Danny, the Young Justice member snippet nr 2
these snippets aren't connected in anyway but just some little scenes I came up with, everyone is welcome to build up on them if they want to
Trigger warning: death mentioned, self-harm mentioned, idk, Danny gets flashback to portal incident
unrelated snippet nr 1, unrelated snippet nr 3 (?)
Out, out, out.
He tripped over his own legs and almost fell and it didn’t matter because he needed to get out.
Away, away, away.
He wasn’t sure if he ran or flew or dragged himself on the rough floor but he had to get away. His back hit a wall and he couldn’t get past it, intangibility just out of his grasp.
He logically knew that Zeta Tube wasn't the same as the portal but it was similar. So deadly similar.
He wasn’t sure when his own, corps-like, trembling with rigor mortis cold hands started rubbing his arms. He also wasn’t sure whether it was to comfort himself in this lonely self-hug or to try to rub hard enough that the hazmat and skin underneath would be torn, allowing him to see his own, red blood running in his veins. It was still red, right? It was still red, right? Of course it was still running, why wouldn’t it?
His knees gave up. He fell to the ground with quiet reverbatting thump, his eyes fixated on danger at the other side of the large room. He had to get further away but he couldn’t.
Because he was dying again.
Eyes full of tears and terror were jumping around, unable to see the room around him. Why couldn’t he see anything? Why were there only splashes of various colors, all contrasting with a light gray background. Were these people? Colors were moving, that seemed likely. Ghosts?! He had to get ready if these were ghosts he needed to fight them. People could be in danger and he couldn’t even stand without support. He started it, he had to take care of it, no matter how he felt right now.
His normally overly, unnaturally sensitive ears were filled with constant electric buzz from still active Zeta Tubes.
He was quite sure someone was yelling something but no matter what, Danny couldn’t understand what was being said. He tried looking around again but his teary eyes still failed him. There were no red stains though. Not in the right shade at least. No one was bleeding. It was okay for now.
Was it really? He hadn’t bled when he was dying had his accident though. It was all inside him, the crushing hollowness inside him and infinite outside pressure making his body implode. Ectoplasm bubbling in his mouth, throat, stomach and fingers, silencing his scream of agony and destroying his muscles. His limbs were limp and tense, twitching like a broken light bulb, out of his control but not out of his senses. It was so cold that it bit his bones and so hot that his skin was melting. There were screams so loud that it could shatter glass, as if every inhabitant of the Ghost Zone wanted to be heard and absolute suffocating silence. He was alone like nobody ever was and stuck in a stifling crowd that could stomp him to death any second. It was all contrasting, impossible but happening, existing together. He lived died it.
It was impossible, just like him.
There were others, they could help while Danny got himself together.
They couldn’t help if it was a ghost. He had to calm down and get ready to fight.
He couldn’t.
It was all happening again.
He was dying again.
It hurt to even think about.
Would it at least kill him for good?
Air he hadn’t needed before, not since his first death he always needed, like all functioning, alive human beings, got stuck in his lungs. He was gasping for it, choking on it. There was something stuck in his throat. SOme part of his brain that wasn’t screaming in agony and panic and loneliness had considered tearing his neck open just to get whatever was stuck swallowing but it didn’t help.
He rubbed his arms harder. His eyes were locked on a blurred, still active portal. One of the color blobs moved, growing larger but he couldn’t think about what it meant. His arms hurt. It was good. Pain was grounding. In a gray room with few portals. Not the basement. Ghosts still could be there but it wasn't a basement. He still needed to get ready to fight
If he could feel pain, it meant he was alive, right? Ghosts never showed that they felt pain right? His parents always said they couldn’t.
He knew it was a lie but he felt like it was his last hope.
He realized that growing group of colors actually looked like a person but he had no way to tell whether they were alive or not. His ghost sense was quiet but he didn’t trust himself to not miss it. His throat was still shut tightly. His body kept twitching like a glitching character. No matter what, he couldn’t fight right then. He had to get himself together.
He scratched his arms almost violently.
Warm, soft, gentle hands pried his palms away from his arms. It wasn't a ghost. Ghosts weren't this gentle, this calmingly warm. Someone, someone who was alive, was crouching in front of him, face at the same level as his, hiding portals from his sight. Danny nearly sunk into their gentle touch.
“-om." their voice also was so gentle, filled with concern but firm enough to get to him over the buzz of portals. He tried to concentrate on this voice. He didn't want to hear portals.
"-ntom." It sounded like they were calling someone. He had to focus more to understand. Gentle grip on his wrists got more firm. There he was. He wouldn't feel it if he was dying again.
"Phantom." They called quietly, like little windbells Sam gave him as a birthday present. It was his name, they were asking him something he couldn't understand, something he couldn't do.
"I'm sorry."
He wasn't sure if any sound came out of his mouth.
Grip on his hands loosened a little, not enough for him to do anything about it, but enough to return to the pure feeling of safety and reassurance it gave him before.
“It's okay Phantom." they murmured. Danny nearly cried at their kindness and calmness. Air slowly started to fill his lungs again. It truly was okay, he wasn't dying again."Can you focus on five things you can see for me?"
He could do it. It wasn't much to repay the gentle person kneeling in front of him.
He blinked tears away and started the list in his head.
Black Canary in front of him.
Superboy in the middle of the room. He looked like he didn't know what to do.
Kid Flash next to him, ready to come to where Danny was shaking on the floor.
Robin and Artemis both made sure that Kid stayed where he was.
Miss Martian for sure feeling his panic and having trouble coping with this. He should calm down as soon as he can, he didn't want to cause any of his teammates too much stress.
Danny nodded, looking once again at the only adult hero in the room.
Molecules in his body were rearranging again. It all hurt.
"Thank you Phantom. Can you focus on four things you can hear?"
Five racing heartbeats.
One heartbeat that sounded more like buzz because of its speed. KF's heart was always weird.
Tapping of someone's feet.
Zeta Tubes.
He had been in the portal again, it had turned on with him inside again. He was dying again.
Next cautious nod.
"Alright. Now three things you can touch." Black Canary still sounded so calm, so sure she had it all under control. So contrary to her panicked heart. Danny wanted to believe her voice.
Canary's hands still on his wrists. In fact she was touching him more than he was her, but it still counted. There was some physics rule about it.
Cold stone he was sitting on. Weird, he was sure this cave was heated.
Hard wall pressing on his spine.
"Excellent. Two things you can smell?"
Jazz had done same exercise with him before.
Cookies made by Megan before she went on a mission.
Ectoplasm. Somewhere there was ectoplasm that wasn't inside him. He couldn't smell his own ecto. But there was no ghost in the cave. His sense was silent. It was there somehow else. It was concerning but not enough to make him panic again. They could handle it.
His lungs were still aching but air started filling them nearly as much as it did normally. His limbs stopped shaking so much too. He knew he wasn't dying this time. He was calming down.
"You're doing great Phantom. Now think, what's one thing you can taste?"
Aftertaste of ectoplasm he spat between the rough fight and the moment when Kid Flash rushed him to the nearest Zeta Tube, talking about medical attention. Danny tried to tell him, he didn't need that but he was inside before his explanation left his mouth.
"Do you feel better now?"
"Yeah," It was all he was able to say at the moment. He truly felt better but that didn't mean good. It was only a little less bad than shitty, one step from fully dead.
I considered writing continuation with Danny explaining a bit what happened and how he even ended up in Zeta Tube but
a) lost spark to rewrite it
b) hated what already had
But if you want, I can probably rub my remaining two braincels together and continue. Or someone else can. Do it if you want to. Do it. Do it
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say sike right now, she's actually going back to The Doctor Pepper Show-
Like, this is just "What if The Doctor Pepper Show and LO had a baby?" Because at this point it's very clear Rachel only knows how to write from inside her own head, which is full of unresolved salt towards her childhood and medical fetish shit. The imagery in the first panel is very LO, and the imagery in the second is literally The Doctor Foxglove Show-
Evidently she's been reskinning the same shit for years-
Listen, I've been, for the most part, keeping my lips sealed on a lot of Rachel's old projects and what I've dug up on her previous works, for a few reasons:
1.) We were all cringe on the Internet at some point in time and a lot of these older works, such as Freak Scene Surgery and The Doctor Pepper Show, would have been from when she was in her late teens / early 20's. I'm not here to judge Rachel's personal preferences or whatever kind of fetishes she's into. It's totally normal, expected even, for a lot of creators to have older works they're trying to bury or disconnect themselves from because it's simply not them anymore.
2.) Ultimately I've been focused on discussion around Lore Olympus and Rachel as she currently operates as a creator, so I don't want to go digging up her old skeletons as any sort of "gotcha" towards LO today. Ultimately a lot of these works don't have anything to really 'do' with LO as it exists today.
That said, the reason I'm bringing it up now is because these new series... are bridging that gap that I've been avoiding for ages now. The gap that's filled with skeletons of Rachel's past that she's trying to both disconnect herself from but now fall back on with LO come and gone. It almost goes to show that her being a one-note pony goes back since far before LO - these are literally the only ideas she's able to come up with at this point, and it's painfully obvious in how both these new "graphic novel pitches" are pretty much the exact same and could apply to the same character, and that character may as well just be Persephone, i.e. Rachel, all over again.
Like, I'm calling it now, Patients in the Dark is just gonna be more "moms are bad" rhetoric, and Eleanor's Deathbed is gonna be Hades and Persephone, but replace Hades with some death god and Persephone with a training mortician, which is basically also still just Foxglove training to be a doctor, and Icy Shaw bragging about fondling corpses.
If anything, now that Webtoons is no longer carrying her around on their shoulders, this is gonna be Rachel's moment of "put up or shut up". She can either actually put in an active effort to write something that's decent, or she can flounder under the weight of her own tired mediocrity that's been knocking at her door for years now. As much as she's using her labels that were bought for her to sell these books which aren't even in real development yet-
-Webtoons isn't gonna be there to buy her Eisners forever. This is entirely on her and the imprint that Webtoons shoved her into. Her process is still the same, she's learned nothing from the experience of making LO, she's just got the money and awards now and is trying to run with it, but all she has are the same tired pitch lines that she's been using for decades now and just so happened to work with LO because LO had both Webtoons and the appeal of it being a Greek myth "retelling" to carry it into fame.
I'm gonna go into a bit of a tangent here, but it's been weighing on my mind since I found out this news and have been discussing it with pals within the ULO circle. Rachel once said in an interview that she wanted to use her platform to raise awareness of issues regarding sexual assault, mental health, and "the patriarchy":
"Who do you know that hasn’t been sexually assaulted? The number is depressingly low, right? Why is that? There is no short answer or an easy fix. I have a platform. I can tell a story that will hopefully educate and help others feel acknowledged and vindicated." - Rachel Smythe, Interview with Gossamer Rainbow
"...obviously I'm very feminist, and that sort of stuff really matters to me, um, the best way to approach this question is… I began, the pilot was written in sort of mid-2017, and I think what I wanted, what I wanted to achieve, and I don't even know… probably in 5 years time I don't know how I'm going to feel about this but I'm taking the risk, I really wanted to write a story where, uh…this female character goes through these things and I think what I wanted to do, what I wanted to achieve, was like a really common, I can't speak for like, men, but I can definitely speak for like, you know, if you're sitting in a group of your female friends and you're like "Hey! Who's been sexually assaulted?" … The response is going to be really depressing… Most female people that you know have probably experienced sexual assault to, on one level or another, and I'm like, for me I'm like "Why is that? Why?" And is it because there is a lack of information, lack of education, like what is it? And I'm lucky enough to have a platform and I'm like, if I could just provide some information in story format, would that help? Is this what I can contribute? So I feel like, especially, when writing sexual assault in media often it's… it's a way for the main male character to be, like, uplifted to hero-ness by, usually like, violence is the way to fix the problem, and that's not the approach that I want to take… um, I think [sighs], oh god, sorry I've lost my train of thought, [sighs], yeah, I think a lot of the time in movies when they, like, show rapists or something it's generally someone who's jumped out from behind the tree at a lady in a park and it's not really how it is like 90% of the time [laughs], so I just wanted to make something realistic where people could at it and be, like, "hey, nagging someone into sex isn't cool" or like removing all of their opportunities to say no isn't cool, or for someone to look at it, and just like feel validation, this is me trying, trying my best to make a difference with the platform that I have, and yeah, this is my roundabout answer for it" - Rachel Smythe, Interview with The Comic Source
And yet not once has Rachel actually used her platform for good outside of herself. She just asks the question, "Sexual assault?" and then writes off the answer "yes, it's bad!" and it especially shows in LO where the resolution to the one plotline she kept around to draw in readers was "assaulters are sent to the timeout corner!" Sure, it works for the readers who are simply seeking validation that their experiences aren't unique to themselves, but is it actually doing any real work to talk about the systems in place that leads to people like Apollo being created? Is it doing anything to address purity culture as it exists and the double standards that exist for women who are navigating sexual relationships? Is it doing anything to take the discussion outside of the narrative and put it into action through support of women's shelters, charities, mental health support for men, etc.? Not really. Like many of Rachel's ideas throughout LO, she simply goes, "Men, amirite?" and the answer is "yeah men suck!" and nothing more. The answer to the entire SA plotline is "rape is bad, don't do it" when anyone who could even relate to that conclusion in the first place already knows that.
Ultimately the activism she claims she's trying to do doesn't actually service the issue at hand - it just services herself and her own insecurities, her own unresolved trauma, her own need for validation through Eisners and merch sales. She asks the question, "Who hasn't been assaulted?" so that when she responds to the women who come forward and relate to Persephone, it's with the intent of getting them to read LO and buy her merchandise. She winds up making herself the center of other people's experiences, even ones that she cannot relate to. At BEST her attempts to "use her platform" as a means of starting discussion around ongoing societal issues like the patriarchy and sexual assault towards women is about as effective as Bell #LetsTalk, it's purely performative, self-profiting, and offers nothing of real tangibility.
If she just wants to write her own self-empowering personal works, that would be fine. Plenty of creators do it. Art is, at its core, self-expression. But it's extremely telling that she's built a platform off her self-expression, and twisted it into what she believes to be "activism" and "feminism", so that she can continue to profit off it in her future works such as this, which, again, are just reskins of her previous projects which were largely centered around the fetishizing of abuse towards women.
I don't want to claim that this is what it is, but... how much of the "feminism" in LO is done purely through the lens of victimizing women? Why is there more effort put into torturing female characters like Hera, and Demeter, and Minthe, and even Persephone to a certain degree, than there is into actually addressing the larger issue that she's claiming she wants to shed light on and resolving her questions with actionable answers?
That is the only question I will leave you all with. I am absolutely 100% not planning on touching these works with a ten foot pole, even if they should come to fruition. With the recent realization that she was into artists like Trevor Brown, alongside the fact that we've known for a long time she's into Lolita and there are very clear parallels to draw between it and LO, I think it's safe to say at this point that Rachel's work is not something I want to continue to support even when it's "hate reading". Again, I'm not going to outright accuse her of anything, but I feel like the writing is clearly on the wall here and I'm taking that writing as my warning to steer clear.
I didn't want to discuss the elephant in the room - her older works as they exist in the distant past of the early 2000's - but she's now riding the elephant.
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