#because Space Romans is a concept that is just. deeply fascinating to me

[luxettenebra]

had Revan stayed on the planet of Veritas, and not been sent away by her father after her mother's execution, it is very likely she would have acquired the nickname of Corva, specifically in relation to the aftermath of her presence on the battlefield

[delimeful]

the end of being alone (3)

Ch 1 | Ch 2 |

warning: mentions of fear, crocodiles, discussion of teeth

-

Logan found himself grateful that he’d made arrangements to postpone their other jobs for a bit, because it looked as though they’d be staying firmly on this planet’s surface for a while.

There had been all of one attempt to bring Virgil aboard the Mindscape, and it had resulted in a significant amount of crying from both the child and Patton. Whatever circumstances had led the Human to this planet, it had left them deeply fearful of any sort of spacefaring vessel.

… This did not annul Logan’s suspicions about smuggling, though he was careful not to say as much in front of Virgil. The child was keen, and any time the fact that they were a Human was mentioned, they withdrew and began displaying body language that Logan believed indicated a desire to flee. Checking that exits were still there, putting space between themself and any of the Mindscape’s crew, anxious tics, and so forth.

Needless to say, they avoided the topic.

However, to Logan’s surprise, the child didn’t seem at all adverse to basic questions about themself. Understanding their responses was rare, of course, but the kid was picking up on Common with a shocking quickness, and Roman had turned out to be rather talented at interpreting their gestures when they didn’t have the right words.

The data that Logan had collected from these inquiries was both strange and intriguing. He’d carefully woven a mental list of it all.

1. Virgil seemed to identify by he/him, though whether that was an actual gender preference or simply a child wanting to be called the same pronouns as the three of them was up for debate. Either way, Logan seriously doubted that there was any way to convey the nebulous concept of gender through a language barrier, so he let the matter lie.

2. After eating too fast, Virgil would convulse slightly in a semi-rhythmic pattern for a short period. He didn’t seem alarmed or pained by this, only slightly irritated when it would interrupt him mid-sentence. The condition of ‘hiccups’ was thankfully temporary, since it made Roman quite jumpy. For their tiny, squeaking nature, Patton had called them ‘hicchirps’, which was ridiculous, but Virgil seemed to enjoy any and all wordplay that made it through his grasp of the language, so Logan stowed his complaints.

3. Virgil was terrified of the locals. Despite being plainly evident, this observation didn’t make sense at first, seeing as the nearby town consisted primarily of native Hiiynal and a few offplanet transfers, none of which could be described as particularly dangerous or violent. After a few days of gentle questioning and no reprimands for not answering, Virgil finally told them that the locals would ‘chase monsters far away’ and so he couldn’t risk getting near. Questioning was temporarily halted in favor of showing the Human the art of shadow symmetry, for purely scientific reasons, of course. 

(Supposition: Human children enjoyed movement games.)

4. While the synthetic meat from the ration kits was accepted by Virgil, he showed a surprising preference for sweeter food items, such as fruit and sugar crystals. Seeing as Humans were rumored to be obligate carnivores or even raw flesh-eaters, this was a strange discrepancy. Virgil had even eaten some of the leafy vegetables Logan had brought, face pinched up in disgust but insisting that eating ‘greens’ would make one tall. It was unclear to Logan what color had to do with nutrients or growth. He was also slightly alarmed at the implication of Virgil being short for his age.

5. Virgil seemed, for all intents and purposes, fixated on Roman.

The latest data point was a work in progress. Logan hadn’t mentioned it to Roman himself, because the Cravon was already fairly worked up over everything the Human did as it was. Nobody seemed sure if this jumpiness was because of the Human child, or on behalf of it.

Still, it was present in little ways. For example, even as he answered Logan’s latest series of questions, his gaze would occasionally flicker up from his hands to Roman, who sat at the mouth of the little cave, carefully peeling more fruit. It wasn’t about the food; Patton had taken it upon himself to make sure the child knew he only had to ask to get something to eat. No, this  ‘almost-staring’ was a frequent occurrence, no matter what Roman preoccupied himself with.

“You were saying you met… Susan… when another predator was attacking it?”

Virgil nodded, hurriedly looking back to his hands. “It was a big bite monster, and Susan was loud crying, so I did, uh,” he lifted his arms up, hands spread wide, “this, and I was loud at it until it ran away. Like raccoons back on Dirt.”

Dirt was apparently Virgil’s name for his home. Logan hadn’t heard of ‘raccoons’ before. He decided not to get sidetracked. “I’d estimate the creature you saw was a Lifel. They are the natural predators of Humlilts.”

“Natural?” Virgil mimicked.

“It means ‘of nature’,” Logan attempted to clarify, gesturing around them. “In the wild.”

Virgil only grew more confused with the wide, encompassing gesture. “Sky? Was not flying.”

Logan glanced at Roman, checking that he was still preoccupied. Patton was back at the ship, contacting a friend for advice. There seemed no better opportunity if he wanted to avoid overwhelming Virgil.

“Virgil, would you like to try something new?” he asked, carefully neutral. It wouldn’t do to put any pressure on the child.

The Human squinted at him slightly, quick to use his most common phrase. “Will it hurt?”

“It will not hurt,” Logan replied, ignoring the tightening in his core with careful practice. It always felt so wrong, that a mere pupa would be so familiar with hurt. “I will always tell you if something might hurt.”

“Mmm.” The Human hummed, the way he always did when they told him such things. Like he wasn’t sure if he could believe it. “What’s it?”

“What is it,” Logan corrected automatically. “It is something I can do, to show you new words. Want to try a little bit, first?” That was the phrase they used for new foods, but it applied well enough to mindsharing.

Virgil clenched and unclenched his hands for a moment longer before nodding, going a little tense like he expected something unpleasant. Logan held a hand out to him, waiting until he’d reached out in return to start sharing.

Small, simple flashes of images and sensations. Quiet forests, shallow oceans, clean air. Plants, bugs, animals, humanoids, living and dying and living again. Nature.

Virgil had pinched his eyes closed immediately at the start of the low-level telepathy, and Logan only had a moment to worry that maybe it had hurt him in some manner.

Then, there was a feeling of recognition. Without a moment to spare, Virgil had grasped the nature of the Vidi and was projecting his own thoughts. Walking on a crunchy leaf-covered trail with other Human young, a winged insect emerging from a cocoon, the crack of thunder and heavy rain on a windowsill. Nature.

“Wow!” Virgil whispered, imprint thoughts flickering like flames, too quick for Logan to really see. “You see into heads!”

Logan pulled back slightly, offering a bit of content-smug in return to the Human’s awe. “That is one way of framing it, yes. So, you understand what I mean, about the Lifel being a natural predator?”

“Carnivore,” Virgil mumbled, and then offered image-thoughts of several creatures that Logan could only assume were from the deathworlder’s home planet. He watched with morbid curiosity as Virgil remembered a clip from a screen, displaying large ungulates with twisting horns crossing a river, and then being dragged underwater by a dark, writhing shape.

“That’s a crocodile,” Virgil told him, his eyes still closed tight in concentration. “They’ve got big teeth and they do death rolls. They look like alligators, but I know they aren’t because gators live in Florida.”

“Florida?” Logan asked. He wondered if perhaps ‘gators’ were kept in captivity for species preservation. Or perhaps they were too dangerous left in the wild?

Virgil showed him a memory of a long, reptilian form with a narrow, tooth-filled jaw. It was wading steadily through a swimming pool, not paying any mind to Virgil, who was sitting with his legs dipped in the pool, watching in fascination. “I lived there!”

“Oh,” Logan managed, his ears going numb with fear at the idea of a child being so near a creature like that. “So it would seem.”

The Human patted him carefully, a gesture of comfort. “It’s okay. The bad guys didn’t take any gators or crocodiles from Dirt. Just people.”

Virgil’s words trailed off, a sense of melancholy overwhelming him. Rather than find out more about the Human’s past, Logan felt an unreasonably strong urge to stop that sadness. “Could you perhaps tell me more about these… ‘crocodiles’? You seem to be quite informed on them.”

“I had a book about them,” Virgil managed, slowly dragging his thoughts away from his abduction. “Did you know some crocodiles have a… a ‘biting force’ of five thousand pounds?”

He had lapsed into English, the sentence sounding well-recited, but Logan still got the general idea of what he meant, and a strong image of a picture book, covered in writing he couldn’t read but still understood. If Logan was right about the measurement conversions, the fact was terrifying.

“That’s very interesting,” he mused, because terrifying and interesting often went hand in hand. “Are there any other predators that can bite like that?”

Virgil scrunched his face up in thought. “Maybe sharks. Oh, but for sure a T. Rex!”

Logan saw a very concerning glimpse of a large fish with too many teeth before Virgil’s mind switched to a cartoon depiction of a larger creature with also too many teeth. He was beginning to see a trend in deathworlder species. “I… see.”

“They’re all dead, though,” Virgil told him sadly, projecting a memory of a huge display of bones. He then seemed to perk up, glancing over at Roman again. “Except for in space!”

Logan narrowly avoided laughing out loud, covering his throat before the vibrating chirps could get far. So, this was the truth behind the Human’s interest!

“Roman is not a ‘dinosaur’,” he clarified, once he felt composed enough to do so. “In fact, I believe he rarely even eats meat.”

Virgil squinted at him. “Are you sure? Maybe he’s a secret dinosaur.”

Logan wiggled his fingers thoughtfully. “I suppose we’ll just have to check.”

---

“Roman, would you come here for a moment?”  

Roman looked up from his task, immediately suspicious. Logan sounded strangely amused, like he was on the brink of laughing at him. That was never a good sign.

Still, the Human was looking over at him with those wide, strange eyes, and he wasn’t about to run away. He got to his feet, leaving his pile of dana peels behind as he crossed the cave floor. “What is it, dear esteemed companion who would never take advantage of me?”

“I need you to show us your teeth,” Logan said, very much not being a dear esteemed companion who would never take advantage of him. Roman resisted the urge to hang his head in resignation. He should have expected this. The Ulgorii was shameless when it came to exploiting his friends for science.

“How about absolutely not?” he replied, because there were actually limits to his tolerance for shenanigans, and one of those limits was threat-displaying at a baby Human.

“Hold on, look,” Logan said, and then bared his own ridged teeth with a click.

The Human did his small grimace-smile back, entirely unphased. They both looked to him expectantly. Roman felt as though he was being ganged up on.

“Um,” Virgil said, painfully tentative, “please?”  

Roman felt extremely ganged up on.

He squatted, tail keeping him perfectly balanced, and pulled at the corner of his mouth to show some of his teeth.

“Woah,” Virgil breathed.

“See how the back teeth are narrow but dull? They’re designed to crack bones and get to the marrow at the center,” Logan narrated, like the nerd he was. “Roman doesn’t have the small incisors or sharp molars required for proper full-time carnivores.”

Roman almost reminded his crewmate to use small words, but Virgil seemed to get the idea, leaning uncomfortably close to stare. He then opened his own mouth, like he was planning to take a bite out of something, displaying a shocking number of tiny little bone-teeth crammed inside. Some of them were uncomfortably sharp.

Rather than attack anyone, though, Virgil touched his own teeth, carefully inspecting the shape of them. Roman resisted the urge to get him to sanitize his hands. Kits would be kits, he supposed.

Logan was patiently watching as Virgil pointed to each tooth in turn, and he obligingly recited the name of each type of tooth for the kit. His two lower arms took frantic notes on Human jaw structure, probably to prepare more elaborate meal plans better suited to a deathworlder diet. The kid soaked every bit of information in like a sponge.

Finally, after a long moment of thought, he announced, “My ‘lower canine’ is going to fall out in close time!”

“Soon,” Logan offered, always quick to interpret the Human’s occasional nonsense Common. “'My lower canine is going to fall out soon.'” And then, after a moment’s pause. “Wait, it’s going to what?”

And then, because Roman’s day needed more nightmare fuel, the kit bared his tiny fangs at them and poked one with his tongue, revealing that it did indeed seem to be sickeningly loose. In fact, Roman could see a few other gaps in the curved row of teeth, some with little bits of bone peeking out.

“Stars above,” Roman said, feeling a little faint. Logan was already interrogating a very confused Virgil on whether or not losing teeth was indicative of an illness or not.

“They’re just my little teeth,” Virgil told them, seemingly unconcerned with holes in his mouth. “I get big ones later.”

“There are plenty of species that have milk teeth, but to have their adult set not fully-formed by the time the milk teeth are ready to fall out…,” Logan quickly devolved into muttering, hands flicking.

“Doesn’t that hurt?” Roman asked despite himself, eyeing the kit just in case he was going to burst into tears all of the sudden. Roman himself had lost one or two front teeth before his next set had fully formed, and each time it had felt like biting on hot metal.

“Nuh-uh.” Virgil seemed to have moved from confused to amused, still not entirely sure what the fuss was all about. “Not unless I,” he mimed pulling on the tooth, and Roman made a click-click-click of parental don’t-do-that chiding before he’d even fully registered the alarm he’d felt at the motion.

Virgil clicked back at him curiously, sounding exactly like a tiny version of an exasperated parent. Roman tucked his face against his shoulder, unsure if he should laugh or despair.

This Human was really going to be the death of him.

[unbakehisbeans]

It doesn’t bother me that people are so into Greek mythology and want to adapt it, what bothers me is that a lot of people’s understanding of Greek myth seems to come from having read the Percy Jackson series and some Wikipedia articles, or in more academic spaces maybe you read some Ovid idk. Both gods and heroes are responsible for doing terrible things and the concept of good and evil aren’t really there, more like good and bad, righteous and not. There’s also loads of different variations of every story.

In the Ovid retelling of the story of Orpheus, Orpheus looks back precisely because he loves Eurydice, and their story is all very romantic and tragic. But we have to remember that Ovid is writing way later and is not a Greek but a Roman. In the Symposium, Phaedrus says that Orpheus was a coward and not truly in love with Eurydice and the gods knew it and that’s why he looks back, has his wife taken from him again, and then is killed by women. Who is more right? Idk, none of it actually happened so idk.

But at the bottom of all of this, I don’t know how you can adapt Greek myth into modern stories in a way that isn’t deeply problematic. Do I think people should stop making adaptations? No. I don’t care that much and I can’t stop people and if it makes them happy then idc. I just like to think about it. Like, is the fascination about Hades and Persephone as a love story kinda problematic? Yeah, but I want to know what about it appeals to people so much and why. I don’t think it really promotes unhealthy relationships anymore than violent video games promote violence, it’s more interesting to ask why these are the things we keep coming back to.

Idk this is all over the place

[graphicdesignvictim]

journal 1/ chapters 1-4 / the prologue to graphic design

initial thoughts

When I first received the textbook, the 6th edition of Meggs' History of Graphic Design (written by Philip B. Meggs and Alston W. Purvis) in the mail, I was immediately stressed out. I was unfortunately gifted the trait of being ultra stressed about a lot of things, but school always won first place in amount of stress. (My freshman year of high school I was so stressed I was getting a lot of gray hairs...so embarrassing!) In general, history has been my least favorite subject, and therefore was the subject I struggled with the most. Although I am passionate about graphic design, I wasn't super psyched to be reading about its history. Sorry Professor!

1 / the invention of writing

These terms! I believe I have only heard of pictographs and hieroglyphics before reading this. To read that there's petroglyphs, ideographs, cuneiform, and rebus writing. Wow.

"The symbol for sun...began to represent ideas such as "day" and "light"." (pg.9, Meggs.): You know, I never considered that. On my essay in quiz 1, I discussed how there were would be too many characters to represent every word, and that is why having an alphabet is more advantageous. Though I agree with my argument, I wonder how many symbols would have dual or more meanings, as that is the case for many words in the modern English language. For example, the word "die" could mean the verb of ceasing to exist, or it could mean the noun of a dot-marked playing cube / singular form of dice. So in cuneiform terms, would the symbol for "die" [noun] represent the idea of death? Probably not, but maybe with crazy English it might.

Whenever quarantine ends, I wonder how hard it would be to make my own cylinder seal. After reading this portion, I found the urge to make one. Obviously with modern technology, making a personalized stamp wouldn't be that hard, and I have seen some DIY artists make their wax seals. I think it would be fantastically ridiculous to have an obnoxious stone seal to go around "marking my territory" on.

Ah papyrus. I feel stupid for admitting this, but I didn't actually know papyrus was a plant. I didn't think it was not a plant, however I just never thought of it that deeply. I'm going to look up what it looks like right now. [...] Oh, okay. I suppose today is the appropriate day to say that it sort of looks like thin marijuana? Anyway, speaking of papyrus, the reason I never gave it much thought to it being a plant is because I have been too focused on everyone's hatred for the Papyrus typeface. Why does everyone hate it? I haven't found myself wanting to use it (yet), but I definitely feel this social pressure that I'm not allowed to use it.

I find superstition fascinating. I think if I could meet anyone from the past I would want to meet the illustrator of the Book of the Dead. That would be a morbidlly cool job to have, just feeling that some random guy named Bob has had enough days lived. AND WITH THE POWER OF THE PEN you kill hi- I mean let him enter the afterlife.

2 / alphabets

The definition of an alphabet is definetly something I have not thought about in depth. This definition makes sense, but I always took it for granted in terms of- well I know English, there's an alphabet. I tried to learn Spanish, there's an alphabet... it's almost the same except they're pronounced differently and there's another n- ñ. I tried to learn Japanese, and there's almost twice as many characters (as English), 2 for each sound.

Fascinating to learn that Hebrew and Arabic writing was the evolution of the Phoenician alphabet. I can very much see the resemblances. But it's crazier that different cultures took it in one direction, and then the Greeks took it in another direction, and the Romans took that alphabet in a completely different direction. It blows my mind to see how far we've come.

Ah yes, serifs. I love the whole argument over whether they originated at cleanup marks or sharpening-the-brush-tip marks. Can't we just be glad they exist? (I want to believe it's the sharpening origin, it sounds more efficient.)

Vellum paper feels amazing; no wonder it has to be made from that smooth baby skin. Yikes.

Scrolls are also an obnoxious thing I'd like to have. For instance, I probably will have my will written in a large scroll to represent how dramatic I am.

As someone who used to be obsessed with Kpop, I think it is absolutely amazing that Hangul is such a technical alphabet. It reminds me of how humans have that disk they threw into outer space teaching aliens how to speak English via the shape of your mouth and lips and what position your tongue should go for certain sounds. Obviously this is the origin and is way more impressive especially at such an early point in our history. It makes me appreciate the language and those that write in it much more.

3 / the asian contribution

I appreciated that this chapter starts off crediting the Chinese with creations forcertain things that I remember throughout middle school and high school, history class always seemed to gloss over. Like where did these Europeans know which way was north and to figure they could kill others by putting some powder in their guns. Paper also always came out of nowhere, but I'm glad I learned its origin sooner than reading this.

I have learned that Chinese calligraphy was more important that painting before, but in a different way. As I'm in a lot of art classes, I was taught that Chinese painters would usually also be calligraphers and viewers could tell that the same person who painted the painting wrote the calligraphy as the style of the strokes would match. Thinking about it more now, it would make sense why it would be more important as calligraphy was something you had to memorize AND learn where as with painting, anyone could technically learn how to visualize.

Referencing my earlier rant about cylinder seals, chops are also something I enjoy and would want to have one of my own. Personally I like cooler colors better, so maybe I would choose to have a blue ink instead... but I know that's not the point. I think this would make more sense to be the origin of printing as it is constructing something once and being able to reproduce it over and over just with the use of ink.

The Chinese also invented playing cards! How interesting that they were called sheet dice and a unique aspect of graphic design that you never realize until you actually think about it.

I agree with the authors, it is odd that languages with thousands of characters would decide to use such a tedious method like movable type. On the bright side, we wouldn't have our lovely lazy Susan's if it weren't for this tedious type!

4 / illuminated manuscripts

As someone who appreciates shiny things (my weakness is holographic) it was exciting to learn about illuminated manuscripts. I'm just imagining the gold leaf making the page glow from a couple meters away. Those kind of things make me like to pretend stuff is magical. And for your title to be an illuminator? Yes please. AND to learn that these were insanely portable for a lazy human like me? Perfection.

Earlier this year I learned about ascenders and descenders in typography, so it was nice to know their origin as well as how lowercase and uppercase letters came from minuscule and majuscule.

I am thankful for the Celtics for deciding to put spaces between words. Reading (especially something I'm not interested in) would be a much more painful task ifeverythinglookedlikethis. No wonder humans were evolving so slowly before this point. Howdoyouknowwhenonewordendsandanotherbegins?

All of these illustrations next to the text on the manuscripts make me wonder if they were still using hieroglyphics, would they even bother to illustrate these giant paintings or would it seem (or at least appear) to look repetitive? I particularly enjoy the page from Ormesby Psalter, a Gothic manuscript on page 61; it's very beautifully done.

While I'm not a religious person, I think the concept of aniconism is very interesting. Also how you could view illustrations of living things, but only inside. Can't deny that their commitment to an intricate and complex design in the Islamic manuscripts were not short of beauty.

The Limbourg brothers' story was interesting to me: how they were all illuminated book designers, how they all died before finishing their most well known project, just short of when the duc de Berry died.

This chapter was the roughest for me. I feel that it was a bit long for my tastes and it gave me a bit of anxiety that with it being so long that the professor told us to focus more on chapter 1 than this chapter. That's my issue though and it was still pretty insightful.

post thoughts

I understand the reviews for this book that I read, about how the writing is something I'm going to have to get used to. It is definitely informative, but oh my it is a lot. Will definetly not be doing this journal so late on Sunday night. Sorry professor...

Source: Meggs' History of Graphic Design, 6th Edition, Philip B. Meggs and Alston W. PurvisJohn Wiley & Sons publishers.

[douchebagbrainwaves]

YOU START BY WRITING A STRIPPED-DOWN KERNEL HOW HARD CAN IT BE

Both of which are false. You must resist this. The main value of the succinctness test is as a guide in designing languages. They'll be fine.1 A typical angel round these days might be $150,000 raised from 5 people. If a hacker were a mere implementor, turning a spec into code, then he could just work his way through it from one end to the other like someone digging a ditch.2 I never read the books we were assigned. So please, get on with it. No one has to commit explicitly to what the central point is. But due to a series of historical accidents the teaching of writing has gotten mixed together with the study of ancient texts was the essence of what scholars did.

If you expressed the same ideas in prose as mathematicians had to do without. But actually being good is an expensive way to seem good. Because the fact is, if you believe as I do that the main reason we take the trouble to write two versions, a flame for Reddit and a more subdued version for HN. In a real essay you're writing for yourself. The reason they like it when you don't need them is not simply that they like what they do. The Internet is changing that. That's why I'm so optimistic about HN. And unless you already have if you can't raise the full amount. And so once university English departments were established in the late 19th century the study of literature. I'm not proposing this as a new idea. Bill Gates would probably have something to read.3 There's always a temptation to do that completely.

They raise their first round fairly easily because the founders seem smart and the idea sounds plausible. So the ability to ferret out the unexpected. Even if you only have one meeting a day with investors, somehow that one meeting will burn up your whole day. And anything you come across that surprises you, who've thought about the topic a lot, will probably surprise most readers.4 For a painter, a museum is a reference library of techniques.5 I can't. It means that a programming language is obviously doesn't know what a programming language should, above all, be malleable. The true test of the length of the delay inversely proportional to some prediction of its quality. Almost everything is interesting if you get deeply enough into it. It hadn't occurred to me till then that those horrible things we had to rely mostly on examples in books. And once you start to doubt yourself.

So no matter how many good startups approach him.6 But I know the house would probably have ended up pretty rich even if IBM hadn't happened to drop the PC standard in his lap. Why is it conventional to pretend to like what you do or what I do is somewhere between a river and a roman road-builder. And open and good.7 A couple hundred thousand would let them get office space and hire some smart people they know from school. And yet a lot is at stake. Browsers then IE 6 was still 3 years in the future, and the power of the more unscrupulous do it deliberately. Hacker News is an experiment, and an experiment in a very young field. So when a language isn't succinct, it will feel restrictive. The paperwork for convertible debt is simpler.

Their search also turned up parse. The study of rhetoric, the art of arguing persuasively, was a kind of final pass where you caught typos and oversights. Colleges had long taught English composition. The existence of aggregators has already affected what they aggregate.8 Study lots of different things, so you can learn faster what various kinds of work. I think he really wishes he'd listened. The advantage of the two-job route is less common than the organic route. There is nothing investors like more than a plan A. Long but mistaken arguments are actually quite rare. Scientists don't learn science by doing it.9 Even the concept of me turns out to explain nearly all the characteristics of VCs that founders hate. Relentlessness wins because, in the Gmail sense everything I've told you so far.

Hacker News is an experiment, and an essai is an effort. Users have worried about that since the site was a few months old.10 So a plan that promises freedom at the expense of knowing what to do, so here is another place where startups have an advantage. It sounds obvious to say that the answer is a simple yes, but no one can predict them—not even the protagonists: we're just the latest model vehicle our genes have constructed to travel around in. There are lots of other potential names that are as carefully designed and, if possible. Another easy test is the number of both increases we'll get something more like an efficient market. For example, in a recent essay I pointed out that because you can start as soon as the first one is ready to buy. Why is it conventional to pretend to like what you do? Twenty years ago, fascinating and urgently needed work. Fundamentally an essay is a train of thought, as dialogue is cleaned-up train of thought—but a cleaned-up train of thought—but social and economic history, not political history. It will always be true that most great programmers are born outside the US.11 The whole room gasped.

I've met a few VCs I like. There's nothing intrinsically great about your current name would seem repellent. Since we hosted all the stores, which together were getting just over 10 million page views per month in June 1998 I took a snapshot of Viaweb's site.12 The advantage of the two-job route, if you have $5 million in investable assets, it would seem an inspired metaphor.13 The advice of parents will tend to feel bleak and abandoned, and accumulate cruft.14 The good things in a community site come from people more than technology; it's mainly in the prevention of bad things that technology comes into play. Investors like it when they can help a startup, but they did have to go to school, which was a dilute version of work meant to prepare us for the real thing.15 Or at least, a thesis was a position one took and the dissertation was the argument by which one defended it. I didn't realize this when I was about 9 or 10, my father told me I could be 100% sure that's not a description of HN. Indeed, you can start as soon as the first one is ready to buy. It's kind of surprising that it even exists. And there was the mystery of why the perennial favorite Pralines 'n' Cream was so appealing.

Notes

Html. If early abstract paintings seem more powerful sororities at your school sucks, where many of the War on Drugs. Most unusual ambitions fail, no matter how large.

The quality of investor behavior. 03%. Bullshit, Princeton University Press, 1981. Source: Nielsen Media Research.

There is no different from deciding to move from London to Silicon Valley. Sites that habitually linkjack get banned. Xenophon Mem.

Hypothesis: A company will be big successes but who are good presenters, but we do the right thing to do some research online. Here's a recipe that might work is in the general manager of the products I grew up with elaborate rationalizations.

Sometimes a competitor will deliberately threaten you with a cap. It's a bit more complicated, because you have to keep them from the DMV.

A single point of a powerful syndicate, you now get to go deeper into the work of selection. The Sub-Zero 690, one could aspire to the hour Google was founded, wouldn't offer to invest the next investor.

At first I didn't care about, like languages and safe combinations, and one VC. Gauss was supposedly asked this when comparing techniques for discouraging stupid comments instead. Proceedings of 2003 Spam Conference.

In part because Steve Jobs doesn't use.

So as a rule, if an employer, I have no decision-making power. Your user model almost couldn't be perfectly accurate, and that most people will pay people millions of dollars a year for a patent is now. Obvious is an understatement.

It wouldn't cut their overall returns tenfold, because when people make the people working for me was the ads they show first. It's hard to say they prefer great markets to great people to claim retroactively I said yes.

Candidates for masters' degrees went on to study the quadrivium of arithmetic, geometry, music, and that modern corporate executives would work better, and b I'm pathologically optimistic about people's ability to solve a lot of legal business. One of the iPhone SDK.

Cost, again. And they are building, they were. If a company growing at 5% a week for 19 years, it means a big company. However bad your classes because you spent all your time working on is a convertible note with no deadline, you should push back on the parental dole, and journalists—have the perfect life, and stir.

This is not an efficient market in this essay talks about the distinction between money and disputes.

That name got assigned to it because the ordering system was small. In fact, we should make the argument a little about how to deal with them. Auto-retrieving filters will be big successes but who are weak in other ways to do more with less? By your mid-game.

No big deal. This is isomorphic to the frightening lies told by older siblings. It was revoltingly familiar to slip back into it. But should you even working on that.

[saint-severian]

Japs, Jews, Aussies, an Anglo and an Italian: My favorite directors and my favorite of their films

Hayao Miyazaki

1. Princess Mononoke (1997), 2. Nausicaa of the Valley of the Wind (1984), 3. Spirited Away (2001). If you don't like anime, that's okay, because neither does Miyazaki. Despite being one of the best-well known anime directors in the world, he famously said "anime was a mistake" in reference to where the genre has gone. I, at least, don't think his films were a mistake, quite the opposite. His work will endure as long as animated films are popular or discussed as some of the peaks of the medium. Although it's easy for this kind of thing not to be your thing (which is true for most of these directors), if you are interested in anime or have a child to whom you will allow exposure to animated films (foreign, no less), I recommend old man Miyazaki, a fascinating chsracter unto himself, or at least Princess Mononoke, especially for those inclined environmentally.

Akira Kurosawa

1. Seven Samurai (1954), 2. Yojimbo (1961), 3. Rashomon (1950), 4. Dreams (1990). If Hayao Miyazaki is the Hidetaka Miyazaki of anime, then Akira Kurosawa is undoubtedly the emperor of japanese cinema. Seven Samurai is long but worth it, as one of the best films ever made, and is notable particularly for its depiction of the vast difference between the character of the samurai warriors and the peasant farmers they swore to protect (these two along with their enemies, the bandits, fit nicely into an Evolian caste triad, if you're that autistic). Rashomon famously (re)introduced the concept of an unknowable situation, obscured forever by subjectivity and human corruption and desire. Dreams is a bit of a trip but fascinating in its aesthetic and dreamlike psychological exploration. Yojimbo is tragically much less well-known than the Western remake, a movie you might have heard of starring a certain scowling cowboy.

Sergio Leone

1. The Good, The Bad, and The Ugly, (1966), 2. A Fistful of Dollars (1964), 3. For A Few Dollars More (1965). Akira Kurosawa gave life to the Western genre unwillingly in his depictions of the life of a drifting Ronin samurai in Yojimbo by inspiring the plot and main character of Leone's Fistful of Dollars, a tense and visually compelling film that spawned the Spaghetti Western genre and two "sequels" which in some ways surpass their origin. Like Seven Samurai, The Good, The Bad and The Ugly is very long and very well acclaimed. If nothing else, you should watch it for Ennio Morricone's score (you'll know it when you hear it).

John Milius

1. Conan the Barbarian (1982), 2. Apocalypse Now (1979), 3. The Wind and the Lion (1975). Milius, a spiritual successor to the hardness and masculinity of the former two directors, was famously unpopular in Hollywood for being a bit too unapologetically Ur. Conan (called by him a "pagan film") is the purest exemplar of this unadulterated muscularity of mind and body, though Dirty Harry, with its contemporary setting amd darker tone is much more effective and controversial. John Milius did not direct his best film, Francis Ford Coppola gets the honor of having put together Apocalypse Now, but it would be nothing without Milius's writing. Here's a tip: watch the extended version. It's worth it.

Stanley Kubrick

1. A Clockwork Orange (1971), 2. Barry Lyndon (1975), 3. The Shining (1980), 4. Eyes Wide Shut (1999), 5. 2001: A Space Odyssey (1968). Enough people on the internet talk about Kubrick, its very easy to find analyses on the man, his work and its influence (I recommend Collative Learning on YouTube). I'll mention Barry Lyndon because its unreservedly less well-known. Although it is slow (even for Kubrick), it's a beautiful and somewhat offputting portrayal of 18th century Europe.

Roman Polanski

1. Chinatown (1974), 2. The Ninth Gate (1999). Chinatown always reminds me of Rango (2011) by Gore Verbinski, who also directed Pirates of the Caribbean (the first of which is one of the best adventure films). Tbh, an underrated director, unlike Polanski, who gets his due. I haven't seen enough of his work to say anything complex about him, but certain sources have also recommended the Tenant (the same source has also recommended David Lynch, particularly Mulholland Drive).

George Miller

1. The Road Warrior (1981), 2. Mad Max (1979), 3. Mad Max: Fury Road (2015), 4. Mad Max: Beyond Thunderdome (1985). Not much to say here: Mad Max speaks for itself.

John Boorman

1. Excalibur (1987), 2. Zardoz (1974). These films are filled with themes that lie at the heart of the Right, particularly Excalibur, an absolute triumph of a film, while Zardoz is a somewhat more Nietzschean and surreal science fiction experience, it is nonetheless well worth watching.

Peter Jackson

1. The Return of the King (2003), 2. The Fellowship of the Ring (2001), 3. The Two Towers (2002). You know I had to do it to em. These movies are popular for good reason. If you're interested, look up the esoteric analysis by a Hindu priest. Needless to say Tolkien understood the decline of our world.

Peter Weir

1. Master and Commander (2003), 2. Dead Poets Society (1989), 3. Picnic at Hanging Rock (1975), 4. Gallipolli (1981), 5. The Year of Living Dangerously (1982). Peter Weir is perhaps the most European director. In their themes, characters and settings, something is deeply European about his films - or at least deeply Anglo. They are enduring - thematically, visually, and in their characters. Although The Year of Dangerously and Gallipolli are vastly different films, Mel Gibson proves himself relatable and inspiring in both (as always). Picnic at Hanging Rock is a bit obscure, understandably, as a film which is very difficult to characterize except to say that it is simultaneously sexy and perverse, mysterious and simplistic. It is unsettlingly dark and yet blazed in the light of the Australian day. Somewhat reminiscent of The Lord of Flies. Dead Poets Society, its much more popular, much less outwardly depressed younger brother is one of very few films almost exclusively about male groups. In its story, culture, and aesthetic, Dead Poets seems, like many of Weir's films, like a vanished world, one close to home but just out of reach. As for Master and Commander, it continues on the trend of outward lightness and optimism with a dark underbelly, not unlike all of Anglo civilization. I've seen it four times, and every time it gets better.

Honorable Mentions films:

They Live (1988)

Akira (1988)

Alice (1988)

[zenosanalytic]

DS9: Tribunal to Prophet Motive

Overall S2 wasn’t really that much better than S1, though it did have a handful of eps that were genuinely “good” television. S3’s also spotty but slightly better. One S3 trend I don’t like is the SUPER heavy-handed selling of Kira/Odo from basically the first ep on, and how it comes entirely out of nowhere. Also, Keiko is royally and consistently shafted and ignored, which is frustrating as hell. They FINALLY give her something to do, and not only is it presented as a “gift” from her husband(which, Ick! Like she’s not following the going’s on in her own damn profession???), they use it to effectively write her off the show! Ridiculous >:(

Tribunal: Bad. What’s the point of doing a courtroom ep that isn’t a courtroom ep? Sure, I can understand the theoretical appeal of the irony of a trial episode about a show trial, but you really need to embrace the absurdity of the concept for it to work and they didn’t. Also, the Cardassians are one-note(like all the non-human species in ST), and their one-note is “Order”, so Cardassian law, even if entirely show-trials in practice, really ought to be procedurally meticulous. An ep about Odo, skilled in these procedures from his time as a Cardassian security chief, out bureaucrating a culture of military bureaucrats to stall for time while the DS9 crew finds dirt to blackmail the Cardassians with would have been great and probably darkly funny; this was just dull. Also, there’s no way the Fed would stand for a Starfleet officer being snatched out of a Fed shuttle in Fed space like that, smuggling weapons or no, or believe for one second the Cardassian claim weapons were on the shuttle in the first place, given their past experiences. This would have caused a major diplomatic incident, and the Fed embassy corps on Cardassia Prime would have been all over O’Brien like ants on a summer picnic.

The Jem’Hadar: Fun and Good. Trying to do something simple and succeeds. Quark’s rant to Sisko about Ferengi history is obvsl convenient writing rather than fact -in TNG they’re aggressive, needlessly violent cruel pirates who, I’m pretty sure, are explicitly slavers as well- but it SHOULD be right. They’d be more interesting as a culture built around a capitalism that never saw any profit in compulsion. Historically, while slavery pre-dated capitalism in Earthican societies, slavery as we think about it -dehumanization, brutality, murderous forced labor- has nigh-universally been associated with capitalism, and quite frequently with commerce(Greek, Roman, and American slavery were all basically built around ag production for commercial markets[though slave-artisans based in cities was a significant part of the Greek and Roman systems as well]). That internal contradiction, attached to a larger ethical distaste for direct, personal violence(and valorization of tattling that’d go along with the instinctive distress-cry DS9 gives to Ferengi), while still being the profit-driven thieves and schemers they are, would have been Compelling.

The Search is… OK. I mean, as television it’s fine. The plot doesn’t make any damn sense though. The Dominion makes it clear they don’t want the Fed entering their territory and the Fed’s response is… to infiltrate deep into their territory to find the Homeworld of their leaders and confront them with the only warship in the Fed fleet? This move is basically designed to start a war. Also, they seem to forget that they’ve had Odo come to the Gamma Quadrant before, so his whole “I feel drawn to this nebula” deal seems out of left-field. Also Also, they should have used The Defiant to add the Romulan liaison as a regular cast member, instead of bringing on Eddington and doing nothing with him. Having Sisko, who has had an excellent relationship with Odo until now, suddenly giving this speech about how he doesn’t like that Odo isn’t “a team player” is pretty ridiculous as well(and out of character. Sisko’s not a team player. His WHOLE CREW is made up of square pegs just like himself). Also Also Also, a Romulan security officer who spends a season or two building up relationships with the maincast, sashaying around being arrogant and cynical in Romulan kimonos during her off-time, gradually developing Maquis sympathies, becomes Sisko’s evil!Valjean and remains so until nearly the end of the series would have been a genuinely surprising character-arc requiring consistently good writing to sell, and kind of explain why, in later eps, the Romulans wouldn’t require one of their own to protect and operate the cloak. Or hey! Maybe her becoming a Maquis could begin as a plot to foment rebellion in the Fed, that’d be neat.

Equilibrium: Meh

Second Skin: Good in some parts, but that the journals would be what starts cracking Kira up isn’t believable and it just isn’t mindfucky enough. Also, Kira’s warmth towards her fake dad at the end of the ep didn’t feel earned. Maybe if they’d had her bond with him over having lost family in the Occupation.

The Abandoned: pretty offensively essentialist, really. Especially given the plotline later in the series(iirc) about a Jem’Hadar trying to break his people’s addiction to ketracel-White, which kinda undermines this eps whole “the Jem’Hadar have no will of their own and are genetically programmed soldiers that it’s useless to reason with” line.

Civil Defense: good. It remains unbelievable to me, though, that Starfleet wouldn’t have done a complete refit of the whole station the minute the Cardassians left, especially given the Star Trek obsession with hard-wired, analog computing.

Meridian: a noxious pile of garbage all round. The subplot is skeezy, but at least it’s in-character, well-written, and believable which the main plot certainly is not. I kinda wish that, if they were going to include such a scummy sub-plot in the ep, they’d at least made it a bit interesting by subverting expectations. At the end, have Tiron be at first taken aback, and then surprisingly pleased with Kira’s modifications to the program. He walks out, “deeply satisfied” with the program and pays 20% extra for it, compliments Quark on his “creativity” as a holodesigner with a slightly amorous look, Quark is clueless and confused yet pleased, Kira and Odo are absolutely mortified. Then maybe leave it around as a Chekov’s Gun; Quark makes a secret copy(of course), offering it to only his best customers, it leads to a small but noticeable increase in custom, then someday in a later season he checks it out and is Horrified to find he’s unknowingly made himself one of the most popular porn-performers in the sector :|

Defiant: fine as it is, except there should have been a bit about HOW the Maquis found out about the Defiant and knew about its cloak. This would be a good time to introduce the long-arc of the Romulan officer’s Maquis sympathies/attempts to use her position on DS9 to co-opt the Maquis and undermine the Federation.

Fascination: dumb and really Skeezy, Ferrell’s is the only entertaining performance in the ep, but, again, the smooch-directing of this series is uncommonly good. Also: Miles is not just a bad dad, but also a bad husband. Also Also: Bajor’s only 3 hours away in a runabout or shuttle for Frak’s sake? You can’t be bothered to go visit her?? People in Texas regularly make three hour drives every DAY.

Past Tense: One of my favorite eps of the series; heavily Nostalgic for me. Having now read To Say Nothing of the Dog, however, I do wish ST writers treated Time and Causality as more robust and stubborn than they tend to.

Life Support: The inevitable killing off of a past love-interest to free Kira up for Kirdo. Bareil was bland and boring anyway, even if his performances in S3 were much improved. Why the heck is the Kai negotiating treaties??? That the Kai and Vedeks plays a direct, institutional role in Bajoran politics needed to be established before jumping into a plotline about the Kai negotiating a secret peace pact with Cardassia. The subplot with Jake and Nog, which reduces the question of female personhood to a “cultural issue” in the context of Nog’s misogyny ruining Jake’s chances with a girl who never appears again(iirc), is repulsive in about a half-dozen ways.

Heart of Stone: Ho-hum. The Nog in Starfleet storyline is good, but they should have built up to it in previous eps. Wesley spends pretty much all his time before acceptance doing science experiments and apprenticing in various departments on Enterprise to build up his resume just to qualify to take the exams; having Nog accomplish the same task with a letter of rec is kinda |:T Also: wouldn’t Sisko have pointed out that, in the Fed and Starfleet, Nog’s “gift” would be interpreted as an attempted bribe and get him immediately arrested? Seems like an important cultural rule to point out to a Ferengi |:T |:T

Destiny: Good. Ulani and Gilora are obviously lesbians and I won’t hear another word on the matter u_u

Prophet Motive: Fun and Good, though the “evolved” talk re: social constructs and cultural modes was annoying.

Why are S3′s subplots so much better done than it’s main ones? I imagine the discipline of having limited time to complete them in has something to do with it. Some other observations:

A-plot B-plot structure is entirely standard in S2 and S3, probably because it’s an obvious way to include such a large cast, but then all the plots revolve around the same handful of characters, so the opportunity is wasted.

It’d have been nice if every species was given the same variety of clothing the Ferengi get to have. Having Caradassians wear mil uniforms IN THEIR OWN HOMES, and when they are scientists, is absurd.

DS9 continues the Trek tradition of having a real nebulous and unexplained relationship with money.

DS9 really needed more women writers and head-writers on staff. Why are male writers so bad at this???

I really need to get in the habit of taking notes while I watch so I can give more detailed reactions later -__-