#because development would be starting from karting level now

[wisteriagoesvroom]

oscar piastri will be one of the people interviewed as part of an upcoming bbc 5 radio segment on female progression in f1! also featuring susie wolff, abbi pulling, bernie collins and more:

[x]

[turn3tifosi]

FROM THE ANGELS

ii. THE CHAOS OF THE SUMMER

Summer Break, 2022

Word must have travelled fast through the walls of the factory in Maranello, because Ausilia had gotten a call from Charles that night.

They had met first during karting, Charles several levels above her, but got acquainted with each other when Ausilia joined the FDA in 2020.

Ausilia was convinced that Charles sacrifice himself at the altar if it meant that Ferrari would be champions again. She also knew that she would be right next to him.

Ausilia loved the team too, but it seemed the feeling was unreciprocated, not in any way she could grasp.

“So what’s next for you?” Charles’s voice was laced with curiosity. Ausilia hadn’t planned to spill the news just yet, but she knew it was only a matter of time. Sharing it with one more person was hardly a risk.

“I signed a contract.” She said it with a casual shrug, as if she were discussing the weather. But beneath that veneer was the weight of her future, the career she’d poured her heart into.

“With another F1 team? Or are you moving to another series?” Charles’s questions were endless, but Ausilia indulged him. Ferrari was branching out into WEC, and he suggested, “You could always go into endurance.”

The mention of Ferrari made Ausilia bristle, a flicker of irritation she couldn’t quite place. His suggestion was practical, but it stung. It was a reminder that even as the Scuderia opened new doors, they had slammed shut on her. Marco and Mattia hadn’t even hinted at a reserve or development role.

“Endurance isn’t really my thing. Besides, the dream’s always been Formula One,” she said, her voice trailing off as if weighed down by the words. She cleared her throat, a reminder of the ache she tried to mask.

“Don’t you want to wait and see if Ferrari comes through with a contract? Is it really final?” Charles knew about her deep-rooted affection for the team; Maranello had been her home for the past two years.

He offered a sliver of hope, “Maybe ask Lucy to help you get a seat in endurance? There’s going to be seats for 2024, and ‘25 is even more open. Don’t leave Ferrari behind—maybe you’ll get your chance. It’s always been your dream.”

His optimism grated on her nerves now. She understood his perspective, but he didn’t see the whole picture. Even if every seat on the team was open, she knew she still wouldn’t get a contract.

Her voice turned icy as she replied, “I can’t afford to waste my career waiting for this team, Charles. Not every dream is worth dying for.”

The chill evaporated quickly as she added, “Listen, I’ve got to go. Bye.”

She ended the call, the weight of her words lingering like a shadow. What she’d said was true, but a part of her still yearned for that dream—the dream of driving for Ferrari, the dream that had ignited her passion and fueled her ambition.

A Few Days Later

The day had started like any other. Quiet, uneventful. But Ausilia knew what was coming, could feel the shift in the air. She was sitting in a small café in her neighborhood when her phone buzzed. Lucy. “They’re posting it in 15 minutes.”

Fifteen minutes. The countdown began, a hum of adrenaline beneath her skin. This wasn’t the dream, not exactly how she’d pictured launching her Formula One career, but a seat—any seat—was a foothold. And a seat in Formula One was still everything.

She sipped her coffee, eyes on the screen, the seconds ticking away like a heartbeat. Fifteen minutes, sharp. Right on time, the announcement lit up her phone. Haas posted the words that would tether her name to the 2023 grid: “We are pleased to announce that Formula 2’s current championship leader, Ausilia de Angelis, will be driving with Haas F1 in 2023.”

Somewhere in Carolina, Gene Haas' phone buzzes, slicing through the quiet. He picks up, hears the voice on the other end, tight with disbelief, suspicion. “You signed Ausilia for 2023?”

The question hangs there, heavy, like it’s trying to unravel the logic, make sense of the decision. Gene stays silent, lets them spin the thread a little longer. The voice sharpens. “Why would you give her the seat, Gene? She’s not an FDA driver anymore.”

There it is. Not an FDA driver. The words that were supposed to mean something. A mark of belonging, or lack of it, now. But Gene knows better. He leans back in his chair, partially annoyed, partially pleased, listening as the voice continues, as if trying to claw back some sense of order. “The plan was 2025, when Sainz leaves, de Angelis gets the seat at Ferrari. That’s what they told me.”

“Well, they obviously lied,” Gene cuts in, a little sharper than intended. But the truth is, the lie doesn’t matter now. Ferrari’s plan, their red-tinted dreams—they’re not his concern. Ausilia isn’t tethered to them anymore, and that’s what pleases him most. No strings attached, no waiting for her moment in red.

She’s his driver now. And she’s a good driver. It’s no secret. If she stays longer than they expected, if she builds something here, grows into a name that’s theirs, not Ferrari’s—that only works in his favor. No FDA label. No promises of a future that’s always dangling just out of reach. Just her, in his car, pushing the limits.

He smiles to himself, the voice still droning on in the background. But it’s clear now. They were never in control. Not of her, not of this.

The news of her F1 seat ignites chaos, like a match dropped into gasoline. Headlines spiral, opinions crash into each other, and the world of Formula One is set ablaze. A woman back on the grid. Thirty years. That’s how long it’s been since Desiree Wilson in '92, and now it’s Ausilia—taking that seat, that space, that history. She knows what this means. She’s not just racing for herself. She’s racing for every girl who ever looked at a track and wondered if she could belong there.

But even before her first lap, the obituaries are already being written. They’re carving her failure into stone, like it’s inevitable, like her victory in Formula 3, her dominance in Formula 2, were all just footnotes leading to this “mistake.” The media says she should’ve gone elsewhere, waited for something safer, something more respectable. They think she’s already burned out before she’s even had the chance to start.

And here’s the hypocrisy: they’ll cheer for her when she wins everything leading up to this, but now, at the edge of the real dream, they’re holding her back. As if she hasn’t earned it. As if the seat in Formula One isn’t hers, and hers alone. But Ausilia knows better. She’s going to show them, all of them, that she—and every other girl who’s ever been told no—belongs exactly where she wants to be.

Gene called Ausilia later that day, his voice flat, cutting through the static. "So you and your manager lied about the FDA plan."

Ausilia didn’t flinch, didn’t miss a beat. “When we signed the contract, I was still an FDA driver,” she replied, calm but sharp. "I was only dropped at the start of the summer break."

But Gene wasn’t in the mood for details. He was serious, his voice like gravel, dragging across the line. “You’re a great driver, that’s why I’m letting you keep the seat,” he said, and for a moment, there was something heavier, something weightier in the silence that followed.

“Prove me right,” he added, his words slower now, deliberate. “And prove all those money-grabbing journalists wrong, de Angelis.”

It wasn’t a pep talk. It was a challenge, a dare.

[russellius]

THE SUNDAY TIMES: Molly Hudson, Saturday November 30 2024, 6.00pm GMT

Listening to George Russell field questions about the controversial issues that threaten the future of the sport with clarity and calmness, you would be hard pushed to detect that he was once an unsure and self-conscious child.

Russell as a director of the Grand Prix Drivers’ Association is now one of Formula 1’s leading public voices. But such were his difficulties, he was sent for speech therapy and that focus on clear enunciation has been crucial in helping him progress in a sport that requires concise feedback.

“When I was a young kid, six or seven, my dad used to say he could never understand what I was saying, because I was mumbling all the time,” Russell says as he sits in his team kit in the Mercedes hospitality suite. “As I grew a little bit older, and I started to race in Europe, for three years I had an Italian mechanic. I was in an Italian team. It was a European environment, and you had to talk slow, you had to talk precisely so they could understand.”

“When I was with Force India [now Aston Martin], as a test driver, we did some work with an ex-RAF pilot, just about clear communications and interpretations of people’s words and that really resonated with me.”

The 26-year-old secured his third Formula 1 victory last week in Las Vegas, and that communication came to the fore. He recognised that the track evolution, which meant that lap times were improving as the track was swept clean of dirt by the cars and rubber was laid on the circuit, meant the last car on track would have the best chance of success.

“Vegas was a good example — in qualifying, I was so clear. ‘I want to be the very last car to cross the line.’ It was pretty clear what my requests were. We did that, and we got the pole. I believe in myself this year, especially whenever I’ve trusted my gut,” he says.

Russell was born in King’s Lynn, and attended the private Wisbech Grammar School, before his karting took precedence. He spent his first Formula 1 pay cheque on a new Mercedes for his father, Steve, who ran a business selling seeds and pulses and travelled with his son to races in a motorhome while he was karting.

That family dedication has paid off. Russell is preparing to begin a pivotal new chapter of his career, stepping out of the shadow of seven-times world champion Lewis Hamilton and becoming Mercedes’s lead driver next season, alongside a rookie teenager, the Italian Andrea Kimi Antonelli.

It has been a season of ups and downs for Mercedes, struggling to find a consistent car despite registering four race victories, and managing the departure of Hamilton to Ferrari at the end of the season. Russell has transformed from someone who watched Hamilton race, to being his colleague, and he leads him in the drivers’ championship.

“I definitely looked up to him and admired him,” Russell says. “My hero, honestly, was my brother [Benjy, who also raced under the driver No63 he uses]. “He’s ten years older than me, and he’s who I looked up to when I was go-karting, because that was maybe more relatable for me. He was winning races in go-karts, and he was winning British championships, World Championships, and that’s what I wanted to do, because I could visually see him doing that.

“But without doubt, I’ll always remember my first F1 race for Mercedes [shortly before signing to their young driver development programme] in Abu Dhabi 2016, the Nico [Rosberg] and Lewis race, and just being in the same room as him in the debrief, listening to it all unfold. I was starstruck being there in that moment. So for sure it is surreal that we’ve now been team-mates for three years, and that I know within myself that I can perform at a minimum of his level.”

Russell has raced in 126 grands prix, with three victories, four pole positions and 15 podium finishes, having spent three seasons at a struggling Williams, before stepping up to Mercedes in 2022. His highest finish in the drivers’ championship was fourth, in 2022. This season is his most successful statistically speaking, but he is further down the rankings in sixth because of the spread of drivers claiming wins.

For so long, Hamilton carried the hopes of British fans in F1, and this season Lando Norris has provided the best chance of success. Russell believes next year can be his opportunity, assuming he has the car to do so.

“I’ve been in F1 six years now, next year is my seventh, and my fourth year with the team,” he says. “I feel absolutely ready to take my journey to the next level and I feel ready to fight for a championship. I feel ready to fight against Max [Verstappen] and if we get the opportunity, I’m not going to waste it.

“I feel I’ve been ready for three years. I’m team-mates with the greatest driver of all time and if you’re ever finishing ahead of Lewis Hamilton or beating him in a championship, you know that probably in 12 other seasons that would have been enough to win, or at least fight for a world championship.”

Russell has learnt to celebrate the good times with gusto when they do arrive, cancelling his flight home to party, instead, in Vegas with his girlfriend, Carmen Montero Mundt, and his team members.

The Vegas grand prix is particularly brutal on the body, as it involves travelling to the other side of the world, and then it is held at night. Before claiming his pole position, Russell took a 45-minute nap in his driver’s room.

Those challenges meant extra celebration, and something Russell had been inspired to do by a fellow driver.

“I listened to Fernando [Alonso] when he was on the Jake Humphrey podcast saying he looks back on his victories and regrets not celebrating it more [but] I’ve got to be honest, when I was out in Vegas until the early hours there’s a point of which I thought to myself, ‘You know what, I need to head back now, because I want to experience this feeling again.’ ”

Russell knows that the ability to challenge for titles is dependent on the capability of his car as much as it is a marker of his own talent. His time at Mercedes has coincided with the dominance of Red Bull and Verstappen.

“Arguably, Max shouldn’t have won the championship this year,” he says. “But the others made a few more errors and didn’t capitalise when they had the chance. I feel that we have [won what we could].

“Opportunities don’t come around every single day. This year was Lando’s chance. They [McLaren] might be there again next year. They may not. We just don’t know in this sport; nobody would have predicted Red Bull to fall off form in the manner that they have.

“There’s so much hype around Max. He’s such an exceptional driver, but the fact is, he’s won one race in the last 12 and, it just goes to show everyone is beatable because you are at the mercy of your race car. The difference with him this year is he’s won every occasion that he’s had the chance, and his rivals haven’t.”

Russell will hope that next year he has the chance to show he can capitalise where others have not.

[petit-papillion]

I'm not sending this message to be hateful or to criticize but I honestly think that we overrate Charles too much. I like him a lot but I find it exaggerated to put him on the same level as max. Maybe at one time Charles could have reached the same level as Max or really had a rivalry with him but now I think it's too late. he missed his chances. Charles is a very talented driver but not a generational driver. I think he made bad career choices, that he should have left Ferrari because even if the team makes progress, it will never regain its former glory. I think Charles is destined for 2nd place. Especially now that Lando is improving a lot, he is starting to surpass Charles in terms of skill just as his team is surpassing Ferrari. I think Lando will be the one to become Max's rival and win a title before Charles. It must be recognized that Ferrari will always make mistakes, and when she doesn't, it benefits Charles's teammate. I doubt that Charles will be the priority with the arrival of Lewis. Charles should have left Ferrari when it was time, now it's too late. I think that that's too bad. But Charles and Max are absolutely not in the same category, Max is too far ahead of Charles and has been for a very long time. I think it is too late for Charles and Ferrari, they missed their opportunity. I can't see Charles becoming champion in front of Lando or Max

Hello Anon. Not really sure what brought on these thoughts, but I respectfully disagree with several of your points.

Not a generational driver? To be honest, I think that term is overused and puts unnecessary expectations on a driver. So much also depends on having the right car, the right people pushing you forward, the right mindset, the right opportunities. Maybe THE generational driver is a woman who only drove karts for fun and never pursued a career in professional racing.

Should've left Ferrari? Where exactly do you suggest Charles should've gone in the last 5 years? Red Bull? Already have a number 1 driver in Max. Mercedes? Had a number 1 in Lewis, and then their car was shit for a long time. George only has 1 win under his belt. McLaren? Also shit for the longest time and Lando is their golden boy who only just this year got his first win. Ferrari may have fumbled some opportunities, but Charles is the only one with a Top 3 finish in the WDC in the past 5 years from a team that is not Red Bull or Mercedes. And besides that, he is a Ferrari man through and through, something I wrote about in early December - a couple of months before his new contract was announced:

Not number 1 priority at Ferrari once Lewis arrives? It's possible. Only time will tell. But Ferrari does not give long contracts like they've given to Charles to anyone else, so there's that.

Not in the same category? It's true that Max is far ahead, just like Red Bull has been ahead of Ferrari. At the same time, it's not like anyone else has been able to come close to Max and the RBR's car's superiority until recently. Fred is doing a fine job making improvements in the team, but it takes a while to turn the ship around.

Lando to become champion before Charles? Again, it's possible, because a lot depends on the car they drive. It takes a combination of a skilled driver and a fast car, as we have seen with Checo not being able to do what Max can with the same car, and Lando not winning any races in an inferior McLaren. The experience driving a fast car may need to be developed as well, and Charles certainly is not the only one who has made mistakes under pressure. I literally just finished watching a race where George and Lando both made mistakes that cost them the lead in a race either of them could've won.

By the way, here is Max this race weekend being asked if he had to bet on just one driver to become world champion, who he would pick:

🎥 archive33mv

Finally, just so there is no misunderstanding: I will always keep hoping that Charles achieves his dream of becoming WDC, just as I never gave up hope he could win in Monaco. I am not as delusional to think it will be easy. Or even if he manages to win it, that he is at the same level as Max is right now. But I would like him to get there...

[boxboxblog]

In Depth: Junior Programs/Academies

Alright, this post is a response to an ask about F1 teams's junior teams/academies. Enjoy!

So keeping it basic, junior teams are a talent developing program that's goal is to scout young drivers and nurture them into future F1 stars. It started formally in 2009 with the Ferrari Drivers Academy, but before then these kinds of programs existed but in a more informal way. This was shown in a way that teams would find young talent and support them, like Ferrari did with Michael Schumacher. When teams realized what success things like this were they soon followed Ferrari's example, and now every F1 team (aside of VCARB) has their own junior program

How it Works:

Scouting Teams will identify young talent in lower categories, sometimes even as low as karting. They choose them based on talent primarily, and once a driver is scouted, they sign a contract stating that as long as they are in the junior program, they will not sign any contracts with another F1 team. Drivers can leave a junior program, but they often have to pay their way out of it unless they are removed. Many can be scouted, and most programs have dozens of driver

Training Drivers who make it onto a junior team receive a variety of benefits. The most important are the monetary support (some teams have paid almost 100% of a junior driver's season), various types of training (engineering, physical, wind tunnel, media, simulator, etc.), mentorship, and networking. They also have access to the technologically advanced simulators and the opportunity to be a test or reserve driver for an F1 team. They do often have to participate in media and events for their team during this time.

Promotion Junior program drivers who perform well, both in their own categories and in the simulator will be considered for their team's F1 seat. Sometimes this means that the team they are the junior for will want them on a sister teams. For example Max Verstappen joined Toro Rosso before Red Bull. A more recent example is that Ollie Bearman is Ferrari Academy Driver, but is joining Haas (who is the unofficial sister team to Ferrari). Promotion also does have to do with several other factors, including amount of sponsorships, general public popularity, etc. Most teams want their junior drivers to join them or a sister team (info on them here). Some academy drivers do not end up on the team they juniored for, but that is often because they split from that team or they were 'lent' out for a few seasons (which often leads to splitting with the team they juniored for, ironically)

Why Certain Drivers Do Not Make It:

So, you may look at this and wonder why so many junior program drivers do not make it through to F1. Logically, if they are part of the program they should eventually make their way up., right? To that I would say that your perspective on these programs is wrong. It is not like a school program, where you rise up through the ranks and then will eventually make it to the top if you have the skills. Making it onto an F1 team is difficult. There are only twenty seats, for starters, so a lot of it comes down to timing and luck. Even if you are the best junior driver there, if your team is content with their driver lineup you won't be moving up. And if you are stuck at the lower levels too long, new talent can rise up and steal your thunder. There have been cases of drivers never making it simply because they were replaced.

Another reason, beside the obvious performance based one, is the politics of it all. F1 is not fair. It just isn't. Money and connections are everything, and teams may look past you if you don't have proper sponsorships, even if you are their academy driver. For example, Oscar Piastri missed out on his first chance at an F1 seat because of a sponsorship problem. Anyone will agree that he had the talent to be in F1, he just didn't have the right backing at the time.

The one reason is, I believe, a much newer thing which exacerbates every other reason. It is that junior programs nowadays are extremely oversaturated. By this I mean that there are so many young drivers part of programs, that each team has almost dozens of people to choose from. This makes everything that much more competitive, and when you have a bunch of drivers who are all extreme talents, you can choose based on other factors like money, connections, and marketability.

What's In It For The Team?

There are a variety of reasons why teams have academies. I will list them below.

Access to young talent: This ensures a continuous pipeline of talent into F1, and helps teams nurture young drivers.

Cost efficiency: Teams will not need to compete for drivers later, and have access to a large talent pool instead of having to pay extra for an experienced F1 driver if they don't want to.

Brand loyalty: Many fans like to follow a driver up through the ranks, so seeing them stay with one team the entire time can add news fans to said team. It also inspires these young drivers to stay loyal to a team and stay with them when they enter F1.

Development: Young drivers are often used to test and develop F1 cars, which has a double benefit of giving them experience. Mostly teh teams sue them for cheaper labor in this instance.

Influence over driver market: Teams get to decide who comes in and out at a very early age, as well as how many drivers are up for seats. They also can control where drivers go, sell contracts, etc.

Strengthen partnerships: Often times young drivers come with sponsorship support, and this helps build a connection for teams to new sponsors. Sometimes this works for nationalities as well, for example Red Bull benefits from having Sergio Perez on their time as it creates strong ties to Mexican sponsors.

Current Academies:

Below I will list the top junior programs and their successes and failures. By failures I mean that the drivers did not go on to drive for the F1 team they were a junior to (or if they did, it didn't last more than a year). This does not mean they did not drive for another F1 team.

Ferrari Driver Academy

Success Stories: Charles Leclerc (current Ferrari driver), Michael Schumacher (5 WDC's with them)

Failures: Sergio Perez (never drove for them, current Red Bull driver), Giuliano Alesi (never made it into F1)

2. Red Bull Junior Team

Success Stories: Max Verstappen (3 WDC's with them), Sebastian Vettel (4 WDC's with them)

Failures: Daniil Kvyat (removed from the team after poor results), Carlos Sainz (never drove for them, current Ferrari driver)

Note: I am aware both Kvyat and Sainz spent time in Toro Rosso, but I am counting toward the Red Bull main team only

3. Mercedes Junior Program

Success Stories: George Russell (current Mercedes driver), Nico Rosberg (1 WDC with them)

Failures: Pascal Wehrlein (never made it into F1), Esteban Ocon (never drove for them, current Alpine driver)

4. McLaren Driver Development Program

Success Stories: Lando Norris (current McLaren driver), Lewis Hamilton (1 WDC with them)

Failures: Kevin Magnussen (1 year with them, now drives for Haas), Ben Barnicoat (never made it into F1)

Alright, that is an outline on the junior programs. I hope I answered your questions. If you want more info about the path to F1 my post on that subject is linked here.

Cheers,

-B

[fahrni]

Saturday Morning Coffee

Good morning from Charlottesville, Virginia! ☕️

What a week. We started the week celebrating a man of compassion, peace, and love, a great American!

At the same time swore in a new President. A convicted felon and rapist. A man who doesn’t have a compassionate bone in his body. A man who only loves himself. In other words, a garbage human.

Like I said, what a week.

I hope you enjoy the links.

Jean Boussier

Instrumenting Thread Stalling in Ruby Applications

Another nice post that peaks under the hood of Ruby. I won’t spoil the mystery here. Go read the post. 😃

Zac Bowden • Windows Central

Microsoft is gearing up to ship two new versions of the Surface Laptop and Surface Pro that have smaller displays, designed to be lighter and more portable for people looking for a more travel-friendly PC. Both devices will be premium products, and feature display sizes roughly around 11- or 12-inches, my sources say.

I’ve wanted a Surface Pro since the original version shipped. I love the form factor and it runs a full blown operating system.

Tasha Robinson • Polygon

Hot on the heels of yesterday’s news that Nosferatu director Robert Eggers will follow his vampire movie with a 13-century werewolf thriller called Werwulf, and today’s news that Nosferatu is in the running for four Academy Awards, the Eggers news drops keeps landing: Deadline reports that Eggers has signed a deal to direct a sequel to Jim Henson’s 1986 fantasy Labyrinth.

How do you replace David Bowie? You don’t. Our youngest daughter loves this film and absolutely hates the idea of a sequel. Can’t say that I blame her.

Andrew Webster • The Verge

Doom: The Dark Ages looks metal as hell and launches in May

We haven’t played a game on our XBox in ages. We’ve played some Mario Kart on the Switch but the XBox is basically a dust collector. But this game looks like it could be really interesting and anything called “metal as hell” is good in my book.

Matt Mastracci and Michael J. Sullivan • EdgeDB Blog

We’ve been working on a new HTTP fetch feature for EdgeDB, using reqwest as our HTTP client library. Everything was going smoothly: the feature worked locally, passed tests on x86_64 CI runners, and seemed stable. But then we noticed something strange: the tests started failing intermittently on our ARM64 CI runners.

This particular bug wouldn’t have happened on Windows because you can build the CRT to be thread safe. Of course they may have other issues on a Windows box. 😄

Harry Roberts

The web platform moves slowly, and I understand that can be frustrating for developers who want to innovate, but over a decade of consultancy experience has taught me time and time again that the alternative is much more restrictive in the long term. What’s brand new today starts to show its age much more quickly.

I figure a web developer type would understand this better than I. Doing work on native desktop or mobile computers could present the same issues but typically doesn’t. Our frameworks are provided by the platform vendor. Now, using them without an abstraction absolutely locks you into the platform and major changes are typically few and far between, but they absolutely do happen.😃

Mary Ann Azevedo • TechCrunch

Stripe is laying off 300 people, but says it still plans to hire in 2025

Sigh. This is one of those companies I’d have applied to as an iOS developer if I were in the market for a job. Working on an SDK or component level would be a great deal of fun. To see them have layoffs is a real bummer and points to how fragile the tech sector remains.

Andrew Benson • BBC

Haas have restructured their race operations team with a series of changes that include appointing Laura Muller as the first female race engineer in Formula 1.

I’m still a bit miffed at Haas for firing Gunther Steiner but this move sounds like a good one.

Bert Hubert

So how hard could it be. As input we have something like in UTC, and we’d like to turn this into 1737094027, the notional (but not actual) number of seconds that have passed since 1970-01-01 00:00:00 UTC.

Don’t get me started on dates. We had to deal with all these issues when I was at Pelco. Just never, ever, convert the date from UTC in your system until you need to display it. It’s easy to convert it to local time then use it somewhere else like that.

Luckily we had a really great developer who understood these issues and built us a really great date class for handling all those sticky issues for us.

Niall Doherty • Louder

“It’s the most spontaneous thing I’ve ever been involved in” : the story of Mad Season, the grunge supergroup that Mike McCready hoped would save Layne Staley

For some reason the story of Layne Staley’s death really bothers me. His friends knew he was an addict and it caused a lot of problems in the band. But try as they might they could never get him to get help. He spent his final days locked away in his apartment, frightfully skinny, alone. Mike Starr, Alice In Chains bassist, visited Staley and begged him to go to the hospital. Staley wouldn’t hear it so Starr left. It’s believed it was the last time anyone saw Staley alive. He was discovered approximately two weeks later, partially decomposed, full syringe next to him. Sad, sad, ending to a talented soul.

Charith Amarasinghe • Railway

Since the beginning, Railway’s compute has been built on top of Google Cloud Platform. The platform supported Railway’s initial journey, but it has caused a multitude of problems that have posed an existential risk to our business. More importantly, building on a hyperscaler prevents us from delivering the best possible platform to our customers.

Folks that run “bare metal” servers feel like race car mechanics to me and I love reading stories like this. There was a time when I wanted to be a Render Wrangler at Pixar. All that raw horsepower committed to making the greatest animated film on earth was attractive to me.

Ghost

At the start of last summer, we announced that we would start working on ActivityPub support for Ghost to bring long-form publishing to the largest decentralised networking protocol on the web.

It’s been really nice to see more blogging platforms embrace ActivityPub and the Fediverse.

I’m a very happy user of Micro.blog and their integration with ActivityPub and the Fediverse is second to none. They also support cross posting to Tumblr and Bluesky, and of course Mastodon. You can even follow Micro.blog users from Mastodon. It’s really well done.

Sarah Perez • TechCrunch

Entrepreneur and investor Mark Cuban is ready to fund a TikTok alternative built on Bluesky’s AT Protocol, he shared in a TikTok video posted on Wednesday.

This is really interesting but I wonder why he’s thinking about using At Proto instead of ActivityPub and the Fediverse? Pixelfed and Loops have been picking up steam and it’s extremely nice to be able to follow someone on Pixelfed right from my Mastodon client. You can do the same with Loops. It’s just an amazing way to integrate all social media.

Politics

Jason DeRose and Sarah Ventre • NPR

“Let me make one final plea, Mr. President,” Bishop Mariann Budde said in her 15-minute sermon. “Millions have put their trust in you. And as you told the nation yesterday, you have felt the providential hand of a loving God. In the name of our God, I ask you to have mercy upon the people in our country who are scared now,” said Budde, as she appeared to look towards the president.

Bishop Budde has more guts than all those fat cat billionaires sitting behind his orangeness during his swearing in.

She is a real Christian. God is a god of love. Jesus’ message was all about love and compassion. Can’t these MAGA supporters see that? A lot of American Christians need to wake up. You’ve missed the message. Trump and his administration are all about cruelty. If that’s what you’re after, fine. Just don’t say you’re a Christian who follows the teachings of Jesus.

Evan Hurst • Wonkette

There was a prayer service at the National Cathedral on Tuesday, and Trump and Melania attended (this time not dressed as the Babadook), along with JD and Usha Vance and members of the Trump crime family and all kinds of others. And one of America’s greatest heroes, Mariann Edgar Budde, the Episcopalian bishop for Washington DC, decided to speak truth to power, softly and carrying a big stick, and that stick was J-E-S-U-S.

Zack Beauchamp • Vox

Elon Musk doesn’t deserve the benefit of the doubt

The man is a Nazi. It’s just that plain. When he put his hand over his chest and flung it out he could’ve left his palm facing inward, but he didn’t. He chose to turn it down.

He’s a Nazi. He’s a racist. He is trying to remake America into a white nation while he rapes, pillages, and plunders our resources for his own selfish goals. I have no idea what those are but he’s definitely up to something.

Joan Westenberg • The Index

The evidence is now undeniable. In front of thousands at Donald Trump’s inauguration rally, Elon Musk - the world’s richest man and owner of X - performed not one but two Nazi salutes.

David Gutman • The Seattle Times

Judge in Seattle blocks Trump order on birthright citizenship nationwide

Birthright citizenship is right there in black and white in the Constitution. Trump is a nasty human being who deserves to be smacked around as often as possible. Of course that wouldn’t snap him out of it. He’s a narcissist and a sociopath. He only cares about himself.

[atrenchcoatfilledwithbeees]

Fic or just general au idea: Death note au where intelligence is swapped and L and Light are idiots and now Matsuda and Misa are the smartest ones there. You can decide if it follows canon plot or if this is no kira au. You can also decide if this happened through some accident or if they were always like this in this au

Oh my god yes

L is the worlds greatest detective purely by luck. He doesn’t know how but he somehow keeps solving cases with the most random hunches that have no critical thought behind them. He decided that Light was Kira by numbering every person in Japan and using a random number generator. He would be less confident except he’s almost never been wrong and it’s made him cocky.

Light managed to cheat his way through his entire life. He’s not actually smart he just learnt one method of cheating and no one has ever been able to catch him. When he found the Deathnote he didn’t really have a plan, just writing names to his hearts content and playing mario kart with Ryuk. In this au I guess the Lind L Taylor incident doesn’t happen so it’s even more of a shock when Light finds out that L knows he’s Kira. Light doesn’t realise at first that Ryuga is actually L and develops a bit of a crush immediately (because it wouldn’t be a dn au if I didn’t add in lawlight) When it’s revealed to him that he’s actually L, Light does not actually know that he needs to kill L so they just continue to be friends and eventually more because they are dumbasses who forget that they are enemies the moment they are near each other.

Misa is a well known model but is also equally known for her high level of intellect. She still wants to meet Kira for her canon reasons but goes about it in a less traceable way. Upon being given the death note she immediately goes into action as the second Kira. When she meets Light she instantly senses his dumbassery but is too infatuated with Kira to care and starts to subtly influence his plans to be more calculated . She’s also smart enough to recognise a lost cause when she sees one and stops herself from trying to date him. Also he’s a touch too stupid for her. Eventually she makes him give up his death note so she can take over as the full time Kira as Light is a liability who doesn’t even seem to care abt the note anymore as long as justice is being carried out.

Light promptly loses his memories and L asks him to join the taskforce as he senses that somethings changed now and he should. He and L dick about in the taskforce as they operate on a wavelength different to the rest of the taskforce (this is canon but in this au it’s cuz they’re stupid not super smart lol)

Light immediately notices that Marsuda seems to be carrying the taskforce on his own with his deductions but doesn’t really care as he’s with L and life doesn’t seem to be as confusing or boring anymore. Matsuda may be the youngest of the detectives but he sees what the others don’t. Unfortunately this was ignored up until the Kira case as most thought he was just young and naive with his ideas too outlandish to be correct. L allows him to step forward and eventually when they drop the Kira case because Misa as Kira is too intelligent and powerful, L ensures that matsuda gets a whole host of promotions and all the perks that come with it

As Kira, Misa kills the worlds worst criminals with heart attacks yet to keep it inconspicuous kills regular criminals with disease or accidents. She remains undetected for decades while continuing a successful modelling career. Light joins L as the three greatest detectives watching in wonder as L uses luck and hunches to somehow solve unsolvable cases. They then eat dinner while laughing abt how L has no idea what he’s doing he’s just somehow good at it. Matsuda lives a long life as the chief of police and occasionally helping out light and L in their cases

[dizzyduck44]

I’m currently on the fence about Nyck De Vries, is he unlucky or has he been flattered by results once his biggest competitors have moved on?

Let me start this saying Nyck has more than proved himself. F2 champion, finished 4th the year before behind George, Lando and Alex in a season the 4 of them pretty much dominated F2. Formula E Champion. Karting World Champion. Test and reserve driver for Mercedes. Sim driver for Mercedes and McLaren. The guy has the CV. There is just one question mark. His age.

Nyck at 27 is roughly the same age as Carlos who is in his 8th season of F1.

Now recently, rightly or wrongly I’ve been using Lando Norris as a bench mark. Hear me out. Lando came to F1 at 19, but had his super licence at 18, the first opportunity he could get it. Now I grant you, Lando flew through the series and he went right through, karting, MSA, Formula 4, Toyota Series, Formula Renault Eurocup, Formula 3, Formula 2. (No fast track from F3 al la Verstappen or Stroll). He competed every level and won everything on the first attempt, except F2 which he was vice champion, but by that point it didn’t matter, he had enough super licence points prior to F2 and an F1 seat for the following year.

So theoretically, with enough talent, backing and determination, under the new super licence rules you could get to F1 at 18/19.

So I therefore looked at the people the same age as Lando and how long after him them got to F1. Mick Schumacher followed Lando through the ranks. They both couldn’t win in the same year so this was still impressive. He arrived two years later. Callum Ilott was F1 ready the same year. Filipe Drugovich has taken 3 seasons of F2 to get on F1’s radar and even now he’s not seriously being considered. The list of drivers languishing in F3, F2, Indycar and god knows what else, who are 22/23ish now is painful.

So why does this concern Nyck?

Well because realistically Nyck was at the front of the queue. He was McLaren’s development driver before Lando even got in a single seater. F1 knew who he was a decade ago, but slowly Carlos Sainz, Charles Le Clerc, George Russell, Max Verstappen, then Lando, now Oscar Piastri became the ones that were touted as F1’s future stars. The big teams scrambled to sign them up instead and get them in an F1 seat as soon as humanly possibly.

27 is old by today’s standards to make an F1 debut. Was it deserved, absolutely. So why has he had to wait so long?

And this is my question. Is Nyck De Vries a talented driver that has just been unlucky, wrong place wrong time, not in fashion enough, no big money behind him to get the shot he deserves. Overtaken in the queue by the latest young superstar.

OR

Did Monza, a track that was always going to be strong for Williams flatter him and, had he made his debut in Bahrain or Australia as most of the others, would he have struggled? 🤷‍♀️

More importantly why haven’t teams moved for him before? The only instance I can find is the 2019 Red Bull too many seats not enough drivers saga. With Lando out of Red Bull’s grasp and Nyck realising he’d lost his shot at the McLaren seat, he asked McLaren if he could be released to Alpha Tauri. They said no. Presumably having just promoted one test driver, they didn’t want to lose the other. But then why was he not considered in the mess of seats in 2021, or given the Williams seat for 2022? Is there some reason teams don’t want to work with him? Is there data that says the others were just faster, better, more consistent?

Here’s the crazy thing though. Until he gets a full season we have no way of knowing. And if no one gives him a seat, we’ll never know.

[scorpionyx9621]

Do you think Jason Todd fandom is kinda toxic? Because it seems like NO MATTER what DC do, there'll always be complains. Forget the bad adaptation like Titans. Even Judd Winick cannot escape the criticism with how he potrayed Robin!Jason. They just never satisfied.

SORRY, IT TOOK ME SO LONG TO RESPOND TO THIS. I just moved from Washington D.C. to Seattle, which, for my non-American friends, that's 4442km away. And I DROVE THERE ALL BY MYSELF. And now I'm trying to find new work in a new city and trying to stay mentally healthy and positive. Life is exciting but hard and scary.

*sighs*

As someone who was a fandom elder with V*ltr*n. I've seen some of the worst when it comes to fandom behavior. I'm talking people baking food with shaving razors and trying to give them to the showrunners. I'm talking leaking major plot details and refusing to take it down unless they make their ship canon (I am looking at you, Kl*nce stans) For the most part, DC Comics has had a decades-long reputation of treating their fans like trash and not caring what they think so from what I've seen, we all just grumble and complain in our corners of the internet about how we don't like how X comic portrays Jason Todd.

The challenge with Jason Todd is that he's your clinical anti-hero, the batfamily's Draco in Leather Pants, he's a jerkass woobie, and on top of all of that, he's a Tumblr sexyman. It's a perfect storm for a very fun but frustrating character to be a fan of. It doesn't help that every writer decides to re-invent the wheel every time Jason comes up so his canon lore is confusing at best and inconsistent as a standard.

I guess starting with a general brief on who Jason is and what is uniform about him with every instance he's appeared in comics/media.

Grew up in a poor family in Gotham with a dad who was a petty-mid-level criminal, and a mother who dies of a drug overdose.

Survives on the street on his own by committing petty crimes and potentially even engaging in sexual acts to keep himself alive.

Is cornered by Batman and taken in after Dick Grayson quits/is fired

Becomes the second Robin, but is known for being the harsher, more brutal Robin.

Is killed by Joker after being tortured, but somehow comes back to life and regains senses through the Lazarus Pit

Resolves himself to be better than Batman by basically being Batman but kills people.

Where there has been a lot of conflict in the fandom is the fact that Jason Todd is not a character that is written consistently. DC Comics loves to go with the narrative that Jason was "bad from the start" and was the "bad robin" when, yes, he has trouble controlling his anger, but he also still is just as invested in seeing the best of Gotham City and trying to be a positive change for the world as any other DC Comics hero.

Where I get frustrated with the fandom is its ability to knit-pick every detail of a comic they don't like while completely disregarding everything that makes the comics great and worth it to read. My example being Urban Legends. To which most people had pretty mixed reactions to. I was critical of the comic at first but as it went along I ended up really liking it. I have a feeling DC Comics went to Chip Zdarsky and told him he had 6 issues to bring Jason back into the Bat Family, and honestly he didn't do a bad job. Did it feel rushed? Absolutely. I wish there was more development of Jason and Bruce's characters and their dynamic as a whole. However, where I see a lot of people being angry and upset with Urban Legends is that they feel Zdarsky needlessly wrote Jason as an incompetent fool who needs Bruce to save him.

Whether or not that was the intention of Zdarsky is up to debate. However, and this may be controversial, but I don't think he wrote Jason Todd out of character at all. For as fearsome, intimidating, and awesome as Red Hood is. Jason is a character who is absolutely driven by his emotions. Why do you think he donned the role of Red Hood? As a response to his anger towards The Joker for killing him, and towards Bruce for not taking action against The Joker and for seemingly replacing him so quickly after he died. Jason didn't care about being the murderous Robin Hood or for being the bloody hammer of justice against N*zi's and P*d*ph*les. He only cared originally about making The Joker and Bruce pay. It wasn't until he trained under the best assassins in the world and realized most of them were horrific criminals who trafficked children and were p*dos that Talia began to realize that the teachers that she sent Jason to train under started dying horrific and painful deaths.

The entire story of the Cheer story in Batman Urban Legends was started because it finally forced some consequences upon Jason. Tyler, aka Blue Hood's father was a drug dealer who gave his supply to his wife and kids. And when Tyler's father admitted he gave the drugs to Tyler, it immediately made him fall within the self-imposed philosophical kill-list of Jason Todd. And Jason, well, he proceeds to kill Tyler's father. When this happens, Jason is in shock. Tyler's dad fit the bill to easily and justifiably be killed by Jason. We've never seen Jason having to deal with the consequences of being a murderous vigilante on a micro-level. When Jason realizes what he's done in that he's murdered Tyler's dad, he's shocked. He tells Babs the truth. He does a rational thing because he's in shock. He doesn't know what to do, he never has had to face the consequences of his actions as Red Hood and now the gravity of befriending a child as a vigilante hero who kills people just set in when he killed the father of the same child he was just introduced to.

(Oh here's a little aside because it had to be said, Jason would not have been a good father or a good mentor to Tyler and absolutely should not have been his new Robin. Jason is a man who is in his early 20's (not saying men in their early 20's can't be good fathers at all) who is a brutal serial killer using the guise of a vigilante anti-hero to let him escape most of the law. the complications of having the man who murdered your father adopt you and make you his sidekick are way too numerous for me to explain in a long-winded already heavy Tumblr essay post. There's a reason why we don't advocate for a story where Joe Chill adopted Bruce Wayne or one where Tony Zucco took in Dick Grayson.)

The next biggest argument is that they feel that Jason is giving up his guns as a means to just be invited back into the Bat-Family. To which I will tell anyone who has that argument to go actually read Urban Legends. Already have and still have that argument? Please re-read it. Don't want to? That's okay, I will paste the images from the comic where Jason specifically says that he doesn't want to give up his weapons for Bruce and his real reasoning down below since the comic isn't exactly readily accessible.

Jason gave up the guns because he felt the gravity of what he had done and knows how it'll effect Tyler. Thankfully his mom is alive and in recovery. But Tyler doesn't have a father anymore. And Jason killed Tyler's father. It may have been in accordance to Jason's philosophy, but it was a case where it blurred the lines. Jason Todd isn't a black and white character, just very dark gray. He doesn't kill aimlessly like the Joker. If you are on Jason's list you probably have done something pretty horrific, and also just in general, being in his way or being a threat to him. Mind you, in early days of Red Hood and the Outlaws (Image below) Jason almost killed 10 innocent civilians in a town in Colorado all because they saw him kill a monster. That being said, Jason isn't aimless in his kills.

(Also can we just take a moment to appreciate Kenneth Rocafort's art? DC Comics said we need to rehabilitate Jason Todd's image and Kenneth Rocafort said hold my beer: It's so SO GOOD)

That being said, the key emphasis in the story of Cheer asides from trying to introduce Jason Todd back into the Bat Family and give an actual purpose for him being there, other than him just kind of being there ala Bowser every time he shows up for Go Kart racing, Tennis, Golf, Soccer, and the Olympic games when Mario invites him, is that Jason and Bruce ultimately both want the same thing. Jason wants to be welcomed back into the family and to be loved and appreciated. Bruce want's Jason back as his son and wants to love and protect Jason. Both of these visions are shown in the last chapter of Cheer while under the effect of the Cheer Gas. It's ultimately this love and appreciation they both have for each other that helps them overcome their challenge and win.

Jason Todd is a character who, just like Bruce, has been through so much pain and so much hate in his life. The two are meant to parallel each other. While Bruce chose to see the best in everyone, giving every rogue in his gallery the option to be helped and give them a second chance, hence why he never kills, Jason has a similar view on wanting to protect the public, but he understands that some crimes are so heinous they cannot be forgiven, or that some habitual criminals are due to stay habitual criminals, and need to be put down. But at the end of the day, the two of them both try to protect people in their own ways.

I am aware that through the writings of various DC Comics authors such as Scott Lobdell and Judd Winick, the two have had a very tumultuous relationship. And rightfully so, I am by no means saying that Scott Lobdell writing an arc where Bruce literally beats Jason to within an inch of his life in Red Hood and the Outlaws, nor Judd Winick's interpretation of Under the Red Hood where Bruce throws the Batarang at Jason's neck, slicing his throat and leaving him ambiguously for dead at the end of the comic is appropriate considering DC Comics seems to be trying everything they can to integrate Jason back into the family. That being said, a lot of these writings have shaped the narrative of Jason and Bruce's relationship and have an integral effect on the way the fandom views the two. It doesn't help that Zdarsky acknowledged Lobdell's life-beating of Jason by Bruce at the very end of Cheer by having Bruce give Jason his old outfit back as a means of mending the fence between the two of them. That does complicate a lot of things in terms of how they are viewed by the fandom and helps to cause an even greater divide between the two.

Regardless, I want to emphasize the fact that Jason Todd is a part of the family of his own accord. Yes, he's quite snarky and deadpan in almost every encounter. However, Jason is absolutely a part of the family and has been for a while of his own will. There's a great moment in Detective Comics that emphasizes this. Jason cares about his family because it is his found family. Yes, they may be warry about him and use him as a punching back and/or heckle him. At the end of the day, we're debating the family dynamics of a fictional playboy billionaire vigilante whose kleptomania took the form of adopting troubled children and turning them into vigilante heroes. Jason Todd wants a family that will love and support him. This is a key definition of his character at its most basic. This was proven during the events of Cheer and is being reenforced by DC Comics every time they get the opportunity to do so.

Now, none of this is to say that I hate Judd Winick. I do not, I don't like the fact that in all of his writings of Jason, he just writes him as a dangerous psychopath, and Winick himself admits to seeing Jason as nothing much more than a psychopath. Yet Winick is the one who the majority of the fandom clings to as the one true good writer of Jason Todd because 'Jason was competent, dangerous, smart' Listen, friends, Jason is all of that and I will never deny it. However, what I love about Jason isn't that he's dangerously smart of that writers either write him as angsty angry Tumblr sexyman bait or that they write him as an infantile man child with a gun. There's a large contention of this fandom that has an obsession with Jason Todd being this vigilante gunman who is hot and sexy and while I definitely get the appeal. It is very creepy and downright disturbing that all of you hyperfixate on his use of guns and ability to be a murderer. It is creepy and I'm not necessarily here for it.

What I love about Jason Todd is that despite all of the pain, all of the heartache, all of the betrayal, and bullying, and death, and anguish. Jason Todd is one of the most loving and supportive characters in all of DC Comics. Jason has been through so much in his life, but he still chooses to love. He still chooses to see the bright side in people. Yes, he takes a utilitarian approach and chooses to kill certain villains, but at the end of the day he wants to see a better world, and he wants to be loved. It takes so much courage and so much heart to learn to love again after one has been abused or traumatized. I would not blame Jason at all if he said fuck it and just went full solo and vigilante evil. He has every right to, but he still chooses to be with the Bat Family of his own accord. That's something that I see a lot of in myself. I have been through a lot of trauma and yet I try to be a better person myself in any way that I can. It is extremely admirable of Jason to allow love back into his heart when he really doesn't need to. He kills and he protects because he has this love of society. It may have been shaped by anger and hatred, but Jason has found his place amongst people who love him and value him. I think Ducra, from Red Hood and the Outlaws put it best in the image given below.

To end this tangent, I love Jason Todd and all of his sexy dangerousness, but it's far more than that. As much as Jason may be dangerous and snarky, he loves his family without a shadow of a doubt. I look up to Jason Todd because despite all of his pain and all of his trauma, he still choses to love. Jason Todd is a character who is someone I love because despite all of his flaws and having a very toxic fandom, he still serves as a character filled with so much heart and so much passion. I wish more writers would understand that. But for now I will live with what I have. Even though the fandom may be vocal about it's hatred for his characterization, I choose to love Jason regardless because he is a character who chooses love and acceptance regardless of his pain. Jason Todd is by no means a good person in any sense of the word. He has easily killed upwards of 100 people by now. He is a character who is flawed and complex but ultimately is one who powers forwards and finds love and heart in a place from so much pain and anguish. That is what I love about Jason Todd. After all, to quote a famous undead robot superhero, "What is grief, if not love persevering?" Jason Todd chooses to love despite all of the trauma and pain and grief. Yes, he is hardened in his exterior, but inside there is a man with a lot of love to give and someone who deserves the world in my eyes.

[formulatrash]

The weirdest development of the year is that me 9 months ago: daniel is too fratty for me, truly frat boy supreme, not compatible with the lesbian agenda

Me now that daniel genuinely seems like one of only a handful of sane people in the paddock, the only driver besides lewis who is still talking about blm in november, still talking about mental health along with lando, says there is no shame in admitting he found moving teams tricky bc he's affectionate and gets emotional and emotionally attached easily, the only one to point out the crash porny turn the broadcast took after the red flag: my son.

Still think people wank over him to hard but there is definitely a glow uo

I agree with this - at the start of this season (as in, the original start) I really had fairly minimal time for Daniel because he was the last of the Coulthard fraternity and boy did he try hard at it. He smiles and he’s handsome so he used to get ascribed sort of Lando-esque qualities when he was new to the sport, about whether he was taking it seriously enough, whether too many girls liked him to be credible (sigh but like, this was and still is a thing) and whatever. Daniel could shrug it off by being the ultimate dude’s dude, which fit very smoothly to Red Bull.

And like: he can be a sweet person, I have no doubt but he’s very strategic, he’s very political - as all the best drivers have to be - and he didn’t used to use that for anything other than his own gain. He’d also done some great stuff at grassroots level like Ricciardo Kart and he’s not totally divorced from being a nice guy but it definitely wasn’t his agenda to use his clout for more than contract negotiations, until recently. 

That’s fine, that’s how F1 is - and it doesn’t reflect on who Daniel is as a private person.

The whole frat thing in the paddock, also, is just... bad. That video of him and Hulkenberg (in their late 20s) getting teenage Max so drunk he passes out on a plane is not hilarious if you imagine Max is a girl. Teenage boys shouldn’t be subject to weird hypermasculine hazing from older people - even if they themselves are likely millionaires at the time - any more than girls should but y’know, that’s how the paddock is and was. I’m sure Coulthard and Webber probably did the same to Daniel at some point and he never reflected on it - or likely, neither did Max.

This year, I like that new, reflective Daniel has appeared. That he’s decided to be more of a leader and less of a bro along for the ride, that he’s using the same decision-making and political skills he’s always had to put together sensitive, thought-through things like his newsletters and like the interviews where he’s spoken up.

Did he maybe have to grow out of getting hazed by older drivers and find new ways to be himself? Probably, it’s not like Lewis didn’t do something very similar. But it’s really good to see a more reflective Ricciardo, more analytical and focussed on the future - which he always was but he projected that fratty YOLO energy instead of the more considered and considerate approach he’s now showcasing.

Like, keep listening to Funeral For A Friend and wearing tank tops and laughing at the word balls by all means - all the better for it, it’s not like he needed a personality transplant - but I am glad to see a more mature, inquisitive and ultimately educated side to Daniel not just exist but get publicly aired and demonstrated as he grows in it. I think he’ll be a really good GPDA leader or even FIA person in a few years, now, which I would not have said in 2019.

[keyofjetwolf]

Bonus Question Answers! (non-anime heat 1)

I asked a silly question! You gave me incredible answers. SO VERY MANY INCREDIBLE ANSWERS. Now, I present my favourites!

Another that was so so so hard to narrow down. I did have to make special mention, though, at the sheer volume of you who (correctly) pointed out Haruka and Michiru either spending their quarantine fucking, or frustrated at being unable to fuck. Thank you, heroes.

If your answer is listed below, you’ve earned an entry in a random draw to win a GIFTENING liveblog OF YOUR CHOICE

—

Q:  The Senshi are all quarantining together! Describe what a wonderful/terrible/wonderrible idea this is. (YOU CANNOT BE TOO DETAILED)

~~~

*  First things first: if the Senshi are all quarantining *together*, then they must be old enough to be not living with their parents (or lack thereof). Furthermore, they must be living in a place big enough to accommodate all of them. Now, the Outers already have a huge fuck-off house, so if we're cheating and saying ALL the Senshi, not just the Inners, then we can say that Usagi and the girls moved in with Haruka and the girls after high school. Usagi and Makoto and Minako have almost certainly snubbed college; Ami and Rei not only attending, but Ami is aiming to get her Master's, so both of them have to take online courses. Setsuna is teaching them. Haruka and Michiru graduated from college *ages* ago. Hotaru also has to take online courses, but for high school since she'd be about that age at this point. Chibs is not here because she's smarter than to travel back in time to when there was a GLOBAL PANDEMIC. Now then! Usagi is moping because she can't see Mamoru or Chibi-Usa, so she reads manga and watches TV to distract herself. As per her usual she mostly shoves her nose into what everyone else is doing, then gets distracted by a passing butterfly and chases it until she finds something new to stick her nose into. She's honestly taking the quarantine the hardest, even though she's living in a house with all her closest friends. The delivery guy knows her by name and by her super-cute hand-sewn (by Makoto) pink-and-white bunny mask. Makoto has sewn everyone custom masks, actually, which brings us to... Makoto naturally is doing the cooking and cleaning and laundry, and while she does love doing these things, she's now doing them for NINE PEOPLE, and Usagi has never learned to fold a sock in her life, and Ami folds socks but is crazy busy with her coursework, and Minako/Rei/Michiru/Haruka can't be bothered for one reason or another, and Makoto is about to explode because everybody assumes she'll do everything and do it smiling and normally they wouldn't be WRONG but COME THE FUCK ON YOU GUYS. She is in a constant state of being two steps away from an explosion. The only saving grace is Setsuna, who does actually help out in between teaching online courses, and who patiently listens to Makoto vent, because she understands that if Makoto melts down, so will the rest of the household. Makoto has a pink-and-green rose mask; Setsuna has a wine red mask with black stitching. Ami has vanished into her room. STUDY, STUDY, STUDY, STUDY. She is literally taking four courses at once because with a global pandemic, a) what else is there to do with one's life b) the rest of the household is utter chaos c) MUST DEVELOP VACCINE. She has actually be helping researchers online with this under an anonymous name. She *wants* to go out and volunteer, but understands that the best thing she can do is quarantine properly. She is constantly lecturing everyone about Best Quarantine Practices, to the point that the others mostly tune her out now. This is only piling onto her constant stress. Hotaru visits her occasionally with tea and textbooks so they can study and destress together. It's good for both of them, especially since Hotaru, with her health issues, is the most at risk of all of them. Hotaru's also used to isolation, so she's a surprisingly stabilizing presence for everybody. Ami and Hotaru both have standard hospital red-lined white masks along with their custom masks (Ami's is light blue with dolphin clasps on the side; Hotaru's is designed based on that optical illusion that's either a lamp or two people facing each other), because you need one for when the other is in the wash. Minako has become a Twitch game streamer and beauty YouTuber and is updating both CONSTANTLY, with YT guest star appearances by Michiru (who is always effortlessly and flawlessly beautiful) and Rei (who is using Minako to promote her own YouTube channel). Minako tried to get Usagi to be the camerawoman for her YT show but Usagi wanted to be the star too much, so now Minako as strong-armed Haruka into doing it. Haruka is bored out of her mind because she can't go out on drives, so she helps Minako out without complaint. Sometimes she even guest-stars on Minako's Twitch streams, depending on the game. Getting to film beautiful girls making themselves even hotter? Sure, she's into that. Minako's mask is glittery gold with red ribbons for cords; Rei's mask is black with flame decals on the sides; Haruka's is a solid black, tight and sporty; Michiru's is seemingly plain white, "coincidentally" complementing Haruka's, but is made of fine linen and silk. Rei meanwhile doesn't actually know what her channel is about and didn't give two shits about YouTube until Minako started doing it, but Minako is actually raking in a stupid amount of cash from doing this, so Rei figured, how hard could it be?? Right now she's somewhere in between doing her own beauty channel, doing paranormal investigations, cooking channel (she proudly presents instant meals as time- and money-saving masterpieces without an ounce of self-awareness. Haruka has had to hold Makoto back from suplexing her more than once), and a video review column where she tries things out and gives her opinions on them. She's *absolutely furious* that her channel is not as popular as Minako's. She's also strongarmed Haruka into being her camerawoman. Michiru allows this because watching Minako and Rei fight over their respective channels is the most amusement she's had all year. Ami asks Rei when she finds the time to study. Rei ignores her.  -- @ayu-ohseki  [I said spare no detail, AND YOU DID NOT. Thoughtful, considered, and a fun read start to finish, amazing.]

~~~

*  It is the best. Minako has a captive audience, Makoto has everyone to cook for, Rei has taken charge of how to Do Everything, Ami can hole up with her books and tutor Usagi, Usagi has all the time to play games and read comics. It is the worst. Minako has a captive audience and they want new stories faster than she can make them. Makoto has everyone to cook for and they eat so much all the time. Rei has taken charge of how to Do Everything but no one will listen. Ami can hole up with her books but that doesn't mean its quiet enough to read, and she can tutor Usagi but that doesn't mean Usagi is even making a small attempt at listening like in the group study sessions. Usagi has all the time to play video games and read comics, but no one will let her, especially Rei. -- @cakeandpi  [Loved the Dickensian Best of Times/Worst of Times structure, precisely the level of epic this clusterfuck needs.]

~~~

*  In the best of situations, it is difficult to find housing for nine people on short notice, and these are not the best of situations. Given that she had, from at least the age of four, been bound to the moon by a curse of blood, it should not have come as any grand opportunity to Michiru that the opportunity to recuse herself from larger society life would be immediately and aggressively offset by Haruka's invitation for the Senshi to come quarantine at the Kaioh beach cottage. 

One might assume that perhaps Usagi's parents, or Ami's mother, or Rei's grandfather, might have objected to their children being out of their sight in such a time, but that is to discount the general narrative inconvenience that seemed to pursue Michiru to the last. "Babe, there's like 6 bedrooms in the place," Haruka has said, quite missing the point entirely that Michiru had made it her goal to make use of everyone one of them. And so, here she was, where one might be sipping a glass of champagne on the veranda overlooking the sea, lover at her side, instead she was listening to the endless sniping between Rei and Usagi as they pattered about the house, there was no lover next to her, but only Ami with her endless piles of conspicuously books that Michiru felt quite certain had been selected for the view their covers provided others, Mako sending away the cook for what were noted to be COVID concerns but Michiru felt were more the concern of her longing for the spacious kitchen. Her mind preserved her enough not to speak of Minako, nor of the fact that the one she would have beside her was currently playing Mario Kart with such. Hotaru and Pluto were there, also. Michiru took another deep drink of the wine. With the volume she was consuming, she would have to switch to boxed wine. At this rate, she may qualify as hand santizer herself, which nearly stayed her hand. Usagi wailed loudly at Rei. Michiru took another drink. No Matter, she thought, for I will not die before my appointed time. The Moon will certainly see to that.  -- @docholligay  [You absolutely catered this to me and you know it, you whore. Hilarious AND beautifully written, I detest you.]

~~~

*  Usagi is thrilled to have all of her favorite people in one place. Mako will cook! Ami will read to them! Mina will write and Rei will direct plays for them all to perform! Haruka will make sure they stay fit! Michiru will teach them etiquette! Hotaru and Setsuna will also be there! Her favorite cats will be there to purr and offer guidance without actual knowledge and nagging! Yay! After a week, Usagi is still relentlessly happy. To be otherwise would be to admit that her friends are not perfect, perfectly suited for each other, and perfectly happy. She hasn't seen Haruka and Michiru at all in days; they commandeered the back bedroom with it's own bathroom and the others only know they're still in there by the noises *ahem*, by the food delivery people who keep coming to the door, and the empty food containers that appear in the hallway. Mina and Rei are not speaking to each other after the Hair Clip Incident. Ami is still diligently serving as a go-between, but Mako refused and will not give either of them any of her cooking, so Rei keeps making Hello Curry and leaving the kitchen a disaster, while Mina somehow keeps convincing Haruka and Michiru's uber eats drivers to give her stuff. There is only one litter box for the two cats, and that is not enough. And Artemis keeps leaving the seat up on the toilet. No one knows how, or why, but he does. Hotaru and Setsuna are also there. Worst (best?) of all, Usagi doesn't miss Mamoru at all, and hasn't actually noticed his absence. He's been missing for three days. -- @incorrecttact  [I ADORE the little touch of Usagi having to aggressively fake it because even she is struggling THIS CANNOT BE ALLOWED. You made me bark laugh at the end. Glorious.]

~~~

*  Rei's Journal: It's day 8 under lockdown and I have somehow managed to retain my sanity. It has not been easy. By day 4 Minako and Makoto were at each other's throats because Minako tried to clip her toenails in the kitchen, due to Ami holing herself up in the bathroom. Makoto threatened to make Minako eat a toenail burrito, and by God I think Minako actually would eat it just to show Mako up. It has been a struggle to keep Usagi from eating all the food, and I fear she is contemplating the idea of eating Luna and/or Artemis. Ami is retreating further and further into her shell. She has solved every math problem in every math book she had at her disposal, and is now showing withdrawal symptoms. The walls of her room are covered in math equations. I am doing as best I can; my rations of "Here!" Quarantine snacks have been balanced to last me for at least the next week, but after that point I am not sure what happens. As a shrine maiden, I'm used to long periods of silence in my meditation. It's been difficult keeping my focus with Usagi and the others slowly losing their minds, but I am a survivor if nothing else. If I could survive D-Point, I can survive this... Wait I didn't survive D-Point FUCK.  -- @judedeluca  [Rei’s journal, yes, thank you for catering to me directly, I appreciate your service and killer ending.]

~~~

*  Everyone's locked into separate rooms by day 2, or make-shift rooms with blankets taped to the ceiling. By day 3, there's lines on the floor. Ami makes a timetable for when everyone can go to shared spaces like the kitchen or bathroom. Usagi is distressed that all of her friends can't get along, even as she has an existential crisis about not wanting to be around them herself. Rei is suddenly the mom friend, when Mako realizes that trying to help everyone leads to her stress-baking leads to her taking too much time in the kitchen leads to everyone more pissed off. Minako is alternately drunk off her ass and egging everyone on, or making notes for pressure cooker situations to add to training. Haruka gets more sullen than anyone's seen her, Michiru loses some of her polish as her nerves finally fray by the end of the week, and is cussing people out by day 9. Setsuna immediately regrets her decision not to hunker down at the time gate. Hotaru's glad to be included but so anxious she starts collecting the house's lamps in her area. Ami has to make a timetable for using those as well, so Hotaru doesn't call death to them all. Somehow, they survive. When things let up, they all promise not to speak of it again, at least not directly, and then immediately all take at least 3 days to be by themselves in their own spaces. -- @katrani  [Usagi’s existential crisis, yessss. Hotaru stress-hoarding lamps though, everything I never knew I wanted.]

~~~

*  Ordered in Michru's least loss to greatest, or conversely, Usagi's greatest loss to least: 1) they stay at Michiru's mansion. It's huge. It's spacious. Michiru disappears within minutes and isn't seen again until 14 days later. Pluto finds her easily enough for tea, Rei does so out of dogged determination, and Haruka doesn't have to try. Usagi does, but she gets lost easily and there are so many snacks everywhere, she gets distracted. what's that? A room filled with tvs? another with comics? Mako worries about her getting cavities and uses the greatest kitchen ever to cook things up. She almost never leaves there. Ami poisons the pool every time she leaves as part of the great Hatemace. Chibs and Hotaru get a chance to be kids and actually play. If the starlights are there, Seiya and Haruka have a dramatic face off. Mina makes sure to leave graffiti everywhere. Despite her best efforts, she can't find Michiru's weakness. Artemis and Luna take a vacation. 2) They stay at Usagi's, Minako's, or Ami's. They do not stay at Rei's because Grandpa is old and Rei has put the fear of god in anyone who dares come to the temple. The houses/apartments are small and cramped with just the five inners. With everyone else? Chaos. Artemis and Luna are glad they aren't affected and escape. Chibs conveniently stays in the covid-free future/"look, I already have teh vaccine! I don't have to stay here with you". Hotaru contemplates reincarnating again. Mako enjoys time with Usagi's mom, cooking together (no, she isn't crying, you're crying). Minako takes extremely long showers to piss Michiru off. Michiru is not sure how she got forced into this, she feels the hand of god in play and curses the writer internally. Pluto unravels the mystery of super!spy!Usagi's Dad but no one will ever know the answer to that. Ami escapes online and plays sims where they all have their own rooms, with Jet's help. Rei turns on the stove and pretends its the great fire to meditate. Haruka likes this long sleepover! She's never got to do one before! Usagi agrees and they plan horror movies and games and fast food. If the starlights are there, Seiya plans an even greater slumber party. Usagi helps both because more parties are always better. 3) They stay at Mako's two-room apartment. Chibs doesn't even step into the past, she's heard the horror stories from her aunts. Hotaru begins the sequence for the end of the world. Word of god or no word of god, Michiru refuses to go. When the narrative railroads her into it, she claims the balcony for herself, furnishes it, and locks the door so no one else can come. Pluto stays in the void, unreachable by all. Mako has never seen her apartment so filled and noisy and she's both elated and afraid for her plants. Her plants are terrified and tremble the entire time. Rei lives in the oven. Minako claims the bathroom--a toll is required for anyone else to enter. Ami puts all her brainpower to finding a cure to escape this hellhole. The bedroom is a nonstop competitive slumber party, and  Minako, Haruka, and Seiya have a song off. A toll is still required to enter the bathroom. Usagi breaks onto the balcony once to hug Michiru.  -- @kumeko  [I love the different branches, ALL THE SHENANIGANS]

~~~

*  (Putting Inners in college so Ami isn’t on call as a doctor) The good news is that the Outers’ ridiculously spacious mansion is, in fact, ridiculously spacious enough to accomodate eleven people (I’m certain Mamoru was not in your intentions, but it was agreed that Mamoru is a good quarantine podmate who will follow all necessary rules, and also Usagi would be insufferable if he’s not there and Mako points out that he lives alone and the social isolation would be killer) and three cats. Haruka’s happy to have Minako around all the time, and Pluto and Hotaru are thrilled to have Chibs. (Rei asked why Pluto and Chibiusa can’t just go back to their own times. Pluto gives a lengthy explanation about past and future virology that may or may not be total bullshit. No one really knows with her.) Ami is continuing her studies, as she does, and has a consistent schedule involving Study Hours and Socializing Hours. She does, however, make sure to swim in the Outers Mansion Pool every day at the same time Michiru customarily does. Neither of them says anything about this. Their rivalry continues. Michiru knows every nook, cranny, and secret passage there, and can easily avoid anyone who’s gotten stir-crazy should she so choose. Mako has taken command of the kitchen, and cannot be talked out of doing all the cooking. The food is delicious, nutritious, and is basically Quarantine Baking Times Twelve. Her skills are appreciated by all. Mamoru is likewise well-behaved, and mostly spends his time being quietly useful, spending time with Usagi, and listening to classical music with Michiru without otherwise interacting with her, making him the one man whose presence she will tolerate. The cats are well-behaved. They are the ones who are quarantining well. Minako, of course, is dying of boredom by the month and a half mark, and proceeds to take up a wide variety of hobbies, only to move on when they turn out way less fun than the video suggested. She annoys the others to show her how to bake tarts, or paint, or whatever it is Pluto does all day. Eventually she does find something she enjoys enough to stick with - wirework. While her preference is for jewelry, she does work with larger scale stuff just enough to present Mamoru with her masterpiece - Chicken Sculpture 2.0. (He seethes.) Rei, meanwhile, has also taken up new and exciting hobbies, but she will determinedly stick with each one until she has reached an arbitrary goal of Accomplishment. Even when she hates them, as is the case with birdwatching, Zumba, Mako’s attempts to refine her sense of taste, and trying to follow professional wrestling. She does take to cross-stitching once she discovers it’s basically stabbing something until it’s art. Felting, too. Between that and cleaning she’s a delight when she and Minako are not grating against each other. Which is frequently, with them both taking up all these new hobbies. (When assigning rooms, Michiru thought ahead. Rei’s and Usagi’s are next to each other, at the end of the hall. They bicker as much as ever but everyone else can get distance when really needed.) Usagi is happy to be somewhere with all her dearest friends, all the time! She is VERY BAD at waiting patiently until everyone else’s Productive Hours are over, be they online classes and homework or painting or quietly stealing Mamoru’s abstract mosquito coil shirt and throwing it through the Gate of Time and into a void where it will never again darken their sight. (Pluto isn’t a monster, and replaces it with a similar but less incomprehensible white T-shirt with a pattern. Mamoru assumes this was Minako’s doing.) Artemis assigns himself as resident Blonde Disaster Watcher, while Chibiusa - currently visiting as a roughly 14-year-old, matching Hotaru - smugly points out that she’s handling quarantine just fine. This prompts a round of furious research by the rest of the house as to whether or not cats can drink alcohol. Haruka’s practically run down a path around the Sprawling Kaioh Estate on which the mansion sits. How can she angst gaily without a mission? Sure obviously staying home and keeping safe is the most important thing and she will do her part, but that’s not nearly dramatic enough to hate herself for if she decides she’s quarantining inadequately! Michiru decides the best thing for this is to take her, Usagi, and Minako and sit them all down with empty scrapbooks. Usagi and Haruka emerge after the pandemic with eighteen volumes of Important Friendship Scrapbooks. There’s an adorable doodle of them high-fiving on the title page of each one. They designed it themselves. Despite this all, quarantine does actually pass without any of them killing each other, though Haruka and Michiru do strongly consider sending the others to Hikawa Shrine instead. Grandpa Hino can manage all this energy. No one except Chibiusa thinks to ask how Hotaru’s doing. They forgot to check her room.  -- Regalli  [I know legit sadness in my Senshi Heart that I cannot see Haruka and Usagi’s scrapbooks with my own eyeballs. Loved this whole thing, but fucking Hotaru at the end hahahah]

~~~

*  It's all a matter of perspective. Mako and Ami will keep themselves consistently busy with cooking/baking, plant caregiving, reading, eating sandwiches, etc. Mako will eventually cave, after like, day 6 and there are 3 dozen scones, they lost count of cookies, and they've got frozen meals for weeks. Rei keeps telling her to stop cooking because she stumbled into Mako's apartment with armfuls of Here! Curry! and convenience store meals. Usagi is sooooo boooooored all the time and that's a dangerous combo with Minako being soooooo booooooored all the time. The Rube-Goldberg machines, the destruction, the pranks. More about Rei sadly as I know you don't particularly care for her at all whatsoever: she is a rollercoaster. Every day is too different but it's also always the same. Usagi is eating too much of her food but nobody else is eating enough. It won't go bad this way, but Usagi STOP I GOT THAT KIND OF CHIPS FOR ME. She finds some peace with Michiru who herself trying to keep a grasp on her ~*ara*~ ness but won't admit that by day four has been wanting out. "The girls are sweet" she convinces herself as she listens to another screaming match between Usagi and Rei while Minako snapchats everything. Haruka lost it by the second day, she can't stand not doing anything and not being in motion. At first this was channeled into doing small workouts that Mako sometimes participated in from a distance, but those have stopped. How long have you been laying on her floor today, Haruka? You gonna get up and have something to eat today Haruka? Hotaru and Chibs keep themselves busy with games and movies (Chibs and Usagi fight over the TV), Setsuna plays sometimes but is just happy to watch and enjoy these moments of peace. Chib's pride is on the line because she is getting bored by day 5 but she will not be sooooooo booooooored like Usagi. Mamoru begins to bring them all takeout by day 10 and slips Michiru a bottle of wine when she comes down, she is grateful, the label brings a tear to her eye, he knows good wine. Luna and Artemis are there. They sure are cats, and they can come and go if they want. They are envied. At some point they are all laying in the living room together. They don't know how long, someone's playlist is playing in the background. They don't care. It's the longest anyone has gone without talking. It's the one of the few times they've truly felt connected with one another as a team. Minako then asks, "If I ate myself, would I become twice as big or cease to exist?" It was nice while it lasted.  -- @thatonemoonie  [Every detail is divine, but oh my god Minako’s question at the end, THANK YOU.]

~~~

*  Michiru does not have enough wine and the Moon will pay for what she has endured. -- the Lord of the Sea  [Summing it up in the perfect single sentence, brilliant.]

~~~

*  It's Usagi's idea, really. Quarantine procedures are announced and she can't help but imagine what it will be like for all her friends. Minako, stuck with family she doesn't get along with. Ami's mom under even more stress as an essential worker, probably avoiding her daughter to keep her safe from the virus. Makoto, completely alone! Rei, probably regressing from not seeing other people! This cannot stand. Usagi has visions of Mako making gigantic family style meals and keeping things scrupulously clean. Ami contentedly petting Luna and Artemis and keeping them all up to date on how things are progressing. Minako livening the mood by driving Rei insane. And all is right in Usagi's world. It IS like that... sometimes. Being stuck together 24/7 has its ups and downs, and there has never been a situation as prolonged as this one. There are tense moments, and fights over silly things like toilet paper and Usagi running up the phone bill by calling Mamoru so often. It's cramped. Ami tries to keep them up on their distance learning, and checks temperatures daily. They try some disastrous DIYS and recipes when supplies get low. Usagi and Rei have an emotional moment when one night, she tries to secretly use Moon Healing Escalation on the city. In the end, they come through stronger than ever, like always. Just with a lot more appreciation for distance and personal space.  -- @yunyin  [All incredible, but you absolutely fucking GOT ME with Rei catching Usagi trying to heal the city, DELICIOUS ANGST]

---

I’ll be drawing for the bonus liveblog around the start of THE GIFTENING 2020 (currently looking to be Monday, 11 January 2021). Each bonus question is another chance to earn an entry! I CAN ABSOLUTELY AND SHAMELESSLY BE BOUGHT.

[vgdensetsu]

Gigaleak, preservation, emulation and content dissemination

(la version française de cet article est disponible ici)

On November 21, 1992, the sequel to the most widespread Mega Drive title was released in both Japan and South Korea, then in the rest of the world. In spite of itself, this game made many people want to find out what had happened to all those elements that had been cut during development. A few months earlier, when Sega started to show its future hit to the press, the public got a glimpse of levels such as Hidden Palace, an area absent from the final version. This wasn't the first time such an event had occurred; other sometimes equally popular titles such as Super Mario Bros. 3 have encountered the same fate, either through press coverage or via screenshots featured on the game's box. But Sonic 2 has one point that sets it apart from most other titles, in addition to its popularity: a development version was stolen a few months before the game hit the shelves. According to Yuji Naka, programmer and figurehead of the license at the time, a cartridge was stolen at a trade show in New York. His former colleague Akinori Nishiyama, meanwhile, says Sega had been hacked. In any case, this version was marketed in markets where cartridges produced without an official license were common, before being found in 1999 on a Chinese website as a ROM. Named after the person who found the ROM, the Simon Wai prototype features an unfinished version of a level that was thought to be never playable: Hidden Palace. The popularity of the license helping, amateurs started to collect documents of all types in order to identify all the differences between the versions marketed by Sega and the numerous screenshots and other development versions found over the years.

A preview published in the October 1992 issue of the British magazine Mega. 2 of the 3 levels shown here do not appear in the final version of the game.

Since Sonic 2, a lot of development versions and design documents have found their way on the net with more or less echo and communities of amateur researchers have gathered around sites such as The Cutting Room Floor, Unseen64 or Hidden Palace. On February 23, 2008, the latter put online a thousand development versions of games produced by Sega or released on Sega consoles after buying archives disks containing the games in question, sometimes with several dozen versions per title. However, the data leakage that Nintendo is experiencing in recent months seems unparalleled in terms of volume and variety of content.

In April 2020, development versions of various episodes of Pokémon, as well as source code, development tools and graphics from intermediate versions were released. Before that, in 2018 and 2019, a development version of Pokémon Gold and Silver (the "Spaceworld 1997 demo", named after the show where it was presented), assets of Pokémon Red and Green then Pokémon Diamond and Pearl had leaked on the net. In the days that followed, other types of content appeared on 4chan: official documentation relating to a number of Nintendo consoles including the Wii, the Nintendo 64, the 64DD, the iQue Player, a technical demo produced for the Nintendo 64, source code written for Super Mario 64, Powerpoints and internal correspondence from several companies for a total of about 29,000 documents. A second batch of data began to appear on July 24th and found an echo that goes far beyond technical enthusiasts and console clone producers. A large amount of content relating to some of the most popular titles and licenses in the history of video games (Mario, Zelda, Animal Crossing, StarFox) has been put online, linked on 4chan then distributed on the rest of the Internet. Development versions of Super NES, Nintendo 64, Game Boy, Game Boy Color, Game Boy Advance games, as well as source codes, graphic assets, 3D animation tests, sound effects and uncompressed music, 2D and 3D illustrations, logos, level editors, conversations between developers, visuals for a website, documents relating to the Wii, etc.

The origins of the leak Nintendo has been the subject of several attacks in recent years. Of those that have come to light, one resulted in the leakage of information about the Switch prior to its release, another involved source codes obtained from dozens of companies, but the one that most closely corresponds to the present case - generally called the Gigaleak - was carried out in 2018 by a man named Zammis Clark, a British security researcher and former Malwarebytes employee, a company specialised in detecting and removing malicious software. In 2015, he hacked VTech's servers, revealing that the company had illegally collected the data of nearly 200,000 children. He also revealed vulnerabilities in apps from manufacturers such as Dell, Lenovo and Toshiba as well as in a tool used in UK schools and developed by Impero. In 2017, he hacked some of the Microsoft servers and stole tens of thousands of files before sharing access to these servers with others. After being arrested and released on bail, he hacked Nintendo's internal network in March 2018. In its official communication, the Japanese company only mentioned the theft of a few thousand IDs and passwords as well as access to data relating to games in development at the time. However, Ganix, the man who released the Pokémon Diamond and Pearl sprites in December 2019, explained in an interview he gave to LavaCutContent a few days later that the various leaked content relating to Pokémon (including the Spaceworld 1997 demo released in May 2018, the month Nintendo realised it had been hacked by Clark) all came from a hack done in March 2018 by a man who goes by the pseudonym "Wack0". We know since the Impero affair that Wack0 is none other than Clark's pseudonym - a letter written by Impero and addressed to Clark in 2015 links the two names. Clark had shared these files with Ganix, who decided on his own initiative to leak them in December 2019, thus betraying Clark's confidence in him. The 4chan thread with which the Gigaleak started in July 2020 seems to refer to this event by its title: "ppg leak time: fuck ganix".

Because of his profile - Clark has a form of autism and suffers from prosopagnosia, the inability to recognize and identify faces - the judge felt that he would be at too great a risk if sent to prison. He was sentenced in 2019 to a 15-month suspended prison sentence and subject to a 5-year judicial review.

The presence of files relating to the iQue Player and the BroadOn company among the leaked documents suggests that the hacker accessed BroadOn’s servers, a company founded by Wei Yen who also co-founded iQue with Nintendo. Due to the legal restrictions in effect in China from 2000 to 2015, Nintendo had to make a joint venture to enter this market and develop a variant of the Nintendo 64 - the iQue Player. BroadOn is one of Nintendo's collaborators and has developed software for the Wii as well as for the iQue Brand (which includes game consoles such as the Game Boy Advance, the DS and the 3DS).

The iQue Player (picture by Evan Amos)

While Nintendo is the main target of this leak, other companies have also been affected by the ripple effect. Among them are Capcom, Konami and M2 (which is the current holder of the rights to the Aleste series). Assets and development versions of some of their games released on Super Famicom are now in the wild. Among them are Megaman X, Super Ghouls'n Ghosts, Super Castlevania IV, Axelay, Parodius Da!, Ganbare Goemon and Super Aleste. Since the release of Collection of Mana, it is public knowledge that Nintendo keep content produced by other companies in its archives. Masaru Oyamada, producer of the Mana series, said that this compilation was made possible by Nintendo, which allowed Square-Enix to recover the various source codes of these games.

In the wake of the Gigaleak, the source code for the Xbox Unreal Championship 2 game has been put online, along with numerous design documents. Epic Games' servers had been hacked in 2011 without the identity of the visitor being revealed; it cannot be excluded that the files in question originated from this attack and that the author of the hack kept them until that day on July 30, 2020. The link between this leak and the Gigaleak is not yet certain. In such a case, it is unlikely that anyone would publicly claim responsibility for the leak.

On the authenticity of the leaked content When a console prototype, a development version of a popular game or from a major license surfaces, it is customary to take it with a pinch of salt, in case someone came up with the idea of pulling a hoax or to replenish his bank account by trying to sell a fake. In the case of the contents leaked in 2020, since Nintendo hasn't officially commented on the case despite the requests made by Vice.com and LeMonde.fr, the doubt persists and the volume of data is such that it will be difficult to authenticate everything file by file. Nevertheless, Dylan Cuthbert, former developer of Argonaut who later joined Nintendo, recognised one of the tools developed for Starfox 2. In addition, in a number of cases, developers at the company have in the past provided clues suggesting that at least some of the content is authentic. This includes some rejected designs for Yoshi from Super Mario World, already unveiled in 2017.

A sprite sheet created by Shigefumi Hino during the development of Super Mario World, one year before the game’s release.

There are also quotes from developers about the presence of Luigi in Super Mario 64 and adult Mario in Yoshi's Island (both of which were set aside during development), characters in overalls in Super Mario Kart before it was decided to set the game in the Mario universe and a circuit from Mario Kart 64 located in a city but deemed too big. The same goes for the Zelda license: Yoshiaki Koizumi said he made a polygonal version of Link as part of a prototype adaptation of Zelda II for the Super Famicom, Eiji Aonuma explained that the cycle of Majora's Mask originally lasted not three days but a week and Link's Awakening was originally thought to be an adaptation of A Link to the Past - the world map of the latter made with the engine of the former has been found. Regarding Dragonfly, one of the very first Super Famicom titles shown to the public in 1988 before being renamed Pilotwings, the different screenshots published in magazines correspond to the version that leaked. While this is not an absolute proof of its authenticity - in 2012, a fan recreated an early version of Sonic 1 using screenshots as references -, the sum of clues previously cited and the large amount of documents posted online make the hoax thesis unlikely.

This leak also contains a lot of files that are difficult to identify, mainly because the names used for the files and directories are not always very explicit and some titles had never been publicly shown before or in another form. Examples include Sleep, an unfinished mouse-playable Super Famicom game (which may have been announced under the title "Black Out" in 1992), Super Donkey, another unfinished title with a number of visual similarities to Yoshi's Island, or Link's profile sprites for which we can only make guesses. Plunging into this maze of repertories requires patience as well as certain skills. Let's take the case of a game: each game has its own CVS file (named after the software used by Nintendo). A CVS file may contain several versions of a game, like a log of its evolution: an early version, a more advanced version with some elements that differ from the final version, the final version, etc. These files are not ROMs that could be launched in an emulator in 3 clicks. You have to compile the source code of the game you want to launch first, if there is source code.

Private conversations There is one point on which the leak doesn't seem to have been publicly praised: the posting of private conversations. Since April 2020, conversations between employees from various companies (Nintendo, BroadOn, then Argonaut in July) have been circulating on the net, in particular exchanges between Argonaut employees that took place in the early 90s, when some of them came to work at Nintendo in Japan. In addition to the fact that these are private correspondence - which already poses legal and moral issues - some of the excerpts shared online highlight issues that echo recent cases involving other companies, particularly on the subject of sexism and sexual harassment. In this case, the problem is twofold: there is, of course, the harassment itself (unsolicited pornographic images), but also the fact that the subject has come up without the victims having chosen to deal with it themselves.

This case illustrates the fact that video game preservation requires a minimum of methodology and should not necessarily result in the unregulated dissemination of any content relating to the development of a game or the history of a society. On the rest of the leak, opinions are very divided. Some people welcome it unreservedly; others have a mixed or even negative opinion, with the question of preservation and its modalities itself being debated.

Preservation Video game preservation is a race against time that began years ago, but the rules to be applied are still being discussed. A part of the public considers that everything that is not yet available as a ROM or ISO on the net should be dumped and shared. In 2019, a notorious collector, owner of one of the 3 knonw copies of the arcade game Akka Arrh, claimed that someone came to his home to unknowingly dump the ROM of the game in question and put it online. This is one of the most extreme cases known (if true), but it raises another issue: does preservation necessarily have to be illegal? The ROMs of commercial games you can find on the net (excluding the official websites such as the Nintendo eShop) are copies that contravene intellectual property law, whether they are final or intermediate versions, marketed or not. As early as 1993-94, consoles such as the NES, Super NES and Mega Drive had their dedicated emulator and with them ROMs that could be found via BBS.  Already at that time, there were ROMs of development versions, some of which seem to have disappeared from the net because of their low distribution. These generally come either from developers who kept cartridges, CDs or files on hard disk, or from journalists who did the same with preview versions. In both cases, it is likely that they were not supposed to keep possession of them, let alone resell them years later to individuals. The amount of money exchanged for these copies has skyrocketed over the last 20 years. What might have been worth a hundred dollars in the early 2000s is now steadily rising to over a thousand. The illegal nature of the Gigaleak is nothing new in this field, but it may have been shocking in terms of its scale and the fact that the content was not obtained through a transaction (even if what made it possible is of questionable legality).

In 1979, while Namco was conducting a location test of Galaxian in a coffee shop, the game's PCB was swapped and duplicated, making it one of the first commercial titles with a beta version that ended up in the wild even before the final (and official) version was released.

Legislation in countries such as Japan, France or the United States is not so much a hindrance to the preservation as it is to the dissemination of ROMs and ISOs. We can certainly deplore the inadequacy of state initiatives as well as the meagre budgets allocated to the preservation of video games - in 2017, during a symposium on the preservation of video game preservation held at the BNF (National Library of France), its audiovisual department confessed that the budget allocated for video games was much lower than that obtained by the film sector with an average of 5,000 to 6,000 euros per year, going up to 8,000 euros in good years. It covers the acquisition of missing games (those who fell through the cracks of legal deposit), storage costs (the room where the games and machines are kept must remain at a constant temperature), etc. But the current legislation is an obstacle to preservation mainly in special cases such as video games with child pornographic content, games that companies such as Enix sometimes published in the early 1980s in Japan.

The Game Preservation Society, an entity based in Japan, does not have the task of putting online copies of the (sometimes very rare) games that it keeps in its archives, but of preserving them. Private individuals can also call on it to make backups of titles from their collection, the purpose of a private backup being to prevent damage to the programme's storage medium (cassettes, floppy disks, CDs, etc.). This policy is sometimes met with incomprehension or even disapproval from a certain fringe of the public who tirelessly demand the games' ROMs. OK, but which games? Websites that share ROMs without the agreement of their rights holders have a definite advantage over game publishers: almost all the games released on some of the most popular consoles can be found on the net. Few publishers are able to exploit their entire catalogue on a continuous basis for reasons as diverse as lack of resources, rights problems in the event of third-party licenses, or lack of commercial interest. If you want to try out the entire Mega Drive library, either you buy the 900 or so cartridges published in the past, or you download an emulator and the corresponding ROMset, thus breaking the law. It gets even more complicated with games that were playable online or available for sale in digital form only if the relevant service has closed. Abandonware-France, a website created in 2000 where you can find thousands of PC games and video game-related magazines, has adopted a clear line excluding games that are still commercially exploited as well as those released after 2000. It's less an ideal solution than a default solution - it doesn't solve the legality issue, since the games haven't yet fallen into the public domain - but it has no impact on publishers' sales, which is still one of the surest ways to get through the bullets. Other websites have been less cautious on this point by making available content that is still commercially exploited. Due to its special status, Internet Archives makes it possible to play (but not download) thousands of old games online, including titles that are still commercially exploited (Sonic 1 for example) but with the notable exception of Nintendo games or games released on Nintendo systems. In 2016, the Japanese company took down the Nintendo Power issues that were available for download at the digital library, stating that "The unapproved use of Nintendo's intellectual property can weaken our ability to protect and preserve it, or to possibly use it for new projects”. On June 1, 2020, four book publishers sued the Internet Archive after its National Emergency Library project went online, a project with which the library lent out digitized versions of books that are still commercially available. The outcome of this lawsuit could have an impact on the fate of the site and the different types of content that can be found there.

If you're interested in development versions, having a well-stocked wallet won't be of much help as legally accessible versions are rare. Sega provided us with a few exceptions by including both the final and an intermediate version of Gunstar Heroes in "Sega Ages 2500 Series Vol. 25: Gunstar Heroes Treasure Box". Probably unintentionally, the version of Revenge of Shinobi featured in "Sega Smash Pack Volume 1" on PC is a development version. As for “Silent Hill HD Collection”, the choice to base these adaptations of Silent Hill 2 and 3 on intermediate versions (retouched for the occasion) was made by default.

Finally, there is the question of making the design documents available, which again relies largely on the good will of the publishers. In addition to the interviews and documents published on specialized sites and magazines, many artbooks including illustrations, concept art and/or excerpts from design documents have been released in Japan since the end of the 1980s, followed by the US market in the early 2000s and more recently by France. Although it is not the first representative of its category, Sonic Jam has long been a reference in terms of compilation by offering galleries of documents, information and sometimes previously unseen videos in addition to the first Mega Drive episodes. In 2002, Final Fantasy X came bundled with a making of, following in the footsteps of the movie industry Square was looking towards at the time. For the past few years, some of the games produced by Sony have been the subject of making of accompanying their release and many independent developers regularly communicate on the progress of their games, both on social networks and through their blogs. However, not all games have their own journal or post-mortem. This is where initiatives such as the one launched by the Conservatoire National du Jeu Vidéo in France take over. The latter meets with developers and development companies and requests that part of their archives be made available to the public, with varying degrees of success. Other organizations such as the Musée Bolo in Switzerland (which was given archives by former Infogrames CEO Bruno Bonnell) and Internet Archive have hosted documents of this type.

The issue of preservation is not only a public issue, as companies are (or should be) concerned as well. Apart from exceptional cases such as the Great Hanshin earthquake that destroyed part of the Konami Archives in 1995, development companies rarely communicate about the loss of documents. One of the reasons for this is that in many cases they have disposed of all or part of their archives themselves. In 2016, 2 Namco employees started the Archive Project to save 350 boxes of documents from the dumpster. The two men had to convince their company to release a budget for this project even though the latter was planning to dispose of the boxes to avoid incurring new storage costs. At Square Enix, on the other hand, some files could not be saved in time and some games' source codes were lost. In addition to the Mana series previously mentioned, we know that the source code of the PlayStation version of Final Fantasy VIII has disappeared, forcing the developers of the HD version to fall back on the code of the PC version whose music is slightly different. Same with the first episode of Kingdom Hearts; the developers of the 1.5 HD Remix version had to analyze in depth a commercial copy and recreate many assets. An example that echoes the story a developer posted in 2010 in which he explained that, as part of a port of various Midway arcade games, the editor in charge of the project was unable to get his hands on the source code of Spy Hunter, so he had to download the game's ROM in order to extract the graphics via MAME and retrieve the sound files from a fan site, among other things.

---- Interlude: source code----- Having the ROM of a game does not mean you have the source code of that game. While there are thousands of ROMs of commercial games on the net, source codes are much rarer. In 2012, Jordan Mechner released the source code for the Apple II version of Prince of Persia, which he wrote alone and for which he is the owner, even though the licensing rights now belong to Ubisoft. More unexpectedly, it was discovered in 2014 that a large part of the source code for the NeoGeo version of Art of Fighting was in a file from its adaptation on PC Engine CD. In all likelihood, the developers of this version had access to the source code of the original version, which was mistakenly included in all copies of the game. In theory, having the source code of a game facilitates its adaptation on another support since, from one version to another, one can reuse a more or less important part of it, thus reducing the workload and the development costs. The loss of a game's source code therefore greatly reduces the chances of seeing a remastered version of the game. The fallback solution when it is an old game originally released on console or arcade is to use a ROM and an emulator, as it has been done on many compilations or re-releases of arcade games since the early 2000s.

The Nintendo case The source code for several Nintendo games and systems is now available on the net. Some might see this as a public backup, but the various leaks that happened since 2018 tend to prove that Nintendo knows how to preserve its data (at least for some time) and doesn't necessarily need outside help. There are several rumours about Nintendo that have not yet been confirmed. One of them is that the source code for The Legend of Zelda: Link's Awakening has been lost, a hypothesis that arose after studying the source code for the DX version of the game, released five years later for Game Boy Color. Another rumour claims that Nintendo is downloading the ROMs for its own NES games, a rumour that found an echo in 2016 after a lecture on emulation was given at the Game Developer Conference. However, if the NES game ROMs used by Nintendo for its Virtual Console look like the ones circulating on the rest of the net, maybe it's because at least one of the persons hired by the Japanese manufacturer to dump the ROMs of its games - Tomohiro Kawase - contributed to the group (iNES) that was dumping ROMs of those same games before joining the company.

The argument that Nintendo is a temple from which nothing comes out seems somewhat exaggerated. The company's games may not have been the subject of as many artbooks as Square Enix's, which, when it doesn't lose its source codes, knows how to showcase its heritage, but it has published many documents in the past relating to series such as Mario and Zelda (which was recently the subject of a series of artbooks), has released new games or versions of new games (Starfox 2 on the Super NES Mini, the European version of Drill Dozer on the Wii U Virtual Console), not to mention the "Iwata Asks" series, which we'd like to see an equivalent in all other development companies. The sense of secrecy that some people might see in Nintendo is probably due in part to the fact that the public is more interested in it than in most of its competitors. The popularity of some of its licenses has few equivalents in the world of video games and pop culture in general. The fact that we still discover old, unreleased Nintendo games nowadays is nothing unusual; tons of games are cancelled without having had a chance to be officially announced.

On the age of the content put online Two arguments are regularly put forward to minimize the significance of the Gigaleak. According to the first one, the content in question is old and therefore less sensitive or of lesser value than if it were recent documents. This is forgetting that Nintendo has more than once taken ideas or concepts that are sometimes decades old out of its boxes. During the 2007 Game Developers Conference, Shigeru Miyamoto went back over the concept of Miis and explained that it had undergone several changes over the years, starting as a demo on the Famicom Disk System, then reappearing on Super Famicom and 64DD before finally finding its way to the Wii in 2006. The Mario series has also had its share of ideas that have been put aside then used in later episodes. The idea of straddling a mount, for example, was first suggested during the development of Super Mario Bros. 3 (1988) before being adopted in Super Mario World (1990) with Yoshi. Miyamoto had originally envisioned a horse, but he kept the idea for The Legend of Zelda: Ocarina of Time (1998). A simultaneous multiplayer mode was experimented with at the time of Super Mario Bros. 3 (1988) and will only be included in the series starting with New Super Mario Bros. Wii (2009). Finally, one of the sprites from Super Donkey bears some resemblance with one of those appearing in Super Mario Maker, by its concept.

Top: Super Donkey. Bottom: Super Mario Maker.

The second argument concerns the damage suffered by Nintendo and reveals a difference in treatment with what happened in April 2020 when a development version of The Last of Us 2 leaked a few weeks before the game's release. Messages of disapproval and support for the developers seem to have been more popular than those welcoming the leak. In the case of the Gigaleak, Nintendo has often been perceived as a big company, an abstract entity, thus obscuring the fact that its games are also the sum of the work of a group of individuals. In legal terms, unless otherwise stated, the fruit of the work produced within a company is the property of the company. On a personal level, it often happens that a developer has a particular attachment to what he produces.

Dylan Cuthbert, in response to a person asking him how he felt, a few hours after the July 24th leak.

While some developers may have been in favour of releasing development versions - Yuji Naka tried to find the prototype of the first Sonic publicly shown in June 1990 to include it in Sonic Mega Collection - or even production documents - Jordan Mechner published the journals he kept during the development of Karateka and Prince of Persia - others are less enthusiastic about making such files available. By definition, a development version is not a finished product, and while it is natural for a finished product to be made public, this is not necessarily the case with everything relating to the development process. This is not exclusive to video games: many illustrators are reluctant to show their sketches, works in progress or unfinished drawings, no matter how old theirs works are, and the same is true of writers and musicians. As with private conversations, there is the question of respect for developers and their consent. This is obviously not a small obstacle for anyone who wants to preserve and share all the documents relating to the history of video games, but it seems difficult to me to do the work of an archivist or historian (who relies on the work of developers) if it means harming some of these developers even slightly. Of course, you have to hope that as much information as possible will come out and you can work on it in different ways, but you also have to set limits on the methods you can use and not just reason in legal and/or material terms.

Consequences It is difficult to measure how much will come out of this case, as other elements may be added in the coming days or weeks. Now that the leaked content is circulating, Nintendo will have a hard time getting it off the net and can expect clones of consoles using its own source codes to be produced and marketed in certain countries.

Regarding the emulation scene, it's a bit more complicated. In 1999, source code and documents relating to the Nintendo 64 leaked from Silicon Graphic Inc, a company that produced processors for the Nintendo 64. Known as the Oman Archive, this content was used in the early days of Nintendo's system emulation, which led to quick results. But this use of an illegally obtained code subject to intellectual property law was also a liability for the emulation scene of this machine, which took years to get rid of. Most of the other emulators available online are legal since they were developed with their own code. It's to avoid breaking the law that console BIOSes often have to be downloaded separately (like the source code, BIOS are copyrighted). The appearance of the Wii source code is therefore a poisoned gift for developers of amateur emulators. It may allow them to understand how Nintendo has done this or that, but they can't reuse it even partially without breaking the law.

Nintendo has probably already apologised to Capcom, Konami and M2 whose files have also ended up on the web. As for the rest, we can only speculate. Will publishers become aware of the interest of a part of their audience in the making of their games and offer more content to satisfy this curiosity (videos from their archives, books, making of, etc.) or, on the contrary, will they lock the doors of their archives by throwing the key into a well? Will security and control on the net increase, further restricting the distribution of certain types of content, be it fan games, ROMs - two categories that Nintendo has been fighting hard against in recent years - or Youtube videos showing things that publishers would prefer not to see on the net (like, say, glitches from Animal Crossing: New Horizons)? Or maybe nothing will change.

Sources : Sonic 2 https://web.archive.org/web/20051104100754/http://xbox.gamespy.com/articles/654/654750p4.html https://info.sonicretro.org/Sonic_Team_interview_by_Kikizo_(November_30,_2005) Hidden Palace http://info.sonicretro.org/February_23,_2008_Proto_Release Pokémon Gold 1997 prototype (2018) https://twitter.com/sanquii/status/1002107775651057664 Pokémon 2019 leak https://lavacutcontent.com/pokemon-beta-leaker-statement/ https://helixchamber.com/2019/02/16/what-dreams-may-come/ April-May 2020 leak https://resetera.com/threads/the-nintendo-leak-saga-continues-biggest-nintendo-leak-in-history-full-source-code-design-files-for-wii-released-online.196683/ https://www.resetera.com/threads/the-nintendo-leak-saga-continues-biggest-nintendo-leak-in-history-full-source-code-design-files-for-wii-released-online.196683/post-32917584 https://nintendoeverything.com/nintendo-suffers-huge-leak-source-code-and-design-files-for-wii-appearing-online/ https://twitter.com/Zetsuboushitta/status/1256320740527239168 https://twitter.com/LuigiBlood/status/1256543745794879488 recent leaks: 1 Ryan Hernandez https://www.thegamer.com/man-leaked-nintendo-switch-prison-charges/ https://www.justice.gov/usao-wdwa/pr/california-man-who-hacked-nintendo-servers-steal-video-games-and-other-proprietary 2 Tillie Kottmann https://www.bleepingcomputer.com/news/security/source-code-from-dozens-of-companies-leaked-online/ 3 Zammis Clark https://www.theverge.com/2019/3/28/18286027/microsoft-nintendo-vtech-security-hack-breach-researcher-guilty https://lavacutcontent.com/pokemon-beta-leaker-statement/ Mail sent by Impero to Zammis Clark - Wack0 https://archive.org/stream/pdfy-fRcZ1TWHaDkwz-Ea/Letter%20to%20Mr%20Zammis%20A%20Clark%20dated%2013%20July%202015_djvu.txt BroadOn + iQue https://wiki.mariocube.com/index.php/IQue#BroadOn July 2020 leak https://boards.4channel.org/vp/thread/44305551/ppg-leak-time-fuck-ganix https://www.resetera.com/threads/update-super-mario-64-and-oot-source-leaked-massive-nintendo-data-leak-source-code-to-yoshis-island-a-link-to-the-past-f-zero-and-more.254724/page-62 Aleste and M2 https://twitter.com/M2_STG/status/1014031712672571393 Collection of Mana https://gameinformer.com/preview/2019/06/11/decades-in-the-making Vice, Lemonde.fr and Nintendo https://www.vice.com/en_us/article/7kp7bx/a-massive-leak-of-nintendo-source-code-is-causing-chaos-in-video-games https://www.lemonde.fr/pixels/article/2020/07/31/nintendo-ce-que-l-on-sait-de-la-fuite-supposee-de-documents-lies-aux-jeux-video_6047809_4408996.html Cuthbert and Starfox 2 https://twitter.com/dylancuthbert/status/1286789583061934080 Mario World sprite sheet https://topics.nintendo.co.jp/article/cb34ab17-9135-11e7-8cda-063b7ac45a6d Luigi in Super Mario 64 https://shmuplations.com/mario64/ Adult Mario in Yoshi's island http://shmuplations.com/yoshi/ Super Mario Kart before Mario https://twitter.com/toruzz/status/1287400639165861888 http://iwataasks.nintendo.com/interviews/#/wii/mariokart/0/0 Mario Kart 64 circuit http://shmuplations.com/mariokart64/ https://twitter.com/AeroArtwork/status/1288299965954088966?s=19 Zelda II SFC in 3D http://iwataasks.nintendo.com/interviews/#/3ds/zelda-ocarina-of-time/1/1 Zelda OOT in Ganondorf's Castle https://twitter.com/AeroArtwork/status/1287524648222105607 7 day cycle in Zelda: Majora's Mask https://twitter.com/Zen64_/status/1287582698085777408 http://iwataasks.nintendo.com/interviews/#/3ds/majoras-mask-3d/0/0 https://www.polygon.com/2015/2/18/8064257/majoras-mask-three-day-timer-week DragonFly https://www.unseen64.net/2008/04/14/pilotwings-snes-proto/ Sonic 1 fan recreation https://www.youtube.com/watch?v=oHtzXzu2BDA Argonaut https://twitter.com/corentin_lamy/status/1286932458173276161 https://www.resetera.com/threads/update-super-mario-64-and-oot-source-leaked-massive-nintendo-data-leak-source-code-to-yoshis-island-a-link-to-the-past-f-zero-and-more.254724/post-40826655 Unreal Championship 2 https://twitter.com/Sinoc229/status/1288680503801860096 https://www.ign.com/articles/2011/06/11/epic-games-website-forums-hacked Akka Arrh https://arstechnica.com/gaming/2019/04/after-a-lost-atari-rom-leaks-retro-fans-ask-was-it-stolen/ Galaxian https://www.4gamer.net/games/999/G999905/20180313040/ Firsts emulators https://emulation.miraheze.org/wiki/History_of_emulation Namco's Archive Project https://game.watch.impress.co.jp/docs/news/1205387.html Spy Hunter http://web.archive.org/web/20110925185703/http://www.ppl-pilot.com.nyud.net/mame.aspx Prince of Persia https://github.com/jmechner/Prince-of-Persia-Apple-II On the CNJV, Musée Bolo and BNF : "colloque: la conservation du patrimoine vidéoludique" (2017). Nintendo Power, Internet Archive https://www.polygon.com/2016/8/8/12405278/nintendo-power-issues-disappear-from-free-online-archive http://blog.archive.org/2020/06/01/four-commercial-publishers-filed-a-complaint-about-the-internet-archives-lending-of-digitized-books/ Nintendo ROMs https://www.resetera.com/threads/tomohiro-kawase-mightve-been-hired-by-nintendo-to-put-rom-headers-into-vc-updated-dec-1-2018.64755/ https://twitter.com/LuigiBlood/status/1045348387174977536?s=19 https://www.reddit.com/r/emulation/comments/9msl9j/update_did_nintendo_actually_download_roms_for/e7iemhb/ GDC 2016 https://www.gdcvault.com/play/1023470/-It-s-Just-Emulation The Legend of Zelda: Link's Awakening source code https://www.neogaf.com/threads/it-bothers-me-that-nintendo-keeps-ignoring-links-awakening.931702/page-2 Mii https://unseen64.net/2008/04/14/mii-nes-prototype/ https://www.nintendo.fr/Iwata-demande/Iwata-Demande-Nintendo-3DS/Vol-5-Interview-de-Miyamoto-san-a-la-veille-de-la-sortie-de-la-console/2-Faire-des-personnages-Mii-un-standard-international/2-Faire-des-personnages-Mii-un-standard-international-210297.html Yoshi and a horse https://www.nintendo.co.uk/News/2017/October/Nintendo-Classic-Mini-SNES-developer-interview-Volume-5-Super-Mario-World-and-Super-Mario-World-2-Yoshi-s-Island-1290850.html Multiplayer mode in SMB3 http://iwataasks.nintendo.com/interviews/#/wii/mario25th/2/3 Super Donkey - Mario Maker https://twitter.com/dbMisadventure/status/1286751468293414912 Dylan Cuthbert https://twitter.com/dylancuthbert/status/1286822093703622656 Sonic 1 prototype https://www.gamesradar.com/super-rare-1990-sonic-the-hedgehog-prototype-is-missing/ Oman Archive https://sm64-conspiracies.fandom.com/wiki/Oman_Archive Animal Crossing: New Horizons vidéo https://www.vice.com/en_us/article/m7j7yb/nintendo-takes-down-youtube-video-of-fan-showing-animal-crossing-glitches

[delcat177]

Before New Pokemon Snap

While this game I have waited for for 22 years loads up, before I spend the night playing, I wanna tell tale of my time with the first one.

(The player’s guide is so nostalgic!)

Yon Longe Poste

I was interested in nature photography as a kid. And by interested, I mean kinda really obsessed. My father had been a journalist and had his own interest in nature photography, so after developing some skill on a little plastic snap camera, he did one of the few bond-y things we did when I was a kid and taught me how to use his old 33mm. It was a wonderful thing with a telephoto lens that I’d carry in a case around my neck, snap the lenses back and forth as needed on my daily field ramble. 

Mom had commented on my patience with the snap deal, I would sit by the hummingbird feeder motionless for as long as it took to get shots, and a real field camera took it from the backyard to the woods. I could usually get birds and could always get some Pure Michigan nature, but I was constantly angling for animals--with 24 to 36 shots, depending on how I pooled my allowance, I spent a lot of time hunting for frogs, snakes, turtles, settling for butterflies and my dog. The one time the latter met a big touchy porcupine, I didn’t have my camera and was preoccupied with my poor be’needled boy, and when I went back, it was gone.

So, remembering a family story about how Mom had once found a porcupine chewing on the door because it was trying to get salt out of the wood, I requisitioned a piece of plywood my father promised was extra salty, took the shaker for good measure, and put it back where the needling had happened.

I haunted that spot all summer, but life isn’t as interesting as it can be, and porcupines are nocturnal. It wasn’t safe to be in the woods after dark, we had coyotes, so I took my solace in finding one day that it had, at least, been happily gnawed.

When I saw the first Nintendo Power previews of Pokemon Snap, I went “ah, yes, a blessing from the gods” and started work on a local Christmas cookie empire (different story entirely) to be ready for the release date. June was four months from my birthday and six from Christmas. I needed to be on LOCK.

And when I finally gave over my $63.59 (state tax was six cents) for this limited, low-poly, rail-ride of a game...

...I absolutely adored it like few things I have ever adored. The only thing missing was Oddish, and I was okay with that, kinda, I guess, if they had to.

I played nonstop. If I got bored with the ambience, which was rarely, I put on one of my sister’s CDs--RENT, usually.

Yes, I was listening to RENT at 12.

Until Mom heard La Vie Boheme.

At any rate, I got every last cent’s worth out of it. I filled my Pokedex. My last Pokemon, pulled from a sneak peak at a player’s guide in Wal-Mart, was Muk. I still have creepypasta/Pokegod theories about how Mewtwo was supposed to be in the game (why 63 Pokemon, not 64??). The Album, where you could save your pictures, let you write a few words on your faves, and I did my best to take funny snaps and caption them. The pun “Karp-E Diem” was used.

My skill increased. I learned how to stop the ride indefinitely at the Charmander section and played with them, throwing them apples and seeing how many consecutive heads I could bonk (I think my record was 7?). Then, with a tip in the NP letters session, I found out you could glitch the game by constantly changing direction in the kart, lagging it from moving, so that events timed to the movement went off early. This is the best way to get the most AMAZING shots of Pikachu riding Articuno without hacking, still.

It must have gone on for a year, at least, before I beat the game.

REALLY beat it.

Pokemon Snap is a limited game. Each Pokemon can have a maximum score assigned to it, a cap where it’s simply absolutely perfect in shot.

And for Mew, the highest-scoring Pokemon in the game and the only Pokemon on the last level, I was consistently getting 9900.

But that wasn’t quite right.

The thing is, Professor Oak reviews your shots and tells you exactly why you did or did not get each bonus. To get all bonuses on Mew, she needs to be in the right pose, (a sequence of item throws, easy), exactly in the center (again, easy) and exactly the right size.

The last part is worth 100 points exactly.

If I could have submitted every photo I had of Mew, I would have cleared it out easily and mindlessly. I would have gotten 10000 points, the only five-digit score in the game, somewhere in the 60 snaps I was allotted for the level. She was right in front of me, all I had to do was click-click-click.

But that’s not how the game worked, and this is where it shines. It’s also where I am very curious to see if it’s going to be the same.

Like I said, Pokemon Snap was a limited game. It’s notoriously difficult to emulate, because it uses some advanced jury-rigging of the N64′s capabilities to call and recognize a photo of a Pokemon. To streamline that, and presumably to allow for this precise experience, the player can only select one photo they took of a Pokemon to be reviewed per play.

I wasn’t just trying to catch the perfect shot.

I was trying to find it out of all the shots I took.

Over and over again, I went through the stage, snapped pictures, pored over my album, selected the single entry what I was sure was just right, went to judging. Over and over again, I heard Professor Oak go “whAt a PItY”, in sound byte form. The CDs became necessary to halt murder.

It took weeks. But one day, from sheer little-kid determination, I got my snap. I JITTERED hearing the “Just right!” byte, held my breath--

10,000 points.

The perfect score.

(This isn’t mine, of course, and also is a 9900--that foot is the real problem, so I’m glad to see I’m not alone)

It automatically saved to my best-score slot. I wish I had taken picture-pictures. I felt pride on a deep, genuine level that like my hummingbirds, I had at last gotten just the right moment, had just the right eye.

I’ve honestly been thinking a lot about my father lately. We didn’t have a great relationship when I was in the house with him, but...being a teenage “daughter” and being an adult son are two different things.

And it didn’t stop at Pokemon Snap. After being kicked out of an evangelical school, I started attending classes for high-schoolers at the community college, and Photography was my first. I ended up taking the class four times and passing it twice--I wasn’t bad at the subject, but rather had a hard time getting transportation to the college to do the course work. I had to withdraw the first and second times, pulled a C on the third, and took it one last time as I was graduating to shine up my GPA since I knew I had a reliable car and I could lock in the A.

My sister and my mom, maybe my dad all thought I might end up a wildlife photographer. I professed the interest, and unprofessed it once I started reading about how harsh locales are in that job. I suspected getting bugs up my nose in 110-degree heat wouldn’t be as fun as the idea sounded. Instead, I leaned toward my librarian interests, and now I’m sitting here developing games and writing.

If I could tell myself back then, before all of it, that photography would never make me a dime, would cost me all my allowance on film, would be one of the albatrosses of my college years, and that technology would make all of the practical experience I learned in development a moot point...

...we would both know it was worth every single moment, one moment at a time.

Hekk.

Maybe I should send Dad some photos.

so is it done installing yet

[prisonhannibal]

Do you have any cablepool fanfic recommendations bc I suffer daily trying to find good ones (especially comic based, but movie is fine too)

I think you might be a long distance telepath because I got an ask like this a while ago and didn’t answer it bc I needed time to think. and then I couldn’t find it in my inbox so I decided to just write a regular post, and while I was writing that post I got this ask!

ok these are in no particular order and I’m not using the actual plot summaries the authors used on ao3, just making stuff up or using quotes from the fic

one-shots

Landing on both broken hearted knees by rayguntomyhead (1.6k words, rated M)

Post Deadpool 2. Wade and Nate share a hotel room. I know what you’re thinking, it’s not that kind of fic. Nothing is going on with them yet.

Tropes by quakey (2.2k words, rated T)

Wade’s been reading TVtropes, and if Nate is fucking with him right now, Wade is gonna gut him like a fish and throw his bloody corpse in the sea for the sharks.

These days are great and so are you by bankrobbery (3k words, rated T)

Movie based. Wade gets kinkshamed by Weasel and hawaiian-shirt-shamed by Cable. They’re at the bar, basically

Motormouth by pavonine (13k words, rated T)

Wade can’t shut the fuck up, and this time it’s not even his fault! Wade’s been cursed to never be able to stop talking, which is really fucking inconvenient if you’ve got stuff you’re trying to not say.

also the norwegian prime minister is in it very briefly, and it was posted in 2013, when jens stoltenberg was the PM so I’m just gonna assume it’s him and bring your attention to this picture of him which I think is hilarious

Pressure points by denims (2k words, rated M)

Cable keeps casually touching him, which probably doesn’t mean anything (don’t listen to domino, she doesn’t know what she’s talking about), but it makes Wade feel weird. So, so weird.

Multi-chapter

Wade will f*** shit up for you by Quakey @withoutaconscienceorafilter (48k words, rated E, so minors stay away from this one, it’s the only thing on the list with actually NSFW scenes.)

The craigslist ad said “My name’s Wade and I fuck shit up professionally. So your ex getting married? I’ll crash that shit. Your job fire before their company picnick? I’ll show up with tequila and throw hands. Got some one one you hate an just wanna fuck their day up? I’m all over that shit. Serving all situations where we customize your service to your liking email me for pricing. Services guaranteed with video.” Maybe this is a horrible idea, and maybe he shouldn’t have, but Nate did answer it, so things are definitely about to get weird

I’m biased on this one because it was based on a post I made but it seriously is really good it’s super funny (almost choked to death trying not to laugh on the bus at one point) and in character and some of the scenes are so so so cute. Not sold yet? Hope is in it. AND Ellie. Hell yeah! This one is movie based, and I really like that it’s a regular non powered AU, but Nate’s arm+eye and Wade’s scars are still included. Like Nate has a prosthetic arm and Wade actually looks like Wade.

Fistful of shovels by surefall (28.6k words, rated T)

Now, you might be thinking, ms. Mutantapologist, this is tagged spideypool?? It is, but just trust me okay

Wade’s best friend, bromanciest of bros to ever bro, Nathan Summers is back in his life, and he’s really starting to get under Peter’s skin. They’re just too close, and Nathan is there all the damn time. List of things Wade’s weird time traveling BFF would look good in: 1. his own damn home. Nate and Peter get passive aggressive and competitive, Nate’s manipulative tendencies make an appearance, Peter is kind of a dick, and Wade’s honestly just happy to have his BFF back.

this is one of my favorite portrayals of their relationship dynamic tbh. just...their unbreakable bond...the way they keep coming back to each other through time and dimensions...that shit makes me cryyyy. and how well they know each other..the trust...the casual intimacy....how comfortable they’re with each other...also the dialogue in this is perfect, love their banter. This one is “screenshotting quotes and sending them to your friends” level funny. they also play mario kart and I think that’s nice.

Read Omake: Fistful of shovels for the Deleted Scenes Edition that has stuff that didn’t make it into the final fic or alternate versions of scenes. includes: Nate sending a shirtless selfie with ulterior motives, Nate being sort of a home wrecker (but at least he’s more honest about it!), aunt May, Nate being accused of being a bottom, etc.

Strangers by totallynotremus @totallynotremus (31k, rated T)

Nate plays games. Not weird manipulative mind games this time. Actual games. Online. With Wade and his friends. Wade feels targeted because come on, you behave mildly flirtatiously with the guy your friend group is gaming with online a lot acouple of times and suddenly your so called “friends” won’t stop harassing you about it. unbelievable. this one is also super funny

Motion Practice Universe: Cablepool Edition

I couldn’t put these in either category because they need to be in order and there’s one-shots AND a multi chapter fic so i’d have to separate them and that wouldn’t work. These are part of the (as of august 2020) 1,405,078 words long Motion Practice Universe, but you don’t need to read the rest of it to know what’s going on, I didn’t and it works 100% fine as a stand-alone storyline

Wade Wilson explains it all (or at least, how Clint’s keeping his job. Mostly keeping his job. It’s complicated.) by the_wordbutler (3.3k words, rated T)

Wade is trying to put together a fruit basket for Clint, because he’s a thoughtful friend (who does not get enough credit, hello?), unlike some other people. Example: his coworkers, who won’t let him focus on his super special important project (fruit basket!). And Nate, who’s eating an orange (from the fruit basket!😡) which has no business being that distracting.

it’s sort of an introduction to the next thing in the list, and I highly recommend reading it first. Definitely does a great job at showing what you’re gonna get from the full fic. Also, it’s cute and funny.

Admissions, Interrogatories, and other discoveries by the_wordbutler (150k words, rated M)

No, that wasn’t a typo, it really is 150k words. And I read it. Twice.

Basically, Wade is a criminal defense attorney, good job, you get to defend goat fuckers and other weirdos. Fun times. Nate’s a coworker, works in immigration and civil rights law, they do projects together. Just a bro he jokes around with, who sometimes brings Wade lunch, and whose arms Wade really likes to stare at, but that doesn’t mean anything, right?

this one is REAL slowburn (never in my LIFE have i experienced slow burn like this one holy FUCK), great relationship development and I just love their dynamic and banter in this one. Perfect dialogue and it’s really fucking funny, made me laugh out loud at several points! AND!! Hope is in it<3

What I learned on my summer vacation, an essay by Hope Summers by the_wordbutler (4.5k words, rated T)

Sequel to Admissions, interrogatories and other m discoveries. Wade, Nate, and ten year old Hope go to Disney World, and the beach. A lot of love and family<3 Wade took 3 sign language classes to talk to Hope (who’s deaf)

I’m sure I’m forgetting a lot of great ones but here’s what I could think of rn!!

[breadknight-likes-things]

Bread’s Game Journal 11/09/20: A Disastrous Start But A Strong Finish, My Romantic Relationships, Or The PS3?

A lot of what people remember about the PS3 pertains to it’s extremely unfortunate beginnings.  Immediately marred by some awful creative and technical choices, the PS3 got off to an extremely rocky start, and rapidly lost ground to its competitors, the Xbox 360 and Nintendo Wii.  A lot of this came out of extreme arrogance on Sony’s part, from the infamous “Five Hundred And Ninety Nine U.S Dollars” price point, to the Sixaxis controller desperately trying to copy the Wii while chucking out much beloved features like rumble feedback.  The PS3 very well could have crashed and burned so bad that Sony as a video game maker could have never recovered.

But here’s the thing, it didn’t.  Yes, it did crash, hard in fact, it was doing very poorly and a lot of it’s big exclusive games simply weren’t good enough to justify the thing’s price, but that didn’t last forever.  Eventually, Sony pulled through in a big way with it’s first party games, giving us now modern classics like Uncharted 2: Among Thieves, Ratchet and Clank: A Crack In time, and God of War 3.  To be truthful, however, I wasn’t there for the disastrous half of that ride.

I think about Uncharted 2′s train level twice a day.

When I had to make my choice between the 7th gen console I wanted to get, I made the call to get an Xbox 360.  There were a few reasons for this, games like The Elder Scrolls Oblivion and Halo 3 being some of the biggest ones, but at the time even A huge Sony fanboy like me could only look at the PS3 and see an unaffordable behemoth that didn’t have nearly as many cool looking new games as were releasing on the Xbox 360.  However, around the time the PS3 came out, I was about 14 years old, so it wouldn’t be all that long before I started getting summer jobs.  When that happened, and I suddenly had disposable income, a Playstation 3 was one of the very first things that I bought. As I mentioned briefly above, by that time the PS3 had managed to largely turn itself around in a big way.  The “Slim” model of the console had come out, with a far more attractive $300 price point, and by that point we had started to get more exclusive games, and most of them were very good.  God of War 3, for example, was an epic conclusion to a game series that I had loved dearly on PS2.  Uncharted 2 had refined the rough around the edges gameplay and concept in the first game into an action adventure masterpiece that redefined the concept of a cinematic game experience.  We had even started to get some oddball fare that turned out a lot better than I think people had really expected, like Little Big Planet or the later Resistance games. A series of small, but important wins would end up positioning Sony back in the lead in the ever brewing console wars, but what’s important to think about with the PS3 is just how close they came to messing it all up.  Sony’s arrogance cost them a lot of their customers.  On top of that, their terrible ideas like the “Cell Processor”, a nightmarishly difficult to work with CPU, resulted in a lot of multi-platform games being demonstrably worse on PS3.  To this day you can’t play PS3 games on anything other than a PS3 and select, very limited, emulators, largely because of how cobbled together and jerry rigged a lot of the systems internal hardware was, and the bizarre ways developers were forced to work around that.

Though it came much later in the life cycle, Skyrim is an excellent example of the Playstation 3′s issues with multiplatform games, being loaded with a myriad of game breaking bugs and performance issues that simply weren’t present on the Xbox 360 and PC.

With all the flaws laid bare, and all the mistakes made, it’s then surprising to learn that the PS3 is in fact the top selling video game console of the 7th gen.  Frankly, it deserves that spot.  Sony did so much work to bounce back from their tough place and all the dumb mistakes they made, that the PS3′s eventual success (and by extension, the PS4′s mindshare dominance of the 8th gen) seems more than well earned.  Ironically the polarity of “Arrogant Sony” and “Cool Game Guy Microsoft” would swap near the end of the generation, but we’ll get to that tomorrow with the PS4. The PS3 may not have had a strong start, but it did have a strong finish.  Sony may have flown too close to the sun at the start of the generation, but when they finally managed to fix their problems and give the people what they really wanted, we ended up with one hell a console.  One that I think will be remembered for a long time for its strong lineup, excellent other features (It could play Blu Rays!  It was actually the cheapest Blu-Ray player on the market at $600) and the presence of Modnation Racers specifically....no?  Just me on that last one? Alright, your loss.  #BringBackModNationRacers

Taken from us too soon, R.I.P you deeply underappreciated Kart Racing masterpiece.

[maddiefriendlovesbilly]

Spencer x Ghost?

Spencer x Ghost

(AAAAA- it has been months since you sent this to me, and all i can say is im so sorry) Side note I have my friend @lethalbreadkills helping me with this one!

For reference: Maddie (maddiefriendlovesbilly) is green, Jimmy (lethalbreadkills) is red (((its 4:30 at the time i have joined this so im dead braincell wise sorry yall))) and Orange is stuff we decided together :3

Also this is so very chaotic im so sorry for this anon but this has been in my fuckin drafts for SO LONG and this is the only way its getting finished (its now 5 am uwu) im so sorry for all the shitposting i do its a mess. I shouldnt have been allowed here. (we finished at about 5:30 am its hell <3)

Sphost? Ghencer?? Sphoster??? I adore and despise them all equally.

We have decided that it should be BeanieGhost

Anyway I think this ship is really cute

They’re both so neurotic I can only imagine the chaos that would ensue

One of them starts a rant on some topic and the other joins the hell in

I’m an advocate of LETTING SPENCER INFO DUMP BECAUSE HE DESERVES IT OKAY

And Ghost would let this dream come true???

I would die for both of them and if Spencer told me I had to die I wouldn’t even complain, no questions I’d just be like “Aight.” I trust him that much.

(Not sure I trust Ghost’s judgment enough to do that unquestioningly; sorry Ghost)

Back on topic

I can’t imagine these guys on anything that comes close to society’s definition of a date

It’d be more like “hey you wanna come on this hunt with us?” “maybe, depends if there’ll be snacks” or like chilling in Spence’s room binging the entire star trek: original series in one sitting or “oops sorry about that level 11 entity that attached to my soul and is now wreaking havoc in your house, wanna make out later to make up for it?” “Fine but you also have to play three rounds of Call of Duty with me afterward”

They wouldn’t be romantic often but like highkey? I can see them throwing themselves into the line of fire for each other with a recklessness only they could survive

We can’t forget that Spencer is a more than 60,000-year-old overpowered demon/god/entity/thing, which, yes, could throw a slight wrench in this ship for multiple reasons, but I choose to make angst out of it instead.

Side note: Ghost is a chronic conspiracy theorist (and you can’t tell me otherwise) and every once in awhile Spencer will offhandedly say something like “Y’know I helped the Egyptians build the pyramids” and Ghost just goes fucking feral.

Look, I’m not saying Spencer IS touch-starved and most likely has issues creating and developing relationships and therefore avoids interpersonal connection, especially offline, but I AM saying he is prime material for it. (thats a lie thats exactly what shes saying don’t believe it) (I’m projecting okay dont judge me) (loser imagine projecting)

Imagine with me for a second: Why does Spencer willingly stay with a family who locks him in their basement with only minor complaining? He’s a near all-powerful entity just released into the world for Spence’s-sake - If he wanted to, there’s no telling what havoc he could wreak! So why doesn’t he? Why would someone so powerful, so terrifying, so dangerous that a group of people decided to seal him away forever stay with the first family he finds in sub-par conditions for years - especially someone who’s seen to be as high-maintenance as Spencer? Let me hit you with a theory: He’s chasing the feelings of validation, safety, and love - no matter how rarely it’s shown - that a family can provide. Being socially isolated for even a few years can do a number to a person’s psyche (I should know, I’m projecting onto this character right now), let alone thousands.

Now maybe Ghost can’t match thousands of years in isolation, but damn if he doesn’t have a few years of crippling loneliness on his record too.

I can see the two of them learning how to be vulnerable around others together, emotionally and physically; learning how to open up and how to talk through issues; and some third point, because points are better in threes.

(May I suggest that these losers are both trans but thats just me adding in my own projection lmao)

(You absolutely may)

Imagine the conversation thats just “so i have a murderer in my head thats an ass” “rip to u ig sounds like a you problem :///”

imo spence has trouble expressing emotions other than like,,, annoyance and haughtiness, its like sort of his go-to defence, so showing Ghost his emotions is a big step for him

I hear you, and i say yes good. (found this one headcanon that i kinda live by where he was uh, either autistic or adhd i dont remember but theres that too) OH yeah that would be at thing huh. Spencer: *is emotionally vulnerable @ ghost* ghost: oh shit im trusted??? Oh fuck uh.

Yeah so like…. Ghost and spence showing emotion at eachother is kind of :flushed: ghost be like: whats an emotion. Imagine having emotions fuciiing loser hhaha,,,, *laughs nervously*

Ghost is also very emotionally distant with most people so it would probably be like “what??? The fuck?? Emotions?????? You have those???”

Ghost and Spencer be like *gay*

So another idea is that maybe Spencer realizes Ghost doesnt play any games [like the uncultured SWINE he is] and decides he must [remedy] this and so he introduces him to like, nintendo first. (some bitches thought that said nintendo fortnite. Im bitches) and theyre playing like, mario kart or smash or smth and Ghost gets really [fuckin into it]

Ghost and spencer: *literally in eachothers laps playing fucking wii tennis*

Spooker: what are the- *TOAST FUCKING SLAPS A HAND ACROSS HIS MOUTH* shut up you dont wanna know what happens when its mentsonssbfdjfsd (sorry i had a stroke uwuwuwuw)

(Theyre in denial we don’t judge in this house)

They will not hesitate to play dirty either, they will straight up push each other over and vaguely flirt

Ghost is losing and straight up fucking goes “ur hot” and spencer actually dies and boom ghost is the winner. sparkle emoji Magic sparkle emoji

“I am Not a HomoSexual:™:” “Yeah, sure you aren’t” “Screw off”

Pet-names-ish: Asshole, Gaymer-Boy, casual insults, Mr. Spirit Bitch, Mistake, Loves Ghosts More Than His Boyfriend What A Fucking Loser aka Gay-ass

Pros:

They both open up a lot most likely. Gain someone to trust since they’ve sort of been through the same things (though on much different scales)

I can see soft hours of hanging in each other’s bedrooms

Spencer is a tsundere you cant tell me otherwise youre just a coward if you disagree

So is Ghost so this can only go well

Every time Ghost has to solve a case at the Acachallas Spence is just peaking out from his basement like “the fuck is this?? Hot Man??????”

Enemies to lovers 500k (Gets Hot and Steamy :flushed: NOT CLICKBAIT!!!!11!!!!! 18+!!!!!!! GAY LOVE StORY!!!!!!) Lemonz!!! Made from teh Sexiest of Wattpaders UWUWUWU YAOI Boys Love don’t like don’t read!! (this is so fucking stupid jkfnd) I hate this with a passion Q^Q. All my years of being a basic watpad fanboy have helped me to the moment i bring maddie to tears

The steam is just like,,,,, holding hands and being angy all the fuckin time the steam is literal because their anger translates into actual steam

Cons:

Their angst has nowhere to go and it just sits between them like two raccoons at a dumpster-style mexican standoff

They really start off hating each other huh. Like, I know this can still lead to healthy relationships but neither of them are very good at healthy relationships with people he hasn’t known for his Whole Life so that’s an Oh No.

They totally feed off of each other’s stupidity (but this could be seen as a pro too so take that as you will) as well as anger - im talking one-upping each other kinda shit

Its ridiculous honestly how intense it gets, like they straight up need intervention sometimes because they dont realize they can just STOP

Conclusions:

I think this would be a relationship that would that a lot of time and hard work to make work, but i think in the end it would be really super cute!! Like it would make no fuckin sense to anyone else but somehow they’d understand each other and help each other through their similar issues. Also theyre both big nerds in different ways and i think they’d have just ranting sessions back and forth over and over and it would be soft!!!!! So yeah, i think it would work, at least, i want it to :D

So. Maybe?? I feel like it could, but they’d need to work pretty hard to make it healthy and not constant fighting. Could be stupid amounts of cute and wholesome but also could be stupid amounts of oh no and pain, depending on how the two act. If they learned how to get along with each other and work past their differences it could be super cute and soft. Just a very, er, bumpy beginning. And middle. And end. (this makes me very nervous,,,,why did you mention an end) (wouldnt you like to know weather boy) (TvT) UFDUNS bumpy but soft . Agreeing with the loser gay, want this to work it’d be interesting :3