#been thinking about this a lot tbh!

[bean-spring]

Hot take and not to be a killjoy or the shipping police but people treating Viktor or Jinx's aroace headcanons as if they were canon is not the revolutionary take people think it is.

Headcanons are always all right but we have to acknowledge that they are somehow damaging when they apply to stereotypes. It might not be the case for everyone but most of the time people unconsciously assume that disability/mental illness=asexuality. These headcanons erase the freedom of attraction from people who are already seen as unable to have sexual/romantic experiences/desires, when it's completely untrue and harmful.

You can headcanon Viktor and Jinx as aroace, but I have seen people changing their minds once Viktor is no longer disabled (s2 with all of his other forms) and Jinx is no longer as mentally ill (alternate universe Powder). And it speaks wonders of how people see these characters.

"I never thought about Jinx being able to feel romantic/sexual attraction until s2!" To believe she's actually only capable of that when she's not "damaged" is incredibly disturbing. Especially since Jinx has always had a bit of a flirty personality too.

"I've always seen Viktor as asexual, I don't know why!" That's fine. You can headcanon him as ace. But I believe there is a reason behind it, most of the time, if for some inexplicable reason the "vibes" of the disabled character are making you think he's ace.

I say all of this being aroaspec myself, by the way. Headcanon all you want but going to people's posts commenting how "it's weird for you that they have romantic/sexual plots when they're clearly aroace" is not a win at all. It's a headcanon, after all, and it should be treated as such, and that's fine. But it also is damaging to spread stereotypes like these.

Of course the disabled character is asexual. Of course the mentally ill character is aromantic. It's not as revolutionary as you might think, tbh.

Fandom is not activism and it's all right to have any headcanons you want BUT some of them are filled with damaging stuff and perhaps we should look into ourselves more before treating these assumptions as something canon.

[mxrtified777]

krunk

[xxplastic-cubexx]

Hi!! Your Cherik is so good and gorgeous 🤩🤩 If you don't mind wanna try to draw some Fall of X Cherik please?

thank you so much !!

i have a couple of ideas relating to the fall of x period specifically since theres. A Lot i wanna play with, so i hope this lil thing may be a satisfactory start :]]

and the obligatory bonus:

[hussyknee]

I know some dickheads have now decided that Judaism is the "bad, violent, terrorist religion" and Islam is the "good, peaceful" one, which is only to be expected of white people, but how much of an issue is it currently? Like I've seen some USAmericans sharing how the Islamic faith shapes Gazans values and perseverance (good) except with that distinct white hippie "I'm about to imprint on this like the world's most racist duck" vibe (bad), but I didn't think they're already turning on Judaism in numbers.

Do they realize that Christianity is also the same kind of comfort to Christian minorities in Asia and Africa? That it was Buddhists that genocided the Rohingyas in Myanmar and Tamils in Sri Lanka? That Hindu fundamentalists are even now trying to ethnically cleanse Muslims in India? How Hindus and Christians are terrorized and persecuted in Pakistan? That Muslims have a history of persecuting and ethnically cleansing Jews too?

Really tired of asking y'all to be normal about people's religions man. There's no religion that's inherently violent or exceptionally peaceful. It's just like any other ideology that becomes a weapon in the hands of ethnic power. Interrogate power, not religion, and respect people's belief systems insofar as they aren't in your business.

Edit: I've amended the "long history" of Muslim persecution of Jews because it might be misleading in the current political climate. Zionism and antisemitic Arab nationalism are twin births resulting directly from Christian colonization, and Islamic empires tended to actually be more tolerant of other religions compared to Christianity, especially Judaism, which was considered a sibling religion. Antisemitism wasn't ideologically entrenched in Islamic tradition. It's simply that ethno-religious power will lead to ethno religious domination and intermittent cleansing of minorities, and Islam is no exception. Humans be humaning always.

[katherinemckay]

one musical to movie change i haven't really seen anyone talk about is the subtle difference in how glinda's potential future with the wizard is laid out to her before defying gravity (and how that changes how you can read her motivations).

in the musical the wizard explictly says "you have so many opportunities ahead of you - you both do" and then that's that, so glinda has reason to believe she has a legitimate future with the wizard regardless of whether elphaba's there. this can play into the interpretation that she stays behind for her own ambitions - she clearly has opportunities waiting for her.

however, this actually isn't how it comes across in the movie, at least to me. the wizard's original inclusion of glinda in his plans is changed from explicitly mentioning opportunity to just "you having a home here [...] and if it'll make you happy, possibly, your friend." in the movie version, the wizard directly states only that glinda would be joining them in the palace - and it's merely a suggestion as an addition to elphaba (she's even just referred to as her friend, not being spoken directly to) to make elphaba want to stay, rather than him describing glinda as someone who could have her own individual opportunities.

then, when elphaba runs away, morrible tells glinda "you want to do yourself some good, bring her back." here, morrible now suggests that glinda could do something for herself and her individual future. what i find interesting is that glinda instead jumps on the hot air balloon with elphaba and even fights off the guards with her. while glinda does try to talk elphaba down for awhile ("let's just have a word with them," "you've got to let him explain," etc.), she ultimately abandons this approach by the time elphaba has chosen to defy gravity.

in the movie, glinda goes against morrible's direct orders of bringing elphaba back when she accepts elphaba's choice to leave and helps her get ready. this means that by supporting elphaba in her decision, glinda actually abandons the chance she believes she has to finally get in with morrible (and by extension the wizard). in movie-verse, glinda really has no reason to believe staying behind without elphaba could advance her own ambitions, because both the wizard and morrible have laid out a potential future for her that is reliant on having elphaba at her side and keeping elphaba compliant to them (and using glinda to do that). i don't think that movie!glinda ultimately stays behind for selfish/power-seeking reasons, because the wizard and morrible haven't actually suggested to her that she has a path alongside them as an individual. (they also just truly show no interest in glinda as an individual person in a much more obvious way than in the musical, but that could be its own post.)

ariana grande has spoken a couple times on how one of the emotions glinda feels in the added hug scene with morrible is relief, and i think this all is why. glinda chose to stay behind while helping elphaba escape, knowing it was disobeying what was asked of her. given glinda is also being detained by the guards in that moment, i think that relief comes from her genuinely not having known if she would be safe or would become essentially a prisoner after staying behind, and feeling relief when morrible does free/accept her and suggests there's still a path for her.

there's definitely moral grayness to discuss with how glinda accepts her position within the regime and settles into it, but i think (in movie-verse) the actual choice to stay behind isn't one of those moments — it wasn't established to glinda that staying behind without elphaba could actually lead her to power and opportunity with the wizard, and she directly goes against the one path to power that was suggested to her by helping elphaba leave.

[varilien]

don't get any closer !!!

Palestine: Funds | Action | eSims | Info Sudan Resources | Congo Resources

[leaderincrows]

Alright here are the majority of my thoughts on Sylus’ dragon demon fiend design as if I am some deranged naturalist spying on him from the mouth of his cave; if things are easily ruined for you please skip this post lmao

Like all of this said, I’m able to forgive it because I’m really really really into his battle animations. Just that entrance when he spawns into the pre fight screen where him and his tail hit the ground with some weight, and then the attitude when he hovers and whips his tail around?? The animators did their job well. I just wish there was more clear reasoning.

[teawithghosts]

I may be reaching corn plate levels here but I do like thinking about the music player in Silco's office.

Silco turning The Last Drop into a nightclub coincides with the general consensus that Young Silco was one for dancing his heart out.

Yet it's hard for me to picture Present Silco having much joy left in him to dance.

But maybe some nights when the horrors are quiet enough he clicks it on and allows himself to let loose for a moment before it all gets a bit too nostalgic. Especially when dancing alone.

[buggachat]

seeing a lot of talk of the season 5 finale, which is fun, i get that it was controversial (honestly the fact it was really risky is kind of one of the things i like about it lol) and wanting to add my two cents but can't think of much i haven't already said before

but something i do want to emphasize is that season 5 ending on Marinette telling the biggest, boldest faced lie she's ever told (that goes far beyond "protecting her identity") to kick off the Lila arc is by far the coolest thing they could've done imo, because I was not at all excited for the Lila arc before but now I'm totally invested. Now Lila isn't the Evil Liar to be taken down by Good Marinette. Marinette is the liar to be taken down by the very liar that she took down. It's not a story of "defeat that freakishly evil girl" anymore, but instead a story of "Marinette's own actions and decisions coming back to bite her". And the lie itself (WHICH LILA KNOWS IS A LIE!!) only exists because, and is most impactful towards, her relationship with Adrien, which is the core of the series!! I CARE about their relationship, and that's the stakes!!!

I just cannot get over how cool that is, and how much I didn't expect it. I know we all were expecting a big fight with Ladybug and Chat Noir just defeating Gabriel and then watching Chat Noir cry or whatever in the few remaining minutes of screen-time and then it's all over and done with, but that's a series finale. This was a season finale. And they did something really unique and unexpected with it, while making sure it's a juicy season-finale conflict that leaves me actually excited about season 6

also, a side note— I think the framing of the finale made this confusing so I totally get why discussions about it are kind of all over the place, but... 90% of the post-wish stuff we saw had nothing to do with Gabriel at all. It was all Mayor Bustier, who was already running for mayor and wanted to enact green laws and projected to win (she was up against D'Argencourt, the character whose schtick is that nobody ever votes for him in elections). I don't think Gabriel's wish included "Please, Gimmi, I want my son's school teacher to win the mayoral election this year" lol. So a lot of talk of "why is Gabriel's World presented in such a positive light?" is kind of weird to me. That's not Gabriel's World. That's Caline Bustier's. All we know so far about Gabriel's World is that Nathalie is in it and he is not. And frankly, the fact everyone is so happy and cheerful and living it up after his death is more a roast than anything

( also, just a reminder that the presentation of Gabriel's statue— the only scene discussing Gabriel in a positive light by someone In The Know— was done by Tomoe Tsurugi, a series antagonist, vowing to continue his work, with a song in minor key playing in the background. i feel like the question of "was this meant to be unsettling or triumphant?" is pretty obvious. just wanted to remind everyone. also by definition characters cannot celebrate gabriel as a "hero" without in the same breath celebrating monarch's, aka gabriel's, death. yknow? )

[failbuster-emmy]

Something something Reimu Hakurei.

Okay but like. I don't know if it's that people just don't get it or don't really explore it often or what the deal is but Reimu is a complex character and I feel like I don't see that depicted often enough. Last time I can remember seeing a fanwork that really portrayed it was a little bit in Reireimu. Reimu does not love violence. Her job is supposed to BE violence, killing youkai and all. But she specifically designed a new set of rules that would prevent death from being necessary to resolve conflicts and incidents. Don't get me wrong, she isn't scared to pick a fight, but Reimu canonically wants youkai and humans to be able to coexist and live in peace, but her role as the Hakurei Maiden is, at its most simple level, to prevent that. Reimu does not like thinking about this. She does not like thinking about how this contradiction complicates her life.

Now there's a lot of places you could take this in a fanwork, as with most pieces of touhou lore, but I have a soft spot for how this can play into her relationships, platonic or romantic

Marisa: Reimu and Marisa, practically joined at the hip. Marisa does not have the same issues as Reimu in this regard, she's an outcast, she ran off from her family to live in the forest and do magic, she not about to let some stupid idea humans have get in the way of her being pals with youkai, see Alice and Nitori. Marisa would want to help Reimu get over this, try to get her to be less guilty feeling about being friendly with youkai, because honestly, Marisa isn't friends with the Hakurei Maiden, she's friends with Reimu, and she wants to see Reimu be herself and not feel bad about it.

Aya: Reimu and Aya both are forced into boxes by their respective roles. It'd be sorta taboo on both sides for them to mingle and be genuinely close, so I think it'd make them both feel better to take that step forward and rebel against the dumb ass rules and just do what they wanna.

Suika: I don't see enough if these two being drinking buddies honestly. I can see Suika drunkenly explaining why she caused the incident in Immaterial and Missing Power, how she just everyone to come together and drink, party, and get along. Reimu drunkenly responds that she wants that too.

Yukari: This one is interesting. The whole thing with Aya and being close with a youkai applies here, but I think it's most interesting for Yukari, letting herself get attached to another human after you KNOW she was distraught after Yuyuko. Reimu reminds Yukari of what it's like to be human. I enjoy that.

Sanae: Sanae comes into Gensokyo, fresh faced, ready to exterminate some youkai! And then she gets attached to some youkai, and sure she's still a shrine maiden and she does fight youkai, but she's less weighed down by befriending them than Reimu because she's not betraying her life's purpose by doing so. Sanae might be an airheaded goober, but like Marisa, I don't think she'd want Reimu to feel so guilty about being herself.

You can find something for most of Reimu's character relationships, and I think it's neat. Let that shrine maiden be silly.

[lightningbig]

sorry twilight princess will always be eating holes in my brain. constantly and forever. I cannot ever be normal about it.

it's such a haunted game. you are a dead thing going through a dead world. you are something in between. you can go back but it will never be the same. you will never be the same. you are walking, constantly, through ghosts of what came before. you are exploring places long forgotten. you are the only one on this path because there is no one else that can walk it. you were just a farm boy. you were in the wrong place at the wrong time. right place at the wrong time? wrong place at the right time? you were just supposed to deliver a sword.

[meamiki]

mira !!! :]

[deoidesign]

Thinking about vampires, death, life, and the space they occupy in between

[legendoflozer]

Legend and Sky as a duo is so funny to me!!

Red to the last pic

[mellowmonsters]

🔴♥️🔵

[fatedroses]

More than just the Demon.