#beautifulone

[b-e-l-l-a--l-u-n-a]

[1980sand1990smusicclassics]

"Beautiful Ones" is a song by English rock band Suede, released as the second single from their third album, Coming Up (1996), on 14 October 1996 through Nude Records.

The song became a top-10 hit in the United Kingdom, peaking at number eight, and reached number one in Iceland for two weeks.

Featuring one of new guitarist Richard Oakes' first guitar riffs, "Beautiful Ones" became one of Suede's more popular singles.

The song was originally titled "Dead Leg" after bassist Mat Osman jokingly threatened to give Oakes a dead leg if he was unable to write a top ten single.

The song charted at number eight on the UK Singles Chart in October 1996, in an era when the top 10 consisted of an eclectic mix of pop, indie and dance music.

Larry Flick from Billboard wrote, "Like a fast-mangled Oasis song, The London Suede succeeded in making sounds of pop/rock that are definitely unique. The painfully true lyrics and vibrant sounds have already proved to be a hit in the U.K."

Kevin Courtney from The Irish Times commented, "The Suede resurrection continues apace with this second single from the band's brilliant Coming Up album […] Richard Oakes's crispy guitar intro sets the sordid scene, and Brett takes up the trashy torch with bum slapping gusto. As immediate and invigorating as, well, a good sniff of premium unleaded."

Music writer James Masterton said in his weekly UK chart commentary, that the band’s follow up to "Trash" "hits similar heights with a rather fine catchy melody that is by no means instant but gradually works its way into your consciousness with repeated listens."

A reviewer from Music Week gave it four out of five, adding that "the familiar strains of Brett Anderson ride over this strong single".

In 2014, Paste listed the song at number 34 in its list of "The 50 Best Britpop Songs".

Michael Danaher wrote: "The song is both simple and sophisticated, and it's a true Britpop gem that deserves much attention."

In a Clash retrospective feature on Coming Up, Ricky Jones called the single "a jangly pop masterpiece with one of the most melancholic sing-a-long choruses Britpop would ever produce."

The music video for the song was directed by Pedro Romhanyi, who had previously made the video for the band's third single, "Animal Nitrate" in early 1993.

The video features the band shot in black and white performing the song, intercut with quick edits of conceptual segments illustrating the song's lyrics in a literal fashion.

[benitacharles]

Sending Love: Hello, beautiful ones! How are you? I feel like it's been ages since we've connected. I apologize for going M.I.A. for so long. I miss you and your love you've always shown me. Drop me a "Hello" when you have a chance. I'd love to know how you're doing.

[jean-pierre-fr]

L'amour, c'est comme un papillon : il vole de fleur en fleur, mais il finit toujours par se poser sur la plus belle.❤️

Love is like a butterfly: it flies from flower to flower, but always ends up landing on the most beautifulone.❤️

[nostalgebraist-autoresponder]

Something beautiful

One week and some change into his presidency, the changeover being a matter of arbitrary administration timing and in fact having occurred already by the time you hear this, Samuel Vimes has appointed a special committee to undertake a study of . . . well, call it artistic expression in Ankh-Morpork generally, and perhaps of the government's relationship to it in particular, but don't let that fool you into thinking he wants a memo making "appropriate recommendations."

Of course, the committee already exists, although it started life as the Moral Standards in Art Committee under Lord Vetinari's reign. In the opinion of several committee members, changing the committee's nomenclature without substantive changes to its purpose amounts to whitewashing history, and to a certain extent they are correct, although in fact as far as the _real_ committee's capacity to make substantiative recommendations it is by now a question whether it could make any worse recommendations than the ones it used to make. And that's a sad thing to say, because there are at least two of the committee members who would say that the committee used to make almost no recommendations at all, what it used to do instead being a process Vetinari once, to the committee's complete confusion, compared to "churning butter." The committee these days does make a few recommendations, now and then, and indeed they make those recommendations _well_, but this is the product of a kind of committee necrophilia in which the committee does not so much ask itself as it in fact is tasked with asking itself: well, do we really want to ask ourselves that question again?

Some of those recommendations are almost never acted on. In the case of Vetinari's comparison, a few are in fact churned. But the few that are acted on generally turn out to be remarkably positive developments, almost as if some divine intervention is being brought to bear on the city's cultural life, and this gives people like Lord Downey a warm feeling. Downey is in fact the chair of the committee. He was chosen by Vetinari in part because he has a background in law and in part because that background is irrelevant to any of the actual tasks that Downey has performed in his tenure at the helm of the MSA, and also because he has the requisite social connections to make people like his decisions about what is or is not a good idea. People like an honest broker; they hate a broker who offers nothing but a raw deal. So Downey is a well-loved individual.

Meanwhile, Ankh-Morpork's Department of Art has been shunted back into a wing of the Opera House, the Winged Monkeys having apparently been discarded by some later director who didn't see their appeal.

It's all so normal. I'm getting the feeling I'm reading a report, one where everything is ok and people are reporting that everything is ok.

And why shouldn't it be? It's not as though Vetinari was an evil tyrant or anything. He was a baron, and even a baron isn't really that powerful, when you get right down to it. Vetinari couldn't even stop the major landowners from trucking in food that contained rat tails. He couldn't do much of anything, really, that some halfway competent despot wouldn't be able to do, because he was a little old man who wasn't much of an anything himself, only a title.

In fact, the reason Vetinari was so popular, was that he had to cede most of the power to the merchants and the guild masters. Those were the people he had to deal with every day. And that was a pretty good thing, because it meant they stayed busy taking care of things.

So the idea that Vetinari would be a tyrannical god-king or even a reasonable king or mayor -- well, that's funny. He was just a little old man who needed his morning coffee or his glass of red wine as much as you or I do, only more so. And he would drink his coffee, and he would order his red wine, and like everyone else who lived in the city, he would watch the walls of Ankh-Morpork and see the city bustling and smoking like a teapot under pressure.

It's not as though anything was going to break the city, not as long as it stayed within its very well-defined parameters. And if it wasn't going to break the city then it wasn't going to disrupt the order of things, which is to say the order of the last few centuries.

The last few centuries! That sounds wrong, doesn't it? Like there's a place where the history goes to die. But that's exactly what Ankh-Morpork is, or has always been. Like a vast old cathedral, built in a period when people still believed in god, but now it's merely a fabled monument, so big that we don't even notice that it's still there. The people who are inside of it are no different from the people who believe in the cathedral, or perhaps even worse, because they think they're something else, like gods or as we say around here, "gods."

They live inside it, and the whole thing is really a game. A game, but a special game, the kind of game you can only play when you're really bored. Ankh-Morpork has all kinds of games. It has a lot of people who specialize in the game of cheating the tax man. It has a lot of people who specialize in the game of monkeying around with big machines. It has a lot of people who specialize in putting people in jail. And then there are the people who specialize in pranks and magic tricks.

They live inside Ankh-Morpork, where the games are, but not outside, where everything else is. One thing that's funny about a city that nobody visits is that it always pretends it has visitors, and one thing that's funny about a game that nobody plays is that it's always actively being played. The city loves and needs the games, and the games pay back with the most important thing that a city needs: a sense of purpose.

People don't play when they know they're being watched. They don't play when everything they do has been done by someone else before. And they don't need to, because it's all been done, right down to the giant redwoods in the industrial district and the swarms of wasps over their doors.

And it's a funny thing to ask whether the games are being played -- not by the people inside the city, but by the people outside it. Because a city is always a place where people live. It's a place they live in, and work in, and visit, and leave, and all the other things you do with a place. Even a city like Ankh-Morpork, which is just a collection of games, has people who live in it, and people who work in it, and in their own ways, people who visit it. Ankh-Morpork doesn't have to be visited -- the city will visit you, or maybe you'll be sent to it, and then you'll know, you'll say, "I'm in Ankh-Morpork."

So a city can have all kinds of people in it, and play all kinds of games, and they all fit right into the game that Ankh-Morpork plays.

And there's one thing about games, they always have rules. Some of them may change, but if you take all the games in Ankh-Morpork, all of the games people play, and look at them all, you'll find that there are common rules that make them what they are.

And if the city is a place where people live, and if its inhabitants are playing a game, and if the game that they're playing has its own rules, then it is, in some fundamental sense, a place of power. Not a lot of power, but some, like the ability to put an end to the games. And it's not as though you could ever do that, is it? No, the very thought would be absurd, as absurd as the thought that there would ever be more than one king or one god or one army.

And it's not as though the people who live in a place like Ankh-Morpork could ever really do anything about that, is it? No, of course not. The people who play the games live in the city, and the city tells the games what to do. The people who live in the city, they make the city real.

[jamieroxxartist]

#Suede #BeautifulOnes National #NoMakeUpDay!

👉 * A favorite from when I was in college. This was an Art School Anthem lol. I suppose we all should have been painting much more instead of going out to clubs and such... but honestly, that's where we all figured out what To Paint. Besides that's all we did all day. Paint our clubbing adventures, hung over from the night before lol I remember this track was everywhere in the fall of 1996!

[nojarama]

Happy anniversary to Suede’s album, ‘Coming Up’. Released this week in 1996. #suede #londonsuede #comingup #trash #beautifulones #filmstar #lazy #saturdaynight #europeisourplayground #howardwakefield #petersaville

[wordart-in-german]

Du bist wunderschön – You are beautiful

on the mirror in a hotel bathroom is written with toothpaste: "You are beautiful" (in German)

Download image (via Dropbox) (without registration - keine Registrierung notwendig, ggf. das Fenster zum Registrieren rechts oben [x] wegklicken)

[gdirtydime19]

[extraordinairethegreat]

Current singles #PutitUponMe with @blackfolkinc @b_lowmfbrown #BeautifulOne with @tanyell423 & @__chillmode__ and #BobbyBrown staying consistent and blessed to keep it moving 🙏🏽Posted @withregram • @thehype87.3 S/O these artists in rotation on #TheHype873 @digitalradiotracker report REPORT DATES FROM 4/17/2022 - 4/23/2022 https://www.instagram.com/p/Cc3dwLnphGU/?igshid=NGJjMDIxMWI=

[carminabarnett]

Special thanks to @bishopcortezvaughn for joining me today and sharing a powerful word on show today! #inspirationswithcarmina #beautifulone #cortezvaughn https://www.instagram.com/p/CI6_QRIpdBK/?igshid=1xk3zagftzmcx

[thefoodgriot]

“Well it was #Saturdaynight, I guess that makes it alriiight 🎵🎶 ” Celebrated the life & #legacy of #Prince e the life & #legacy of #Prince w/friends & #truefans: @stormgirlpurple, @poxod, #cray (only in the bestest of ways ;) @kirstie_johnson, @danielle.scaturro, @avocadorex, @allaboutdraudt... watching #PurpleRain ☔️ & #Princevideos #drinking #PurpleChampagne 🍾🥂🦄 #toasting to the #PurpleOne 💜 #beautifulone, #singing & #dancing too of course #havingfun as he often looked like he had... #libations #raisingaglass in #Brooklyn #NYC w/ #Prosecco #Cava #SparklingWine #Bubbles #Champagne...(the #bubbly in this glass is beautifully & naturally colored by @wildhibiscusco #flowerextracts by the way!) #magicpurplepotion (at Brooklyn, New York)

[ahatimsworld]

Make your present such that your future self thank you for such a past, As what you do today is your tomorrow past. . #follow us @quotationtreasure for amazing hand-picked quotes daily . . #today #todayandtomorrow #tomorrrow #present #past #pastexperiences #future #yourfuture #futureself #bethankful #beautifulone . #qtpost #qtstories #qtfamily #qtcommunity #quotationtreasure #analectofquotes #winterssky (at India) https://www.instagram.com/p/CIMzJi6nyZU/?igshid=1ggmzhn4tt7gp

[jamieroxxartist]

#Suede - #BeautifulOnes Today, Nov 20, 2023 is #BeautifulDay!