#because he doesn't understand how to listen

[rootspiral]

Agatha All Along deep dive: episode 4 part 7

(Wandavision entries: [1][2][3])

(AAA entries: ep1 [1][2][3][4] ep2 [1][2][3][4] ep3 [1][2][3] ep4 [1][2][3][4][5][6][7])

THIS IS THE LAST EPISODE 4 ENTRY I SWEAR

agatha: why yes I'm listening politely because I'm being sociable, not because this story concerns me in any way shape or form

she did NOT want TO DO IT AGATHA. HE WAS HER SON TOO AGATHA. did you ever give her a chance to SAY any of THAT. damn rio is (metaphorically) fighting for her life here. waiting centuries to catch her wife with her guard down next to a random fire, and then reworking her LONG PLANNED SPEECH into bite sized easily digestible bits so that her emotionally stunted soulmate doesn't run away screaming

I was doing MY DAMN FUCKING JOB agatha

agatha looks away like whooops! wasn't listening! wasn't looking at you! no sir, not me!

that's right. acknowledge her feelings. show her that you understand but that you're hurting too. be mature. you're doing great. god the way she swallows and stares right ahead, so determined. this is such a crucial moment for her.

agatha: i'm stone cold. I'm a wall. this is not affecting me in the slightest. I'm bored, really.

lilia not missing a word of what rio's saying

lmao the neutral pronoun lasted two seconds. she's not even trying to pretend like she isn't talking about agatha. and the way she nods to herself like yes, I did the best I could with this. so, there.

"she is my scar" is going to the sapphic annals, isn't it?

LMAOOOO the unblinking cat stare. rio is like I WAS TALKING TO YOU DUM-DUM. I KNOW IT, YOU KNOW IT, EVERYONE AROUND THIS GODDAMN FIRE KNOWS IT. CAN YOU PLEASE PLEASE FUCKING TALK TO ME PLEASE DEAR GOD

and agatha doing a teeny tiny side glance and going whoooooooops not looking! I'm NOT looking! I'm not even here! and scrunching her face more and more trying to keep it blank

AND she's gone. she's so predictable lmaooo. every dang time.

awkwaaaaaard

rio with her soft smile again! with the little amused eye roll! never getting mad at agatha's antics. she's like FINE I'll come after you, you BIG BABY. the patience this woman has

lilia is so scared of rio because somehow, through her exceptional Seer abilities, she knew instinctively that this is her mortal foe. but something funny has just happened: here in front of her there's just a regular little guy, a bit odd maybe, doing her little thing, trying to talk to her ex. might it be... might it be that death isn't a monster, that it's just a thing, a strange but natural thing that happens to everybody? lilia cannot accept that quite yet. so she grabs rio and says no, no. I've seen what you are. you're scary, you're evil, you're dangerous. this is lilia's survival instincts kicking in. we are simply wired to fear death, that's just how humans are. it takes an exceptional mind and soul to see past that.

oh god, here we go, here we go. deep breaths (I'm telling this to myself tbh. i need the pep talk)

stroking her hair so gently. soft, tentative.

hey, subtitle people??? what the fuck??

rio just stands and stares. lets agatha decide what comes next, goes at her pace always

the haiR CARESSING

the HUG. the BIG SIGH. this bitch was running away screaming from rio just yesterday. and here she is. her love. her partner. she finally acknowledges rio's pain and all that they lost and all that they were (and still are tbh) to each other. THIS is what rio was looking for. she's not flirting to manipulate and deflect now, she's not being somebody else. this is agatha cracked open and bleeding love and sorrow

and they melt into each other, and they're rocking each other back and forth, with all their pain and tenderness and longing

agatha with her face buried in rio's shoulder. I'm unwell

and then agatha gently pushes rio back and strokes her hair and cradles her face like she did so many times before and leans in and here I am giving you a play-by-play and running a commentary like a totally normal and sane person would

you know what makes for a perfect onscreen kiss imo? no it's not tongue, although these two will give us plenty of that too. it's the TREMBLING. THE HESITATION. THE YEARNING.

rio and her superhuman willpower. couldn't be me.

and and and and and agatha looks at her puzzled for a second and doesn't register what's happening and dives for a kiss again she's so far gone. the feral animal noises I'm making you have no idea

THE ICY SHOWER

THE STEP BACK. THE MOST PAINED SMILE

THE REGRET

I think one big reason why agatha is always so calculated is because she's afraid her instincts will take over. she does something big and spectacular and stupid and then calls it a 'calculated risk' when it was actually a rush of fear, desire, sorrow, anger that she couldn't control. tonight rio has managed to poke a little hole into a carefully constructed dam, and now all the water is rushing out and tearing down the walls. agatha has rio in her arms and her shape, her scent, her skin are so nostalgic and familiar. her brain goes on autopilot, she's been lonely for so long, she is FAMISHED for love and connection and sex and acceptance. rio wanted her to open up, but agatha doesn't do half-measures. rio wanted her to give for a change, but agatha can only ever take.

rio HAS to put a stop to it. she puts logic before heart, one of them has to and you know agatha isn't gonna. more than anything rio wants to take this one perfect moment and run away with it, but instead she tears herself away and asks, what happens next? what happens if I have to take billy away from you? that reanimated corpse, that freak of nature who walked into your life only yesterday and took over?

billy is now part of the equation and rio cannot ignore it. she has been so gentle and careful with agatha, easing her into a reconciliation that is now in jeopardy because here comes billy maximoff like a sword of damocles! what happens if agatha takes her back only for rio to break her heart all over again? there would be no coming back from that. rio cannot help being the grim reaper just as much as agatha cannot help being a succubus, and she is almost at her breaking point here. because she is hurting too! she is sick of having to be the mature one! she's sick of always coming in second after all of agatha's issues! turns out there's a limit even to the heartbreak an impossibly old and wise being can take.

(and now I need a smoke and a future episode that is just 30 minutes of hot but soft cuddles and kisses and sweet nothings. please.)

once again a big shoutout and thank you to all the people reaching out and leaving comments, it's incredible to hear from you all @crybabyheathen @onceuponalegendbg @idkbroletssee @psychicsolanum @73chn1c0l0rr3v3l @a-tad-bit-obsessed @a-rusty-bucket-of-woes @miacheezytoon @isagrimorie @april-december @aquaaquila and I'm probably forgetting someone but I see you all and I appreciate you so much!

and now for something extra

[ooooo-mcyt]

Scar and Grian both..struggle..with emotional intelligence sometimes.

Grian is a caretaker, he's inconsolably dedicated to the people around him, and he's never fully comfortable unless he's helping to take care of someone. Grian shows a lot of love through action, but his words are often a different story. He can be snippy, critical, worry portrayed through harsh words. Communicating his emotions is something Grian has always struggled with. He can't say he loves someone, but he'll help them set a trap, or give them his armor, or yell at them for getting themself hurt. That's pretty much all the emotional communication he can manage.

Scar, on the other hand, seems like he has no trouble talking. He's a very friendly and charming person, who will often tell you upfront how he feels. With that being said, Scar has his own brand of trouble when it comes to emotional intelligence. That stemming from the fact that Scar can be, for lack of a better word, self centered. Not necessarily for lack of caring, but because he's a very independent person who sometimes struggles to see perspectives that aren't his own, and he can disregard other people's feelings because of it with Scar misreading their emotions, or assuming they'll "come around" to his side.

This can cause clash between their personalities.

Scar is strong willed and makes up his own mind about things, he sometimes sees Grian's worry as inconsequential or frivolous. Many times Scar will disregard things Grian says under the assumption that he's just nagging for the sake of nagging or will get over it or even that he knows what Grian needs better than Grian does, which can leave Grian feeling tired, annoyed, and even more worried about Scar too, because it seems Scar either doesn't listen to anything he says, or doesn't care enough to take his thoughts into account, and Scar, meanwhile, is left similarly frustrated because he feels like Grian gives mixed signals, doesn't trust him, or just wants to fight.

Of course, while they both struggle with emotional intelligence and communication on a lot of levels, they have little ways of communicating that work for them when it really matters, games and signals, ways to let the other know that, even if they don't always understand each other, they love each other, they make each other happy, and neither of them are going anywhere long term.

[lunawolfiefoxy]

More Legend Headcanons

Legend grew up with a terrible lisp, like so bad he couldn't be understood. He'd try to talk to people, but his uncle would need to translate for him so he could be understood. When his uncle passed, he took to not speaking because, well, who would understand him anyways?

When he learned Hylian Sign Language, it was the first time he was understood by a lot of people. It made him feel good to be understood after so much confusion. So he took to learning how to sign in all the other languages so that the communication barrier could be broken.

It wasn't until Marin came along did he start speaking again, and she helped him speak coherently. He was actually really proud when Tarin understood what he was saying the first time he said it.

So from then on, he's been working on his speech until he meets the chain, which is when he's at his "speaking high". He didn't want to tell them about the fact he has a lisp, or to have them find out, so he listened to them and mimicked a lot of what they said and how they said it until he had a mix of a royal, country, pirate, and even some of Wild's accent. (Wild has a bit of a lisp too it doesn't care about it).

It's not until the first time he gets sick around them do they find out about his lisp, and boy is it hard to understand what the poor thing is saying.

"'on' tok ee!"

"...What did he say?"

"Oh! He said 'dont touch me'! Aryll used to talk kinda like that when she was little-r!"

And Legend is thoroughly embarrassed while the others are embracing it and learning to understand his lisp until they can hold a conversation with him while he's sick or sad or whatever the case may be.

[bi-writes]

It's like an itch he can't scratch. A thought far away, but something that he can still see in the distance. Where there is sense, he doesn't have it in him, not when she's laying there, soft, sweet, perfect pair of thighs perched up for him as she rests on her tummy there.

That's the thing about desire, right? It comes even when you don't want it to. It feeds, because it has to, because it needs to survive. To keep you alive. Simon is nothing if he isn't someone that takes when there is something that he needs (wants).

She must be thinking about him. That's what he tells himself. Why else is she soaked under that little skirt? Why else would she wear that here, with his son sleeping just down the hall, if she wasn't playing mommy-dearest? Why else would there be cookies cooling on a rack in the kitchen if this wasn't dinner after a long day on the job?

The baby monitor crackles as he shreds your panties in one thick paw of a hand. He thinks about having a cigarette as he hikes you up a little better on your knees, humming as he pulls apart your puffy pussy lips, but he knows you'd have a fit if he made the house stink like smoke with that baby here.

Gotta listen to the missus, he says to Johnny when he brushes his teeth after a smoke. He knows you won't like smelling it on him, but at least if it's not on his breath, you'll be soft.

Like you are now. Like you taste. His thick tongue rivals your favorite vibrator, he's seen it, silicone bud shaking in your purse, telling him you can't be in his house without getting off because why else would it be in there?

You taste like his wife. He's never had a wife, but if he did have one, it would taste like you.

It is you. He wants to carve his name into your cunt. It belongs to him, so he should make it so. After he traces the n at the end of Simon, you finally startle awake. Like moving through glue, you're slow to understand, but it's hard not to throw your hips back when he sticks his tongue down your hole and sucks, making you cry big, fat sorry tears.

You can't help it. It's instinct. Your body belongs to him, and it understands, so when you heard the zipper, you brace yourself on your elbows.

"Tha's it, baby," Simon murmurs. When he sinks deep, you press your face into the cushions, go blind. Go dumb. He fucks fast, and he fucks hard, and when you whine, he tells you to shush, "don't you want another? Hmm?"

You ask for your panties after he comes. It's sticky and warm between your legs, and he made sure you came twice just to be sure, because that's how it takes, you gotta come, too, baby, give it to me.

You're seated in his lap, warm, still straddling his thigh with his hand on your ass as he watches the baby monitor, seeing his son breathe deep. He's warm, wearing his onesie, with his favorite blanket, chubby and fed because of the pretty thing in his arms. You don't know any better. You have to be shown, taught. He's had to do it before, pretty things too dumb to know what's good for them.

Did it with that blabbering Scot, and he'll do it with the mother of his baby, too.

He puts your fingers in his mouth, and when he sucks a little too hard on your ring finger, you pull it out with a yelp. There's teeth there, marking it, and he meets your eyes with his own, a smile on his face that unnerves you.

The baby monitor sounds again, and you get up without a word. Simon can see it dribbling down your thighs as you push your skirt down, and he watches the monitor as you go inside, picking up the baby that cries, rattling the crib.

When you come back into the living room, you take your spot in his lap again. You cradle the baby to your chest, tucking his cheek there, skin-to-skin. Simon holds you by the thigh, getting his fingers wet, and you look down at the baby's tear-stained face as Simon sucks on his fingers, gurgled and low.

It's like it's supposed to be, you think. Big bear at your back, his cub in your arms. Another one sitting low in your belly, and if there isn't one, he'll make it so in due time.

Desire and need are one here. What is desired is needed, and what is needed is here, in this room. To be wanted. To be loved. To be enjoyed, that's something, isn't it?

It won't get better than this. No one will have you this way. It's the lesser evil. The softer end. At least this one tastes good. At least he makes you come.

At least there's cookies in the kitchen, and at least they're chocolate chip.

unfortunately i am not, in fact, over my babysitter "thing" but i don't have it in me to write another so can someone do it for me? i have a recipe if you can't think of anything

[rodanseys]

ok i finished my yearly reread of trc and i must say something!!! it is likely someone already said on the internet far before me, but i must say it!!!!

and that thing is how trb and trk mirror one another because of the inversion of adam and gansey's function within the narrative.

obviously, in trb, we see adam sacrifice himself to cabeswater. it is a huge risk, yes, but it's true to adam's character because he's willing to do what gansey isn't because he thinks choosing anything other than listening to gansey is freedom. as a result, he's the leader of the group for most of the series. the first thing gansey does when interacting with adam is ask adam a qeustion. adam is consantly called on over the course of the series to find an alternative solution when gansey can't- he even mentions that in his own monologing (i think in bllb). the gray man refers to the gangsey, as we all know, as "adam parrish and his band of merry men." in other words, he is the king, driven by duty, both that he cannot choose bc of his upbringing and that he chooses bc he can't understand what true freedom yet.

meanwhile, we see development of gansey as the poet. he's the heart of the quest, the person who believes in it to make others believe. this is especially true in trk, where its repeatedly pointed out that gansey can say things in his Gansey voice and making them true. this not only reinforces his place as the poet, but his own (and other characters') awareness of it.

so there's been established and really, really hammered-over delegation of adam as the king and gansey as the poet. then, in trk, we have the scene where adam is being taken over by the demon that's also taking over cabeswater. at the end of that chapter, he is able to regain control over the demon and separate it from cabeswater simply by saying his eyes and hands belong to him again- like gansey would. liek a poet would! his necesity to do this within the plot, the obviousness of him doing this as a chracter (he never wanted to be controlled, just gansey's equal, but he couldn't realize the difference yet) also means that he has moved into the role of the poet (and what could be more of gansey's equal than him becoming who gansey was within the plot?). this leaves the king role, as a narrative function, finally open for gansey to fill.

and it works because we've already seen gansey becoming increasingly anxious throughout trk. he's feeling this sense of power start to shatter, the fear of a life after glendower. but he knows he must finish what he started. how is this shown in the text? when he leaves in the middle of the night to find glendower- a literal repetition of adam leaving alone to sacrifice himself on the line. but, this time, gansey is the one to initiate. he's finally on his way to becoming a king, figuratively and literally. but then, we realize geldower is dead. and this is where this mirroring becomes so rich and fascinating to me.

but why? because gansey, after discovering glendower is dead, also discovers something contradictory to the way this story must go: "glendower was dead. gansey kind of wanted to live." the moment after he realizes it, he becomes so afraid of receiving pity because of his selfishness to live outside the bounds of responsibility thrust upon him. he never had that before. no one stopped him from searching for glendower, from being obsessed. he had the time, money, resources, and charm (unlike adam) to pull off this really kind of ridiculous activity. but, now, he finally uderstands what it meant to sacrifice and it brings up a vulnerability he doesn't know what to do with.

and guess who else dealt with reponsibilites thrust upon them that they didn't know what to do with? who was afraid of being pitied instead of respected as a response? adam! gansey's becoming more like adam. like the king! and the narrative literally acknowledges this: "for the first time, gansey understood adam parrish perfectly."

so, of course, like adam, he must sacrifice something to achieve the actual power of the king in the narrative. so he does. he kisses blue and sacrifices his life. and how is it written? "he fell from her arms. he was a king." he was a king!!!! he was actually a king!!! because, like glendower, he was dead. he couldn't be glendower (which is all he wanted to be- brave, respected, loved, remembered) without dying. because glendower died! and gansey wanted to live! but he couldn't. because he couldn't be who he wanted to be without also taking on the responsibility of what it meant to be that person. he never reallt understood this; adam always did.

i really appreciate this inversion because it gives precedence to their friendship on the plot level: both of them had to meet, to get to know each other, to fight for the plot to start. but then, they had to understand each other, to work hard to love each other, and actually end up on the inverted of the narrative in order to become who they needed to be for the plot to conclude. and it also reinforces another large theme of the series: time as something cyclical. gansey living adam's younger years while adam lives gansey's. that this was required for them to know and love each other fully and for gansey to come back to life and not "throw it away."

[rottenpumpkin13]

......... so could we perhaps get a bit of genzack? just a few things to chew on? :3c

Sorry this took forever, but I woke up this morning and went "I GOT IT!" so it is now time to be not normal about GenZack 🥳

The way I see it, Zack is bright and sunny, but there's something volatile lying dormant beneath his positivity, just as Genesis is composed but hiding a lot of bite beneath his dramatics. They bring out the raw and ugly parts in each other, but they also share the same dreams and lust for life, creating a tension that neither knows quite how to handle.

"one thing leads to another" in an AU where it's 2004 and nothing bad has happened, and now they're:

• Golden Retriever Boyfriend x Black Bird Boyfriend.

• Comic books boyfriend x classical lit boyfriend. They absolutely get each other to give their favorite books a try, and it usually ends in "this comic book dialogue is rubbish" paired with "how am I supposed to read this? It doesn't even have pictures??"

• Quoting famous Poets x quoting cartoons. It's Genesis quoting fine poetry and Zack countering in his own way, then Genesis pretending to be annoyed but secretly he's hiding his smile behind his wine glass.

• Zack hyping Genesis up when he gets dressed up, proudly (and loudly) showing him off— he'll whistle, he'll sneak an arm around Genesis' waist, and keep repeating "doesn't Genesis look look awesome?? He's my boyfriend, you know :)" to literally anyone who'll listen.

• Zack pays attention to even the smallest things Genesis says X Genesis taking everything Zack says seriously.

• Financially irresponsible boyfriend x rich boyfriend who buys him things.

• They spar aggressively, and Zack wins frequently. Zack has a knack for catching Genesis off guard during training. After one sparring session, Genesis began complaining, and then Zack to threw him over his shoulder and ran off laughing, ignoring Genesis' protests.

• Genesis calms Zack's ADHD spirals, like when Zack gets overwhelmed or restless, Genesis sits him down and reads to him while holding him gently until he settles down. Zack tends to fall asleep in his arms.

• Zack matches Genesis' dramatics, except to him they're completely valid concerns, he doesn't brush them off and lets Genesis rant to his heart's content because he may or may not look really hot when he's mad.

• In fact, where Angeal or Sephiroth might disprove of Gen's temper, Zack empathizes entirely. Once, when Genesis ranted about a perceived insult, Zack grabbed a hammer and said "just say the word!" which managed to completely disarm Genesis, who's anger dissipated into laughter.

• I think the sweetest part of their relationship is Zack working hard to understand Loveless, reading not only the books but Genesis' annotated notes. The look on Genesis' face when Zack counters one of his tirades with a flurry of Zack-ified opinions is priceless.

• Genesis makes it a point to make the first two letters of every word of the emails he sends Zack bold, because he learned bionic reading is easier for people with ADHD.

• Their shopping trips are a blend of Genesis selecting fine wines and artisanal cheeses while Zack tosses in energy drinks and chips. It's Genesis' "Do you need six types of gummy worms?" Vs. Zack's "As if you're gonna use that truffle oil!"

• Their fights can be intense and explosive, with their opinions often clashing. Genesis thinks Zack can be too naive while Zack thinks Genesis can be hard-headed. Although Zack is usually the one to end the argument by walking up behind Genesis an hour later, right before bed, and pulling him into a hug.

Genesis: What do you think you're doing, Puppy? I'm still mad at you. Zack: Okay cool, but can you be mad at me in bed while you cuddle me? All that yelling made me sleepy. Genesis:

[captainhunnicutt]

There's absolutely no denying that the star of this scene is Edward Herrmann as Steve Newsom, and the purpose of this is not to detract from one of the most haunting and devastating scene within the entire series. I just noticed a few things and need to put them down somewhere.

Hawkeye and BJ came in to the tent ready to yell and let Newsom have it. Their immediate and gut reactions were that he had abandoned his responsibility. Potter and Charles have already spent an undisclosed amount of time with Newsom on the floor, and while maybe not understanding or knowing all the details - are both already visibly upset. It's telling that Hawkeye and BJ, the ones in the camp that everyone seems to look at to set some sort of example, are the ones that get down on Newsom's level to try to figure out what's going on - and how they can help.

It feels like Hawkeye starts to piece it together a bit quicker than BJ does. That whatever happened is bigger than just choosing to abandon any and all responsibilities. When Newsom looks back and forth between them immediately, Hawkeye's face doesn't change - like he's waiting for Newsom to spill. BJ, gives him a reassuring smile. This feels very indicative of how the two of them generally seem to approach issues and/or problems. Hawkeye doesn't want to dance around the issue - just put it out there and let's figure it out. BJ wants to make everyone comfortable and calm - and then we'll figure it out.

And when Newsom starts talking about how the blood won't come off, no matter what, this is the moment that I think blatantly divides where Hawkeye and BJ truly are in regards to their journey of acceptance or denial about being where they are - and ultimately what will become of them. BJ looks stunned to hear what Newsom is saying. Like he almost can't wrap his head around it, and he looks over at (assuming) is Potter's direction. Someone in a position of leadership and authority to validate what he is hearing, and he looks back at Newsom and still looks stunned. We learn later that BJ is even a bit confused and can't make sense of it because "he was as strong as any of us." And on the flip side, Hawkeye just hangs his head. He gets it. Where BJ needed validation or confirmation that what Newsom was saying could make sense - Hawkeye got validation and confirmation that not one of them are immune to this exact same thing. Not one of them is safe from the destruction happening around them. Physically, emotionally or mentally.

And then Hawkeye looks at BJ, and it feels like he's trying to telepathically ask him "do you get it?" Or "are you listening and not just hearing?" There's multiple instances where BJ has to learn some sort of lesson (BJ Papa San), and Hawkeye patiently waits for BJ to get it. This feels exactly like those moments. BJ very briefly glances up at Hawkeye, but Hawkeye isn't looking over at him anymore but back to Newsom. For as independent as the two of them are, for as different as they are, the fact that they (even for a nanosecond) look to one another to try to gauge what the other person is thinking, and how they are processing all of this - really says a lot about the foundation of whatever their relationship is or isn't.

The scene then ends with a smack to both of their faces at the severity of what they're dealing with. When Potter tells them that they should call Sidney because it's "a little out of our ballpark," they both look like they can't believe that's the solution. That surely there must be something else that they themselves can do. They both look like they are trying to rationalize and figure out what that ultimately means not just for Newsom, but themselves or others as well.

And then we have confirmation that Hawkeye was essentially associating everything happening to Newsom to what if it happened to him, or BJ, or Charles, or Potter - or anyone close to him. Hawkeye got it. By the sheer fact that he has been at this longer than BJ, Hawkeye saw the bigger picture while BJ is still collecting the pieces. BJ is still clinging to the idea that he will leave Korea no worse than he arrived, even though he's already admitted to being angry and generally is very different than when he arrived. Denial is a scary thing.

Anyway, the point I'm failing to make is that you can watch, in real time, Hawkeye and BJ be provided the exact same example of what could happen to them - and both of them process it and interpret it vastly different - because of where they are in their individual journeys of accepting where they are and what they're doing there.

One of the great things this show repeatedly does, is remind the viewers that no two experiences are ever alike. It doesn't matter if two individuals see the exact same situation unfold in front of them, together. Personal experiences help create framework for interpretation, and who better to demonstrate this than two characters who get along extremely well - but at the end of the day are very very different.

[lovelyshu]

I ONLY TALK TO DOGS BECAUSE THEY DON'T UNDERSTAND ME — with Minho

001 DESCRIPTION — how minho deals with a crying teenager he cares about

002 TAGS — all platonic, gn reader, use of yn like once, very fluffy, a tiny bit of angst if you squint (reader doesn't trust parents with problems or anyone else tbh + like lots of crying), very self indulgent

003 COMMENTS — what does crying at least once a week in the middle of the night does to a person? It gives them ✨ideas✨. Also this was inspired by my brother even if I never told him much. He was the only person I allowed to see me cry.

004 TAGGING — @hannamoon143 @jisunggy

Minho doesn't remember exactly when did he got so close to you. And to be honest, neither did you.

But now you were someone very important to him, going as far as calling you his little sibling.

And that's also one of the reasons he accepted when you asked to sleep on his house that night.

The other reason being that he knew you weren't feeling so good these days. Even if you tried to hide it, your obvious reactions to which no one seemed to notice or care gave it away.

Well, that didn't mean he was expecting to her crying in the middle of the night.

It was 1:35 am. And Minho had no idea on to why were you still awake. He was still feeling sleepy and tired, but as soon as he heard the sob coming from the other room, his mind put to the side any sleepiness in his body.

Slowly, he walked to your room, standing right outside your door. Minho thought about knocking on it, but you would probably just ignore.

So that's why he just - slowly - opened it, to which made you freeze, trying to pretend to be asleep.

“yn? Are you alright?”

No response.

Sighing, he walked closer to you after closing the door, sitting on the edge of the bed.

Minho knew you had trouble with opening up to other people, even sympathizing with the feeling. Knowing that, he put a hand over your head, patting it softly.

“If there's anything bothering you, I'm more than happy to help you. You don't need to bottle up everything.”

As you stayed in silence, he continued.

“And I can also just listen, if you'd like. I won't tell anyone about this, unless you ask me to.”

The silence continued for a short moment, until he heard you speak, voice cracking slightly. A clear sign you were indeed crying.

“Not even my parents?”

“No. If you don't want them to know, I won't tell them.”

You slowly turned to face him, sitting up. Minho seeing this slowly puts your head on his shoulder, letting you take your time with talking.

“Minho... I'm sorry..”

“What are you sorry for?” - he spoke in such a soft and calm tone that made you get even more emotional than you were.

Trying to find the right words, more tears begun to found their way to your eyes as you tried your best to not let them fall.

“For everything. I'm a failure, I can't do anything right, my parents are alright but it seems like I can never make them proud. The only thing I give them is shame.”

Minho moved you a bit, enough so that you could hide your face on his shoulder as he wrapped an arm around you.

“Sometimes I just want to disappear.. I always ask myself if anyone would even care if I did...”

Hearing your words made Minho hug you tightly, mumbling in such a low voice that you might've missed if it wasn't for the silence.

“You're not a failure. If anything, you are the most talented and intelligent person I've ever met.”

Minho sighed as he noticed that you were crying even more, knowing those words might mean something way too big for your own heart to bear.

“And you don't even see it. If you ever disappeared, I'd go all around the world to find you.”

Slowly, he laid you down again, but now, laying down as well, still holding you.

After some long minutes, Minho noticed you were drifting off to sleep, which somehow, got him in peace enough to do the same.

Not until he whispered again.

“You're not alone. Don't forget that.”

Was the last thing you heard before closing your eyes, comfortably sleeping while cuddling no one other than Minho himself.

[rakhalofthestars]

Each Flaw On Your Body Shall Become A Favourite of Mine

Synopsis: Boothill is absolutely lovesick and shows you how beautiful you are through his actions

Tags: Boothill x gn reader, body worship, non-sexual nudity, non-sexual intimacy, fluff, established relationship

Warnings: Small mentions of sex (nothing happens), small mentions of negative body image

wc: 770

Lying on your bed with Boothill hovering on top of you with hearts in his eyes because you're absolutely beautiful. He's drinking in the sight of your body bare just for him as if it's his favorite malt juice but he'll swear up and down that no malt juice or fine wine could ever even hope to compare to your body.

No, darlin’, your body is so much more, he'll purr in your ear while peppering kisses down your jaw, burning his love onto your skin because words just cannot do you justice. 

Boothill will trace your facial features with his cold fingers and wish desperately to be able to feel and comprehend the softness in the way that only we humans can. The curve of your cheeks, the bridge of your nose, the plushness of your lips where he'll swoop in to steal a kiss or two or dozen because he craves for the shape of your lips and their taste to be imprinted on his until the end of time.

You'll blush and mumble something about how he should stop being so silly as he continues to shower you in compliments and love but just this once, please believe him because every word he utters is the truth. For once, he's not pulling your leg or teasing you. 

When Boothill says that you're pretty, you're handsome, you're gorgeous, you're beautiful, just know that he means it with every fibre of his being, with every drop of blue blood in his “veins” and with all of his poor ol’ heart. 

Your body is proof of your humanity and only someone like him, who has stripped himself of the one physical thing that makes him human, will know just how precious it is. He won't ever let you take it for granted. It's true that he chose to get rid of his body so he could become a ruthless killing machine. But that doesn't mean he doesn't miss the mortality of a human body.

His kisses trail down from your jaw to your neck where he'll gently graze his teeth, just enough for goosebumps to rise and he'll suckle on the skin to leave light marks, not too dark or visible because he doesn't wish to taint it in any way with his inhumane nature of someone who's spilled more than his fair share of blood and of someone who quite literally eats bullets like they're popping candy.

If you point out anything on your body that you deem to be a flaw, Boothill will be quick to correct you. He’ll shush you with a tender kiss, swallowing up your words. There’ll be no more of that on his watch. 

With reverent touches that seem unbefitting of one like him, he’ll trace your insecurities. If you won’t listen to his words, then please, listen to his actions for sometimes they speak louder than words will ever do. Watch how he’ll praise your insecurities for adding something to you that makes you so special. Watch how he’ll kiss you all over the area until you’re soft and pliable like putty and you have no choice but to listen and understand that you are gorgeous and never once in your life have you ever been anything but.

Boothill will savor you like he's a man who's on death row and you're his last meal. He’ll kiss up and down your arm before planting soft pecks on each individual fingertip and maybe even giving them a little lick because you’re fingerlickin’ good (wink wink). His lips will trace a path across your chest and down your torso. Down and down, his lips will travel, with the occasional suck here and a little nip there, just to see your reaction.

Despite your nudity and despite how close his lips may wander to any particular area, Boothill’s actions are not done with the intent of having sex. Unless you ask him, his only focus will be on making you understand how beautiful you are. 

Just sit back and watch as he gets drunk off your body. Watch how he’ll stare back at you with miniscule hearts in his pretty black eyes while kissing your skin. Watch how he worships you with more devotion than any pathstrider could ever have for an Aeon. Watch how his eyes soften and listen to how his voice will crack and how he’ll hiccup because he’s on the verge of breaking down due to how his heart aches over being so in love with you.

To be human is to love and by God does Boothill know how to love.

[before-it-felt-like-a-sin]

Thoughts/potential fic idea (if enough people want it)

Imagining being Nat's best friend and having feelings for her but resigning yourself to never having her because she's not into girls.

Jump to the crash, and Travis starts being just a complete dick to everyone, but especially you. Of course, Nat's defending you, telling Travis to fuck off.

Eventually he stops being as much of an ass, but you still don't like him because of his previous behavior. You do everything you can to stay away from him. Everyone knows about your dislike of Travis, especially Nat. No one blames you, and most some of the girls agree with you. You assume Nat does, too.

Until you find out that she's hooking up with him. You feel betrayed on so many levels. One, your best friend didn't tell you she was sort of dating him. Two, the girl you have a giant crush on is dating someone. Three, your best friend is fucking around with a guy who was a complete ass to you.

You pretend to be happy for her, but you start getting distant. Not talking to her as much, sleeping next to someone else at night. Not sitting with her at dinner.

Obviously, Nat notices this and brings it up, asking if you're jealous or something. The thing is, you are, but it's not of her. So you say no, that everything's fine. She pushes further, and you end up pissed, angry that she doesn't get why you're mad.

Once you tell her that it's (partly) because Travis was/is an asshole, it's her turn to be pissed. She's defending him, saying how nice he is to her. You fight about it, saying yeah, he may be nice to her now but he was an ass to everyone. And he still is kind of a dick to everyone else.

Fast forward to post-expedition, and Nat comes to you, apologizing for not listening and explaining what happened between her and Travis. It takes a few days, but you forgive her.

The two of you end up going to doomcoming together, completely platonically of course. You run off together (like she and Ben do in the show) and end up just catching up. When the shrooms hit, you're both giggling and for once, everything feels right again. (Imagining the other girls don't go feral on shrooms this time) Nat does cry over Travis a little, but it's a lot of anger and less real sadness over it.

You try to comfort her. telling her he never deserved her and that he's an ass. Then, Nat almost kisses you, but you stop her, telling her you don't want her to kiss you because she's high and missing Travis.

She looks hurt, but she understands. You tell her if she still wants to kiss you in the morning, you'll consider it. Trying to joke away the awkwardness. She laughs, and you move on. Eventually, you crash, falling asleep on the dirt of the forest.

The morning after can go one of two ways: You talk, really talk, and end up kissing. Or, she pretends to forget the whole thing.

[thegothicchangeling]

I made a compilation of Ambessa being a horrible parent on tiktok and someone left several comments defending her from that label and now I'm really upset so please indulge my rant.

First of all, I know Ambessa is a complex character. I know she's gone through a lot of trauma to make her how she is. She didn't deserve what happened to her, but Mel didn't deserve her trauma either.

Ambessa definitely loved her daughter, but she also resented her. Those things can be true at the same time. I think she resents Mel for being merciful, for being an affair baby, for being a mage. All things that are not her fault. Now that I've gotten those statements out of the way, let me walk you through every way Ambessa failed her daughter.

We all know how fucked up it is that she murdered a child in front of Mel, but I've never seen anyone talk about how she turned away first, letting her think she wouldn't go through with it. She was just trying to be cruel.

I've also never heard anyone discuss that when she says "perhaps she could be my daughter", its in response to Mel saying that the new ruler would need to be molded. The narrative literally tells you that Ambessa is a manipulative mother.

When she arrives in Piltover, the first thing she does is gaslight Mel about her banishment. Then when she's called out on it, she tries to smooth it over with a compliment and by throwing her arm around Mel, who of course knows exactly what she's doing.

Then when she's confronted on the fact that she banished her own child, she says it was because Mel weakened her. I will admit her care is more evident here, but even then she used Mel's pain as leverage to get her to vote for war by offering to let her come home.

In season 2 act 3, it's more of the same. But it's also worse.

Ambessa is obviously glad that Mel's alive, but she doesn't even hug her. I understand she has trouble showing affection, but still

And then she hits Mel. I don't care what you say, it's never okay to hit your kid. And honestly, I stand by Mel for what she said to her mom about letting Kino die.

Mel is the only one in the whole show who ever refers to her brother by name, and that seems intentional. Her flashback indicates that she looked up to him, and her time in the occulorum with Leblanc's illusion shows that the two had an emotionally open relationship and showed each other physical affection. Ambessa may have constantly kept Mel guessing how she felt about her, but she always knew Kino loved her. And now he's gone, and he's not coming back.

And then Ambessa says he was all the sweetness in her heart, basically admitting that Mel was none of it! She says she let him die to protect her! Why would she do that when it seems Kino was the favorite? Why would she do that when he, the oldest, would have been the de facto heir? Because Mel is a weapon. That's why she has to be protected. Because she's valuable to Ambessa's ambition.

And yet, she never told Mel she was a mage. She only sent her away. Away from her home, away from Kino's love, away from everything she knew.

Also, Ambessa talks shit about mages even though Mel IS one. That shit made me fume.

Mel begs her not to go through with her plans. She offers to go back to Noxus with her and help avenge Kino, but Ambessa won't listen. She won't even listen when Mel stops the execution and points out that her ambition has cost her Rictus and Kino. Instead, she has her soldiers turn their weapons on her own daughter. I doubt they would have killed her, but it's still a massive betrayal.

And her last words, though they are of pride, are devastating: "You are the wolf."

The very thing Mel fought not to become. The very thing she had to become to defeat her mother.

[ellouchi]

Ok Mouthwashing crew cat assignment as well as hcs.

(all images are taken from google search)

Curly: the hardest for me to assign, I would say Main Coon or LaPerm. They have personally similar to Curly's and appearance vise too.

Cat Curly would get along with all the cat crew. He loves to sit near windows and observe the outside world. His favourite toy would be fish shaped, but he doesn't have any strong preference. This kitty is very polite and clever: when you call your cats he understands you and gathers all others cats. The best bug hunter, Curly will save you from any unwanted bug. Brings stuff to you too, like small trinkets or even his prey (still alive though, be careful!!). Camera likes him and he does very good poses.

Post stove cat Curly would be alert and quiet. Unfortunately he would be depressed, having troubles playing and eating, preferring to sleep at some secure place without people. Meanwhile cat Jimmy would become more confident and erratic, making trouble for everyone in the house. Curly wouldn't like taking his meds at all, his meows are extremely hard to listen to. Cat Anya could be found near him more often.

Jimmy: street Tabby cat with evil looking green eyes (found with flees and diseases too💚💚💚)

Cat Jimmy is a menace. Knows he is not allowed to scratch furniture and walls but still does it. Takes others' toys and hides them all the time. Fail cat because he can't groom himself properly (cat Curly has to help). Meows are weird and loud: DO NOT close any doors. Jimmy loves hunting, always in hunting mode but as mentioned above he is a fail cat. Play fights with Curly a lot, once he tried with Swansea and it didn't end well for him. HATES patting but doesn't mind head scratching. His tail is a no-no. Steals food from others, especially Curly (because he lets him), so you have to lock Jim away somewhere.

Swansea: Persian is made for him!!

Cat Swansea is very old and independent. He's hard to read, but if you manage to learn how, you'll be rewarded. Likes to be alone and watch the order in the house from his favourite spot. Quite distressed if something is amiss and doesn't like new stuff and strangers, especially kids but he has the saint's patience. Flicks tail in annoyance, flicks tail in annoyance, flicks tail in -- Swansea can eat anything, but he knows he's not allowed to eat human food. Would still look veeery intently at the ice cream you bring. If it doesn't contain chocolate, give him a lick or too....

Anya: unsurprisingly Russian Blue, from my experience very gentle cats.

She doesn't get along with all the cats. She and cat Jimmy have had nasty fights (he always initiated them), other cats had to step in as well as you. Anya enjoys human company more, especially if it's the humans she knows. Otherwise she hides somewhere for a while and then tentatively returns to sniff newcomers. She can sense negative emotions well so she will come and sit on the lap and purr... for hours. Cat Anya loves sleeping beside you or under your covers with you. She chirps and looks at you when you call her. A foodie, don't feed cat Anya too much or she will get sick.

Daisuke: Japanese bobtail cat with calico tri colour coat (cute bell provided)

Cat Daisuke is a menace but in light-hearted sense. He loves to explore your house, always gets stuck somewhere or breaks something but never on purpose. If you open a cabinet or a drawer, expect to find him sitting there (he will learn to open things himself anyway). Jumps when scared but quickly recovers. He's a young cat so he's still very active, loooves to play, the faster the game the better. Doesn't like to play alone though, he needs attention from anyone or he will sulk. Successfully begs for treats: Daisuke looks very cute and polite and you hate yourself for caving in every single time. Sticks to cat Swansea: one time Swansea hisses at Daisuke, the other time he grooms the younger cat. Strange.

[nightmare--void]

Eternal sunshine of the spotless mind AU where Suguru erases Satoru from his memory and then Satoru does the same out of spite

But unlike in the movie they’re not meeting each other for the next ten years after that. Till one day someone leaks the files that were kept in the archive by the company that provides the service.

It’s been ten years already. Satoru touches an old ink on paper that forms a date like it's supposed to make everything feel more real. These memories are older than some of his students. He barely even remembers what kind of a person he was back then. All that’s left from his early twenties is a faint feeling of absence — as if he was missing a place that never existed.

Turns out it was a person.

«Do I just tell you everything I think about?» his own voice on the tape asks. «Anything? That’ll help to perform the procedure, right?»

He doesn’t remember this conversation.

He doesn't remember going to that clinic at all.

He goes through the tapes listening to himself — funnily familiar, — his words are almost petty sometimes.

«Suguru never wants to watch the movies I want,» the voice on the tape says. «He complains that I’m being repetitive. I’ve been watching a lot of new stuff lately, you know. I’ve watched ten new movies for the pas…»

His finger skips to another timestamp marked on the list.

«A Chinese restaurant».

«I asked him out that day. I wanted to go to that new Chinese place because I wanted us to feel like a couple again,» the voice says. «It's been a while since we went out together. Yeah, I've been busy, but he’s always in the wrong mood when it comes to anything I suggest. How is that my fault now?»

Does it still matter? That Chinese place he was talking about was closed eight years ago — redesigned to be a convenience store or something like that — now it probably belongs to some retail chain with all doors indistinguishable from one another. He’s moved two times since then.

And another one.

«He’s always sulky, you see. Even after sex lately. I can picture that… Ugh, I can picture that face he does. Right now, I can do it. And he always says he’s fine like I'm supposed to guess what might make him happy. And I never can. Can you get it erased first so that I don’t have to think about it anytime I close my eyes? Can you do it first?»

«This procedure is done in one go,» the doctor answers. «No particular order. Please, continue».

He does.

«He said I can’t change and he doesn’t want to force me. Well, I’m sorry I don’t like to let go of the things that I love. Is that worse than not being able to commit to anything even when it’s hard?»

«I hope he’d be happy if he knew I'm doing this. That's certainly a change, right?»

And another one.

«He never tells me anything», the voice on the tape says. «Not even when I ask. It’s like I know something’s not right but I can’t get an answer out of him. Or I can't formulate the right question, he'd like to answer. It fries my brain.»

«The other day he said we don’t see eye to eye anymore. Why can’t he just talk to me? Why couldn’t he talk to me till it was too late?»

And another.

«Is he punishing me for something I can’t understand?»

The room falls silent. Dead — haunted by the memories. Do they still belong to him or have they turned into ghosts by now? Separate beings with their own mind and will.

He caresses a postcard from Okinawa — unfamiliar handwriting and a ripped edge, he almost feels a salty wind on his tongue, — an old monster figurine, a plain white t-shirt that belonged to Suguru. And the pictures.

They’re so happy in all of them. But the voice on the tape keeps repeating.

«He got me eased. He got me fucking erased. He got me erased.»

Why the fuck did he do that?

Mad at the person he doesn’t even know. Like it’s the only thing that matters in the world right now. Like nothing's happened after that in his life. No new apartments, no new jobs, no new vacations, no new boyfriends.

He’s been through a few relationships in the past ten years but none hurt enough to even consider anything like that.

Because he never loved them.

Because he still loved someone else.

At least now he knows why his life felt empty when he woke up alone in that crammed apartment that somehow felt too big. And why it felt so lonely ever since.

He goes through the files — none of the records contain an address or a phone number. Or an answer to the question on his mind.

What if Suguru is happy with the procedure? What if the words — falling out of his own mouth out of spite — were true.

A call wakes him up on a Saturday morning.

«Hello, Satoru-u,» there’s a smile in that man’s voice he can hear. «I mean… Sorry if it’s too… Sorry. I don’t know if you’re a morning person or a night person.»

He gulps.

That’s him that’s him that is

thatisSuguruthatisSuguruthatisSuguruSuguru from the postcards who bought him figurines as a gift

Suguru who didn’t want to go to a place that doesn’t exist anymore

Suguru who didn’t want to tell him anything

who thought he can’t change or adjust to the changes — yet they’re both still caught

shit

SuguruSuguruSuguruSuguruSuguruSuguruSuguruSuguruSuguruSuguruSuguruSuguruSuguruSuguru

it's him

«Uh, I got…» he coughs. «I went to bed late last night.»

«Did you get the files?»

«Yes, I…» he laughs. «We were a shitty couple, weren’t we?»

And then Suguru laughs too.

A laughs that feels like a first sound of thunder after the drought — like those memories are dried flowers everyone thought were dead till the rain came.

«You’re with anyone right now?» Suguru asks.

«No,» answer’s too fast but he takes a pause before he says: «What about you?»

«No, not really. It’s not serious I guess.»

Satoru smirks.

«Not enough to get them erased from your memory, right?»

A joke doesn’t land as well as he expected. For a moment he almost believes Suguru’s going to hang up on him.

But still he continues.

«I don’t know…» he says. «I don’t know if I should apologise for something I can’t remember but I feel really sorry.»

«I don’t know if I can forgive something I can’t remember.»

Another pause.

Should he — if there’s nothing that holds these memories anymore. It’s like someone dug out a time capsule you hid under an oak tree when you were a child. All those names and events in your notes that were so important. Yet you don’t even remember half of the names.

It still hurts though.

«Yeah, I guess,» Suguru sighs. «I think there’s a bright side to it. We’re older now so we won’t repeat the same mistakes.»

«You think?»

«That's how it's supposed to be when you're getting mature.»

«Hm-m,» Satoru smiles. «I don't know about that actually. We're more experienced now. So we can always use that knowledge to make things worse.»

Sharing another laugh that’s warmer and more familiar like his brain is riddled with the scars that started itching all at once.

They used to laugh a lot, it strikes him.

They used to tease each other, they used to kiss and make love. He used to remember that person’s voice and face better than his own.

Why did he let go of that?

Why didn’t he let it heal and warm him? Because somehow he still knows that guy — he knows what'll make him laugh and he's sure they even talk similarly sometimes, using the same words and phrases.

Why did he let it go?

«Wanna meet?» Suguru asks.

«Do you?»

«Yeah. At least we’ll find out if we're the biggest idiots in the whole world or not.»

«I know I am,» Satoru nods as if they're in the same room and all of a sudden he realises that he doesn't want this conversation to end. «Besides, I think the company’s going to get sued after the incident. There're plenty of other idiots who would want some compensation from them. Which means we’re not getting another chance to chop our brains again. Do you think we can get some money though? I could use a new car. Or a fridge. Probably a vacuum cleaner would do. That's the mature stuff, right?»

A laugh that could belong to a couple of teens — head over heels in love — something he thought he never experienced.

Turns out he did.

And there’s still time.

[really-good-devil]

x men and marvel characters (wolverine, daredevil, gambit, nightcrawler, etc) with transmasc boyfriend.... please i beg of you

anon i see you i see you i'm thanking you for this. i just ran with this i hope its to your liking

MARVEL IMAGINES WITH TRANSMASC BOYFRIEND

content: religion mention (majority positively), medical/social transition implied, dysphoria, transphobia

Wolverine:

For someone almost 200 years old, he has a bit to learn upon meeting you

Obviously Morph is a help with this + definitely had to give him a PowerPoint presentation

His view of masculinity somewhat is skewed but he is very insistent on treating you like a man because you identify as a man and if that means anything to you then it means something to him

Flannels! He absolutely gives you his baggy coats when you make a comment on needing more masculine clothes (not to mention the smell that his clothes leave on you is a big plus, so sue him, okay?)

Workout regiment is always taken care of and you never skip chest and arm day

He calls you "darlin'" once and then immediately goes "aw shit" because it might be too "lady-like" (his words) but he gets over it very quickly

Mutant hate? He understands all too well. Transphobia? Whole new ballgame, but it makes him just as mad. As in, he has no problem almost kabobbing someone who makes a comment about you going into a bathroom when he takes you out to one of his preferred bars

He soon realizes after that that maybe you need better hangouts and though he doesn't think the beer is as good at the other places, it's worth it to him

To him, assholes like that are no less ignorant than those who attack mutants because its all the same so he gets feisty on the defense

Once when the body dysphoria is real bad, like the kind when mirrors are the worst thing in the world and everything feels gross and tight, he listens and holds you very tightly and though he can't understand half of it, he does understand self-hatred and it hurts him something fierce

So he'll go out of his way at that point to make it known that you are one of strongest guys he knows because you're going through change and sticking to yourself and he loves it about you

He offhandedly once mentions using his claws for top surgery in an attempt to be funny and neither of you know how to react in that moment but it actually is kind of funny much later

Nightcrawler:

Much more up to speed than some others

He's not unused to the ideas of the intricacies and ideas of gender from his time in the circus and seeing the different lifestyles at play there

There's some trepidation on some people's parts about how Kurt will react considering his religion and the history, but it very hardly factors in

Very flirtatious after he gets the okay to move forward even if it's new to him

Does everything he would try to do with his previous lovers; he loves flowers that remind him of you

Constantly trying to involve you in things that he enjoys that he would hope you enjoy

Movie nights are a favorite of his and even if they end up being more modern, he's always willing to give it a chance

Kurt of all people knows what it is like to be judged and ridiculed for how you look or how people perceive someone

Body positivity is a huge part for him; complimenting your frame, your body hair, your hands

After all, his own body is not what many would consider normal, but it is still his and he accepts it, so he'll literally be damned if he can't help with that

His whole thing is finding someone new that's nice to say every day (which isn't very hard for him, tbh)

When he hears you accept any of it he gets so excited that his tail wags and he peppers you with kisses that sometimes have little nips from his fangs but they're all gentle

Loves to take you up to the top of the X-Mansion to have semi-romantic getaways and look out at the night sky and think of things far beyond where you both are right now, though he know he is happiest right at your side

Gambit:

Meets you when you first arrive to the mansion and is instantly drawn to you

Ever the gentleman while he's trying to get to know you, almost like chivalry is his default no matter the gender

After you first confess your feelings his favorite card becomes his King of Hearts

You tell him it's cheesy but he is happy that you approve

He leaves it with you the first time he goes on a mission and though he didn't doubt that you would lose it, he is so happy when he sees you kept it you can literally feel his kinetic energy reserves when he kisses you deep

His favorite is on those rare occasions where you get to dress up, whether it's for a party or infiltrating something

He loves trying to find coordinating or inverse outfits accessories if that's the case (nothing huge, but small ways to show that you two are together)

Pet names constantly

He works with his hands often so he uses them constantly to explore your body and he has magic fingers in many ways

You're so perfect to him in every way imaginable

Matt Murdock:

You meet Matt in Josie's a while after moving to the area in a new area to "start fresh"

It's not that he hustles you but you don't expect to lose at pool to him

He's very charming and easy to learn from and it takes a while but eventually you do get together

Walks around the neighborhood as an excuse to get to know things end up being tiny dates

Foggy and Karen exchanging tiny looks over Matt's boyfriend but very happy for him

You're unaware of his double life but do end up having to fuss over his scrapes

Eventually you have to explain to him and it's awkward but he just seems to take you in without seeing you and he smiles a bit and its okay from then on

You think he's just super understanding and forgiving but no he's actually known for a while

He's been very perceptive of changes in you as you transition further; he knows when you just had a T shot from how you body is working just a bit harder because of it, when your voice gets a bit deeper between the times he sees you

He also had to do a background check because you can't be too careful at this point

But though it's insanely new to him since he hasn't been with a man, he does love you with no shame

He knows what you look like vaguely but always asks anyway because he wants you to explain what you see of yourself

Always very seriously and not seriously ready to remind you that he is part of fine law firm should you need to win a case against someone at the slightest complaint

You always feel safe and seen, in a way, with him, and it never really changes

‐----------------------

I hope you enjoyed this! If you did, feel free to request more like this or a fic! Requests are open and I have masterpost here and a list of characters and ships I'd write for here. Thanks for reading!

(Also lmk if any of these are interesting enough you'd want to see more of, bc the Matt and Kurt ones I would definitely be open to making a fic so stay tuned if it happens.)

[shadyr4m]

REWATCHING SEASON 2 EPISODE 7 OF ARCANE

+ some of my highlights and notable moments that I enjoyed bc people can’t understand media anymore

This is mostly an infodump of stuff I can fit into a twitter thread/didn't rly want to make into a thread. I'm not great at words so I apologize in advance, I am sure there are many people much better at analysis than I.

I want to start off by saying I am heavily invested in timebomb so this is very much going to be a ship analysis. If you're looking for someone unbiased i am very much not the person for that 😭

FIRST OFF:

The disc on the music box is adorable!!! It features au Powder (who I am going to refer to as just Powder for the duration of my analysis) and au Ekko

Compared to the normal Disc

This is very obviously because it takes place in a different universe, one without Vi or "Jinx".

The first scene starts off with AU Ekko writing in his notebook. (Cute mention is Powder's doodle in his notebook!!) Then we see flashes of the wild rune. This is when AU Ekko switches to canon Ekko.

Also one of my favorite silly images from this episode is this one.. Powder is being so adorable and Ekko is just scared out of his MIND. it's so silly.

In the Last drop, Powder asks Ekko. "What is up with you? You've been out of it all day?". One thing I noticed in my rewatch is that i think Powder is aware this Ekko isn't HER Ekko. This is just one instance of many that makes me think this.

This hideout seems so much more vibrant and loved, similar to Jinx's hideout after Isha. It's colorful. There are guard rails that I like to think was pushed by Vander. We can see Ekko's art scattered around. It just shows how much more support and family Powder has compared to Jinx, which i mention a lot.

Id also like to note Ekko being shocked au him went to powder for help. In his mind at this time he believes Jinx to be all that is left, no more Powder. Through out the episode we see that change.

Notice how Powder gets upset at Ekko in this scene. However, she doesn't react explosively like Jinx would've. She handled it in a way that shows she had support. She told him to leave instead. Again, the main difference between Powder and Jinx isn't only Vi but also the existence of multiple support systems that Jinx simply didn't have.

THIS FLASHBACK! Oh my god this flashback. The fact it happened after he upset Powder? I think it shows just how much he truly cares about Jinx/Powder. He remembers VIVIDLY the day that he thought he killed her. Jinx was his childhood best friend, and I don't think that kind of feeling ever truly goes away. He doesn't want to hurt any version of her, not even the alternate universe her. We see that showcased more later on. Also, random probably insane note. He is interrupted by small children playing, having fun. This isn't a coincidence, it shows he does miss the moments from when they were kids.

While talking with Heimerdinger, we see Ekko look at Powder multiple times. Watching her laugh and be expressive, he smiles. When she doesn't return it we see him get upset. Once more this brings me to my point that he doesn't want to hurt her. Considering he hasn't known this Powder very long you can see where I gather my point that he doesn't want to hurt her in GENERAL. Any version of her.

THIS SCENE!! He is such a bad liar it's adorable. This brings me to my earlier point, Powder knows what's up!! She suspects something 100%. He is talking about this dream her like it was real.

"You aren't the kind of person who helps other people with their projects. Your ideas change the world. I can't shake the feeling that that's who you're supposed to be."

Are you LISTENING TO THIS? He is obviously talking about Jinx. You can tell this by the first sentence because obviously Powder IS that kind of person. He's starting to see that Jinx is just a part of Powder, one that is unavoidable and that he unknowingly appreciates in a sense. Like two sides of one coin he can't see Powder without Jinx and that is good. I think it is here he realizes truly just how much he cares about Jinx.

This whole montage is beautiful but I want to zero in on two things. Powder's reaction to the notebook and how she looks at Ekko after. NOW THIS. This is the nail in the coffin for her. She knows that this is not her Ekko. She has fully gathered that he isn't from this universe.

Also heimerdinger totally knows how Ekko feels you cannot tell me otherwise. Pushing him to go to the party? yeah he knows what you are.

THIS WHOLE SCENE. I AM NOT ANALYZING THE WHOLE THING HERE BUT IT IS GORGEOUS. I saw someone talking about how it was animated on 4's to signify the way Ekko can only go back 4 seconds and I honestly shed a tear. THE SONG TOO? I encourage everyone to look at the lyrics because they're beautiful.

Okay now for my favorite part of this episode so much to dissect and i'm totally going to mansplain but yk..

"I used to dream the undercity could be like this" — That sets the tone for the whole conversation and just what world he is talking about. The canon one.

"But somewhere, I got consumed by all the ways it wasn't. I gave up on it. Gave up on YOU." — Heavy emphasis on this line. Once more he is talking about Jinx. He is talking about how he got so consumed by the way that Jinx wasn't good, and he gave up on her. Believed she was irredeemable. Powder showed him that Jinx is capable of love and happiness, it's just under that tough protective shell. The undercity in the metaphor is Jinx, from my interpretation.

"I promise i'll never forget this." — Now time for my insanity. He doesn't forget this. That's why he saves Jinx from ending her life in the first place. He remembers Powder and knows that with the right support Jinx doesn't have to be the way she is. It's not that she "needs to be fixed" she just needs to be LOVED, like Powder. He sees that now. He sees how in the au the love that everyone shares for one another shaped the undercity beautifully, and made everyone in it much healthier mentally despite going through hardships. That is beautiful. People with mental illness are not unlovable they just need more support, it can't be cured, or fixed just healed. Mental illness is always there it is how you DEAL with it that matters.

Nothing too major to talk about with the kiss. It's sweet I love it, but nothing too notable for me to say about it.

Finally, Ekko leaves the au. I have seen people say that this is a sacrifice, he could've had everything he wanted and he gave it up to save the people at home. But i take insanity to another level. I see this as him appreciating his home. He knows he can never truly love this Powder because she isn't the version he fell in love with. He learned to appreciate Jinx even through her flaws, and that while this world has everything he could want and more he can have that home too.

I am experiencing HEAVY timebomb brainrot if you can’t already tell. I was tired of people taking things in the complete wrong way with this episode, if anyone has different views pls tell me I love hearing how other people took certain scenes. there are a few scenes I love but I would’ve made this post way too long..

[kailoraurelius]

Am I talking about Swan and Mercy again? In another post? Because I am in love with their characters and the subtle things that define them individually and, therefore, together?? No, that's crazy talk.

So anyways, Swan is a bad ass. I said that in my last post, I'll say it again 📣📣 baddest bitch in the gang. Periodt. 💅

But MORE IMPORTANTLY, she's the most protective in the gang. My girl's first solo lines in the album are her worrying about them all going uptown unprepared. Like almost all the women, basically, are speaking against the idea, but they sound more annoyed or angry at the idea of not having weapons. But Swan is very clearly worried. She's thinking about how far it is and, if something goes down, how far they'll have to go to get home. She's worried about her ladies. Protective 👏👏👏

Then, she's the first one to start shouting "Stay down" to the Warriors in Derailed. Then, Woodlawn Cemetery, first thing she does is a head count. And in Orphan Town, it's her idea to approach the Orphans with a lighter touch, because they're outnumbered and she wants to protect her family so badly.

BUT she also chooses to protect Mercy in this song. Mercy, who she doesn't know, who has literally just tried to start a fight with her and her crew by demanding her vest. When Sully gets rough with her, Swan steps in and tells him to leave her alone. She was getting what she wanted before that!! Sully was backing off and allowing her through and even when Mercy tried to start shit, it's MERCY he got angry at. By all logic, if Swan hadn't spoken up, they could have still flirted their way through. But no. Swan sees a woman being treated wrong and she steps in.

And she's continues being protective of her crew for the rest of the album. But, let's skip to the end, then come back to talk about the three other major moments that I wanna talk about. So, The Finale. Swan sees this hearse, this dude calling out her crew, and without knowing a thing about him, she steps up to go fight his ass, telling the others "Stay behind me". She has, more than once in the album, put herself into danger to protect the others or done things out of her character to ensure their safety. And this is THE pivotal moment of that. It's why nobody listening can be surprised when she says, "Stay behind me". Because it's the defining characteristic of her.

It's simultaneously the saddest and sweetest thing about her. And that protectiveness is a super important aspect of her relationship with Mercy. Going back to the other moments I wanted to mention, it's most obvious to me in Park at Night and A Light or Somethin'.

Park at Night is a little more subtle, unless you're reading the lyrics. When Ajax gets cuffed and tells them to run, Swan immediately says, "Everyone go ahead". Sacrificing herself to lure the cops away so her family can escape. But, just as lightning quick, Mercy replies "no!" This girl who has known her a grand total of one (1) train ride SEES what she is doing. She's her once again putting herself into danger to protect someone. And she says no. She stays.

The other girls know the plan. Regroup in Union Square. But Mercy has just joined them and doesn't know this so it sounds to me like Swan's answering, "we'll regroup in Union Square" is her trying to tell Mercy to go, that she'd be okay.

But again, Mercy refuses. She says, "Swan, stick with me!" And then Swan seems to accept this woman isn't leaving her and she's switches to telling the others, "On the yellow line southbound platform, we'll meet you there". And she and Mercy, the one who wouldn't leave her alone, run. This moment, to me, is THE moment that made Swan/Mercy beautiful. Because nobody else argued the plan or even seemed to fully understand it.

In Cardigans, Cowgirl and Rembrandt are literally TALKING SMACK about Swan, saying she's "off canoodling with Mercy" and she "split off and left us". Like, y'all, she just put her life on the line to lead the cops away from you??? Rude.

Even Cochise, who stands up for Swan, doesn't say, "Hello, she just saved our lives at the risk of her own", she only defends the canoodling part by saying it's tactical.

Like, Mercy has been in your presence TWO SECONDS and she understands Swan better than y'all do, I'm crying. (Do not take this as me hating on any of the Warriors, I am in love with all of them and I know they're angry and scared in this moment and likely blinded by that and lashing out.)

And that brings us to the second of the three major things I wanna talk about. A Light or Somethin'. I know, everyone has talked about it. But there's something about it that I don't think I've seen anyone else mention. In that song, when Swan is rejecting Mercy, everyone is saying it's all because she has low self-esteem or doesn't trust her or is scared to feel her emotions. But I think the truth is that Swan is doing exactly what she's done this whole time. She's protecting someone else. She knows who she is, she knows she has lived a rough life and she's likely not going to be a very good partner because she's never learned how. So she's PROTECTING MERCY AGAIN by pushing her away. She says "be careful", "don't put your hope in me", "don't put your trust in me". Yes, this is definitely Swan thinking she isn't good enough, but it's also her protecting Mercy from HERSELF.

And Mercy, love of my life, is trying to tell her that she isn't scared. That Swan isn't something she needs protection from. SHE wants to protect Swan. She is in her corner, she stayed with her when the cops rolled up, she wants to fight by Swan's side. She says, "then WE'LL go" when Swan says she'll leave. Mercy has seen this amazing, protective woman, who cares so much for her family and for total strangers, and she wants to stay with her.

And that brings us to Same Train Home. When those rich assholes get on and are staring at the Warriors and Mercy is hurt by what she sees in their faces. And Swan, likely moved by Mercy still staying with them after her rejection and definitely moved by Fox's death and the loss of Ajax and Cleon, does it again. She puts aside her own fears and self-doubts to what?? Protect👏 Mercy 👏 She takes her hand and says, "Hold your head high. Let them stare in judgement" before she kisses her. Effectively telling Mercy "I heard you in the tunnel, I know you want to live bravely and boldly and I'm not going to let these pricks scare you into doing anything less. Fuck them and what they think."

And that's what's so beautiful about them, to me. They see each other so clearly.

Anyways, I'm gonna go cry now, thanks for listening to me ramble. 🤙