#because based on this film's initial release date that would be like 3 years since this voice cameo

[awesomejustgotawesome]

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[shemakesmusic-uk]

INTERVIEW: Penelope Trappes.

Australian-born Brighton-based musician Penelope Trappes has shared a new single and accompanying short film directed by Agnes Haus, ‘Blood Moon,’ from her forthcoming album Penelope Three. The album will be released next Friday, May 28 on Houndstooth. Following singles ‘Fur & Feather’ and ‘Nervous,’ ‘Blood Moon’ is atmospheric and dreamlike; a song about repurposing the fear within.

"I consider the moon a temple, a mirror of our emotions,” elaborates Trappes. “The blood moon symbolically represents the beginning, the ending and a clean slate. ‘Blood Moon’ is about being uncompromisingly true to oneself despite societal expectations. Everyone should be free to express femininity in their own individual way. The burdens and expectations instilled in us at childhood weigh us down and hold us back. This song is about never giving in to this pressure and dismantling a system of oppression that is carried within our bodies. A metamorphosis." Commenting on the accompanying visual, she adds: "The short film ’Blood Moon’ is a modern take on the goddess Isis if she were around to face today’s world. Isis is the protector of women and children and the healer of the sick - but despite her powers, she would still be weighed down by societal expectations of what is expected of women."

We sat down with Penelope to discuss Penelope 3, being back on stage and what she has planned next. Read the full interview below.

Hi Penelope! How are you? How have you been coping with everything thats been happening this past year?

"Hello! I’m doing well, thanks. Keeping sane in a world gone a bit mad. I’m doing daily yoga and meditation, I’m vegan and very recently gluten-free, which has been great! I’m a bit of a bore with the health stuff...but I love taking care of my body. Also, after sometime of getting used to it, I am now embracing the slower pace of life, what with no travel, and less commuting places. It’s a bit like how I imagine things were in say Victorian times... but with internet."

You're gearing up to release your new album Penelope Three. In it you explore your metamorphosis through tales of motherhood, the divine feminine, anxiety, healing powers and their spiritual connections. What sparked the inspiration to write about these themes?

"I have always felt emotions deeply within my body, since I was a child, particularly ancestral trauma. I am not sure if there is a word for this, but it’s my reality and at times it has been quite hard to cope with. So as I have been going through a lot of physical changes in my own body in recent years, these have shifted and moved me on a much deeper level - emotionally and spiritually. On top of that there was the pending separation anxiety of my sole daughter leaving home, which turned out to be more emotional than I expected. Living overseas for all of my adult life has always been difficult in relation to my family back home in Australia.  My mother is getting older and more unwell, and with my not being able to visit her in Australia due to the pandemic, i had to dive deep to find coping mechanisms. All the imposed alone time and the isolation has led to a lot of introspection. I am thankful to be able to find healing in channeling these feelings through the power of writing."

Sonically, how is Penelope Three different (or similar) to your previous releases? Were there any musical influences or sounds that you were able to incorporate on this record that you hadn’t previously?

"For Penelope Three, I based most of the compositions around my voice and words telling more of a tale. In the past i chose to pause on that aspect of myself and let the space take the forefront. I also explored a few more elements of my voice that I had trained in when I first started doing music, including jazz, opera, and sacred music. It’s not to say this album doesn’t have space like the last two albums, it does, but perhaps the pieces might feel a little more like “songs” on this one."

What was the creative process like this time around? Did lockdown affect it at all?

"The album was actually finished before lockdown. I wish I could say I was creating music since the pandemic, but sadly no.  I was spending a lot of time during lockdown just trying to navigate life itself, though i did find the time to co-direct, film, and work on the visual side of Penelope Three. ‘Penelope Three’ actually falls into a strange world of before, during, and after. It has grown with the changing world. I think it sits well in all realms of past, present and future - which the visuals that accompany the album represent."

What was your favourite part creating Penelope Three? And were there any parts you found particularly challenging?

"There were times during the initial creative process that I went way out there, right off on tangents. Sometimes quite dark. I really enjoyed exploring this side of me but sometimes it was a little bit too much. It was challenging to decide to put some of this off to the side and stay present in hope. I would say my favourite part of creating P3 was in making the final decision to embrace the many voices I carry within me, curating these into one cohesive album."

What do you hope fans will take away from the new album?

"Hopefully they have heard Penelope 1 and 2 and can feel the vision and the love now that I am at the end of the trilogy. Either way, a sense of strength versus vulnerability and the empowerment that comes from embracing both of these qualities is what I hope they find while listening."

You have some live dates lined up in September. I expect you’re excited to be back on stage. What have you missed the most about performing?

"I have missed sharing the music and the space with an audience. Those moments when you can hear a pin drop. Sharing these fragile moments together where anything could happen will be pure joy!"

Will there be any changes to your live show?

"I now have a cellist and keyboardist / backing vocalist on stage with me, two wonderful women, Maddie Cutter and Hinako Omori. The 3 of us sharing the stage together helps to communicate the elements of fragility and strength within P3.  It also frees me up to play guitar and really focus in on the vocals a bit more because in the past, I was multi-tasking on stage and had to rely on a holding down a lot of synths keys and chords the whole time."

Based on your musical journey so far, what’s been your biggest takeaway/piece of advice?

"Don’t ever stop creating no matter what family, friends or society tell you! Just keep evolving, changing and exploring everything that inspires you."

Finally, what else is next for you? Any non-musical goals?

"With Penelope Three, I have been working a lot on videos and I’m intending on exploring more aspects of filmmaking. I am particularly inspired by acting and the concept of story-telling and expressing all the emotions of life just through a delicate glance, the flick of the hand, or a tear. I am interested in telling tales with the body - with performance - but without music. I want to embrace the confrontational. I am also thinking a lot about musically what comes after this Trilogy. I have half of the music written already for a future album, but I just need to define what it’s all about before i continue on it."

Penelope 3 is out May 28 via Houndstooth.

Photo credit: Agnes Haus

[sweetsmellosuccess]

The Best Films of 2020

The 15 Best Films of 2020

Normally, when I assess a full year of cinematic offerings, I consider both sides of that coin  —  the outstanding entities, and the least successful —  but the year of our lord two thousand and twenty provided more than enough misery for all of us, I do believe. Ergo, in my own small way to bring better vibes into the universe, for this year’s round-up, I’m staying solely on the positive tip, highlighting those films whose unfortunate release date during the Year of the Hex shouldn’t preclude them for being fully appreciated. Let’s take a year off from negativity and schadenfreude, shall we, and just stroll amongst the poppies and bright sunshine of some of the best releases of the year.  

15. The Invisible Man

“Leigh Whannell’s film is thoroughly modern in approach and sophistication, but the film it most reminded me of was made back in 1944. George Cukor’s Gaslight starred Charles Boyer as a loathsome husband who attempts to convince his already anxious wife (Ingrid Bergman) that she’s going insane by secretly rearranging things in their house and taking things from her so she thinks she’s always misplacing them. He preys on her emotional vulnerability in order to mask his own pathology and emotional detachment. The effect is absolutely enraging: Onscreen, he’s one of the more hateful villains ever committed to celluloid.”

Full Review

14. The Killing of Two Lovers

“From the opening sequence, with a distraught, estranged husband standing over the bed of his wife and her new boyfriend with malice in his heart, and a gun in hand, the film spirals out into incredibly well structured compositions, taking us inside and outside of David’s recurring psychosis, utilizing a bevy of techniques: The framing shrinks down around him, the sound gets muffled, as if underwater, save for the incredibly unnerving metallic sound of cables being stretched taut, and the sickening kathunk of a heavy car door slamming shut.”

Capsule Review

13. Another Round

“Typically, Vinterberg avoids simple conclusions  —  and God help us all if this film gets picked up by a U.S. studio and remade with, say, Vince Vaughn, Kevin James, Steve Buscemi, and Chris Rock  —  providing more or less equal examples of the delirious fun drinking with your friends can be (the film opens with a group of high schoolers gleefully doing “lake races” whereby teams compete to drink a case of beer while running around the nearby body of water; and closes with the same teen crew, and some of their teachers, whooping it up in celebrating their graduation); and the horrorshow it can become (one teacher ends up peeing the bed, and on his wife in the process, another wakes up bloodied and out of it in front of his neighbor’s house), leading to very real and horrible consequences.”

Capsule Review

12. Soul

“Co-director Pete Docter is the creative force behind many of Pixar's best titles, having a hand in the Toy Story franchise, WALL-E, Up, and also directing Inside Out, a brilliantly moving treatise on the subject of emotional upheaval. This film, which he co-wrote and made along with fellow co-director Kemp Powers, is his first film back at the helm since that high-water mark, and he has again dug into the fertile earth of our mortality and come back with a particularly vibrant crop.”

Full Review

11. The Burnt Orange Heresy

“Based on the novel by Charles Willeford, the film briskly moves through its paces, clouding the waters with the schemes of duplicitous men, who have sold out any love of art for their greater obsession of cash and prestige. A literary thriller in the vein of The Talented Mr. Ripley, it’s become a genre all too rare in the era of blockbuster bravado. This film will remind you what a mistake that is.”

Full Review

10. Lovers Rock

“In the course of the party, the fuses blow while the house DJ is spinning Janet Kay's "Silly Games," a fan favorite at the time. Undaunted, the guests continue dancing away, singing the lyrics a capella in delirious unison, as McQueen's camera swirls around the living room as if nothing happened. Such a heartfelt moment of unbridled togetherness, putting into distinct bas relief the sense of community we've been denied as a species in 2020, feels like a benediction, an epitaph for the year, and a salve for what we've all been so desperately missing.”

Capsule Review

9. Time

“Ostensibly, it’s about the strain of incarceration on even the most grounded of families (an experience naturally disproportionate for POCs); but, on a deeper level, it’s also about the manner of our use of the limited number of revolutions we get to enjoy situated on this earth. It is a profound knock-out.”

Full Review

8. New Order

“Meet the new boss, only in Michel Franco’s damning portrait of a society locked forever in cycles of oppression, revolution, and new oppression, it makes no difference who you are, what your belief system is, or whether or not you subscribe to a moral set of ethics.”

Capsule Review

7. Dick Johnson is Dead

“Utilizing stunt people and special effects, Johnson kills her father off a number of different gruesome ways, as a means of softening the blow of actually losing him as his mind slowly slips away. This eventually culminates in a final gambit, both acutely painful and deeply moving, in which our sense of things gets seriously upended. As Johnson put it during the post-screening Q&A, the film serves as a “doomed experiment trying to keep my father alive forever.” This film won’t make him immortal, alas, but it does make him indelible.”

Capsule Review

6. Martin Eden

“Marcello packs the film with offbeat bits and pieces of other films, including strips of what appear to be vintage home movies, sometimes in juxtaposition to what Martin is feeling  —  a group of kids swinging wildly from the bar of a fence, to a full galley ship taking in water and suddenly sinking like an iron ingot – which adds a more winsome, timeless element to the narrative. It’s clearly set in the past, but avoids being too dependent on that particular sense of place and time. Martin is a young man, at first, just coming into himself, and the actions he takes, what he goes through, the film seems to suggest, would be similar in any age.”

Full Review

5. Minari

“The film is certainly charming, but that’s not to diminish its straightforward approach to its characters’ plight. It doesn’t shy away from their difficulties, and as a result, it doesn’t cheat towards smarmy emotional closure.”

Capsule Review

4. Collective

“The breath of hope in the film, when the inept Minister of Health resigns, leading to the placing of a new, emboldened director who works quickly to clean the quagmire left by his predecessors, is just as quickly expelled after the next round of elections, in which the Social Democrat party  —  the very ones in charge of this catastrophe in the first place  —  gets re-elected with an even greater majority than what they had before. A perfect reflection of what happens when a government is allowed to exist without any meaningful oversight, other than from a bedraggled press and a disenchanted electorate.”

Full Review

3. First Cow

“Reichardt, a naturalist at heart, is not known much as a humorist, but there is a lightness to her screenplay -- co-written by Jonathan Raymond, her frequent collaborator, who wrote the original novel upon which its based -- that keeps it as sweetly airy as one of Cookie's fried confections. The two friends are so out of step with their surroundings -- the party of men Cookie initially travels with are little more than brutish thugs, and the fort upon which they end up is no better -- they almost had to find each other. They are reunited in the local bar of the fort only because literally every other patron runs out to egg on a brawl between two loutish combatants.”

Full Review

2. Never Rarely Sometimes Always

“Hittman’s eye for detail and emotional complexity  —  her characters can rarely articulate anything they’re experiencing  —  is incredibly acute, and she pulls tremendously understated performances out of her two leads.”

Capsule Review

1. Nomadland

“Perhaps no American director since Terrance Malick has made more of the collapsing light of dusk and twilight than Chloe Zhao. Much of her new film, which stars Frances McDormand as a transigent woman (“not homeless, houseless”), who traverses back and forth across the west in her beat up live-in van, doing seasonal work, takes place in that particular kind of vibrant half-darkness that shrouds the desert and its mountains with a magic kind of mystery.”

Capsule Review

Other Worthy Mentions: 7500; Assassins; Bacurau; Beanpole; Beginning; Black Bear; Bloody Nose Empty Pockets; Boys State; Come Play; Emma; Gunda; His House; Horse Girl; I Am Greta; Jacinta; La Llorona; Let Him Go; Limbo; Mangrove; Mayor; MLK/FBI; One Night in Miami…; Palm Springs; Possessor Uncut; Red, White & Blue; Relic; She Dies Tomorrow; Shirley; Shithouse; Shiva Baby; Some Kind of Heaven; Spring Blossom; Swallow; Tenet; The Dissident; The Invisible Man; The Nest; Sound of Metal; The Vast of Night; The Viewing Booth; The Way I See It; Vitalina Varella; Welcome to Chechnya

Inexplicably Underrated: 7500; Shithouse

Biggest Welcome Surprise(s): The Vast of Night; His House; She Dies Tomorrow

The Best Two Films I Saw This Year, Period: Satantango (1994); Harlan County, USA (1976)

[introvertguide]

Goodfellas (1990); AFI #92

The current film up for review is Scorsese’s famous crime drama, Goodfellas (1990). It is the story of Henry Hill and how he lived through the psychotic and neurotic life of a mafia member. The film was nominated for six academy awards including Best Picture and Best Director, but only took one trophy home for Best Supporting Actor (Joe Pesci). I watched the movie 3 times over the last 2 weeks and my opinion changed from one opinion to another as I watched each time and I want to discuss why. First of all, however, we need to do summarize the plot with a standard warning...

SPOILER ALERT!!!!! I HAVE ALREADY GIVEN AWAY THE PLOT IN PREVIOUS POSTS AND I AM ABOUT TO DO IT AGAIN EVEN MORE SO!!!! CHECK OUT THE MOVIE FOR YOURSELF IF YOU HAVEN’T ALREADY!!!

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The movie begins with three men checking the trunk of their car and finding that the body in the trunk was actually alive. Tommy (Joe Pesci) stabs the man multiple times and then Jimmy (Robert DeNiro) shoots him multiple times. Henry (Ray Liotta) looks on and explains his life in voice over and how the men all got to this position. 

In 1955, a young man named Henry Hill becomes enamored with the criminal life and Mafia presence in his working class Italian-American neighborhood in Brooklyn. He gets a job working for local mob boss Paul "Paulie" Cicero (Paul Sorvino) and is introduced to the entire family. Most important were associates James "Jimmy" Conway, an Irish truck hijacker, and Tommy DeVito, a fellow juvenile delinquent. Henry begins as an errand boy for Jimmy, gradually working his way up to more serious crimes. The three associates spend most of their nights in the 1960s at the Copacabana nightclub where they can impress women. Henry starts dating Karen Friedman (Lorraine Bracco), a Jewish woman who is friends with Tommy’s current date. She is initially troubled by Henry's criminal activities but is eventually seduced by his glamorous lifestyle. She marries him, despite her parents' disapproval.

We follow Henry and his rise in the mafia along with Jimmy and his growing paranoia and Tommy with his constant chip on the shoulder. In 1970, Billy Batts, a made man in the Gambino crew who was recently released from prison, repeatedly insults Tommy at a nightclub owned by Henry; Tommy and Jimmy then beat, stab and shoot him to death. The unsanctioned murder of a made man invites retribution; realizing this, Jimmy, Henry, and Tommy cover up the murder by burying the body in Upstate New York. Six months later, however, Jimmy learns that the burial site is slated for development, prompting them to exhume and relocate the decomposing corpse. At this time, Jimmy begins watching his back, Tommy feels invincible, and Henry takes on girlfriend while Karen stays at home with the kids.

Fast forward to 1974, Karen finds out about the infidelity and harasses Henry's mistress Janice and holds Henry at gunpoint. Henry moves in with Janice, but Paulie insists that he should return to Karen after collecting a debt from a gambler in Tampa with Jimmy. The mafia is all about family and there is no divorce and appearances must be kept. Things don’t go as planned because, upon returning, Jimmy and Henry are arrested after being turned in by the gambler's sister, an FBI typist, and they receive ten-year prison sentences. In order to support his family on the outside, Henry has drugs smuggled in by Karen and sells them to a fellow inmate from Pittsburgh. In 1978, Henry is paroled and expands this cocaine business against Paulie's orders, soon involving Jimmy and Tommy.

In 1979, Jimmy organizes a crew to raid the Lufthansa vault at the JFK Airport, stealing several millions in cash and jewelry. After some members purchase expensive items against Jimmy's orders and the getaway truck is found by police, he has most of the crew murdered. This part of the film is based on a true story Jimmy, in fact killed almost a dozen people in attempt to keep things silent. In his voiceover narration, as dead bodies are being discovered all over the city, Henry theorizes that Jimmy would have killed them anyway rather than share the profits of the heist. Tommy and Henry are spared by Jimmy since they had worked so close together. Also, Henry wasn’t actually involved in robbery and Tommy is going to be a made man and Jimmy wants the connection. Tommy is eventually deceived into believing he is going to be made, but he is murdered on the way to the ceremony, leaving Jimmy devastated.

By 1980, Henry has become a nervous wreck from cocaine use and insomnia. He notices that a helicopter is following him but is trying to visit with his family and deliver drugs at the same time. He sets up a drug deal with his Pittsburgh associates, but is arrested by narcotics agents and jailed. After bailing him out, Karen explains that she flushed $60,000 worth of cocaine down the toilet to prevent FBI agents from finding it during their raid, leaving them virtually penniless. Henry has nowhere to go so he returns to Paulie to ask for help and admits to dealing under the table. Feeling betrayed by Henry's drug dealing, Paulie gives him $3,200 and ends their association. Henry meets Jimmy at a diner and is asked to travel on a hit assignment, but the novelty of such a request makes him suspicious. Henry realizes that Jimmy plans to have him and Karen killed, prompting his decision to become an informant and enroll, with his family, in the witness protection program. He gives sufficient testimony to have Paulie and Jimmy arrested and convicted. Henry is grateful to be alive, but he is forced out of his gangster life and has to readjust to normal life once again; he narrates, "I'm an average nobody. I get to live the rest of my life like a schnook."

The end title cards state that Henry is still a protected witness as of 1990, but that he was arrested in 1987 in Seattle for narcotics conspiracy, receiving five years' probation. He has been clean since then. He and Karen separated in 1989 after 25 years of marriage, while Paulie died the previous year in Fort Worth Federal Prison at age 73 from respiratory illness. Jimmy is serving a 20 years to life sentence in a New York prison for murder, in which he will be paroled in 2004, when he will be 78 years old.

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Even more of an update from the end title cards, Henry Hill and Karen Hill divorced in 2001 and then Henry remarried and fathered one more child. Karen and her kids have lived in hiding and fear they will never escape possible retribution. Jimmy died in prison in 1996 before he was eligible for parole and Henry died in 2012 of cancer. With their history of explosive violence, I am kind of glad that all three of the main men (Tommy, Henry, and Jimmy) have shuffled off this mortal coil.

So I ended up watching this film three times in the last couple of weeks and I liked it less and less each time. So many people have such good things to say about the movies (including me), yet what the movie is most celebrated for is what I like the least. The first time I watched was with my housemates and they talked throughout the movie and laughed at the antics of Joe Pesci. I feel that many viewers enjoyed that crazy performance, and this was probably the reason for the Best Supporting Actor award. I am sure that capturing the volatile nature of a lunatic mafia hitman is very difficult and deserves praise.

I then watched it twice more to take notes on the different camera shots and then to compare to the real story of the Lucchese family and Lufthansa heist. I was not disappointed with the camera shots since Scorsese tends to let his actors go wild and then move the camera in interesting ways to capture the action while telling the story he wants to tell. He uses extreme close up shots and the vertigo trucking shot to represent the paranoia of Henry Hill and Jimmy Burke. He used the tracking shot to bring the audience into the world of the mafia man using the the character of Karen Hill as the “fish-out-of-water.” The choice of music was great including using the Sid Vicious rendition of the classic “My Way” popularized by Frank Sinatra. The colors were so bright in the beginning and became so bleak and washed out by the end. Fantastic cinematography and direction. 

By the last watch, I realized that I did not like Tommy DeVito (real life name Tommy DeSimone) because he made everybody around him scared. It was like having a pet feral tiger and just hoping that he never turned on you. He was not loyal at all. In actuality, he tried to rape Karen Hill while she was married to Henry. He really killed a young bartender named Spider because Jimmy was teasing him. He brutally attacked and murdered out of anger because he was completely unhinged. Just watching Joe Pesci play the part made me anxious and I wanted him to go away every time he appeared on screen. I guess this makes him a great actor, but it also doesn’t make me want to watch his movies. 

I brought this up with the Godfather movies on the list, but do Brooklyn based Italian-Americans act like these people in the movies? Constant noise in which men treat women terribly and the women go off to the kitchen and make food? I can except the loud large families and the giant shared meals, but I sure hope that the poor treatment of women and the huge lack of equality between the genders is fake or at least outdated. I have met some really nice Italian people who are nothing like the people in these films, so I believe it is a stereotype (if this is true, then Hollywood needs to stop promoting these stereotypes).

A final positive note towards the acting, I thought that Lorraine Bracco did a wonderful job as Karen Hill. She played a sheltered girl that wanted a little danger and got way more than she ever wanted. There is a scene in which she realizes that her husband is cheating and that she and her children are miserable and unprotected. She wakes up Henry with a gun in his face, but she can’t kill him because she wants that drama in her life. She is treated horribly and at one point barely walks away from a hit set up by Jimmy, yet she still stays with Henry until she is forced into the boring life of Witness Protection and she leaves him. After wading through the history of all the different characters from the movie, I actually find her story to be the most interesting.

In the end, I still want an answer for the same two questions. Does this film belong on the AFI top 100? Absolutely. It is a well made movie with a strong vision about one version of growing up in Brooklyn and how searching to realize the American dream can lead you down dark and dirty paths. Great vision by Scorsese and a well told story. Do I recommend it? Not really. I recommend doing the research on these American mobsters and get a feel for what these people were really like. I recommend checking out clips on YouTube that show the filming techniques that have become hallmarks of great directors. But don’t watch these portrayals and laugh. They are not fun or funny like they come off in the movie, these are horrible (yet interesting) people that should serve as a lesson/warning and not have their lives glamourized by Hollywood. 

[aion-rsa]

Summer Movie Preview: From Black Widow to The Suicide Squad and Beyond

https://ift.tt/3fnRIQl

The summer movie season has returned. Finally. Once something we all just took for granted, like handshakes and indoor dining, a summertime season stuffed with pricy Hollywood blockbusters and cinematic escapism suddenly feels like a long lost friend. But, rest assured, the summer movie season is genuinely and truly here. It’s maybe a little later than normal, yet it’s still in time for Memorial Day in the States.

This is of course happy news since many of the big screen events of this year have been 12 months or more in the offing. A Quiet Place Part II was supposed to open two Marches ago, and In the Heights is opening almost an exact year to the day from its original release. They’re here now, as is an impressive assortment of new films. There are genre fans’ long lost superhero spectacles, with Black Widow and The Suicide Squad leading the pack (and Shang-Chi closing out the season unusually late in time for Labor Day weekend), and there are also horror movies like The Conjuring 3 and M. Night Shyamalan’s Old, aforementioned musicals, family adventures in Jungle Cruise, psychedelic Arthurian legends via The Green Knight, and a few legitimately original projects like Stillwater and Reminiscence. Imagine that!

So sit back, put your feet in the pool, or up by the grill pit, and toast with us the summer movie’s resurrection.

A Quiet Place Part II

May 28 (June 3 in the UK)

Fourteen months after its original release date, the first movie delayed by the pandemic is finally coming to theaters for Memorial Day weekend. And despite what some critics say (even our own), most of us would argue it’s worth the wait. As a movie about a family enduring after a global crisis that has left their lives in tatters, and marred by personal tragedy, A Quiet Place Part II hits differently in 2021 than it would have a year ago. And it’s undeniably optimistic view of humanity feels like a warm balm now.

But beyond the meta context, writer-director John Krasinski (flying solo as screenwriter this time) has engineered a series of intelligent and highly suspenseful set pieces which puts Millicent Simmonds’ Regan front and center. Also buoyed by subtle and affecting work by Emily Blunt and Cillian Murphy, here as a neighbor they knew a few years and a lifetime ago, this is one worth dipping your toe back into cinema for, especially if you liked the first movie.

Cruella

May 28

We’ll admit it, we had the same initial skepticism you’re probably feeling about a Cruella de Vil origin story set in punk rock’s 1970s London. But put your cynicism aside, Disney’s Cruella is a decadent blast and the rarest of things: a live-action Disney remake that both honors its source material and does something creative with it. Neither a soulless scene-by-scene remake of a better animated film, or a lazy Maleficent like re-imagining, Cruella more often than not rocks, thanks in large part to its lead performance by Emma Stone.

Also a producer on the picture, Stone takes on the role of Cruella de Vil like it’ll be on an awards reel and absolutely flaunts the character’s madness and devilish charm. She also finds an excellent sparring partner via Emma Thompson, young Cruella’s very own Miranda Priestly. Once these two start their verbal battle at the end of the first act, the movie is elevated into an electric period comedy (with plenty of heavy handed period music). It’s a pseudo-thriller for all ages, enjoying some very sharp elbows for a kids movie.

The Conjuring: The Devil Made Me Do It

June 4 (May 26 in the UK)

The latest big-screen adventure for real-life ghostbusters Ed and Lorraine Warren (Patrick Wilson and Vera Farmiga) sees the two drawn into the unusual case of the first ever U.S. murder trial where the defendant claimed he was innocent because he was possessed by a demon. This is the eighth movie in The Conjuring expanded universe—director Michael Chaves has already made a foray into this supernatural world with The Curse of La Llorona—and as with all the main Conjuring films, the hook is that it’s (very loosely) based on a true case that the Warrens were involved with.

Peter Safran and James Wan are back on board as producers, although with this being the first time Wan isn’t directing one of the main Ed and Lorraine investigations, we’re a little cautious about this return to the haunted museum.

In the Heights

June 11 (June 18 in the UK)

Lin-Manuel Miranda’s first Tony award winning musical is getting the proper big screen treatment in In the Heights. A full-fledged movie musical—as opposed to a taped series of performances, a la Disney+’s Hamilton—In the Heights is like a sweet summer drink (or Piragua) and love letter to the Latino community of New York City’s Washington Heights neighborhood.

Read more

Movies

Best Movie Musicals of the 21st Century

By David Crow

Movies

The Conjuring: The Devil Made Me Do It and the Perils of Taking on a Real Life Murder

By Rosie Fletcher

Closer in spirit to the feel-good summertime joy of Grease than the narratively complex Hamilton, this is perfect multiplex escapism (which will also be on HBO Max if you’re so inclined). Directed by Crazy Rich Asians’ Jon M. Chu, In the Heights has a euphoric sense of movement and dance as it transfers Miranda’s hybrid blend of freestyle rap, salsa rhythm, and Caribbean musical cues to the actual city blocks the show was written about. On one of those corners lives Usnavi (Anthony Ramos), a bodega owner with big dreams. He’s about to have the summer of his life. You might too.

Hitman’s Wife’s Bodyguard

June 16 (June 21 in the UK)

You know Hitman’s Wife’s Bodyguard is a throwback when even its trailer brings back the “trailer voice.” But then the appeal of the 2017 B-action comedy, The Hitman’s Bodyguard, was its very throwback nature: a violent, raunchy R-rated buddy comedy that starred Samuel L. Jackson and Ryan Reynolds, who exchanged quips as much as bullets between some genuinely entertaining stunts.

Hopefully the sequel can also be as much lowbrow fun as it doubles down on the premise, with Reynolds’ Michael Bryce now guarding Samla Hayek’s Sonia, the wife of Jackson’s Darius. All three are on a road trip through Italy as they’re chased by Antonio Banderas in what is sure to be a series of bloody, explosive set pieces. Probably a few “motherf***ers” will be dropped too.

Luca

June 18

Pixar Studios’ hit rate is frankly incredible. With each new film seemingly comes a catchy song, an Oscar nomination, and a flood of tears from anyone with a heart—and there’s no reason to believe that its next offering will be any different. Luca is a coming-of-age tale set on the Italian Riviera about a pair of young lads who become best friends and have a terrific summer getting into adventures in the sun. The slight catch is that they’re both sea monsters.

Read more

Movies

How Luca Became the First Pixar Movie Made at Home

By Don Kaye

Movies

Pixar, Italian Style: Why Luca is Set in 1950s Italy

By Don Kaye

This is the feature directorial debut of Enrico Casarosa, who says the movie is a celebration of friendship with nods to the work of Federico Fellini and Hayao Miyazaki. The writers are Jesse Andrews and Mike Jones—Andrews is new to Pixar but has experience with coming-of-agers, having penned Me and Earl and the Dying Girl, while Jones co-wrote Soul. Jacob Tremblay and Jack Dylan Grazer voice the young boys (sea monsters)—13-year-old Luca and his older teenager friend Alberto—with Maya Rudolph as Luca’s sea monster mom. After a year of lockdown, this could be the summer movie we all need.

F9

June 25

You better start firing up the grill, because the Fast and Furious crew is finally ready to have another summer barbecue. And this time, it’s not only the folks whom Dom Toretto calls “mi familia” in attendance. The big new addition to F9 is 

John Cena as Jakob Toretto. As the long-lost little brother we didn’t know Vin Diesel’s Dom had, Jakob is revealed to be a superspy, assassin, and performance driver working for Dom’s arch-nemesis, Cypher (Charlize Theron). Everything the Family does together, Jakob does alone, as a one-man wrecking crew, and he’s coming in hot.

Fans will probably be happier, though, to see Sung Kang back as Han Seoul-Oh, the wheelman who was murdered in Fast & Furious 6, and then pretty much forgotten in The Fate of the Furious when his killer got invited to the cookout. It’s an injustice that brought veteran series director Justin Lin back to  the franchise to resurrect the dead. So it’s safe to assume he won’t be asking Cypher to bring the potato salad.

The Forever Purge

July 2 (July 16 in the UK)

We know what you’re thinking: Didn’t The Purge: Election Year end the Purge forever? That or “are they really still making these?” The answer to both questions is yes. Nevertheless, here we are with The Forever Purge, a movie which asks what happens if Purgers just, you know, committed extravagant holiday crime on the other 364 days of the year? You get what is hopefully the grand finale of this increasingly tired concept.

The Tomorrow War

July 2

Hear me out: What if it’s like The Terminator but in reverse? That had to be the pitch for this one, right? In The Tomorrow War, instead of evil cyborgs time traveling to the past to kill our future savior, soldiers from the future time travel to the past to enlist our current best warrior and take him to a world on the brink 30 years from now.

It’s a crazy premise, and the kind of high-concept popcorn that one imagines Chris Pratt excels at. Hence Pratt’s casting as Dan, one of the best soldiers of the early 21st century who’ll go into the future to stop an alien invasion. The supporting cast, which includes Oscar winner J.K. Simmons and Yvonne Strahovski, Betty Gilpin, and Sam Richardson, is also nothing to sneeze at.

Black Widow

July 9

The idea of making a Black Widow movie has been around since long before the Marvel Cinematic Universe first lifted into the sky on Tony Stark’s repulsors. The character has been onscreen for more than a decade now, and Marvel Studios has for too long danced around making a solo Widow, at least in part due to the machinations of Marvel Entertainment chairman Ike Perlmutter.

Read more

Movies

How Black Widow Could Build The MCU’s Future

By Kayti Burt

Movies

Upcoming Marvel Movies Release Dates: MCU Phase 4 Schedule, Cast, and Story Details

By Mike Cecchini and 1 other

But the standalone Black Widow adventure is here at last, and it now serves as a sort-of coda to the story of Natasha Romanoff, since we already know her tragic fate in Avengers: Endgame. Directed by Cate Shortland (Berlin Syndrome, Lore), the movie will spell out how Natasha (Scarlett Johansson) kept herself busy between the events of Captain America: Civil War and Avengers: Infinity War, primarily with a trip home to Russia to clear some of that red from her ledger.

There, she will reunite with figures from her dark past, including fellow Red Room alumnus Yelena Belova (Florence Pugh), Russian would-be superhero Alexei Shostakov, aka the Red Guardian (David Harbour), and Melina Vostokoff (Rachel Weisz), another survivor of the Black Widow program and a maternal figure to Natasha and Yelena.

It’s a chance to say goodbye to Nat and see Johansson as the beloved Avengers one more time. But this being Marvel, we suspect that the studio has a few tricks up its sleeve and in this movie about the future of Phase 4.

Space Jam: A New Legacy

July 16

In the annals of synergistic branding, Space Jam: A New Legacy might be one for the record books. A sequel to an older millennials’ 1990s touchstones—the thoroughly mediocre Michael Jordan meets Bugs Bunny movie, Space Jam—this sequel sees LeBron James now trapped in Looney Tunes world… but wait, there’s more! Instead of only charmingly interacting with WB’s classic stable of cartoon characters, King James will also be in the larger “WB universe” where the studio will resurrect from the dead every property they own the copyright to, from MGM’s classic 1939 The Wizard of Oz to, uh, the murderous rapists in A Clockwork Orange.

… yay for easter eggs?

Old

July 23

Though he might be accused of being a little bit hit-and-miss in the past, the release of a new M. Night Shyamalan movie should always be cause for celebration. Especially one with such a deeply creepy premise. Based on the graphic novel Sandcastle by Pierre Oscar Levy and Frederik Peeters, Old sees a family on vacation discover that the beach they are on causes them to age extremely rapidly and live out their entire lives in a day.

This is surely perfect fodder for Shyamalan, who does high-concept horror like no one else. The cast is absolute quality, featuring Gael García Bernal, Hereditary’s Alex Wolff, Jo Jo Rabbit’s Thomasin McKenzie, Phantom Thread’s Vicky Krieps, Little Women’s Eliza Scanlen, and many more. The trailer is pleasingly disturbing too as children become teenagers, a young woman is suddenly full-term pregnant, and adults seem to be decaying in front of their own eyes. Harrowing in the best possible way.

Snake Eyes

July 23 (August 20 in the UK)

Snake Eyes will finally bring us the origin story of the G.I. Joe franchise’s most iconic and beloved member. Henry Golding (Crazy Rich Asians) stars in the title role, with Warrior’s Andrew Koji as his nemesis—conflicted baddie (and similar fan fave) Storm Shadow. Expect a tale heavy on martial arts badassery, especially with The Raid’s Iko Uwais on board as the pair’s ninja master. Samara Weaving will play G.I. Joe staple Scarlett after her breakout a few years ago in Ready or Not, while Úrsula Corberó has been cast as Cobra’s Baroness. Robert Schwentke (The Time Traveler’s Wife, Red) directs.

Jungle Cruise

July 30

Jungle Cruise director Jaume Collet-Serra is best known for making slightly dodgy actioners starring Liam Neeson (Unknown, Non-Stop, Run All Night) and half-decent horror movies (Orphan, The Shallows), so exactly which direction this family adventure based on a theme park ride will take remains to be seen.

Borrowing a page and premise from Humphrey Bogart and Katharine Hepburn in The African Queen (1951), Jungle Cruise stars the ever-charismatic Dwayne Johnson as a riverboat captain taking Emily Blunt’s scientist and her brother (Jack Whitehall) to visit the fabled Tree of Life in the early 20th century. Like the ride, the gang will have to watch out for wild animals along the way.

Unlike the ride, they’re competing with a German expedition team who are heading for the same goal. A solid supporting cast (Jesse Plemons, Édgar Ramírez, Paul Giamatti, Andy Nyman) and a script with rewrites by Michael Green (Logan, Blade Runner 2049) might mean Disney has another hit on its hands. Either way, a lovely boat trip with The Rock should be diverting at worst.

The Green Knight

July 30 (August 6 in the UK)

There have been several major Hollywood reimaginings of Arthurian legends in the 21st century. And every one of them has been thoroughly rotten for one reason or another. Luckily, David Lowery’s The Green Knight looks poised to break the trend with a trippy, but twistedly faithful, interpretation of Sir Gawain and the Green Knight.

Dev Patel stars as Sir Gawain, a chivalrous knight in King Arthur’s court who takes up the challenge of the mysterious Green Knight (The Witch’s Ralph Ineson under mountains of makeup): He’ll swing a blow and risk receiving a returning strike in a year’s time. Gawain attempts to cheat the devil by cutting his head clean off, yet when the Green Knight lifts his severed head from Camelot’s floors, things start to get weird. As clearly one of A24’s biggest visual fever dreams to date, this is one we’re highly anticipating.

Stillwater

July 30 (August 6 in the UK)

The Oscar winning-writer director behind Spotlight, Tom McCarthy, returns to the big screen with a fictional story that feels awfully similar to real world events. In this film, Matt Damon plays Bill, a proud father who saw his daughter Allison (Abigail Breslin) go abroad to study in France. After she’s accused of murdering her roommate by local authorities, the deeply Southern and deeply Oklahoman father must travel to a foreign land to try and prove his daughter’s innocence.

It obviously has some parallels with the Amanda Knox story but it also looks like a potentially hard hitting original drama with a talented cast. Fingers crossed.

The Suicide Squad

August 6 (July 30 in the UK)

You might have seen a Suicide Squad movie in the past, but you’ve never seen James Gunn’s The Suicide Squad. With a liberating R-rating and an old school vision from the Guardians of the Galaxy director—who likens this to 1960s war capers, such as The Dirty Dozen or Where Eagles Dare—this Suicide Squad is absolutely stacked with talented actors wallowing in DC weirdness. One of the key players in this is Polka-Dot Man, another is a walking, talking Great White Shark, voiced by Sylvester Stallone. The villain is a Godzilla-sized starfish from space!

Read more

Movies

Margot Robbie Wants Poison Ivy to Join Harley Quinn in the DCEU

By Kayti Burt

Movies

What to Expect from the Candyman Reimagining

By David Crow

So like it’s namesake, there’s probably a lot of characters who aren’t going to pull through this one. Even so, we can rest easy knowing that Margot Robbie’s Harley Quinn will be as winsome than ever, and the likes of Idris Elba and John Cena will add some dynamic gravitas to the eccentric DC Extended Universe.

Free Guy

August 13

Perhaps pitched as The Truman Show for the video game age, Free Guy stars Ryan Reynolds as an easygoing, happy-go-lucky “Guy” who discovers… he’s a video game NPC living inside the equivalent of a Grand Theft Auto video game. This might explain why the bank he works at keeps getting robbed all the time. But as a virtual sprite who’s developed sentiency, he just might be able to win over enough gamers to not shoot him, and make love not war.

It’s an amusing premise, and hopefully director Shawn Levy can bring to it the same level of charm he achieved with the very first Night at the Museum movie.

Respect

August 13 (September 10 in the UK)

Before her passing in 2018, Aretha Franklin gave her blessing to Jennifer Hudson to play the Queen of Soul. Now that musical biopic is here with Hudson hitting the same high notes of the legend who sang such standards as “(You Make Me Feel Like) A Natural Woman,” “Think,” “I Say a Little Prayer,” and of course “Respect.”

The film comes with a lot of expectation and a lot of pedigree, with Forest Whitaker and Audra McDonald in the cast. Most of all though, it comes with that rich musical library, which will surely take center stage. And if movies like Bohemian Rhapsody and Rocketman have taught us anything, it’s that moviegoers love when you play the hits.

Reminiscence

August 20 (August 18 in the UK)

Lisa Joy is one of the most exciting voices on television today. One-half of the creative team behind Westworld, Joy steps into her own with her directorial debut (and as the solo writer) in Reminiscence, a science fiction film with a reliably knotty premise.

Hugh Jackman plays Nick Bannister, a man who lives in a dystopian future where the oceans have risen and the cities are crumbling. In a declining Miami, he sells a risky new technology that allows you to relive your past (and possibly change it, at least fancifully?). But when he discovers the lost love of his life (Rebecca Ferguson) is cropping up in other peoples’ memories, which seem to implicate her in a murder, well… things are bound to start getting weird. We don’t know a whole lot more, but we cannot wait to find out more.

Candyman

August 27

Announced back in 2018, this spiritual sequel to Bernard Rose’s 1992 original is one of the most exciting and anticipated movies on the calendar. Produced by Jordan Peele and directed by Nia DaCosta, the film takes place in the present day and about a decade after Chicago’s Cabrini-Green housing projects have been torn down. Watchmen’s Yahya Abdul-Mateen II plays an up-and-coming visual artist who moves to the now-gentrified area with his partner and is inspired by the legend of Candyman, an apparition with a hook for a hand, to create new work about the subject. But in doing so, he risks unleashing a dark history and a new wave of violence.

Tony Todd, the star of the original movie, will also reprise his role in a reboot that aims to inspire fear for only the right reasons.

The Beatles: Get Back

August 27

Director Peter Jackson thinks folks have a poisoned idea about the Beatles in their final days. Often portrayed as divided and antagonistic toward one another during the recordings of their last albums, particularly Let It Be (which was their penultimate studio recording and final release), Jackson insists this misconception is influenced by Michael Lindsay-Hogg’s 1970 documentary named after the album.

So, after going through the reams of footage Lindsay-Hogg shot but didn’t use, Jackson has crafted this new documentary about the album’s recording which is intended to paint a fuller (and more feel-good) portrait of the band which changed the world. Plus, the music’s going to be great… 

Shang-Chi and the Legend of the Ten Rings

September 3

The greatest fighter in Marvel history finally hits the big screen with Shang-Chi and the Legend of the Ten Rings. Simu Liu (Kim’s Convenience) takes on the title role of a character destined for a bright future in the MCU. Marvel fans might note that the “Ten Rings” of the title is the same organization that first appeared all the way back in Iron Man, and Tony Leung will finally bring their villainous leader, The Mandarin, to life. Awkwafina of The Farewell and Crazy Rich Asians fame also stars. Directed by Destin Daniel Cretton (Short Term 12), this should deliver martial arts action unlike anything we’ve seen so far in the MCU.

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The post Summer Movie Preview: From Black Widow to The Suicide Squad and Beyond appeared first on Den of Geek.

from Den of Geek https://ift.tt/3vqhqtg

[fusonzai]

花束みたいな恋をした

Hantaba mitai na koi wo shita

When I first moved to Japan, to say I had some struggles would be an understatement.

It was my first time living away from home, and in a foreign country where I didn’t speak much of the language. I mismanaged my savings, overestimated how much I’d be getting paid, and greatly underestimated just how bad the dreaded daily train ride was.

I was living in a pretty worn down apartment in a somewhat far area called Chofu. Life there was certainly interesting. The apartment was built at least 100 years prior to me living there and it was located 30 minutes from the station. Even though the rent was cheap I was still living pay check to pay check, misusing my credit card in an attempt to feign normalcy.

(First book store, pretending I could read anything)

Suffice to say five years later, when I stepped into the cinema to watch 花束みたいな恋をした, I was taken aback when the films male lead was also living pay check to pay check in a decrepit apartment in Chofu. Shots of Chofu station and the recently completed shopping mall all made me nostalgic for a time that I feel was incredibly formative for me now, years later.

The two leads are both incredibly talented and popular entertainers in Japan. Suda Masaki (the male lead) has appeared in countless television shows and released acclaimed albums while Arimura Kasumi comes off to me as Japan’s sweetheart; starring in romantic dramas in both television and cinema. Their popularity could be compared to that of Timothee Chalamet and Zendaya. I’m not one to spoil films for people, or re-tell stories already told on the screen, but due to the sheer unlikelihood of this film being translated or released anytime soon; some concessions had to be made.

(Tell me these two aren't adorable)

The film centres around the 5 year relationship between two soon to be university graduates, Mugi (Suda Masaki) and Kinu (Arimura Kasumi), and the highs and lows that they experience as a couple in their twenties, navigating their first adult relationship. Mugi is a creative type, writing short comic strips on commission, not too sure of his own direction post university whilst Kinu describes herself as the type of person whose luck is so bad that whenever she drops toast, it always falls butter side first. Kinu comes off as more earnest and less outgoing than Mugi, however the two are both still on that precipice of adulthood. Not quite sure where their lives will lead, still enjoying that idle time between the end of university and the jump into the working world.

(Mugi & Kinu during that honeymoon phase)

We start in 2020 with both Mugi and Kinu sitting in a cafe with different partners; they’ve clearly broken up and don’t even acknowledge each other when they first notice one another. A chance at rekindled love seems unlikely, this is going to be a how they got to where they are type story. A little less ‘The Notebook’ and a little more’500 Days of Summer’.

We’re then taken back to 2015 and see the two meet at the always busy Meidaimae station. They both fail to catch that last train home and spend a night together in Karaoke Bars, Izakayas and eventually Mugi’s apartment where Kinu falls asleep watching his 3 hour long movie on Gas Tanks. They go on three dates where Mugi (afraid of being relegated to only friends) confesses his feelings towards Kinu, and the two start dating.

These initial encounters are so important in detailing the striking amount of shared interests they have. They read the same books, use movie tickets as bookmarks for said books, like the same music, even wear the same white converse sneakers. Yet they tend to hide their differences from one another. Kinu isn’t all too interested in Mugi’s 3 hour gas tank short film and Mugi wasn’t as interested as Kinu in the Egyptian exhibit they both had tickets for before they met. This hiding of differences only gets worse as time passes.

They both graduate and move in together. We’re shown the harshness of Japan’s shuushoku. This is a practice where everyone applies for career orientated jobs at the same time, but those that fail generally have to wait until next year. Kinu fails initially and works part time jobs. Things don’t go well for Mugi either; his freelance work dries up and he decides to bow to the pressures around him and begin looking for a real job. After an almost honeymoon like two years together, the two eventually begin their ‘adult’ jobs, and we first see the cracks of their relationship start to show.

Throughout the next 3 years, we see two people who have gotten through their relationship solely via common interests, suddenly see those shared hobbies crumble. They’re left with the realisation that they can’t actually communicate that well, and feel helpless in trying to stop the conflict that ensues. Mugi works overtime at the new job that he clearly doesn’t enjoy, because he believes, as a man, that he has to provide and protect the status quo and that the adult thing to do is abandon those things that once brought him enjoyment. Meanwhile Kinu struggles to figure out what she wants to do. She eventually gets a job through shuushoku however it doesn’t seem to suit her at all and she ponders changing to a more fulfilling yet lower paying job. The two both get so caught up in their own situations that they often don’t see each other for days at a time. Their walks home together and time spent playing Zelda on the couch gradually fade until they’re no longer. Their arguments about work and life get worse with neither of them managing to get through to the other, at times wondering how they even ended up together.

This all culminates in them deciding to break up after their friend’s wedding, sharing one last happy day together before going their separate ways.

There’s a lot of scenes in this movie that I’d like to break down but for now I want to talk about the break up scene. This scene felt so reflective of some dated, but still prevalent, ideas about love and marriage in Japan that were often espoused to me here by co workers and friends.

Kinu can’t relate to her boyfriend anymore, they don’t have sex, nearly every conversation ends in a fight and anything she tries to do just seems to push the two further apart. Mugi seems too caught up in his job and the future: he believes it’s natural for two people to grow apart after the love fades, and that marriage and starting a family is key to get over this hurdle.

Foregoing the wedding reception afterparty, the two have their break up at the same chain restaurant where Mugi first confessed his love. They go to sit in their original seats, but they’re already occupied. Something about this stung in some indirect way, almost as if the film maker is forewarning that the two can no longer go back to how they were. After some debate, they both air their grievances. Kinu has fallen out of love but Mugi believes that this is normal and believes marriage is the answer. There’s this beautifully acted monologue from Mugi where he ruminates on a future where he and Kinu get married and have children. He romanticises how nice it’d be to be called Mama and Papa, to go on holiday, to take the kids to Disneyland and to have people say, ‘those two had some issues but they really sorted it all out’. He believes love is a like a raw object and has an expiration date, with marriage being the key to prolonging that expiration.

For almost a second it looks as though Kinu is going to accept this fanciful, but sadly flawed, proposal until a young couple behind them is seated in their old spot. This part is almost too on the nose. The couple displays that same youthful awkwarkdness that Mugi and Kuni once had and goes through the exact same motions they did; swapping books, and talking music interests and of course they’re also wearing white converses.

Their youthful bliss and naivety is piercing to both the audience and the sombre couple. Mugi realises it’s over, Kinu realises it’s over, and judging from the sniffles in the audience everyone watching does too. There are some things you just can’t get back, there isn’t a reset button, and you can’t use marriage and children to fix your issues.

This seems common sense to me, however the interactions I’ve had since moving to Japan suggest that that might not be the norm here.

Marriage and weddings in the west always seemed liked a celebration of two peoples’ relationship up until that point and then the beginning of the next chapter of their life together. I used to work catering at weddings, and it’s strange to think that statistically half of those incredibly stressed, but incredibly joyous, couples will divorce, or already have.

So why do these once happy couples decide to go their separate ways? Extramarital affairs is still one of the top cited reasons in the west. It’s also probably the only thing I don’t think I could ever forgive. From an early age this ideal had been drilled into me that people that were married were in love and if you’re in love why would you cheat? If you didn’t want to be with that person, why would you marry them? I think infidelity is still incredibly strong grounds for divorce in the west. If you’re caught you can apologise and maybe make amends but there’s always a stain on the relationship from the outside, once a cheater always a cheater etc. There’s a strong emphasis on faithfulness above almost all else.

Flash forward a few years to me moving to Japan. Now before the move here, I’d seen the Youtube videos and the stories from friends of friends about rampant infidelity in Japan. One of my favourite entertainment personalities found out his wife was cheating on him for the entirety of their marriage and waited until she got citizenship to tell him. I don’t believe anyone is in a position to make broad claims about the culture of a country based on some internet articles. I believe you need experience to shape your world view but that doesn’t mean your world view is necessarily the correct one.

Whilst being an advanced country in many facets, gender roles in Japan often feel as though they have some catching up to do. Whilst there’s this heavy pressure to get married early (if you’re female, 25 and not seeing someone with the intention to get married, what the hell are you doing?) and a market much like the west promoting incredibly expensive weddings and honeymoons, there isn’t that much to care about after the marriage (provided you’re having children, of course). It’s strange in that I found I admired the whole one unit aspect of marriage here. Financially, it seemed that whilst most of my co workers and friends wives controlled the purse strings, big decisions were made together. There is a coldness to the lack of emotion to some of these decisions, but they were often best in the long run.

However there also seemed to be this separation of marriage and of love. Friends wouldn’t consider it cheating if their partner slept with a sex worker or if it was only because they were drunk. I had friends who were actively cheating on their partner whilst being aware that their partner was actively cheating on them. However there was this weird agreement that as long as neither was too obvious it was alright. I had an old boss who said if he was feeling the urge, he’d just go see a sex worker as that arrangement was better for both him and his wife. It was almost as if being married and being in love weren’t mutually exclusive. Love and sexual attraction were for young people, marriage was about creating a family and supporting that family. Marriage was the next step in a relationship to further your life (married people often get paid more, there are large subsidies for having children etc.) As responsible adults, a couple would get married by 30 or so to have children and protect the status quo. If you didn’t disturb that status quo too much; some cheating was allowed and often expected.

(My boss & I, sunglasses and all)

“Marriage is a result, not a destination” is a line my boss uttered to me. I was dating a girl who shared different views on marriage than I did. Our relationship was expected to end in marriage in a sense; her family knew of me and mine her. I didn’t want to get married but at the same I loved her so much that I thought the only way to show that was marriage. My boss thought there was a flaw in her and a lot of Japan’s way of thinking. He believed that marriage wasn’t something to strive for, but merely the result of a happy relationship. He also thought my love had an expiry date and his estimation wasn’t far off.

I don’t think his line of thinking is all that idealistic, the heavy expectation of marriage at the start of a relationship puts pressure on a base that isn’t that well established. Is there a line we can draw between knowing what you want from a relationship and expecting too much before you even know the other partner? Had Kinu and Mugi discussed their differences earlier on would that have saved them down the track or only led them to a faster break up where they could then move onto more suitable partners?

Looking at Mugi’s proposal from a purely western lens, it seems ludicrous and somewhat insulting. Looking at it from my own experiences, it’s still not romantic, but it has an appealing practicality that I’m sure some older people in the audience may relate to.

(Wise words, to translate it roughly: Young hearts, don't run free)

With all this in mind, the break up scene really is layered with expectations and differing ideologies. What surprised me the most was that after this tear laden break up, the two lived a plutonic and, by all accounts, friendly 3 months together whilst they both sorted out their individual accommodation. They both opt to move out and leave the old apartment and those old memories behind. The idea of living with someone for 3 months post break up seems almost ludicrous. The fact that they live these three months as if they’re in their honeymoon phase again is baffling initially, but once you remove romance and talk to the person you’re with, without the expectations you once had, it isn’t really all that surprising. These two had and still have more in common than they do apart. Whilst initially off putting, it’s charming that these two best friends can live together even though they’ve separated. I look at the countless times people break up; sides are chosen in friendship groups and efforts are made to not invite both people to the same event. Could you live with your ex after you broke up for 3 months? Doesn’t it make more sense for you to still want the person you shared so much of your life with to still be in it regardless of what once was? Regardless of what was, wouldn’t you still want someone you shared so much of your life with to still be around in some way?

Three months pass and we’re back to the cafe again, both Kinu and Mugi with their respective new partners. They leave the cafe at the same time, ride the same long escalator down whilst not acknowledging each other. They split at the end of the escalator, both of them raise their hand waving goodbye, not knowing if the other is waving as well.

There is something sobering and satisfying about such an anti-climactic ending. They didn’t run into each other’s arms, this meeting wasn’t the start of the second act of the film like I suspected it would be. It was simply two people that once were together continuing down a different road. We often watch romantic films to see two people fall in love and learn to live a life together. Depending on the film it can often seem too idyllic or fanciful but it always seems in reach…if you find that right person. Hanataba mitai na koi wo shita presents a more grounded argument. The right person isn’t always enough. Your situation, your beliefs and your respective flaws might get the best of you. Your own happy ever after might not be all you thought it would be, hell it might not even be one at all.

[amillioninprizes]

An entirely too long post on how to fix Veronica Mars

So, anyone who has followed this blog for any length of time knows: 1) What a massive Veronica Mars fan I was and 2) how distraught I’ve been over the most recent season that debuted on Hulu in July. I’ve been pretty angry about it since it dropped, but the first month after I was pretty occupied with real life stuff. Now that I’m more settled, I’ve found myself getting sadder and angrier over time with just how terrible S4 was and what an obvious fuck you to longtime fans it was. It feels dumb to be so upset over a tv show, but this show got me through a lot over the past 8 years, and I feel like it’s been taken away from me.

 It’s anyone’s guess as to whether there will be a new season. Ideally it would end here with maybe an alternate ending filmed to avoid alienating fans further. On the one hand, the botched release, overwhelmingly negative response, and silence from the creators after initial interviews don’t look good for renewal chances. On the other hand, Hulu doesn’t have a lot of streaming hits, it probably did relatively decent numbers, and there are rumors floating around that its pickup chances look good. On a personal level, I hate the idea that this is where the legacy of Veronica Mars ends, while at the same time being extremely wary of what the creators have planned. I think a big part of the disappointment with S4 was that the movie and books set up what could have been some really interesting storylines and situations, all of which RT and co. squandered for cheap drama and to apparently turn the show into an entirely new vehicle; additionally I had hope that S4 would be a chance to rectify some problems the show has long had, but again, S4 exacerbated them. At this point I don’t expect anyone higher up in the creative process or at Hulu to give a fuck about the fans or making the show better as long as they hit streaming targets, but here are some suggestions:

Fire Rob Thomas

 While he created the show, it’s become clear that not only has he lost touch with the audience and the original spirit of the character, he doesn’t seem too keen on putting much effort into writing the show (as I will discuss below). Then you have his clear misogyny: his views that women in relationships can’t be interesting, that what makes Veronica interesting as a character is her trauma and how much she can endure, and the fact that basically every female character in the history of the show has a history of sexual victimization. He thought that making the Mexican cartel hitmen “philosophical” was subverting expectations (which says a lot of what his expectations of Latinx characters are). Then this is the way he essentially exploited his long term fan base to earn a new season of the show, only to turn around and tell us that we don’t matter. From a business perspective alone keeping him doesn’t make sense; selling a streaming platform on your loyal fanbase and then proceeding to purposefully piss ~80% of them off would be pretty questionable to me as someone in charge. The sheer cruelty with which he treated not only the fans who have supported him for 15 years (I fucking used to liveblog iZombie y’all. iZombie!), as well as how he callously dismissed long time cast members in favor of celebrity guest stars should not be rewarded. He’s admitted in interviews that he would be ok with younger writers doing a reboot many years in the future; why not just let him have a producer credit and then hand the show over to someone who��s invested in making it good?

Put a woman in charge and diversify the writing staff

A big problem with a) Veronica’s characterization in S4 b) RT’s ideas about what makes female characters interesting c) the show’s long history of problematic treatment of sexual assault is that it comes from a man’s conception of the female experience. The Veronica showcased in S4 and that RT wants to write in the future is very much a male fantasy: hates marriage and children, traumatized, DTF, and is too cool for other women. RT stated in interviews that he wanted to show Veronica at a “crossroads” this season in a way he claimed had been shown for men but not women; many female viewers found this depiction to ring false (few women are spending their time fretting about how committing to marriage after five years in an established relationship will bar us from strange sex going forward). In addition to having RT at the helm, most of the show’s writing staff for the majority of its run has been white dudes, which doesn’t bode well for telling the story of a female PI in a diverse community in today’s political climate. Putting a woman in charge would hopefully help rectify these issues to make the character feel more true to life and put a damper on the misogynistic storytelling. The show has a natural candidate in RT’s second-in-command Diane Ruggiero-Wright (despite her problematic history, never forget #KeisterEggGate), who has admitted to not being able to watch the last episode. Jennifer Graham, who wrote both of the books, would also be a worthy addition to the writing staff; while the books had a mixed reception, most fans agree that she got Veronica’s character right. And with the show’s problematic historical treatment of minority characters, adding more POC writers going forward is also necessary.

Bring back Logan (alive)

You don’t have to be a LoVe shipper to recognize just how integral Logan has been since the inception of the show, not just as Veronica’s partner but as a character is his own right. Logan’s journey in many ways parallels Veronica’s, and shows a contrast in how different characters respond to similar trauma. The most critical plot line in the show’s history, the mystery of who killed Lilly Kane, simply doesn’t work without Logan’s importance to Veronica. RT and his defenders like to claim that Logan was holding her back from true growth, which is frankly bizarre as he is the only character to consistently challenge her, like when he tells her that she obviously isn’t happy this season. Additionally, Logan’s scenes this season were the lone highlight of what was otherwise a painful slog of a season. Of the people who have said they would watch a potential S5, a good portion are only interested because they believe that the ambiguity of the last 10 minutes of the season means he’s not really dead (despite what RT has said in interviews). Then there’s what Logan’s death does to Veronica’s character, effectively cutting off what would have been an interesting character arc and stagnating her forever. No matter how much they try to shove Leo the pedo creep and other milquetoast RT self-insert love interests on us, no one else can possible measure up to Logan’s level in terms of being able to match Veronica as a character, intellectually or as a result of shared history.

Plus, the fact that we haven’t had a Weevil/Logan interaction since S3 is a goddamn travesty and should be rectified immediately.

Bring back Veronica

As sad as I am about Logan’s death, for me the most upsetting aspect of S4 was the assassination of Veronica’s character. For many viewers (including myself), the character we saw Kristen Bell portray in S4 wasn’t Veronica Mars but a different character with the same name. Between her abusive behavior towards Logan, her general indifference to her father’s medical condition, her dismissal of Wallace, and her racism towards Latinx characters (using a kid’s lawyer to threaten deportation: not a good look!), she was lacking the marshmallow-y center that always balanced out the pricklier aspects of her character and made her compelling. This change in characterization was especially jarring given that she was not this way when we last saw her in the books, where she mused about having children and sent her half-brother Hunter to summer camp (side note, but does he even exist anymore?). Many of us who had grown up with Veronica were hoping to see her grow with us as a character; instead we got an extreme regression lower than we’ve ever seen her. It would be one thing if they were trying to depict a PTSD storyline, which would make sense given her background, but since her change in behavior is never addressed by the narrative, it just makes her look like a cruel asshole and makes it impossible to root for her. This is exacerbated by the fact that RT has made it clear he has no interest in portraying her inner life, as shown by his wanting to avoid showing her grief over Logan’s death because it would be a real downer compared to the entertaining but ultimately hollow banter and quips he wants to focus on. Veronica this season was also just plain dumb: you mean to tell me that the girl who nearly got killed by Aaron Echolls in her back seat wouldn’t think to check her backseat every time she gets in a car?  (And let’s not even start with RT’s bizarre assertion in an interview that she apparently votes Republican). Not helping matters was Kristen Bell’s performance, which felt very flat for me this season compared to S1-3 and the movie; I don’t know if this was due to personal limitations or a reflection of the bad writing. Writers of future installments and KB herself would be wise to revisit S1, the movie, and the books to figure out what makes sense for Veronica’s character, leading me to my next point:

Get reacquainted with canon, develop a show bible, and hire a continuity director

This show has long had a problem with dropped plots, timelines, and continuity issues. Shelly Pomroy’s party has two happened either in the summer, or the fall. Then we have the movie paradox: Veronica graduated high school in 2006, which means her 10 year reunion should have taken place in 2016. The movie was released in 2014 and the books seem to keep to 2014 dates. Then S4 states that Keith’s movie accident took place in 2013, and mysteriously ages Veronica up to 35 when she should be 32 in 2019. Logan mentions an Aunt Naomi in S4--why didn’t she take care of him after Aaron was arrested (and what happened to Trina)? How the hell is Leo working as an FBI agent when he presided over the disappearance of the Lilly/Aaron tapes? Veronica is shown to be tentatively forgiving of Weevil taking the settlement from the sheriff’s department in Mr. Kiss and Tell, but is then shown to be extremely angry towards him for it in S4. This is just a small selection of the inconsistencies within the show. Plus there is the problem of repeated plot lines: Veronica rejects Leo in favor of Logan in S1, then rejects Leo in favor of Logan in Mr. Kiss and Tell, only for her to...reject Leo in favor of Logan in S4 (and RT says he wants to leave the high school plots behind). This sloppiness doesn’t bode well for a series that is supposed to be about mysteries, which require tight plotting. It would behove TPTB going forward to once and for all determine a timeline of Veronica’s life, keep a detailed record of past plot and character points, and have at least one person on staff who thinks to remember this stuff (RT notoriously has only a “solid, not spectacular” memory of the show, no matter what Kareem Abdul-Jabbar says).

Make an effort (and do your fucking research) 

Moving on from continuity issues to more general problems with the laziness of RT’s writing. He has basically admitted that he doesn’t care much about facts or characterization when writing plots--he shoehorns details to fit the plot rather than have it evolve organically from the characters and prior canon. I know that when writing it’s often impossible to make every story detail 100% accurate, but the extent of RT’s sloppiness is alarming. This excellent Reddit thread details a lot of the problems with S4 in particular, but this has been a problem since S2. Did anyone ever understand exactly why the Fitzpatricks were invested in framing Logan for Felix’s death? In the movie, it makes no sense that if Cobb and co. wanted Carrie silenced, they would add the complication of framing Logan for her murder--given her history, it would have been a lot easier just to make it look like she had accidentally overdosed. Given his previous patterns of villain writing fans were able to guess the identity of the S4 bomber based on casting alone. The mysteries in both Mr. Kiss and Tell and S4 are both ripped from the headlines, which indicates that RT wants to turn VM into the next Law and Order. Meanwhile, he complained about how hard including Logan in the story in S4 was, while Logan arguably had the best lines and most interesting scenes this season--apparently when you put an effort into things, they work out! This laziness extends past storyline issues and into factual problems that detract from the quality of the plot. Longtime fandom pals are probably tired about hearing me go on and on about how there’s no way Aaron’s lawyers could have gotten Veronica’s medical records due to HIPAA laws. Logan’s career change from naval aviator to intelligence is highly unlikely (and unnecessary, given that they changed it only to fridge him at the end of the season). Meanwhile, I know fanfic writers who have spent hours on the phone with strangers in order to research what type of firearm would cause a specific type of bullet injury. It’s very puzzling to me that RT wants to take the show in the direction of being mystery-only when apart from that one time he is piss poor at writing mysteries and puts no effort into them. I shouldn’t have to tell television writers to, you know, do their job but this is what we’ve come to in 2019.

Know your audience

A majorly annoying thing about the promo for this season is how in every single interview Rob Thomas did he was always talking about how he wanted VM to be like other shows and movies: Fargo, True Detective, Game of Thrones, Chinatown (which is apparently the only noir movie he’s ever seen). The thing is, if I wanted to watch those shows, I would; I watched Veronica Mars specifically because I enjoyed its unique qualities, and I would say most fans agree. The general perception within the fandom is that with this season Rob Thomas seems to have been aiming to dump the old, majority female, CW fanbase in order to achieve what he perceives as a cooler prestigious male fanbase; the issue is, new people aren’t going to take up a show in its fourth season if they didn’t watch or didn’t like earlier seasons. Also, trying to write a prestigious show doesn’t make your show prestigious. Considering that based on anecdotal evidence most of the people who like S4 seem to be male, he may have succeeded in the first part of his aim. However, this majority female fanbase he was so willing to cast aside are the ones who have run fansites and rewatches during fallow times (i.e. between S3 and the movie and then between the books and S4), so drumming up interest among fans (and therefore streaming views) in the future may be a challenge. Plus, women are a better advertising demographic since they are more likely to be in charge of household purchasing decisions, so maintaining us as a fanbase makes business sense as well. He may have tricked enough people into watching S4 that S5 is given a go, but I wouldn’t be surprised if streams are weak beyond that. If the show is to succeed as a commercial endeavor, better to go with appealing to a known quantity than trying to make a generic show that very few people have expressed interest in watching.

Bring back the mystery of the week

This is a more minor thing I felt was missing from S4. I think after the criticism of S3 not having a season-long arc RT overcorrected in focusing on one mystery. However, the mystery of the week had the following benefits: 1) giving chances for the characters to interact and telling us more about them 2) helping to modulate the pace of the season-long arc. With better writing a season-long standalone mystery could maybe work, but in the case of S4 specifically the mystery was kind of dull and repetitive and could have stood to include a couple of diversions in the form of a smaller case here and there.

Re-evaluate the creators’ interpretation of the word “adult”

Much of the promo and reviews for this season noted the more “adult” content to be expected this season now that Veronica’s grown. Many fans hoped that meant seeing Veronica act like, you know, an adult with adult problems rather than a teenager less mature than the actual teenager she was. Unfortunately, the show’s interpretation of the word seems to be more in keeping with a television rating sense of the word--meaning sex, drugs, and gratuitous violence (But apparently not the word “fuck.”). Look, it was expected that as the show moved to a streaming service and given the overall dramatic scope that there would be an upgrade in some of this sort of content (and I’d be a liar if I said I wasn’t looking forward to steamier LoVe moments, which were sorely overpromised), but the way it was included this season felt like RT and co. included this stuff just because they could and not to serve the storyline. For me, personally, the biggest example of this was Veronica’s drug use, which I know didn’t necessarily bother everyone. Given her history as the daughter of an alcoholic as well as someone who had been the victim of two roofie attacks, not to mention the fact that her character never seemed to be into partying, I found it very out of character (and book writer Jennifer Graham agrees). It felt like RT included this just bc they thought it would be funny to see Veronica on drugs without considering whether it made sense for her character. Also, were the beheadings strictly necessary? Plus there’s RT’s little temper tantrum over not being able to use curse words this season--they weren’t present in the original show, no one was going to miss them now, and the “cuss” thing was just annoying and reminiscent of The Good Place. 

Dealing with a parent who maybe has dementia--that’s an adult storyline. Too bad RT ended it with a dumb excuse about “mixing meds” (another factual error! Pharmacy software would have caught it!) rather than actually exploring what it would mean for Veronica to see her father in decline and take over the family business (and give Rico Colantoni the exit he appears to want). This is the kind of adult content I would hope to see in future seasons.

Adult is not a synonym for “unrelentingly bleak” either. The original show, while dark, always had an element of hope that was completely removed from S4 (no matter what KB might claim). And would it have killed the writers to show Veronica wearing disguises and going undercover like she used to? There was nothing fun about this season (and no, I don’t count the multiple partying scenes as fun, more like sad).

Kill your darlings

It’s cliche, but it’s true. Another issue the show has long had is the writers keeping around characters or inserting jokes and references for their own personal amusement rather than for the story. The most notable example of this is the continued presence of Dick, a highly problematic character considering he pushed Beaver into the room with Veronica the night of Shelly Pomroy’s party, among a whole host of other racist, sexist, and generally obnoxious actions over the years. But because Ryan Hansen is so widely beloved among the cast and crew, so he stays. Then there’s the matter of the infamous Keister egg in 3x08, which the writers and KB have all expressed love for, despite the fact that said Keister egg is an example of sexual assault--which, even if the victim is a douchey fraternity president, is never funny. 

Also the constant Big Lebowski references are tiring. Watch a new movie.

Improve Neptune’s gender ratio

Veronica Mars, despite having a female lead, has always been a male-dominated show; other than Veronica herself, the only consistent female character over the original show was Mac (and she didn’t even come back this season). This is unacceptable in 2019, for any show. The books introduced promising female characters in the form of Marcia Langdon and Petra Landros, but Marcia’s character was was watered down for S4 and Petra was nowhere to be found. Additionally, Veronica and Mac have always been written as “cool girls” who looked down on other women for their femininity, which isn’t a great message. Almost every other female character, even the innocuous Parker, is portrayed as somehow bad or incompetent. I would love nothing more than a season centered on the women of Neptune and their interactions with each other. While we’re at it, stop giving every woman on this show a background of sexual victimization.

Treat VM as an ensemble show, not a Kristen Bell vanity project 

A major complaint from Burnt Marshmallows and S4 defenders alike was how little time was given over to the original core cast this season. While Veronica may be the protagonist, a large part of how the show became so beloved was her relationships with the other characters. Yet RT has decided that going forward VM will be a KB solo project, with her traveling town to town quipping and sleeping with strangers. This seems strange, given Kristen’s recent interviews talking about how difficult it is to shoot VM and how she never wants to be first on a call sheet ever again, not to mention how she asked for less screen time all the way back in S2, which resulted in the Weevil-Logan storyline, which was way more interesting than Veronica’s storylines during the first half of that season. (The traveling detective thing also seems weird considering that KB is pretty insistent on shooting in LA to be near her family.) Additionally, if this is truly the last season of VM with all the original characters, then no one got a proper sendoff. 

I’m not sure how willing much of the cast will be to return for future iterations, given how uncomfortable many of them seemed during promo as well RT and KB’s treatment of them (insensitive at best, deliberately mean at worst) this season (shout out to Tina Majorino for recognizing what a shit show this was going to be), but bringing back all the original characters into the fold and giving them significant storylines would go a long way to mending fences with fans, improving the show from a character arc perspective, and would also give KB the break she apparently wants. 

Recourt the fanbase

What has VM always been renowned for above all else? It’s incredibly loyal fandom which not only got it renewed twice during its original run but also put up their own money to get the movie made--I know many people who donated when they really couldn’t afford to. RT basically owes the last 6 years of his career to VM fans--the success of the Kickstarter arguably got him the iZombie show running gig, and the fourth season likely wouldn’t have even happened if not for it. Thus, the blatant cruelty and disregard with which RT and KB have treated fans during the promotion of S4 has been incredibly insulting and hurtful; I still can’t fathom what in the world possessed RT to think that throwing away this 15-year relationship was a good idea. It’s not a good sign when the 2 fansites most active during the post-movie period (VMHQ and VM Confessions) cease operations in the wake of S4, and when at least 3 out of 8 board members of the oldest running fan group, Neptune Rising (who were dormant during the post-movie period but played a critical role during earlier fan campaigns and in the S4 promo) resign. A fandom this loyal that was betrayed will not stand idly by if the S5 RT wants to make goes ahead; given the number of tweets the official Hulu VM account has had to delete in the wake of S4 due to the overwhelmingly negative response as well as the controversy over editing out Logan from S4 promos, I imagine that S5 will be a PR nightmare. Even if future seasons are amazing the trust can probably never be fully repaired, but it would be helpful for RT (or fingers crossed, a new show runner) and KB (as star and EP) to go overboard in reaching out to fans and at least admitting they made a misstep with the entirety of S4. Back in the day, the old Mars Investigation fansite was invited to set to conduct interviews; maybe do that again. Also someone should get KB some sort of VM fandom-fluent media trainer because I don’t think she has conducted a single interview during her entire stint on the show that didn’t anger fans (it might help if she actually bothered to watch the show).

Map out an endgame

Look, this can’t go on forever. As long as RT keeps leaving every installment open ended with the hopes of maybe getting renewed again five years down the line, the story is going to keep running into the issues the movie and S4 faced with having to shoehorn the characters into nonsensical plot lines to reconcile those endings and deal with actor availability issues. Either plot another 2-3 seasons to wrap the show up with a satisfying conclusion, or map out a greater timeline of Veronica’s life with spots where a mini series or movie here and there could fit in.

[aion-rsa]

How the Cyberpunk 2077 Soundtrack Found Its Dystopian Sound in a Soviet-Era Synthesizer

https://ift.tt/2Knk6oM

CD Projekt Red’s Cyberpunk 2077 is arguably the the biggest video game release of 2020, transporting players to a gritty sci-fi world full of bio-augmented criminals and lowlives. True to its name, the game explores some pretty deep concepts about cyberspace and what life might be like in a futuristic transhuman society where technological advancements have turned us less human and more machine. So it’s no surprise that the game’s score often sounds like something recovered from the year 2077 and brought back to our time. At its very best, the soundtrack elevates this grim dystopia.

In the wake of Cyberpunk 2077‘s massive launch, Den of Geek spoke with the trio of composers behind the game’s score: Marcin Przybylowicz (The Witcher 3: Wild Hunt), P.T. Adamczyk (Gwent: The Witcher Card Game), and Paul Leonard-Morgan (Dredd). The three composers discussed the soundtrack’s conception and revealed the unconventional methods they used to create the score’s unique, ominous sound.

The Cyberpunk 2077 Original Score, which contains two discs-worth of the game’s enormous pool of music, is available now to buy and stream. As players have discovered in the week since the game’s launch, the score isn’t exactly the pulsating, adrenaline-fueled synth barrage some might be expecting from a cyberpunk title. It’s largely ambient, with ominous layers of otherworldly bass bellows, tribal beats that sound both futuristic and primal, and melancholic wades through placid synth soundscapes. There are definitely bangers on the tracklist, but what stands out is that many of the pieces almost feel introspective. 

“You’re dealing with a complex story, and there’s [a vast] number of characters in Cyberpunk,” Adamczyk explains. “Finding a theme or an idea or a motif and being confident in it…that’s really difficult because there are so many different things happening in the story, and you could score it a thousand different ways. And they all would be good enough. But the question remains, ‘What is the essence?’”

Przybylowicz was the first of the three composers to start work on the score for Cyberpunk 2077 very early in the game’s production. In laying the foundations for what the game’s music would sound like (the elusive “essence” Adamczyk speaks of), he set out to create something unique, though he was also committed to honoring the source material that the game is steeped in.

“We were trying to find out how our take on Cyberpunk would differ from other bits of culture,” says Marcin of the initial creative process. “We must never forget that our game is not a game that is simply set in a yberpunk universe. Our game is Cyberpunk 2077, which means that it’s based on a very well described and very lore-heavy, already existing universe, Cyberpunk 2020 by Mike Pondsmith. So that means there is a ton of source material, tons of creative work that has already been done before. So we needed to reach out to these books and see if we could pinpoint anything that would remain useful for us after we move the events from 2020 to 2077. Then we started to formulate how that would translate to the game’s sonic palette.”

The original tabletop game paints a picture of an alternate future in which corruption reigns and oppressive megacorporations wage war on each other, as the denizens of gang-infested, urban sprawls like Night City struggle to survive on the streets. Humans and machines intertwine via cybernetic enhancements, and this unholy merging of flesh and technology is represented vividly in the game’s score, which often employs the use of synth that sounds both metallic and organic.

The majority of electronic music is created from a widely-available database of preset sounds built into a computer or synth. To create Cyberpunk 2077’s unique sonic identity, the composers eschewed convention and took a more experimental approach, using a slew of odd machines to create bespoke sounds that give the score its ethereal edge.

“What we’ve done is ridiculous,” Leonard-Morgan explains. “It hasn’t been done before. We’ve composed with virtually no software at all. It’s all external gear. So it’s all weird and wacky synthesizers, all weird modular synths, always stuff which you then had to record the audio and process that around. You can never recreate the sounds again.”

The trio used rare, long out-of-production machines, took their already unique built-in sounds, and manipulated them further to compose the game’s music. The result is a tapestry of interconnected compositions that have a dark, Frankenstein’s-monster bizarreness to them, and one of the most prominent and peculiar synths you’ll hear in the mix has a curious background of its own.

“P.T. and I own our own Soviet-made Polivokses. Mine’s from 1982,” Przybylowicz says. “My Polivoks still has a price tag: 800 Rubles, which is, I think by today’s standards, 10 bucks. It’s a duophonic synthesizer similar to the Moog Sub 37, which is a very famous duophonic unit. I heard a story that during the Cold War, blueprints [of the Moog Sub 37] were stolen by Soviet agents in order to obtain something that they could copy [to build their own synthesizer]. Supposedly they were trying to make an exact copy, but you know, something always goes wrong on the production lines–they ended up with a machine that is truly, remarkably ugly-sounding. Yet still sounds like nothing else.”

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Another strange machine in the trio’s fleet of synths is the Folktek Mescaline, an infernal-looking mess of jet-black panels, spiraling bronze detailing, and a scattered arrangement of inputs, knobs, buttons, and switches. It looks so intimidating and unapproachable that it’s no wonder the trio harnessed its power in their compositions.

“All three of us own Folktek Mescalines,” Przybylowicz says. “It’s a small modular system that allows you to basically do anything. It doesn’t come with a very good manual. It doesn’t feature keyboards. It doesn’t feature any self-explanatory indications of what’s doing what. So it’s all based on experimentation.”

Adamczyk elaborates, “You can’t really decide, ‘I’m just going to play an A minor chord’ on a Mescaline. Getting an A minor chord is a real pain in the ass because you have to pretty much tune the machine to that specific chord. You have to try to find your way with these instruments and try to somehow find a musical way of using them. Half of the time, you have no idea what you’re doing.”

The game boasts around eight hours of music that, amazingly, is virtually all in the key of A minor to allow the different compositions to flow seamlessly in and out of each other as the player transitions between different encounters and scenarios.

“Games are like living organisms,” Przybylowicz explains. “It’s dependent on the player’s actions, even if we’re talking about the most linear scripted games. Ours obviously is nothing like that. It’s a full-fledged, open-world RPG with multiple branching lines in the narrative arc. So obviously it’s even more difficult [to compose for], but I think in a sense it’s almost liberating to work on a thing that changes so many times during even a single playthrough, you know?”

Cyberpunk 2077 had fans practically salivating in the days leading to its release date. It’s not only the next chapter of a long-beloved sci-fi franchise, but CD Projekt RED’s follow-up to the all-time classic The Witcher 3: Wild Hunt, which is, to put it mildly, a tough act to follow. The composers feel the magnitude of the moment, though they remain unshakable, confident in the work they’ve put forward.

“Working on a game of such a big scale, ambition and quality and fan base…I think it naturally adds to the pressure,” says Przybylowicz. “So the bigger the hype gets, the bigger the expectations are getting, and the bigger the pressure gets. I think it’s at least in some parts a natural process of this profession, when you get to work on a project of this reputation.”

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“It doesn’t matter for me whether it’s a one million dollar film, a hundred million dollar film, a billion-dollar game, or whatever,” Leonard-Morgan adds. “The point is it’s all about the creative process. That’s the part that I really, really enjoy. And I think as soon as you start letting external forces come into your head, that’s where I start to kind of…Self-doubt is the wrong phrase. But you start second-guessing, and second guessing is just the worst thing you can do as a composer.”

You can listen to the score below:

Cyberpunk 2077 is out now on PlayStation 5, Xbox Series X, PC, PlayStation 4, Xbox One, and Google Stadia.

The post How the Cyberpunk 2077 Soundtrack Found Its Dystopian Sound in a Soviet-Era Synthesizer appeared first on Den of Geek.

from Den of Geek https://ift.tt/3an3h8A

[geneticmisfit]

TIMELINE. 

HIGH SCHOOL:

Freshman Year

-DECEMBER OF 2015 -Gains his powers after being bitten by a radioactive spider during a class trip to Doctor Curt Connors’ lab in Empire State University. -Spends the Christmas Break discovering and learning about his abilities, makes his First Suit out of some old pajamas.

-JANUARY 2016

-Being a kid and wanting to make a quick buck with his abilities, he enters a wrestling competition against Crusher Hogan.

-It’s the classic wrestling origin. Peter gets swindled out of money, a burglar steals money from the fight manager, Peter lets the Burglar go out of anger and spite for the manager. -Uncle Ben is murdered, Peter goes after the assailant and is horrified to discover it is the same Burglar he had let go earlier. -When you do the things that I can, but you don’t, and then the bad things happen, they happen because of you. -Guilt stricken, he realizes the importance of Power and Responsibility and starts to fight crime, initially stopping small crimes, petty robberies, etc.

MARCH TO JUNE 2016:

-Rumors of an Insectoid-Man spread quickly throughout the underworld, it is initially believed to be a Lie made by crooks who want to dodge blame, but more and more YouTube videos of a man in a red and blue pajamas doing extraordinary feats quickly kills that possibility. -At the recommendation of his teachers, Peter starts interning at Connors’ Lab in ESU, it allows him to get a closer look at the kind of spiders that bit him, and leads him to discover that the irradiated spiders are a project Connors is working on under the funding of Oscorp. -During his crime fighting, he unknowingly halts several of The Big Man’s jobs. -Frequently swings into and stops the crimes of Alex O’Hirn and Flint Marko. -He runs into his first Out of the Ordinary Bad Guy when he ends up fighting Stilt-Man, instead of going for his legs he just punches him out cold.

CIVIL WAR INCIDENT - JUNE 26TH 2016

This is where the first of the several big canon rewrites comes in. For starters, the Airport Fight happens in New York instead of Germany, and Tony does not recruit Peter for his cause or give him the new suit. What happens is as follows,

-Peter sees the news of The Winter Soldier’s attack on United Nations. ( For the purposes of this rewrite, let’s say Bucky gets extradited to the U.S. for interrogation and trial and he is held in the same SHIELD base Steve woke up from his coma or whatever ) -Peter and Ned argue about Spider-Man not going for Stilt-Man’s legs during their fight. -Hearing the news of JFK suddenly closing down and rumors of people spotting ‘Very Serious Government People’ , Peter puts the two and two together and leaves abruptly, heading to the Airport in hopes of ‘Auditioning’ for the Avengers, because that’s what you do when you are a 15 year old with superpowers. -Beginning of the airport fight and Steve and Tony’s argument happens the same, majority of the fight happens the same way. -Peter, as Spider-Man, jumps into the fray during the Line Up. He immediately swings to Tony’s side because Iron Man is the hero he idolizes the most at that point in time. -Tony and Peter banter, with Tony not wanting a kid there and Peter being a dumbass kid and wanting to impress Tony. -Peter does not fight Steve, he is only there to take down Bucky and Prove His Mettle as a superhero. -The entire sequence with Bucky and Sam versus Spidey happens as shown. -Seeing Giant-Man appear and grumbling himself about the whole Stilt-Man argument still, Peter realizes he can go for Scott’s legs to take him down and does the whole AT-AT takedown move. -Gets knocked back onto the ground like in the movie, Tony goes to check on him to make sure this dumbass kid didn’t get himself killed, seeing he is alive and well, Tony is impressed but he tells Peter to go home. -Bedroom scene occurs as a post-credits scene, it becomes less about Tony recruiting Peter to his side and more about figuring out what the deal with this Spider-Man Kid is, leaves the suitcase with the Stark Suit as he leaves, says they’ll be in touch.

HOMECOMING - END OF AUGUST - SEPTEMBER 23RD 2016 / SOPHOMORE YEAR

-Peter turns sixteen in August 10th. -The movie happens largely the same -a Film by Peter Parker and the Limo Conversation naturally doesn’t happen considering the afromentioned changes to Civil War. -Tony does not save Peter from drowning, Peter gets out of the lake on his own.     Reason for this change is that this scene makes Tony way controlling and uncaring towards Peter? Which, compounded by the following scenes, really paints Tony in an awful light. It also makes it more impactful that the next time, and thus the first time, Peter properly interacts with Tony since Civil War is in the direct aftermath of the Ferry Fiasco when Tony comes to collect the suit. They are then both valid in their arguments in that Peter has let the Stark Suit’s abilities get to his head and act way reckless than he should, ( Stark Suit thus serving the same narrative purpose as the Symbiote Suit ) but it also makes Peter valid in that Tony has been completely ignoring Peter ( at least on the surface / from Peter’s point of view ) until it was too late. -Rest of the movie unfolds as shown. -Toomes is Peter’s first proper Super Villain.

OCTOBER 2016 - MAY 2017

-Toomes’ arrest causes his Alien Weapons empire to fracture and for alien tech to be more readily available to the highest bidder ( In the movie it seems like Toomes really wanted the sales to be more gradual and under the radar ) -Shocker breaks away from Toomes’ crew and ends up joining the Enforcers, working for Hammerhead, who works as the Right Hand Man for The Big Man. -Spidey’s encounters with the Enforcers leads Peter to learn about the existence of The Big Man. -Phineas Mason is still at large, Peter dubs him ‘ The Tinkerer behind Toomes ’ toys ’ because he does not directly know who he is but highly suspects his existence. -A Mysterious Benefactor starts bankrolling experiments for Super Mercs, armed with the alien tech, with the, initial, goal of ‘distracting’ Spider-Man from the Finer details of The Big Man’s organization (if he’s too busy fighting Super Villains, he’d be too busy to stop Illegal Shipments ya kno). -Alex O’Hirn undergoes the procedure to become the Rhino, having the experimental alien armor fused to his skin, and only able to perspirate through his face. It is due to this fact Peter manages to take him down the first time, ‘ overheating ’ him to get him to pass out. -During this incident, Spidey gets Rhino to spill the identity of the Big Man, one L. Thompson Lincoln, aka Tombstone. -It is also during this time Spidey has his first run-in with Captain George Stacy. -He goes to visit Tombstone to tell him he knows about him, promptly gets his ass kicked and high-thwips it out of there.

THANOS INCIDENT - MAY 2017

Welcome to the Big Canon Rewrite Number Two, here, Peter does not go to Titan. First part of his appearance happens as shown, with Peter seeing the giant Q ship up in the sky and sneaking out of the bus to help Tony and co. fight the Aliens, but after losing Strange to the ship’s tractor beam, he stays on Earth and helps with the clean-up in the aftermath. Maybe even bumping into a few Defenders while doing so wink wink nudge. As a result, he does not get the Iron Spider-Man suit, sorry Marvel’s toy department.

ENDGAME - DATE UNKNOWN

Okay here’s the deal, it literally does not matter how long it has been since they’ve been blipped. Literally anyone important to a plot has been Conveniently Snapped, only reason there is a five year jump is so they can age Cassie so she can become Stature in Ant Man 3, and have Tony have a family for the Drama of it. Literally that’s the only reason, there is a reason why Far From Home makes a joke out of it. So for the purposes of sanity, let’s just say they were snapped throughout the duration of the summer and they conveniently get brought back at the beginning of the school year. -This means Peter is a part of the Final Fight but in his Stark Suit instead of the Iron Spidey suit, he also does not activate Instant Kill (why the FUCK would he, Russos!!!!!) I don’t care either way about the hug, so that’s up in the air, but he definitely does not cling onto Tony’s body lmfao nah. It is nevertheless very upsetting and near-traumatic for him to see someone die in front of him (again!)

JUNIOR YEAR

SEPTEMBER - DECEMBER 2017

-Peter is now seventeen. -And he’s got PTSD like a motherfucker lmfao. -Getting turned into dust and coming back has everyone rattled, so the Criminal Underworld is working overtime. - Captain Stacy comes to Midtown to teach about Criminology, and also to keep an eye on his kid considering the circumstances. -Silvio ‘Silvermane’ Manfredi, head of the Maggia, is also due to be released on parole by the end of the year, so various Mob factions are trying to prepare themselves. -As a result, schematics to make more Rhino-like people hit the market, Spidey and O’Hirn actually end up teaming-up together to destroy the schematics, resulting in a three way fight between them, Hammerhead, and the Manfredi mob. -Hammerhead’s recent repeated failures shakes Tombstone’s faith in him. -The Enforcers get fancy schmancy Combat Enhancement Suits, courtesy of The Tinkerer, and Spidey has to deal with them. -Hammerhead stops the Enforcers’ getaway attempt in secret, signaling a rift between him and Tombstone. -Manfredi is released right before Christmas.

JANUARY 2018

-The Gang War(tm) begins in full force. -Spidey’s hands are full navigating the powder keg of a situation, with Tombstone and Manfredi vying for control, with Hammerhead planning something behind the scenes.

FEBRUARY 14TH 2018 -Hammerhead arranges a meeting of the factions in Metropolitan Opera House, without Tombstone’s knowledge. -Once revealed, Tombstone does not take kindly to this disobedience. -Hammerhead reaches his breaking point and attacks Tombstone. -Silvermane decides to take both of them out to eliminate the competition fully. -Silvermane, in a mechanical combat suit of his own (because comics bebey) attacks Tombstone and Hammerhead, resulting in a three way fight. -Spidey arrives and has to fight the three of them. -After a long and exhausting battle, Spidey prevails, Silvermane is arrested once again, L. Thompson Lincoln is publicly revealed to be The Big Man of Crime, and Hammerhead is nowhere to be found. -Tombstone posts bail, but Captain Stacy tells Spidey that his crime empire is crippled and there is a power vacuum. One that a certain Wilson Fisk will take advantage of soon.

LATE FEBRUARY - JUNE 2018

-Spidey is basically doing clean-up duty in the aftermath of the Gang War(tm) -He is trying to find where Hammerhead is, but comes up empty. -All Spidey can find are the rumors that he went back to his old employment under the Maggia. -He takes down last of the known Manfredi fronts before preparing for his Europe trip (it’s the restaurant fight from the FFH trailers)

FAR FROM HOME - JUNE 2018 -Happens largely the way it is depicted in the movie -He does not have the Iron Spider Suit still, in case you forgot. -Smaller differences being Peter being pegged the ‘New Iron Man’ less because of his ‘Mentorship’ under Tony and more because people are just fucking desperate for a new Big Hero, which is where Mysterio comes in. -He sees Ben’s grave instead of Tony’s during the Mysterio Fun Tour of Trauma, Zombie Iron Man still comes out of it tho because Symbolism ( not because Tony is a new Uncle Ben figure, but because it represents Peter not always being able to save everyone, even though Tony’s condition was out of his hands.) -BIGGEST DIVERGENCE: Unless plotted, I generally DO NOT recognize Peter’s identity being outed. There are two options / variations I could go with                    -Peter IS claimed to be Spider-Man, but after a Movie’s worth of adventures, he enlists the help of either a skrull or Chameleon (Dmitri the Bus Driver in FFH) to have Spidey appear in the same room as Peter and re-establishes his secret identity.                    -Mysterio just brands Spider-Man as a menace and that’s that. In any case, this leads to..

SENIOR YEAR

SEPTEMBER - DECEMBER 2018

-Peter turns eighteen. -Branded as a menace, Spider-Man is now disliked and hunted by most authorities. -Captain Stacy, however, does not believe Mysterio and is one of Spidey’s few friends still left in the police force. -He also makes numerous remarks towards Peter and Spider-Man that suggests he figured out his secret identity on his own. -Anastasia Kravinoff arrives in New York with the intention of Hunting Spider-Man. -At the same time, Mac Gargan is hired by The Mysterious Benefactor to undergo the Super Merc procedure to hunt Spider-Man. -Kraven has her first encounter with Spidey, in which she manages to tear off a piece of his suit that she later uses to track his scent. -Mr Harrington’s class trip to Bronx Zoo is promptly ruined when Kraven shows up tracking Spidey’s trail. -The publicized skirmish in the Zoo attracts the attention of Gargan, now in a mechanical suit with a long, poison-tipped tail, stylized after Gargan’s favorite arthropod, which easily earns him the nickname ‘Scorpion’. -Spidey manages to escape, but barely. -It all comes to a head in New York Botanical Garden is a totally epic final showdown. -Maybe Rhino gets involved too and it’s a full on Survival of the Fittest in the jungle. -Peter gets stung by the poison tail but manages to shake it off. -He gets speared in the thigh at least once during the battle. -Scorpion and Rhino get imprisoned in the Vault, Kravinoff gets arrested as well but she posts bail and gets out scot free because she’s got Powerful Connections(tm)

JANUARY - MAY 2019

-Doctor Connors achieves a breakthrough on his Cross-Species formula -He tests it on himself, and initially achieves great results by regrowing his arm. -Over the following weeks, however, more and more side effects start to show by patches of green scales on his skin, increased aggression and hostility and occasional lapses in intelligence. -Around March, he has his first Lizard transformation. -Peter suspects it’s Connors, but he does not figure it out until April. -With each transformation, Connors stays as Lizard longer and longer. -I am basically ripping off the plot of the first TASM movie. -Peter and Gwen manage to synthesize an antidote. -Connors has a similar goal as to his movie counterpart, but he decides to Unleash the Lizard virus on top of Empire State Building. Because a) King Kong reference with Lizard climbing the antenna, and b) Connor going from Empire State University to Empire State Building, it’s a fun progression. -Spidey and Lizard fight on top of Empire State, with George Stacy coming to Spidey’s aid. -Spidey manages to administer the antidote to the Lizard, reverting him back to Connors who retains no memories of his actions as the Lizard. -Stacy gets injured by Lizard and before succumbing to his injuries, tells Peter to keep Gwen safe and ‘out of it’. -Lizard’s true identity remains unknown to the public, but Connors decides to relocate his family to Florida to get away from the noise of the city. Before leaving, he tells Peter to seek out his old colleague Otto Octavius if he wants to further his studies.

END OF MAY 2019

-Peter Parker graduates Midtown School of Science and Technology. -He applies and is accepted by Empire State University. Peter does not consider any other college as he wants to stay in New York for obvious reasons.

FRESHMAN UNDERGRAD

SEPTEMBER - DECEMBER 2019

-Peter is nineteen. -He starts his studies in ESU -He is still not the Most Popular -Peter reconnects with Harry Osborn (they are Old Childhood friends and Harry used to be in Midtown for the first year but then he went to Europe, as you do.) -Spidey is still branded as a menace and hunted, though not as ferociously as before as the public’s opinion starts to turn positive ever so slowly. -The Mysterious Benefactor has Alistair Smythe build robotic spiders to hunt and slay the Spider. Like Spider Slayers. Catchy name huh. -Peter has various encounters with Slayers while trying to figure out who is behind them -He eventually discovers it’s Alistair Smythe and tracks him to Oscorp. -Smythe unleashes the Ultimate Spider-Slayer, The Black Widow to try and stop Spidey once and for all. -Fight spills to the power plant, an Oscorp employee who is currently working on the plant, Max Dillon, gets caught in the crossfire and gets electrocuted. -Spidey manages to take down Smythe, Dillon is hospitalized. -Norman Osborn publicly denounces and distances himself from Smythe ( he’s The Mysterious Benefactor if you haven’t caught on yet ) -Norman profits both from making Super Mercs and Spider-Hunters for various factions behind the scenes, and for building housing units to hold said Super Mercs and Spider-Hunters, Vault is his creation. -He is also a terrible dad, but he does genuinely care for Harry, go figure. -Harry starts taking Gloublin Green, an experimental enhancer, to boost his academic and athletic life, as his body is regularly failing due to a hereditary disease (NOT the Goblin disease, the one Harry’s mom had in the PS4 game) -Max spends Christmas in the hospital and gradually transforms into Electro. -Black Cat drops in to give her Christmas Greetings by saying the mob is salvaging the parts from Spider-Slayer fights to re-arm themselves, also notifies him to the existence of a new Big Man consolidating power. -Peter thinks it’s Hammerhead, the only loose end from the previous Gang War, and starts his investigation into him. -Peter discovers Hammerhead leads the Maggia now, having quickly climbed through the ranks after the fallout of the last Gang War.

JANUARY - MAY 2020

-Harry joins the ESU football team, his performance enhanced by The Green. -Electro is Born and he’s Angry -He blames Smythe for his condition and tries to attack Oscorp, not knowing that Smythe is imprisoned. -Spidey arrives and fights him, fight eventually spilling to Times Square -Is it obvious I’ve started ripping off TASM 2 yet or.... -Electro is arrested and sent to Ravencroft for rehabilitation. -The news of a new Big Man starts making the rounds. -Harry’s Green Juicing gets bad, he starts blacking out.

SOPHOMORE UNDERGRAD

SEPTEMBER - DECEMBER 2020

-Peter is twenty. -He starts interning for Otto Octavius after Doctor Connors’ suggestion. -Flint Marko returns after a long absence in the streets, Spidey learns that Marko left the life of crime when he fell in love and got married, but returned back into it once he learned his baby was born with a disease and he needed the money for surgery. -Bet you didn’t expect me to rip off Raimi in this. -Marko is offered money to undergo a Super Merc experiment of his own, inspired by the Elementals Mysterio faked back a few years ago. Experiment uses bio-electricity generated by Electro, but it goes ‘wrong’ and Marko is turned to dust. -Sike he can control it, he’s Sandman now. -Spidey and Sandman fight, once Peter learns of his motives, he tries to get him to stop. -Marko is told to stop the movement of an oil tanker so the new Big Man can siphon it dry. -Spidey and Marko fight on the tanker, tanker explodes, Marko expresses remorse for he only wanted the money and not to hurt anyone, so he helps usher the ship crew to safety and contains the explosion, turning into glass due to the heat. -Sandman is presumed deceased, but he survived and just blew away gently in the wind. -Maybe he’s out there somewhere who knows.

JANUARY - MAY 2021 -Norman discovers Harry’s Green Usage, he gets Harry to stop. -Stupid boy drinking the Green instead of inhaling it like his dad did I mean what -Harry discovers the Green exacerbated the progression of his illness. -Spidey meets Yuri Watanabe, who is the lead detective and later Captain who is after the Big Man and the Mob. -Peter discovers the identity of the actual new Big Man, it’s Wilson Fisk, quickly filling the power vacuum after Tombstone’s defeat. -Spidey and Fisk fight, with Fisk seriously injuring Spidey and him having to swing away.

JUNIOR UNDERGRAD

September - December 2021

-Peter is twenty one. -As Harry’s illness progresses more and more, he and Peter’s friendship is strained, Peter is unaware of the illness.   -Norman starts winding down Super Merc experiments as he turns his focus into curing Harry. -He also readies for a mayoral run because he’s nothing if not a multitasker. -Harry wonders if Spider-Man’s abilities can cure him, wants a bit of his blood, Spidey is like ‘ew no wtf’ -Great Harry hates Spidey now. -Desperate, Harry springs Electro out of Ravencroft to sic him on Spidey and make him bleed. -Electro is like ‘Sure’ but once freed, he immediately goes to the Vault to try and kill Smythe. -You just can’t trust bio-electrical beings nowadays. -Spidey fights Electro in the Vault. -Electro cuts the power to the Vault and releases a bunch of inmates, but Spidey stops him before he can cut the power that holds the more super powered inmates. -Electro is imprisoned in the Vault.

MARCH - MAY 2020 -Yeah Peter had a quiet winter for once can you believe it. -Norman is elected mayor of New York, using his role in the building of the Vault to boost his approval ratings, motherfucker was playing the Long Game. -Norman revives his old genetic experiments to find a cure for Harry. -Devil’s Breath experiment is resurrected. -Harry’s condition worsens, Norman decides to send him to ‘Europe’ to heal. -In truth, Harry is in Oscorp in ‘stasis’. -Spidey’s attention turns yet again to the rising gang activity, he channels his focus into taking down Fisk.

SENIOR UNDERGRAD

SEPTEMBER 2020 - MAY 2021

-Pete turns twenty two. -He spends most of the year working on his thesis like a good nerd. -Spidey is occasionally tipped toward Fisk fronts by a Mysterious Goblinafactor -Norman wanted to bust into the Crime Scene being the Goblin and taking over the Big Man’s turfs but Fisk beat him to it so he has to be content with just being the Mayor for the time being -Goblins am I right. -He’s also the one who supplied Silvermane with his own armor. -Also the one who maaaay have broadened the rift between Hammerhead and Tombstone by sabotaging Hammerhead’s plans behind the scenes. -He is the Big Man behind the Big Men if you will. -Anyway back to Peter -Turns in his thesis, graduates ESU. Strength of his thesis is what convinces Otto to have Peter also come into work with him in the Brand New Octavius Industries. -Norman is content to just play the Mayor and let Fisk be as Spidey and Yuri gather more and more evidence.

POST-GRAD / INSOMNIAC’S SPIDEY STUFF -Events of the game happen broadly the same -Fisk is taken down, Mister Negative enters the scene, Devil’s Breath Incident happens and Spidey gets his ass thoroughly kicked by Sable, etc. etc. -Otto turns into Ock. -Ock facilitates the Vault Breakdown (MCU got a Raft up and running and it ain’t in NYC sooo, Vault it is) and forms the Sinister Six. -However instead of Vulture being part of the Sinister Six, it’s Kraven. She’s back for a proper rematch. -Unless plotted, May does not die from exposure to the virus, she just gets really messed up and hospitalized, but she gets cured later. -Events of the DLC happen largely as shown as well, Hammerhead techs himself up, Yuri goes Wraith, Sable kicks Spidey’s ass again but also grows a Heart. Aw. -Osborn resigns in disgrace, but as luck would have it, Fisk and Li’s arrest leaves a nice Goblin-shaped hole in the criminal underworld for Gosborn to fill. -Norman discovers Harry’s ‘cure’ is sorta sentient.

WILL GORMAN GOSBORN FINALLY FACE OFF WITH SPIDER MAN? WILL SPIDEY LEARN THE REAL MASTERMIND BEHIND EVERYTHING? WILL HARRY GET GOOPED? WILL PETER FINALLY DISCOVER WHY KIDS LOVE THE TASTE OF CAP’N CRUNCH?

ALL THAT AND MORE, NEXT TIME ON, THE SPECTACULAR ADVENTURES OF THE AMAZING SPIDER MAN!

[papermoonloveslucy]

THE WONDER SHOW

 1938-1939

“The Wonder Show” radio program was so named because it was sponsored by Wonder Bread, which at the time was made by Continental Baking Company, who also made Hostess Cakes.  Wonder Bread is a brand of bread which originated in the United States in 1921 and was one of the first to be sold pre-sliced nationwide in 1930. This led to the popular phrase "the greatest thing since sliced bread". The brand is currently owned by Flowers Foods in the United States. 

Before becoming “The Wonder Show” it was previously known as “Log Cabin Jamboree”, sponsored by Log Cabin Syrup. Like “The Wonder Show” “Log Cabin Jamboree” was helmed by Jack Haley, but without his ‘wonder woman’ Lucille Ball and ‘Wonderful’ announcer Gale Gordon.  

It began broadcasting on Friday, October 14, 1938, at 7:30pm and aired its final broadcast on April 7, 1939. 

It was hosted by Jack Haley, best remembered as the Tin Man in the The Wizard of Oz. Two weeks after “The Wonder Show” went on the air, Fox told Haley they were loaning him out to MGM, who needed a last-minute replacement for Buddy Ebsen in The Wizard of Oz. Ebsen, originally cast as the Tin Man, had been hospitalized with an allergic reaction to the aluminum-based make-up, and Metro was forced to replace him. For the next several months, Haley found himself filming an epic MGM fantasy musical by day, and working with his radio writers by night. He finished his scenes in the film in mid-January 1939 and celebrated by incorporating a Wizard of Oz sketch into the January 20th episode (#15) of “The Wonder Show.” 

"That was quite a winter. By the time we did the show Friday night, I was physically exhausted. Emotionally, however, I was very satisfied. I loved doing that radio show."

Regular cast included singer Virginia Verrill (above with Haley and Lucy), Lucille Ball, comedian Artie Auerbach, and Ted Fio Rita and His Orchestra. Gale Gordon was the announcer. While many believed that Gordon and Ball’s association only went back as far as 1948, “The Wonder Show” deepens that relationship by a decade.   

Lucy spent much of 1937-38 radio season as a regular on Phil Baker's “Gulf Headliner” series on CBS. Lucy reportedly enjoyed doing "The Wonder Show”. She credited it, along with her other early radio appearances, for helping her with her acting career. 

"[Radio] gave me a name in the trade as a good feminine foil. I could flip a comedy line, which a lot of actresses couldn't do. In radio I couldn't depend upon props or costumes or makeup; I had to rely on timing and tone of voice for comic effects, and this was invaluable training." 

At the time Gordon was 32 years old, recently married and had just starting to grow his trademark mustache. He was in such demand that he often did two or more radio shows in a day. 

"Luckily, the studios were nestled along Sunset Boulevard or in a nearby theater, so we could shuttle rather quickly back and forth from one broadcast to another."

During the first episode of “The Wonder Show”, Haley spoke briefly about his current movie release, Alexander's Ragtime Band, starring Tyrone Power, Alice Faye, Don Ameche, and Ethel Merman. He also mentioned Lucy's RKO films Room Service, The Affairs of Annabel, and Having Wonderful Time. 

Other weekly guests included Dizzy Dean, Joan Bennett, Reginald Gardiner, and Oliver Hardy.   

EPISODES 

Episode #1 - October 14, 1938 - “Pepe Sacola Haley, Jewel Thief” [Premiere; introduces a series of weekly Haley Family Album sketches] 

Episode #2 - October 21, 1938 - “Pony Bill Haley” [A forum entitled "Should a woman have a career?" Lucille Ball explored this theme on “I Love Lucy” in “Job Switching.”]

Episode #3 - October 28, 1938 - “Little Lord Fauntleroy Haley" [pre-empted in some areas for an address by President Roosevelt]

Episode #4 - November 4, 1938 - “Gaucho Haley”

Episode #5 - November 11, 1938 - “Julius Caesar Haley”

Episode #6 - November 18, 1938 - “Elephant Boy Haley”

Episode #7 - November 25, 1938 - “Sergeant O'Haley of the Northwest Mounted Police”

Episode #8 - December 2, 1938 - “The Hatfields and The McHaleys”

Episode #9 - December 9, 1938 - “Super Detective 'Wonder' Haley - The Secrets of the French Police or Where Did They Get Those Post Cards?”

Episode #10 - December 16, 1938 - “Colonel Jack Haley and Sea Cookie”

Episode #11 - December 23, 1938 - “Super Sleuth 'Wonder' Haley - Murder in the Sweater Department or Much Ado About Knitting” [The subtitle “Much Ado About Knitting” was later used on “I Love Lucy” in “Lucy Writes A Play”] 

Episode #12 - December 30, 1938 - “Francois Villon Haley, The Pugnacious Poet of Paris”

Episode #13 - January 6, 1939 - “Captain Haley of the Marines”

Episode #14 - January 13, 1939 - “Haunted House” [Friday the 13th]

Episode #15 - January 20, 1939 - “Jack Haley the Clown: The Murder of the Bearded Lady”

Episode #16 - January 27, 1939 - “Jesse James Haley”

Episode #17 - February 3, 1939 - “The Czar of Russia” 

Episode #18 - February 10, 1939 - “Gone With the American Revolution” [Lind Hayes, impersonator, imitates the voices of Lionel Barrymore, Gary Cooper, Fred Allen and others.]

Episode #19 - February 17, 1939 [Lucille Ball introduces a new character; Jack Haley's tough, sassy little niece, a sort of "Dead End Girl".]  

Episode #20 - February 24, 1939 - “The Amazing Dr Jitterbug or A Scar Is Born” [A hunting lodge-themed episode]

Episode #21 - March 3, 1939 -  “The Amazing Dr Jitterbug or A Scar Is Born” [Chicago Cubs baseball player Dizzy Dean guest stars]

Episode #22 - March 10, 1939 - [Actress Joan Bennett guest stars]

Episode #23 - March 17, 1939 - [Comedian Hugh Herbert guest stars]

Episode #24 - March 24, 1939 - “Paul Revere Haley” [Actor Reginald Gardiner guest stars; Lucille Ball later played Mrs. Paul Revere on “The Jack Benny Program” in 1964.]

Episode #25 - March 31, 1939 -“On the Trail of the Lonesome Crime” [Oliver Hardy guest stars. On a 1966 episode of “The Lucy Show” Gale Gordon - as Mr. Mooney - was hypnotized into being Oliver Hardy to Lucy’s Stan Laurel.]

Episode #26 - April 7, 1939 - “Local Boy Makes Good” [series finale]

On March 29, 1938, Ed Sullivan’s newspaper column announced that Artie Auerbach would be marrying young actress Cleo Manning (later Cleo Morgan then Smith). Manning made her screen debut being kissed by Clark Gable in the 1941 film Honky Tonk. Cleo Manning's cousin, Lucille Ball, interceded in the marriage, because Manning was not of age. They were at the license bureau when Ball persuaded them to wait. Auerbach and Manning were married at a later date. Cleo was producer of “Here’s Lucy” and “Lucy in London”. 

Also in 1938, Lucy’s friend and fellow film actress Ann Sothern was also promoting Wonder Bread. Sothern was appearing in a Wonder Bread-sponsored radio show titled “Pretty Kitty Kelly” on CBS. 

After “The Wonder Show” finished on April 7, 1939, Lucy was still cranking out films doing more than 25 screen appearances before being cast as Liz Cooper in radio’s “My Favorite Husband” (also starring Gale Gordon), the series that led to “I Love Lucy” and her place in television history. Although she initially wanted to take Gordon with her to television as a regular, his schedule and salary demands made it impossible so William Frawley was cast instead. Although he made several guest appearances on Ball’s shows, it wasn’t until 1963 that the two became a team again.  

[The author is indebted to The Digital Deli Too for their “Wonder Show” web page as well as Thomas J. Watson’s Lucy Fan webpage about “The Wonder Show.”]

[the-desolated-quill]

Sonic Vs Harley: Send In The Hedgehogs - Quill’s Scribbles

Unless you’ve been meditating in the desert for the past couple of weeks, you’ll know that there’s a bloody epidemic going on in the world right now. The coronavirus outbreak has dramatically changed our very way of life for the foreseeable future, and us plebs have been having to get used to all these alien concepts such as social distancing, self isolation, vaccines being good and Gal Gadot murdering John Lennon with a tuneless rendition of ‘Imagine.’ These are scary and uncertain times we live in, and this goes double for the movie industry as productions are halted and/or delayed, and cinemas around the globe are shutting shop. This means that streaming services, initially dismissed by pompous filmmakers like Steven Spielberg as being lesser than cinema, has now become Hollywood’s saving grace. Oh the irony!

But I’m not here to talk about that. Today I’m here to talk about how a blue CGI hedgehog seems to be more profitable than Margot Robbie.

Jokes aside, this is actually a fascinating topic of discussion in my opinion. Both Sonic The Hedgehog and Birds Of Prey (I categorically refuse to type the whole title because I’ve got better shit to be doing other than trying to remember how the fuck you spell ‘fantabulous’) were released within a week of each other just as the coronavirus outbreak was gathering steam, and yet the box office earnings of both films are poles apart. Sonic has now become the highest grossing video game movie of all time and is, at the time I’m typing this, the second highest grossing film of the year, beating even Disney Pixar’s new film Onward if you can believe it, whereas Birds Of Prey... well... it’s not exactly flopped as such. The film’s low budget protected it from that, but it’s hardly what you’d call a success, making just shy of the $200 million it would need to break even. How did this happen? Especially when you consider that public opinion of both films a year ago would have you believe that the opposite would have happened. Everyone was massively excited for Birds Of Prey, especially after the string of successes DC have had with Aquaman, Shazam and most recently Joker, whereas Sonic...

...yeah, lets not talk about that.

Now before we start, let me just make absolutely clear that this is just my opinion. Mu subjective opinion. Normally I’d expect my readers to be smart enough to know this, but I’m talking about a DC movie here and I know from personal experience how ‘passionate’ a certain tin foil hat wearing portion of that fanbase can be sometimes. You may recall back in 2016 I received rape and death threats when I had the gall to say that I didn’t enjoy watching Suicide Squad. You know? That beloved classic that nobody fucking remembers or talks about anymore? Also there was that time when Harley Quinn fans started spreading fake rumours that the Sonic movie was homophobic in the hopes of salvaging Birds Of Prey’s box office earnings. And yes, I know it’s not all DCEU fans that are like this, etc. etc., but considering that it only ever seems to be DC fans that pull shit like this, you’ll forgive me if I’m not exactly in a very generous mood right now. Basically, if you’ve seen Birds Of Prey and liked it, that’s great. More power to you. I’m not even suggesting that Birds Of Prey is a bad movie. I’m just exploring the reasons why I think the film may have underperformed and why, possibly, Sonic The Hedgehog overtook them despite outside circumstances. This is not fact. This is just my opinion. It’s my opinion. An opinion. A subjective opinion. It’s my opinion. Okay? Okay.

Also I should point out that out of the two films, I’ve only seen Sonic, not Birds Of Prey. Believe it or not, this will be relevant later on. Again, this is not about the quality of either film. This is merely my subjective observations regarding their respective marketing and box office performance.

So why, according to the fans and the media, did Birds Of Prey underperform at the box office? There are three popular reasons for this. The first is obviously the coronavirus. Less people willing to leave the house and buy a ticket, therefore less box office earnings. Makes sense, but I don’t think that’s the whole story. Lets not forget, Sonic The Hedgehog came out a week after Birds Of Prey and practically steamrolled over the competition despite coronavirus fears. So I’m not entirely convinced of this. The second reason is that Birds Of Prey only has niche appeal because it’s based on a lesser known comic book property. Again, makes sense, but so was Guardians Of The Galaxy and Deadpool, and they were both hugely successful. Obviously I’m not saying Birds Of Prey needed to be as big as those movies. Even if it just made the same amount of money as Shazam did, it would have been successful, but it didn’t. The third reason is good old fashioned sexism, and yes, I agree that may have been a contributing factor, but I think it’s naive to place all the blame on the anti-SJWs who feel threatened by a gang of women kicking butt. Look at the 2016 reboot of Ghostbusters for example. That film received a tirade of misogynistic comments from butthurt fanboys, but it still made roughly the same amount of money at the box office as the original Ghostbusters did. The reason it flopped wasn’t because of the fanboys, but because of Sony spending a stupid amount of money on the thing in the hopes of jumpstarting a shared universe. If Ghostbusters 2016 had the same budget as Birds Of Prey, Sony would be laughing their way to the bank right now.

No I think there’s a little bit more going on here. Lets bring Sonic into the discussion and explore it, shall we?

The most blatantly obvious reason for Sonic’s success and Birds Of Prey’s relative failure is the age rating. Sonic is a PG, family friendly film with a cuddly animal as its main character. The film even stars Jim Carrey being his usual goofy self. Kids love this shit and parents will no doubt be prepared to risk a zombie apocalypse to let their kids see it. Birds Of Prey, on the other hand, is a hard R. Strong bloody violence, sexual references, everyone says ‘fuck’ a lot. No kids allowed. Of course that hasn’t stopped films like Deadpool or Joker being such giant hits, but they didn’t have to contend with a global pandemic. Plus, according to what I’ve heard from certain critics, apparently Birds Of Prey’s R rating doesn’t seem wholly justified. That if you were to cut back on the swearing and the gore, it would make no difference to the film. Now you see this is something I’ve been afraid would happen ever since Deadpool’s surprise success back in 2016. That studios and filmmakers would take the wrong lessons from it and make their films R rated just for the sake of making them R rated. We see this with movie studios all the time. One studio finds success and suddenly everyone tries to copy it without considering why it was successful in the first place. The reason Deadpool as well as other R rated films like Logan and Joker worked is because the films justified their R ratings. You couldn’t have told the same story without that R rating. An R rated Harley Quinn doesn’t seem necessary, especially when you consider that there have been Harley Quinn adaptations before that did just as well without being strictly for adults. Hell, the original Harley Quinn story from the Batman animated series was PG rated. So the inclusion of a R rating feels less like a genuine artistic choice and more like trend chasing. And now that Joker has become the most profitable comic book movie ever made, I fear this is only going to get worse in the future.

Another factor that needs to be considered is audiences’ trust and expectation. Sonic The Hedgehog’s journey to the big screen has in some ways become the classic redemption story. After the initial reveal of Sonic the Manhog, fans were understandably pissed off that a beloved video game icon was given such a grotesque re-imagining for the sake of ‘realism’ (snort). As a result of the backlash, the director Jeff Fowler announced they would revise the design and the film was postponed for three months in order to fix it. The result was a Sonic design much closer to the games and this generated a lot of goodwill from the fans. Subsequent trailers were much better received and there was a lot more positive buzz around the movie. Birds Of Prey on the other hand demonstrated the inverse of this. Everyone was hugely excited, but as we got closer and closer to the date of release, audience anticipation began to wane. The trailers received little fanfare. In fact a lot of people were largely unimpressed by it. Why?

Well first we should address the elephant in the room. The fact of the matter is Sonic has a bigger and much more passionate fanbase than Harley does. That’s not to say Harley isn’t a popular character. She is. But I think Warner Bros and DC seriously overestimated how much people wanted to see Harley Quinn get her own movie. She may have been the best thing about Suicide Squad, but considering what a total trainwreck Suicide Squad was, that’s hardly saying much, is it? I mean the villain Sandman was the best thing about Sam Raimi’s Spider-Man 3. That doesn’t mean I want a whole movie based on him. It just means out of all the things I hated about Spider-Man 3, Sandman was the thing I hated least.

And that’s another thing. The fact that Birds Of Prey didn’t try to distance themselves from Suicide Squad I don’t think did them any favours. While Suicide Squad was a commercial success at the time, people haven’t exactly been kind to the film in subsequent years. I mean feel free to read my review of Suicide Squad for an exhaustive list of reasons why the film was less than enjoyable to sit through. One dimensional characters, poor editing, ugly colour palette, casual sexism, David Ayer trying desperately to look cool and edgy, I could go on. So when the first trailers for Birds Of Prey came out and we saw the neon colour scheme and Hot Topic wardrobes make a comeback, I can’t have been the only one who was slightly put off.

Which leads me to the biggest issue of all and that’s the stonking unoriginality of the whole thing. For all their boasting about how feminist and progressive they are, what is it about Birds Of Prey that makes it stand out from other comic book films? Granted Sonic wasn’t wholly original either, but at least they had the novelty of a blue CGI hedgehog to piggyback off of. Birds Of Prey really doesn’t have anything if you think about it. Here’s the impression I got from the trailers. It has the same aesthetics as Suicide Squad, so already I’m getting PTS style flashbacks, and its story doesn’t seem all that intriguing or unique. Think about it. A violent anti-hero has to protect a delinquent child from some sadistic big baddie. How many times have we seen that done in these films? Terminator 2, Deadpool 2, Logan, even Ghost Rider has told this story before. The fact that the characters in question happen to be women doesn’t change a damn thing. They even have Harley Quinn breaking the fourth wall. Like... guys, come on! Surely we can do something more original than this! It feels like the only thing Birds Of Prey has going for it is that its main protagonists are all women. But after the likes of Wonder Woman and Captain Marvel, that’s no longer a real selling point anymore. You need something else to entice people. Something that Birds Of Prey sorely lacks.

Now I’m sure any Birds Of Prey fans reading this must be getting pissed off at me, so I’d just like to remind everyone yet again that I’m not necessarily saying Birds Of Prey is a bad film. I wouldn’t know. I haven’t seen it. And that’s kind of my point. A week or so ago, my friend and I knew this was probably going to be our last opportunity to go to the cinema for quite some time, so we knew we had to make our choice of film count. We had a choice between Sonic The Hedgehog and Birds Of Prey, and we ended up going to see Sonic. We don’t regret it. We had a good time watching Sonic. It was a fun movie, well made and surprisingly moving at points. (interesting to note, Sonic also has the main protagonist protecting a child plot, but unlike the films I mentioned, Sonic’s story is told from the perspective of the kid. It’s a little thing, but it’s enough to make the whole thing feel fresh and unique because it’s something not even the games tend to acknowledge. Sonic is a kid and the film plays around with that, which adds to its overall charm). Maybe Birds Of Prey is a better movie than Sonic. I don’t know. But that’s not what this is about. When picking which film we would watch, it was the factors I mentioned before that we considered and I suspect what many other people took into consideration too. Basically we looked at these two films and thought to ourselves which one would we be prepared to go outside and risk our health for in order to see it in a cinema. In the end, Sonic won because, out of the two films, it looked more exciting and more unique than Birds Of Prey, and ultimately we trusted that this film could deliver what it promised. Is that fair? Probably not, but sadly that’s often how these things play out. 

Birds Of Prey may have had a good critical reception, but it ultimately shot itself in the foot thanks to some of its creative and marketing decisions. And if studios take anything away from all this, it should be that relying solely on the gender of the main characters as a means to sell something just doesn’t cut it anymore.

[olliewood232]

The History of Animation

Animation dates back all the way to 3000 B.C.in which they engraved pictures onto pottery which gave the indication of animals leaping. along with this in 1500 A.D. Leonardo da Vinci Virtruvian Man was drawn at different angles which alos shows the idea of movement.

As time moved on and the industrial revolution began and so experimentation with machines started to roll out.The first of which was the Magic Lantern in 1603.This contraption consisted of an image projector which projected images from small sheets of glass. this was considered early animation because some of the sheets had moving parts.

In 1824, came the thaumatrope. the Thaumatrope was a simple rotating disk which had strings attached to each side. it was said to work on the idea persistence of vision. The disk would spin and the pictures would seem to fuse together.   

A few years later, in 1831 the next stage of animation was the Phenakitoscope. This was a small spinning disks which reflected the images onto a mirror and this made the illusion of movement. 3 years later in 1834, this developed into the Zoetrope. it was simply a more developed idea. it was a hollow drum shape that could fit strips of paper that would spin and it made it look as if the images were moving.  

the crazy thing is that it wasn’t until 1868 that the flip-book was actually created. it is a simple creation that only consists of paper and small drawings that change slightly to give the look of a small animation. It is said that the flip book was more inspiring than the actual machines created for the early animators. 

Then in 1877, came the praxinoscope. this built on the zoetrope as instead of a simple wheel it used multiple to rotate images and it is said that this is where the first initial animated cartoon images.

Once the 20th century hit, cartoons were becoming more prominent.  One of the many studios to open and thrive during this period was Bray studios in New York. Bray gave opportunity to many animators to help kick start there careers some of who created famous cartoons such as Mighty mouse, Betty Boop and Woody Woodpecker. 

In 1906, the first ever full animated film was created using stop-motion animation. It was called Humorous phases of funny faces. the film was produced by James Stuart Blackton. the film was a cartoonist drawing faces on a chalkboard and he faces were coming to life. Then in 1908 Fantasmagorie was created. this was the first animated film using hand-drawn animation. it was produced by Emile Cohl who was a french producer. it was also a silent film like the film created in 1906.

Jumping forward a couple of years Felix the Cat was introduced in 1914. Felix was considered the first animated movie star. Felix was first depicted in Feline Follies. He was created by Pat sullivan and Otto Messmer.

After Felix in 1928, cam Walt Disney first actual credible piece of animation- Steamboat Willie. this animation was the first of its kind because it had sound printed onto the film. you may actually recognise this animation as it is sometimes shown as an opening credit at the beginning of some Disney films.

Walt Disney was a world renowned animator and was the creator of so many famous faces such as Mickey mouse, snow white and many more. Walt was actually the original voice for mickey mouse and during his lifetime won 7 Emmy awards and 22 Academy Awards for his work. he was also very initiative as he turned his animations into theme parks all around the world.

Soon after came The Golden Age of American Animation. these were the years that homed the rise of the famous Walt Disney, Warner Bros and many others.

In 1930 Disney started to air the Mickey mouse series which proved to be a massive hit compared to his original animated series, Silly Symphony. Mickey mouse had more memorable and likeable characters hat everyone enjoyed.

The Golden age was a very important time for animation as it was when the want for animation was lowering in popularity however, it began to turn itself around. In 1937 Snow White was released by Disney. this was the first full-length feature to include fully drawn animated images throughout. this kicked off Disney as the famous animation movie maker he was. After Snow White he went on to create Pinocchio which was considered an incredible achievement by many and cost twice the amount that Snow white had. 

But as war broke out the studios had to move away fro there fun animations and instead were commissioned to start creating war propaganda to help with the war effort. the only film he was able to carry on with at the time was Bambi which released in 1942. However it bombed in the box office and had various reviews. It was later re-released where it did much better.

once the war ended, there wasn’t much money for studios to start back up previous pipeline projects. But soon after came the American animation TV age.

During this time many still popular shows were created. the industry began to shift from only animated films and started to created Cartoon shows and this was the start of many favourite channels such as Nickelodeon and  The Disney channel. 

the first show to be released was The Flintstones this was a popular cartoon show based around a family living in the stone age. It was fun for everyone and many people still like it to this day. It was released in 1960. A year later yogi bear was created and debuted on national TV. it was a spin off form a previous animated creation called Huckleberry Hound. the creator of this masterpiece was Hannah Barbara.

1964 was also a big year. during this year. Pink Panther won the best animated film and also the first ever adult cartoon was released. this was the first animated series to be aimed towards the entertainment of adults . the show was called Fritz the cat.

In 1980, the modern age of animation began. this was when CGI really kicked off. 3D modelling took over the original stop-motion done through drawing.  and so computer aided animation began to kick off throughout the world.

 The first full animated CGI film was released in 1984 it was called The adventures of Andre & Wally B. the creators of this short film were The Graphics Group. This company was what Pixar was originally know as. And in 1987 the Simpsons hit the worlds TVs. the Simpsons was created by Matt Groening for the Fox channel. The Simpsons is the longest running american sitcom. since its first showing it has had 30 seasons and people still love to this day. It sits currently with a 8.7 rating on IMDB. it also had a film release in 2007.

In 1995, the first fully computer animated film was released, Toy story this was Pixars first full-length feature film that was computerised animation. the films executive producer was Steve Jobs. the movie made  worldwide amount of $362 million.

Once the 2000s hit animation began to fly even further with models becoming more realistic than ever. Studios began to release cartoon movies multiple times each year and pipeline projects that had been in the works for years began to be seen on the big screens.

As you can see animation has come a very long way. And it will continue to grow and flourish from what we know at the moment.

[purplesurveys]

718

If you lived in Bikini Bottom, would you befriend Spongebob or Plankton? Obviously Spongebob. I’m there to have a good time and catch jellyfish, not eat holographic meatloaf and make it my life’s goal to steal a secret formula. Do you have any bananas in your house right now? I think we still have some left. My dad bought a pack? a group? a bunch? of them so he can make banana cue and turon for my mom and sister while we’re all stuck at home for the meantime. Which overrated tattoo are you sick of seeing? Eh I don’t judge this easily since I assume tattoos mean a lot to people but where I’m from, line tattoos are pretty overused. They DO look nice and I get why they’ve been trending for a while, but yeah they’re evvvvvverywhere. Is it easy to distract you? Yes haha I have a rather quick attention span. Do you prefer to drink from glasses or mugs? Depends on the drink. I drink my water from a glass but I prefer my coffee in a mug, that sort of thing.

What was the last thing you taught a younger kid? I don’t feel confident teaching kids just yet, huhu. It usually works the other way around: when I’m with kids, they teach me how to play their toys or whatever game they’re playing on their parents’ phone/iPad. Are the clocks in your house mostly digital or analog? We only have one analog clock. We mostly tell the time from our phones. How long have you had your television(s)? Answered this before but we have two TVs that are 12 years old and two others that were bought within the last decade. Do you like watching movies made with CGI or do you prefer hand-drawn ones? I don’t care. As long as the end product is done well I can enjoy the movie. Where did your parents buy their car(s)? I know for sure the two family cars were bought directly from the official dealers. I think mine was a secondhand one. Do you know why your grandparents chose your mother's name? No. I think they just liked the name. That makes me want to ask my grandma though. What is your favourite kind of soup? Miso is the only one I really like. Have you ever made your own musical instrument? Nope. What do you think of Leighton Meester's singing voice? I only know one song of hers and I reeeeeally loved that when it came out, but I don’t think it’s enough for me to have an opinion for her music altogether. I definitely don’t hate her voice though. Do you think you'd do well at teaching the English language to a foreigner? Yeah, it’s my other everyday language and I’m a little bit more fluent in it than I am in Filipino. How long have your neighbours lived there? About the same time as us, I think. We all moved in at sort of the same time when the village was newly developed. Is it weird to hear your name in movies or TV shows? It’s not a very common name so it does feel a bit weird to hear, yes. It’s weirder if I have to refer to the character in third person cause I never liked saying my own name :/ Why do so many people seem to hate the Jonas Brothers? Am assuming this refers to the Jonas Brothers pre-reunion because I’m sure no one hates them and their new music now lmao. I think, simply put, it was because they were teenagers then, and pre-teen and teenage girls was their main fanbase? Most people liked to shit on that category of celebrities, even today – case in point, Justin Bieber, 5SOS, One Direction haha. What is a store you like that is exclusive to your country? Fully Booked! It’s the most complete, up-to-date, and chic bookstore brand we have. The Fully Booked branch in BGC in particular is a partnership with Starbucks, so you can immediately walk over there to get a coffee and read after buying a book heh. If you attend school, what time do you usually get home after? I always have extracurriculars like org stuff, meetings, or fieldwork after my academic schedule so more often than not I’ll get home by 9 or 10 PM, which leaves me feeling exhausted as fuck at the end of the day. When was the last time you really needed to just let loose? Like two weeks ago? I was bored out of my mind being stuck at home so I chugged a lot of soju that I asked my dad to buy so I can at least be drunk while being bored lol. Have you ever been blackmailed? Kinda. There was a time when I didn’t talk to my sister and didn’t really feel well enough to reconcile with her yet, but my mom threatened to go to our class guidance counselor and expose me and ‘the kind of older sister I am’ if I didn’t make amends with my sister immediately.

This might sound sarcastic but thanks, survey, for reminding me what kind of mom my mother actually was during the years that were the most critical to my development lmao. I always need reminders like this because despite how our relationship has ‘improved’ now that I’m older, I shouldn’t forget the trauma she caused me and the fact that I had always planned to detach myself from her as much as possible once I’m fully independent. I can’t disappoint my younger self by keeping her in my life as if nothing happened.

Do you suffer from Restless Leg Syndrome? No. I keep forgetting what that means. Would you rather have novels based on your life or a series of comic books? Novels, so I’d be more interested to read it. Have you written a resume before, either for yourself or someone else? I did a resumé when I applied for my internship. Did you know that they plan on releasing a movie based on The Smurfs? This survey is sooooooo old hah they’ve made a bunch of films on it already. Do you ever wonder what it would be like to live underwater? Not really. Mostly I’ve just wondered what it would be like to be a creature from the deep sea, where it’s totally dark and most of the animals there look prehistoric as fuck lol. Have you ever worked in a bakery? If not, would you like to? No but this question reminded me of Harry Styles, aw :’) ANYWAY if I did I’d probably take up a job in the office, since I can neither bake nor deal with people on a regular basis even if one argues that bakeries aren’t really particular spots for angry Karens or Barbaras. What is your favourite thing about snow? I like that we don’t get them because it’s bound to make my first encounter with snow in the future magical as fuck. Is there a big personality difference between you and your sibling(s)? Yeah. I tend to adapt to new environments way better than they do and I’m definitely the most extroverted of the three in all aspects.  Do you enjoy decorating things with stickers? Hahahah yes, it’s an uncontrollable urge. I keep my stickers to just my laptop case these days, but back then I used to put stickers on my phone case, my ID case, clipboard, wallet, etc. Did you lose anything recently? Did you end up finding it? I lose my hair tie every now and then; my hair’s a bit short for a ponytail now so my hair tie gradually slips out my hair with me barely noticing it, so it always ends up in random places around the house. I do end up finding it after a while but it gets frustrating whenever I realize it had fallen off again. What colour oven mitts do you have? We don’t really use the oven so we barely use the ones we have. I don’t even know the color of it.

Why do you/don't you watch award shows? Because there are sooo many commercials in the middle of it, some presenters are awkward as fuck and I’d rather save myself from the secondhand cringe, and most of the time the choices for the winners are undeserving and end up pissing everyone off. It’s always easier to just wait a few hours and check the results on Google; and besides, the only fun parts are seeing what everyone is wearing and who attends to begin with hah. What do you think of Ellen DeGeneres as the new judge on American Idol? God this was a lifetime ago. I think I mostly didn’t mind it but I never did get over the replacement of the OGs Randy, Simon, and Paula. Do you ever do the exercises featured in some magazines? No. Have you ever watched What The Buck? What do you think of it? I don’t think I’ve heard of that. How long ago did you switch from cable to satellite, if you did? We didn’t make a ‘switch,’ per se. We had cable in our old home but when we moved to our current house in 2008, having extra channels wasn’t really the priority as moving already entailed a whole lot of expenses to begin with. That meant we only had free TV for a while which was extremely fucking boring, but eventually my dad got us satellite in like 2011 or 2012. When was the last time you partnered up with someone to complete something? I decided to partner up with Andrew for my undergraduate thesis in like August last year. Do you consider Lady GaGa's appearance artistic, or just plain weird? Artistic. What do you usually do when you have trouble sleeping? I put a lengthy YouTube video on so I can fall asleep to the background noise. At least that’s what I do these days - I always thought I needed complete silence to fall asleep, but apparently that’s not the absolute case. What was the last thing you used scissors for? I opened a sachet of 3-in-1 coffee.

Have you ever used some kind of food as a facial mask? Nah I always just use Korean sheet masks. How many USB cords do you have lying around? I personally don’t have any but I do have a hard drive. Are you satisfied with your social life (or lack thereof)? I’m very satisfied with it and I’m glad I got to open up in college. Do you know anybody whose initials spell something? Sure. What is your favourite flavour of Kool-Aid? I’ve never had Kool-Aid. Is there a specific food you think NEEDS to be at Christmas dinner? My grandma’s steak. Would you be able to re-string a guitar? I wouldn’t even know where to buy guitar strings. What TV show do you just assume you wouldn't like? How I Met Your Mother, just because their fans love to make fun of and compare their oh-so-great show to Friends so much when I’ve never seen a single Friends fan make fun of HIMYM like ????? Why the one-sided, unsolicited hate??? I was always planning to watch the show and appreciate Friends and HIMYM at the same time but because the fans are so pathetic I just stopped wanting to watch it altogether. Do your friends have more money than you? Seems unfair to pit ourselves against one another when we’re all still depending on our parents’ money lmao. Who always has the power to make you feel intimidated? Ate Frances has always had a very strong personality. Do you have more bread or cheese in your house? Bread. What was the last movie trailer you saw? Not sure. I don’t really like trailers since most of them give away too much of the plots already. Did you purchase any meat product when you were at the store last? My dad did. Have you ever been told that you have chubby cheeks? Well I don’t, so no I’m not usually told this lol. Do you know how to properly use a saw? Nope. Isn't it a shame that what Kanye West did at the VMA's overshadowed what was supposed to be a night dedicated to Michael Jackson? Hahahaha not really, I found it hilarious and so so stupid. There were a billion other tributes to MJ that year that went smoothly so it doesn’t really matter to me if the 2009 VMAs will always be known as the Imma-let-you-finish VMAs.

[princesslpyhead]

A Long Rant About Sindel, Recycled Animations, and NRS;

(The witch is back and looks... Familiar.)

It's not bitching, it's not complaining, it's not negativity, and it's not wrong.

A lot of people are asking why is NRS recycling so many animations from previous games. With MK11 NRS has now for the 3rd time made one of the best selling games of the year, with the launch of a fighting game title (following similar headlines from Injustice 2 and Mortal Kombat X). Back to back to back best sellers. A lot of people have had complaints since it's release about balance, the roster changes, Mileena, transphobic voice actors, Mileena, the unlock system, Mileena, and now the animations.

In a tweet from Treybaile, multiple animations from Sindel were shown to have origins from Injustice 2 characters. The post claimed, "Sindel plays similar to starfire and I'm a little disappointed". Obviously this was a bad assessment to make, but begged the question, "Why is the best selling fighting game/ one of the top selling games of the year reusing old animations?" The answer is multifaceted but the initial response was obvious.

The "Toxic" NRS community;

In an overwhelming bid to suppress "negativity" the NRS community and Twitter users took to bashing the opinion and community for "negativity", "nitpicking", and "complaining" (criticism is not the FGC's strong suit whether it be dishing or taking).

A lot of MK11 players do have a very negative outlook on the game, but from the supporters excuses were made to defend NRS's choice. Okay, that's the preface, now heerreee I gooooooo.....

Other fighting games reuse animations!? Why pick on NRS?

So no one complained about Kitana, Johnny Cage, Scorpion, or anyone else having reused and altered animations. Same goes for the majority of Street Fighter and Tekken's cast. The reason for this is that a large majority of those animations form a character's identity. If Dhalsim didn't show up in SF6 and instead Ken could do fullscreen stand fierce, you might hear a complaint or two. In fact a major topic during the release of Kage was why do his buttons look so similar to Dan Hibiki's from SF4?

When someone is wondering why the possesed and undead former Queen of Edenia shares animations with 3 superheroes from another series, it's not exactly out of line. Tekken especially is a game comprised almost entirely of it's predecessors in how it animates, yet faces no ire because characters follow 2 unspoken rules; 1) they are themselves 2) they're emulating someone with the same fighting style. NRS didn't get that memo for Terminator or Sindel. Whomp whomp. Confused/Angry people don't know why they're angry and confused.

She has similar powers to those characters and NRS has a "Style"! What is she/ are they supposed to do?

In a perfect world characters are completely expressed in gameplay through their design, buttons, specials, and animations. We would hope NRS has the time/budget to make a bad guy not share moves with 3 separate good guys, and hope their animations have enough character in them to not be interchangeable. If your animations are being mixed and matched and turned into a "new character" we would hope there is a reason why within the games story.

Simply put; people expect NRS to make Sindel look like Sindel, and hope their style is wide enough that animations don't become vague copies of each other. (It is that wide, but we'll get to that later).

Why bother nitpicking such a small thing?

We all paid money for the game. We're all pouring money into the game for season passes and skins. We all see the hearts/souls/time crystals and understand NRS wants to separate us from our hard earned dollars (or in my case begrudgingly and mostly easily earned from slinging coffee). When a best selling game does something people might recognize as out of line, they are allowed to question that. NRS is not an indie developer running on 3 developers and a dream. Mortal Kombat is a multi-million dollar franchise owned by Warner Brothers with their 3rd feature film on the way. They play by corporate rules now.

They want to do things like maximize profits, and hire recently graduated students to pay less than minimum wage and lay off. Take criticism with a grain of salt. Read a glassdoor review of Capcom sometime. Video games are like a sausage factory, but the meat is some stressed out kid working months of crunch time who hasn't seen the sun since oh I don't know when.

Your scrub ass friend complaining about balance while you're washing him repeatedly with Raiden is one thing. That's bashing a game you don't know how to play. Asking, "why am I doing Injustice 2 stuff in Mortal Kombat 11?" Is a fair question that deserves a fair answer.

IN DEFENSE OF NRS;

NRS is not a lazy developer. They just look like it. Whomp whomp part 2.

MK11 is the best looking NRS game, shoulder to shoulder with Injustice 2. It is the most balanced NRS game to date (for better or worse). It is the single best looking 3D animated fighter out right now. I say this as someone who plays Tekken and Street Fighter way more seriously. The faces in MK11 look ridiculously good (except cassies weird baby smile), the characters move pristinely, elegantly, and naturally, most of the time. It is easily one of the most AAA fighting games.

However NRS is questioned as a developer very often and while that is okay, it is also, very unfair, and lends itself to their development cycle.

AAA Fighting Games;

"Every year you get a new Call of Duty, Madden, Assassin's Creed or whatever, and they all feel the same as last year's with minor changes and it sucks ass and why do we buy video games?"

Fighting games almost never seem to get this criticism anymore, despite the fact that Capcom made 4 versions of Street Fighter 4 and is on it's 2nd version of Street Fighter 5 currently, a game released in 2016. Tekken 7 has been out in Japanese arcades since March 2015 and has seen few complaints and steadily rising numbers since then.

Mortal Kombat X came out in April 2015.

Mortal Kombat X came out in 2015. NRS is working too fast.

Since Tekken 7 was released, NRS has released MKX, MKXL, Injustice 2, Injustice 2: Legendary Edition, and now MK11. Mortal Kombat/ NRS fans still complain they are getting content too slowly.

Unfortunately for NRS as well they are not working on a single franchise in these time periods as well. Alternating between Injustice and Mortal Kombat, 2 games with different mechanics, characters, and to a mild extent player bases, has resulted in a partially fractured community, and a homogonizing of identities between games. Some people don't want their peas to touch their carrots.

Furthermore, jumping from franchise to franchise faster than Tekken can complete a single cycle results in some rules being broken. Sindel owns a partial mix of Black Canary and Starfire animations because NRS wants to release a new character every two months and a new game every year.

SFV players waited nearly 8 months for 3 characters. One of them was E.Honda. he slaps his thighs a lot now. I love it.

If you want to know why animations in NRS are being recycled their are 2 clear answers;

1. They are making content for and balancing their games at a break neck speed.

2. Every developer already does this, you just don't notice because you're not comparing Tekken 7 Paul to Tekken 6 Paul. They're both going to spam deathfist at you.

And that's all! Don't feel bad for criticizing video games and don't sit around thinking any developer is out here strictly trying to be your friend and not trying to make some sweet fucking dollar bills. Obviously developers care about their communities but video games are equal parts art and sausage factory. Now leave me alone, I gotta go spend $20.00 on 500 crispy ass time crystals or whatever.

[superdorkcat]

MCU Movies in Development: A Master Post

Last Edited: May 01, 2019

Since Endgame is coming out this month, I thought that I should make a master post of all of the MCU movies in development, as a sort of companion piece to my DCEU one. So, without further ado, let’s get to it.

Confirmed Release Dates:

Spider-Man: Far From Home - July 5, 2019

The Story: After the events of Avengers: Endgame, Peter Parker goes on a school trip to Europe with his friends. While abroad, he is recruited by Nick Fury to team up with Mysterio to battle the Elementals.

The Crew: Jon Watts (director), Kevin Feige, Amy Pascal (producers), Chris McKenna, Erik Sommers (writers), Michael Giacchino (composer), Matthew J. Lloyd (cinematographer)

The Cast: Tom Holland (Spider-Man), Samuel L. Jackson (Nick Fury), Zendaya (MJ Jones), Cobie Smulders (Maria Hill), Jon Favreau (Happy Hogan), J.B. Smoove (TBA), Jacob Batalon (Ned Leeds), Martin Starr (Mr. Harrington), Marisa Tomei (May Parker), Jake Gyllenhaal (Mysterio)

Unknown Release Dates:

Black Widow

In February 2014, Kevin Feige stated that after exploring Black Widow's past in Age of Ultron, he would like to see it explored further in a solo film. Marvel has done some development work for the potential film, including a "pretty in depth" treatment by Nicole Perlman, and by May 2016, Feige stated that Marvel was "creatively and emotionally" committed to creating the solo film. By January 2018, Jac Schaeffer was hired to write the script. That July, Cate Shortland was hired to direct, with Johansson reprising her role as Black Widow. By February 2019, Ned Benson was hired to rewrite the script. Filming is expected to begin in June 2019 in the United Kingdom and last until that September. Florence Pugh and David Harbour have been cast, and Rachel Weiszis in talks to star.

The Eternals

By April 2018, Marvel had met with multiple screenwriters to craft a film based on the Eternals, with a focus on the characters Sersi and Ikaris. Kevin Feige stated that a film based on the group was "one of many many many things that we are actively beginning to have creative discussions about to see if we believe in them enough to put them on a slate." A month later, Matthew and Ryan Firpo were hired to write the script for the project. By late-September, Marvel hired Chloé Zhao to direct the film. Angelina Jolie is in talks to star. Filming was originally set to begin in August 2019 in Atlanta, but was later pushed to September 16, 2019 and will last until January 2020, the movie will have a new shooting location in London.

Doctor Strange sequel

In April 2016, co-writer C. Robert Cargill stated that Marvel felt some initial ideas for the film from him and Scott Derrickson highlighted too much of the "weird stuff" associated with the character to feature in an origin story, but told the duo to hold onto them for potential future films. In October 2016, Derrickson confirmed he had plans for a sequel, saying, "I love the character, I love the visual possibilities, and I know the comics so well—[the first movie is] the tip of an iceberg. There's so much progress that can be made." He would like to follow the example of The Dark Knight and "bring in a villain where you really got to go deep [and have] a more visceral experience". Benedict Cumberbatch added that he had signed on for at least one more Doctor Strange solo film. Derrickson hoped to feature Nightmare in a potential sequel, and expressed interest in further exploring the characters Jonathan Pangborn and Hamir in a sequel, after their smaller roles in the first film. He also explained that he is "kept in the loop" on how the Avengers films will use Strange, because of his close relationships with Kevin Feige and Joe Russo. Jon Spaihts has also expressed interest in seeing Clea appear in a potential sequel. By April 2017, it was reported that Derrickson would return for a potential sequel, beginning work on it after fulfilling his commitments to the television series, Locke & Key. Despite no official announcements, Benedict Wong said in October 2018 that he expected filming on a sequel to begin by the end of that year. By December 2018, Derrickson had "quietly" finalized a deal to return to direct the sequel, with Cumberbatch, Rachel McAdams, and Wong confirmed to reprise their roles from the first film. Marvel is beginning to search for a writer, with a plan to begin filming in early 2020.

Black Panther sequel

With the release of Black Panther, Kevin Feige said "there are many, many stories to tell" about the character, and that he wanted Ryan Coogler to return for any potential sequel. Coogler added that he wanted to see how T'Challa would grow as a king in future films, since his reign only began recently in the MCU, while in the comics, he has been king since childhood. In March 2018, Feige added there was "nothing specific to reveal" in terms of a sequel, but that there "absolutely" were "ideas and a pretty solid direction on where we want to head with the second one". By October 2018, Coogler had completed a deal to write and direct a sequel to Black Panther. Letita Wright will reprise her role as Shuri in the film.

Shang-Chi

By December 2018, Marvel was "fast-tracking" development on a Shang-Chi film, which would be their first Asian-led film. Chinese-American writer David Callaham was hired to work on the screenplay, with Marvel Studios looking to hire an Asian or Asian-American filmmaker to direct. By March 2019, Marvel hired Destin Daniel Cretton to direct the film.

Guardians of the Galaxy Vol. 3

In November 2014, when James Gunn said he had the "basic story" for Vol. 2 while working on the first film, he also said he had ideas for a potential third film. Despite this, Gunn was unsure in June 2015 if he would be involved with a third Guardians film, saying it would depend on his feelings after making Vol. 2. In April 2016, Kevin Feige said the future MCU films are "still a big chess board for 2020 and beyond, but certainly I would say Guardians 3 is [one film that's] up there. I don't know what exactly the order will be." In March 2017, Gunn stated there would be a third film "for sure. We're trying to figure it out," also adding, "There are no specific plans for Guardians of the Galaxy Vol. 3. But we know unless something goes horribly—which is always possible, you never know—I think that Marvel would want to make another movie." He also reiterated he was still unsure if he would be involved with the film, and that he would figure out his involvement and his next project "over the next couple of weeks." The following month, Gunn announced he would return to write and direct Guardians of the Galaxy Vol. 3.

However, in July 2018, Disney cut ties with Gunn following the resurfacing of old, controversial tweets from Gunn. Chris Pratt, Zoe Saldana, Dave Bautista, Bradley Cooper, Vin Diesel, Sean Gunn, Pom Klementieff, Michael Rooker, and Karen Gillan issued a statement in support of Gunn. Pratt, Klementieff, and Bautista are expected to reprise their roles, though Bautista threatened to leave his role if Gunn's script would not be used. Filming had been expected to begin in 2019, for an expected release in 2020. In early August, Variety reported that Disney was in no hurry to find a replacement director for Gunn, and is waiting for an A-list filmmaker to become available, even if it means pushing the film's original February 2019 production date. Later that month, production was put on hold, and delayed to February 2021. In March 2019, Disney and Marvel Studios reversed course and reinstated Gunn as director. Filming of Vol. 3 will commence once Gunn has completed his work for the DCEU film The Suicide Squad.

Ant-Man and the Wasp sequel

Ahead of the release of Ant-Man and the Wasp, Peyton Reed noted that he and Marvel were "hopeful" about a third film, having discussed potential story points. Michael Douglas also expressed interest in playing a younger version of his character Hank Pym in a prequel, something which Reed already teased back in 2015. In February 2019, Douglas said of a possible sequel, "There's been talk [about another Ant-Man]... [but] there's been nothing formal right now that I know of."

Captain Marvel sequel

In February 2019, Brie Larson expressed interest for including the character Kamala Khan/Ms. Marvel in a sequel to Captain Marvel; Feige previously said he had plans to introduce Khan to the MCU following the release of Captain Marvel. The following month, Feige said he had "pretty amazing" ideas for a Captain Marvel sequel. Feige added that a possible sequel could explore the time gap between the end of the first film and Danvers' next appearance in Avengers: Endgame. Lashana Lynch expressed interest in reprising her role as Maria Rambeau in such a sequel.

Thor: Ragnarok sequel

In January 2018, Chris Hemsworth indicated his interest in continuing to play Thor, despite his contract with Marvel Studios scheduled to end after Avengers: Endgame, saying the next month "if there's another great script that comes along" he would consider playing the character again, and later added, "I’d play this character for as long as anyone would let me," crediting Taika Waititi for revitalizing his interest in Thor. He and Waititi had discussed what they would want in a potential fourth Thor film by then. By April 2019, Tessa Thompson believed that a pitch had been made for a sequel to Ragnarok that involved Waititi returning.

[geneticmisfit]

Okay, so, I had posted this before, but it was during my Identity Crisis and Waning Muse so it didn’t really stick. Not anymore. Basically RIP to MCU canon but we’re doing things differently here. 

Below you will find a numerous canon rewrites from Peter’s highschool years up to his post-graduation days, incorporating elements from the MCU movies, tv shows and games. No specific mentions on relationships and other characters unless it is necessary to the Narrative, because a lot of that tends to be extremely thread and partner based. We got it? Good.

ANYWAY ON WITH THE SHOW:

HIGH SCHOOL:

Freshman Year

-DECEMBER OF 2015 -Gains his powers after being bitten by a radioactive spider during a class trip to Doctor Curt Connors’ lab in Empire State University. -Spends the Christmas Break discovering and learning about his abilities, makes his First Suit out of some old pajamas.

-JANUARY 2016

-Being a kid and wanting to make a quick buck with his abilities, he enters a wrestling competition against Crusher Hogan.

-It’s the classic wrestling origin. Peter gets swindled out of money, a burglar steals money from the fight manager, Peter lets the Burglar go out of anger and spite for the manager. -Uncle Ben is murdered, Peter goes after the assailant and is horrified to discover it is the same Burglar he had let go earlier. -When you do the things that I can, but you don’t, and then the bad things happen, they happen because of you. -Guilt stricken, he realizes the importance of Power and Responsibility and starts to fight crime, initially stopping small crimes, petty robberies, etc.

MARCH TO JUNE 2016:

-Rumors of an Insectoid-Man spread quickly throughout the underworld, it is initially believed to be a Lie made by crooks who want to dodge blame, but more and more YouTube videos of a man in a red and blue pajamas doing extraordinary feats quickly kills that possibility. -At the recommendation of his teachers, Peter starts interning at Connors’ Lab in ESU, it allows him to get a closer look at the kind of spiders that bit him, and leads him to discover that the irradiated spiders are a project Connors is working on under the funding of Oscorp. -During his crime fighting, he unknowingly halts several of The Big Man’s jobs. -Frequently swings into and stops the crimes of Alex O’Hirn and Flint Marko. -He runs into his first Out of the Ordinary Bad Guy when he ends up fighting Stilt-Man, instead of going for his legs he just punches him out cold.

CIVIL WAR INCIDENT - JUNE 26TH 2016

This is where the first of the several big canon rewrites comes in. For starters, the Airport Fight happens in New York instead of Germany, and Tony does not recruit Peter for his cause or give him the new suit. What happens is as follows,

-Peter sees the news of The Winter Soldier’s attack on United Nations. ( For the purposes of this rewrite, let’s say Bucky gets extradited to the U.S. for interrogation and trial and he is held in the same SHIELD base Steve woke up from his coma or whatever ) -Peter and Ned argue about Spider-Man not going for Stilt-Man’s legs during their fight. -Hearing the news of JFK suddenly closing down and rumors of people spotting ‘Very Serious Government People’ , Peter puts the two and two together and leaves abruptly, heading to the Airport in hopes of ‘Auditioning’ for the Avengers, because that’s what you do when you are a 15 year old with superpowers. -Beginning of the airport fight and Steve and Tony’s argument happens the same, majority of the fight happens the same way. -Peter, as Spider-Man, jumps into the fray during the Line Up. He immediately swings to Tony’s side because Iron Man is the hero he idolizes the most at that point in time. -Tony and Peter banter, with Tony not wanting a kid there and Peter being a dumbass kid and wanting to impress Tony. -Peter does not fight Steve, he is only there to take down Bucky and Prove His Mettle as a superhero. -The entire sequence with Bucky and Sam versus Spidey happens as shown. -Seeing Giant-Man appear and grumbling himself about the whole Stilt-Man argument still, Peter realizes he can go for Scott’s legs to take him down and does the whole AT-AT takedown move. -Gets knocked back onto the ground like in the movie, Tony goes to check on him to make sure this dumbass kid didn’t get himself killed, seeing he is alive and well, Tony is impressed but he tells Peter to go home. -Bedroom scene occurs as a post-credits scene, it becomes less about Tony recruiting Peter to his side and more about figuring out what the deal with this Spider-Man Kid is, leaves the suitcase with the Stark Suit as he leaves, says they’ll be in touch.

HOMECOMING - END OF AUGUST - SEPTEMBER 23RD 2016 / SOPHOMORE YEAR

-Peter turns sixteen in August 10th. -The movie happens largely the same -a Film by Peter Parker and the Limo Conversation naturally doesn’t happen considering the afromentioned changes to Civil War. -Tony does not save Peter from drowning, Peter gets out of the lake on his own.     Reason for this change is that this scene makes Tony way controlling and uncaring towards Peter? Which, compounded by the following scenes, really paints Tony in an awful light. It also makes it more impactful that the next time, and thus the first time, Peter properly interacts with Tony since Civil War is in the direct aftermath of the Ferry Fiasco when Tony comes to collect the suit. They are then both valid in their arguments in that Peter has let the Stark Suit’s abilities get to his head and act way reckless than he should, ( Stark Suit thus serving the same narrative purpose as the Symbiote Suit ) but it also makes Peter valid in that Tony has been completely ignoring Peter ( at least on the surface / from Peter’s point of view ) until it was too late. -Rest of the movie unfolds as shown. -Toomes is Peter’s first proper Super Villain.

OCTOBER 2016 - MAY 2017

-Toomes’ arrest causes his Alien Weapons empire to fracture and for alien tech to be more readily available to the highest bidder ( In the movie it seems like Toomes really wanted the sales to be more gradual and under the radar ) -Shocker breaks away from Toomes’ crew and ends up joining the Enforcers, working for Hammerhead, who works as the Right Hand Man for The Big Man. -Spidey’s encounters with the Enforcers leads Peter to learn about the existence of The Big Man. -Phineas Mason is still at large, Peter dubs him ‘ The Tinkerer behind Toomes ’ toys ’ because he does not directly know who he is but highly suspects his existence. -A Mysterious Benefactor starts bankrolling experiments for Super Mercs, armed with the alien tech, with the, initial, goal of ‘distracting’ Spider-Man from the Finer details of The Big Man’s organization (if he’s too busy fighting Super Villains, he’d be too busy to stop Illegal Shipments ya kno). -Alex O’Hirn undergoes the procedure to become the Rhino, having the experimental alien armor fused to his skin, and only able to perspirate through his face. It is due to this fact Peter manages to take him down the first time, ‘ overheating ’ him to get him to pass out. -During this incident, Spidey gets Rhino to spill the identity of the Big Man, one L. Thompson Lincoln, aka Tombstone. -It is also during this time Spidey has his first run-in with Captain George Stacy. -He goes to visit Tombstone to tell him he knows about him, promptly gets his ass kicked and high-thwips it out of there.

THANOS INCIDENT - MAY 2017

Welcome to the Big Canon Rewrite Number Two, here, Peter does not go to Titan. First part of his appearance happens as shown, with Peter seeing the giant Q ship up in the sky and sneaking out of the bus to help Tony and co. fight the Aliens, but after losing Strange to the ship’s tractor beam, he stays on Earth and helps with the clean-up in the aftermath. Maybe even bumping into a few Defenders while doing so wink wink nudge. As a result, he does not get the Iron Spider-Man suit, sorry Marvel’s toy department.

ENDGAME - DATE UNKNOWN

Okay here’s the deal, it literally does not matter how long it has been since they’ve been blipped. Literally anyone important to a plot has been Conveniently Snapped, only reason there is a five year jump is so they can age Cassie so she can become Stature in Ant Man 3, and have Tony have a family for the Drama of it. Literally that’s the only reason, there is a reason why Far From Home makes a joke out of it. So for the purposes of sanity, let’s just say they were snapped throughout the duration of the summer and they conveniently get brought back at the beginning of the school year. -This means Peter is a part of the Final Fight but in his Stark Suit instead of the Iron Spidey suit, he also does not activate Instant Kill (why the FUCK would he, Russos!!!!!) I don’t care either way about the hug, so that’s up in the air, but he definitely does not cling onto Tony’s body lmfao nah. It is nevertheless very upsetting and near-traumatic for him to see someone die in front of him (again!)

JUNIOR YEAR

SEPTEMBER - DECEMBER 2017

-Peter is now seventeen. -And he’s got PTSD like a motherfucker lmfao. -Getting turned into dust and coming back has everyone rattled, so the Criminal Underworld is working overtime. - Captain Stacy comes to Midtown to teach about Criminology, and also to keep an eye on his kid considering the circumstances. -Silvio ‘Silvermane’ Manfredi, head of the Maggia, is also due to be released on parole by the end of the year, so various Mob factions are trying to prepare themselves. -As a result, schematics to make more Rhino-like people hit the market, Spidey and O’Hirn actually end up teaming-up together to destroy the schematics, resulting in a three way fight between them, Hammerhead, and the Manfredi mob. -Hammerhead’s recent repeated failures shakes Tombstone’s faith in him. -The Enforcers get fancy schmancy Combat Enhancement Suits, courtesy of The Tinkerer, and Spidey has to deal with them. -Hammerhead stops the Enforcers’ getaway attempt in secret, signaling a rift between him and Tombstone. -Manfredi is released right before Christmas.

JANUARY 2018

-The Gang War™ begins in full force. -Spidey’s hands are full navigating the powder keg of a situation, with Tombstone and Manfredi vying for control, with Hammerhead planning something behind the scenes.

FEBRUARY 14TH 2018 -Hammerhead arranges a meeting of the factions in Metropolitan Opera House, without Tombstone’s knowledge. -Once revealed, Tombstone does not take kindly to this disobedience. -Hammerhead reaches his breaking point and attacks Tombstone. -Silvermane decides to take both of them out to eliminate the competition fully. -Silvermane, in a mechanical combat suit of his own (because comics bebey) attacks Tombstone and Hammerhead, resulting in a three way fight. -Spidey arrives and has to fight the three of them. -After a long and exhausting battle, Spidey prevails, Silvermane is arrested once again, L. Thompson Lincoln is publicly revealed to be The Big Man of Crime, and Hammerhead is nowhere to be found. -Tombstone posts bail, but Captain Stacy tells Spidey that his crime empire is crippled and there is a power vacuum. One that a certain Wilson Fisk will take advantage of soon.

LATE FEBRUARY - JUNE 2018

-Spidey is basically doing clean-up duty in the aftermath of the Gang War™ -He is trying to find where Hammerhead is, but comes up empty. -All Spidey can find are the rumors that he went back to his old employment under the Maggia. -He takes down last of the known Manfredi fronts before preparing for his Europe trip (it’s the restaurant fight from the FFH trailers)

FAR FROM HOME - JUNE 2018 -Happens largely the way it is depicted in the movie -He does not have the Iron Spider Suit still, in case you forgot. -Smaller differences being Peter being pegged the ‘New Iron Man’ less because of his ‘Mentorship’ under Tony and more because people are just fucking desperate for a new Big Hero, which is where Mysterio comes in. -He sees Ben’s grave instead of Tony’s during the Mysterio Fun Tour of Trauma, Zombie Iron Man still comes out of it tho because Symbolism ( not because Tony is a new Uncle Ben figure, but because it represents Peter not always being able to save everyone, even though Tony’s condition was out of his hands.) -BIGGEST DIVERGENCE: Unless plotted, I generally DO NOT recognize Peter’s identity being outed. There are two options / variations I could go with                    -Peter IS claimed to be Spider-Man, but after a Movie’s worth of adventures, he enlists the help of either a skrull or Chameleon (Dmitri the Bus Driver in FFH) to have Spidey appear in the same room as Peter and re-establishes his secret identity.                    -Mysterio just brands Spider-Man as a menace and that’s that. In any case, this leads to..

SENIOR YEAR

SEPTEMBER - DECEMBER 2018

-Peter turns eighteen. -Branded as a menace, Spider-Man is now disliked and hunted by most authorities. -Captain Stacy, however, does not believe Mysterio and is one of Spidey’s few friends still left in the police force. -He also makes numerous remarks towards Peter and Spider-Man that suggests he figured out his secret identity on his own. -Anastasia Kravinoff arrives in New York with the intention of Hunting Spider-Man. -At the same time, Mac Gargan is hired by The Mysterious Benefactor to undergo the Super Merc procedure to hunt Spider-Man. -Kraven has her first encounter with Spidey, in which she manages to tear off a piece of his suit that she later uses to track his scent. -Mr Harrington’s class trip to Bronx Zoo is promptly ruined when Kraven shows up tracking Spidey’s trail. -The publicized skirmish in the Zoo attracts the attention of Gargan, now in a mechanical suit with a long, poison-tipped tail, stylized after Gargan’s favorite arthropod, which easily earns him the nickname ‘Scorpion’. -Spidey manages to escape, but barely. -It all comes to a head in New York Botanical Garden is a totally epic final showdown. -Maybe Rhino gets involved too and it’s a full on Survival of the Fittest in the jungle. -Peter gets stung by the poison tail but manages to shake it off. -He gets speared in the thigh at least once during the battle. -Scorpion and Rhino get imprisoned in the Vault, Kravinoff gets arrested as well but she posts bail and gets out scot free because she’s got Powerful Connections™

JANUARY - MAY 2019

-Doctor Connors achieves a breakthrough on his Cross-Species formula -He tests it on himself, and initially achieves great results by regrowing his arm. -Over the following weeks, however, more and more side effects start to show by patches of green scales on his skin, increased aggression and hostility and occasional lapses in intelligence. -Around March, he has his first Lizard transformation. -Peter suspects it’s Connors, but he does not figure it out until April. -With each transformation, Connors stays as Lizard longer and longer. -I am basically ripping off the plot of the first TASM movie. -Peter and Gwen manage to synthesize an antidote. -Connors has a similar goal as to his movie counterpart, but he decides to Unleash the Lizard virus on top of Empire State Building. Because a) King Kong reference with Lizard climbing the antenna, and b) Connor going from Empire State University to Empire State Building, it’s a fun progression. -Spidey and Lizard fight on top of Empire State, with George Stacy coming to Spidey’s aid. -Spidey manages to administer the antidote to the Lizard, reverting him back to Connors who retains no memories of his actions as the Lizard. -Stacy gets injured by Lizard and before succumbing to his injuries, tells Peter to keep Gwen safe and ‘out of it’. -Lizard’s true identity remains unknown to the public, but Connors decides to relocate his family to Florida to get away from the noise of the city. Before leaving, he tells Peter to seek out his old colleague Otto Octavius if he wants to further his studies.

END OF MAY 2019

-Peter Parker graduates Midtown School of Science and Technology. -He applies and is accepted by Empire State University. Peter does not consider any other college as he wants to stay in New York for obvious reasons.

FRESHMAN UNDERGRAD

SEPTEMBER - DECEMBER 2019

-Peter is nineteen. -He starts his studies in ESU -He is still not the Most Popular -Peter reconnects with Harry Osborn (they are Old Childhood friends and Harry used to be in Midtown for the first year but then he went to Europe, as you do.) -Spidey is still branded as a menace and hunted, though not as ferociously as before as the public’s opinion starts to turn positive ever so slowly. -The Mysterious Benefactor has Alistair Smythe build robotic spiders to hunt and slay the Spider. Like Spider Slayers. Catchy name huh. -Peter has various encounters with Slayers while trying to figure out who is behind them -He eventually discovers it’s Alistair Smythe and tracks him to Oscorp. -Smythe unleashes the Ultimate Spider-Slayer, The Black Widow to try and stop Spidey once and for all. -Fight spills to the power plant, an Oscorp employee who is currently working on the plant, Max Dillon, gets caught in the crossfire and gets electrocuted. -Spidey manages to take down Smythe, Dillon is hospitalized. -Norman Osborn publicly denounces and distances himself from Smythe ( he’s The Mysterious Benefactor if you haven’t caught on yet ) -Norman profits both from making Super Mercs and Spider-Hunters for various factions behind the scenes, and for building housing units to hold said Super Mercs and Spider-Hunters, Vault is his creation. -He is also a terrible dad, but he does genuinely care for Harry, go figure. -Harry starts taking Gloublin Green, an experimental enhancer, to boost his academic and athletic life, as his body is regularly failing due to a hereditary disease (NOT the Goblin disease, the one Harry’s mom had in the PS4 game) -Max spends Christmas in the hospital and gradually transforms into Electro. -Black Cat drops in to give her Christmas Greetings by saying the mob is salvaging the parts from Spider-Slayer fights to re-arm themselves, also notifies him to the existence of a new Big Man consolidating power. -Peter thinks it’s Hammerhead, the only loose end from the previous Gang War, and starts his investigation into him. -Peter discovers Hammerhead leads the Maggia now, having quickly climbed through the ranks after the fallout of the last Gang War.

JANUARY - MAY 2020

-Harry joins the ESU football team, his performance enhanced by The Green. -Electro is Born and he’s Angry -He blames Smythe for his condition and tries to attack Oscorp, not knowing that Smythe is imprisoned. -Spidey arrives and fights him, fight eventually spilling to Times Square -Is it obvious I’ve started ripping off TASM 2 yet or…. -Electro is arrested and sent to Ravencroft for rehabilitation. -The news of a new Big Man starts making the rounds. -Harry’s Green Juicing gets bad, he starts blacking out.

SOPHOMORE UNDERGRAD

SEPTEMBER - DECEMBER 2020

-Peter is twenty. -He starts interning for Otto Octavius after Doctor Connors’ suggestion. -Flint Marko returns after a long absence in the streets, Spidey learns that Marko left the life of crime when he fell in love and got married, but returned back into it once he learned his baby was born with a disease and he needed the money for surgery. -Bet you didn’t expect me to rip off Raimi in this. -Marko is offered money to undergo a Super Merc experiment of his own, inspired by the Elementals Mysterio faked back a few years ago. Experiment uses bio-electricity generated by Electro, but it goes ‘wrong’ and Marko is turned to dust. -Sike he can control it, he’s Sandman now. -Spidey and Sandman fight, once Peter learns of his motives, he tries to get him to stop. -Marko is told to stop the movement of an oil tanker so the new Big Man can siphon it dry. -Spidey and Marko fight on the tanker, tanker explodes, Marko expresses remorse for he only wanted the money and not to hurt anyone, so he helps usher the ship crew to safety and contains the explosion, turning into glass due to the heat. -Sandman is presumed deceased, but he survived and just blew away gently in the wind. -Maybe he’s out there somewhere who knows.

JANUARY - MAY 2021 -Norman discovers Harry’s Green Usage, he gets Harry to stop. -Stupid boy drinking the Green instead of inhaling it like his dad did I mean what -Harry discovers the Green exacerbated the progression of his illness. -Spidey meets Yuri Watanabe, who is the lead detective and later Captain who is after the Big Man and the Mob. -Peter discovers the identity of the actual new Big Man, it’s Wilson Fisk, quickly filling the power vacuum after Tombstone’s defeat. -Spidey and Fisk fight, with Fisk seriously injuring Spidey and him having to swing away.

JUNIOR UNDERGRAD

September - December 2021

-Peter is twenty one. -As Harry’s illness progresses more and more, he and Peter’s friendship is strained, Peter is unaware of the illness.   -Norman starts winding down Super Merc experiments as he turns his focus into curing Harry. -He also readies for a mayoral run because he’s nothing if not a multitasker. -Harry wonders if Spider-Man’s abilities can cure him, wants a bit of his blood, Spidey is like ‘ew no wtf’ -Great Harry hates Spidey now. -Desperate, Harry springs Electro out of Ravencroft to sic him on Spidey and make him bleed. -Electro is like ‘Sure’ but once freed, he immediately goes to the Vault to try and kill Smythe. -You just can’t trust bio-electrical beings nowadays. -Spidey fights Electro in the Vault. -Electro cuts the power to the Vault and releases a bunch of inmates, but Spidey stops him before he can cut the power that holds the more super powered inmates. -Electro is imprisoned in the Vault.

MARCH - MAY 2020 -Yeah Peter had a quiet winter for once can you believe it. -Norman is elected mayor of New York, using his role in the building of the Vault to boost his approval ratings, motherfucker was playing the Long Game. -Norman revives his old genetic experiments to find a cure for Harry. -Devil’s Breath experiment is resurrected. -Harry’s condition worsens, Norman decides to send him to ‘Europe’ to heal. -In truth, Harry is in Oscorp in ‘stasis’. -Spidey’s attention turns yet again to the rising gang activity, he channels his focus into taking down Fisk.

SENIOR UNDERGRAD

SEPTEMBER 2020 - MAY 2021

-Pete turns twenty two. -He spends most of the year working on his thesis like a good nerd. -Spidey is occasionally tipped toward Fisk fronts by a Mysterious Goblinafactor -Norman wanted to bust into the Crime Scene being the Goblin and taking over the Big Man’s turfs but Fisk beat him to it so he has to be content with just being the Mayor for the time being -Goblins am I right. -He’s also the one who supplied Silvermane with his own armor. -Also the one who maaaay have broadened the rift between Hammerhead and Tombstone by sabotaging Hammerhead’s plans behind the scenes. -He is the Big Man behind the Big Men if you will. -Anyway back to Peter -Turns in his thesis, graduates ESU. Strength of his thesis is what convinces Otto to have Peter also come into work with him in the Brand New Octavius Industries. -Norman is content to just play the Mayor and let Fisk be as Spidey and Yuri gather more and more evidence.

POST-GRAD / INSOMNIAC’S SPIDEY STUFF -Events of the game happen broadly the same -Fisk is taken down, Mister Negative enters the scene, Devil’s Breath Incident happens and Spidey gets his ass thoroughly kicked by Sable, etc. etc. -Otto turns into Ock. -Ock facilitates the Vault Breakdown (MCU got a Raft up and running and it ain’t in NYC sooo, Vault it is) and forms the Sinister Six. -However instead of Vulture being part of the Sinister Six, it’s Kraven. She’s back for a proper rematch. -Unless plotted, May does not die from exposure to the virus, she just gets really messed up and hospitalized, but she gets cured later. -Events of the DLC happen largely as shown as well, Hammerhead techs himself up, Yuri goes Wraith, Sable kicks Spidey’s ass again but also grows a Heart. Aw. -Osborn resigns in disgrace, but as luck would have it, Fisk and Li’s arrest leaves a nice Goblin-shaped hole in the criminal underworld for Gosborn to fill. -Norman discovers Harry’s ‘cure’ is sorta sentient.

WILL GORMAN GOSBORN FINALLY FACE OFF WITH SPIDER MAN? WILL SPIDEY LEARN THE REAL MASTERMIND BEHIND EVERYTHING? WILL HARRY GET GOOPED? WILL PETER FINALLY DISCOVER WHY KIDS LOVE THE TASTE OF CAP’N CRUNCH?

ALL THAT AND MORE, NEXT TIME ON, THE SPECTACULAR ADVENTURES OF THE AMAZING SPIDER MAN!