#because she is always the one that has to die for it to be achieved

[his-madness-keeps-him-sane]

I honestly think that the inability to understand the most basic ideas of ASOIAF characters comes from bad faith criticism, especially if they think that "long winter" is not a central plot point of the story.

Whatever about worldbuilding, I don't care about the freaking bees of Westeros (and the problem is again that Martin has a stick up his ass and should act more like Tolkien and embrace more the poetry and less the pedantry).

I understand and enjoy criticism (1- I think he deserves it, 2- I like to interact with different opinions of things I read/watch/whatever) but saying "winter is unimportant" explains why so many understand the books as a misanthrope story.

Because you have Jaime's journey after "being evil" or Sansa learning the game of thrones to survive while knowing that she doesn't want to become a Cersei.

There's a lot of dark and cruelty but the central conclusion is always the same: be clever!

That's where the TV show failed, in the book consequences matter!

Ned is not dead because he was "good", Ned is dead because he was DUMB!

Nobody said "oh but why did he have to die?" because we know why!

Every single death happens because someone didn't know how to play the game.

That's why Daenerys is doomed to become a fascist (the tv show was BAD but the general idea of Dany turning "bad" is there in the books too).

That's why I will always defend Sansa (arguably the biggest victim of fan's misogyny).

The characters, good or bad, are (usually) incredibly well written, with (usually) a lot of nuance.

From the anti chosen one/Prince Charming of Dany/Jon to the child soldier metaphors of Arya there's really a lot of though and care behind them all. And that's why the books have become impossible to finish. Too many complex pieces to play with.

Martin has A LOT to criticize and I wish he stopped with the bullshit (and the obsession with rape, and the racism, and the...) but I can't understand how someone can read those books and think "this author thinks humans are awful".

Everyone hates Cersei and then Martin goes "Take this, a Cersei POV chapter" and... Fuck.

Yes, she's bad. But suddenly she is a person, not a fairy tale evil queen. She has ambition, she's scared, she's a mother, she's a woman in a sexist world full of violence against women... And we learn all those fears and dreams directly from her, from the "evil queen".

One of the little things that the TV show did well was Joffrey's death.

I remember people being... Uncomfortable. Because while enjoying the death of a monster they realized "wow... He's just a 16 year old boy... Dying in his mother's arms..."

And that, and not "historical accuracy" or whatever Martin claims, is the true golden heart of ASOIAF.

That the world is awful and make us awful

And that it doesn't have to be like that.

That's why the winter IS central.

Because a looming doom should be enough to make them realize how dumb the whole "game of thrones" is (like, you know...the real world and climate change??? The pandemic and the totally insufficient collaboration between countries???) and yet they keep fighting for an ugly chair that kills you if you sit on it too hard because it's made out of the swords of a colonialist war.

IT'S NOT SUBTLE

For all its faults, what ASOIAF is saying (or should be if Martin stopped with the bullshit) is that the world is awful, but you don't have to, and that it's never too late to change.

That you can be good but you have to be CLEVER.

That the kids are the future and can be the change.

That the Starks were always right and the winter is coming.

And that the lone wolf dies but the pack survives.

And I don't think he's ever gonna finish the books, but I don't think it's a coincidence that the last book is called "A promise of Spring".

Say what you want about Martin and his stupidity and empty pride.

But ASOIAF, even if failing a lot in achieving it, is ultimately about hope.

Hope in spite of horror.

Btw, a disclaimer: I'm not even a fan anymore!

I haven't even read the last published book!

But to be a hater you have to admit the good parts too!

Listen to Orson Welles, the OG hater!

Jeez!

Disclaimer x2: I refuse to acknowledge any grammar or orthographic mistake, I can't read anymore 😌

Someone over on Discord asked, "I'm morbidly curious: How BAD is A Song of Ice and Fire in terms of the authenticity George claims it to be?"

My reply was straightforward:

The long and the short of it is that ASOIAF is basically a vehicle for GRRM to present both his rape fetish and his Hobbesian view on human nature and has less historical accuracy than Frozen or most other Disney movies.

That's actually a good way to think of it, now that I've said it--he's Family Unfriendly, they're Family Friendly, but both have the same relationship with History: just Pure Aesthetic with no consideration for how the worldbuilding would work.

[kuroshika]

gifs from @existingcharactersdiehorribly // poetry by me

[ghostdeals]

It bother me so much that people misunderstand sayaka miki's descent into madness in madoka magica. She doesnt become a witch "just because of a boy." Sayaka is a character who ties all her self worth into being in service of others. We can see this right from the start with her idolization of mami and everything that she was. She saw mami as this "perfect hero" even though mami i would say is mentally the weakest of the holy quintet. In the timelines where mami finds out about the incubator's true goals she always immediately breaks and goes crazy, trying to kill the other girls in her own twisted way of trying to "save them". Instead of seeing the fragile person that mami was, sayaka instead sort of treats her as a martyr, a goal to achieve. We continue on to sayaka's magical girl wish. Instead of wishing for something for herself, she instead sells her soul for the sake of kyousuke. Then when he starts dating hitomi she spirals not because she's sad about the rejection but because she feels replaced in his life, that he doesn't need or want her around anymore. Then she throws herself into her magical girl work not seeing that she's harming herself because she justifies it with "well im saving people that means what im doing is a good thing." She doesn't see that she's becoming more sloppy, more ruthless until its too late. It's only in the end when she turns into a witch that her story gets resolved.

Sayaka Miki is an incredibly sad character to me. While her actions have the illusion of being selfless and "for the greater good" she is actually incredibly selfishly motivated. Everything she does is in service of wanting praise and admiration from the people she cares about. If she helps kyousuke he'll appreciate her and love her, if she becomes a hero she'll receive praise and admiration for being a good person. This is why it is important that of all people it was kyoko that fought sayaka in the end. To homura, sayaka is someone to be saved. To mami, sayaka is her sweet apprentice/younger sister figure. To madoka, sayaka is her energetic and happy go lucky friend. Kyoko is the only one who from the start called sayaka out on her bullshit, seeing straight through her. And at the end, kyoko is the one who truly accepts sayaka. Sayaka as the witch Oktavia von Seckendorff is stated multiple times in official material to be "looking for love." In the end it it kyoko who gives her that love. Even when sayaka has lost her humanity it is kyoko who accepts her for the entirety of who sayaka is with all of her selfishness and desires. She is the one who sees what sayaka has become and stays together with her till both of their ends. Kyoko choosing to die with sayaka is her saying "I'm here for you, i know all of you, and I will love you regardless."

[afterglowsainz]

peace | daniel ricciardo

pairing: daniel ricciardo x singer!reader

summary: you have always been more famous than daniel and he was fine with that, until his career started going downhill

fc: taylor swift

warning: angst, mclaren daniel, mentions of crashing, some mean comments towards daniel

a/n: i changed a few lyrics from one of taylor’s songs (invisible string) just to make it make sense in the context (i'm not a songwriter so is not the best) also no hate to mclaren daniel! with the summary i do not mean at all that his career is ruined, is just for the dramatics

—

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yourusername old habits die hard 🎻🍂

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username mother back in the studiooo

username if this is not a new album y/n istg (liked by yourusername)

username SCREAMING CRYING FALLING TO MY KNEES AT WALMART

username serving face while recording

username i don’t know what vibes this is giving but it’s givingggg

username ofc i’m not getting my hopes up over a possible new album! ofc not!

username more happy songs about her and danny 😁

username WE CHEER

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motorsportcom 🚩RED FLAG DEPLOYED🚩FP2 session has been paused after Ricciardo hits the wall during corner 7. It’s still unclear if practice will resume.

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username this 😁 again 😁

username someone send him back to red bull 🙄

username well well are we surprised

username no way i stayed up late to watch this only for it to be suspended

username washed

username ugh perfect! just what he needed

username someone is doing witchcraft on this guy because there’s no way he’s this unlucky

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danielricciardo these past four years by your side have been the best of my life and i can’t wait for many more to come. happy anniversary love of my life, forever my y/n❤️‍🩹

tagged yourusername

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username STOP IT they’re too cute 😭

username that last pic might be the best photo i’ve ever seen

username no because they’re so perfect togetheeer

yourusername i love you❤️

danielricciardo ❤️

username she’s everything!

username and he’s there!

username who needs a job when your girlfriend looks like THAT 😮‍💨

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ynupdates y/n y/l/n won the ‘video of the year’ award at the vmas. on her speech she thanked the fans, her friends, her boyfriend daniel and she hinted some new music coming soon!

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username literally speechless at her look

username what did she say on her speech about daniel i’ve been looking for it but i can’t find it

username not verbatim cause i don’t remember exactly but it was something along the lines of “thank you for being the first one to listen to all my ideas and encourage me to dream about things bigger than myself and for being my muse in every sense of the word”

username she’s just killing it lately i’m obsessed! 💕

username congrats y/n! very well deserved award

username prettiest woman ever like look at that face

username she served too much cunt i’m afraid

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yourusername surprise you! my new single ‘invisible string’ is coming out tonight (and we filmed a video for it) 🪩

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username my favourite animal is me when y/n releases music

username INVISIBLE STRING THEORY???

username oh she ate with this one

bffusername on loop forever and ever

yourusername 💗

username this sound is so different … i love it!

username if this invisible string is not about her relationship with danny i-😩

danielricciardo going feral at that mv actually

yourusername 🤭

username DANIEL RICCIARDO CAN YOU FIGHT

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motorsportcom a red flag has been deployed after daniel ricciardo crashed in qualifying🚩session has been cancelled and the drivers will start the grid on sunday with the lap times the were able to achieve during the first three minutes of Q3

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username thank you ricciardo we all say in unison 🙄

username bro’s collecting red flags like pokemons

username someone bathe this man in palo santo or smth 😭

username you just gotta laugh at this point

username mate is sooo not getting a seat next year

username is a bit funny to see him struggle this much and then you look at his girlfriend and she’s in the most successful point of her career

username he sacrificed his own luck for his gf’s how romantic

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danielricciardo not my brightest weekend but there’s always opportunity to be better. excited for the next 🔜

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username “not my brightest weekend” my guy it hasn’t been your brightest SEASON

username “there’s always opportunity to be better” you’ve had like 30 ???

username he’s being delulu but honestly i respect it

username okay but how can you hate a face like that

username mate isn’t smiling anymore something is wrong 😭

username something has been wrong for a while…

username i actually think is time to think about retirement

username get that bag king!

username guys, and y/n??.

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entertainmenttonight y/n y/l/n and daniel ricciardo break up after four years of dating

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username NOOOOOO

username if i don’t see it is not real

username refusing to believe this

username WHAT.

username this sent me (a victorian child) into a comma

username now why would you post this😭

username i actually don’t believe in love anymore

username 💔💔💔

username WDYM they JUST celebrated their anniversary ???

username this is my villain origin story

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yourusername so … good news! i’ll be releasing my brand new album “folklore” tonight at midnight 🪩 this is an album i’ve been working on for the past year and that i poured my whole soul into. it was supposed to release a bit earlier, but we thought it wasn’t truly finished until now. i love you guys too much 🤍

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username OMG

username our prayers have been heard

username so i’m thinking she was going to release this before the breakup but when it happened she maybe wrote breakup songs and that’s why she pushed the release date

username GIRL

alexandrasaintmleux can’t wait! 💗 (liked by yourusername)

username album of the year already

oliviarodrigo and we all cheer in unison 🥳 (liked by yourusername)

sabrinacarpenter already bought the wine and the tissues (liked by yourusername)

gracieabrams no you don’t get it this is so special to me (liked by yourusername)

username all of y/n’s daughters in the comments 😭

username sabrina girl what do you know? 🤨

username lowkey miss daniel’s comments hyping her up :(

username no bc i’m so ready to know what happened between them

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danielricciardo tbt to the first race weekend with mclaren 🧡

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username okay sir i see you

username the only weekend where we were happy

username bro trying to distract us from the breakup by posting his smile

username my guy i just listen “peace” are you okay ???

username you’re stronger than me for listening till peace i wanted to k word myself after “the 1” and i’m not daniel

username the 1 was criminaaal

username exile …

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ynupdates y/n y/l/n last night on saturday night live singing her new song “peace” from her brand new album “folklore”. she algo sang her hit single “invisible string”

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username i cried with that performance

username she was singing that song with such sadness

username you’re telling me she was ready to marry daniel (and give him a child) and now they’re just not together anymore ???

username i gasped when i heard that line

username daniel will pay for his crimes istg

username he’s paying already 😭

username “would it be enough if i could never give you peace?” it was, in fact, not enough

username STOP YOURE DEPRESSING ME

username sorry i’m mourning this relationship too 😔

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danielricciardo if one thing had been different, would everything be different today?

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[etherealkissed88]

learn indifference ⋆˙✧⋆

indifference = “lack of interest, lack of concern”

since we already know the 3d is always neutral and has no original meaning, we know that as the operant power we are the ones that assign ‘circumstances’ and ‘negative’ thoughts meaning.

we should continue being indifferent to the 3d meaning we dont care how it looks because it never means anything. being indifferent means no giving the 3d power, energy, no entertaining thoughts that dont serve us, no holding our desires above the pedestal, no accepting and creating stories based on our current 3d and dwelling in them.

remember that we are not our thoughts, we are not our circumstances, we are not our emotions, doubts, states, or anxieties. our past experiences have no power over us until we decide it does.

how to be indifferent:

be internally fulfilled (satisfy your inner self w the desire which is now reality) so that you feel the knowing of already having your desire which means it will be easier to not give a fuck about the 3d

accept the end and only the end: know that the 3d could be changing in your favor for example, a lady was manifesting a better high paying job and she got fired from her current job for whatever reason. because she got fired, someone recommended her to a new job which was higher paying and she got that job (which was what she wanted). imagine if she accepted the 3d when she lost her job instead of only accepting the end goal. this is why nothing in the 3d matters and why the 3d cant be trusted. whatever you see, dont identify with “this isnt working” blah blah blah because you should be practicing indifference like that lady. she didnt gaf about the 3d and continued accepting she was already her desired self

trust the law: the law is always working and failure does not exist. you identify as a desired version of you and fulfill? ok now its done. theres nothing else to do but continue being that person. dont let anything in the 3d crash you down. dont even entertain the option of “failure”

know the 3d is a reflection of imagination: it has no mind of its own. the only thing it knows how to do is reflect self/imagination so know that at every moment, you always call the shots. this is all you so why care or validate the 3d when its only a reflection of you?

hold yourself higher on the pedestal: when you put yourself (inner self/imagination) first, you become attached to anything else. finding validation in yourself only instead of the 3d. when you want something, immediately fulfill yourself with in imagination instead of searching for fulfillment in the 3d

stop giving the 3d attention: have you ever heard of “whatever you focus on grows”? when you find yourself being aware of the 3d, just shift you attention elsewhere

“As the end is accepted, you become totally indifferent as to possible failure, for acceptance of the end wills the means to that end. When you emerge from the moment of prayer, it is as though you were shown the happy and successful end of a play although you were not shown how that end was achieved.” - ng

“The best denial is total indifference. Things wither and die through indifference. They are kept alive through attention. You do not deny a thing by saying it does not exist. Rather you put feeling into it by recognizing it, and what you recognize as true, is true to you, be it good, bad or indifferent.” - nd

before indifference: *allowing negative thoughts to consume you, accepting the 3d ‘negative circumstances’ as true, when you imagine something and look at the 3d you feel easily discouraged and start to be a victim to it, feeling like you have to ignore the 3d because youre scared of it, you feel the need to search for answers in the 3d all day because you see it as more important than it actually is, you are attached to the 3d and your mood changes when a single little thing looks “bad”*

after indifference: *nothing in the 3d shakes who you are being in imagination because you know who you are internally being is the only truth, you dont care about experiencing things in the 3d that are the opposite of your desire because you know you always call the shots, if you get discouraged you get your ass back up and know yourself to be the operant power, you arent attached to the 3d and searching for its validation*

so when you are indifferent to the 3d, you dont care about it, you arent afraid of it, you know it holds no importance or original meaning therefore you dont let it influence who you are being in imagination. think about when people pass by a homeless person on the street: they might think about it in the moment but most of them would go thro the rest of their day forgetting about it because they just didnt care. think about that one person who always knows they look good and their jealous friend tells them they look bad: that person would not care about outside voices because they know that they look good and they only accept internal validation

your only job is accepting the desire that the inner self experiences, as true while being indifferent to the experiences of the human self

kisses, jani ☆

[tritoch]

I wish people were willing to have a slightly broader or more expansive understanding of FFXIV's women because I think there's so much there in terms of easily-unearthed subtext that no one really thinks about! And I don't mean this in a "people need to re-evaluate their response to the women of Stormblood" way (though I do think that's largely true), I mean I think fandom's understanding even of the women it mostly likes is pretty weak. And you can say that's because the women are underwritten, and I won't argue that they couldn't use more attention from the writing, but that doesn't prevent you from analyzing them the way you can any character in fiction.

Like everyone's always like, oh, Y'shtola and Krile are like your snarky wine aunts, haha. But...Sharlayan is a pretty ossified and patriarchal society from what we see of it in Endwalker and places like the AST quests. Can we open ourselves to the possibility that it means something that almost every young Sharlayan woman we meet, almost all young women in academia, tends to be a little sharp and quick on the retort? The arch and snarky ways in which those two carry themselves reflect in some sense the facts that Krile is almost literally a nepo baby woman in STEM who is barely older than her students, while Y'shtola learned her behaviors from her much older female mentor, a woman who hated Sharlayan academic culture so much she literally abandoned it to go live in a cave.

Or like, Alisaie! Fan jokes and meta frequently buy into her tendency to characterize the dynamic between her and Alphinaud as a jock/nerd, street savvy extrovert vs book smart introvert thing. Except, tragically, Alphinaud's highest stat is 100% Charisma and he absolutely pulled in his student days. All his greatest achievements are diplomatic, and he very easily develops strong friendships with people in every culture you learn about. Alisaie is the determined, sensitive genius who revolutionizes Eorzea by proving the tempered can be healed. She's just permanently carrying a chip on her shoulder that while she and her brother are remembered as the youngest students in Studium history, actually he got in six months before her, a fact pretty much no one else ever brings up once. She's constantly fuming over the fact that he was marginally better than her in certain specific ways in high school, and looking to differentiate them in ways that actually fail to credit her own obvious strengths and accomplishments. I think that's so fun! It's so juicy, and it's equally good for comedy or serious character studies.

Venat is a genuinely benevolent hero who has no compunction sacrificing lives for the greater good. Minfilia is kind and compassionate and clearly on some level actually buys into the narrative of her own unique moral authority. Ysayle is a revolutionary firebrand with almost no concern for the common man, whose death reflects her Javert-like inability to reconcile her own romantic belief in justice with the tragic ways her blinkered worldview (born largely of trauma) let her be easily co-opted by a violent system. But even people who like these characters rarely move past surface-level reads (people who think Venat is just an all-loving mommy figure make me want to fucking die). The fandom is allergic to drawing connections the game doesn't draw, and fails to recognize that FFXIV is a game where characters voice understandings of themselves and others that are wrong about as often as they're right.

You can already see the ways that women like Wuk Lamat and Cahciua and Sphene are getting flattened or losing their shading in fan reception and it's boring. Like I'm not even saying this because you should take female characters more seriously or something (though you should), I'm literally just bored to tears sometimes and if you guys turn Wuk Lamat into another Hot Dumb Jock Lady, I will combust.

[thebestsetter]

Thinking about your first christmas spent with Alexis Ness.

Germany's streets were full of bright red and green lights. The buzzling of people buying presents for their loved ones filled the stores, and a common yet gentle christmas melody rung in the air, creating a movie-like scenario.

Amongst the seemingly infinite crowd of people, you and your boyfriend, Alexis Ness, walked hand in hand through a busy Munich. It was one of his rare off weeks. I guess even Bayern's managers know about the whole christmas' spirit thing and decided to give their player a little break.

"Look, Lexis! It's snowing!" You smiled, stretching your free hand to touch a little snowflake that fell from the night sky. The night was so cold that little puffs of hair could be seen when you spoke "Isn't it beautiful?"

"Yes, meine Liebe" he said, looking straight at you and not even once sparing a glance at the snowflake. How could he, when the prettiest one he's ever known was right in front of him, holding his hand like she'd die if she let go? "It is."

Ness' parents never celebrated Christmas. Actually, they never celebrated any holidays. This was the first christmas he was really getting to enjoy. And all because of you, his sweet girlfriend. God, just thinking about you made his heart combust.

How did he bag you, really?

"Come on! We need to be quick or else the book store is going to be closed by the time we get there!" You laughed, pulling him with you and running.

"Slow down, Angel!" He laughed, tightening his hold on your hand and running after you, muttering a quick "Sorry" to the people you both bumped into.

Your matching Harry Potter houses scarfs flowing in the wind together created a beautiful picture, and your laughs mixed with the sound of christmas songs and bells. One hand holding yours and the other holding his hat so it wouldn't fall, Ness tried to drink in every single milimeter of you, wanting to keep the picture of your smiling face in his memory forever.

He was really enjoying this. Was christmas always this fun?!

"Willkommen!" Said the sweet bookstore lady. She was a short old woman with round glasses and a gentle smile on her face. She matched the christmas vibe perfectly "What do you lovebirds want?" She smiled at you both, which made Alexis blush a little.

Being yours was the greatest title he has ever achieved. He was smitten for you, and couldn't even believe you actually wanted to be with him. You were just so, so perfect!

"I'd like a child's book, please. It's for my little cousin! She really likes princesses, so if you had something like that it would be great!" You smiled at her

"Oh! I have just the right thing. You wait right here and I'll go fetch it!" She smiled right back at you, entering a little door on the side of the cashier.

The store was pretty much empty, since people don't seem to like books anymore. Only you, Alexis and the lady's cat were there. The weather was warm because of the heater, and the wood bookshelves made you feel like you were in a 1950's movie.

You and Ness sat down at a little table on the side of the store. He began playing with your fingers gently, and then looked at you with such fondness in his eyes that made you melt.

"This is the last one, right?" Ness asked, smiling

"Yep!" You answered

Actually, this was not the last present you wanted to buy. You wanted to buy something for Ness, but didn't know what it would be. It was your first christmas spent with him, so it needed to be the perfect gift.

"When will you give it to her?" He asked "To your little cousin, I mean"

"My uncle will dress up as Santa to give it to her and my other cousins" you smiled, and then sighed longingly while a memory came to your head "My family does that every year. It makes me remember when I was the one to recieve gifts from Santa. Good times. My favorite one was a doll I got when I was like, eight." You then remembered your "issue", and realized you could know what gift to give Ness based on his own favorite gift.

Bingo! It would make him remember the good part of his childhood and he would like it! After all, who doesn't feel like letting out your inner kid sometimes?

"What was your favorite gift from Santa?"

Ha, you're a genius!

Suddenly, Ness' smile dropped, and he looked almost embarassed by something. He looked at the table with a sad expression on his face and blushed

Oh oh. Maybe you're not so genius.

"I-I never got anything from Santa" he admitted, shamefully "My parents didn't really celebrate christmas, so I never got one. I always put my sock up though, but he never came"

That was the saddest thing you've ever heard.

"Oh, Lexis!" You caressed his face gently. You then got up and brought him closer to you.

His shoulders trembled a little, so you enveloped him in a hug

"I'm so sorry you had to go through this!" You couldn't back off now. You needed to buy exactly what little kid Alexis wanted. "What did you want to recieve, though?"

"Anything would be fine" he muttered, voice muffled by your coat "But I really wanted a wand. You know Harry Potter's wand?" You nodded "That one"

"I found the book!" The old lady came back, interrupting the moment. She quickly realized it though, and was fast to apologize "I'm sorry, did I interrupt something?"

"No." You assured her "No, don't worry. Let me see the book."

"Here" she handled it to you

"Sounds good" you said after analyzing it "I'll take it. Wait here, Love. I'll be right back"

"I'll pay for it."

"No need, Lexis. I have money"

"I insist."

"Okay then..."

"You both are so cute together"

Once again, Ness blushed like the lovesick fool he was.

Sadly, you didn't have the time to even tease him about it. While he was wrapping your cousin's future book, there was only one thought going through your head:

You finally found Alexis' gift.

"Merry Christmas, Love!" You woke him up by whispering it in his ear, followed by a hug right after.

"Good morning, liebe. And merry christmas to you, too!" He smiled, hugging you just as strongly as you did to him before.

This was really nice. Just you and him, together, cuddling and enjoying each other's presence. He really could get used to this.

"You know, I heard something downstairs while we were sleeping!" You said, faking a terrified expression

"Really?!" Ness asked, fully believeing what you said "Do I need to call the police?"

"NO!" You shouted, but quickly composed yourself "I mean, no! Why don't you just go check?"

"...you sure?"

"Yeah! Go downstairs! More precisely, go take a look under our christmas tree!!"

"Uhm... okay then"

It's not like he could EVER disagree with you anyway.

And so, Ness jumped off the bed, heading towards the christmas tree you both decorated together.

"Where did you say I need to check, again?" He asked, a little confused as to why you were recording the whole thing ever since he got out your shared bedroom.

"Underneath the tree! See if there's something there!" You said, not being able to contain how giddy you were feeling.

"There's a... present" Ness exclaimed, holding the wrapped box and scaning all of it's side

"Oh my! Who would have thought?" You smiled, giggling "Who's the owner of the box, I ponder!"

"The thief that invaded our house!" Ness shouted, confident that he got the question right

"Lexis, no." You deadpan, putting the phone down and walking closer to him "Look for a name in the wrapping"

And he did as he was told.

"To: Lexis" He read, and you smiled "Who gave me this, you?"

"Oh, no no! I was sleeping the whole time!" You then faked a surprised expression "Maybe it was Santa!"

"...Santa?"

"Yes! Open it, quickly! It's your christmas present from Santa!"

"Uhm... alright"

He tore the gift open

No way.

No freaking way.

A Harry Potter wand. The thing he always wanted ever since he was a kid.

"Oh wow! Santa really knows you, huh?" You teased, but his brain didn't even register it. He was too focused thinking about other things.

Santa doesn't exist.

This gift couldn't be from Santa. It was from you.

The first christmas present he ever got was from you.

Hell, this wand could be a rock and he would still accept it gladly. Because the gift doesn't matter. What matters is the person who gave it.

You. The love of his life.

He carefully put the wand down and pproached you with big, round eyes.

"Alexis? What are you..."

You couldn't even finish your sentence. He just pulled you in for one of the most heart-felt hugs you ever experienced. His arms wrapped around you in a strong embrace, but not in a umconfortable way. It felt safe. He felt safe.

"Thank you" He muttered, placing his face in the crook of your neck and inhaling your scent and wait - why did your shoulder suddenly feel wet? "Thank you, thank you. Thank you so much. I love you. God, I love you so, so much. You have no idea"

"I love you too, Lexis" You hugged him back, caressing his hair with your hands.

Man, christmas was amazing.

And so the snow began falling again, as the lovers basked in each other's presence.

Christmas is about spending time with those you love. And you were both doing exactly that.

"Merry christmas, Meine Liebe"

"Merry christmas, Lexis"

~ This has been in my drafts since october.

DEDICATED TO NESS' GF @megwuru!!!

[realcube]

WRATH & LUST . t.kei / y.tadashi

synopsis ✧ you hate tsukishima kei. you do everything in your power to make his life miserable but nothing works. now you have no choice but to fuck his best friend

cws/tags ✧ college au , enemies to enemies who screw, cursing, fob, smut, vaginal, oral (recieving) & praise — minors dni

parts ✧ i. ii. iii. iv.

maybe you were overexaggerating a bit when you said that yamaguchi is always with tsukishima, because there are a couple times a week when you know they'll be apart.

your friend is a part of the college's newspaper club, and she mentioned that yamaguchi is a member too, but tsukishima isn't. this gave you the perfect opportunity to the catch him alone and prey on his weakest form.

you saunter up to the news room, and catch yamaguchi waiting outside. they don't usually enter until your friend, the chief editor, arrives. "excuse me?"

your voice is soft and inviting, hence yamaguchi is stunned when he turns to see you. his guard is up, but unlike tsukishima, he doesn't immediately resort to aggression, "yes?" he replies quietly.

"is this the newspaper society?" you ask innocently, tilting your head with a smile.

yamaguchi is unsure as to why you are being so mellow towards him, considering your history, but as he chokes back a gulp, he figures that maybe your negative sentiments are purely towards tsukishima and up until now he has just been caught in the crossfire.

"yes, this is. i'm waiting for the editor to get here."

"oh, hana?" your lips are parts slightly, as he nods, "she is my friend. i'm sure she won't mind if we just go in."

"are you sure?" his questions is basically answered as he watches you enter the news room. he hesitantly follows behind, thinking he can shift the blame onto you if the chief editor is upset.

"so, are you a member? i've never seen you here before." he asks while fidgeting with his hands, taking a seat in his usual spot.

"no, not yet. i want to join though which is why i'm here." you sit near yamaguchi, on the table, "but i hear you're full. could you put in a good word for me, tadashi?"

you giggle. bafflement and wary burn at his face, dusting his cheeks a slight pink, "if you're friends with hana then i'm sure you don't need me to talk you up to her."

"well, yeah, but she's reluctant to let me join because, in her words, i can be 'volatile and confrontational'." you muse, legs swinging lightly as you turn to look at yamaguchi with a knowing smirk, "i'm so not, though. you can vouch for me, right?"

yamaguchi blinks, then responds, "yeah. you're the most docile person i know."

you find it cute that he plays along with your jokes. plus, now that you're actually taking a good look at him, you realise he has such a sweet, squishable face. how does the sweetest boy ever end up in the company of lucifer incarnate?

"i wouldn't say docile. that's too far-fetched." you tease.

"mild?"

"eh."

"poise?"

"i like that one but still no."

"composed?"

"that could work!" you cheer, displaying the palm of your hand he insantly reciprocates with a high-five. just as your shared laughter begins to die down, hana and a couple other members of the newspaper society enter the room.

you spend the rest of the hour in the back of the room, working on an article with yamaguchi. your friend knew about your plan, and she didn't mind you utilising her society to achieve your end goal, but you'd hate to impede on her work flow for too long so you pulled out all the stops to ensure you gain tadashi's favour as quickly as possible.

and it worked like a charm. despite never having communicated directly with each other before, you chatted throughout the whole hour like you were lifelong best friends. there was an undeniable chemistry between the two of you — the sweet and sour.

plus, you both have a lot more in common than you may have initially thought. your music tastes are very similar, surprisingly, and you like the same movies/shows. he shows you a couple of his playlists and you do the same, discussing the concerts you've been to and what merchandise you have.

you learned that he is studying to be an electronic engineer while tsukishima is studying history, but he chose maths electives just so they could be in a couple of classes together. they also used to do volleyball together in highschool and are both apart of the volleyball society in college.

so corny and so cheesy but coming from the mouth of yamaguchi, it was the sweetest, most moving story of friendship you've ever heard.

even when meeting ended, you both still walked together out of the building, blathering away about anything and everything, it comes to an abrupt holt when you reach the building's exit.

perplexed, yamaguchi asks, "which way are you going? if you want, i could walk you to your bus stop?"

you smile awkwardly, pretending to be sheepish about the proposition despite it being exactly what you anticipated, "i would love that. but i don't think tsukishima would be too delighted to see us together."

yamaguchi frowns at the reminder but nods.

"but," you continue, pulling a pen and scrap piece of paper from your bag and hurriedly jotting something down, "you can ring me if you ever want to talk. or anything else." you hand it to him with a wink and yamaguchi's throat dies up at your suggestion, he is barely able to croak out an 'okay'.

"see you later!" you skip off and yamaguchi is left speechless behind.

ೃ⁀➷

you had warmed up to each other very quickly. texting each other videos, emojis and pictures every other minute. didn't even take two days before you both had a shared playlist. you were up until ungodly hours of the night facetiming each other.

it was so frequent, yamaguchi had to change your contact information to a fake name because he was getting tired of constantly having to hide his phone from tsukishima, since there was bound to be a notification from you on his screen.

"are you gonna buy tickets tonight???" "noooo don't remind me tadashi" "what's the matter ???😧" "wi-fi sucks at my houseee. i never get concert tickets on time. always end up paying resale prices 😤" "you can come to mine if you want! my wifi is good"

you took him up on his offer. you went over to his dorm at 10PM, since tickets when on sale at 11PM in your time zone. (darn international artists!)

it was a blood-bath but by the grace of god you both successfully secured two tickets to see your favourite artist performing live, with seats very close to the stage!

so of course you had to celebrate somehow.

shaky breathes escaped his lips, soft moans intertwined. his shirt had come off, exposing his tan skin to the hot atmosphere of his bedroom. hypnotised by the way your tight cunt sucked needily on his cock, dripping cum all over his bare shaft.

his gaze was only freed from your sex when he was nearing his climax and a sudden bolt of ecstasy wracked through him, causing his eyes to roll back, "so tight, (y/n)." he grunted, grabbing your ass and squeezing it.

he had you sprawled out over his bed face down, while he stood by the edge and fucked you from behind. he gave you a pillow to rest your cute head on so your neck wouldn't hurt, and he held your legs by his sides while he ploughed into you. four years of volleyball practise has its uses.

his pace is relentless but rhythmic; at first he fucked you leisurely, allowing you to appreciate every inch of him as he'd pull out of you excruciatingly slowly, then ease himself back in until his achy tip prodded your cervix. he wasn't doing it to torment you though, just to give you some time to grow accustomed to his length.

it was better that way; your desperate pussy welcomed him instead of trying to force him out. in fact, it clung to him so tightly it was challenging for him to pull out of you, somehow he managed.

as he approached his orgasm, his thrusts became hurried and sloppy, raring to spill inside your sopping pussy. but ever the altruist, he slips his fingers between your legs to press and rub at your clit fervently, "close, baby?"

his cock splits in you half, and your pussy throbs around him. the power with which he rams into you has made you hazy, drooling mess, only able to weakly buck your hips in reciprocation to his thrusts. you try to whine a meek 'yes' but your face is buried in the pillow, thus yamaguchi only hears an unclear, muffled noise.

he furrows his brows and moves his hands up to your waist, "'m gonna flip you over, yeah?" he pants, still fucking you as he talks, "wanna see that pretty face." in a surge of strength and energy, he pulls you off the bed and flips you onto your back, offering you a gentle smile when you lock eyes.

you weakly smile back, about the only autonomy you could exhibit while his cock continued to pound into you, moulding your walls around him. you were losing control of yourself with each thrust; clinging to the sheets and allow a string of lewd moans and profanities spill from your mouth. somewhere in the mix there was his name.

"tadashi.."

your eyes were closed, and your melodious voice called out for him to save you, like he wasn't tucked inside you. hearing you say his name like that — so filthy and obscene — delighted him in ways he didn't know were possible and only urged him closer to his climax. "(y/n), say that again, please."

the wet slapping noises he made against your cunt grew louder; it was a miracle you could still hear his pastel voice. being railed into the plush sheets of his bed, your mind and body were in two different realms, so when you tried to utter his name once more, all that came out was a series of moans and gasps.

"c'mon, (y/n)." he pled, gripping onto your hips like you are his life force, "i need you. be a good girl for me, please."

he punctuated each word with a harsh thrust, brushing your cervix each time and it didn't take much else for you to come crash down around him. spasming and twitching on his dick, your scream echoing through the room while he fucked you through it. your throbbing pussy still being used for his pleasure.

even when you were nearing completion, your pussy still fluttered around him and you squealed, "tadashi!" as the world became hazy and blurred around you.

which was enough to send him hurdling over the edge too. his teeth are gritted together and his hands tense on your waist when he cums inside you. his thrusts waver for only a moment before he temporarily resumes, this time with less vigour and with the sole purpose of milking himself dry inside you.

once he could feel his hot cum packed safely within your walls, he was finally able to gasp for air. he doesn't want to pull out, he's comfortable as he is, but the curious part of him wants to see how his load looks inside you.

he pulls out, only to kneel and examine your glistening hole. too fucked out and sore, you lay on the bed and try to catch your breath, allowing him to push your legs wide open without protest.

"so pretty." he mused, watch as a bit of his cum dribbles out of your pussy and onto your ass. not to worry though, as he uses his two fingers to guide it back inside you. idly, he pushes his fingers inside you and revels at how tight you still are.

"you're perfect." without thinking about it, he curls his fingers inside, then delicately drags them in and out, wrenching a feeble whine from your throat. "do you know how perfect you are?"

he pressed a loving kiss against your clit before poking his head up from between your legs to look at you. "mm" is all you respond with. he chuckles, "that's not a yes or no, baby."

he doesn't dwell on it too long. he'll stop bothering you now by trying to get you to respond to him; you're probably still recovering from your intense orgasm. yamaguchi goes back to admiring your hole, captivated by how his cum has filled you up, and whenever it tries to escape but it is prevented from doing so by his fingers.

"you look so beautiful like this. i wanna burn this image into my brain so i can keep it forever." he kisses your pussy again, french this time. his lips move graciously against your folds and his tongue plunges inside you. you taste so good, so intoxicating, he moans into your skin, the vibrations causing you to gasp. he continues to suck and lick inside your puckered hole, until he gets a taste of himself on his tongue, which causes him to falter and slowly pull away.

"i've never had sex with a girl on the pill before. but this was just.." he can't seem to find the word he's looking for. perhaps it doesn't exist. "amazing. well, that doesn't even cover half of it." he grins foolishly, caressing the inside of your thigh and still gazing at your hole.

"yeah." after lying motionless for a while, you seem to have finally come back down to earth and can form full sentences again. "amitriptyline is great, isn't it?"

"uhuh.." he muses, thinking about how gorgeous you look until what you said finally registers in head and he springs to his feet, "what!?"

[starcurtain]

Following Topaz's explanation that Cornerstones are made to fill the hole in the user's heart, what "hole" in Aven's heart do you think his drag queen powers are meant to fill? Especially since Topaz remarks he's the only one with such showy powers

Still trying to catch up with all the messages in the inbox; sorry to everyone for taking a million years to respond.

So cunty, and for what???

Anyway, first, when Jade talks about the Stonehearts' "voids," the alternate reading above that word is actually "ambition." And she mentions that the reason she risked reaching out to Firefly is that she views herself as similar to Firefly--Jade is someone with an unfulfilled wish.

I think there's enough here to suggest that the Stonehearts' voids are not quite what we would normally think of when hearing the word "void"--rather than being best understood as something removed or something lost, their voids seem to be "something desired." An unfulfilled goal. An unmet need. A burning ambition. A secret wish. They all have somewhere they want to get to, and they've signed on-board with Diamond's Preservation project because his power is the fastest way--maybe the only way--to get there.

The implication here, by the way, is that the Stonehearts are acting out the very act of Preservation itself with Diamond. The goal of Qlipoth is for the universe to be saved, an unshakeable resolution to stop Destruction's wanton obliteration. Thus, Preservation itself can be understood as "A desire that must be continuously protected and relentlessly pursued." To live. To endure.

In using the power of an emanator to protect and provide the Stonehearts with ways to pursue their own desires, we replicate in miniature the exact resolve and endless pursuit of perseverance that Qlipoth is acting out in the broader universe. The will of Preservation empowers the Stonehearts--and in turn, the Stonehearts swear an oath to aid in Preservation's mission. It's a mutually beneficial arrangement, and it also simultaneously imitates Jade's shop perfectly: I'll give you exactly what you want, if you give me what I need.

I should clarify that I don't actually think the cornerstones themselves fill the Stonehearts' voids. Rather, they seem to me to be a tangible symbol of the oath between Diamond and the Stonehearts--"I'll give you this power to fulfill your deepest wish, if you work for me." Jade suggests that the power of the cornerstones provides Stonehearts with the means to fill their voids (I.e., having superpowers makes it possible for you to pursue your wish), so I think their individual cornerstone abilities are best understood as "The exact power I need to achieve my particular goal."

So what does that say about Aventurine's "showy" transformation?

Pretty much all the rest of this is just going to be my personal speculation, but I'd say the most telling glimpse we get into why Aventurine's power is so "visual" comes from these lines with the future "Aventurine" in 2.1:

There's two completely contradictory desires being expressed here: Aventurine's life "is the chip he's most eager to lay down" and "always has been"--that is, he genuinely wants to die. He isn't just willing to gamble with his life, he's eager to. The future "Aventurine" also says real Aventurine wants to be "polished up" (to be controlled and molded by others) and "cuffed with red-hot chains" (to be made powerless and not responsible for making his own decisions, to be punished).

But conversely, the real Aventurine also wants to be perceived as "a smooth operator" and "the solid gold deal-maker who doesn't waste a drop of sweat." He wants to be in charge of his image. He wants to be the one who controls the narrative and defines how others think of him. He wants to be "spotlit center stage"--to command the eyes of the world. In short, we could say that Aventurine wants his death (and conversely, his life) to mean something.

From these conflicting desires, I think you can derive a few totally opposite but equally valid interpretations of why Aventurine's cornerstone power is so "visual":

A combat-oriented transformation is another means to seek death.

Jade's power is scary, but she isn't using it to literally launch herself into fights. Topaz's seems to be similar--something that might allow her to win over her opponents in some way (she was about to use it in Belobog to no-sell the Trailblazer), but she clarifies directly that it is not a "transformation." Aventurine just literally turns into a boss enemy and goes straight out on to the battlefield.

In the fight, he doesn't even use shields. (Now whether that's something he never does because the cornerstone powers don't actually come with shields while in his monster form, if he couldn't use shields because his cornerstone was broken, or if he just chose not to use shields in this fight to give Trailblazer and Co. a fighting chance, only time will tell. However, it might be worth noting that his empowered Apocalyptic Shadow form doesn't come with shields either, despite having other new mechanics.)

The point is, this form, while looking cool and seeming strong, is actually a gamble in and of itself. To go out onto the battlefield, where you might not actually be the strongest combatant, is always a risk. And I think this is the kind of risk that Aventurine manifests continually in his life. He is constantly creating opportunities for his own luck to fail. His unfulfilled desire, the "ambition" he was desperate enough to join the Stonehearts to pursue--as his original goal to save his people is completely gone, his only current goal might actually just be a chance to die. His powers may manifest as a combat-oriented transformation because that is just one more way to throw himself into the crossfire.

In fact, this is exactly what Sugilite accuses him of in Jade's myriad celestia:

You didn't need to snatch his wig this hard, Sugilite. (Also I need you all to know I originally wrote "You didn't need to come for him this hard, Sugilite," but then I realized how unfortunate that wording was, so...)

You could even argue that the fact Aventurine's transformation comes with a mask that obscures his entire face is a sign that we're supposed to see this form as dehumanizing.

The facial features are completely obscured and asymmetrical, there's no mouth, his fingers have become claws--despite his body staying mostly human-shaped, it's obviously intended to hint at something monstrous, subsuming his original identity behind a violent facade.

Kakavasha disappears entirely behind "Aventurine" when he transforms, becoming a faceless enemy at the risk of (perhaps in hopes of) entirely losing himself. Maybe every transformation lets Aventurine throw himself closer and closer to the edge of death--and perhaps, before Penacony, only death could ever have filled the "void."

But, on the complete opposite hand (because Aventurine is always both sides of the coin), we could also argue the other end of the spectrum entirely:

A combat-oriented transformation is a show of force.

This screencap brought to you by Mr. Rubhen925 of Youtube.

Aventurine's entire life has been marred by disenfranchisement, by violations of his basic human rights, freedoms, and agency. At every turn, he has been victimized by others more powerful than himself: his childhood consisted of his clan being relentlessly hounded and hunted to extinction by the Katicans, having their food constantly stolen, their meager belongings burned to the ground, and each one of his family members systematically slaughtered, often in front of his eyes.

After his childhood, he was bought and sold as chattel for pennies, branded like an animal, and forced into a fight where to he had to beat other innocent people to death just to keep himself alive, all for the entertainment of the masses. Even Jade, who promised to help him achieve his goals, treats him like a business investment more than a friend.

In Penacony, we watch everyone he talks to degrade and ostracize him. Even though Aventurine led him into doing it, Sunday tortures and re-traumatizes him live for our entertainment.

Even more that, we see Aventurine constantly struggling with the question of whether his life is really his own or whether his blessing from Gaiathra means that his entire existence has been predetermined, his fate sealed in blood and sand from the very moment of his birth, utterly inescapable.

No matter how Aventurine tries to portray himself as the ultimate winner, he's only ever the "final" victor--being the only one left standing at the end is meaningless if on the road to getting there, you were treated like fate's favorite punching bag. Winning in the end is utterly pointless if on the road to winning, you still lost it all first, from the things you loved to your personal freedom.

What does a person who has been made powerless again and again truly desire? What void do you seek to fill if life has denied you your agency over and over?

Power. Dominance. The ability to literally strike back at those who've wronged you. The strength to intimidate and force people into a corner the way you've been intimidated and forced before.

If we say that Aventurine's "void" is not a literal desire for the release of death, then it might make sense for the "void" to instead to be a frantic desire to gain control over his circumstances. To be the one finally in charge of deciding his own fate.

Particularly in light of his character story which tells us that Kakavasha's original goal for joining the Stonehearts was to save his people, the desire to take on an impressive form that screams "I'm powerful" and has the ability to physically enact vengeance on others feels directly aligned. And it remains aligned even after the reveal that the Avgins are all gone--once more fate strips Kakavasha of his power to make a difference in the world, to achieve what he truly dreams of.

The Apocalyptic Shadow version of his boss fight is called "Desperate Diceroller."

How angry he must be, deep down. How hateful the world must seem. How sad it is to feel that way.

If destiny won't let you out of the cage, your only choice is to grow claws to tear it open.

Okay, but WHY so much swag though?

Are the peacock feathers and spandex really necessary?

Listen. Everyone talks about Ratio having "gifted kid" syndrome, but I'm here to tell you that Aventurine is actually a burnt out gifted kid extraordinaire.

He's literally, canonically, explicitly the chosen one of his people.

From the moment of his birth, his mother and sister--and presumably others in his clan even--were telling him that he was their clan's most precious treasure and that he would lead them to prosperity and safety.

He carried this weight even after fleeing from the massacre, all through his childhood and teenage years, through slavery and abuse, putting his very life on the line to join the IPC in hopes of finally fulfilling the destiny his mother and sister promised he could.

He was supposed to save them. That was his meaning. That was his purpose in life.

But he was too late.

The fate he was born for, raised believing, and risked everything to achieve... is still incomplete.

So, for all that talk about suicide and power-seeking, my real answer is this: Aventurine's "void" is his unfulfilled destiny.

His whole existence has been predetermined, his life's journey laid out in prophecy and blessings from the very beginning. Yet what he thought was his fate betrayed him, and where you head after becoming an unsuccessful chosen one is a question without answer.

His thoughts constantly circle around how he is a "failure" and a "loser."

When you have no sense of purpose, when your life has no meaning, when what you are still seeking is the role you were supposed to have from the moment of your birth: the glorious destiny of being a savior, being the "happiness" of your people, being the hero...

Of course you crave the spectacle. Of course you long for the spotlight--you long to be recognized. Because Kakavasha's the chosen one. "Spotlit center stage" is where he's supposed to be--in the leading role that was stolen from him.

I think that Aventurine's cornerstone transformation is so flashy because, at the core, it represents a longing to truly be the "precious wealth" of the Avgin that his sister promised him he would be. It represents his desire to transform from a useless, "discarded" person into a larger-than-life version of himself. (Hey, fun fact, out of every official depiction of Aventurine, his boss model wears the only outfit in which his slave brand is not naturally visible.) He literally transforms into a supernatural being, capable of seizing others' fates in his hands. It represents the power he needed to save his people and himself. Its extreme flashiness screams for attention, demands to be witnessed as something beyond a helpless human.

It's almost as if Aventurine is a child writing a wish-fulfillment story where he transforms into a hyper-glamorous, all-powerful masked superhero who is capable of saving the day and winning against his enemies every time.

Unlike Jade and Topaz, Aventurine can't hide his deepest desire. It was always going to be a "transformation," because Aventurine's unanswered wish is to be someone better than himself.

His "void," his deepest unachieved ambition--it's written right there, all over his body.

Aventurine's cornerstone power is a story he's telling himself about the person he was supposed to be.

But as Acheron claims, that's life itself.

Aventurine doesn't feel like he has any control over his journey's ultimate destination.

He doesn't know where's he's headed or what the purpose of it all is. But...

Jade explicitly describes the Ten Stonehearts and Diamond's endeavor as a "journey" as well:

Because Preservation represents the continuance of life itself, and the Stonehearts with their endless "voids"--Aventurine with his soul-deep longing to become someone better than himself--represent all of us very real human beings, trying our best to find our own "cornerstones," to gain the means to finally, finally achieve our own sweet dreams.

[raayllum]

She Must Pay the Price, or A Drop of Mercy :: A Rayla and Leola Meta

Quick:

You're a young elven girl, and you show mercy and compassion to a human that you definitely weren't supposed to. When it's found out, you're punished, with elves even calling for your execution (6x09, book 1 novelization). Your father does what he can, but there's only so much. You're put on trial. You're found guilty regardless of intent, and only by association. You die for this; you die for them. You're a star. A guiding light. There's even a Great Fall off a precipice (though only one of you hits the ground).

Your name is Leola, or Rayla.

You're the beginning and the end, respectively.

So let's talk about it.

Tests of Love

For years, I had wondered where Aaravos' assessment of "Those who fail tests of love are simple animals. They deserve to be motivated by fear" (2x09) came from, cause you don't drop in a line like that if it's not going somewhere. It's quite a statement and worldview, after all. Now, with Leola's trial, it seems we know.

We can see, then, perhaps that Leola's gift giving was the first test of love — are you willing to break the Natural Law, the Natural Order of things? — to help another? To show another a source of power in order to share, to be compassionate, and in Rayla's case, to be merciful (though we'll get more to that in a minute).

We also know that the love Leola had was powerful and all encompassing:

She didn't care to follow the order set in the stars. Though she was born an immortal being from the Heavens, she loved this world... and all its flaws. Her heart was warm and open.

And she befriended mortals. Animals, elves... and humans.

ETHARI: Who I love, where I love, what I love, are all specific. But to Runaan and those like your parents... love is rooted in all families, all creatures. Souls like that feel called to protect everyone as fiercely as those they hold close. (Bloodmoon Huntress)

Okay, so Leola and Rayla both have big compassionate hearts and befriend creatures from all over the place. So what? So do Callum, Ezran, Soren, and most of our other main good guy characters. Even Claudia to a degree (though she could work on not using magical creatures for spell parts).

Well, specifically, it's because of how they intersect currently more with anyone else on the concept of

Mercy

KOSMO: Daughter of the Moon, yours is a wondrous heart. In a moment of mercy, you sent ripples out into the ocean of time. Ripples that have not yet stilled. (6x05)

Rayla sparing Marcos, as noted in multiple interviews by the creators and by myself in previous metas, is ultimately the inciting incident / lynchpin of the entire series. Without it, there would've been no soulfang proposal or Ez running away to find the egg or any of the number of other elements that had to come together to make achieving peace possible.

While we still have details to discover regarding Aaravos' Fall and development of dark magic, we know that a lack of mercy was ultimately what sent him on his path of vengeance. Leola was not shown mercy, and while it seems there were already "flaws" for an imperfect world, things were (probably) better than they currently are in Xadia in a variety of ways. Then, to kick off the entire Saga, we have Rayla sparing Marcos in a soundtrack literally titled "Mercy" and have Kosmo, seasons and seasons later, spell out directly what a big deal this was for well, the ocean of time.

None of this is to say Rayla can't act out of revenge — she did ("when I first came here, I was on a mission for revenge") and she has ("but I became so obsessed with revenge"), much like Aaravos ("he isn't doing anything out of love, he's doing it for revenge") — but that her general compassion and love for others has always been stronger than her grief or rage, and that even when she had every social and personal reason to, she was and is fundamentally unable to hurt someone innocent.

Even when she's shamed or punished for it by herself or by others. RAYLA: The human looked up at me, and I saw the fear in his eyes. RUNAAN: Of course he was afraid, but you a job to do! (1x01)

EZRAN: Yeah, but then you saw he was scared, and you knew he was a person, just like you. RAYLA: That shouldn't have mattered. I had a job to do. (1x08)

The Cosmic Council — and to a degree, the Silvergrove — say that the reasonings or motivations, the intentions, behind Leola and Rayla's actions do not and should not matter when it comes out to doling 'Justice'. So Leola faces her justice, being literally killed in the one manner that can kill a Startouch elf, and so does Rayla, being metaphorically Ghosted / 'murdered' by her community, regardless.

Neither are enough to ultimately quell their light or their love/power, however.

A Star

RAYLA: That beautiful shining star you just pointed out? We call it Leola's Last Wish. (5x02)

So both Leola and Rayla are stars in season 6, literally and metaphorically respectively. Leola's is more self-explanatory, whereas Rayla's is mostly about the role she has in Callum's life as a guiding light and star. I don't think it's a coincidence, though, that just as Rayla placed Callum on his path of being a primal mage, though, that Leola did the same for humanity. I also don't think it's a coincidence that Callum's love for Rayla restores Callum's own light and agency amid Leola giving humanity the same through light and fire.

It happened long ago, when humans had only just learned to hold fire in their hands without burning. They nurtured their precious primal flames secretly—in the dark of night, beneath shadows and shrouds—as cultivating its glow drew the eyes and ire of monsters. Eventually, for the audacity of their fire, they were hunted, and—though they looked to the stars for salvation—the stars, too, looked down upon them with disdain. Humanity had been given something it was never meant to have. (TDP shorts, Ripples)

In this way, we see the manifestation of a repeating parallel of Rayla representing Leola, a gift giver of life, magic, light, unjustly punished/killed, and Callum representing humanity, looking to the kindest brightest star for guidance, magic, restoration, and salvation if he's just given the chance to grasp it. After all, presumably, Leola's last wish would have something to do with primal magic and humanity, and who represents that better than Callum, with two arcana under his belt and possibly more on the way? With that in mind, I want to return to another quote from earlier but with a different focus on

Ripples

Daughter of the Moon, yours is a wondrous heart. In a moment of mercy, you sent ripples out into the ocean of time. Ripples that have not yet stilled.

The wisest of the humans looked upon the water. His own reflection smiled back at him, and he dared to imagine what such power would feel like in his own hands, should he be allowed to hold it. Imagine, he thought, if I were more than what I am. With a trembling hand he touched the surface of the water. Ripples spread from his fingertips. [...] I hope the stars were watching. I hope they saw it: the moment their perfect reflections turned warped and ruined, churned to chaos by the touch of a single human hand. In this, the humans taught me another lesson. And so I touch the surface of the water. I watch the ripples spread.

Water in TDP is a strange beast, symbolically speaking. There are some more straight forward motifs (reflections, "don't try to control where the river [of life] goes, there's one thing you can know and control: yourself"). For Aaravos, it's connected to deep loss but also his own sense of patience in playing and winning his game, as illustrated above. For Rayla, it's linked to shame, self-reflection, bravery, and loss. Aaravos weeps and creates a sea upon losing Leola; Rayla says goodbye to her family by the lotus pond times three.

We don't know what water represents for Leola. Not distinctly, anyway. The best we can figure though, is that by following the through line of the Rayla and Leola parallels, that the ripples Leola wanted to send out or did send out — not the distortions caused by her father and his grief — are ones that Rayla received, and then continued.

Rayla has always been a foil to Aaravos, and this hasn't changed. She is the one who set Callum on the path initially of being a mage, which put him in Aaravos' machinations as prey; she retrieved his Key; and she's the reason Callum's done dark magic, twice. At the same time, much like the moon, Rayla carries Leola's light as much as she shoulders Aaravos' dark. She literally represents light in Callum's life, helps lead him through the darkness, and him being a primal mage and it's possible growth to other humans is the best possible thing that could've ever happened to Xadia.

Sol Regem says that "no one can save" Xadia or fix what is deeply broken. The Cosmic Council said that Leola had broken the Cosmic order and had to pay the price. Rayla has repeatedly been willing to pay the price for both hers and other's actions in hopes of making things right, of sparing others' pain. Sometimes to her detriment, but—if Rayla as Callum's one Truth could fix the darkness within him, if she's the lynchpin for breaking the Cycle, for bringing back Runaan and fixing her family's souls, in opposing and presenting mercy amid the Council's lack of mercy, in the face of Xadia's violence—

Then Rayla's act of mercy in 1x01, and potentially beyond in S7 with Callum, will be what fixes Xadia.

Leola's gift of magic is what 'broke' Xadia, and her execution is what literally did so, leading to the division of the continent. She wrongly paid the price in the absence of mercy and love. Rayla is therefore her thematic successor — welcomed this time as Light and Truth — as the carrier of Mercy and Love, and she will 'fix' Xadia through her ripples and dynamics. She will mend them back together. There will, at last, be no price to pay.

Misc. Thoughts / Predictions

One thing I was always curious about going forward into future seasons was the prospect of a 'trial' or reunification of the Silvergrove. It felt like a no-brainer the Silvergrove would have to change in order to reflect Runaan's character arc, much the way we see Katolis and the Sunfire elves change to better accommodate the new, more compassionate world order. Pre-S4 a trial felt a little strange as an idea, though post-S4 the parallels it could provide to the Lucia tribunal made more sense about why include either (or both).

However, Leola's trial seemed to hammer home the almost necessity (as this is still a prediction, after all, that may not happen) of Rayla and/or Runaan saying their peace to the Silvergrove leaders. This would be a great opportunity to provide a contrast to the Cosmic Council, reaffirming that Xadia is ultimately better than them because the Moonshadow elves and everyone else can change, and the Cosmic Council seemingly cannot or will not. But I guess we'll have to wait for S7 or beyond (#GiveUsTheSaga) to find out if this'll come to fruition or not.

I also wanted to touch on what we see with Leola ("I'm so scared!") and the repeated emphasis on "recognizing fear as a moment of empathy and personhood" and the horror that can come if you don't have that moment of recognition. This is something I've touched on before most notably as a striking difference between S1 Rayla and S5 Claudia, but I thought it was worth mentioning as S6 added to it specifically with Viren towards Soren and Lissa. This is another point in the "Rayla is an inversion of the Council's lack of mercy" column, as Leola's — a child's fear, and Aaravos willing to pay the price and take her place — earns her no mercy. Rayla, meanwhile, sees someone innocent that she has 'every right' to execute is afraid of her, and that strays her hand; it steadies her sword, and she spares him. Because if someone is afraid of you, it's worth asking yourself why, and what you might want to do instead.

Last but not least I wanted to talk about Leola's parallels to Callum and Ezran as well, since they are very much there (though yet not perhaps to the same extent).

Ezran has Leola's friendliness to animals and soft heart. He too is a child whose death is called for as a means of Justice, and he is granted mercy through Rayla and the discovery of the egg, able to live and grow and help usher in peace. He is, I think, what Leola might've been allowed to be if she'd lived in different times. Callum, meanwhile, carries the gift giving motif through his cube, staff, and tokens he both gives to (moon-phoenix bracelet) and receives (the moon opal necklace) from Rayla, and previous 'human-Leola' magic dynamic. Callum being able to break free fully from Aaravos' and dark magic's control in S7 and turn his eye instead to primal magic will be what helps bring true justice to Leola and hope for humanity / Xadia in righting the Cosmic Council's fundamental wrongdoing. Hopefully, anyway.

Conclusion

I hope you enjoyed this deep dive into some parallels and potential narrative goings-on between Leola and Rayla as characters. TDP loves its historical and ironic layers in TDP (Ez and the Orphan Queen, Viren's arc from S1 to S6) and I think this layered thematic dynamic between the two merciful young girls was a good, brilliant choice by the creative team. I'm excited to see where this thematic thread goes in the future and how it may continue to be woven into the story. As always, thank you for reading, and I'll see you in the next one.

[darknebula85]

23/11/2024, Log of DARKNEBULA85, 1:16 PM...

SPOILERS: Special Edition, Arcane Season 2, Episodes 7-8-9...

As I’m writing this, it’s 4:20 in the morning. I’m on a 24-hour shift, but here I am, watching the new episodes as they’ve just come out. The hype I’m feeling is so intense that I’m not even a little bit sleepy. Episode 7 is both the most beautiful and the most heartbreaking thing I’ve seen in this series. I spent the entire episode thinking, "If only everything had gone right, this is how it all could have ended…” Seeing all the characters together and alive (except Vi) made me so happy, yet it was killing me inside because, in our reality, it’s the complete opposite.Can we all agree that Ekko is the hero of this series??? A guy who had everything taken from him, suddenly gets it all back, and then has to give it up again to save his people. He succeeds in the end, but it’s still so tragic, he accomplished his mission but was left alone, without his family, friends, or the girl he loved. It’s devastating.I was absolutely crushed by the death of my favorite psychotic blue-haired girl because I held onto hope until the very last second that she would survive… But alas, it seems that in both universes, the sisters can’t be happy together. One of them always has to die. Still, I’m glad they each had someone to lean on as they mourned their lost sister (Vi with Cait, Powder with Ekko). And Heimerdinger? My poor little guy died, and no one even noticed. At least he went out happy, knowing he gave someone else the chance to achieve what he couldn’t. And Jayce… I always had faith in him. I’ve supported him since the first season, and I held back from criticizing him in earlier episodes because I knew there was a reason behind his actions. And, oh boy, there sure was. By the way, Ambessa’s design is hands down my favorite, what an absolutely spectacular character design. And the ending… It’s perfect. Everything about this series is perfect. I’ve tried to think of a single bad thing about it, and I just can’t. I don’t think we’ll see another show this perfect for a long time, it’s a true masterpiece in every sense of the word.I really hope the creators expand this universe. There’s still so much left to explore and so many storylines to wrap up, like the Black Rose. If you’ll excuse me, I’m now going to cry myself to sleep, considering I haven’t slept since 8 a.m. yesterday.

Yo seguiré en negación creyendo para mi mismo que Jinx sigue viva

Edit 10:53 PM... DUDE I’m at a party, and there’s literally a guy who looks EXACTLY like Vander. Same clothes, same hair, same beard, same size… I feel like crying and I want to die 😭

[mysterycitrus]

Clearly you’ve got a lot of opinions abt the characterisations of the batfam in fandom /pos

Can you elaborate on your interpretation for all of them? /gen

it’s called caring too much — and it’s incurable! wrt my personal interpretation, that's a long and complicated answer, so ill just focus on the internal character of the waynes (specifically bruce and his five canonical kids).

bruce wayne is a control freak, we know this. his parents were killed for being in the wrong place at the wrong time, and he has literally never ever been able to truly process it. the degree to which he is controlling - firing robins, survelling his allies without their consent, compiling personal information from others, disregarding others feelings in favour of his own - is all about trying to achieve the best possible outcome. everything he does is justified, because if he's in control then he can stop bad things from happening. it is all in favour of the greater good. it's the logic of an eight year old who's just lost everything and hasn't grown up.

if bruce's trauma manifests control then dick's manifests personal perfectionism. he holds himself to such an absurd standard because he's a flier - when you're catching someone on the trapeze you quite literally have to be there, always, ready to take their hand. if you don't, they fall. if there's no net, if dick isn't the net, then they die. he’s always swinging back out and in again, waiting for the next person to slip through his fingers. he does not fear falling, only what will happen when he hits the ground. he’s a born performer made to be an atlas, carrying an unbearable weight that anchors him to the earth.

jason after death is a tragedy of his own creation, and dc's worst crime is trying to justify the terrible decisions he makes. jason isn’t right, because what he wants is not about protecting other kids from his fate or being a better batman. he wants to be personally vindicated, even though he knows it's impossible. jason rejected himself, bruce, everything, in order to transform into a weapon to enact violence. deep down he's so angry, so hurt, that he'll go after other children - tim, damian, mia - and still decry bruce in the same breath. killing the joker, killing bruce, killing dick, killing every robin before or since won't take him back to who he was before. you cannot go back. you can never go back.

cass sees everything. she can't unsee it, she can't ignore it, nothing in the body can be truly hidden from her, but like bruce that doesn't mean she's always right. she killed a man and witnessed his death, and thus will never take another life. she is all knowing, but she was not born knowing herself. she's jason in reverse — she turns from steel to flesh and bone. she will do whatever it takes to be good. she has made herself real.

tim chose this life in the most literal sense of the word, and then kept choosing it. it’s his duty, it’s his honour, it has hollowed him out and left nothing behind. his tethers to the world snap one by one — janet and jack and darla and dana and steph and kon — and suddenly it’s much harder to extricate himself from the black. robin, dick grayson, is his guiding north star, but his north star is only human. he knows he is capable, he knows this is his choice, and he knows he has long since lost the chance to unchoose.

damian is raised in the shadow of the bat. he is born of blood. he knew death before he knew his father. he is a child. he is ancient. he is a killer. he only wants to do good. he loves his mother. his father is gone before he learns to love damian. damian loves someone else who wears the bat but does not carry wayne name. everything he knows about himself is questioned — robin is given to him, and suddenly he can decide his own fate, make his own family. he wants to be the best, but he doesn’t know what he wants that to mean anymore. he wants the chance to find out.

[utilitycaster]

Bells Hells Level Up: Level 14

FUCK IT WE'RE DOING IT LIVE (I forgot to prep this well in advance like a press release as I am wont to do). Gonna be short, sweet, and as always if there are any factual errors let me know! If I simply did not list every single possible feat, spell, or other choice, that is because I did not wish to spend my wild and precious life doing that.

Chetney: With a 13th level in Blood Hunter he gets Brand of Tethering, which is GREAT for making people (Ludinus) not be able to leave. He can also use Blood Maledict 3 times per rest now. Looking ahead: I'm assuming he's sticking with Blood Hunter (or Blood Nutter as the case may be); at L14 he gets advantage on saving throws against being charmed or frightened, and a new crimson rite. He has flame and frozen, and L14 unlocks necrotic, psychic, and thunder options. Their enemies are often immune to psychic but honestly he can just use fire so. Live your best life, Chet.

Laudna: I support waiting to see how the ritual goes! If she levels in Warlock she gets an ASI/Feat (War caster wouldn't hurt; bumping up INT or WIS wouldn't either though my vote, as always, is for INT), another known spell, and continues her quest as Cantrips Georg. If she levels in Sorcerer she also gets another cantrip, as well as another known spell, and I think she should get a 3rd metamagic option but she seems to already have three? Anyway my vote is for Careful Spell. I'll hold off on further speculation until said ritual has completed.

Dorian: Two more spells! Magical secrets, ie, whatever the fuck he wants (true to my name my vote is spending at least one on Counterspell, but go nuts on the other) He also no longer has to burn his inspiration dice on flourishes, though he only gets a d6 rather than his full d10. Looking ahead: He gets 8th level spells of which Mind Blank might be wise given this campaign; he also gets a d12 inspiration die.

Braius is already level 14, thank you Braius.

Fearne: Ok I respect the ASI push but Transport via Plants would be real clutch sometime soon. With that said Dorian or Imogen could take Teleport or they can just hang out with Essek for a while longer. Anyway, as an Arcane Trickster she gets an ASI and another L1 spell; she's been keeping it utility-focused which is smart because her INT score is not high. The ASI move, in my opinion, is bump up INT and CON by one, but she could also benefit from War caster. Looking ahead: As said, take L11 Druid, get 6th level spells, profit.

Imogen: Revelation in Flesh is upon us; I assume it will be electricity themed rather than the traditional Aberrant Mind option which appears to be "cursed axolotl"-themed. This means she can use sorcery points to make herself fly OR swim/breathe water OR see invisible creatures OR squeeze out of tight situations. Looking ahead: 8th level spells next level! Incendiary Cloud seems to be on-brand but Power Word Stun OR Sunburst (miss you Ayden) are both pretty fantastic.

Orym: Fighters get a zillion ASIs, as always; Sentinel might be fun but he could also bump his CON to 16 (if he does this...I must admit I'm warming on the idea of Orym Paladin and wouldn't scoff at a CHA 13 bump either), achieve Chetney-like intellect with an INT bump, or take any number of feats. I am pretty boring with feats honestly so I'm excited to see what Liam picks but I have no good ideas. Looking ahead: At L15, he gets two more maneuvers, which I will definitely look up before they hit L15; he also gets a free superiority die if they roll initiative while he is fully tapped. Fighters: they are unstoppable.

Ashton: It's a path feature! I have no idea what the fuck will be up with that but I'm looking forward to finding out, which, coincidentally, will give us the full picture of Path of Fundamental Chaos! Looking ahead: They get persistent rage at L15, which will make them even harder to knock out, a thing that is already very difficult to do.

[gloryofdawn]

Pretty much everybody on Tumblr seems to look at Garrus and be like, "Hm, yes, the optimal love interest." And that's fair! Garrus is great. Date him if you want.

But goddamn, have I just always had brainrot for Shepard and Garrus platonically. Their dynamic is just so flawless. I have never believed a game more when it has told me "These two people are best friends." They are the most found family siblings I've ever seen.

Every party member in Mass Effect 1 (who lives) goes on to achieve greatness above and beyond pretty much any party member introduced in subsequent games (except that I do specifically think the human party members are outstripped by Mordin), but you get to watch it happen with Garrus and Tali because they never leave you. Garrus starts off as "That loose cannon cop who signed on to help get Saren." After Shepard dies, he decides he's just going to casually end organized crime and is alarmingly successful. When Shepard shows up again, Garrus' reaction is to fucking shoot them and then joke about it when they finally make it to him. Shepard deflects Garrus' near death experience by calling him ugly. During his loyalty mission, you have the opportunity to have some absolutely raw conversations with him about ethics and morality that you don't really ever see with another companion except Jack, and she basically completely ignores everything you say until you see her in 3. With Garrus, he'll resist what you're saying, but you can see him trying to find the line between justice and revenge, law and chaos. If you put him in charge of the second team during the suicide mission, you can see how much he's grown with you as he effortlessly coordinates his team with yours. And all that is just in Mass Effect 2.

Once you get to 3, you really start seeing it. Garrus has made his way up in the Hierarchy and is leading their efforts against the Reapers, just like Shepard. When you ask him about it, he immediately starts talking about it as the shared work you've had since the first game. No other companion identifies themselves with you through this struggle. Sure, other companions will mention the previous games and what you did with them, but there's always something else. Liara is the Shadow Broker now. Tali has the Geth to worry about. The Virmire Survivor is bound up in the Alliance and becoming a Spectre. Wrex has the Krogan. But Garrus? Garrus is here with you. He's standing right next to you, giving the Reapers his full attention. And as you go throughout the game, he's consistently the one there for you. When you're struggling to get the Council Races to work together, he's there. When things go tits up on Thessia, he's there. Even you're going into the final run, he's there. When the two of you die, if Turian heaven is the same as human heaven, he'll meet you at the bar.

There is no Vakarian without Shepard. There is no Shepard without Vakarian. These two soldiers are bound together with blood, sweat, and the sheer Terminator-grade determination to save the galaxy, no matter how much it kicks and screams. There is no fire they won't jump into for the other one, and they'll make fun of each other the whole way. There's no other relationship like it.

I'm Glory of Dawn, and this is my favorite platonic ship on the Citadel.

[all-encompassing-hero]

One thing I love about the Horizon franchise is how both Zero Dawn and Forbidden West make it explicitly clear that while the current threat might be the machines and rouge AI threatening Aloy and her people, the true evil behind everything is and always has been capitalism and, to an extent, the One Percent.

[Spoiler warning for both Zero Dawn and Forbidden West]

Obviously, there's Ted Faro, a man who, through a combination of overinflated ego and massive incompetence, doomed the world twice over. First, accidentally, by designing war machines capable of consuming organic matter as fuel and programmed with code so complex, it took several hundred years to crack. And then, on purpose, by deleting thousands of years of human knowledge and history in some misguided attempt to help the future generations. A man who not only built the Torment Nexus from the book "Don't build the Torment Nexus" but then deleted all records of both his construction and the story from which it came so that future generations would not be able to learn from the mistakes of those who came before them.

Now, while the Zeniths are not as heavyhanded about the themes of the evils of capitalism compared to Ted Faro, they do still uphold that narrative. Remember that the Zenith crew was composed almost entirely of the rich and famous. Rich and famous who would rather save their own skins rather than try to help humanity in its final hours. When they managed to do the impossible and achieve immortality, what did they do with it? Squandered it by becoming lazy, only using it to essentially prolong their own pleasure. Some even became greedy enough to go beyond physical immortality, and when that greed caused the destruction of their home and threatened the new life that had begun on Earth, what did the remaining Zeniths do? Turned tail and ran. Because the only thing that matters to them is self preservation.

Tilda might actually be the worst of them. Because while the others may not care that they're in the wrong, Tilda is the only one who believes she is in the right. Tilda, the woman who was arguably the closest to Elizabet, who watched her choose to stay to help develop the Zero Dawn project rather than abandon Earth, who has been grieving that loss for over a thousand years, believed that, given a second chance, Elizabet would choose to abandon Earth. Tilda, who believed that she was doing the right thing even as she was attempting to force Aloy to abandon her people the same way she wanted Elizabet to abandon Earth. Tilda, who died believing that the woman she loved died a pointless death even after seeing the new world created by Zero Dawn.

The Horizon franchise is and always has been a story about technology. How technology can do so much good in the hands of the right people, but also so much evil in the hands of the wrong people. And it keeps telling us that the "wrong people" are the rich and greedy, the ones who only look out for themselves, the ones who would leave humanity to die if it meant saving themselves.

My biggest hope for Horizon 3 is that it continues this message. That it continues to show that technology can be used for good, but only when in the hands of people who have the best interest of others at heart rather than their own.

[blushcoloreddreams]

Feminism is bad for you

You might identify with it because of their beautiful ideals, or because it says it takes care of your pains in a different way, but you can know a tree by it’s fruits

Observe what feminism do to women… they get uglier, they tend to fight more with their father, mother, relatives, friends and husband, they can’t have a normal conversation without it becoming a fight…

they become the worst version of themselves without realizing that the ideal of feminism is not the wellbeing of women, it’s political control

I know you will say that feminism is necessary to fight for equality, that I can only make this post because of feminism, that I can only vote, study or work because of feminism

And I know you will say that feminism is necessary to fight for equality, That I can only make this post today because of feminism, That I can only vote and study because of feminism... But... what if this is all a big lie they told you?

If you study other sources that are not feminist - because yes, believe me - there are other sources... you will see that the story is not exactly what the films portray...

When feminists asked Celina Guimarães, the first woman to vote in Brazil, how she had achieved something so important and representative, she said: "I didn't do anything! I'm grateful and I owe all of this exclusively to my late husband, who was excited about women's participation in Brazilian politics”

You constantly see celebrities telling some lies like that - that women couldn't study and everything, but no one asks exactly why...

The truth is that ancient schools aimed to prepare men for military service, which is why boys were degraded and beaten, often deprived of food to prepare them for war, while girls were educated by their mothers at home or by the Catholic church in order to spare them from rigid male training.

Another lie is that women gained the right to work... but women have always worked, working has always been a question of survival... Traditionally women always were midwives, healers, weavers and overall helped their families with agriculture, trading and crafting. Not needing to work has ALWAYS been a privilege exclusive to upper class women contrary to what feminists tell you. But when men went to war they were forced to work outside, not as a matter of choice, but because it was work or die.

In truth, for most of history the majority of men were illiterate and didn’t have access to education either. In England, for example, education only became compulsory in 1880. Voting and politics also weren’t rights given freely to all men. In Ancient Athens democracy only a small amount of people (only free men whose parents were both Athenian could vote - all that expecting military participation in exchange). In post independence United States only white landowners could vote, in Brazil only after 1985 adults who were illiterate won the right to vote. The main point is, it’s easy to say that women throughout history were abused and discriminated soon if you always compare them to the top 1% instead of the average male when in reality they have been mostly dealing with the same issues and treatment

By believing things like taking care of children and educating them, preparing food and taking care of the house is not work you are just conforming to the paradox of seeing these tasks as lesser things while agreeing to pay thousands to outsource these tasks.

There have always been abusive relationships at any time - but they are not the majority. This image you have that women all suffered at the hands of men is an image distorted by history books after the Communist revolution and promoted by the media to influence and dominate the minds of the masses. When you believe this you will slowly make choices that destroy your life and make you an irresponsible victim dependent on the State. You don't need to believe me, look around you - a tree is known by its fruit