#because from someone like the hooligans or even aubrey? kel can brush it off no problem

[her0maris]

fucked up in the club about hero again. do you know what it’s like to have a sibling 3-4 years younger than you? or any younger sibling at all? one of the most important things of being a good older sibling is knowing when your wants, your needs are less important. sometimes you’ll be tired at the end of a long day and so frustrated and upset and irritated with your younger sibling, and you have to kill those feelings in the moment because they look at you and you know that in that moment you hold the power to hurt them in a way no one else on the planet can, and that you must never use it. hero is a character who is always holding himself back, prioritizing how others feel, because that’s what comes of living with the heavy knowledge that a word from a sibling- especially an older one, and especially a Perfect older one- can carry more weight than an entire speech from someone else. when you’re older and bigger your parents make sure you know it: they look up to you. you need to be a good example, show them what they should be doing. both physically and emotionally, you have the power to hurt them- and you know you never want to. and then that’s what you get used to. oh wow this came out ventier than i thought huh

[agentwriter]

Reading this Kel analysis hurts and this may be just me getting overly emotional at 3am but it made me realize how we need to talk about the probability of Kel being a glass child. See, you'd think by the name that it's a term that would describe someone as fragile, but it's quite the opposite. It refers to a sibling of someone who has special needs (usually someone with a disabiliy or someone incapable of taking care of themselves). The glass metaphor represents how the sibling is "transparent" in how their needs and emotions may be overlooked due to the attention and resources being focused on the sibling with greater challenges.

And while we all known about the favoritism from Kel's parents through hints in the game like Hero being refered as the most perfect, golden and charming mama's boy (and also through this post from the official OMORI GAME twitter account), it's still hard to see discussion about how Hero's depression may have exarcebated this habit Kel has of putting his own feelings and thoughts on the backburner as to keep things moving forward. Additionally, the "glass" metaphor from glass child can also signify that they may feel pressure in attracting less attention to themselves as possible to avoid adding stress to the family in difficult times. And guess who also expresses in game this fear of making things worse by interfering and showing a coping mechanism of staying distant since no one gave him guidance on how to deal with the situation?

Yeah. Some food for thought. Because that's the thing about Kel's grief, he had to deal with all of that alone. Of course, Aubrey may claim he made new friends in the past 4 years, but it's not something shown outfront like her connection to the hooligans, and you take just one look at Cris and Jay, the few examples of Kel's "new friendships" and you can easily see how they aren't nearly as close to having the connection Kel had with his old friends.

In fact, the first thing you LEARN about real world Kel before even opening the door to him is through a dialogue of Sunny's mom on the phone, where she mentions Kel's desperation to get Sunny out of the house and how he seems lonely. Statement that's later reinforced by Kel's father in his dialogue at the park in the evening of the last day in Faraway Town, his only frame of reference on how to deal with Mari's death was to keep on because that's what she would've wanted, right? Despite Kel being considered the "acceptance" stage of grief by many who play game, just taking a deeper look shows he's not completely over what happened, especially considering how the aftermath of Mari's death changed the type of relationship he had with his own brother and completely cut all of Kel's best friends from his life in a single hit. Notice how Hero is not aware of Aubrey's status as a bully, how her appearance has changed and how her relationship with Sunny, Basil and Kel changed. Or how Basil was being bullied and seemed to be isolating himself, and how out of all the real world protagonists, he's the only one in the group that doesn't acknowledge even once how Sunny hadn't left his house for 4 years, and how he only knows that Sunny's moving because his mom told him about it just before he found and rescued the gang at the lake, or even how Kel and Aubrey haven't had a civilized conversation in almost 4 years and Hero's first instinct is to brush it off as "another typical Aubrey and Kel fight" and urge them to make up already? At first you may think it's because he's been away at college and wouldn't be there to see it, so he logically wouldn't be aware of how bad things are. But Kel is so talkative, and these are people that both brothers always cared about, so wouldn't it make sense that Kel told Hero about these things? Even just mentioning how bitter Aubrey had become lately or how he misses Sunny! But there's none of that.

One time I saw this reddit post on r/OMORI that was something along the lines "What type of things do you guys think were said in Hero and Kel's fight?", and one particular commentor stated that they didn't see the need to elaborate on the topic, as all that's important is that what Kel said was the wrong thing to say in that situation and Hero lashed out in response. And I found myself puzzled because while I DO think it's important to consider how Hero's words may have affected Kel's behavior moving forward, that type of thought collaborates with how Kel's struggles are portrayed in the game. Something that's not the focus, that you only know it's there because you were paying attention. Something unimportant. And it saddens me a lot, because in a game all about the death of this one girl and how it impacted the ones left behind, one of the protagonists with most screentime does not show his grief even once. The only known about his dynamic with Mari being the single Headspace interaction where Mari indulges in Kel's playfulness. And that's it, all we get of them are these scraps. It makes me wonder if Kel allowed himself to properly acknowledge his grief, or if he just want through the motions because he thought it was unimportant, that he wasn't deserving of it. Forever stuck in the Helper's Pardox, afterall... To Mari, Basil was a dear friend, someone who's just as empathetic as her that she felt comfortable to borrow his camera and do flower crowns with.

To Mari, Aubrey was her sister in everything but blood, someone she would take care of and planned to even dye her hair with. To Mari, Hero was the love of her life, the one she knew had stolen her heart by pure charm and she could never think of it getting back.

To Mari, Sunny was her dearest little brother, someone she loved so deeply. But what was Kel to Mari besides her little brothers friend, or even, what was Kel to Mari besides being Hero's annoying little brother? But he's fine. He's just silly! That's all trust guys /j

uh oh sisters! I’m back with more Kel Angst… but more like a Kel Character Study.

I’m sure Kel appreciators are already familiar with my analysis of how Kel thinks people value Mari’s theoretical opinions more than his real ones. But since that was at the end of a longer post which was just a “List of Fun Kel Facts :)” I think I didn’t really get to touch on the fact of why this has come to be.

Someone in the tags of that post wrote that Hero does this too, that the two brothers were raised to be people-pleasers and naturally tend to ignore their own feelings. And I absolutely 100% agree with this!!! But consider now: Kel was the little troublemaker, and Hero was the responsible one. To some degree, I think you can also make an argument as to how Hero’s role as the responsible one allowed Kel to be the troublemaker, and vice versa; whether it was by their own will or not, Kel traded positive attention for more freedom, and Hero did the opposite.

Hero is the one to handle responsibility first, and he’s older, too—so it goes that, inherently, Hero has made the better suggestions of the two of them during their childhood, from hangout ideas to problem solving. Kel is the one that makes the silly suggestions, the one that’s a little less realistic, the one that’s still filled with childish fantasies of Captain Spaceboy and renegade stories.

Until he isn’t. Until he’s grown up a little, until he’s slapped in the face by a tragic death, by a despondent, unresponsive brother—by nobody else knowing what to do any better than him.

So he tries—

“Hey Aubrey! Do you want to come to my birthday party? I know we haven’t really talked, this past year, but—”

“Helloooo, Sunny? It’s time for school, and I heard we’re gonna play basketball during gym! You don’t have to play, I can just shoot hoops and you can watch! I’m getting real good at it, I swear—”

“Morning, Basil! Did you need any help doing gardening stuff? I just wanted to see if anyone was free to hang out, but—”

“Hey Hero. Are you… feeling a bit better today? I was just wondering… if you wanted to go get Gino’s with me. Because I’m hungry, and I think it’d be fun if we went together—”

—and he fails.

“—you want to hold a birthday party? Are you- Are you serious?! Tomorrow’s the day she- and you- I- Did she mean nothing to you?!” (He wanted to distract Aubrey from it. But of course she wouldn’t forget.)

“—oh, Kel, good morning! I’m sorry, but I don’t think Sunny can come see you right now… We’re thinking of homeschooling, but… I’m sure he’ll come out to see you one day.” (School was just an excuse to ask for Sunny. Now what is he supposed to do?)

“—ah, um- I’m- I’m okay! I have to… to, um, check on the m-more delicate plants today so, um— m-maybe not today… I-I’m sorry.” (If he were better at not being clumsy, would Basil still have turned him away?)

“—I’m not hungry, Kel… Not today. It’s late anyway.” (He’s never hungry when Kel asks.)

Kel tries to handle things on his own, and it fails. He is confronted with the fact that, on his own, his ideas really are as stupid as Aubrey used to call them, and as silly as Basil and Sunny used to say they were, and as unrealistic as Hero used to tell him.

And Mari…

“—Hi, Mari. Sorry I couldn’t make it last week. But, uh… I was just wondering… if you… if you could maybe… tell me this is all a bad joke…? Because- they all said you- you did it on purpose, but… but I don’t think you would have wanted this, right…?”

(“Well, Kel! You’ve just made a very convincing point. Now I don’t know who to believe!”)

…

The only person who believed in him, the only one who bothered to indulge his ideas even a little bit, is gone.

And yet, just like when they were younger, the one time things work is—

“Mari wouldn’t have wanted to see you like this, Hero…”

—when Mari steps in.

“…what?”

And again.

“I can’t just leave here knowing that this is the person you’ve become. I mean… What would Mari think?”

“Why do you keep bringing her up?”

Granted, the reactions are always a bit rough. But it’s what makes people react, it’s what gets things to change.

So… yeah. Kel’s opinions don’t matter. They’re not supposed to—they’re supposed to make people laugh, or deadpan, or call him stupid so that he can start bantering and bickering, because it’s familiar, because it’s normal. It makes things a bit difficult if he wants to be all serious, but as always, Mari is there for him when his mind comes up blank.

Until she isn’t. Until Sunny says something, and Basil corroborates it. Until every little success he’s been able to achieve with Mari’s help dissipates like the cheap discount foamer in Sally’s bubble baths. Until Kel isn’t sure what Mari would have wanted.

Until Kel is left with only himself. Mari would have wanted—

—he wants—

—everyone to be happy. Everyone to stick together this time. Everyone to help him figure out what the hell he’s feeling right now. Everyone to help him figure out how to stay together when all he wants is to run. Everyone to come back to the room so they can talk, before they split apart again. Again. Not again. Not again.

But how will he do it without Mari?