimiko episode, they made her sit out the solution solving so Raimundo could have an A-HA! moment and tell her how to fix her mistake for her and that was so frustrating. This feels like it really fixed that!
Raimundo learned his lesson, Kimiko has been vindicated, Jack has been defeated, lunch has been caught and cooked, Megan had her fun time, all's well that end's well-- OH NO OMI?!
🥺😢 Poor Omi, I totally forgot he doesn't even eat meat! And so did the other monks! 😭😭😭😭😭 OMIII! At least Dojo is looking out for him. Best dragon right there, true MVP of the episode 🐉🔥🐉🔥
‘Championship Strikes’ feels like it's supposed to be a reference to something.... But I don't know a lot about video game franchises. (I don't even know what Goo Zombies is supposed to be a parody of in the show even though I'm sure it's probably something) 🎮��️👾 Can I ask what Championship Strikes is riffing off of? What kind of game is it? Is it sport stuff?
Those are super cute outfits for Kimiko and Megan in the title card! Their braids and hats and ribbons are super duper cute! Megan looks like a little adventurer and Kimiko is rocking that sporty look! Boys in the back all being kinda huffy or sad, meanwhile right up front are my GIRLIES! 👗👢👒🎀👚👟
If this episode was on a streaming service I could rate it 5/5 stars like it deserves, so here you go: ⭐⭐⭐⭐⭐
I’m so honored by this review 😭! I did my best to emulate an actual episode when I wrote this so I’m really glad that I succeeded!!
Honestly it was so much fun to bring Megan back! It felt like a good low-stakes episode to bring her back~ it was also fun to let her judge the showdown! Poor Jack though, he didn’t manage to win even with his cousin deciding the outcome.
The motchi making showdown came from me getting able to participate in a motchi making class allll the way back in February and going ‘this would make a really fun showdown!’ And it just fit so perfectly into this episode~ letting Kimiko show off while at the same time getting a chance to terrify Raimundo and teach him a lesson really was so much fun to write!
And Omi….oh Omi. He isn’t doing too hot after everything that happened in the other universe and in the hypothetical future he saw with Jack and now his needs are being forgotten too…At least he has Dojo looking out for him. Always.
And the ‘ championship strikes’ game is just meant to be a reference to a soccer game like the FIFA games! So you were definitely right that it was a sports game!
Thank you again for the fun review! And I’m glad you liked the first ‘episode’!
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Boueibu Rewatch Part 11
Onto more episodes that I always feel go in the second half of the season...
Episode Four
Judging by the title of this one, you'd think it would be a parody of "It's a Wonderful Life."
Funny that Nanao's drinking tea in the bath. Like the Love boys never did that, probably because they were bathing with a corpse.
My mom felt all the talk of buried treasure was a reference to Oak Island?
The mysterious staircase being discovered gives me Gekkan Mousou vibes. (Along with Kingo's dad being obsessed with UMA and whatnot lol)
Why do I always feel like Kingo's gonna beat up the three students talking about buried treasure?
I love it when there's things like the way Ichiro's hand shakes in the clubroom lol
The director of the show gives big Hireashi vibes. (And what's with his pose lol) Like if Hireashi had a human form, I think he'd look something like that.
Do you think Kyoutarou's so motivated to dig for treasure because he's looking for his grade's time capsule? Like that was his goal from the beginning?
Taiju's family owning a construction company is like. The only backstory we get for him, huh? (Actually, is it even his family's company? He says "my company," so is he the CEO?)
Nanao is so devious with his letters lol
During the whole confrontation with the monster, the dad is stuck looking at his bare butt alsdkfja
Will the movie show the bath facility on Mt. Binan?
"Why not send a copy of the picture to Ata?" So after all this time...Kyoutarou just happens to have Ata's number? (And also, what do you think Ata saved Kyoutarou's profile pic as? Because there is something... Looks like orange and red vertical stripes, with some horizontal black with red stitching? And brown at the bottom?)
Episode Five
Martha randomly has bodyguards.
The little naruto in Honeo's hair when he's eating the ramen...
Love Furanui's awkwardness when saying how long they were all in the council room, watching Martha.
Wondering if Martha really had some sort of surgery to lose some of the weight, and that could be another layer of why they're pissed at Ichiro for the congratulations on the diet, not just for bringing up the past. Like Martha could be pissed they couldn't lose the weight from just dieting, so Ichiro's words are rubbing it in?
Martha's squack when eating the cookies by accident.
I like how they just left Karurusu outside the ramen shop. (And I missed the sign, but this is the same shop from Love, right?)
It's the Dirty Bubble!
"As long as you're healthy" Kyoutarou says, as if we didn't just see this guy's backstory being that any food causes him stomach upset.
I misread "Happy and Set" as "Happy and Sex" and got severe whiplash lol
Yeah, this episode definitely reads as Martha not being cis.
Episode Six
I love how Kyoutarou's really annoyed at the start lol
Funny how everyone has customized umbrellas in this episode, but in the OP they have clear vinyl umbrellas.
Kaimu is kinda like Ichiban 2.0 the way he talks to himself (also his hair color, and kind of the ahoge)
Kyoutarou's eyes opening before he says he's overheating...feels like there's something more to it...
"Be assertive... Not insertive!" (Kaimu saying he needs to be assertive versus Ichiro misunderstanding all the idioms.)
Karurusu out here doing the Totoro umbrella dance.
That song when the council came on is a bop! Also sounds like there are words to it?
Kyoutarou asking Ryouma to fill in for him...imagine if we got him doing the final attack, like EnAtsu and IoRyuu.
Also just realizing, but what are the "set" and "turn" referring to in the attack? Just thought now about it being like setting a clock and turning the hands, but it's probably something else...
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And, Again with the Art!
This illustration is for Tin Soldier #13, Flour Power. It's been through some changes!
Woo! Finally came up to one with lyrics!
I'm doing some civil disobedience here, with a metred amount of disobedience. I'd be willing to pay songwriters a reasonable amount (like, an amount comparable to something a human being would pay for a single/MP3) for the ability to reprint/remix music with credit and a link to the original. I would be willing to work with a reasonable copyright of 2-7 years. That's not an option right now. So, I rewrite lyrics and link you to the original on YT (which has paid for the privilege of skirting copyright and can afford it), with credit. And I try to give views to the artist's official account, if possible.
I also use song titles, because we seem to have decided those are not unique enough to be copyrighted, but I have no idea if that, or the rewritten lyrics, will hold up if someone gets pissed and comes after me. This is, conceivably, a risk, but any jailbreak is.
My lyrics are Creative Commons, BY-NC-SA. I would go full public domain, but Disney likes to pull things out of there and copyright the hell out of their version, so I gotta add something to keep them away. Just in case! So, with that disclaimer out of the way, here's a parody of Master of the House that tells a different story. You can listen to the original and read along in mental stereo! (To substitute, or "sub" means to use a thing as another thing, or alter it with magic enough to do so. "Master of the Kitchen" doesn't scan, and Maggie has asked to learn about substitutions. But, by all means, reblog and make the obvious joke. Any publicity is good publicity!)
Welcome, mon Dieu, sit yourself down
And meet the greatest handler around
As for my friends, they do their best
But I can manage any request
I’ll settle the debt
Aren’t you glad you met
This guy with few supplies
Who’s a nervous wreck?
Master of the Sub, confidence is key
Specialize in baked goods and psychology
Answer with a nod, service with a smile
Invisibles require you to be versatile
Keeping track of gods and favours
And remember to be nice
But nothing costs you nothing
Before you buy, you’d better know the price!
Master of the Sub, herder of the cats
Ready with some poison or a friendly chat
Water down the wine, I can fix the taste
Somebody will want that, it won’t go to waste
Everybody loves a handler
Everybody's trusted mate
If you need it, I’ll do it
Screw it! My own mental health can wait!
Master of the Sub, always finds a way
Available for counseling both night and day
Servant of the gods, slave of the possessed
Confidant, psychologist, and total mess
Everybody’s first defender
Everybody's chaperone
But though I’ll help you through it
Screw it! When it counts I’m on my own!
Food beyond our means. Food beyond belief
Mix it with some bouillon and they’ll think it's beef
Turkey tastes like sheep, chicken tastes like rat
I can fix the texture, they won’t notice that
Deities are always welcome
Residents are pushed aside
Help them make the best deal
Then I mind them while they’re occupied!
Pay 'em for their skills, careful who they kill
Negotiate the prices and pay all the bills
That’s survivable, just a little pain
Don’t call a god to fix it, or you’ll pay again
When it comes to filling orders
There’s so many tricks I know
All these chains of deals, questionable meals
Screw it! That’s the way the money goes!
I thought the park might be more fun than school.
But gods in heaven, will you listen to this fool?
Master of the sub? Couldn’t cast a spell!
Confidant, psychologist and dull as hell!
Very little skill. Story’s pretty tragic
Guess he’s halfway clever, but where’s the magic?
I’m s’posed to write a paper, what do you want me to do?
It’s still not three pages even with the part about the zoo!
Master of the sub!
Master of the yuck.
Confidant, psychologist
I may upchuck.
Servant of the gods, slave of the possessed
Devious, incompetent and clinically depressed!
Everybody needs a handler!
Everybody likes his grub!
Let’s all learn to substitute!
Let’s all admit the point is moot
Let’s all learn to substitute from the Master of the Sub!
And, here's the shaded version. It has slightly different lyrics, but I think the newer ones are better.

No pen-paper-scan version of this, 'cos I didn't make one. Tin Soldier is a thing. I wrote it. Go read it!
#tin soldier and soldier on#writers on tumblr#artists on tumblr#illustrators on tumblr#illustrations#indie fiction#illustrated fiction#parody song lyrics#creative commons
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Woopsie, I Put Too Much Effort Into A Character Song Playlist (Zib)
Just showing off some contextual brain worms. Feel free to toy with it as hyperfix fuel, art/fic ideas, a discussion starter, or just to know what’s been rattling around in my ears lately. Addition suggestions welcome. No particular order to arrangement.
Breakdown/Preview below:
Outer Science, English Ver. [Kuraiinu]
Song artist: Jin (covered by Kuraiinu, English lyrics by Kuraiinu)
Fact of fun: The story told in the original song is part of a whole rabbit hole of a work, the Kagerou Project. Outer Science is specifically about one very bad ending out of a huge branch of connected timelines and possible “routes”.
Sorter’s note: This badass track is a huge favorite of mine both with and without even considering this character list, but holy shit did I find it appropriate for this purpose- from the action, the vibes, and especially for it to center around another villain as utterly maniacal as the star of the list. In my little headspace I love to imagine it mostly addressed from Zib’s perspective toward our main timeline’s Dib.
Sample lyrics:
[Does it matter when you, will soon awaken anew
That I’m reveling in every suffering just like a demon?
“Ahh why! No! Why!” you howl and cry
“I never wanted this” you lie..!
Look into my own eyes, there lies your fate and demise
And I know there another fated eloquent master awaits]
[Ahh, not enough, I can’t evade the desire
To eat up their darkened hearts upon the pyre
Taking ahold of every one of their lives
I’m buried in their eyes
Ahh, it’s also in you, deep down inside
The power bigger than them all, Combining Eyes..?
Yes, within this sad tragedy
You are the “queen”]
[How pitiful to live and die
Time and again you all defy
Though it will end the same, you keep resetting the game
Remiss and pain all aflame
Crying, howling, ever writhing]
Broadcast Illusion
Song artist: GHOST & Pals
Fact of fun: This is effectively a remake of one of GHOST’s earlier works, “Colorbars” and was the last song released as part of their Communications project before the series cancellation.
Sorter’s note: With the instrumental stylizations and dark themes of this piece outright, I hope my associations with the favored freak become self evident.
Sample lyrics:
[We’ll wake up in a singular reality
The death of a nation
A toxic reaction
So scream and shout, make a whole lotta noise
Don’t be afraid, let the night run out
Well, after all, it’s a television show
A telecast promoting vertigo]
[A moment in time to reconcile
Came a little too late, and now it’s gone
A moment in history
Produced by the broken and thrown away
And I’m already here
For you to see, for you to see, to see you
I’ve always been here]
Goodbye Moonmen
Song artist: Ryan Elder (Cover by Shadyvox)
Fact of fun: It’s generally accepted that this song was composed in a way to parody/tribute the musical style of David Bowie
Sorter’s note: I felt this one fitted Zib to the point of comedy. The original context of the song was literally about a universe-wide genocide with xenophobic motivations. To me this might as well have been going through his head in canon had he gotten his way.
Sample Lyrics:
[The worlds can be one together
Cosmos without hatred
Stars like diamonds in your eyes
The ground can be space, space, space, space, space
With feet marchin' towards a peaceful sky
All the moonmen want things their way
But we make sure they see the sun
Goodbye, moonmen
You say goodbye, moonmen
Goodbye, moonmen
Goodbye, moonmen
Oh, goodbye]
Final Transmission (Remix)
Song artist: Remixed by The Living Tombstone
Fact of fun: The original version was by Temporal Walker & Voodoopony
Sorter’s note: Delicious Title. Pretty darn catchy on its own. Trippy AND sad when you think about it for too long.
Sample Lyrics:
[He feels it in his stomach and in his bones
The weight is lifted now, he's never going home
Drifting in silence, now he's all alone
Difference is that now, there's no need to atone
Spaceman, that's what they said he was
Head up in the clouds, he never put up a fuss…]
[Eyelids getting heavy, sleep it off now kid
Everyone now knows exactly what you did
Go on, finish up the fuse that you lit
It doesn't matter now, cause we'll see you in a bit
Tapestry of nightlights above and below
Sanity coiled tight, the Earth he'll out grow
Amnesty a slight, too late to forego
Vanity benight, all to do now is let go]
Control
Song artist: Halsey (pitch edit presumably by Lunarex)
Sample Lyrics:
[I paced around for hours on empty
I jumped at the slightest of sounds
And I couldn't stand the person inside me
I turned all the mirrors around
I'm bigger than my body
I'm colder than this home
I'm meaner than my demons
I'm bigger than these bones
And all the kids cried out, "Please stop, you're scaring me"
I can't help this awful energy
God damn right, you should be scared of me
Who is in control?
I'm well acquainted with villains that live in my head
They beg me to write them so they'll never die when I'm dead]
Bacterial Contamination [Bookiezz]
Song artist: Kanimiso-P (covered by Bookiezz)
Fact of fun: The original music video with Hatsune Miku is super famous for good reason, and it’s actually a terrifying piece of art. The song by itself carries a really sad story involving themes of alienation, the vicious cycle of bullying, and possibly suicide, depending on how you interpret its ambiguous ending. There’s also a lot of body horror in the fashion of arthropod imagery, and that’s neat. This pick happens to be my favorite version of it, something about the part with the laughter still gives me actual chills.
Sorter’s note: I’m keeping it a secret for now what segment of the song I’m referring to but I actually started working on storyboarding for a brief animation of Zib to an audio snippet earlier this month.
Sample lyrics (approx. translated):
[Bacterial Contamination
You're not worth believing in my mind
Recently my "common sense" has corroded
I can't even hold my purity
The contamination is spreading
You’ll want to become stronger
Even if I barely survive
It hurts, it hurts, it hurts, it hurts, it hurts]
[My contamination has healed
I’ve been starting to feel much better
All because I transmitted it to her
Aha Aha Aha AHAHAHA…
Bacterial Contamination
Everyone's infected wounds keep bleeding
Killing themselves from contamination
They can't even die with grace now
The contamination has spread
None of you are here; you're dead in my mind
I'm eventually alone
It hurts (x13)]
The Distortionist -
Song Artist: GHOST & Pals
Sorter’s note: Oh hey look, a ditty specifically about gaslighty, abusive assholes for the self loathing bug bastard that started his own cult.
Sample Lyrics:
[Surely you can see the problem
I don't wanna lose my own reflection
A deplorable perception of me
Was none other than an image of you
You're making a wreck of broken glass and leaving me a fuckin' mess!
Bending light in a way that shows exactly how the story goes]
[In all this madness, it's madness
Oh-ho, it's sickening, it's sickening
You know it's unfair, it's unfair
How you distorted my reflection
You know it's too late…
You're lost in a world of funhouse mirrors, twisted for eternity
Bending light in a way that shows refraction of hypocrisy
Whimsical, dear, your lies are clear, now, who the hell would've ever guessed?
Play my games and abide my ways, there's no way you can compensate]
CORROSION
Song Artist: R.I.P.
Sorter’s note: I’m just gonna let “I've lived in fear my whole life; I'll give you a taste, you can't change my mind” speak for itself. This is one of the more tragedy flavored ones.
Sample Lyrics:
[Don't you know? I'm truly evil, and
Everybody 'round me's dropping dead!
Overflowing, oddly gleeful, and
You're all blue and cold, yet painted red!
Undergone drastic changes
Oh, it's the only thing that's left for me
All along I've known it's wrong
But I can't fix what I am
It's all I know
Low and behold!
I'm truly evil, and
You're a person standing in my way!
Have I shown I can be lethal
I'll leave them all to rot and to decay
Hold on tight, it will be painful
Oh, it's more than your weak mind can conceive
You're all blind, I'll take what's mine
Oh, I wish I could restrain
It's all I can be]
Wake Up!
Song Artist: Oomph!
Fact of fun: The German version of this song goes really hard too.
Sorter’s note: This one was selected more to reflect the broader nature of the Zimvoid and the hierarchy itself.
Sample Lyrics:
[Got no time for waiting
Got no time to waste
Everywhere machines here
Set a deadly pace
Got no time for questions
You have work to do
Got no time to stand now
If you stop, you lose]
[Your life is seeping through your fingers like sand
And time, it flies like the wind
You run in circles and you're losing your mind
But all you want is to win
Just breathe in
Then breathe out
Wake up! Now you're stuck in this game
And even if you run, the score is the same
Wake up! Now you're stuck in this game
You're just stuck in this game]
Confrontation
Song Artist: Frank Wildhorn, Et al.
Fact of fun: yeah yeah it’s from that Jekyll and Hyde Musical. The one people been making animatics of forever and they had every right to be because it’s still good decades later.
Sorter’s note: A little red meat for some of you who like to toy with the two minds, one body idea/headcanon, or your cute little corruption arc narratives.
Sample Lyrics:
[This is not a dream, my friend
And it will never end!
This one is the nightmare that goes on!
Hyde is here to stay,
No matter what you may pretend,
And He'll flourish, long after you're gone!
Soon you will die, and my memory will hide you!
You cannot choose but to lose control.
You can't control me! I live deep inside you!
Each day you'll feel me devour your soul!]
Amygdala’s Ragdoll -
Song Artist: GHOST & Pals
Fact of fun: For some reason the chorus of this caught on as a little animation trend once. Think they dubbed it the Trypophobia Meme. If I do actually ever do something with it myself, I know I’m not calling it that.
Sample Lyrics:
[Today something changed
I figured it’s true
The frontal lobe placed me behind my own strings
‘Cus I defy the way the game works
I’ll say it again, I’m only getting worse]
[Say we take what had been torn apart
Say we mend any patchwork discord
Turning eyes to the trypo-puppeteer
Waiting for the world to burn
So, One two three, and we’ll tie the tourniquet
Larvae eating away at everything
Word goes ‘round, I’m the trypo-puppeteer
Laugh along, I’m spreading holes
Now I know this has always been my fault
and I can’t inhale anymore]
Honorable Mentions:
• C e n t i p e d e by GHOST & Pals, omitted for personal and practical reasons.
• Honey I’m Home, another GHOST hit, omitted because most of my Zib association with that goes along with my personal “darker harvest” theory/headcannon
#iz#zimvoid#iz zib#invader zim zib#zib membrane#character playlist#scarlet talks about things#youtube playlist#enthusiastic recommendations#we hyperfixating
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During the era of early ’90s alternative rock, music videos shifted from the glamorous and glossy confections of the ’80s to something decidedly more low-key and unpolished, and no video embodies this better than Blind Melon’s “No Rain.” The charming 1993 video famously featured an awkward, bespectacled young girl tap-dancing while wearing a homemade bee costume, and the combination of the quirky video and poignant yet catchy song made it an MTV staple. “No Rain” became Blind Melon’s best-known song, and the “Bee Girl” was a popular pop culture figure of the era. Over 30 years after the video debuted, it’s still hard not to shed a tear at the end, when the Bee Girl goes from being laughed at and misunderstood to finally finding a group of like-minded folks dancing happily in bee costumes of their own. Read on to learn how the actress who played the Bee Girl, Heather DeLoach, got her signature music video role and what she’s been up to since then. The origin of Blind Melon’s Bee Girl The Bee Girl made her first appearance on the cover of Blind Melon’s self-titled 1992 debut album, which featured “No Rain.” Surprisingly, the picture on the cover was taken well before the music video was created, as it was actually a family photo of drummer Glen Graham’s sister, Georgia, performing at a school dance recital circa 1976. As frontman Shannon Hoon (who tragically died of an overdose at just 28 in 1995) said in Rolling Stone, “We were all sitting around in the living room and that picture just jumped out at us. Someone jokingly said, ‘That would make a great album cover.’” The original Bee Girl made such a good album cover that Blind Melon decided they wanted to feature her in the video, so they put out a casting call to find a girl who could channel young Georgia Graham in all her nerdy glory. DeLoach was just 10 years old when she was cast, and had previously appeared in a number of commercials. Heather DeLoach (no relation to Hallmark star Nikki DeLoach) was the very first girl to audition for the role, and she nailed it, remembering, “They told me [director Sam Bayer] didn’t look at any other tapes. I went in with my hair in braids and wearing those chunky glasses, because they said to look nerdy. My mom said we had to find some glasses before we went in, so we ran to a local mall right before the audition and bought them, and Sam liked them so much they’re the same ones I used in the video.” Heather DeLoach at the 1993 MTV Video Music AwardsJeff Kravitz/FilmMagic, Inc/Getty The “No Rain” video catapulted DeLoach to stardom, even though people didn’t know her name. Initially, she was skeptical about being in the video, saying, “My friends can’t believe I would wear that bee outfit. I was embarrassed, but I didn’t think about it,” but it became a point of pride once she saw how popular the video became, and soon enough she was performing at the 1993 MTV Video Music Awards and signing autographs for adoring fans. What happened to Heather DeLoach after the ‘No Rain’ video? DeLoach reprised her Bee Girl role for Weird Al Yankovic’s 1993 music video for “Bedrock Anthem,” in which she got pushed off the stage by the parody musician’s guitarist. That year, she also appeared in two episodes of the show Phenom. DeLoach then had small roles in the 1994 films I’ll Do Anything and Camp Nowhere. Her most memorable film role came when she played a shy boarding school classmate of the protagonist in the 1995 adaptation of The Little Princess. After that, she appeared in a 1996 episode of Tracey Ullman’s sketch comedy series Tracey Takes On . . . and played the daughter of an Eastern European dictator in the 1997 Fran Drescher vehicle and box-office bomb The Beautician and the Beast. In 1999, DeLoach had a minor role in the coming-of-age film Anywhere But Here. She continued acting into the aughts, with appearances in two episodes of ER in 2003 and a bit part in the 2007 comedy Balls of Fury. Her final role was another bit part in a 2008 episode of Reno 911! In 2003, one of Blind Melon’s contemporaries, Pearl Jam, penned a song about her, titled (what else?) “Bee Girl.” What Heather DeLoach says about playing the ‘Bee Girl’ DeLoach has maintained fond feelings for her defining role, and in a 2008 MTV interview, she said, “When people see my resume, they’re like, ‘Really?’ ‘You’ve grown to be such a beautiful woman!’ Sometimes I don’t always want to be known as the nerdy Bee Girl, but it changed my life, and I’m willing to be called that forever, until I’m old and gray. The Bee Girl is such a part of me . . . I could never let it go.” She also revealed that she frequently got recognized on the street, and had emotional encounters with fans, even years after playing the Bee Girl, telling MTV, “People come up to me all the time with stories about how I changed their childhood and got them through a tough time of not being accepted . . . It’s not just a video or a song; it’s something that was meaningful to a lot of people.” Heather DeLoach in 1999James Minchin / TV Guide / courtesy Everett Collection Where is Heather DeLoach now? Today, Heather DeLoach is mostly out of the spotlight, though she maintains Facebook and Instagram pages dedicated to her time as the Bee Girl. The former actress married financial advisor Matthew Greiner in 2017. At the time of her marriage, DeLoach was working for a fertility doctor in California, and the now 42-year-old and her husband have a daughter and two sons. In 2020, DeLoach made a brief return to the screen to reprise her Bee Girl role on an episode of the game show I Can See Your Voice (unfortunately, the celebrity panelists didn’t recognize her), but since then, she’s been embracing mom life, telling People, “I am so very blessed that I get to be a stay-at-home mom these days and focus on my family and raising my three beautiful children. Entertainment has always been a huge passion of mine, but since becoming a mother, this has become my life’s greatest passion and purpose and I am loving every moment.” DeLoach even included bee-themed flourishes at her wedding, and when her daughter was born, she said, “We received so many fun bee gifts for her, from costumes to burp clothes to little blankets with bees all over them. I can’t wait to share the video with her when she gets older. And, of course, we will have to dress her for Halloween one year as the Bee Girl.” Three decades later, it’s clear that DeLoach still wears the Bee Girl title with pride. Source link
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Photo

During the era of early ’90s alternative rock, music videos shifted from the glamorous and glossy confections of the ’80s to something decidedly more low-key and unpolished, and no video embodies this better than Blind Melon’s “No Rain.” The charming 1993 video famously featured an awkward, bespectacled young girl tap-dancing while wearing a homemade bee costume, and the combination of the quirky video and poignant yet catchy song made it an MTV staple. “No Rain” became Blind Melon’s best-known song, and the “Bee Girl” was a popular pop culture figure of the era. Over 30 years after the video debuted, it’s still hard not to shed a tear at the end, when the Bee Girl goes from being laughed at and misunderstood to finally finding a group of like-minded folks dancing happily in bee costumes of their own. Read on to learn how the actress who played the Bee Girl, Heather DeLoach, got her signature music video role and what she’s been up to since then. The origin of Blind Melon’s Bee Girl The Bee Girl made her first appearance on the cover of Blind Melon’s self-titled 1992 debut album, which featured “No Rain.” Surprisingly, the picture on the cover was taken well before the music video was created, as it was actually a family photo of drummer Glen Graham’s sister, Georgia, performing at a school dance recital circa 1976. As frontman Shannon Hoon (who tragically died of an overdose at just 28 in 1995) said in Rolling Stone, “We were all sitting around in the living room and that picture just jumped out at us. Someone jokingly said, ‘That would make a great album cover.’” The original Bee Girl made such a good album cover that Blind Melon decided they wanted to feature her in the video, so they put out a casting call to find a girl who could channel young Georgia Graham in all her nerdy glory. DeLoach was just 10 years old when she was cast, and had previously appeared in a number of commercials. Heather DeLoach (no relation to Hallmark star Nikki DeLoach) was the very first girl to audition for the role, and she nailed it, remembering, “They told me [director Sam Bayer] didn’t look at any other tapes. I went in with my hair in braids and wearing those chunky glasses, because they said to look nerdy. My mom said we had to find some glasses before we went in, so we ran to a local mall right before the audition and bought them, and Sam liked them so much they’re the same ones I used in the video.” Heather DeLoach at the 1993 MTV Video Music AwardsJeff Kravitz/FilmMagic, Inc/Getty The “No Rain” video catapulted DeLoach to stardom, even though people didn’t know her name. Initially, she was skeptical about being in the video, saying, “My friends can’t believe I would wear that bee outfit. I was embarrassed, but I didn’t think about it,” but it became a point of pride once she saw how popular the video became, and soon enough she was performing at the 1993 MTV Video Music Awards and signing autographs for adoring fans. What happened to Heather DeLoach after the ‘No Rain’ video? DeLoach reprised her Bee Girl role for Weird Al Yankovic’s 1993 music video for “Bedrock Anthem,” in which she got pushed off the stage by the parody musician’s guitarist. That year, she also appeared in two episodes of the show Phenom. DeLoach then had small roles in the 1994 films I’ll Do Anything and Camp Nowhere. Her most memorable film role came when she played a shy boarding school classmate of the protagonist in the 1995 adaptation of The Little Princess. After that, she appeared in a 1996 episode of Tracey Ullman’s sketch comedy series Tracey Takes On . . . and played the daughter of an Eastern European dictator in the 1997 Fran Drescher vehicle and box-office bomb The Beautician and the Beast. In 1999, DeLoach had a minor role in the coming-of-age film Anywhere But Here. She continued acting into the aughts, with appearances in two episodes of ER in 2003 and a bit part in the 2007 comedy Balls of Fury. Her final role was another bit part in a 2008 episode of Reno 911! In 2003, one of Blind Melon’s contemporaries, Pearl Jam, penned a song about her, titled (what else?) “Bee Girl.” What Heather DeLoach says about playing the ‘Bee Girl’ DeLoach has maintained fond feelings for her defining role, and in a 2008 MTV interview, she said, “When people see my resume, they’re like, ‘Really?’ ‘You’ve grown to be such a beautiful woman!’ Sometimes I don’t always want to be known as the nerdy Bee Girl, but it changed my life, and I’m willing to be called that forever, until I’m old and gray. The Bee Girl is such a part of me . . . I could never let it go.” She also revealed that she frequently got recognized on the street, and had emotional encounters with fans, even years after playing the Bee Girl, telling MTV, “People come up to me all the time with stories about how I changed their childhood and got them through a tough time of not being accepted . . . It’s not just a video or a song; it’s something that was meaningful to a lot of people.” Heather DeLoach in 1999James Minchin / TV Guide / courtesy Everett Collection Where is Heather DeLoach now? Today, Heather DeLoach is mostly out of the spotlight, though she maintains Facebook and Instagram pages dedicated to her time as the Bee Girl. The former actress married financial advisor Matthew Greiner in 2017. At the time of her marriage, DeLoach was working for a fertility doctor in California, and the now 42-year-old and her husband have a daughter and two sons. In 2020, DeLoach made a brief return to the screen to reprise her Bee Girl role on an episode of the game show I Can See Your Voice (unfortunately, the celebrity panelists didn’t recognize her), but since then, she’s been embracing mom life, telling People, “I am so very blessed that I get to be a stay-at-home mom these days and focus on my family and raising my three beautiful children. Entertainment has always been a huge passion of mine, but since becoming a mother, this has become my life’s greatest passion and purpose and I am loving every moment.” DeLoach even included bee-themed flourishes at her wedding, and when her daughter was born, she said, “We received so many fun bee gifts for her, from costumes to burp clothes to little blankets with bees all over them. I can’t wait to share the video with her when she gets older. And, of course, we will have to dress her for Halloween one year as the Bee Girl.�� Three decades later, it’s clear that DeLoach still wears the Bee Girl title with pride. Source link
0 notes
Photo

During the era of early ’90s alternative rock, music videos shifted from the glamorous and glossy confections of the ’80s to something decidedly more low-key and unpolished, and no video embodies this better than Blind Melon’s “No Rain.” The charming 1993 video famously featured an awkward, bespectacled young girl tap-dancing while wearing a homemade bee costume, and the combination of the quirky video and poignant yet catchy song made it an MTV staple. “No Rain” became Blind Melon’s best-known song, and the “Bee Girl” was a popular pop culture figure of the era. Over 30 years after the video debuted, it’s still hard not to shed a tear at the end, when the Bee Girl goes from being laughed at and misunderstood to finally finding a group of like-minded folks dancing happily in bee costumes of their own. Read on to learn how the actress who played the Bee Girl, Heather DeLoach, got her signature music video role and what she’s been up to since then. The origin of Blind Melon’s Bee Girl The Bee Girl made her first appearance on the cover of Blind Melon’s self-titled 1992 debut album, which featured “No Rain.” Surprisingly, the picture on the cover was taken well before the music video was created, as it was actually a family photo of drummer Glen Graham’s sister, Georgia, performing at a school dance recital circa 1976. As frontman Shannon Hoon (who tragically died of an overdose at just 28 in 1995) said in Rolling Stone, “We were all sitting around in the living room and that picture just jumped out at us. Someone jokingly said, ‘That would make a great album cover.’” The original Bee Girl made such a good album cover that Blind Melon decided they wanted to feature her in the video, so they put out a casting call to find a girl who could channel young Georgia Graham in all her nerdy glory. DeLoach was just 10 years old when she was cast, and had previously appeared in a number of commercials. Heather DeLoach (no relation to Hallmark star Nikki DeLoach) was the very first girl to audition for the role, and she nailed it, remembering, “They told me [director Sam Bayer] didn’t look at any other tapes. I went in with my hair in braids and wearing those chunky glasses, because they said to look nerdy. My mom said we had to find some glasses before we went in, so we ran to a local mall right before the audition and bought them, and Sam liked them so much they’re the same ones I used in the video.” Heather DeLoach at the 1993 MTV Video Music AwardsJeff Kravitz/FilmMagic, Inc/Getty The “No Rain” video catapulted DeLoach to stardom, even though people didn’t know her name. Initially, she was skeptical about being in the video, saying, “My friends can’t believe I would wear that bee outfit. I was embarrassed, but I didn’t think about it,” but it became a point of pride once she saw how popular the video became, and soon enough she was performing at the 1993 MTV Video Music Awards and signing autographs for adoring fans. What happened to Heather DeLoach after the ‘No Rain’ video? DeLoach reprised her Bee Girl role for Weird Al Yankovic’s 1993 music video for “Bedrock Anthem,” in which she got pushed off the stage by the parody musician’s guitarist. That year, she also appeared in two episodes of the show Phenom. DeLoach then had small roles in the 1994 films I’ll Do Anything and Camp Nowhere. Her most memorable film role came when she played a shy boarding school classmate of the protagonist in the 1995 adaptation of The Little Princess. After that, she appeared in a 1996 episode of Tracey Ullman’s sketch comedy series Tracey Takes On . . . and played the daughter of an Eastern European dictator in the 1997 Fran Drescher vehicle and box-office bomb The Beautician and the Beast. In 1999, DeLoach had a minor role in the coming-of-age film Anywhere But Here. She continued acting into the aughts, with appearances in two episodes of ER in 2003 and a bit part in the 2007 comedy Balls of Fury. Her final role was another bit part in a 2008 episode of Reno 911! In 2003, one of Blind Melon’s contemporaries, Pearl Jam, penned a song about her, titled (what else?) “Bee Girl.” What Heather DeLoach says about playing the ‘Bee Girl’ DeLoach has maintained fond feelings for her defining role, and in a 2008 MTV interview, she said, “When people see my resume, they’re like, ‘Really?’ ‘You’ve grown to be such a beautiful woman!’ Sometimes I don’t always want to be known as the nerdy Bee Girl, but it changed my life, and I’m willing to be called that forever, until I’m old and gray. The Bee Girl is such a part of me . . . I could never let it go.” She also revealed that she frequently got recognized on the street, and had emotional encounters with fans, even years after playing the Bee Girl, telling MTV, “People come up to me all the time with stories about how I changed their childhood and got them through a tough time of not being accepted . . . It’s not just a video or a song; it’s something that was meaningful to a lot of people.” Heather DeLoach in 1999James Minchin / TV Guide / courtesy Everett Collection Where is Heather DeLoach now? Today, Heather DeLoach is mostly out of the spotlight, though she maintains Facebook and Instagram pages dedicated to her time as the Bee Girl. The former actress married financial advisor Matthew Greiner in 2017. At the time of her marriage, DeLoach was working for a fertility doctor in California, and the now 42-year-old and her husband have a daughter and two sons. In 2020, DeLoach made a brief return to the screen to reprise her Bee Girl role on an episode of the game show I Can See Your Voice (unfortunately, the celebrity panelists didn’t recognize her), but since then, she’s been embracing mom life, telling People, “I am so very blessed that I get to be a stay-at-home mom these days and focus on my family and raising my three beautiful children. Entertainment has always been a huge passion of mine, but since becoming a mother, this has become my life’s greatest passion and purpose and I am loving every moment.” DeLoach even included bee-themed flourishes at her wedding, and when her daughter was born, she said, “We received so many fun bee gifts for her, from costumes to burp clothes to little blankets with bees all over them. I can’t wait to share the video with her when she gets older. And, of course, we will have to dress her for Halloween one year as the Bee Girl.” Three decades later, it’s clear that DeLoach still wears the Bee Girl title with pride. Source link
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Loot and Logic: Adventures in Everyday Raids
Snack Powered Mage Web Novel link
Today, we did a few dashes in Niles before deciding to get the new truck legal. That turned into a multi-hour adventure involving finding a notary, going to the title office, backtracking to the house for the handicap placard, and returning to the title office, only to finish at the BMV. About two hours after starting this quest, we finally had the truck officially moved into Milo's name.
Then came the next challenge: swapping out the old plates for the new ones. What should have been a quick task turned into a raid-tier ordeal. The previous owner, in their infinite wisdom, used some kind of rounded Phillips screws instead of regular hex-head plate screws. I had to drill those out.
Did I mention it was 28°F? That’s about − 2°C for those of you on the metric system. My fingers were numb by the time I got the final screw to relinquish its death grip on the plates. It took nearly three hours—well after dark—and a full arsenal of tools: screwdrivers, hammers, drill bits, and even vice grips, because one screw decided to act like a stubborn top. When I finally trudged into the house my glasses fogged up instantly as the warmth hit me.
Milo asked if I was ready to go to Walmart (or as I like to call it, the real-life Zoeverse ValueMart). 'Not really,' I thought while fumbling to put the tools away, but I said out loud, “Sure.” My body, however, had other plans. It demanded a pit stop on the white throne. Not one to waste time, I used the opportunity to dictate the shopping list while the rest of me took care of business.
With nature’s call answered, Milo and I headed to Walmart. Once there, I tackled the shopping list until I reached my hidden cookie mission. If there’s one cookie I love more than mini chocolate chip, it’s Great Value butter cookies. You know the kind: the ones that come in tins around the holidays, stacked in cupcake liners, each tin a treasure trove of buttery perfection.
The problem? They’re $15.88, which is a hefty price tag on a budget. My solution? Hide them. It worked brilliantly last year with a jumbo Hershey bar that dropped to $5 after New Year’s.
So, before they sold out, I stashed two tins of cookies in what I considered the most unlikely of places: the vacuum section and near food sealer bags. Flash forward to today. Armed with my trusty phone, I checked the first hiding spot in the vacuum aisle. Nothing. Someone had discovered my stash. Disheartened, I moved on to the second location, only to realize that every box in my reference photo was labeled in French.
At that moment, I realized I’m not Star Ride’s artist (the brilliant creator of my favorite Star Trek parody comic). So, what did I do? I turned to ChatGPT for a quick translation.
Turned out they were vacuum sealer bags. The kind you put food in and it sucks all the air out to maintain freshness. Away I went, a few aisles over, the irony not lost on me about where I chose to put the second tin. After a few minutes, I shifted a couple aside and saw a shiny curved tin. I pulled it out and resisted the urge to raise it above my head like Mario. I tossed it in my cart, shifted some stuff over it to hide it from view, and went back to groceries, my hard-earned loot secured.
About 15 minutes later I collected the rest and checked out, sorting through the mountain of stuff that occasionally fell if I turned too fast. Blip, blip, blip, bag, bag, bag, stack, stack, stack, until I reached my loot. I scanned it. 3.75. 'SCORE!' I thought, smugly double bagging it.
Sometimes my genius surprises me. Good thing I chose 2 tins instead of one. I think next year I might try for 3, just to be redundant.
#EverydayAdventures#LootAndLogic#CookieQuest#WalmartChronicles#WinterStruggles#BudgetHacks#HolidayLoot#DIYChallenges#ShoppingRaid#TinyVictories
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22. For PiklCal for the Soft OtP Prompts!
22- Write about a member of your ship giving the other a special gift.
(The PFW is the Professional Federation of Wrestling, a wwe parody I created for MTL universe) This was a great prompt cause I struggle with gifts SO much - and now i think this ends up being canon for GirlKlok heheh
“What is this?”
“Just open it, will ya?”
“I want a hint first!” Cal doesn’t take the box yet, and he’s struggling to keep it in one hand. It’s not her birthday, it’s not valentine’s, it ain’t Christmas – presents from Pickles aren’t out of the ordinary, but this is an actual box, rather than his usual spur of the moment gifts (which Cal is now realising she prefers; less ceremony to it all).
“Alright, so, it’s a little dorky,” Pickles rubs the back of his head, fingers bringing some dreads over his shoulder, “I was watchin’ yer old matches, and well – okay, yer last one…” he could see her face. She doesn’t like talking about the PFW much, or at least definitely doesn’t like talking about the part where she gets forced retirement at her peak. He’s not doing great at this. “And I know that, yew were s’pposed to get the belt or whatever-”
“The Championship Title.”
“Right!” he finally offers her the box again, and this time she takes it, “So, y’know, the way yew were robbed of like, that title, it got me thinkin’.”
As soon as her brain catches up, Cal opens the box, staring down. The PFW Universal Championship Title Belt. Not a stitch out of place, the diamantes shaping the acronym shining. The fade of them from white to purple, every diamante changing ever so slightly, is perfect. She’s seen the Belt once up close, got to hold it (“This will be yours, lady. Just don’t mess up”). She knows replicas and she knows the real deal, no matter how long it’s been.
“How did you… Get this…” Cal finally looks back at him. He’s smiling because she is in such disbelief. It’s all over her face, the way her eyebrows meet, the crumpling of her lips.
“I uh, bought it.” Pickles shrugs, trying to throw the line away. But Calypso homes in on it, laughing to herself at how ridiculous that sounds.
“No, you can’t buy the belts, that’s not how it works sug’.”
“Yeah, I mean PFW.”
Cal doesn’t break eye contact, and he knows why. Trying to figure out if he’s joking. When he doesn’t even blink or smile more or laugh, she finally lets out a breath she’s been holding. “Why?” she asks, then looks down at the belt again. Her Belt.
“It was the only way t’get yew the belt!” Pickles gestures to the box, “The Morgue Master wasn’t happy when I came to get it, but hey, gotta do what the boss says!” he watches her take it, and chuck the box aside. The leather smells so good. It’s heavy – heavier than she remembers. “Now, y’know, any belt they make for the next champion is gonna be the replica.”
“Picklebug,” she holds the belt to her chest, trying not to look him in the eye again, because now that she knows he’s actually done something so grand for her, she thinks she might choke on the emotion. “This is crazy.”
“Well, I’m crazy in love.” it seems obvious to him why he’d do it. It had always been the obvious move the moment he was told he couldn’t just take the belt for her. He closes the space between them, taking her arms so that she doesn’t need to let go of her belt. His words make her whole expression change, and she can’t not look at him now. Holding the belt firm in one hand, she cups his cheek, thumb circling his freckles before she leans in for a kiss – which he only breaks to chuckle and say, “Now you gotta teach me about wrestlin’, ‘cause I’m makin’ my first ‘promotional manager’ debut next week, whatever dat means…”
“Oh my God."
#mtl oc#pickles the drummer#calypso#writing prompt#calypso x pickles#kraken ship#oc x pickles#oc x canon
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I know this is a follow-up that y'all were absolutely begging for, but yeah I didn't buy it.
The sale's over, and I said I'd be nice and allow myself to spend a bit more than usual this autumn sale, considering I kinda worked myself into a miserable mess these past couple months. This was on my list of games I was 100% sure I was going to buy, along with Little Kitty Big City and the Sega Mega Drive collection. I didn't buy any of them.
I spent like $16 getting Webfishing, Terror of the Hemasaurus and Endling. Almost bought Pizza Tower, but I have so much to play still, I figured I'd wait until winter sale and see if I'm ready to start another game.
And that's what ultimately took my Steam cart from being $140 down to $16: I took out the games I didn't see myself reasonably playing in the next few months, especially if they were over $10. SXSG, while one I would hop into relatively soon, would be out of obligation. I'm frankly just not excited to play it, top that with being the most expensive game on my wishlist, it got axed. Terror of the Hemasaurus though, oh honey I've been eyeing that game for like a year.
I don't know. I sound like such a teenager, but Sonic is kinda...complicated for me right now. I keep getting disappointed and coming back, hearing "you're a Sonic fan, you'll buy anything" over and over again.
I wish I could go back to being that kid who was happy to be Tails in Sonic 2, excitedly brought her Gamecube on vacation because she just had to play SA2, or grabbing a used copy of Colors when she finally was able to get a Wii, even picking Lost World off the shelf when she finally got a console the latest Sonic game was on. But then...she kinda hated Lost World and secretly agreed with the disliked IGN review. Still ended up preordering the Boom games, though. Preordered Forces. Cancelled the Colors Ultimate preorder. Got Frontiers at launch and just got drained from the toxic positivity trying desperately to drown out any criticism. Mania was fun, people were a bit too hard on TSR, TMoSTH was a blast, but does that really outweigh how much the series has disappointed me over the last decade?
Yet everyone says this is the best game since Generations, (although it IS also Generations) so maybe I'm skipping out on the one that would make things feel better, but...I don't trust it. Not after all these years and IDW and Prime. Not after everything that came with Frontiers.
I love SA2 and can go back to it with ease, same with Colors and Sonic 2. It's not just nostalgia blinding me, I still find those games very enjoyable. I want the Rush titles brought to PC so badly and had the time of my life doing an LP of SA1DC. Hell, I'll defend the Boom show 'till my dying days, that fell so hard into parody humor and I love it.
I like Sonic, but I don't think I like the Sonic SEGA has wanted me to for the last decade. My favorites all came out before I even knew who Sonic was. I don't trust this new stuff is for me just because I'm "a Sonic fan who will buy anything".
I'll probably play SXSG at some point. Maybe not, who knows. I could go homeless or some shit.
This is such a long ramble for what ultimately is just me saying I didn't buy a video game, a question which absolutely no one asked. But I guess I just wanted to say it.
Honestly...I'm debating if I should even pick this up.
I know, for the whole package, $38 is a good price, especially since it's such a new release, but...I've owned half the package for years. It's called Sonic Generations. (Espio's Classic mission was a bitch to S rank, I don't know how y'all perfectly execute swings like that.)
Shadow's levels look cool and have neat concepts, like being able to take alternate paths if you use Chaos Control at certain points, although I really don't know if it'll be another "yeah the game is alright, but..." I'm willing to be surprised, though after Frontiers and seeing the Gens rewrite, I'm pretty sure I'll end up frustrated again.
I don't know if I want to pay almost $40 just to feel frustrated.
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Miku Wrap-up 2022
Another year comes to an end and it's time to look back and reflect, so here's my top 10 favorite Mikus of the year!
#10:
While this has a few janky bits that keep it from being higher up I can't help but adore her smarmy ass look, the foot up on an unoccupied chair and the little details with the dice and the cards.
#9:
This one, inspired by the Bayeux Tapestry, is just so ridiculous I can't help but love it. It's somewhat a spiritual successor to the Goya inspired Miku and emulating the style/appearance of such old art was a joy, as was filling in the gaps with a few Miku related references.
#8:
Speaking of the ridiculous, this Loss meme parody I titled Gain.png still gets me. Doing the Gumi for the body pillow was also fun and Miku is very cute in this.
#7:
I have no idea why I drew this even then but fuck me is it good. Don't think I've drawn a pony since a few poor attempts over a decade before this. I love how AJ came out and the idea of like, Applejack carrying home a drunk Miku while chiding her for having too much cider is so fucking good to me.
#6:
This one is rather simple honestly, but I just love how clear the silhouette is and the highlights from the back lighting. This was inspired by an AURORA concert my sister invited me to.
#5:
Im still very happy with how this came out, especially in regards to the lighting. I feel like I made a lot of headway here as an artist, even if parts of it could stand to be cleaner.
#4:
Hatslimey Migoo looks so relaxed here, the details I was able to include for the room such as the water under the door are great and the small bit of landscape outside the window is something I'm extremely proud of. Had I just a bit more time with this piece I think it could have placed even higher.
#3
This one's a bit special cuz uh, it's fucking me lmao. Not only is this my high school duds, the location is also based off the liquor store I used to bum around at after school senior year. I still have the pants (they're more shredded now) and the black and white sleeve (actually leg warmers). The only real anachronism is the black nails- my dad wouldn't let me do that cuz he said I'd look like a fag lmao. Looking at this piece brings me just immense amounts of joy and soothes that part of me still in highschool and mad about it.
#2:
Honestly this and the #1 spot are really tough to decide which goes where but I think I'm happy with this. Based off some AI generated text (no doubt written by Miku herself) Not only is this the most successful piece I've done notes-wise it's also my first one where I drew more akin to painting then to coloring cleaned up lines, a process I made a ton of progress with over the year. There's very few things about this I would change (namely a few details in the final panel) but the way this comic is laid out was and is excellent. I feel this piece is the biggest jump in overall quality I had during the year.
Honorable mention:

While i do adore these, especially the top left and bottom one, there are a few issues that keep it from being in the top 10 properly. I also wanted to avoid this list being just every Hatslimey Migoo piece which actually brings me to the final entry and my favorite Miku of the year 2022-
#1:
The original Hatslimey Migoo, before she even had that name. This piece is very interesting because I had pissed away most of time and couldn't do the Miku I had thought about doing up to that point. Unwilling to do proper anatomy either, because again, I had gotten too wrapped up in runescape and was low on time, It popped in my head that I could make her a slime girl. I can't mess up getting bodily structure right if there is no proper bodily structure after all. The result couldn't have been better. She's so cute and adorable and this is easily the best original design I've yet to do for Miku. I doubt I'll top it for some time. The pieces came together naturally- her color had to be green to give her that Miku color, she had a few spots to give some detail, her arms were bulky to be reminiscent of her sleeves the headset was to help push visually that this was, indeed, Hatsune Miku and her eyes were pink to stand out and draw attention to them. Created in haste, Hatslimey Migoo has gone on to fill my heart with joy (and slime) and if I could pick any of my Mikus to be adopted by the wider vocaloid fan base it would have to be Migoo.
Thats my top 10 for 2022, I'll see you next year to wrap up this year- I'm sure I'll make even better Mikus! If you like these and wish to support me, I have a Patreon where I upload the full PSD, PNG and a 60 second time lapse of the Miku being drawn. It's only 2$ a month and it means a lot to me.
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The Dateable's Making You Flustered
Request: Flustered scenarios with the dateables
A/N: Sorry for the bit of delay!! I really need to work faster with these (1k each)
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Barbatos:
It’s been such a long time ever since the butler has felt some sort of attraction towards somebody. It surprises even himself and he’s able to see into the future. Yet, when he was given- or rather forced- into a day off, the first place where his mind had wandered had been to you. It was you that he thought of first. He didn’t have a clue on what he wanted to do, but when he was told that he had the day off- no exceptions- his mind had automatically gone to spending time with you. Barbatos wonders what changed that made you so important to him- he wonders when it happened, how it snuck past him and caught him by surprise.
He invited you on his day off, had sent you a quick message asking you’d like to accompany him around Devildom to pick up a few things for himself rather than the usual outing to the market. You had graciously agreed and now he stands beside you, his hand on a book and you peering to see what’s written on it.
“What’s the book about?” You ask, haven given up on trying to figure out what it was that had gotten his attention.
A few demons reach around and pull a book away from the shelf, talking excitedly to one another and he moves to stand closer to you. He smiles at you and holds the book close to him, already deciding to purchase it. “It’s an old tale from Devildom, similar to your Hansel and Gretal but this one is a bit more heavy.” You give out a hum, pleased at his answer and nod your head. “If you’d like, I could lend it to you once I’m done.”
“Oh!” You gasp, grabbing at the same book and holding towards you. “I’ll just take one with me,” you offer and he can’t help but feel a little disappointed that you didn’t want to take his. “This way, we can read at the same time and then discuss. If it’s supposed to be similar to Hansel and Gretal, I’m sure that I’ll enjoy it. Plus-” you look up at him, your smile kittenish the book pulled to your chest- “it can be like our secret book club. I’ve been needing an excuse to go to the castle and visit, so this will be perfect,” you say excitedly, see-sawing between the tips of your shoes and back to your soles.
“You don’t need an excuse to visit the castle.” He hooks his arm with yours, slowly pushing you away from where a growing crowd of demons appear. “You know you’re always welcomed. The Young Lord would never dare to shut the door in your face.” He stops near the corner end of the store, his eyes attracted to a few trinkets where he reaches for.
The book is lowered and you shift your stare to where you both once stood. “And you?” His attention is grabbed immediately and he looks at you with a confused stare. You meet his eyes for a moment before you pull away. “Would you mind if I came over?” You clear your throat and look down, your bottom lip pinched between your teeth. “I wouldn’t want to…” you trail off, clearly unable to find the proper words. “I wouldn't want to distract you or make your work any more difficult than it already is.”
He can feel the back of his neck grow hot. He can’t be mistaken by what your words mean. You want to know what he thinks of you, if you’re welcomed in his eyes. His shoulders lower and he smiles at you, his hand reaching out to take your book from your hands. When you look up at him, he has his gaze kept on the title of the book, following the rise and fall of each letters.
“You’re always welcomed.” He takes in a small breath and fixes his gaze back to you. “You could never be a distraction for me. If you wish to have a secret book club with me, then I am more than honored to be your guest.” He clears his throat and looks away from you, his smile slowly growing but wavering as he lets out a shaky breath. “You make work easier. I enjoy my job, but I must say that when you’re around, the only thing I can think of is finishing in order to spend more time with you. Being around you is… nice.” He returns his stare back to you. “I’ve been around for a very long time, but when you’re around me, well, I don’t think I’ve ever felt so young. I’m not sure what it is about you-” he raises a hand and holds your cheek- “but I find myself happy whenever I’m with you. So please, never think that you are a bother towards me. You’re always free to visit- whether it be for our secret book club-” he returns the book to you, smiling when your fingertips brush against his- “or just because, I’ll always make time for you.”
It might be cruel of him, but he can’t help but smile and let out a quiet chuckle when you press your face against the book. “Barbatos,” you say in a hushed whisper. He only hums in response, glad that his words had such an effect on you. You look up at him with a faux pout and furrow of your brows while he stands there with a wide grin. Your eyes turn away from him and you finally let a smile appear. “Thanks for the reassurance,” you mutter.
“Of course. Nothing that I said was a lie, so it was quite easy to let the words out, you know,” he teases, grabbing the book from you before you have another chance to hide yourself. “Now, is there anything else you’d like to see in the store, or do you wish to go somewhere else?”
“I uh-” still flustered, you rub your cheek where his hand once was- “can we check out the manga section?”
He hooks his arm through yours, his body close enough to where he can smell the sweet scent of your perfume. “Lead the way,” he says, following your footsteps through the store. He isn’t sure when his feelings towards you had changed, he doesn’t even recall the giddiness of when it all started, but he doesn’t mind it. It’s a nice change of pace. You’re something unpredictable and reckless, and something soft and fragile, and he welcomes having you so close to him, to where he could lean over and press his lips against the crown of your head and keep you protected under his touch. Barbatos welcomes the change that you brought and while the change wasn’t originally for him, he enjoys that it is for him now, that you’re the one that gets to be close to him and that gets to have the pleasure of having you wanting to visit him.
Simeon:
Who could have ever thought that he, an angel, would fall in love with a human? The very thing that an angel had created a war for, the very thing that caused him to lose those close to him, and the very thing that had shown just how different he was from someone he had considered a brother, he now commits the same unholy act. He must be a hypocrite. He is a hypocrite. The very thing he turned a blind eye to and here he is, so undoubtedly in love with a human that he fears his wings will be ripped from him, his blood staining his clothes and his halo broken beyond repair. Terror makes his blood run cold and yet, he cannot look away from you. Simeon keeps his gaze upon you with a mixture of hesitation and melancholy and you just smile back at him, the phone in your hand shared between the two of you as you watch a parody of a teen romance on an application.
“It’s amazing how much people have grown to like this er, show?” He asks, still unsure of what to call it. “It’s considered a show, right?”
Your shoulders raise in a shrug and you give him a small, tight lipped smile. “I guess. I think most people refer to it as a series.” The phone is lowered and it returns to your lap. “It isn’t wrong to call it a show, but since they’re short little bursts of episodes, I think people find it easier to call it a series, but it can go any way.” You move away from him, scooting until your thigh is at an angle and your knee is pushed against his. “Anyways, to answer your question, yes people do like it. I think since it’s like a parody but also suspenseful with the cliffhangers, it keeps people entertained.” He nods his head slowly, and he tries to ignore the rush of cold that is now at his empty side. “Did you like it?”
His eyes slightly widen, and his lips pull into a thin smile. “I- Well, considering the fact that it’s written and done by one person- I- It certainly is different than the things I usually consume, but-” He struggles to find a way to finish his thought without offending you in any sort of way and ends with a stiff nod of his head.
It’s a tense moment that doesn’t last long enough to linger on when you suddenly laugh. Your laugh is loud as it effectively gets him to snap his mouth shut. Your hands are waved in front of you and your knee leaves his as you curl onto the couch. “You don’t have to force yourself to like it, Simeon, I only wanted to show it to you, because you asked what I was watching.”
He appreciates you giving him an easy out, and he releases a breath he hadn’t known he had been holding. It’s a slow release and suddenly he can breathe again. “Well thank you for sharing it with me. I appreciate that from you.” Silence lingers and it isn’t like before where it’s tense, it’s lighter now, but it still feeds him an odd sense of air where he’s stuck between a breath, his eyes stuck on you.
Once more, your laughter fills the room and it’s short and sweet, a gift given to him for just the moment. “Of course, Simeon. I like spending time with you, and I especially like sharing my interests so I guess, thank you for allowing me to do that.” Your hand reaches towards his and he sees the slightest pause from you, the way your fingers twitch until you allow yourself to hold his hand and give it a gentle squeeze.
Warmth returns to him, something akin to a summer’s day in the Celestial Realm, and even though all air has left him once again, he is breathless in a way that matters, weightless and joy illuminating him. When he meets your eyes, he cannot look away and he cannot help but return your smile. The clock ticks onwards and he’s left with a heavy heart. He’s read about the perfect moment, thought about writing something so trivial and false, and yet, the perfect moment sits before him with their hand in his.
“I have to be honest with you,” he murmurs and his eyes feel hot, a lump forms in his throat that makes his words sound tighter. “I- I don’t-” How could he ever phrase what he wants to tell you? How could he drop that sort of confession on you? You know the story, would you ever want him to actually confess to you, to repeat the past mistakes and know the horrid outcome? He frowns. His eyes are stuck on the floor, running along the edge of the carpet and he can feel your gaze on him, your eyes that are heavy with concern and ever the angel, Simeon spares you and gives you the easier answer. “I’m thankful to have met you,” your name is a sweet whisper on his lips, a taste of sweet peach that makes his heart full and heavy. “I don’t think I’ve ever met someone as wonderful as you. I see you and I think that I’ve found something even more pure than an angel.” With every word, his hand turns to slip into yours, his gloves thin enough to feel the small crevices and calluses on your hand. “Even if you are human and you’ve committed sin, I still think that you are the most pure of them all with your kindness and generosity.”
He isn’t sure what he had expected, but he hadn’t expected to have you plant your face against the soft back cushion of the couch, your face held there for moments. Your hand slips away from his and he’s left holding empty air. His hands fret over your body and when you pull away, your face is flushed, your hands covering the lower part of your face as you look at anywhere but him.
“Simeon,” you whine, closing your eyes tightly. “That’s really sweet.” Your voice is high-pitched and your eyes open once more, as your hands finally lower. “I think I might actually die, that was really nice and something that I don’t hear often.” You finally look at him and your smile is ever growing. “Especially from an angel,” you say with a half-hearted chuckle.
His smile is soft and to him, it dulls compared to your brilliance. As if you were a puzzle, he fits into your hand with ease and grace. “Well if you were to die, I would return you in any way that I could.
Solomon:
He’s human, ageless and immortal, but human. He’s lived and loved, lost and grieved, and he’s gone numb and distant to emotions. He didn’t mind it, he welcomed it. He hated losing and hated the people that he lost and the empty space that they left. He promised that he wouldn’t ever want to feel that sense of sadness ever again. Then you came into the picture. He’s been called shady and worse words than that, but you don’t call him that. You hold his hand and you welcome him into your arms. You go on and on about the human in him and how you love that he’s there with you. Solomon isn’t sure when it was that he broke his own promise, but when he looks at you, he’s willing to love again and again.
The kitchen is a mess and powder covers the counters. His hands knead the dough and the smell of garlic and onion sizzled with oil is heaven in the air. You measure the ingredients and whisk at the eggs. It’s domestic and it’s something that leaves a storm of butterflies in his stomach. He could watch you forever, in the kitchen, with an apron tied around your waist, flour in your hands and the tip of your tongue peaking past your lips as you concentrate on rereading the cookbook. It’s domestic and it’s something he had long forgotten that he wanted.
“I have the ingredients memorized, I could simply tell you what to add,” he muses, returning to forming the bread into its shape.
“Knowing you, you’ll add something in there,” you quip, your smile now directed at him, with your tongue still pinched out. “Plus, it’s just reading. I can read,” you say with a defensive tone. “Just start dressing the bread with garlic and then we can get on with breading the chicken.” You jerk your head to where the chicken rests on the cutting board, the flour beside it.
“Okay,” he sings under his breath, returning his attention to the dough before him. The room is filled with a song from the Human Realm, a classic that has him feeling warmth in a kitchen that is not his, but with a person that is. It makes him long for another time, but when he catches you in the corner of his eye, he’s glad where he is. “I like your song choice,” he says, instantly biting the inside of his cheek once the words had left his mouth. It’s been so long since he’s ever tried to have an actual connection with someone, and he’s sure he wasn’t ever this awful at it.
“Yeah?” You step close to him, holding your hand out. “Care for a dance then?” Your smile is crooked and eyes gleaming with excitement as the song is replayed with a touch of your hand.
He’s frozen for a second, stuck in time, and rooted into place, his hand moving through thick amber as he lets his hand rest in your palm. The room is spun, colors mixing with each other and slowly blurring until he stands still, pushing you away and pulling you close, laughing and letting his hand rest against your side, his hand feeling the soft curve against your ribs. Your hands are powdered and his smell like bread, and your laugh is young and youthful. He can’t help but follow, letting his smile break out and hand slipping out of yours, to encase you in a hug where he traps you into a swaying motion.
The song fades and he’s forced to pull away, to step away from you and there’s hesitation is his steps and movements. His hands linger for a second too long, his eyes still stuck on you and his smile much softer than it was before. It’s a few seconds of silence where you take in deep, heavy breaths, and sway lightly to the song that approaches.
Your name is said and it’s sweet like honeysuckle and addicting like a drug. It’s a night where he invited you over, and now you two are busy making dinner in the kitchen and you’ve given him instructions and kept a close eye on what he does. Your perk your head and nod, allowing for him to continue. “Thank you for coming over,” he says with a tight smile on his lips.
“Anytime, Sol,” you respond, coming beside him once more. You bump your arm into his, leaning to look at the garlic mixture in a bowl. “You know I like spending time with you, so anytime you need a cooking partner, you can always call.”
He doesn’t say anything, only nodding and trying to keep the butterflies in his stomach at bay while his heart beats frantically against his chest. You move away from him, returning to where the powder rests in a bowl and he’s left without, and while the distance is short, it’s something that is unwelcomed. He’s left with dough in his hands and you’re away from him, and loneliness settles.
“Can I call you whenever?” He asks, an easy smile on his lips, but there’s a plea in his words. He’s never been the needy type, but he needs you.
“Of course, you can,” you respond and you’re as kind as ever. You turn away and close the bag of flour, pushing it aside to clear the space at the table.
Like a drug that leaves his mouth dry and heart racing, feeling as if he’s about to die, he calls your name. You’re so close to him and yet, you aren’t close enough. He needs you. He needs you beside him. And he takes the first step, standing in front of you with a red kissed face as stares at the cabinets against the wall. You call his name and your hand is tender against his neck, leaving a white stain that snows onto his shirt.
“I just wanted to thank you. I know how busy you can get and I just-” he can feel the telltale sign of tears and he wonders when he’s gotten so emotional- “I like spending time with you. I like your music choices and I like it when you cook with me- even if it’s just you giving me instructions- but I like it.” His tongue touches against his lips and he looks at you, fiddling with the end of his shirt. “I think you’re great and I just need you to know that if you ever need anything, I’ll be more than happy to help. I would do whatever it would take to make you happy because you have a really nice smile and I don’t think you should lose that.” His heart echoes and his smile is gentle and nervous. “Thank you for being with me.”
You stare at him and he wonders if he had overstepped only to gasp when you bury yourself against his chest, patting at his shoulder and pulling away with a hand covering the lower half of your face. “Solomon,” his name leaving your lips sends a jolt of electricity through him, “I’m glad. Thank you,” you whisper. Your hand reaches to pull his away from his shirt and you hold it in yours. “I like being with you too. Us humans have to stick together, right?” You say softly, letting your fingers run over his scarred knuckles.
He nods silently and leans over, his lips pressed against your forehead. “Yeah, us humans have to stick together,” he whispers against you, smiling when he feels your own lips against his knuckles. He’s with you, at this very moment, he stands in a kitchen with music playing, holding you close to him, and for a moment, he can pretend that this won’t ever end, that he won’t ever have to move away from you and risk losing you.
#obey me#obey me swd#om swd#obey me barbatos#obey me simeon#obey me solomon#barbatos x reader#obey me barbatos x reader#obey me simeon x reader#obey me solomon x reader#i hope you like it!#and that it was in charcater#i feel like i always sturggle for barbs
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ke
You know what...back in 2018, a year after orphan black had ended we were introduced to a new series called ‘killing eve’ by the same network. I was one of the few people who had watched the series from the very 1st ep without spoilers and without a single clue of how exactly they would move the plot forward. Because of that i was genuinely caught off guard with every twist and turn of a masterfully crafted script, an abundant production and of course those stellar performances of sandra and jodie we got to witness the past 4 years. By the end of 1x05 i was hooked and then came 1x08, which really proved KE to be a ‘never been done before’,one kind of a show to me. Really it was nothing like what i had watched before. It subverted all expectations and set the standard very high right from the beginning. All the while a 2nd season was already approved by then, which means they knew they had successful material on their hands (S1 was impeccable, really faultless for me, praise PWB). As of the 2nd season, and after PWB had left, production changed the lead writer every season and as it was expected that has impacted the series a lot. PWB or not they shouldn't had changed the lead writer EVERY season, given that everyone has a different picture in their head of how this could go. The fast pace has always been an absolute advantage of KE that didn't allow you to take your eyes off the screen because you could lose important scenes and clues. Then they added all those dull characters and subplots that took almost half of the screen time and most importantly kept the main characters apart for most of the time and that took half the edge from the show. Season 3 had some good moments but they definitely wasted much time.
FINALE and s4
I felt from the start they wouldn’t go with more than 5 seasons and that was ok with me, cause i knew they would have wanted to end the show on a high and not stretch it. After the pandemic and the news of a last s4 i was so sure that the time wouldn’t be enough to take care of all the loose ends and my expectations dropped but i was hopeful that after how s3 ended, with villaneve together, they were all set to wrap everything up. S4 started to unfold and i was taken aback by the inexplicable separation of eve and v, the non existant reunion after THE WHOLE SEASON, the infinite amount of lost time combined with the forced plot of the 12. Following all that, came the worst ending i could have hoped for. When it came to the finale of KE i was always prepared for death and destruction and i would definitely take 2 deaths as a dramatic and well thought “bad” ending. If anyone, 4 years ago, would tell me how badly written, executed and butchered the epilogue would be, i would have laughed just as i laughed when the title ‘THE END’ dropped.I am sorry but that was so insulting to all the viewers who actually cared about the series and paid attention to the details. They kind of turned it into a parody. Aside from
the dramatic and depressing scenes, from a narrative standpoint, the writing choices were insane. Not connected, not a single question answered, full of plot holes and rushed. I am still not able to comprehend the thought process they followed that led to this. Its not even the sad part and the last minutes but the complete abandonment of all reason. At last, nothing made sense, i’m in denial and i don't want to believe they chose deliberately this awful ending (at least without the pressure of the production) that literally noone could justify, let alone acknowledge it as “skillful writing”. A degrading end for an exceptional series truly.
#killing eve#sandra oh#jodie comer#ke finale#killing eve finale#eve#villanelle#villaneve#phoebe waller bridge#ke 4x08
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I had the most silliest idea come to mind earlier today thanks to me deciding to shuffle my OFA playlist while I was doing my chores. I ended up coming up with a list of the top 12 artists in my AU (both including NSR and OFA) and to my utter shock and hilarious reaction, the top 3 artist were all digital/ai beings (1 being NSR and the other 2 being OFA artists)
Top 3 was CAL aka a sentient tablet created by Orion and also an utter menace to society coming in 3rd place, Mimi aka a literal parody of Sayu that's a bit younger than her and controlled by literal middle schoolers under the watchful eye of their manager/guardian being in second place, and finally in first place the Beloved Idol of Vinyl City herself aka Rosie, who holds the title of the most popular artist via her digital form being projected by a mix of technology and magic while her real form controls it behind the scenes. It was hilarious because I was going to make it canon that these bbys were the top 3 artists and my playlist helped me confirmed this idea-
Anyway a very horrible idea for an au came to my mind and it could possibly take place in any timeline/au since it involves these 3 taking over Vinyl City when everyone leasts suspects it, and it's mainly because since Rosie is the youngest daughter of Tatiana and Olive, Mimi is like a little sister to Sayu, and CAL is Orion's creation. Everyone gets a rude awakening when they get suddenly get kicked out of Vinyl City because a new era of the digital age has arrived and Rosie rules from the NSR Tower combined with her castle in her online district of Rosetta, while Mimi has control of the NSR branch and rules in Akusuka and CAL has the OFA branch and rules from his district of Cyberspace. Now the rest of the OFA cast along with the OG cast need to work together to retake Vinyl City and talk some sense into the Digital Tripod (That's what Imma start calling them) since they just kids and they're taking things a bit to far-
The whole thing was Rosie's idea since she isn't usually involved/included in the affairs of NSR since her oldest sister Titanium was being a bit overprotective of her, and she noticed how her mother Tatiana was strict on music genres during her rule and the public's opinion of digital/ai beings having sentience and the negative backlash from it. Rosie did have good intentions to bring change but when she tried to bring it up she ended up getting dismissed and receiving promises from her sister Titanium that "Change will come, but we need to focus on other important matters little sister."
Cue Rosie conspiring with Mimi and CAL to do something and then the next day they launch a full fledged revolution with Rosie's digital mermaid, fairies, and other magical beings army coming in at full force and kicking Titanium out of the NSR Tower before kicking the current artists and the og artists out of Vinyl City. (Nobody got hurt thankfully but it did catch the entirety of the city off guard-) Now that the Digital Tripod have gained full control of Vinyl City with Rosie being at the top and looking down at the music capitol from her throne. Mimi and her crew are just vibing while they share their space with the fans while throwing parties at the Kura Kura stream Hub, and CAL continues to be even more of a menace to society while also finding and leaking NSR and OFA's well kept secrets to the public.
While this is all happening Titanium blames herself for the Digital Tripod putting her and everyone else in their current situation, and believes that she should've done something sooner to prevent it. She does talk with her sister Sonya and then they talk with Tatiana and Olive before they all agree that they need to first take back Vinyl City in order to get to Rosie and talk things out with her. Sayu and her crew also agree to tag along and also bring Sylvie so they can get to Mimi and talk with her crew and the crew's manager/guardian who's also dealing with stress from taking care of her young nieces and nephew after their parents had tragically passed away in an accident and also having to fight for custody for all of them. Orion would need to enlist the help of her father Kliff since she has no idea why CAL decided to go along with Rosie's plan and find a way to get to him without using the option to shut him down. I don't know which of the other artists would also join the 3 groups to confront CAL, Mimi, and Rosie but I think they would want to help in some way.
This is all I have so far, and maybe I might go into it more but this was all just an idea I had come to me. I hope you enjoy :D
That Tatiana magazine cover was right! "Sayu: The future of music?"
Also, I laughed out loud at you calling them the "Digital Tripod" for some reason lol! It was not a nickname I expected but it was a good one nonetheless!
For some reason, I can also see the Digital Tripod as just having gone into everyone's account and just locked everyone's emails and stuff. I know you said everyone was kicked out physically, but these being youngsters all in the digital space/mindset just makes me think of an IT person changing passwords to piss off non-tech literate people lol.
Plus the idea that all of the Digital Tripod are just doing this for shits and giggles is funny as hell. I know Rosie wants things to change, but the others are a lot more selfish from what I read. With Mimi and Crew just partying and having fun while CAL is literally revealing secrets of the company (which I am surprised Rosie or the others aren't trying to stop).
It really does just feel like a bunch of kids that let the power go to their heads in like 3 seconds of getting it lol.
#doveriathegoddess#nsr#no straight roads#othfic#othideas#eritalks#noart#asks#these kids are going to be so punished#and have their internet taken away#put only on airplane mode#for the more digital ones#lol
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