#because i have ideas and i want to draw them ALL

[windcalling]

Hello! That top-grossing list isn't good evidence for originality (or lack thereof) overall. So I did some analysis on all American films in 2023, 1998, 1973, and 1923.

The thing about the list of top-grossing films is that I'm not surprise it's heavily weighted towards franchise films -- just because more people are going to see them!

I wanted to see if there have been actual changes in overall American film production, so I classified every film in Wikipedia's "List of American films in [year]" lists.

Classifications (in hierarchical order, since a film may be in multiple categories): Remake, Sequel, Franchise, Adaptation, Original

More extensive data & notes below the cut, but without further ado...

THE RESULTS

We do see the proportion of movies original to screen ("original" & "adaptation") decreasing over time

BUT...it's still 80% of movies in 2023!

If you're looking for those original movies? Horror and rom-coms. In every year I looked at except 1998, there was a really clear trend of 1-2 genres with a TON of the original films. 1973 is blaxploitation and cop movies, 1923 is westerns and romances.

So there ISN'T a huge difference in originality of the movies that get made, but there IS a big difference in the breakdown of the top-grossing films by year -- 2023 is the only year with more than one sequel/franchise film in the top 10.

My guess? There isn't a big difference in what films get made, but there likely IS be a big difference in what films are advertised, or shown in easily-accessible multiplex theaters.

But I'm not going to look up advertising budgets. Because THAT would be too much.

Under the cut: more data! detailed breakdowns! fun observations!

Here's the complete breakdown! Sample sizes are 343 (2023), 254 (1998), 202 (1973), 437 (1923).

Edit: And here is the same chart filtered on top 10 highest-grossing films -- top 9 in 1923.

Fun data points:

I combine "original" and "adaptation" above because it's often hard to draw a line between them and because it got at the question posed by OP, but the proportion of non-adaptation original movies is HIGHEST in 2023! Adaptations were highest in 1923!

I think this is because there are more writers aiming at film now than 100 years ago, and the way film ideas are picked up has changed over time.

1923 is all silent movies, and I was surprised by how many are already remakes! But I guess the technology was changing so fast...

1923 also had a handful of adaptations of poetry, which I didn't see anywhere else!

Very surprised by how much porn is in 1973. By which I mean, any porn, but ESPECIALLY porn faintly inspired by Sartre's 'No Exit' -- the "hell is other people" play. (I marked it "original", for reasons I trust are clear.)

Process notes & category definitions:

Some of the movies on Wikipedia's lists were definitely not actually American films, but I didn't do any filtering -- I took the list as it was given

Sequel - to existing film franchise Remake - of a previous visual media property Adaptation - of a play/book/story/etc; didn't usually include when the play/story/etc was written shortly before by the director and was otherwise unknown, probably with the intent of going direct to film Franchise - part of an overarching franchise but not otherwise adapted/sequel; includes e.g. Barbie, Scooby Doo, standalone movies in existing universes Orig - includes biographical, loosely-inspired-by, historical, etc; classifying orig vs adaptation is HARD!

is it me or like, have movies been getting worse?????

[wasyago]

Falls in, i would love to hear about this decked out/failed cave exploration au pls pls pls already i am Bewitched

hehehe [in tango's voice] sighh i suppose...

really im very tempted to just let it sit and not tell anything, because it's so fun seeing people theorize and point out details in the notes. but yeah i guess i shouldn't gatekeep it, its a fun au!

i do want to state in the beginning that it was a one-off thing and i have no plans on continuing it or drawing more for it. if you do tho? feel free! (not asking for fanart by any means, but giving the green light if anyone was wondering)

well

-------

Pet crew were a group of cave explorers. They're no experts by any means but they were no amateurs either! (ignore the fact that they're not wearing any PPE, i didn't want to draw it, ok--) And recently they've been excited about mapping out a new cave system they found, completely unexplored according to their research.

Tango, always a big lover of his plans and spreadsheets, presumably decided to go in alone ahead of time to sketch out at least a rough draft for a map, so they had an idea of what they're going to be dealing with.

But see, this cave is not an ordinary cave, no matter how pristine and untouched it looked. It is one gigantic organism of unknown origin, and a hunrgy one at that, the air inside it is filled with little cells or spores that, when inhaled enough, start taking over the body and corroding it to the cave's will. Killing the host in the process.

So, obviously, after spending some time in the cave by himself, Tango did get some cells in him. Not enough to be noticeable, but enough to give him a headstart on the corruption when the group went in for a proper dive some days later.

The first symptoms of undergoing the change are pretty standard: light fever, weakness, dizziness — easy to mistake for a flu.

Which is exactly what Tango did. Of course, going caving with a flu is not a smart thing to do either, but the group has been planning this trip for so long, delaying it even more because someone was slightly under the weather would've been foolish!

The cave started off with a big drop, requiring a rope to be set up, and then sprawled into a system of tunnels. Tango and Pearl were very excited to find an entrance to some ancient tombs a couple of hours into the dive. There were stairs leading even deeper underground, which turned out to be an entrance to a bigger cave system, with a huge frozen lake in the middle and an entrance to abandoned mines.

Further symptoms include skin turning pale, graying hair, eyes starting to shift color to red. Previous symptoms remain and intensify.

Tango had always been pale, he had blond hair too, and in the dark it was hard to notice the white streaks in them. The pink cheeks were easily passed as a result of being in the cold. Pearl did express some concerns about Tango's well-being when he started to fall back a bit, but he dismissed it as just him getting tired. By that point Pearl seemed to also have some "frost" in her hair.

After the hair have fully turned white, the tips start to switch color to an unnatural blue. Skin eventually loses color completely, turning gray. Fever intensifies as body desperately tries to fight the infection.

At that point it was impossible to deny that something was wrong with Tango. There are no mirrors underground though, so to him it was just his flu getting out of hand. Guilty of hiding his illness, yes, but nothing critical. The blue hair however were not normal, and the other two were freaking out a bit more than Tango would've hoped for.

They had an argument.

Etho snapped and hit Tango to beat some sense into his stupid head.

By that point Pearl was clearly looking bad too, and Etho's own hair were apparently turning white. They were all feeling terrible, physically and mentally. They decided to head home.

As previously stated, the cave is in fact alive and can sense when something that belongs to it is trying to escape. In an effort to stop it, the whole cave system comes to life. Old animal carcasses rise and start walking, small screeching creatures begin patrolling the tombs, the ice melts and the cave blooms in dangerous ways.

When the crew exited the mines into the second level of the cave system, it was apparent that the way back would be a lot harder. By that point Tango was struggling to stand and Etho had to drop his equipment to carry him. But the fever and the dizziness were making it hard to move fast, the changed layout of the cave was difficult to navigate even with their map, and the way to the surface was still very and very long. It was obvious they couldn't make it out....

Unless they were willing to make some sacrifices.

Etho isn't proud of his decision, but leaving Tango was their only option! He and Pearl still had a chance to escape if they moved quickly, but Tango was just too far gone, he couldn't-- Etho couldn't carry him to the exit, he was getting too tired, and if they all stuck together it would get all three of them killed! Was it not better for at least two of them to survive instead of-

They had another argument.

Pearl stubbornly insisted on taking Tango, so Etho had to lie to her and say that they will come back once they scout out the way. Etho couldn't force himself to look at Tango though, if he did he would be met with this knowing look and he just couldn't bear it. Tango cried when they were leaving.

After the body succumbs to the fever it stays dead for a short period of time, while the rest of the changes set in.

It took a miracle for both Etho and Pearl to reach the tombs, but the hard part came after. Etho did everything in his power to convince Pearl to leave with him, he said they will come back later when they're better prepared, he said it was too late to help Tango, he said it was Tango's own fault, he said many bad things, none of which were enough to change Pearl's mind. She turned back and Etho didn't follow her.

He ran through the tombs and the caves alone, losing his eye to a monster he saw all too late. It was painful and it was disorienting, Etho doesn't even remember how he got to the initial drop they went down, he was panicking and only moving forward because of adrenaline and instinct. The ascend was a fever dream, Etho doesn't know how he didn't fall to his death then.

Through the rush of blood in his head, Etho heard the faint sound of Tango's voice. Too cheery for his feverish condition, and much, much closer, a lot closer than the place they left him to die in. He did not hear Pearl. The sound stopped when it was right under him, and he felt a light tug on the rope he was hanging of. And nothing else happened...

Etho emerged from the cave into the cold night, stumbling over his own feet, too tired to run. Their van was parked over by the entrance and Gem was already waiting for him. Him — shaking, bloody and alone.

...

The body reanimates again, now obedient to the cave's will. It is no longer alive but it is not dead either, frozen, stalking through the tunnels in a mindless haze.

[reallyromealone]

Hi! Just sending in this ask before I forget my idea, dont answer this until your asks are open again I just want to write this down before I forget!! Boten x single father! male reader, reader works at a restaurant and Boten comes in one night and Mikey takes a liking to him, his daughter sits in the staff room and draws/plays because she’s too young to be home alone- 🦇 anon

Title: cute waiter

Fandom: Tokyo revengers

Characters: bonten

Fic type: fluff

Pairings: Mikey x reader

Warnings: male reader, reader insert, single dad reader, fluff, nameless daughter, Mikey has that weird ass rizz as the kids say

Notes:

Summary: bonten goes to a small restaurant while in town for business and Mikey falls for the cute waiter.

🎄🎄🎄🎄🎄🎄🎄🎄🎄🎄🎄🎄🎄🎄🎄🎄🎄🎄🎄

(Name) Could never thank his boss enough for letting (daughters name) stay in the office, the elderly woman finding the toddlers company pleasant while she worked on scheduling and order's.

"(Name), could you cover booth three? I have to talk to (boss name) about the schedule" (name) looked to his co-worker who managed the hardest puppy eyes he could "fine, but you owe me"

"Thank you!"

(Name) Never knew what to expect at the small restaurant, typically it was the locals in the small town but sometimes some rich people came in and even foreigners which was a gamble on how the experience would go.

Usually they were nice though.

"Hello! Could I get you gentlemen started with water or perhaps the chef's choice of wine?" (Name) Said happily to the group who sized him up, the man in the middle just staring him down with cold blackened eyes but (name) just continued smiling and even making eye contact with them.

Blissfully unaware of who they were or what their tattoos meant.

"We will start with the finest wine you have" the white haired man with snake like eyes said simply, his rings shining under the warm lights "of course! I will be back momentarily with your wine, gentlemen" and with that (name) turned and left, bonten not missing Mikey's curious look and the lock on to the waiters ass. They all exchanged glances while their boss just ate his snacks, flipping to the dessert menu to see they had the good stuff.

(Name) Returned moments later and filled their glasses, Mikey freezing when the waiter got close to him and the white haired man could smell the others cologne faintly and nearly shoved his face into the poor man's neck if it wasn't for his self control "so tell us about yourself, Mr waiter ~" ran was going to do his boss a favor, knowing Mikey had the romantic abilities of a snail. "Ah, what would you like to know?" (Name) Was so easy going, care free "you in school?" "You single?" "You know how to bake?"

(Name) Was a bit startled by the questions but didn't see the harm "I'm not, I graduated last year, I am single and I do know how to bake, yes" (name) laughed a bit at the questions "now, what can I get you gentlemen?" Changing the topic to get to business and not have these attractive men ask every detail of his life.

Of course they ordered the nicest things on the menu, it was going to be a pricy bill no doubt but (name) wasted no time getting their order before his coworker took over his table for his break and hang out with his tot. (Name) Brought in dinner for the two, free food from the restaurant and (daughters name) got cute rice balls shaped like hearts and for dessert she got taiyaki shaped like stars and filled with custard.

"Wow you drew this?" (Name) Cheered on his kid who beamed, the owner who became their grandmother of sorts always splurged on the good coloring supplies for the little girl and finding some cute toys for the office so she's never bored.

"Why don't we show the team, yeah?" (Name) Asked the little one who bounced a little, clearly happy at the idea "let's go!" Holding his little girls hand, the restaurant was nearly dead save for the group of eight who were furious that (name) was changed out for another person but Mikeys anger quickly melted when he saw the tiny version of (name) waddle towards the elderly owner who was rolling cutlery.

"My!" She cooed and lifted the little girl up "you're so talented!"

Mikey and (name) locked eyes, the waiter offering a sweet smile and Mikey's face dusted red, (name) didn't miss the stares and the blushes on the pale man, knowing damn well the awkward blond thought he was attractive "you enjoy your meal?" (Name) Asked him casually, the blond composing himself "yeah..." His words simply and short, never the one for small talk "that your kid?"

"Ah, yeah... She's too young to be alone and my boss practically helped raise me as a teen so she just hangs here"

Mikey nodded and looked over (name) who caught his stare "would you like to go out sometime?" (Name) Thought the blond was cute, even if he barely spoke and just stared ominously.

Mikey froze, usually it was him doing that "you don't know who we are, do you?"

"...models...?" (Name) Said confused, unsure of his answer and Mikey just stared back at the man "what? Used to people not recognizing you?"

"Something like that"

"Well I hope to get to know you better, I have to get my rugrat in for her nap but I'll be back soon yeah"

Mikey never felt so complacent, nodding and even letting (name) kiss his cheek gently before going to get his daughter.

[nastybuckybarnes]

Home

Pairing: Ghost X Reader

Summary: Ghost needs to get back to work.

Warnings: Minor Angst, Fluff, language?

Word Count: 1.5K

A/n: I have no idea what to call this one it's also just a little thing to get us ready for a big thing and then a bigger thing i hope you enjoy! sorry i haven't been super active - i had no wifi at my new place until today and im also still kinda in the process of moving in LOL

~*~

The energy is different when Ghost returns to his quarters at the end of the day. He has a new tension in his shoulders that not even the hot water of the shower can wash away.

It isn't until he joins you in bed that you find out why.

"M'gonna be gone tomorrow."

Those four words have you sitting upright in bed, a frown on your lips.

"Where?"

One of his hands comes up to caress your collarbone, then slides up to cup the side of your neck.

"To the city. We're gettin' closer."

You're not sure what he's getting closer to, but that's the least of your concerns right now.

"I will be alone?"

He shakes his head, "Johnny will be here. He'll take you to lunch 'n whatnot. But this is... how it's gonna be for a bit movin' forward. I won't be able to be around as much."

Your frown deepens.

You don't want to be away from him. Not for any longer than you have to. Especially now that you're on base.

You're not oblivious to the looks you've been getting from the other men here. More than once have you caught the unwanted wandering eye of someone. But every time without fail, your Ghost is able to scare them off. One sharp look toward them and a dark promise in his eye, and the offenders are looking away.

What are you going to do when he's gone?

Your mind flutters to the Corporals who tried to have their way with you, back when you first met Ghost. You've seen each of them around base, but never together and never quite like you did that night.

You'd like to keep it that way.

You can't help but pick at your fingers as you start to think of every bad thing that could possibly happen with him leaving.

"Hey, none of that. Look at me."

You obey, lifting your eyes to his in the dim light.

"Everything'll be okay. Johnny's not gonna let anything happen to you. I trust him with my life, you can too. 'N'm sure the men here know by now not to even think about you the wrong way. If not, m'happy to make an example outta them if I need to."

His free arm wraps around your waist and he tugs you to lie back down on the bed with him, snuggling you close to his body.

"A few more weeks, Mouse. Then I'll bring you home with me. You can forget everything and we'll start a new life together. How's that sound?"

How does that sound?

That sounds like everything you never thought you'd get. Everything you never thought you'd be allowed in life.

"Good." Is all you end up saying.

~*~

'Good' is also the one word you wouldn't use to describe how things are the days Ghost is gone.

The first day is the worst.

Obeying your Ghost's wishes, you accompany Soap to get lunch, sitting in silence as the piercing eyes of the other soldiers drag along your back.

And on the walk back, whispers erupt and more eyes are following you.

Soap -Johnny- isn't as effective at getting them back in their place. Sure, they keep a wide berth, but their eyes don't skitter to the ground the way they do when Simon's mean glare lands on them.

Maybe, you find yourself thinking, it's because Soap isn't all that different from the men around you.

Maybe he's thinking the very same things they are.

Ghost's words ring out in your ears that night as you lie awake.

'Johnny's not gonna let anything happen to you. I trust him with my life, you can too.'

Settling a bit, you decide that maybe you can trust Soap.

The other men, though? They don't get that luxury.

From that moment on, you vow not to leave his quarters again unless directly accompanied by Ghost.

The entire time he's gone, he can't help the odd feeling in his chest.

He's not looking in windows for your drawings or in shadows for your eyes. No, instead he's looking for more hostiles, more targets, more things standing between him and his Mouse. The future between the two of you.

The more people he kills, the faster they advance, the more ground they cover, the closer they are to success.

Success means taking you home. To his home, making it your home, too.

And his teammates aren't oblivious to the new fire beneath him.

He's always been good. A key asset to the team and arguably one of the best at what he does.

But this? This is like nothing they've ever seen before.

More than once, however, have they caught him looking at a piece of paper.

During the lulls, the safer moments when no one is shooting at them, a small piece of paper is in his hands and his eyes are tracing and re-tracing the drawings on it.

And when he gets back to base the following day, he feels excited.

His palms tingle and his stomach twists, and he feels a sense of relief when Soap greets him with a smile.

"How's she been?" He wastes no time on pleasantries, immediately making a b-line to his quarters.

"Haven't seen her much. She's been sayin' she's 'not hungry' since yesterday. She hasn't left since."

Simon's brows pull together as they come to a slow outside of his door.

He gives Soap a nod, watching as the man turns and leaves, then slowly pushes the door open.

"Mouse? You feelin' ok-"

He's cut off by you throwing yourself at him, wrapping your arms tightly around his frame and tugging him forward with such strength that he actually loses his footing for a moment.

His arm instinctively wraps around you as he stumbles, pulling you closer to his body.

He steadies himself then brings his other arm around your waist, hugging you tightly.

Your fingers slide up beneath the back of his balaclava to card through his sweaty hair as you nuzzle your nose into his chest.

He tugs the balaclava off then pulls your head back, dropping his lips to meet yours after far too long.

You sigh softly, melting into the kiss.

"You okay, Mouse?" He asks after a moment, pulling back to look at you closely.

Your eyes flutter open and you look up at him with dreamy eyes, nodding.

"Johnny tells me you haven' left the room. Why?"

His hands slide up until he's cupping your face, thumbs stroking your cheeks.

You close your eyes and hum softly, sliding your hands under the front of his sweater as you seek out his skin.

"The men... they... they do not trust. They stare... they... they say things... I do not like it. Not without you. They do not look when you are here."

He feels a tinge of anger bubble in his stomach, but he can't really blame them.

Does he understand where they're coming from? Yes. Absolutely. He wouldn't feel comfortable having them on the field with him if they blindly trusted you.

That being said, him trusting you should be enough.

The unspoken claim he has over you should be enough for them to not ask questions. It should be more than enough for them to keep their mouths shut when they see you.

"You just gotta... be around them more. They'll grow to trust you the more they see you."

You huff out a sigh and lean forward to kiss his lips softly once more.

"Don't want to without you."

He smiles against your mouth and slowly walks you back toward the bed, turning at the last minute and falling backward onto it, pulling you with him.

You land on top of him with a soft gasp, giggling wildly when he rolls over and peppers kisses over your face.

"M'gonna go shower, 'n then we're gonna go get dinner, 'n then... m'gonna bring you back here and you can have me all to yourself. How's that sound?"

You nod eagerly, smiling breathlessly when he rises to his feet and heads toward the bathroom.

The rest of the night is easy now that your Ghost is back.

Your meal is a lot more peaceful than the one you shared with Soap, with fewer eyes burning into your back.

And the time after is far better than when you're alone as well.

Soon enough, he's got you in bed, body exhausted and thrumming with the gentle aftershocks of your orgasms.

"I'll be leavin' again tomorrow. Want you to go with Johnny, just be around the men. It'll do ya good. N'then, soon enough, ya won't be doin' anythin' without me. I'll take you home 'n make you my pretty little housewife. Can have a garden or draw or cook, whatever makes you happy."

The words are whispered against the back of your neck.

While his lips brush your skin, his hand flexes against your stomach, pressing firmly against your lower abdomen where the carnal idea of a future with you is making his cock stir.

Your fingers trace over the back of his hand as your lids grow heavy.

"Where is home?" You ask quietly.

His warm chest is pressed against your back, the steady thrum of his heart better than any lullaby.

"Home is wherever you want it to be. S'long as m'with you, we'll make it home."

[mc-lukanette]

Marinette didn't know Luka's friends very well despite the years of the two of them knowing each other, so she tried to balance keeping herself "outside" of their friendly bubble while also chiming in whenever she was asked a question directly. It helped that she had her sketchpad with her, so she could mindlessly draw when she wasn't part of the conversation.

It was going well until Claudine spoke up, not at her specifically but it definitely got her attention.

"Hey, anyone know if Luka likes someone?"

Marinette's head snapped up, suddenly very aware of everyone in the room. "W-what?"

Roche acknowledged her with a glance, then raised a brow at Claudine. "Did he do anything to make you think that?"

Mito, who had made himself comfortable sitting on the backrest of the couch, tilted his head at her as well. "Why ask?"

"I'm curious!" Claudine raised a finger. "And because it's a crime! When you hear an amazing song, don't you hate when you learn it's not a hit?"

Roche nodded, but Mito and Marinette remained perplexed.

"That's Luka," Claudine clarified, arms spread. "The guy's soft as a marshmallow and so nice, but he's not dating anyone and can't hold a relationship to save his life!"

That, Marinette could understand. The whole being an adult thing had meant that they'd had to spend so much time getting their lives together, so she'd tried to ignore the pang in her chest when they met back up again, so certain that he would've been dating by then, but nothing. Luka always had so much love in his heart that it seemed like a shame that no one was on the receiving end of it.

Wait—

"Can't hold a relationship?" she repeated. "So he's been on dates?"

Roche answered rather than Claudine, "A few, when they ask."

They. So it wasn't Luka initiating, apparently. It was an oddly relieving feeling.

Claudine nodded at Roche. "And it usually ends after one or two dates."

"Isn't that because he's not interested?" Marinette figured.

"But he always lets them decide if they go on another, and you know how he is," Claudine argued. "He's a sweetheart. I bet he tends to their every need, shows them a good time... why wouldn't they follow up if they felt like they had a chance?"

"Hmmm," Mito hummed, tipping a hat he didn't have and miming smoking from a pipe. "A mystery."

"He might not be good at romance after all?" Roche suggested as an alternative theory. "He just seems like it."

Marinette raised a hand, adding on, "It doesn't sound very Luka to go on dates if he already likes someone."

"Maybe he wants to get over them?" Claudine shrugged. "Could be any reason."

"Who'd reject Luka?" Marinette countered. "Unless he never confessed?"

Mito adjusted his imaginary hat. "You know what they say: love is mute."

"That's—" Roche shook his head, deciding not to bother correcting him.

Marinette considered the information presented to her. The idea that Luka was in love with someone without her knowing sounded ridiculous, because while she'd been away from him for a while, he could've found time to say something to her if the crush had happened before then.

He could've brought it up when they'd watch romance movies together, like when they pressed against each other during one movie in particular where things were tense enough to feel like a horror movie. They'd turned to each other and pretended not to notice until the scene was over, so he could have made conversation then.

And he was so complimentary! He would call her "beautiful" when she was just in her pajamas, "cute" when all she'd done was make a little noise or wiggle excitedly, and constantly praised her intelligence. If he'd already been in love with someone, he would save such compliments for them, and what date of his would not ask for another one when he was like that?

It was as Mito said: a mystery, and one that was making her unconsciously draw Luka in her sketchpad, oops—

"Hey, I'm back," Luka called from the hallway, carrying a drink holder in his arm.

Marinette closed her sketchpad as casually yet quickly as possible, looking up at him with a beaming smile. "Oh! Hi!"

"Hey," he greeted, despite having already done so.

She bit her lower lip, eyeing Luka up and down. He was even more attractive than when they were teens and just as considerate, the size of drinks in the carrier varying depending on how much each person usually drank. She was so curious, wondering how such a man couldn't be dating anyone nor manage to keep his dates from coming back. She racked her brain, idly tapping on her sketchpad as she tried to figure out how she could resolve this for both her and his friends.

Then, something clicked, and the words came out before she could stop them.

"Luka, would you go on a test date with me?"

His smile faltered, shocked lips parting at the sudden request. She shifted anxiously in her seat while the eyes of his friends went to the both of them, and she wondered if it'd been too much. Was she so undateable that even calling it a test date was weird?

Luka's grip on the drink carrier unconsciously loosened. Mito, speeding off the couch towards him, ducked down and placed himself just under the nearly fallen carrier. Standing up fully, he took it from Luka by perfectly balancing it on his head, taking it back to the others so Roche could put it on the table.

The action made Luka move again, eyes darting over to his trio of friends. "What were you guys talking about?"

Marinette pushed herself up, leaving her sketches behind as she approached him. "We were wondering why you can't keep dates with anyone. I thought..." She blushed, gesturing between the two of them and already feeling silly. "If we went out on a date, I'd know?"

"Ah." He covered his mouth, making it harder to know exactly what was going on his head. She tried to peer into his eyes, but he evaded, staring off at a corner of the ceiling.

Were his cheeks pink? Was he thinking about his mystery crush just at the mention of a date? Was Claudine right?

Just as Marinette started to get worried, the hand on his chin lowered to reveal a lopsided smile. He made eye contact with her again, voice full of amusement. "We could do it, but I don't think you'd be able to tell."

She tilted her head at the emphasis, which implied that she specifically wouldn't be able to tell. Was it because she didn't know who he liked, or he thought she wasn't perceptive enough, or...

Eyes narrowing, she asked directly, "Is that a challenge?"

Luka went wide-eyed, his hand dropping from his chin and hovering awkwardly at chest level. Roche, Mito, and Claudine had already whipped out their drinks, sipping from them and huddled together as they watched the two intently.

"What?" Luka blinked helplessly. "No—"

"I accept." Marinette straightened, poking him in the chest as her competitive side came out front and center. "I'm going to figure you out. Looking forward to our date, Luka Couffaine."

With a huff, she turned back around and went to her seat, plopping down and reopening her sketchpad. She blushed seeing the sketch she'd just drawn of him, then hurriedly flipped to another page and started drawing something else.

She could handle this, she thought. Worst case scenario, she'd still get a date with her multi-year one-sided crush.

[brainddeadd]

He Never Will

the song

Luke watched her from across the table, his heart sinking as she recounted yet another story of how her boyfriend had let her down. He’d lost count of how many times he’d been here, listening to her vent about another guy who didn’t see her for who she really was. Luke knew he wasn’t perfect, but it tore him up every time she looked at him with those sad eyes, asking him why things never seemed to work out.

Tonight, he couldn’t hold back his frustration any longer.

“Why do you even put up with this, Y/N?” he asked, his voice low but steady. “I mean, if he doesn’t know what he’s got by now… he never will.”

She sighed, picking at the edge of her napkin. “It’s not that simple, Luke. I just keep thinking… maybe he’ll change, you know? Maybe he’ll finally realize what he has.”

Luke clenched his jaw, the words he’d been holding back slipping out. “If he doesn’t know what he wants by now, he won’t until it’s too late. And you deserve so much more than waiting around for someone who might never get it.”

She looked up at him, a little surprised at the intensity in his tone. He took a deep breath, forcing himself to calm down, but he couldn’t stop. Not this time.

“Y/N,” he said gently, “why are you settling for somebody who treats you like… like you’re just someone he can live without? Don’t you see that you deserve someone who would never be able to let you go?”

She stared at him, a flicker of realization crossing her face, but she quickly looked away, as if afraid of what she might see in his eyes.

“It’s just… it’s complicated, Luke,” she said, her voice barely above a whisper.

“It’s not that complicated.” His voice softened as he leaned closer. “He’ll only know what he’s lost when he’s all alone. And by then, it’ll be too late. You don’t have to try so hard for someone who doesn’t even see how lucky he is to have you.”

She swallowed hard, her eyes glistening, but she didn’t pull away. “I guess… I guess I just keep hoping he’ll change.”

Luke’s heart ached, but he pushed down the frustration, focusing instead on her. “Maybe you’re just holding on to the idea of who you want him to be, not who he actually is.”

Silence hung between them, the weight of his words settling around them. She looked at him, and he could see the hurt, the hope, and maybe—just maybe—a hint of something he’d been longing to see for so long.

“Why do you even care so much, Luke?” she asked softly.

His heart raced, but he didn’t look away. “Because I’m sick of seeing you get hurt. Because… you deserve someone who’ll see you for who you are and treat you right. Not somebody who keeps making you wonder if you’re good enough.”

Her lips parted slightly, and for the first time, he saw the spark of understanding in her eyes. The truth he’d kept hidden for so long was right there between them, finally exposed.

“Luke…” she whispered, her voice trembling. “Why didn’t you say anything sooner?”

“I didn’t want to push you into anything you weren’t ready for,” he admitted, voice thick with emotion. “But I can’t keep watching you wait for someone who won’t change. You don’t have to settle for that. Not when there’s someone who already sees everything that makes you… you.”

She blinked, a tear slipping down her cheek, and he reached out, gently brushing it away. In that moment, the distance between them disappeared. She leaned into his touch, and he saw it—the realization, the acceptance, and the spark he’d been waiting for.

“Luke,” she said softly, her voice barely a whisper. “I think… I’ve been waiting for you all along.”

He smiled, a mix of relief and joy flooding him as he gently cupped her face, drawing her close. “Then don’t wait anymore,” he murmured before closing the distance between them, his lips finally meeting hers in a kiss that felt like home.

In that moment, he knew—she’d finally let go of the ones who couldn’t see her, and he’d finally found the courage to show her that he had seen her all along.

[cripplecharacters]

For reference, I'm autistic but I'm not physically disabled. I'm wondering if I'm playing into some bad stereotypes with one of my disabled characters. She's primarily a wheelchair user, but she can walk short distances with mobility aids. Basically, she's always visibly disabled.

I gave her quite a few of my own traits (and accidentally made her autistic in the process). One of these traits is I made her aroace. But now I'm thinking it's maybe not the best idea to have an autistic wheelchair user be explicitly uninterested in sex and romance when there's a lot of stereotypes about both groups being uninterested in / incapable of these things. Emphasis on the wheelchair user aspect since that part of her character isn't drawing on my own experiences in the slightest.

If it helps, she's not the only autistic character or the only visibly disabled character in the story. But she is the only wheelchair user, and the only character who's explicitly aspec.

Her being aromantic is pretty essential to her character and storyline, but her being asexual isn't really. I could probably change her sexuality without changing too much else about her. So I guess my main questions are:

1. If I keep her aroace is there anything else I can add to help avoid too many stereotypes regarding sex and romance for wheelchair users?

2. Would making her allosexual help with the situation or would I just be removing an important aspect of representation without doing anything to improve the negative stereotypes?

Thanks for the help

Hello!

While there are stereotypes about physically disabled people not having sex, it's usually more in the realm of "disabled people don't have sex" or "disabled people can't have sex" rather than being about asexuality or aromanticism specifically.

There are stereotypes about autistic people being aromantic or asexual but, as with most stereotypes, there will always be people that fit their description. Their existence is just as important as somebody who doesn't necessarily fit those stereotypes.

This is to say, if your character is aroace and disabled, good for them! That's completely fine, there's nothing wrong with that.

If you are still worried, you could always add more aspec characters or more wheelchair users, though I honestly wouldn't worry too much.

You could also consider having her talk a bit about her experiences being aroace, even if it's just a few throwaway lines here and there. That would help solidify it as being part of her individual identity rather than equating being disabled with being aspec.

In general, though, I don't see anything wrong with this character.

Cheers,

~ Mod Icarus

Hey! I strongly agree with Icarus on adding another wheelchair user that's not aroace. There's nothing wrong with having a disabled aroace character, but it's hard to ignore the fact that often autistic and physically disabled characters get to be the ones headcanoned as aroace because of the "physically disabled/autistic people don't have sex nor romance" stereotype.

Coming from someone disabled and on the aroace spectrum: disabled characters who are aroace are cool, but having disabled characters coincidentally always be the only asexual and/or sex repulsed ones is certainly frustrating. Just put in some variety and you will be good.

If you do want her to be asexual and not add any other character, it would be interesting to see her identities actually intersecting. Does she ever feel "like a stereotype" for being autistic and not being interested in dating? Same thing but for being a wheelchair user who doesn't want sex? Maybe gets annoyed when people assume that her asexuality is caused by her disability, or when interacting with people who just presume that she doesn't have sex/romantic relationships because she's autistic and uses a wheelchair, and not because she's aromantic and asexual? Basically anything to give her depth as a character who is all these things so it doesn't seem like she just got the "default orientation" that disabled characters often end up with in LGBT media.

mod Sasza

[zoppa682]

For any nonhumans struggling with species dysphoria, I want to help you all as much as I can. I've been experiencing it all week. It can be quite exhausting and put you in a lot of distress, in my case. X(

Here are some tips I'd recommend to help:

1. Mimic the diet of your kintype/theriotype. You are a shark? Eat seafood. A dragon? Maybe try to burn some food a little (or turn it black like my own preference if you want). You kin a character from [Insert source]? Try recreating foods/dishes from their world or dimension.

2. Listen to relatable music. I'd recommend making a playlist of any songs that feel species affirming/euphoric, or even echo that dysphoria further, therefore turning it relatable. (Few of my favorites are Bones by Imagine Dragons, Control by Halsey, Ancient Dreams in a Modern Land by MARINA, Momento Mori by Fish in a Birdcage, among other songs that feel therian coded to me).

3. Do vocals. Howling, barking, screeching, or roaring are very relieving if you are in the correct space to do them! If you are in a quite space or do not want to out yourself to anyone, try purring, growling, hissing, or other unnoticeable sounds. You have an object kintype? Mimic the sounds of the object, like beeping, clicking, etc. (I personally make microwave sounds just because it is fun). Recite voice lines of your kintype from the source they are in. Mimic their voice and volume to match.

4. Move and physically act like your kintype/theriotype. Quadrobics, mimic the flapping of wings, walk bidepedally, whatever you do, turn your mannerisms and motion to reflect your kintype/theriotype.

5. Dress like your kintype/theriotype. Is your kintype a character? Cosplay them, or mimic their clothing style, clothing color, hairstyle, etc. If they have tattoos, scars, or patterns on their body, copy them on your physical form with paint or pens. (PLEASE USE NON TOXIC MATERIALS. STUFF SAFE FOR YOUR HUMAN SKIN.) Are you a species of animal(s)? Dress in your species' colors, or, once again, paint or color yourself like it/them. Are you perhaps any other form of creature or object? You can use the same tips as the others, and another idea that works for all is that you can buy costume pieces of your kintype/theriotype. Masks, headbands, just normal clothing in general, the options really are infinite.

6. Express your dysphoria through artwork. I love doing art when I am heavily species dysphoric. Drawing, crafting masks, origami, painting, collages, all are forms of art. If you are skilled in music, then you could even create some songs of your own!

7. Go out and explore nature. This one is mainly targeted towards therians, whose types are grounded on the life on earth rather than other dimensions or universes, but just like the other methods, it can be universally used by any types of nonhumans. Collecting things is my favorite way of exploring nature. Collect rocks, shells, sticks, leaves, bugs, plants, anything that makes you feel more comfortable in your own (unfortunate) physical body. Stay grounded in the world around you and you may find the dysphoria slips away. Hiking and going on short walks can also help, building a den, smelling the scents of the outdoors. All great ideas that I personally recommend.

8. Write about your feelings. Whether you are good at expressing yourself through poetry, you keep a diary/journal, or you can project onto OCs for new backstory lore like I do, writing can truly help with any dysphoria. Not only that, but it is sometimes refreshing to come back later and read about what you were feeling before. It can serve as a great reminder that you are a powerful being and you will always overcome the feelings if you try.

9. Research about your kintype/theriotype. It does not matter if you are an animal, concept, or object from earth, a being from fantasy, or a character from the greatest book or show, you learn something new every day. So why not learn about yourself? Read books or watch animal documentaries of your theriotype(s), same thing for you otherkins and your fantasy species. Fictionkins can look up facts about themself as a character, their book, show, game, etc.

10. Talk and interact with other alterhumans/nonhumans. Remember, we are a community, and while you are experiencing horrible episodes of species dysphoria, there are many other beings going through the exact same thing at the exact same time. So why not talk to them about it? Share your experiences, help eachother cope, you may even connect with more individuals that way, building more relationships with others and meeting new beings.

11. Past life meditation. If you are a nonhuman who has a past life/lives, you may find comfort in meditation, where you can truly tap into what you once were, and still are in this life as well. Look to the forgotten, and turn in to remembered. Open up your past and live over again.

12. Listen to sounds. Nature sounds, voices of other characters you know from your world, vocals or sound effects of your kintype. These are all good options to turn to if you want to feel at ease with yourself.

13. Let your emotions out. Sometimes this is all you really need to do when species dysphoria hits hard. Cry, bite things, claw at pillows, LET IT OUT. There is absolutely no problem in being yourself and expressing your heavy emotions in your own, unique, nonhuman way. You may find you feel much better after.

That's all I've got, but I hope whoever/whatever reads this far has an amazing day/night. You are an amazing being, thank you for embracing yourself and living authentically. <3

[room-surprise]

Yeah I figured it was a reference to a previous ask! I vaguely remembered you getting an ask like this in the past, and wanting to comment on it back then, but not having time LOL so this time I made sure to reblog so I could share my opinion. Sorry, this is going to be long and a bit meandering. I ended up having to look back and forth in the manga for all kinds of references... 😩

I agree that we don't know exactly what happened with Mithrun, the version we see is from Kabru's imagination, and he's summarizing the events - and Mithrun even says that Kabru got various details wrong, so we can assume that we are being presented with the general idea of what happened, minus anything that Kabru thinks is "too complicated" for Laios to understand...

(Based on Kabru's opinion on Laios, this most likely means omitting any complex emotions, relationships, or politics.)

However, Kui also wants to communicate with us efficiently (she is telling a LOT of story VERY quickly), so while things have been simplified, I don't think she's trying to trick us by drawing deceiving things. In other words, I think we are meant to accept most of the story as true, but to be aware that it's more complex than what Kabru tells us.

So in response to that first question asker, I think it's debatable, and that fans disagree on if Mithrun knew or didn't know if his companions in the dungeon were monsters, if they were real people or monsters, if they started as people and got replaced, if some were monsters and some were people all along... and we can't give a certain answer based solely on what we know from the manga or extra materials so far.

The only things I feel comfortable saying definitively is that the snake spouse was not the real person in any way, because there's no way they (Sultha) were in the dungeon, and no way for the demon to bring them into the dungeon, and we know the dungeon only seems capable of using monsters to make fake copies of people, based on the target's knowledge of the person and how they desire them to act. So the snake spouse Mithrun interacted with is just a copy.

I also don't think we can actually say if Mithrun fought his own comrades at any point or not. He might have, he might not. All we do know is that a lot of them died, which Mithrun describes as "being devoured by the dungeon."

It's implied, but not explicitly shown that Milsiril and Helki went into the dungeon with Mithrun's team... and they got out of the dungeon alive, and came back five years later.

(Might be Milsiril on the left side of the image, and in both images they seem to be walking somewhere after passing through a hole in a wall.)

So we know a lot of the original squad died in the dungeon, but we genuinely don't know if all of them died, and when and how those deaths happened.

So then, for my personal opinion about how aware Mithrun is in the dungeon...

I think the demon seduces and ensnares its prey, similar to the psychic succubus mosquitos, or a magic mirror. Kui introduces the demon to us for the first time during the succubus story, and the chapter cover for "Winged Lion" isn't a picture of the winged lion, but instead "monsters that capture your heart", including the succubi and magic mirrors, implying that the demon is also this type of creature.

(There are other types of monsters shown like the nightmares, mimics, mermaids, etc. which I think is an obfuscation tactic in this case, to make what Kui is doing less obvious. She still wants us to think the WL might possibly be a good guy.)

Like the succubi and the mirror, the demon doesn't need to understand your desire, and you don't have to admit to your desire or consent to it, but it will reflect what is inside of you, and its power allows it to give you what you want.

Kui repeatedly associates mirrors with the demon, but never actually has the main cast fight against a mirror monster (I'd guess because she thought it would be redundant).

And from the way the demon keeps trying to give Marcille copies of people (her father, Falin) I think we're meant to understand that the demon prefers to make copies of people: it's easier, and copies will never get in the way by having free will. They'll keep the dungeon lord pacified, which is what the demon needs so it can feed off of them.

As for Mithrun's friends in the dungeon looking "too lively" compared to Marcille's father to be copies or illusions...

They are more lively than Marcille's father, but Marcille's father is only one type of shapeshifting monster, a doppelganger. Not all monsters that imitate humans in Dungeon Meshi do such a bad job of it.

Is that because doppelgangers are bad mimics that don't need to be convincing? Is it because Marcille isn't cooperating with the doppelganger because she doesn't want it around? We don't know but either possibility makes sense.

Mithrun's friends in the dungeon seem well within the capabilities of the shapeshifter (tanuki), the succubi mosquitos, or maybe a mirror. And we know one tanuki can make multiple illusions of four people at the same time, and that some of them are so convincing that people have a hard time telling them apart from their real loved ones.

(Very lively succubi)

(Tanuki shapeshifter copies.)

Kui's also shown us that even the tanuki shapeshifter (which can make incredibly accurate copies) will make poor quality copies if the target doesn't actually know the person they're copying, or doesn't really have an interest in them:

I think the biggest difference between Marcille's doppelganger and Mithrun's friends is Mithrun and Marcille's desires.

Marcille doesn't want her father's copy around, she's resisting the very idea of it existing at all. She knows that it's a copy because she knows her father is dead, that information is deeply rooted in her psyche and not something she can easily forget... She isn't giving the doppelganger octopus more than her most basic memories to play off of. She isn't cooperating.

But the power of the dungeon is so great that she seems to forget her objections eventually and refers to the doppelganger as her father, and gives it a job to do (though she does seem embarrassed about it)... and this all happens within hours of Marcille becoming Dungeon Lord.

Mithrun wants to be where he is, he wants those friends and that lover to be with him, he wants them to love him unconditionally, and never hurt his feelings. He probably doesn't care if they're real or not, his desire is shallow and selfish, he doesn't love any of them, he loves what they can give him and do for him.

In other words, he is giving the dungeon everything it needs to weave a convincing illusion... and if they act "wrong", would he even care? Would he know? How well does he know them? As long as they're giving him what he desires he'll be happy.

Now, again, it's hard to say what exactly happened in the dungeon since Kabru is retelling the story, but Kui is also probably not trying to make things super complicated and hide basic details.

I think it's clear from the art in the manga that Mithrun swings wildly between being in a delusional state as Dungeon Lord, and being aware of what's happening.

Mithrun's dead expression only goes away when he's interacting with things he doesn't want (gold strippers robbing the dungeon).

(I think the unconscious Canary we see in the left panel is probably supposed to be one of Mithrun's "friends" (real or fake), that was knocked unconscious by the gold peelers while attempting to defend the dungeon.)

When the demon begins to eat him, he starts out dead-eyed and confused, but when he realizes something is wrong, his pupils come back and he begins to struggle:

And as a last thought, I'll just add that the only image we really have of Mithrun's friends during his time as the dungeon lord shows them around a table covered with empty plates and no real signs of food or drink.

We know Kui can draw lavish banquets and beautiful food, she can draw plates that have been decimated with only scraps left behind, to indicate that a feast took place. Why did she leave the table so conspicuously empty in this panel?

I think it is supposed to hint that all except for two of the people in that scene don't eat, because they've been replaced. Kui also avoids showing most of their faces, and the one whose face we can see is one of the people with food on his plate...

(He and the Canary next to him are also the only two people at the table who seem to not be focused on Mithrun.)

But again, it's all debatable, and there isn't a concrete answer for sure. It depends on how you read it and what you feel Kui was trying to communicate...

But I think "Mithrun was delusional and not fully aware, and his friends were replaced by copies or died over time" is probably the most accurate way of describing it, based on everything else Kui shows us about the Dungeon Lords.

Personally I agree with you that Mithrun knew his friends were all illusions, and tbh, I think he was very okay with it

About Mithrun vs Marcille on the demon's copies of real-life people: Mithrun's desires were all related to image and self-worth, never the actual people in his dungeon. He didn't necessarily want the real thing - arguably he doesn't even like Sultha since he thought of the real one as "sketchy" - he just wanted the image of her, he wanted the image of being better than his brother, he wanted the image of having friends, etc. I believe that's why he was so okay with the demon making fake copies of his friends. It contrasts Marcille being so against the lion's attempt to make a copy of her dad. She wanted her actual father, so she strongly rejected the copy. But Mithrun didn't necessarily want Sultha, he wanted the image of her and the pride that came with her choosing him over his brother, so he likely didn't care that the demon was just making illusions. I agree with you that he was aware, at least on a subconscious level, that he was just playing pretend.

There's also that quote where it said his desire was to be safe from anyone who could harm him. It's possible that he was a bit afraid/paranoid of the real-life counterparts, and thought the illusion people couldn't possibly hurt him, so he felt safer around the fake people and ended up preferring them. This way he could have his friends and his girlfriend without the constant fear of getting hurt. He could feel wanted and important and loved without being on edge about what they secretly thought of him, or if they secretly wanted to hurt him. That's exactly what he wanted - the illusions fulfilled his desires better than the real counterparts ever could.

I don't really think it's a matter of image, there was nobody there to put on a show for, the show of having friends was before her became a dungeon lord, to me it's more that If you really believe nobody could ever love the real you, fake friends created by the demon is ok

Marcille had a father that truly loved her and friends that she wanted to protect, so it makes sense she was averse to the version made up by the demon at first, from the hints we get Mithrun had nobody he had a real connection with (here exemplified by what he thought of his teamates and the impression Milsiril had of him contrasted with the dungeon)

I don't really understand if other than Sultha the others are real canaries that ended up being driven away just like people were driven away from Thistle, I don't really put it past them to fall for the demon with the promise of a safer life where they don't have to risk their lives only to realize the downwards spiral is inescapable for the dungeon lord.

I don't think it's as important if he "really liked" Sultha or not, I think it's more related to insecurity and fear of rejection, having his brother chosen over him even tho "he's better" (the "perfect youth" image)

Mithrun was thrown away for being a bastard so being faced with the life he could have had probably broke him, I think there's some pride involved too in a twisted way but I read more like something related to "the life I wish I had", envy/jealousy like Milsiril describes. Being able to love and be loved back was never an option especially after joining the canaries

The illusion of this wasn't perfect as we can see, and with the paranoia and everything I doubt he ever really "preferred" the fakes to real life but rather it was all he had?

Idk I'm not good with words hope this made some sense, but even Marcille who said the recreation of her dad was "unnecessary" (quite the underreaction) still kept him around until the others defeated him so I don't really know what it says about Mithrun, maybe if he wasn't imprisoned into the book he could have manipulated Thistle into accepting a fake Delgal too?

[magicomens]

Hello, how are you :)?

Mh, I just wanted to let you know that I loved your comic, and that it gave me a sense of inner peace and tranquility that I haven’t felt in a while.

Do you know when your life is constantly stressful, and then your days go bad on top of it all, but strangely, you make some time for yourself to sit alone for a moment on whenever soft surface you find, and exhale a long sigh? I released a sigh each time I read your comic, and when I finished reading it, I had a huge smile on my face. To give some context, there has to be something really impactful for me to change the expressions on my face, and when I read the finale a second time, I still had my smile on. It calmed me down, and Merthur being lesbians, cottage girls and marrying each other was the sweetest, yet more fitting finale you could have given them, after everything they have endured, alongside Aziracrow being the supporting couple on the side, full of sweetness too. I liked this comic from start to end, and I still remember being gobsmacked that someone literally had had my idea of Arthur coming back in a new and unexplored way, and also adding another tv show that I really loved with it, mixing everything together to make an interesting comic out of it. I’ll forever be grateful that people like you exist and do this purely out of love, and because you like what you do. I hope my message will be enough to let you know that what you do is incredible.

It’s people like you who keep fandoms alive, and I’m so happy for it.

Thank you for writing an idea, for writing entertaining and deep dialogues and for drawing my dream of a silly and forever heroic Arthur coming back in this day and age, with his faithful servant and friend and the powerful warlock Merlin by his side, helping him and loving him as much as he had loved him when he first got to know him (and for fixing the tremendous finale they gave us, for which I still mourn😔 *shakes fist towards the sky* Damn you, BBC!).

A beautiful and majestic dream became reality.

I hope you had a great time working on this comic, and that you’ll be able to do more projects in the future, enjoy them as much as you enjoyed this one, and as much as I enjoyed it🤍!

I truly admired it.

Have a great day and a fulfilling life :)!

P.S.

You inspired me into drawing my ideas☺️. One day, I hope I’ll be able to write my own comic.

So thank you so much again!

Oh now you're just trying to make me cry :'D and saying I inspired you was the nail to the coffin!

I'm really glad you found some happiness while reading it, this is what makes the work worth it <3

[revelboo]

Stop, we're too full of your delicious meals. We can't take anymore of it. 😫 (still have room for anything masterpiece of a fanfiction you have blessed us for today and more. 🤭) I don't think I've seen you done rodimus or not. Think you can whip him up one? 😗

I did, but also haven’t updated the Masterlist since it’s a pain on my phone. Here’s part two, though

Attractive Today Pt 2

MTMTE Rodimus x Reader

• “Nothing broken, but probably a concussion,” Ratchet grumbles, drawing back from the limp form sprawled on a Cybertronian sized exam table to lightly smack the scanner against his other palm. Like he’s thinking about hitting him with it, even though this isn’t his fault. How can he possibly know what everyone on the ship is doing all the time? Co-captain doesn’t mean watching the crew all the time to make sure no one’s doing something stupid. It shouldn’t anyway. “How many of them are there?”

• Spreading his hands in a shrug makes Ratchet’s servos tighten on the scanner. “Brainstorm was a bit vague on that part,” Rodimus says, attention dropping to the human. They’re tiny, but surely if there were more, they’d have been noticed already. He hadn’t brought up Brainstorm’s vague and oddly threatening ‘not on the ship,’ either. Because he’s not at all happy with the implications of that. “I don’t suppose you might-“

• “Absolutely not,” Ratchet cuts him off, now brandishing the scanner like a weapon. “That isn’t my problem, captain.”

“Co-captain,” he mutters, gingerly picking the human up and trying to not shudder at how disconcertingly limp it is in his hand. Megatron was supposed to be the one handling the boring, responsible stuff. Like reports and making sure stuff like this isn’t happening.

• Whirl had wanted it, but actually handing over a very small, very helpless thing to that lunatic? Almost as bad as the idea of more humans left behind on planets or ships they’d interacted with or passed too near. Or just floating out in space like horrifying, frozen markers behind the ship. That he refuses to think about. Maybe Mags will take it? He likes humans. Possibly. Striding out of the Medbay in search of Magnus, he starts running through possible alternate human sitters. Swerve?

• Head pounding, you squint your eyes open with a groan and lift a hand to touch your temple. Or try to. Your arms are pinned at your sides and whatever’s restraining you is warm, shifting slightly against you. And with dawning horror you remember that awful metal chicken-legged abomination snatching at you with those claws while the other one egged him on. Chasing you. There’s been a third one, right? Right, turning your head you stare up at the red and yellow nightmare staring down at you in surprise. “Hey,” it says, flashing a lot of big teeth in a big mouth.

• And you’re screaming again, and Primus, you have some volume. “Don’t eat me!” You wail, thumping your tiny fists against his servos like you think you can fend him off from… eating you? Well, that explains a lot of the panicked run straight into a wall. But where had you gotten the ideal that Cybertronians eat humans from? Growling under his breath, he tightens his grip as you try to squirm right out of his hand, completely oblivious to the possible fall. Fragging Whirl.

Previous

[starsonablackboard]

you guys flooded my first post with notes yesterday which is a little confusing for me and also insanely cool, i've never received such feedback on my art, so thank you everyone!! you gave me motivation to draw something substantial so you get an updated lamb design yippee! probably not the final one tho

also another lengthy post which is not required reading, just some stuff i've been thinking about on and off for a couple of weeks. i codenamed it "with death comes peace au" in my head and it may become a fanfic at some point but i don't want to be too hopeful

relevant to the first pic

• i do love the "single parent to a small nation" type of lamb, but for my au i see them more as an actual Cult Leader tm, which means they have to be irresistibly charming and charismatic. they put a lot off time into their looks and mannerisms and behavior (they had some practise even before their first death and before the red crown, but that is maybe for a later post), and they aim for a "heavenly angelic benevolent" type, since they're a lamb, a soft and fluffy creature that's mainly associated with innocence and self-sacrifice

• also the malnourishment-looking hc from the previous post still stands, which is a pain in the ass for them. their head-wool is their best quality one tho, so they try to get the most out of it, and style it in this cute fluffy bob (that also somewhat hides the hollowness of their face) with little braids here and there and camellias that never wilt, cause yk, for power show off holy image upkeep purposes

• they actually do like their neck scar, but the flock finds it unnerving

relevant to the second pic

• so you remember how i said that they were laser focused on survival before their first death? they lived off of spite and spite alone, they knew of genocide for all their life (being born well after it started) and were determined to not let the bishops win. they didn't get a say in their birth, so they at least were entitled to have a say in their death (at least in their mind. but what a single sheep has on four gods)

• SOOO when the survival goal failed (kinda. task failed successfully yk) and toww gave them a new goal of cult leadership and slaughter, the spite became thirst for revenge. and it is a powerful tool, but it does not translate to the most graceful style of fighting.

• all that is to say that, yeah, they fight like a wildfire, and never really change in that regard. you don't have to learn defense if you kill your enemies fast enough (yes, it bites them in the ass. more often that they'd like to admit)

• i also liked the idea of them having armor, because let's be frank in the game they might as well be fighting naked, that wool cloak doesn't do anything for protection. i opted for a lightweight leather one since leather is easier to obtain, suits their quick movements and it's kinda a power move to wear armor that's made of your enemies' brethren. intimidation factor is important

[zu-is-here]

Hi! I'm a healing antishipper, as of somewhat recently. I always hated the idea of it. I found your blog a while back and thought your UTMV art was incredible. I remember you posting some Dreammare, which made me pause. I found myself thinking it was cute, and my inner self was like 'shouldn't this feel weird?' but it never really did. I went to other blogs and specifically searched up proshipping and Dreammare to see their stance on things, and to my surprise, I found more proshippers, as well as people who were more in the middle. But most people I followed were antis. I explored the topic more and have thought long and hard about it before. As of now, I'm not really a proshipper, but I do enjoy Dreammare, drawing, writing, and reading about it, but I keep them all private. I don't hate proshippers at all, and if tags or topics make me uncomfortable, I just block them. It's scary being in this grey area though, because many of my favourite artists and friends are antis, hence why I'm doing this anonymously so that my mutuals and people I follow don't think I'm gross. I just wish people would let people ship what they ship because fiction≠reality. It saddens me that people dehumanize and bully people who are proshippers and it makes me scared about enjoying Dreammare. But I just wanted to say I'm grateful for your blog, because you have no judgement in ships and I feel safe here. You're doing great work Zu, I'm so happy I found you!

Hii!╰(*´︶`*)╯

Thank you so much for waiting, and for your kindest words too (〃ω〃) I'm so happy that you've found not only a safe place for yourself, but also yourself ♡

I know how hard it is to remain “good” for others — and true to your own interests. You're already doing the right thing by respecting others' choice and taking care of your own media experience (⊃｡•́‿•̀｡)⊃

Trust me, you're not disgusting for what you love. I do hope more people will understand this simple truth, and I'm looking forward to seeing your beautiful works one day (๑˃̵ᴗ˂̵) Keep it up! ☆

[gyernon]

SYMPHONIC INSANITY || INANIMATE INSANITY AU

(actual deets below the read more)

hi guys I have no idea how to format this shit, I'm not new to tumblr but I've never actually thrown out my ideas for AUs into the wild. i'm a violinist and i'm using my experience being in some form of orchestra for half my life to write this yippee. alot of this au also draws from my experience being in my current community orchestra :]

inanimate insanity, except they're all in an symphony orchestra!

i literally came up with this yesterday, so things will probably change as time goes on. check back on this post for edits. however, i'm mostly confident with the assignments i've given everyone. deets below the cutoff.

SOME THINGS TO NOTE:

I like ships. I will tag them accordingly but just be aware that Toipad and Knifecase will probably be talked about when I post about this au

Everyone is fully humanized (including Meeple devices and bot)! There are no fantastical elements to this au.

I am confident on the assignment of instruments, minus the brass section lol. I saw a lot of people that played brass instruments respond to my post so if you guys have better suggestions, feel free to give your input on that. However, I am unlikely to change the string instrument assignments. I'm not even religious, but god came down and told me that Lightbulb is a violist.

With that, anything is bound to change because this au is still pretty new.

The events of Symphonic Insanity are not a one-to-one match with the events of II! However, there are parts of the au that do line up with events or character roles/arcs in the show.

I'm not sure yet what I'll do with this au, I'll probably draw art here and there and maybe put some writing on AO3.

ALSO I AM NOT A BAND KID. If I get anything wrong, please let me know!!

Also if you have questions, feel free to ask me! I love yapping about this au. Plus, it'd help me continue to flesh things out.

All posts about this au will be under the hashtag #Symphonic Insanity

MePhone is a conductor familiar with the music scene. He becomes the director of a small orchestra, finding local musicians willing to join. This initial group consists of the season 1 contestants.

They have a concert which draws more attention to the orchestra, and the new group of people that join are the season 2 contestants. Along with that, MePad and Toilet join in as conductors.

After another performance, more people are drawn to the orchestra and this last group of newcomers are the season 3 contestants.

In the beginning, MePhone's orchestra is tiny and he's kinda just handling everything by himself. After their first concert and the addition of Toilet and MePad (along with some others), Mephone now has a team to help him run everything. The orchestra gains attention and popularity overtime, which gets the attention of Steve Cobs.

Steve Cobs is Mephone's estranged father, for good reason (I also imagine Mephone is adopted in this au?). Cobs originally was a solo violinist when he was younger. In the present, he is an influential figure in the music world. Maybe a professor at some school or the head of a music association? A distinguished composer? Who knows, but he's definitely highly regarded.

The growing popularity of Mephone's orchestra would put him on Cobs' radar, chaos ensues... but that's for later.

The story I want to go for with Symphonic Insanity is that of growth. I think quite a few characters would have arcs as musicians that would match/relate to their arcs in the show. I realize writing this that the nice thing about this au is that nobody is competing against each other. At least, they shouldn't be. Instead, they are all working towards the same goal--to put on a good show and improve as musicians.

Everything I laid out above is the general idea of the au. Everything will probably get fleshed out with art or writing as time goes on. With that being said, here are the assigned instruments/roles for everybody:

NON-MUSICIANS

Conductors:

Mephone

Mepad

Toilet

Staff:

Cabby (Logistics)

The Floor (Finances)

Bow (Social Media Management)

Dough (Sound Tech, handles getting recordings and helps out with misc tasks. Also Dough does play the piano, but he just doesn't perform with the orchestra.)

MUSICIANS

Strings

Violin:

Silver Spoon

OJ

Test Tube

Pepper

Salt

Viola:

Clover

Paper

Lightbulb

Bot

Cello:

Soap

Paintbrush

Baseball (can also play Bass)

Bass:

Pickle

Woodwinds

Piccolo:

Balloon

Flute:

Suitcase

Marshmellow

Apple

Clarinet:

Taco

Tea Kettle

Oboe:

Goo

Bassoon:

Nickel

Brass

Trumpet:

Trophy

Knife (for some reason, I am tempted to give Knife Bass Clarinet)

Tuba:

Tissues

Bomb

Trombone:

Cheesy

French Horn:

Blueberry

Percussion

I usually see percussionists being able to play multiple instruments so the ones outside of Piano and Harp aren't strict assignments.

Piano:

Fan

Microphone

Harp:

Candle

Marimba:

Cherries

Timpani:

Lifering

Misc/Plays multiple instruments:

Yin Yang

Aaaand that's everything you need to know about Symphonic Insanity! At least for now. Like I said, art and writing will come in the future if I don't lose steam lol. I do have some posts planned already but I think this is a good start. I hope y'all like it :D

[stargirlygirl]

Upgrade pt. 2

Pro Hero Midoriya Izuku x fem!reader

Part 1 > Part 2 > Part 3 (coming soon)

Summary: Izuku gets severely injured during a rescue mission. As a result, most of his left arm is amputated. You, being a mechanical and biomedical engineer (and his loyal girlfriend), decide to build him a cybernetic arm to replace the arm he's lost.

Word count: 6.7k

Other character appearances: Todoroki Shouto + Bakugou Katsuki

🚨Disclaimer & Warnings: Izuku has most of his left arm amputated and it is emotional + swearing

A/n: I've never had a limb amputated and I don't know anyone who has, so I've used several resources to help me write Izuku's experience for this story. These are at the bottom of part 1. I've tried to capture the experience of what it's like to lose a limb, but I'm not perfect and neither is this work. If I've offended you, please message me.

------------₊✩‧₊˚౨ৎ˚₊✩‧₊------------

It’s 8am and you’re in the elevator riding up to level 3. You’ve taken the next week off to see your pookie. And you’re anxious to see him, but not yet. There’s someone you need to speak to first. The elevator dings and the doors slide open. You walk down the white linoleum corridor, eyes peeled for that tall, lanky doctor. There! He has his back to you, speaking with a nurse outside of the recovery room.

You come up behind him, keeping a respectful distance of course, and wait patiently. The nurse acknowledges you with a nod. Once she leaves, Dr Kita turns around and gives you a lazy smile.

“What can I do for you, Miss [L/n]?” You notice how dark his under-eyes are and wonder if he’s been here all night. Wouldn’t be much different to you, for you’ve been up the whole night drawing up plans that you’re about the show him, if he gives you the time of day. “I’ve been thinking about Midoriya’s surgery and I wanted to know what kind of prosthetic you were going to give him.”

He raises a thick, black eyebrow, “I don’t choose, Miss [L/n]. Mr Midoriya will choose his prosthetic from a list of accredited providers.” You gulp. Okay, not exactly where you were hoping this conversation would head. Your palms begin to get sweaty. You open and close them, hoping to loosen up some of your nerves over what you’re going to ask.

“Miss [L/n].” Your heart pounds. You can hear it thumping. The blood rushing. “Mhmm.”

“I’m rather busy, so please, just ask me what you want to ask.” He stares at you shrewdly over the rim of his metal frames. “Okay, so, I’m a biomedical engineer and I was thinking that because Izuku’s amputation was open, then I could build him a cybernetic arm and we could attach it surgically.”

He sighs, “Miss [L/n].”

Fuck, he thinks this is really weird, doesn’t he? “Cybernetic arms work by—”

“I know how cybernetic arms work.” His mouth is pressed into a hard line as he stares you down.

“Izuku is Japan’s Number One hero. Give this man a regular bionic arm and he could never be that again. Look at all the heroes that lost their limbs in the Final War. Replace what’s missing of his left arm with a cybernetic arm and he could continue his hero work. Maybe not as number one anymore, but he could still make a difference in society as a hero.”

Dr Kita just looks at you and you stare right back. This isn’t the first time a man has looked down on you and your ideas as an engineer because you’re a woman. You know that you just have to stick it out. Be confident in your argument, your design, and keep pushing until he relents and takes you seriously.

Just when it looks like he’s about to tell you to get lost, he surprises you with, “Can you build a robot?”

He doesn’t mean it sarcastically. He means it genuinely. Fair question. Most of your colleagues can’t. “Of course I can build a robot. I did mechanical before specialising in biomed.”

“Have you ever built a prosthetic arm before?” He’s got a half-smile on his face, perfect teeth barely visible.

You have to look away momentarily from that intense gaze, “I’ve built a robotic arm before. I built Izu’s current hero suit. And, I know how One For All works. How hard can it be?”

Dr Kita sighs again and looks down at his clip board. It’s quiet for a few moments before he speaks again, “I assume you’ve got the designs.” You automatically reach for your bag on your shoulder, pulling it down and grabbing out your folded and coffee-stained designs. You begin opening them up to show him when he places his slender finger on the folded edge. “I finish in thirty. You’ll be in Mr Midoriya’s room, I assume. I’ll come over and you can show me then.” You nod in response and smile. “Thanks, doctor.” You bow and turn to leave, but he adds, “Run it by him first, yea?” You hum in agreement before returning to the elevator and taking it up to level 5, where Izuku’s been moved to for his stay at the hospital.

You knock on his door (as they’ve given him a room to himself) and let yourself in once you hear his permission. He’s sitting upright, stocking and drainage tubes on his left, cannula on his right. The sunlight kisses his pale skin, illuminating his freckles and bringing out those flecks in his dark green hair and eyes. He smiles once he sees you, inviting you to come over to him. You pull out the bento box you made for him this morning, setting it on the table next to his bed before you grab a chair and sit at his side.

“I missed you. How have you been holding up?” You place your hand just above his knee that’s covered by the thin blankets. He gives you a small smile. You can see how the skin around his eyes are puffy and red. Not well, you take it. “I brought you some of the curry I made. Do you want some?” He hums softly.

You grab the travel case from your bag, whipping out a pair of wooden chopsticks and a rice spoon. You place the bento on your lap. It’s still warm from the fresh rice you placed in it before leaving for the station. You open the lid, slipping it beneath the box. “Mhmm, it smells good, honey.”

“I got you some curry,” you say, pointing to the little compartment with the curry, “some rice, pickled onions, strawberries, and some hard-boiled eggs.” You grab one of the egg-halves with the chopsticks and bring it to Izuku’s mouth. “Honey, I can feed myself,” he says quietly. “Shhhh, here comes the aeroplane.” You begin winding and swerving the egg through air. Izuku chuckles and lets you feed it to him. He smiles warmly as he chews on the egg.

“Mhmm yummy. You want another one?” You’re already grabbing another egg. He stares lovingly at you and let’s you feed him this one too. Actually, you end up feeding him the curry and rice too as you don’t want them to get cold before he’s tried any.

You place the bento back on the table and look down. Sensing your sudden nervousness, Izuku rests his right hand on top of yours, on his thigh. It’s scarred from years of pro hero training and work, warm, and large, enveloping your own baby hands. He smiles gently at you, silently urging you to tell him what’s on your mind.

You let out a shaky breath. “Izu-chan…” He gazes back at you with those puppy eyes. “Mhmm.”

You look down, focusing on the back of his hand. “I want to replace most of your left arm with a cybernetic one.”

You trace the scars on his hand. The peaks soft beneath your fingertips. You can feel hardness of the tendons just beneath the delicate skin. “So, I’ll be like… part robot?” You look back up, seeing the confused look on his face, “Um, yea, pretty much. I’ve already spoken to Dr Kita about it. He’ll be coming in shortly and we’ll go through the designs I’ve drawn.”

“You already drew designs. Don’t those take hours hours, love? Don’t tell me you stayed up all night.” You bite the side of your lip before laughing a bit, more to yourself. “I thought you could tell now when I’ve pulled an all-nighter, pookie.”

Izu moves what’s left of his left arm, groaning in pain once again. You’re immediately on alert, leaning over him. “You okay?”

“Yea, I just keep forgetting… about that.” You sit back down, grabbing his right hand with both of yours. You smile at him reassuringly, seeing that sheepish look on his face. A comfortable silence hangs in the air for the next couple of minutes. You both thinking over what’s just been said. You start to think that he doesn’t like your idea when he pipes up, “Okay, I trust you, honey.”

You’re literally gob-smacked, jaw open wide, eyes even wider. “What? You mean,” you fumble your next words as you stare at him, dumbfounded. “You mean, you’ll actually let me build you an arm? And like, attach it you? Like, ‘you can’t easily get rid of it’ attach it to you? Seriously?”

He chuckles at your rambling. “Of course I will. You know a lot more about this kinda thing than I do, sweetheart. If you think it’s for the best, then I trust you. But…”

You’re on the edge of your seat, anxious for that objection. “But?”

“I’ll be able to be hero again, right? With a robotic arm, I mean.” He looks at you curiously, hand squeezing yours again. You sigh, “Izu-chan, you are a hero. Even with a robotic arm, you’ll still be a hero.” He nods, hand leaving yours to rub the back of his neck. “Thanks hon—” You’ve already leaned over him again, and this time, you cut him off mid-sentence with a brief kiss.

Well, it was supposed to be, but it became much deeper once he cups your right cheek, angling your head just right for him to slide his tongue over your bottom lip. You moan into him, granting him access. Your hands come to the nape of his neck, fingers tugging at the stray curls. Tongues swirl in a flurry of longing and ecstasy. How long had it been since you two kissed? Like, kissed.

You’re already straddling him. Saliva beginning to drip down from the corners of your mouth. Izuku groans as you tug harder at his curls, his large hand slipping to hold the back of your neck, beneath the curtain of loose [h/c] locks.

The sound of throat-clearing catches your attention. You’re pulling away from each other instinctually. The culprit stands at the door, long fingers still wrapped around the door knob. “I hope I’m not interrupting anything.”

You quickly get off of Izuku, sitting back in your chair at his bedside. You fiddle with your hair and wipe the saliva from your lips. Dr Kita sets a second chair next to yours. You shuffle so that you can easily look at him and Izuku.

You notice Izuku’s cheeks have gone red, as well as the tops of his ears and his chest. You giggle, realising how embarrassed he must be. You’re pretty embarrassed too, but it’s to be expected. You’re both pretty touch starved after being separated for a month.

“So, where are these designs you wanted to show me?” Dr Kita begins, seated, calm and poised as ever. You grab your bag which lies against the hospital bed, pulling out your designs and laying them on top of Izuku’s legs. You begin explaining them to Dr Kita, not holding back as you get into the nitty gritty of what materials you’re intending to use, estimated costs, mechanics, electrode implantation, as well as having transformative features if you’ve got time like a cannon or rifle. You pause a few times to look back at Izuku. His blush goes down fairly quickly and, he just nods as you speak. He’s probably got no clue what you’re on about.

“And how are you going to test this arm?” Dr Kita asks. You look at Izuku, the same train of thought passing through you. He nods gently, urging you to continue on. You take a deep breath in, “You do know about my quirk, don’t you?”

And now it’s your turn to raise your eyebrow at Dr Kita. He just stares back at you, seeming mildly perplexed. “Am I supposed to?” You chuckle, “You seriously don’t know? The media couldn’t shut up about it when they found out.” You look back at Izuku and he’s just staring at you with that content expression on his face again. You turn back to the tired doctor beside you.

“My quirk is called ‘quirk stealer’ but it’s more like ‘quirk borrower’. But that doesn’t sound very cool, does it? My quirk allows me to ‘steal’ the quirk of others for up to 24 hours at a time by kissing them. I intend to ‘steal’ Izuku’s quirk, One For All, for a day so I can test how the arm holds up against his quirk and make any necessary adjustments.”

Dr Kita just stares at you disbelief. His mouth hangs slightly open, browheads sloping upwards. It takes him a few moments before he chuckles. He shakes his head as he does so, sunlight catching on loose black strands slipping from his low bun.

“Of course you do.” He re-adjusts, crossing one slim leg over the other. “Fine. Your design sounds good. Plan is thorough enough. Your only issue is that we can only keep his wound—” His boney finger points to what’s left of Izuku’s left arm, “open for a week, maximum. You’ll be, well not you, Mr Midoriya will be very lucky if his wound hasn’t become infected by the time you’ve finished construction and final testing of the arm.”

Your brows furrow at this. It was something you’ve considered but had avoided thinking about. You lean forwards slightly towards Dr Kita, saying in a low voice, “Realistically, how long do you think I have before infection sets in?”

“It all depends really.” Dr Kita pushes his glasses up, from resting on the bump of his nose to the space just before that. He looks over at Izuku, studying him carefully. “Some patients’ wounds become infected within hours. For others, it takes days.” His gaze flickers back over to you. “You’ll want to get him back in theatre and attach the arm as soon as possible.”

You nod. “Umm,” Izuku starts, his voice is quiet and hesitant, “just to clarify, honey, you’re not attaching it, are you?”

You tilt your head to the side, pouting, you say in a serious and saddened tone, “I thought you trusted me.” Your boyfriend shakes his head, “I do—”

“I’m kidding. Of course I’m not?” That wasn’t supposed to be a question, but it turns into one as you look back to Dr Kita and he nods. “You think I’d just let you operate without any qualifications or training? I hope you know what you’ll find beneath that dressing.” You laughing nervously, unable to tell if Dr Kita is joking or if he’ll actually make you operate on Izuku “Of course I do.”

Dr Kita agrees to speak to one of the orthopaedic surgeons to arrange Izuku’s prosthetic attachment, clearing up that you in fact WILL NOT be performing surgery on your boyfriend (as you shouldn’t be). You both thank him profusely and soon, it’s just the two of you again.

You two settle into a comfortable conversation, talking about everything that’s happened over the past month. You find out that it wasn’t until last week that Shoto and Ingenium had been brought onto the mission because of how close they were getting to the organisation orchestrating the sale of young women for quirk breeding.

“I still can’t believe that that still exists in this day and age.” You’re utterly discussed by this and it’s apparent in your voice. Izuku nods in agreement.

He continues on, telling you how he’s been rooming with Dynamight in this abandoned apartment overlooking a series of night clubs since the mission started. It’s been filled with lots of teasing and arguing. Getting older, going off on their own, Midoriya and Bakugou’s relationship isn’t as… explosive (like what I did there?) as it was at UA. Being high-ranking pro heroes now, the competition between them is friendlier. Not friendly. But, friendlier. There was a healthy rivalry between them now.

“If I’m being honest though,” Izuku lowered his voice to a whisper as he leaned closer to you, “I’m glad that it’ll be back to the two of us from now on.”

“WHAT WAS THAT DIPSHIT?!”

You turn in shock as Dynamight bursts into the room, door slamming into the wall, hinges shaking. He’s in a hospital gown, bandaged arms peaking out.

“Kacchan!” Izuku says, surprised by his visit. You were surprised that Dynamight could still hear Izuku despite how loud his explosions are. You thought he would have hearing aids by now. Or does he? Fuck, his spiky ass hair is in the way so you can’t see clearly.

“The fuck happened to you?” Bakugou questions, stopping right next to you and pointing at where Izuku’s left arm should have been.

Okay, you’re not having that. “Hey!” You stand up, puffing up your chest and getting in the ash blond’s face. Not that you can cause he literally towers over you, but you get an A for effort girlie. “None of this would of happened if you weren’t such a hothead!”

Fun fact, you’ve actually met Bakugou. You met him last year at the annual pro hero conference afterparty. It was brief, but you already knew from Izuku’s stories that this man was quite… rough. Your meeting then only confirmed such beliefs when he was shouting at Izuku for having a girlfriend and not bringing her around to meet his friends sooner.

“OI, WHO DO YOU THINK YOU’RE TALKING TO, PIPSQUEAK?!” He yells in back in your face. His breath is hot as it hits your face. “YOU FUCKFACE! You’re the reason my boyfriend lost his arm.” Your fingertips jab his chest. Holy truck he’s hard. This man is built like a fridge.

“Tch. YOUR BOYFRIEND IS THE REASON HE LOST HIS ARM! IT’S NOT MY FAULT HE CAN’T EVEN CONTROL HIS QUIRK.” Bakugou’s hands grab your upper shoulders, gripping them tight. They’re sweaty and stick to your baggy graphic tee. “OI! GET YOUR HANDS OFF ME before you start going off.” Your fingers grasp his wrists. They’re hotter than you’ve ever felt before. You can feel his pulse beating.

“Kacchan, that’s enough.” Izuku says like a primary school teacher scolding a child.

“I’LL DECIDE WHEN IT’S ENOUGH!” Bakugou’s fingers squeeze into the flesh of your biceps. You yelp reflexively.

“Kacchan!”

“ALRIGHT ALRIGHT.” He releases you from his grasp. Now leaning close to you, almost touching, to point at Izuku. But before he can get a word out, Izuku tells him off, “Can you at least apologise for hurting my girlfriend?”

“FINE.” Bakugou looks down you, not moving an inch. “I’m sorry, okay?” You just nod, leaning slightly backwards to keep you two from touching. This man really has no hold on personal space, does he?

Bakugou energetically points at Izuku, yelling “LOOK AT WHAT YOU’VE DONE DEKU! HOW ARE YOU GOING TO BE A HERO NOW?! Tch. And I thought you were my equal. I WOULD NEVER GO N’ GET MY ARM CUT OFF LIKE THAT!”

You end sitting back down once Bakugou leaned even further in. This isn’t really any better though. His hips are very close to your face so, you’ve settled for just turning away from him to look at Izuku. And broccoli boy just takes it. He doesn’t try to stop Bakugou from having his little tantrum. It’s probably better this way anyways. Bakugou can just get it off his chest and be done with it.

I guess he made a good choice for his hero name though, ‘Dynamight’, cause this guy really explodes. Sorry. That could of been sexual if I made it sexual. I meant his anger. Anyways…

After a while, Bakugou just stops hurling insult after insult. He finally huffs and sits down on Izuku’s bed.

“You’re such a dumbfuck, you know that?”

Izuku chuckles, “Yes, I know.”

“WHOSE GONNA BE MY COMPETITION NOW, HUH? WHAT? WHAT ICYHOT? IS THAT BASTARD REALLY GONNA BE MY RIVAL NOW?” Don’t tell me he’s gonna go at it again, you think. He really is just angry, like, limitlessly angry, isn’t he?

“Kacchan, you should keep your voice down. Shoto might—”

“YOU THINK I GIVE A FUCK IF THAT HALF N’ HALF BRAT HEARS ME—”

“I care, Kacchan,” Izuku sighs. He looks tired. Really tired.

You gently touch Bakugou on the arm. He looks at you with hostility, as if you’ve just committed an offence. “Bakugou, Izuku’s exhausted after everything that’s happened last night. Why don’t we give him some space so he can rest?”

The blond scoffs and shrugs you off, “Tch. As if. YOU.” He points at Izuku again as he stands up. “YOU BETTER FIGURE THIS SHIT OUT. I’M NOT LOSING MY NUMBER ONE RIVAL SO YOU BETTER GROW ANOTHER ARM OR SOMETHIN’!” He grabs you by the elbow, dragging you out of the room. You wave back at Izuku before sticking your thumb up and smiling, letting him know that it’s going to be okay and he can just rest. Izuku nods at this.

Bakugou doesn’t just take you out of the room, but continues to ‘guide’ you by the elbow, taking you down the hallway with him. You turn a corner and a café comes into view. “Um, Bakugou, where are we going?”

“Tch. Are you actually that dumb?” He drags you into the café and you just let him. You considered fighting back, at least just for your elbow, but it didn’t seem very promising given the ripples of muscles that are exaggerated by the bandages around his arms. He’s leading you to a table at the back where you see a head of half red and half white hair. OMG! IS THAT SHOTO?!

Of course, you were Izuku’s number one fan, but before meeting Izuku, you were actually a huge Shoto fan. Not that you didn’t like Izuku, but the half and half boy had caught your attention. You didn’t have a shrine dedicated to Shoto like Izuku has to All Might, but you would always stay up-to-date with his interviews, any new missions he’s on or news buzz he was involved in. He was quite popular back in your home country so it wasn’t too hard to find translations of media he was in. Actually, watching his interviews in Japanese had been revolutionary when you first started learning the language.

And now, you were about to meet him.

“Wait!!”You stopped suddenly, a few steps from the table, causing Bakugou to stumble-stop with you. “WHAT?!” He turned back to you, frowning hard. He’s gonna get some seriously deep wrinkles if he keeps making such expressions, you think. “I’m nervous, okay? Are we really going to go sit with Shoto?”

He barked out a laugh, “OF COURSE NOT. WOW, YOU REALLY ARE DUMB. I don’t know how Deku puts up with you.”

“Hey! That’s just mean,” you pout at him. He scoffs, “I’M ‘JUST MEAN’! GET OVER IT!” Bakugou’s face lowers down to yours just to yell at it. People were starting to stare. You could feel your cheeks beginning to flare up. “Bakugou,” you put your hand on the arm that was still holding onto your elbow, drawing another look of absolute offence and disgust from the blond. “People are staring.”

“Tch. OF COURSE THEY ARE. I’M DYNAMIGHT.”

“Uh, I don’t think that’s why—” He continues on, dragging you over to the table Shoto’s seated at. He shifts to make room on booth seat, seeing you two coming over. Bakugou throws you down onto the booth side of the table. You fall onto Shoto clumsily, repeating how sorry you are as you push up from him. He grasps your forearms, helping you sit upright, muttering, “It’s fine.”

Your [e/c] eyes meet his heterochromatic ones and for a moment, you forget to breathe. Wow… he’s so pretty. Those long lashes, clear skin, full lips. Even his scar is perfect. You notice the bandages wrapped around his head like a zumba headband. They loop through his dual-coloured locks. They look so soft from this angle. You giggle nervously once he draws his hands — one hot, the other icy — back to himself.

Your admiration of the hero is interrupted by the ear-scrapping sound of Bakugou pulling out the chair opposite and sitting in it unceremoniously. None of you speak for the next few minutes, and you notice that in this time, most of the onlookers return to what they’re doing.

“So…” You start, tapping your fingers on your clothed thighs.

“Deku told me you were ‘n engineer or somethin’. You’re gonna fix his arm, right?” Bakugou’s red eyes pierce through you with their intensity.

“What’s wrong with Izuku’s arm?” Shoto’s voice is so smooth. Honestly. It’s even nicer than in all of the interviews you’ve seen. You stutter on your inhale, hearing him speak. It’s low and fairly quiet, but confident at the same time.

“Tch. That bastard—”

“Oi,” you cut in, “that ‘bastard’ is my boyfriend. You better con—”

“Deku,” Bakugou glares at you, “got his arm ripped off.”

You sigh, turning slightly to Shoto. Oh my gosh! You’re heartbeat is pumping like you run up a flight of stairs. Are you about to talk to your favourite hero? Ahem, your second favourite hero. “Izu-chan didn’t ‘get his arm ripped off’. The surgeon amputated most of it as the damage was beyond his healing capabilities.”

“Oh.” Shoto looked down momentarily.

“Tch. What a baby. IF THAT WAS ME—”

“I KNOW BAKUGOU! Oh my god I know, we all know. You’re the fucking best hero ever. You would never let anything stop you or hurt you or whatever. We know, okay? Can you please give it a rest?” Your brows are knit together as you glare at him. He glares back. “Tch,” Bakugou leaned back in his seat, looking off to the side now, face in a scowl.

The table fell into silence again. You didn’t mean to go off at him, and now you must look really bad in front of Shoto. Fuck. You only had one chance and you blew it. You probably can’t even ask for his autograph anymore. Jeez, this is embarrassing. But you were feeling really stressed out by Bakugou and his attitude toward this whole thing. You’re pretty sure that if Izuku were here, that he would tell you that this is just how Bakugou is dealing with his emotions. But seriously like, does he ever shut the fu—

“You didn’t answer my question. Are you gonna fix ‘is arm or not?” Bakugou addresses you with less aggression this time. At least he’s trying. That’s really nice of him.

“Y-yea,” you mutter, looking down at your hands. It takes a few moments for you gather up some confidence, but when you do, you look back up at him, meeting his fiery gaze. “I’m going to build him a cybernetic arm which we’re going to surgically attach to his wound.”

“The fuck is ‘cyber… cyb… cyb’ fuck I DON’T KNOW. WHAT IS IT?”

“Cybernetic?” You raise your eyebrow at him, smirking slightly. “Yea, hurry up n’ spit it out already.” He’s glaring you down softly this time.

“Cybernetic is the same as bionic or prosthetic. Basically, I’m going to build him a robotic arm and replace what’s missing of his left arm with it.”

“So,” Shoto says, “Midoriya-kun will be part robot?”

You notice how perfect his posture is, how stoic the expression is on his face. Amazing… You nod, “That’s the plan. We don’t have much time, so I need to build and test it as soon as possible.”

“Then get the fuck out ���ere. Seriously,” he’s leaning over the table now, “go build that shit.”

“Baku—”

“YOU HEARD ME! I’M NOT HAVING THIS—” Bakugou points vigorously to Shoto, “AS MY SOLE COMPETITION. YOU BETTER FIX HIM! ROBOT, NOT ROBOT, I DON’T CARE.” He’s standing at this point, palms on the table, leaning over mockingly to Shoto. “YOU AIN’T SHIT COMPARED TO ME ICYHOT!” Shoto turns to you, unfazed by Bakugou’s outburst. “Please excuse Bakugou’s behaviour. He’s upset over Midoriya-kun’s inju—”

“I’M NOT UPSET! WHAT THE FUCK IS WRONG WITH YOU PEOPLE?!” Bakugou’s hands begin to spark on the table, leaving scorch marks in their midst. He quickly wipes his palms on his hospital gown, muttering about how he’s going to have to pay for that.

You sigh, his words resonating with you. “You’re right. I need to get back to my place and start now. Thanks Bakugou.”

You stand up, ready to leave when Shoto catches you off guard. “We should at least get you a coffee then. I assume you’ll have a long night ahead of you?”

Oh my gosh! Is THE pro hero ‘Shoto’ offering to buy me, ME, a coffee? Oh my gosh! Yes! Yes sir!

You laugh nervously, trying to play it cool but you obviously fail, “O-oh, um, yea, okay, yea, that sounds good. Yea…” You meet his gaze. It’s soft. You might actually pass out from how excited you are right now.

“Tch. FINE. I’m not paying though.” Bakugou crosses his arms, shifting his weight onto one leg. Shoto dismisses the blond’s lack of enthusiasm with a wave of his hand. “I’ll pay.”

“Really?! Like, you-you’ll actually pay for my coffee?!” Fuck. That sounded so fangirl-y didn’t it? Shit. He’s gonna know. “Of course.” Shoto places his credit card on the circular table. Where did he get that from? “What would you like?”

You think for a moment. Maybe he brought his wallet. That makes sense. From what you’ve seen of Bakugou’s behaviour, he didn’t seem to be the type to pay for the date. Not this was a date. Concerning the coffee, you usually get a double shot oat milk cappuccino but you know that the answer that won’t make you seem like even more of a weirdo is probably an iced coffee.

“Um, I haven’t seen the menu.” A safe choice.

Shoto chuckles at this, shaking his head slightly. “Of course, sorry.” He rises from his spot on the booth and you notice that SOMEHOW he’s even taller than Bakugou. Oh… so is this why Bakugou’s so mad? Height is pretty sensitive subject for men, right? He’s also in a hospital gown with a few bandages wrapped around his arms at different sites. He motions for you to start walking and so you do. He follows you as you walk over to the counter.

You notice that they have oat milk and cappuccinos on the menu. What you don’t notice is that Bakugou ended up following you two over to the counter and was standing just behind you, off to your side, watching you intensely. His sudden “tch” alerts you to his presence.

“One large cappuccino with oat milk. And one egg salad sandwich. And a three of the ichigo daifuku. You want anythin’ else?” Bakugou looks down at you.

You lean up, whispering close to his ear, “Can you make it a double shot?”

“Make that a double shot for the cap. OI! ICYHOT, what do you want?”

Shoto’s heterochromatic eyes widen for a moment before he chuckles softly. “I’ll have an iced coffee. Medium please.” He looks back at the explosive blond who clicks his tongue. Bakugou rolls his eyes, telling the server, “Two iced coffees. Both Medium.”

Bakugou ends up paying for your order and shooing you and Shoto back to your seats while he waits for it to be ready. You laugh and Shoto smiles lightly, seeing your good mood. “What is it?” He asks, looking at you curiously. You giggle, “He’s such a softie, huh?” You playfully elbow Shoto’s side. His brows furrow slightly, revealing his confusion. “Bakugou?” You nod in agreement, still smiling stupidly. “He’s all—” you puff up your chest and curl your arms like a tough guy, “rawr I’m Dynamight I’m so tough when really, he’s quite caring, isn’t he?” Shoto nods slowly, “Sometimes.”

You two stay quiet for a minute or two before Shoto says, “Midoriya-kun talks a lot about you.” You look back at him like he just grew a second head. “Really?” I mean, it made sense. You two had been together for about three years now. Shoto nods, “He could talk about you for hours. He could barely contain himself during the mission.” You giggle, “You make it sound like he loves me as much as All Might.” At this, Shoto gives you a small smile. “Maybe he does.”

“Ahh don’t start putting ideas in my head or I won’t be able to concentrate.” You dramatically place the back of your hand on your forehead, sighing in feigned distress. “My apologies…” He regains this neutral-curious look on his face. “I hope you don’t mind but, he told me that you were a big fan of mine.”

Oh fuck. Okay, it’s not funny anymore. “He what?” You stare wide-eyed at Shoto. He meets your gaze with a slight smirk. “You knew? Like, this entire time, you knew?” He offers you another nod. You let out a sigh, seeing Bakugou returning with your coffee and food. “That’s so embarrassing.”

“Why?” Shoto tilts his head at this. You whine, “Because, I’ve made a fool of myself in front of you. Did he tell you that I’ve seen ALL of your interviews? Like, every single one? Even when you were still at UA?”

Bakugou places the coffee tray on the table before setting the sandwich and daifuku in front of you. He distributes drinks. You have to admit, yours looks so good! The foam is so fluffy, just the way you like it. “Thank you, Bakugouuuuuu.” You draw out the last syllable of his name. You take a sip, moaning softly at how yummy your coffee tasted. The two heroes just stare at you. One slightly embarrassed and the other pleased. “Yea, I know right. The barista here makes a mean as fuck coffee.”

“Mhmm, this is so good! They don’t disappoint.” Bakugou watches you as he sips on his own coffee, a shit eating grin on his face. Provider Bakugou unlocked?

You look down at the food in front of you, tearing the paper bag that the daifuku came in into three pieces. As you put one of the snacks on each piece, you say, “Yea, I’m like seriously a huge fan. I have a lot of your merch too. BUT, my number one hero is Izuku. You’re my number two hero.” You wink at Shoto as you slide the daifuku over to him.

Bakugou chokes on his sip. He starts coughing furiously. On instinct, you stand up and are about to go to his side and pat his back when he holds up his hand, “I cough I-I’m cough fine cough.” You sit back down, watching him ride out the wave that is his coughing fit. Seeing him coming to the end of it, you ask, “You okay?”

“LOOK AT ME! OF COURSE I’M FINE.” Shoto laughs, watching Bakugou trying to shake off the blush of embarrassment creeping into his cheeks. “Are you surprised that I’m her second favourite and your not?” Shoto provoking Bakugou? You never thought the day would come when you would see this holy sight.

“OI! DON’T START SOME SHIT YOU CAN’T FINISH YOU HALF AND HALF BASTARD!!” You start laughing hard as you slide Bakugou’s daifuku over to him. “OI! WHAT’S SO FUNNY?” You start laughing even harder, leaning back in your seat, arms wrapping around your belly. “Y-you are,” you laugh out. Your tummy begins to hurt, tears of joy gathering in your eyes. You watch through glassy eyes as Bakugou shoves the dessert whole in his mouth angrily.

“Oi. Shut it.” But it sounds more like “Shuf ip” as he speaks while chewing. You salute, giggling, “Yes sir.” At this, Bakugou rolls his eyes.

You have a moment of clarity. Or delusion, you decide. Actually, he’s quite handsome too. You couldn’t really see it before because of his rather… energetic personality. But, there’s something quite attractive about the sharpness of his features. You can see why so many of your friends like him so much.

“I’M WAY BETTER THAN THIS FUCKWIT—”

“Oi, there could be kids around—”

“I should be your second favourite instead.” Bakugou crosses his arms again, with one large hand enveloping at least half of his drink. You shake your head, giggling again, “Oh yea.” You meet his gaze. “Prove it.”

Shoto looks with wide eyes between you two. “PROVE WHAT?” Bakugou’s leaning forward and so do you. “Prove that you’re a way better hero than Shoto.” He barks out his laughter once again in your face, it’s sharp and short. “HAVE YOU SEEN MY TRACK RECORD? Tch. AS IF I HAVE TO PROVE ANYTHING TO YOU, PIPSQUEAK.” He rolls his eyes, leaning back and sipping his coffee down inhumanly fast. “You right? You’ll get a tummy ache if you drink it that fast.” You look down at his quickly emptying drink before looking back up into his red eyes. He stops sipping, only ice left, “SHUT UP.”

You decide now that you’ll stop riling him up. Dynamight is a pretty cool hero. And to be honest, you do wear his merch because Izuku owns a significant amount of it. Being a pro hero, Izuku usually got discounts or free merch from other heroes. Being his girlfriend, he usually got you any merch you wanted. You feel kinda bad for pissing Bakugou off after he’s been so nice to you. Well, as nice as Bakugou gets for a someone he’s just met (the first time doesn’t really count as it was so brief).

“I’m sorry for suggesting that you’re not a cool hero, Dynamight. You are a cool hero and I’ll tell Izuku how nice you’ve been to me.” You smile at him. But this seems to have the opposite intended effect of soothing the tension.

“SHUT UP YOU DUMMY!” He looks away from you, getting up abruptly to throw his cup in the bin. He takes the torn pieces of the paper bag with him as you pop the daifuku into your mouth. Mhmmm, it’s so yummy too! The fresh strawberry is so sweet!

“He’s flattered,” Shoto chimes in. You look at him confused. “Are you sure?” He nods before asking, “Do you really own my merch? That must make Midoriya-kun uncomfortable.”

“Hmm,” you think about it for a few seconds, hearing Bakugou scrape his chair against the floor again. “Not really, I mean, have you seen how much All Might merch he owns?” You raise your brows in exaggeration. Giggling, you add, “I should be uncomfortable.” Shoto just looks at you, wating for you to continue while Bakugou begins picking at the chips of the table.

“We actually talked about it when we started dating. Izu-chan knows that I’m your fan. I’m not like in love with you or something, you know? I like what you stand for, I think you’re pretty attractive, and I admire how hard you work in your career. I do wear your merch a lot though. That makes Izu-chan jealous sometimes.” You ramble on mindlessly. Shoto looks down, “O-oh.”

It’s true. You couldn’t fathom the idea of being in love with a man you’ve never met, like you know some girls are with the respective objects of their affection. I say object because what they’re in love with is a commodity, an image, not a person. That would be super awkward if you were infatuated with Shoto. Especially since Izuku and Shoto work together sometimes.

“Stop talking and eat your sandwich.” Bakugou points to the untouched egg salad sandwich on the table. He’s right, if you’re gonna be up all night building a cybernetic arm, you had better eat up.

“Thanks Bakugou!” He rolls his eyes. “Don’t thank me, just hurry up and eat before I make you.” His voice was gruff as he stared hard at you. You giggle one last time before unwrapping the sandwich and taking a bite.

This place has seriously good food.

[rita-repulsa-ke]

A Dance with Death

“Look, there’s dancing!”

Agatha glanced over, and yes, there were people with instruments and a circle full of men and women in each other’s arm, doing simple country dances, no skill at all. “That certainly is some kind of dancing.”

“…We could…?"

Neither of them were shocked when Agatha's face screwed up like she had bitten into a lemon. "No," she said. Rio, a step behind her as always, pressed up closer, her weight settling against Agatha's back, hand on Agatha's hip.

"Agatha," her lips were near the other woman's ear, the words a barely audible hiss. "I want to dance."

"Do you even know how?"

That got a soft huff of laughter, warm air tickling over sensitive skin. "Yes, Ags, I know how to dance. Everyone knows how to dance."

"Pray forgive me, Lady Death, I had no idea you were so worldly."

There was a moment of silence from behind her, overstretched. "Agatha, do you not know how to—"

"Of course I know how to dance," Agatha snapped.

"Prove it."

"…You are seriously overestimating how petty I am, if you think I'm going to be drawn into this just to prove to you that I can—"

Rio caught her hand and tugged her forward. She was surprisingly strong, but that wasn't what got Agatha moving.

What got Agatha moving was the ground under her feet drawing her forward like a conveyor belt. Rio glanced back and grinned, a smile as wide as a chasm and almost as deadly.

Agatha's forehead had creased in annoyance, but most of her attention was on the ground beneath her, towing her along. "How are you even doing—" she protested.

"Magic," Rio said.

Agatha pressed her teeth together to keep from answering. By now, she should have been used to Rio's magic working in impossible ways, but she wasn't, because it was still impossible.

"Stop," she said, and the ground beneath her feet stilled at once, Rio turning fully back to look at her, hand still in Agatha's. Their eyes met, Death waiting as patiently as she always did.

She could afford to be patient. She was the final end. All things came to her in time.

"Come on then," Agatha said after a moment, and now it was her turn to step past Rio and tow her along. "I thought you wanted to dance."

She didn't look back. She didn't want to know what expression her lover was wearing.

They stepped into the circle as one song ended and the next began, attracting a few odd looks. Someone murmured, "Witches."

Agatha ignored all of it, settled her hand on Rio's hip as the music struck up again.

After a few beats, Rio beamed at her. "You can dance!" she said, and Agatha rolled her eyes, even as she danced silly country jigs, her arm looped through Rio's.

"Of course I can," she said. "What aren't I good at?"

"Nothing, beloved," Rio murmured, her eyes lit by moonlight, and in them, Agatha saw not death, but nature unchecked, the unbridled power of a summer's storm, glorious, breathtaking, capable of reminding even the biggest person of how insignificant they were.

It struck Agatha that she was so beautiful.

The song came to an end, and Agatha drew the woman she loved to her, kissed her, claimed her, reminded them both who Death belonged to. Rio staggered against her, clung, fingers dug into Agatha's dress.

"Mine," Agatha said when she let go, her hand lingering on the other woman's flushed cheek. "All mine."

Rio managed a very small nod, then flicked her fingers over Agatha's shoulder

A man who had grabbed a heavy branch and was mid-swing went flying backwards, hitting the tree behind him with crash.

"They are witches!" someone yelled, as though that weren't entirely obvious.

Agatha laughed aloud, a well-practiced witchy cackle, even as the rain began to fall, a sudden, unexpected downpour that drenched everyone present and caused a flurry of running and shrieking. "We are indeed," she said, catching Rio's hand and levitating both of them into the air, purple magic swirling around her. "Witches! Hellspawn! Daughters of Satan! Flee before our might!"

Rio had buried her face against Agatha's shoulder sometime during this little performance, shaking with laughter. "Ags, aren't you overdoing it a little?" She glanced down. "Anyway, I think they're all gone."

"Good," Agatha said, her eyes only on Rio. She extended a hand. "You wanted to dance, didn't you? Dance with me, my love."

Rio stared, her breath catching in her throat, and then she smiled, radiant as the dawn above the trees. She offered Agatha a surprisingly courtly bow, which Agatha returned with a curtsy. Rio took her outstretched hand and high above the forest, with the rain slowing and turning to mist around them, Agatha Harkness danced with Death.

It's a good night for fluff. Try conversations in the dark or Death Sleeps In