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deathbypufferfish · 2 years ago
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Here's the second list but for story ideas for the sims!
This list is comprised of ideas that have to do with storylines, scenarios, character dynamics, conflicts, character attributes, and more! Of course you can technically do whatever you want in a sims story, but this list is curated to story ideas that can in some way be played out in-game. Whether it's through the game, mods, or imagination. A lot of these are not wholesome lol, if you are looking for more wholesome story ideas I recommend my gameplay list. Please feel free to add to the story soup! Just note in your ask it is for the soup and keep it within the parameters I mentioned above. (To keep the post from getting too long I'll make a contributor list into a compressed image later on for those who send off-anon.)
If you are looking for sims gameplay centered ideas check out the Gameplay Gumbo list here!
🍲 Soup below the cut! ⬇
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Conflict:
Money loss from gambling
A character is addicted to shoplifting
A huge fight at a wedding, funeral, large event etc.
Financial difficulties
Miscommunication
Drop out of or fail university
Drop out or fail out of high school
Shit talk a friend/family member
Loss of job
Failed business
Blackmail
Death of family member/friend/love interest
A character is caught cheating on their partner and is blackmailed for it.
Arson (fireworks indoors)
A character steals money from another/asks for a large loan and never pays it back
Betrayal from a friend
Character spirals after a break up
Evicted from home/apartment
House fire
Love:
A forgotten anniversary
Meet Cute: two characters meet on a train
Side character is caught cheating
Meet Cute: two characters meet when one of them finds the other’s lost pet
Child out of infidelity (keep it a secret for a long time or get caught)
Divorce (amicable or messy)
A celebrity character falls in love with their bodyguard
A potential love interest is rich kid looking for someone to make their life more “interesting”
Have a couple have a huge fight and makeup
A rejected proposal
Best friends/siblings have feelings for the same person
Character has a fear of commitment
A best friend is moving away and your character has to confess their love to them
Enemies to lovers
Competitive coworkers turned lovers
A couple breaks up over one of them losing all their money
Start a throuple/open relationship (Open Love Life Mod)
Be the other person in someone’s affair
Have an affair
A reluctant partner abandons their partner when they get pregnant (Good with Relationship & Pregnancy Overhaul Mod)
Runaway bride/groom/partner
Bridezilla
Running away together
Meet the parents
Affair
Partner lied about who they are
Accidental kiss
Fake relationship
Enemies to lovers
Forbidden love
Give an old relationship a second chance
Unrequited Love
Divorced couple getting back together (possibly secretly/affair)
Secret Admirer
Vegas/Drunk wedding
Secretly in love with partner’s friend/family member
Love triangle leads to throuple
Rocky marriage
Couple that refuses to divorce
Have a one night stand (Simda Dating App)
Friends who are in denial about being in love
Trophy Wife/Husband/Partner
Couple wants different things
Couple from different social class/different worlds
Married because of an unexpected pregnancy
Married too young
A couple married for a long time having intimacy problems
Happy or unhappy couple has separate rooms/beds
A marriage doesn’t last long
Bromance turns into romance
Childhood friends to lovers later in life
Clingy, jealous partner
Family:
Someone abandons the family
Annoying/Terrible in-laws
Overbearing/Overprotective parent
Neglectful parent
Having to choose between your partner and your family who dislikes them
Bad sibling relationships
Conflict-avoidant family (buries all their problems)
Disagreeing on how to parent
A child is getting bullied by their peers
Strained Parent/Teen relationship
Teen Pregnancy (Supportive or Unsupportive family. Good with Relationship & Pregnancy Mod)
Found family
Blended family
Multi-generational family
Tension between step-parent and step-children
Tension between step-siblings
Chaos children
Tension between the favorite child and their siblings
Sudden or unexpected baby (possibly from one night stand/fling)
Secret baby from old relationship
Amicable exes who co-parent well together
Nepotism
Dysfunctional family
Breaking the cycle of bad parenting
Cool Uncle/Cool Aunt
Children being raised by family other than their parents (aunt, uncle, sibling, grandparents)
Single parent
Divorced parent who spoils their kids
Disowned child/parent
Embarrassing Parent
Parent prioritizes work over family/partner
Family Curse
Humble parents, spoiled kids
Child wants to be nothing like their parent(s)
Platonic co-parenting
Secret family
Sibling jealousy
My Favorite Mods for Storytelling:
Simda Dating App
Contextual Social Interactions
First Impressions
LGBTQIA+ Mod
Open Love Life
Relationship & Pregnancy Overhaul
Wicked Whims (18+, mod not linked)
Basemental Drugs (18+, mod not linked)
Resources Used
List is added to when I have new ideas so check in time-to-time for more!
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brainrotcharacters · 3 months ago
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When irl pisses me off, I rewatch the Honda Odyssey scene to relax
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inkoutsidethelines · 2 years ago
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Thinking about how I would write an adult Scooby-Doo series, because I think it can be done.
The first thing I’d do is make the characters actually be adults.  Still young, but adults, in the mid to late 20s range.  Mystery Inc. is a private detective type business that they run together.  In this universe, the supernatural/ghosts/etc are real, but not necessarily common, so when they take on a case, the culprit might be a person disguised as a monster, or it might actually be a real ghost.  The stakes can be higher; sometimes a bad guy is legitimately trying to kill them.  Sometimes the mystery they’re trying to solve is a murder.  Sometimes they actually get hurt on their cases.
Fred: the core of Fred’s character should be that he’s incredibly kind.  Like, give a stranger the shirt off his back kind.  The “Fred can’t talk to potential clients because he might take a case for free and we need to eat” kind.  He’s an honest and good person and sometimes gets himself into trouble because he assumes other people are too.  While he’s not very good at reading people or noticing ulterior motives, he’s brilliant when it comes to mechanical or engineering type stuff, so he’s the one who keeps the mystery machine running, builds their gadgets, and of course, designs the traps.
Daphne: she comes from old money, and her parents absolutely despise her life choices, to the point where they haven’t officially disowned her, but they have basically cut her off, so she doesn’t actually have access to any family money.  Growing up wealthy has granted her a variety of skills, including speaking multiple languages, horseback riding, and fencing.  She’s very into fashion and jewelry (even if she can’t afford it anymore) and has extensive knowledge of both that can occasionally provide a vital clue in a case. And even though her parents have cut her off, Daphne still has a wide network of contacts she can ask for favors sometimes, because she’s personable, and people tend to like her.  Daphne is also very emotionally intelligent, and is usually the one who can spot when someone is lying to them.
Side note - I ship Fred and Daphne, so I think I would start them off as an established couple for this universe.  Dating, engaged, married, I don’t care.  They are stupidly in love, ride or die for each other.  There’s no will they, won’t they, no worries about cheating.  They are in a healthy, happy, loving relationship, and no one (not even Daphne’s disapproving parents) are going to mess that up for them.
Velma: she is the forensics nerd who sometimes gets super excited about the wrong thing at the wrong time (”He was mummified in seconds? That’s so cool!” “Velma!  His wife is standing right there!” “Oh.  Sorry.”).  She’s not purposely insensitive, she just gets laser focused on her work and forgets to filter herself sometimes.  She’s also the one who can get so fixated on solving whatever mystery they’re working on, she’s willing to bend or maybe break laws.  Is breaking and entering really so bad?  Not if it gets them answers.
Shaggy: he is still the comic relief, but he’s the comic relief by being the only person in the group that actually has common sense.  He manages the business’s finances, he’s the only one who knows how to cook, and the others tease him for being a coward sometimes, but Shaggy maintains that if a ghost with an axe is coming for you, running is the only sensible option.  He should also have a range of random knowledge that sounds useless, but sometimes saves the day (ex ventriloquism, origami, the history of spoons, etc).
Scooby: as this is a universe where supernatural creatures exist, Scooby is an ancient eldritch type being that took a shine to Shaggy when he was a kid, and took the form of a talking dog to befriend and hang out with him.  Aside from the talking dog bit and not aging, he never uses his powers in a way that anyone notices.  The audience is not told upfront that Scooby is an ancient eldritch being; it should slowly be hinted at throughout the series so the audience put it together, but the characters never realize it.  Scooby genuinely considers Shaggy to be his best friend, and cares about the rest of the gang too.
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alenseress · 2 years ago
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I think I peaked with this art specifically
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idolomantises · 3 days ago
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Man is it just me or are a lot of TV shows nowadays are written to have big emotional episodes in scenes with very little build up.
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arimiadev · 5 months ago
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*non-vn gaming journalists constantly foaming at the mouth to assert how much they hate visual novels*
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(this is for a review of tsukihime)
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pangur-and-grim · 3 months ago
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I had to go to a different veterinary clinic this weekend because my usual place is only open weekdays, and the vet was so rough with Grim, for no reason �� like Grim was purring and trying to headbutt this lady and doing cute little meows (despite being so ill that she was gagging and mouth-breathing), and then this lady SCRUFFS HER to get her onto the scale. and continues to use excessive force in pinning her down for the examination. I've been to 12 years worth of vets with Grim, and I've never seen someone act this way. it was so stressful.
on the bright side thought, this vet was obviously component in other areas, because the meds are already working. she's on antibiotics and something to help her airways open (because the throat infection triggered pre-existing asthma), and it's obvious she feels so much more comfortable.
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sev-ille · 1 month ago
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I may be pointing out something completely obvious, but Round 7 takes place immediately after Round 6?
Like immediately after.
Hyuna is still there, bleeding. Like it's so unlikely that Mizi and Hyuna have just been roaming for days. Like after round 6, it's been maybe a few hours at most?
My thoughts are a mess rn but damn that sucks for Till if that's true (not that it doesn't suck if it's not).
Ivan dies in front of him, then he has a change of outfit and immediately has to move onto the next Round. No wonder he looks so fatigued, like he's about to pass out at any moment.
Did he even get to eat or drink anything? I wouldn't be surprised if he didn't, but still.
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sakuravalelp · 4 months ago
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Phantom letters - DPXDC PROMPT
The bats wake up one day to the internet going crazy; people around the world were getting letters from they're diseased loved ones. The reactions are mixed, from people being outraged for the "prank" to people crying in melancholy at getting closure.
All the letters have something in common: They're closed with a green sealing wax that had an stylize DP and the name Phantom beneath it. Posts about the cards were using the # Phantom Letters.
The bats are discussing the viral posts in the cave when Alfred comes holding a basket filled with letters, announcing they were left at the doors. The letters had the sealing wax that they recognize from the posts. Checking the cameras they can see how they glitch before the basket appears.
Alfred starts to distribute the letters that had only one destinatary. Letters from each Thomas and Martha to both Bruce and Alfred. Letters from each John and Mary to Dick. A letter from Catherine to Jason. A letter from the Drake's to Tim, and another one to Bruce.
Once they had calmed down enough from the shock, Alfred proceeded to read the shared recipients. From Thomas and Martha to "The grandchildren we never got to meet." From John and Mary to "the family that took our little Robin in." Letters from Catherine to "My little boys family." The letters were directed to people the deceased didn't get to meet.
As much as the mere existence of the letters tugged at their hearts, they decided to not read them until they verified that the handwriting actually belong to the ones it claimed. They checked each letter, and in the end confirmed the letters were in fact from they're lost love ones.
After much discussion, each person makes the decision to read they're own letters later in private, and they proceed to read the ones that shared recipients out loud. The letter mentioned specifics like names and events that the deceased shouldn't have been able to know, including they're vigilante abilities, which had them pause each time to panic a bit. But what was more interested were certain pieces of the letters that mentioned a Prince Phantom.
"Prince Phantom said to don't mention things past our death, but it wasn't a command, so we're hoping this won't be much of a problem." - John and Mary
"I still can't believe Prince Phantom is letting us do this, but I'm so glad." - Catherine
It finally paints the mystery in a more concerning light when at the end of Thomas and Martha's letter there is a call for help.
"We're sorry for ending the letter on a serious tone, but seeing the kind of job you all get involved in, we wanted to ask: Could you please help Prince Phantom? Phantom had asked us to not give information about this, but he's so young, and has already been hurt so much. Please, check on Amity Park, Illinois."
-_-_-_-_-_-_-_-
Meanwhile, team Phantom has decided that they needed to get the news about the GIW out of Amity and ask for help. Two problems:
the GIW blocks any technological attempt made.
People might be afraid to learn that ghosts exist and side with the GIW.
As a way to deal with the public image, Phantom opens a possibility that the death have never had:
"All afterlives are open to write letters to their love ones that are still alive today. Nothing that includes threats, and don't go talking about the anti-ecto acts or Amity Park yet, we're trying to ease people into our existence first. Also, I know you all check on your love ones when the veil is thin, but please keep the things you shouldn't know out of the letters if possible. If you want your letter to be sent in the first batch, make sure to deliver your letter before the week ends."
Letters are a good way to reconnect people with the death, they aren't digital, and the GIW won't be able to intercept letters if they're send through inter-dimensional portals. Two birds in one shot.
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ceilidho · 2 months ago
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take me home, country road
[ao3]
You have nothing on your person apart from a hastily packed suitcase and the dress you came into town wearing, on the run from trouble back home. Too bad John's missing a bride that matches your description. Or: the 1800s (mistaken) mail order bride au (chapter 16 + 17) tw: violence, injuries, and misogynistic language
first chapter >> last chapter
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Sinking into fear is the body’s natural response. You let it envelope you without putting up a struggle. It wouldn’t be one that you’d win anyway. Resistance already leaks out of you like tar, pooling around your quivering legs.  
It makes you feel lighter than air, almost buoyant; and conversely, heavier than lead. 
You can’t feel the cold metal of the gun through the layers of fabric separating it from the skin of your back, but you can feel its weight. And you can imagine it burning into you, burning a ring into the flesh, the muzzle leaving faint depressions behind, circular indents.
“Don’t feel so clever now, huh?”
Fear chokes as well as it binds. When the man you remember as Graves (appropriately named, you think, the gravity of the situation sinking into you as well) drawls the words into your ear, any moisture in your mouth dries. 
“Well?” he prompts, shoving the gun harder into your back, almost sending you toppling into the shelf still in front of you obscuring you from sight. “Got anythin’ to say?”
You open your mouth but nothing comes out.
“You a mute, girl? I know you ain’t deaf since you heard I’d been sniffin’ around lookin’ for ya. ‘Least I’m guessin’ you did, since you managed to give me the slip for the whole time I was in town.” He sniffs. “Took me a while to find out you were shacked up with the sheriff. Hiding in plain sight. Couldn’t believe I missed ya when Sheriff Price was damn near the first person I met in this two-bit town.”
You finally muster up the nerve to speak. “Y-you’re making a mistake.” 
The furled upper lip is audible in his voice. “I’d try not to piss me off too much, sugar. Lyin’ just rubs me the wrong way is all.”
“No, you—you really don’t—” 
He shoves the gun harder into your back, making you wince. “Now, I know you’re a slippery little bitch, so I’ll level with you, alright?” Graves murmurs, pitching his voice low to ensure that only you hear. “You make so much as a peep—so much as a fuckin’ whisper—and I’ll shoot. Wink and I’ll shoot. I am dyin’ for you to give me a reason to go with the better half of the dead or alive question.”
There’s no point in lying. It might’ve worked had it been anyone but the man holding you hostage; not a man as stubborn and mulish as him. You nod when he asks if you understand.
“Now get to steppin’.”
He doesn’t tarry long, leading you out of the shop with a hand on your shoulder and . You stare at Miles with mounting horror, wordlessly begging him to look up from the ledger open in front of him on the counter. Your prayers go unanswered though; he doesn’t so much as glance towards the door before it’s swinging shut behind you.
“Remember,” Graves says in a low voice as the two of you step out onto the porch, “not a word. I will shoot anyone that tries to interfere.” 
That kills the impulse to shout for help. 
The thought of letting Graves take you away without voicing so much as a single plea fills you with horror, but you can’t see any other way out. He walks you through the streets like an old friend, the pistol still wedged into your back obscured by his coat. No one seems to notice the wild look in your eyes or the strained edge of your smile. 
Your behavior infuriates you. Demural and soft and wretched. You’ve only allowed one man to put you under their thumb; only one has ever earned the right. 
The thought of your husband is an ache in your chest that doesn’t abate. It thumps with the terrified flutter of your heart. You half wonder if he’ll suddenly appear from around a bend and wrench you into his arms, gun already drawn and aimed at the man attempting to take you away from him. 
“My husband—” you start, tripping over your words. Almost tripping over a rock as well since your spine is too stiff to let you look down at the ground while you walk. “—He can—he can pay you.”
He laughs, a nasty, mocking sound. “I’m sure he’d like to, sugar. Jus' ain’t sure he’s got the cash to pay your price.”
“At least let me ask—”
At that, he jams the gun violently into the small of your back, making you wince agaun. Petrified. Sweat sluices off your brow and drips down your face. “What part of shut the fuck up don’t you get?”
That silences you. Hard to muster up the nerve to retaliate with a gun lodged against the base of your spine. Still there’s so much that bears asking. Why did he come back? Why here—why now? 
The town takes on a dull, listless quality as he steers you away from the more crowded areas. It’s almost like looking through muslin; a veil between you and the world. 
Your eyes dart from person to person as they pass by in the opposite direction, but even those that bother to meet your gaze only smile politely, a couple passing gentlemen chirping, “Morning, Mrs. Price” before sweeping by in a hurry. 
None question the wild, frantic glint in your eye, the look of a horse about to bolt. If they paid you more than a moment’s notice, they might, but even the lady who frowns curiously at Graves, his hand still resting gently on your arm as if he were an old, dear friend, abandons her momentary curiosity when her companion says something of interest, pulling her back into their conversation. The flicker of hope in your belly dies a soundless death. 
There’s something almost phantasmagorical about the entire ordeal. Almost like it isn’t quite happening, like you can’t quite make yourself believe that this is, in fact, real. Like you’re watching from outside of yourself. Though you can see the wooden facades of the nearby buildings and smell the scent of hay and manure from the livery stable, it doesn’t resonate within you as real. 
He meanders through town with you stationed in front of him. A meat shield. Collateral damage. Simply by the way he maneuvers you through the crowd, he reduces you to a body, stripping you of any semblance of personhood. You’re less than meat to him, less than human even—no more than a meal ticket. 
When you muster up the courage to open your mouth the next time someone passes you by, Graves’ hand slides up to your shoulder and he digs his fingers into the bone. A warning. 
“If you think I was kiddin’ before, just try me,” he sneers into your ear, thumb pressing into your shoulder blade until you wince. 
Again, his voice dispels any thought of getting someone’s attention. 
He doesn’t lead you towards the train station like you expect. Instead, he heads to an awning beneath the saloon on the periphery of town where a couple horses are leashed to a post, waiting for their riders to come untie them. The roof of the awning is strung with a dense cluster of overlapping cobwebs. A spider scuttles across the web and into the dark inner recesses of the canopy. 
This far from the center of town, there’s hardly anyone. When you give your surroundings a quick glance, you can’t find a single other soul within earshot, only a single man pushing open the batwing doors on his way into the saloon. Then you’re alone again. 
A tawny gelding chuffs when Graves approaches.  When he suddenly unhands you, it doesn’t click until he’s several paces away from you, running his hand down his horse’s neck and rifling through the saddlebags, emptying the contents of his coat pockets into them. You have to glance down at your shoulder just to be sure. He sheathes his gun as well, tucking it into the holster fixed to his belt. 
“Bought the horse off a drunk three towns back,” Graves explains while loading up the horse.
You don’t respond, still unsettled. It’s the first time since he led you out of the general store that his gun hasn’t been aimed at you. It wouldn’t be practical for him to dress and load the horse one handed. The sun beats down on you, burning the top of your head. This could be your moment—a moment to scream or run away.
But you don’t. You don’t scream and you don’t run because you are, above all else, a coward. Through and through. You’ve been running from your problems for months now, leaving someone else to take care of the mess you left behind. 
Fear paralyzes you; it makes you think too much or not at all. Even now, with Graves giving you the perfect opportunity to turn and run, you can’t stop thinking about the potential consequences. What if he were to shoot you? What if he were to haul you back into town and expose your sins to everyone who gathered around? What if the people in town that have come to see you as one of their own were to gather around your crumpled form and stare at you with vitriol and disgust? 
“How did you—” you start, then pause to breathe, the nausea building again. “I thought you’d left town.”
“You’d’ve liked that, huh?” 
You don’t answer that. You know better than to antagonize a man with a gun. 
He sighs when you don’t rise to the bait, almost pettish. “Wedding announcement. I saw it in the paper—by then, I’d moved on to Lexington, so it took me awhile to backtrack, but I just knew somethin’ about that bit in the paper about the sheriff’s wife hailing from the east coast didn’t sound right. Too big of a coincidence. Had to at least be sure—retrace my footsteps. Lotta money on the line, you know.”
You stare straight ahead at that. You ought to have known. 
(“In the paper. The county sheriff got hitched—of course it’d be a story.”)
“To be honest, that kinda cracked me up. Murderess marrying the county sheriff.” He snorts out a laugh, shaking his head. “Sorta thing you’d read about in a dime novel.”
A new emotion wells up within you. It simmers in your belly, hot and cold at once. Righteous fury. All this time, you’ve been betraying yourself with your silence, allowing men to read your fear as guilt. Complicit in your own ruin. 
“I’m not a murderer.”
The look he gives you is withering. “Sugar, I hate to break it to you, but you did kill a man.”
You open your mouth, but nothing comes out. Nothing ever does, it seems.  But the more you hold it in, the uglier the thought seems, until it erupts from your chest like Vesuvius, lava and tephra shooting out. 
“He deserved it,” you finally spit out, the words coming from deep in your chest. 
Graves doesn’t even pause in his ministrations, back to tightening the saddle straps. 
“He deserved it,” you repeat, spittle flying out of your mouth and landing in the dirt between the two of you. 
“That’s not somethin’ I usually concern myself with,” he finally says, looking distinctly unimpressed when he meets your stare. Bored blue eyes. 
You’re struck by the sense that your life means so little to him that the circumstances surrounding your bounty hardly merit more than a passing thought. If he could spare less, he would. 
It’s the vilest thing in the world to be regarded with such bored contempt. 
“He would’ve—he would’ve raped me otherwise. I didn’t have a choice.” 
At that, Graves pauses. When he looks towards you, his eyes are curiously blank. 
“Better that than what’ll happen now,” he says, the words so perfunctory that it takes a moment for them to sink in.  When they do, you have to swallow back bile.
His glibness shatters whatever hope you’d had left. 
In that moment, you finally acknowledge that appealing to his sense of decency won’t lead you anywhere because it simply doesn’t exist within him. You’ve known men like him before—those more concerned with lining their own pockets than taking care of the vulnerable people around them. The archetype is not uncommon. You should’ve expected it even, especially from a bounty hunter. 
There won’t be any bribing him or talking your way out of the situation you’ve found yourself in. Whatever facinorous end awaits you back east, he’s happy to shepherd you there so long as it earns him his thirty coins. 
How many times do you have to ask yourself if you’re brave enough to do something before you answer? 
When Graves turns to face you again and takes a step towards you, likely to urge you up onto the saddle, you recoil, stumbling away from him. His eyes sharpen at your movement, fulvous wolf eyes narrowing on you. 
“And here I thought you’d stopped pissin’ me off,” he says lightly, a hard edge underlying his words. His hand lifts to rest against the handle of the revolver tucked back in its sheath, thumb flexing over it. 
“What’s the point?” you retort, nostrils flaring. “You either kill me here or I die there.”
You sound braver than you feel, fear making you shake so hard that your knees almost knock together. 
Graves’ smile is all lip, no crinkling around the eyes. “Oh, I won’t kill you, sugar. I’m a better shot than that.”
Your heart pounds against your ribcage, stomach turning over at the thought of him putting a bullet through your shoulder or leg. 
“I’m surprised you won’t just come quietly. You think the sheriff wouldn’t hand you over to me himself if he found out what kinda woman he married?”
That’s been your fear from the very beginning. The one thing that’s kept you awake at night, the nightmare shaking you out of a dead sleep. You’d convinced yourself that him calling the authorities or even escorting you back east himself was an inevitability. That John Price, paragon of virtue, wouldn’t bend the rules for anyone, much less you. 
But the more you think about it, the less sense it seems to make. Every tender word and touch rises to the forefront of your memory. If John has shown you anything, it’s love. He’s proven his devotion a thousand times over, shown you time and again that were you to leave, he’d come running. 
Suddenly, the thought that your husband would let someone take you away from him seems preposterous. It doesn’t align at all with the man you know. He’d go to hell and back for you, would rip out a man’s tongue for speaking to you the way Graves speaks to you now. Hindsight makes that clear. 
You meet his eyes, intention set. “I’d rather just ask him.”
Blue eyes turn to flint, flat. Droll candor shed for ruthlessness. Silence before a storm. 
He’s on you before you even have a chance to whirl around and make a run for it, arm cutting into your windpipe when he wraps it around your neck. He drags you back into the shadows of the awning, out of sight from anyone on the street; your heels score lines in the dirt. You choke, wheezing on your next breath, but his arm tightens, trapping the scream in your throat. 
“Shoulda done this before,” Graves grunts, reaching into his back pocket and pulling out the pair of cuffs he had tucked away. 
When he unhooks his arm from around your neck, you gasp for breath, sucking in deep lungfuls of air. Panic swirls and rises in your chest. 
“Get your hands off—” you hiss, beating his arm with your fist to no avail. He yanks your arms in front of you until your wrists are pressed close together. Your blood curdles at the feeling of cold iron against your skin and the gut-wrenching sound of handcuffs being fixed around your wrists, tightened to the point of pain. You can hardly flex your hands with how tight they’re bound. “Let me go, let ME GO—”
He pulls you in close again. “Don’t think I won’t tape your fuckin’ mouth shut too,” Graves snarls in your ear. Nausea swells in your belly. 
“Please— please don’t do this—” you beg, a sob breaking from your chest now. 
He sighs, long suffering. “Lord knows I tried to warn you.”
Despite the threat, Graves doesn’t tape your mouth shut. Instead, he fastens a rough piece of rope around your head, fitting it between your teeth like a bit. You don’t have it in you to be thankful for small mercies this time. The hemp cord scratches the corners of your mouth when you try to move your lips around it. 
“There,” he says, giving you a rough shake, satisfied. “That’s better. Can finally hear myself think.”
The tears leak out of the corners of your eyes in big, fat droplets, clouding your vision. When he wipes your cheeks with a calloused hand, the nail of his thumb catches on the delicate skin under your eye, leaving a thin cut. The pain makes you flinch, staring daggers at the man in front of you, but he doesn’t apologize for his rough handling. 
Graves heaves himself up onto the saddle first, swinging a leg over with practiced ease. You yelp when he hauls you up after, setting you on the saddle in front of him. Heat crawls up your neck when your skirt billows around your waist, horrified. 
“Save your tears, sugar,” he tells you, gathering the reins in one hand. “You’ll need ‘em for later.”
The horse whinnies when Graves pulls upward and guides him towards the road leading out of town, hooves clopping against the dirt. Your heart shoots up into your throat. 
Galloping out of town, you chance a glance back, head spinning as the world blurs around you. A man stands under the awning you just left, his head cocked as if stupefied. He’s too far away for you to get a proper look at his face though, no way to tell if he’s someone that might recognize you and alert John. You try to scream or wave your hands—anything to get his attention, to let the stranger know that something is wrong. 
You watch until the figure melds into the surrounding town. 
You keep waiting for someone to appear from behind you. A tall figure to darken the horizon, blot it like the moon passing over the sun. 
The last bastion of your hope collapses into rubble the farther away you ride, no man nor horse following you in pursuit. And then a hand grabs a fistful of your hair and wrenches your head back around, cutting off your view.
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The plan is to leave the horse in the next town you reach and take a train back east. Graves would’ve done that back in the town you just left, he tells you, but he wanted to put as much distance between you and the sheriff. 
“You never know with men who’ve gotten a taste of married life,” he says when he finally deigns to stop miles from town, sitting on a rock and having a drink while he leaves you tied to the horse by your wrists. You shift from foot to foot, a cramp winding up your legs. “They get themselves a little pussy and lose all sense of dignity or morality. Can’t be trusted to do the right thing.” 
Steam practically billows out of your ears. You have the good sense to keep your mouth shut though, cognizant of the fact that you’re alone out in the middle of nowhere with a man who’d be happy to bring you back dead or alive. Though he hasn’t been quite so explicit, it’s apparent in the way he doesn’t offer to untie you or let you rest as well. The skin under the cuffs on your wrists are rubbed raw from your attempts to free yourself, and from the journey itself, with all the jostling and the persistent cramp in your right shoulder. 
The animal awareness dawns on you during that first rest. He’d taken the rope out when you were far enough outside of town that it didn’t matter if you screamed or not. That’s what stays your tongue now—the creeping notion that you are far from anyone that would be remotely sympathetic to your plight. 
“How much was the bounty?” you ask, more out of morbid curiosity than anything. You balance on one foot to shake the cramp out of the other. 
“Now, I hate to be rude, sugar, but what does it matter to you? It ain’t you collecting the reward.”
Your lips flatten into a taut line, already regretting prying. It’s not like knowing would change anything. 
The break ends sooner than you’d hoped, Graves urging you back onto the horse before taking a seat behind you. It troubles you because you’re not far enough away from town that you couldn’t still be rescued. There’d be more of a chance of John or someone else—one of his deputies, perhaps—coming across you out here. But you don’t have much of a choice. 
Out here, the land stretches on without end. Only the faint blue of a mountain ridge paralleling your route breaks the horizon. The land is flat, sparse apart from the dense shrubbery and trees twisted and bent by the wind. Cottonwood and boxelder. Chokecherry. Dogwood and hawthorn. Lush blooming saltbrush. 
The clear blue sky overhead is almost mocking, the rain from earlier long since abated. There’s hardly a cloud in the sky now. It’d be scenic if you could abstract it from the circumstances. A perfect day for gardening or a brisk walk after being kept indoors because of the rain. You’re still damp from riding through the rain earlier. 
A few bison congregate in a small dip in the terrain, grazing on the wild grass. You stare at them wide-eyed as you gallop along the upper ridge, startled by the sight of so many in one place. 
Despite the sublime beauty of the land, you remain on edge, unable to take anything in or truly enjoy it. Panic and revulsion leave you as gnarled and knotted as the krummholz trees out in the middle of the open plains. Riding with Graves feels nothing like the few times you and John shared a horse. It’s impersonal; transactional. Entirely against your will. 
The sun has only just begun to descend under the horizon when you and Graves approach a ramshackle house situated by itself in the middle of the open plains. Barely more than a barn, and long since abandoned by the looks of it. Age has done the place no favors; wooden slats sag and separate from the exterior of the house, the gaps in between the boards letting in all manner of insects and rot. 
Graves dismounts his horse about a stone’s throw from the hovel. His brow furrows with dissatisfaction as he surveys the abandoned property. 
“Shit,” he remarks, sucking his teeth. “A local back in town swore a family still lived here. Don’t look like anyone’s lived here since Abraham.”
Part of you wishes the former tenants still resided here, on the off possibility that one might take pity on you, but a much larger part of you is grateful for the dwelling’s vacancy. You’ve heard stories before, of families living out in the middle of nowhere. Rumors. Not all bad, of course; it’s common enough for families migrating west sometimes to stop along the way for a generation or two, building more permanent dwellings than the caravans they began their journey in. Many such families were also known for putting up travelers passing through in exchange for goods or help with chores. 
But you’ve also heard other stories. Like the Riley family out near Cherryvale and their homestead just off the Great Osage Trail. They lived out there for more than two decades before the number of lone travelers vanishing off the trail within walking distance of their property pointed the finger of suspicion at them. When the authorities finally got around to procuring a warrant for their property, they found the house deserted apart from the furniture that couldn’t be loaded into the wagon and an infant boy, dehydrated and petrified. 
You shake the story from your head. “…Are we spending the night here?” you ask tentatively. 
He looks at you from the corner of his eye, nostrils flared. “Don’t go gettin’ any ideas in that head of yours. Jus’ because a man’s gotta rest his eyes, don’t mean I gotta give you a peaceful night’s rest. No, I’m leavin’ those hands of yours tied.”
Your hopes deflate at that. 
He helps you dismount before hobbling his horse with a pair of leather straps around its front legs to keep it from darting off in the middle of the night. You wince sympathetically; you have more in common with a horse now than any man. 
The inside of the cabin is just as derelict as the exterior. At the very least, he feeds you. A couple scoops of pemmican straight from the tin. The fact that he insists on feeding you instead of letting you feed yourself puts you on edge. Your spine is stiff as a board through it all, your mouth barely opening up to receive the spoonful of pemmican, the metal clanking against your teeth. You wince, the sound itself tasting of rust. 
At all times, you are aware of the precarity of your situation. You can’t imagine there were any stipulations in the bounty to bring you back unscathed. Though he hasn’t tried anything untoward so far—not so much as made a licentious remark—you don’t know how long your luck will last. You flinch every time he so much as twitches in your direction, sure at any moment his mood will flip and he’ll drag you across the floor and haul himself over you. 
It’s enough to make your stomach hurt, turning over itself. He doesn’t try anything though, and for that you exhale shakily, the tension running off you in rivulets. 
One hour drags into the next. Night blackens the sky, seeping in through the crumbling walls of the cabin. 
“Well,” Graves says, wiping his hands together to dust off any lingering crumbs. “I’m gonna hit the hay.”
“Do…do I get to sleep as well?”
He cocks a brow. “Not much I can do to stop you.”
“It’s just that…” You lift your hands as you trail off, silently pointing out the handcuffs still secured around your wrists, the implicit assertion being that you won’t be able to sleep with the metal digging into the bones of your wrists. 
Graves scoffs. “You can’t think I’ll just uncuff you ‘cause we ain’t in town no more. I got a little more sense than that, sugar.”
“You could use rope instead?” you suggest. 
The seconds he spends considering it are long. You hold your breath as you watch him weigh the pros and cons. 
Finally, he shrugs. “Alright.”
The relief that washes over you is almost palpable. 
He pulls a blanket out of one of the saddlebags to function as a makeshift pillow, setting it up on the floor in the center of the room. True to his word, Graves uncuffs you and loops a double knotted rope around your wrists instead, fastening the rope tying your hands together around his own wrist. Your stomach sinks as he pulls the knot taut. 
He levels a heavy stare on you after giving the rope one last tug. “I don’t usually repeat myself, sugar, but I will this one time. Don’t go tryin’ anythin’ stupid. I’m gettin’ a good night’s rest and so help me if you wake me up—” his eyes flash, gray going steely “—you won’t like the consequences.”
You nod. Swallow back the phlegm clogging your throat. 
True night plunges the old house into darkness, cricket songs slipping in through the cracks in the walls. The temperature also plunges with the setting sun. It gets cold at night, even in the summer months; the draft makes you shiver, the rotting exterior letting in the elements. 
You keep to the wall with the least amount of rotting boards, as far as the rope tethering you to Graves will allow you to go. It would probably be in your best interest to try and get some sleep, but you’re far too restless to calm down. The atmosphere in the house is far too eerie to settle your nerves either; you can’t help but wonder about the family that must have left this place to rot and fade away into memory. 
It’s all you can do to blink back the tears that spring to your eyes when you think about the memory of you that John will have to carry into the future now that you’re gone. It isn’t fair. After everything you’ve had to endure in this lifetime, you thought maybe that this might have been your reward. That John was your reward. 
Your hands drop from your chin to your knees, hopelessness plaguing you again. The thin, sharp whistle of defeat. High and reedy as a death rattle. 
Then your eyes drop to your wrists.
The cord is fastened in a bowline knot around your wrists, difficult to undo without considerable effort, but the material is softer than the cuffs Graves had you in before, and it gives when you pull one hand down while pushing the other up. Your skin bunches around the cord, but it doesn’t cut into you the way the metal did. 
Graves is still fast asleep when you glance over at him. He doesn’t snore, but the rise and fall of his chest under the blanket is steady. Stable. 
The fatigue dissipates from your body the second you put it together. That there’s a sliver of a possibility of slipping your hands out of the rope tying you to Graves. The exhilaration is almost overwhelming. You have to sit with it a beat before acting, wary of letting your guard down too fast.
Time passes slowly as you fiddle with the knot, reaching your fingers as far as they’ll go and gritting your teeth through the ensuing cramp in your wrist. You nearly groan in frustration when your hand twitches and you accidentally retighten the knot. A near crushing blow. 
Please, you mouth more than whisper, frustrated tears clumped in your lashes. Teeth sinking into the flesh of your bottom lip, pinching off the wail rising up your throat. 
Your heart skips a beat when the rope loosens around one of your wrists, enough for you to wiggle a pinkie underneath and slowly shimmy it up the length of your hand. A cramp makes your pinkie spasm, almost causing you to lose your grip. Sweat pools in the cup of your palm. 
When your wrists are finally free, the rope clutched in trembling hands and the basal joint of your thumb scrapped raw from the fibrous rope, you can only sit there, heart beating wildly in your chest. You have to force yourself to remain calm, wary of waking Graves up after all that effort. His eyelids quiver only with his dreams though. 
You glance towards the door on the other side of the cabin. It seems either farther away now that you know it’s within reach. You know better than to just run straight for it though. Weeks of being on the run before finding John have taught you to pace yourself, to push down the fluttering evocation in your chest to make a mad dash for the closest way out. 
Instead, you take a deep breath out, closing your eyes until you’ve calmed down. Then you rise slowly to your feet. 
Your eyes, having long since adjusted to the darkness, scan the room for any loose floorboards. Aside from one obvious corner of the house which has begun to rot away and collapse, it’s hard for you to discern at a glance which boards will groan under the weight of your feet. You have no choice but to guess.
Each step has you on edge, heart in your throat. Your focus shifts quicksilver between the floor and Graves. Waiting for any sudden movement. 
Halfway to the door, you take another cautious step forward and the floorboard creaks under your foot. Your heart stops, eyes flitting instantly over to Graves’ sleeping form. He doesn’t so much as shift. It’s another beat before you’re able to move again, confidence shaken by the noise. You keep imagining him suddenly shooting up from the floor, pistol in hand, the hammer striking the primer, the hiss of gas escaping the barrel. 
The door gives a faint creak when you push it open, so you open it only enough for your body to slip through, wincing when you twitch and accidentally push it open another inch, dragging out the creak. Still, he doesn't wake. You slip past the door, shutting it quietly behind you.  
The moon glows cornsilk gold in the sky. A vast, uncharted land stretches out around you, untouched by human hands, or so changed over the years that any human presence has long since been buried beneath the loam. But when you stare out into the distance, you realize that you have no idea where you came from. Everything looks the same in each direction, no landmark familiar enough for you to orient yourself. You’re out in the middle of nowhere and nothing looks right. 
If you had less strength, you’d fall to your knees. The despair is so immense that you hardly have the strength to hold it all at once. 
The silence lulls you into a false sense of security. You linger for too long, stuck contemplating your options. Coyotes yip in distant packs, their barks carrying across the plains. You shiver at the sound. It reminds you again that you’re on your own now. No husband to come chasing after you if things get sticky. 
Your first few steps away from the cabin are tentative, gliding your legs through the grass and staring up at the cornsilk moon. A combination of indulgence and bewilderment. If you knew the right way home, you wouldn’t waver, but these days, you have no faith in your instincts. They’ve only ever led you off course. 
The gelding that Graves rode in on sits in the grass with its hind legs folded underneath it. With its legs still hobbled, you know removing the leather will take more time than you'd like, but you figure it'll be easier to make your way across the plains on horseback, with the added bonus of leaving Graves stranded. If God were just, he’d starve out here and leave his corpse for the coyotes to feast on. 
You approach the horse cautiously, conscious not to make any sudden movements. Its ears angle towards you as you draw near. Attentive to your presence. 
“Hey there, honey,” you whisper, reaching out a hand and trying to show that you aren’t a threat. Its nose twitches.
Another step forward. Easy does it. One leg in front of the other.
“I won’t hurt you. I promise.” You try to mirror your memory of John in your voice, honeysuckle soft words. 
You aren’t John though. Not even close. You take another step towards it.
It brays when you get too close, skittish. The sound pierces through the night, louder than the coyotes in the distance. Louder even than the creaking door.  
The hair on the back of your neck raises, lips numb. Then the prickling awareness of movement in the house, like an itch on a phantom limb. 
Behind you, the door to the cabin bursts open with a bang, slamming off the wall and ricocheting back. You whip your head around to look only to find Graves’ towering form under the shadow of the doorway, his hair mused and clothes askew. And he looks enraged. 
“Hey!” Graves bellows from the doorway, breaking into a run towards you. “Get back here!”
There’s no time to sit with the regret, no time to bemoan the fact that you didn’t exercise enough caution, that for some reason without a gun leveled at your head, you allowed yourself to forget the very real danger this man posed to you. 
All you can do is run.
The grass whistles around you. You run so hard that your lungs burn, your arms pumping furiously beside you, dress swishing between your legs. You don’t have to look behind you to know that Graves is gaining on you. His body is built for pursuit. Still, you push yourself past your breaking point, not stopping even when you taste blood in your mouth. Mindless; directionless. No idea where you’re going—just away from him. You’d jump off a cliff if you came across one. 
He’s close enough for you to hear now, heavy breathing right behind you. But by then it’s too late. A heavy body rams into you, sending you careening towards the earth, the ground rushing up to meet you halfway. The dirt hardly cushions the blow. 
You hit the ground hard. Head knocked loose of thought, agony ripping across your face. The double blow of a body heavier than yours forcing you into the dirt, so solid that it crushes the breath from your lungs. 
Blood leaks from your lip, most likely split. When you breathe in to fill your lungs, you taste dirt and rust and earth. 
“Insufferable bitch,” Graves snarls, putrid breath wafting under your nose and making your eyes water. He grabs a handful of your hair and wrenches your head up before slamming it back down. Something crunches. Distantly, you wonder if your nose is broken. 
Your ears ring, the rest of his words drowned out by the blood rushing to your face. 
“Please—” you beg, blood dripping from your split lip. 
“Knew I shouldn’ta trusted you—conniving little cunt—c’mere now, get up—”
He rises to his feet over your body, big hand curling around your wrist. You hear your shoulder pop when he yanks your arm behind your back. A rush of cold. A sweat breaks on the nape of your neck. Shock sets in the moment after, adrenaline flooding your body. 
Then a sharp, focused surge of pain. It radiates from your shoulder outward, so intense that you can’t believe it at first. Your whole world reduces down to it. Feathering out down your back; irradiating waves of it. Thoughts scattering and then coming back together around the pain. If you scream, it comes out unbidden. 
“Ah, hell, I didn’t mean to do that,” he grumbles from behind you, likely staring at the unnatural jut of your shoulder. “Alright, sugar, one second—I’ll pop that back in.”
“Nononono—” you gasp, panic lancing through you, but he pays no attention to your words. 
The pain of popping your shoulder back in is excruciating. Relief follows shortly after, but the time between dislocating and relocating your shoulder is so short that it hardly comes as a balm to the pain.
“You…bastard…” you gasp. 
“Wouldn’ta had to do that if you hadn’t run,” he sighs, the sight of your pain subduing his rage. 
It doesn’t stop him from grabbing you roughly by the arm he just dislocated when he finally gets you on your feet though, steering you back towards the house. The pain that radiates up your arm is almost blinding. 
He drags you back to the cabin with a punishing grip. There’s no sympathy when you stumble. Moonlight illuminates the path back to the cabin and shows you the trenches in the wild grass made by your feet. Hardly more than a couple rods. 
The defeat that courses through you upon being dragged through the ramshackle front door is ten times that of earlier. When he lets go of your arm, you collapse in a heap on the floor, aching and sweating. A bag of bones and blood. You’d rattle if someone shook you. 
“I hate you,” you mumble from your spot on the floor, shaking through the pain. “Rot in hell.”
Graves doesn’t respond, but you can almost hear the way he grins.  
No rest for the wicked or the good this time. Graves wakes intermittently throughout the night to check up on you, wary now that you’ve tried to run. Your regret is palpable. You should’ve waited. Bided your time. There won't be another chance now, not after you played your hand so soon. 
The ache in your shoulder keeps you from finding sleep. Every time you get close to it, the pain radiates down your arm and it slips from your grasp, your hand closing around the empty space it leaves behind. Teeth grit, breathing through the pain. Loosening your jaw and panting because the pain overwhelms you when you so much as shift onto your side, the hard floor digging into your elbow. 
Right on the edge of sleep, just as you're about to latch on, a boot catches you in the ribs, jostling you back into the realm of pain. You wheeze, breaking into a coughing fit. 
“Get up,” a hoarse voice grunts above you, empty of sympathy. “We got places to be.”
He has the two of you back on the horse as soon as dawn breaks. Your escape attempt the night before must have spooked him, and you regret it now in the light of day because you know he won’t let you out of his sight again. The metal handcuffs digging into your wrists assures you of that. 
There’s no time for breakfast or time to wash up. Graves makes it a point to be back on the road as fast as possible, repacking his bedroll and stuffing it back in the saddlebag before dragging you up with him. 
The pain is a dull throb after sleeping most of the agony away. It comes back when you move too quickly though, which is hard to avoid on horseback when each gallop echoes through your sore bones and joints. 
The arching sun immixes with the heavens above, rising higher as the hours pass. You ache for a hat; something to keep the heat of the sun off your head. On the horizon, the mountain ridge sits like a spine bursting out from the earth. It’s all wastelands and portents. Evil omens. 
Your heart feels swollen and bruised, like something trampled under elk hooves. 
“Cheer up,” Graves says, tipping your chin up when the sun reaches its peak around midday, the gesture making you so uncomfortable that you almost shudder out of your skin. Your face still throbs with pain. “You should be glad I didn’t jus’ shoot you.”
Your lips pull back, baring your teeth to nothing. 
A shot rips through the air at that, his words commanding it into being. Your head instinctively ducks and even the horse under you staggers, spooked by the sound. Graves curses, tensing up behind you.
"What in the hell—"
You whip your head around to stare behind you, looking for the source of the gunfire. When you find it, your eyes widen.
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snarkspawn · 2 months ago
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I really enjoy playing through tnp again like hi it's been a while
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divineandmajesticinone · 3 months ago
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D & Leila Meier Link & Charlotte
Two sides of the same coin...
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eaissilyy · 5 months ago
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Crown of horns and flowers
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petricorah · 8 months ago
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scenes i loved from Real Enough to Get Me Through by @marriedzukka <333 [ids in alt]
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jkvjimin · 7 months ago
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MAKNAE LINE CORE cr. @jung-koook
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Note
do you repeatedly cross your legs to fit a normal chair?
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like this?
How do you sit wit dem lonnggggg legs, man?
just like any person would
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