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fishlascl · 2 years ago

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droneseco · 4 years ago

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XGIMI Mogo Pro+ Review: Native 1080p Portable Projector Is Good, but Not Perfect

Xgimi Mogo Pro Plus

7.00 / 10

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If you're in need of a portable projector and have the money to spare, the Xgimi Mogo Pro+ is certainly one of the best in class options. The audio is clear and loud (if perhaps lacking in bass), and the image is bright and true HD. The software experience and ease of use are unrivaled thanks to deep Google integration. Overall, it's an incredibly neat little device. If Netflix or Amazon Prime Video is your main use case though, look elsewhere.

Specifications

Brand: Xgimi

Native Resolution: 1080p

ANSI Lumens: 300

Connectivity: HDMI, Bluetooth, Wi-Fi

Throw Ratio: 1:1

Audio: Dual 3W Harman Kardon tuned

OS: Android TV 9.0

Lamp Life: 30,000 hours

Pros

Runs Google Android TV 9.0, with thousands of apps available

Snappy interface and easy to navigate

Chromecast works well

Full size HDMI input

Bright enough for massive screens at night

Cons

Battery life is a little short

Lacklustre bass

No case included and lens is exposed

Buy This Product

Xgimi Mogo Pro Plus amazon

Shop

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The Xgimi Mogo Pro+ is a native 1080p projector with a maximum brightness of 300 ANSI lumens. Running Android TV, it has access to a wide range of apps, as well as a full-size HDMI port if you need it. The audio is tuned by Harman Kardon, and the whole package is rather nifty. But it's not cheap by any means, retailing at around $700.

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Buyer Beware with Portable Projectors

The world of portable projectors is fraught with shoddy plastic tat. You'll find countless Amazon listings for small flat rectangles that claim to "support HD" with a brightness similar to any cinema projector that costs ten times the price. Look, here's one, and I've left the brand name in so you know to avoid this company in the future:

2600 lumens, indeed.

What they don't tell you is that it actually projects at a pathetic 480p natively, with about as much luminance as a birthday cake candle—because "lumens" or "lux" is an entirely made-up metric. Instead, you need to look for "ANSI lumens", which is a standardized metric. This is why I'm rather skeptical about approving any review of a portable projector. Thankfully, the Xgimi Mogo Pro+ is not one of those.

Xgimi, unlike other sellers, doesn't lie about the brightness of its projectors. It's about one-tenth the luminance of a similarly priced home cinema projector, and I appreciate the honesty.

Xgimi Mogo Pro+ Design

Measuring 5.8 inches tall, with a rounded 4 inch or so square profile, and weighing just under 2lb or 0.9kg, the Xgimi Mogo Pro+ truly is portable—but there's no carry case included. You should source a suitable protective case if you're taking it out into the wilderness, as the device itself has no ruggedization to speak of. There isn't even a lens cover, which is a little more concerning for something designed to be carried around.

Note: if you purchase from Xgimi's official site, there's a coupon code to get a free case. Our package didn't include this, so we can't comment on it, but worth knowing if you're happy to not buy on Aamzon.

On the underside of the unit is a mechanism you can pull out to tilt the device up to around 45-degrees, and you'll also find a screw thread for attaching to a tripod or other stand (not included).

Around the rear is a single USB port, the DC power socket, an HDMI port, as well as an AUX stereo out. Bluetooth and Wi-Fi round out the connectivity side of things.

Internally, there's an AMLOGIC T950x2 SoC, featuring Mali G31 graphics, 2GB of system RAM, and 16GB onboard storage.

Sofware Experience

Many projectors, portable or otherwise, claim to offer an Android UI, while at the same time only featuring a handful of apps from the Apptoide store.

Again, the Xgimi Mogo Pro+ is not like those. It runs actual Android TV 9.0, and is Google certified.

The included remote even has a button to summon the Google Assistant, and the system is Chromecast compatible, making the process of casting content from your other devices seamless. Anyone who has painful memories of trying to get Miracast to work will certainly appreciate this, and I had no issues casting from either iOS or Android.

In fact, setting up the device was seamless too, with a simple "set up my device" voice command on my phone. It all just worked, which was nice, and avoided having to use an on-screen keyboard on the projector, which is usually awkward and time-consuming on these kinds of devices.

But it's not perfect. Despite offering over 5000 apps in the Google Play store, not all are compatible. Netflix and Amazon Prime, for instance, are not certified for the Xgimi Mogo Pro+. To view those, you'll need to use an external streaming stick. I also found BBC iPlayer was absent from the store, but thankfully that one was easier to solve by simply casting it from my phone.

Auto-Focus and Auto-Keystone

Able to correct for up to 40-degrees of horizontal or vertical angle projection, the auto-keystone and the auto-focus feature worked well, and it kicks in automatically whenever it detects movement. You can disable this if you want, but there's no reason to. A micro-switch on the base of the remote control enables manual focus using the volume keys.

While impressive, it's worth bearing in mind that any kind of keystone adjustment will lead to a sub-optimal image. You can see below the keystone at work in the most extreme example.

The dark grey area of the wall is the potential projection size, distorted because of the placement angle of the projector. The Xgimi Mogo Pro+ successfully corrects for such extreme distortion, but in doing so, wastes half of the available pixels.

For that reason, you should always try to project as orthogonally to the surface as possible. Just because you can put it at weird angles doesn't mean you should.

For those looking to hang the Mogo Pro+ from ceiling, the projection can be rotated, as well as reversed for rear projection.

Throw Ratio and Brightness

As mentioned, the device claims to run at a maximum 300 ANSI lumens of brightness. While I don't have the right equipment to verify the claim, I do have a home cinema projector that runs at 2800 ANSI lumens, and it sounds about right by comparison.

The image below was taken in the daytime, with the curtains closed but still a good amount of ambient light from a side window. At this size (around 120-inches), full brightness isn't quite enough. But at night, it's absolutely sufficient. If you have the space to project from, you can go big.

The throw ratio—which is the relationship between the size of projected image and the distance you place the projector from the surface—works out at about 1:1. Which is to say, if you want a 6-foot diagonal projection, you'll need to place the Xgimi Mogo Pro+ about 6 feet away from the screen.

This isn't technically a "short throw" projector, but nor is it bad at all. But if you want a massive screen in a small space, this isn't for you. Short-throw projectors aren't something you often find in the portable market, so this isn't unusual.

Battery Life

For an extreme test, I fully charged and ran the battery down by streaming live over Wi-Fi, at full brightness and full volume. The battery lasted about an hour and a half before forcefully switching to Eco brightness. At this point, I got another good 15-30 minutes out of it. But I should note that once you hit the low power state, Eco brightness is the only option, and it's not good.

It's impossibly dim in the daytime, and even in darkness, it has a horrible green tint. I would have much preferred to just continue to run the battery down for another 5-10 minutes at full brightness.

90 minutes should therefore be considered a minimum battery life. Turning down the brightness, lowering the volume, and playing back local files with Wi-Fi disabled would all lengthen potential battery life.

Audio Quality

With Harman Kardon on the box, you expect some good quality audio. The laws of physics put a slight damper on that. You simply can't get deep bass from something so small.

The Xgimi Mogo Pro+ definitely gets loud enough for any impromptu movie night without distortion creeping in, and across the rest of the spectrum it sounds clean, crisp, and well balanced. I had no trouble hearing voices, which is ultimately the most important aspect of any projector speaker. I tested with a variety of TV and movie content, and documentaries, and had no complaints about muffled speech.

However, if you're watching explosion-heavy action flicks or gaming with electronic soundtracks, the lack of decent bass becomes more noticeable.

But this isn't hard to fix if it bothers you. Supporting Bluetooth 5.0 or AUX stereo out, you're free to connect your favorite pair of headphones or external speakers for an even better auditory experience.

Repairability and Replacement Parts

While projectors in the past had a costly lamp that would need replacing after around 5,000 hours, modern projectors such as the Xgimi use an LED light source rated to over 30,000 hours. This makes it effectively an end-of-life issue, and cannot easily be replaced. Xgimi doesn't sell replacement parts of any sort.

But to put that in context: even if you watched a 2-hour long movie every day of the year, it would still be 41 years before the LED light source broke.

More likely is that the battery will degrade to the point of being unusable in five to ten years. Of course, you will still be able to run it from AC power, but a built-in battery always reduces the lifetime of a product.

Should You Buy the Xgimi Mogo Pro+?

That said, I feel like a slightly larger all-in-one package would have served the target audience better. It would have allowed for larger speaker drivers and a slightly larger battery. I also would have liked to see a carry case included, and a lens protector built-in.

Before purchasing, you should also really consider how much you value that portability and the all-in-one design. If you're taking a large AC battery with you anyway, you could purchase a shorter-throw home cinema projector with larger built-in speakers, for around the same price. You'd get a larger screen, ten times the brightness, and better audio. And if sustainability is your primary concern, you should never purchase "all-in-one" products.

XGIMI Mogo Pro+ Review: Native 1080p Portable Projector Is Good, but Not Perfect published first on http://droneseco.tumblr.com/

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airoasis · 5 years ago

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Law Firm Video SEO: How To Rank Videos on Page 1 (2019)

New Post has been published on https://hititem.kr/law-firm-video-seo-how-to-rank-videos-on-page-1-2019-8/

Law Firm Video SEO: How To Rank Videos on Page 1 (2019)

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That is the software that we now have downloaded. Very first thing you wish to have to to do is go ahead and import media. Single file, import media and that’s what’s going to permit you to decide on the video you wish to have to rank for. Now most likely i am doing this for an illustration, so i’ll just chose a video from my laptop, then we hit output, and output settings.Now what it will do is pull up a window, which we have got to hit authenticate, with a purpose to join the program to our Youtube account. That manner it may well encode the video. So we have that authenticate button, automatically opens a tab, And it says Wirecast wish to manipulate your Youtube account; we need to enable that. When we do it comes proper again to the application.At that factor — oftentimes you would get an error code that pops up and that is ok. Well, there we go, now it pulls up simply as your Youtube related to the program. 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Then from there in Youtube we are going to hit stop streaming, it’s going to prompt us, we are saying k, it stops steaming.From there is will have to routinely go to our video manager. So we click on that and video will pop up in our video manager here. You can see it’s still processing. It does take about 5 or ten minutes to system, depending on the length of video, then at that point we can click on edit, and that’s after we go in and edit the video. That manner if it suggests up three times we will reduce out the great ingredients and the worst parts, and make the video as excessive high-quality as viable. In the intervening time, what we’re going to do is click on the video at the same time it is still importing. And what we will do is i’ll certainly exhibit how this video, whilst it’s still processing sincerely, adn we cannot even play the video, it’s still continue to exist Youtube. And these movies when encoded like this, and in reality optimised with a title, with out even striking in tags, with out even hanging in a description in any respect, in view that that is not even uploaded but.So in Google we can certainly see how this video goes to exhibit up for the phrases we are concentrating on. The 2 keyword phrases DUI legal professional Valrico suggests up on the front web page. As you will find it says uploaded ten minutes ago. We return to Youtube, this thing is just not even executed processing but. I cannot even go in and edit this video, and i am already on on the front web page of Google. For a excessive level turn that is– .

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batterymonster2021 · 5 years ago

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Law Firm Video SEO: How To Rank Videos on Page 1 (2019)

New Post has been published on https://hititem.kr/law-firm-video-seo-how-to-rank-videos-on-page-1-2019-8/

Law Firm Video SEO: How To Rank Videos on Page 1 (2019)

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media-and-me · 5 years ago

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ANDYCINE A6 Plus 4K Video Monitor Review

With LUT Preview and a new touch screen, the ANDYCINE A6 Plus 4K monitor provides video productions with an affordable and practical solution.

I received the ANDYCINE A6 Plus monitor in 2019, after using the original A6 monitor for most of the year. For a predominant Sony mirrorless and Panasonic EVA-1 shooter, having an external monitor is useful for the larger screen size, but also the additional monitoring features.

The monitor accepts HDMI inputs/loop outputs from 480p, 1080/60p, 4K/30p up to DCI 4K/24p (4096×2160), which makes this affordable monitor accessible to a range of cameras.

Advancing on the first generation A6 monitor, the A6 Plus has a number of new features that brings it in line with competition from the likes of SmallHD, SWIT and Atomos.

First up, let’s look at the LUT Preview feature

Whether you film with a Sony (SLOG), Panasonic (VLOG), Canon (C-LOG) or any other camera, filming in a LOG colour profile can pose some problems when it comes to judging exposure and essentially what the final shot will look like.

The A6 Plus overcomes this with the new LUT Preview tool; there are 4 pre-installed preview LUT’s (pulldown to REC709) for the common LOG profiles which include:

LOG-C (ARRI)

VLOG (Panasonic)

SLOG2 (Sony)

SLOG3 (Sony)

Although this feature doesn’t include other standard LOG profiles from the likes of Canon, Fujinon, Blackmagic or JVC, I would assume that with a firmware update, these could be included. One thing to bear in mind is that you should update the firmware to V1.0.7 (link here).

Additionally, much like the SWIT and SmallHD monitors it is now possible to import custom LUT’s via an SD card. If you’re shooting for a specific look or colour pallete, this is an ideal way of previewing the footage on the monitor while shooting in LOG in camera.

vimeo

After discussions with the ANDYCINE team, it is only possible to import 8 LUT’s at a time. That’s not a huge library, but it is 8 more than what as possible before. Things to note when installing your custom LUT’s:

SD card needts to be in FAT32 or NTFS format.

Maximum 8 LUT files in CUBE format.

The LUT file names must be complete and in either English or Arabic.

To install the LUT’s, insert the SD card into the A6 Plus monitor, double tap the screen to bring up the main menu, then select the ‘Colour’ menu (RGB wheel).

Lut Switch should be ‘On’, and then select ‘Initializing’ under the Lut Import (SD). The LUT’s will then be imported and show as ‘Complete’.

ANDYCINE A6 Plus Monitoring Tools

Enlarging the cameras built in screen isn’t the only feature of an external monitor. The A6 Plus has a range of additional features that can aid with focus, exposure and audio levels. These include:

Histogram.

Focus Assist (with focus level and colour selection).

Zebras from 1% to 100%.

Monochorme.

False colour (2 modes).

Grids.

I use the Focus Assist tool all the time when I shoot with the Panasonic EVA-1 because the viewfinder on the camera isn’t very reliable. This ‘peaking’ feature is a great addition to ensure you nail focus every time, especially when filming with a shallow depth of field.

Pinch zoom is particularly useful for quickly checking focus or particular details in the frame.

False Colour is another advanced monitoring feature that aids with exposure, always aiming for the subject to be in the middle grey range.

New Updated Menu

The new menu design is far more advanced than the previous A6 model. The touch screen aides this greatly, meaning you can make any display or LUT changes quickly. The menu is intuitive, meaning it updates and expands depending on the settings you are changing.

vimeo

The fast access menu is displayed by swiping up in the bottom zone of the screen. This displays your common settings, I have Focus Assist, False Colour, Histogram, Lut Switch, Nine Grid and Markers on mine. By double tapping the setting you can customize your quick menu too.

Filming Anamorphic With The ANDYCINE A6 Plus

YES, it is possible to monitor a ‘de-squeezed’ image using the A6 Plus. As more cameras include anamorphic filming modes (notably the Panasonic GH5/S1H and Blackmagic), the A6 provides the ideal monitoring tool to de-squeeze your footage in the following modes:

1.25x

1.33x

1.5x

2.0x

2.0x mag

Unfortunately I haven’t been able to test this feature out.

Additional Tools and Features

I’ll often use the A6 Plus when I film with a gimbal, so the size and weight of the monitor is of course important. It is possible to flip the display horizontally and vertically depending on your rigging preferences.

You may be framing your shots for a particular aspect ratio (especially as more and more content is shot in ‘portrait’ for social media content. Although the A6 Plus doesn’t have a 9:16 or 1:1 aspect ratio display included, it does have the following built in:

70%

80%

90%

16:9

16:10

4:3

5:4 (close to Facebook/Twitter/Instagram formats)

1.85:1

2.35:1 (widescreen)

Filming With The ANDYCINE A6 Plus

The A6 Plus has been my go-to monitor for filming across the world, as I mentioned above the Panasonic EVA-1 viewfinder leaves much to be desired, so a larger, brighter and featureful monitor like the A6 Plus is a reliable choice.

A lot of my filming involves fast changing locations and setups, so the higher brightness (500cd/m2) and 1000:1 contrast ratio is beneficial for filming outdoors. The backlight brightness can also be controlled by swiping left or right to decrease or increase the intensity.

When filming in New York, the A6 Plus was used with the Panasonic EVA-1 as the main monitor, it provided the clarity of focus and exposure needed when I was shooting in a dark conference area and outdoors on the streets.

The touch screen monitor is quickly accessible by double-tapping, but quick features can also be accessed by pressing the menu button or swiping, which is much easier than navigating through a complex menu.

The power consumption of the A6 Plus is very good, and I can often use the monitor for a whole shoot before needing to swap out the battery. It is also possible to power the monitor via 12V D-tap, LP-E6 or NP-F (Sony type) batteries.

Final Thoughts and Should You Buy The ANDYCINE A6 Plus?

If you film with a Sony mirrorless camera like the A7III, or the GH5, or even the Blackmagic Pocket Cinema Camera 4K/6K, this a great external monitor for you. It is smaller and cheaper than the SmallHD or Atomos competitors, and is just as featureful. The new A6 Plus’ menu is very easy to navigate, with clear and understandable text. This makes it even easier to install and load up your own custom LUTs.

The A6 Plus is certainly an upgrade from the less than favourable EVA-1 viewfinder, pinch zoom is fast and accurate and the battery life is a big plus point for long filming days.

What I would like to see in new firmware updates or models include 10-bit display, more in-built LUT’s for common cameras, higher brightness and HDR capabilities. What I have come to learn is that the ANDYCINE team are very easy to communicate with, answering any of my queries very quickly, and that they listen to feedback. The advancements from the original A6 monitor to the A6 Plus are great, and I look forward to seeing more from ANDYCINE in the future.

If you have any questions about the A6 Plus or how I have been filming with it, please comment below. You can purchase the ANDYCNE A6 Plus here.

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bharatiyamedia-blog · 5 years ago

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Why Do Streaming Companies Cost Further for HD and 4K?

http://tinyurl.com/y52vth6f Disney/Wallpapersdsc Most streaming companies supply SD and HD video at completely different value factors. However with the provision of 4K, is that this value disparity honest? Ought to streaming companies deal with completely different video resolutions like completely different merchandise? Most Streaming Companies Cost Further for HD Regardless of the rise of 4K video and high-speed web connections, streaming companies are nonetheless hung up on the distinction between commonplace definition (SD) and excessive definition (HD) video—nevermind 4K! In truth, many streaming companies, like Amazon, YouTube, and Vudu, deal with SD and HD video like two completely different merchandise, promoting SD and HD digital copies of the identical motion pictures at completely different costs. Heck, even Netflix handles completely different resolutions like completely different merchandise—the “Fundamental” Netflix plan doesn’t include 1080p streaming. 4K is much more costly! Now, this apply is fairly straightforward to miss. It’s been occurring for a very long time, and loads of persons are glad to “save” a greenback or two by buying SD content material. However are streaming companies doing you a favor by providing low-resolution video at a reduction? Are these firms paying additional to retailer and ship SD copies of flicks? And with the present reputation of 4K, shouldn’t we consider HD video because the baseline for video streaming high quality, and 4K because the extra-cost improve? This Isn’t Like DVD and Blu-ray When Walmart shares its cabinets with DVD and Blu-ray copies of Toy Story 3, it has purpose to promote these completely different copies at completely different costs. For one, Blu-ray discs are costlier to fabricate than DVDs. To not point out, each merchandise take up shelf house, and the shelf house for Blu-ray discs is (at this level) extra beneficial than the shelf house for DVDs. Individuals attempt to carry this logic over to digital streaming companies, nevertheless it doesn’t maintain up. Positive, the storage facilities which might be utilized by streaming web sites could possibly be considered shelf house, however streaming companies don’t retailer SD and HD copies of video as completely different merchandise. Even when you’re paying for HD, you may get SD to forestall video buffering. Bear in mind video buffering? It’s lots much less widespread than it was. That’s as a result of each streaming service retains SD and HD copies of their library in order that, when your web connection takes a nosedive, you possibly can seamlessly change to a crappy low-resolution video and keep away from the buffering display. YouTube Doesn’t Have Bother Storing Video Let’s examine YouTube (a free streaming service that gives 4K video) to our favourite premium streaming web sites. For each minute that passes by your brief little life, about 500 hours of video are uploaded to YouTube (you possibly can observe this in real-time on everysecond.io). Perform a little math, and that comes out to about 30,000 hours of latest YouTube content material each hour. For comparability, everything of Prime Video’s 2017 library clocked in at simply 19,200 hours. Clearly, YouTube makes use of loads of space for storing. However right here’s one other factor to contemplate. In an enchanting Computerphile video from 2013, a bunch of bright-eyed YouTube workers clarify how each single video on YouTube is copied into “greater than a pair dozen” file codecs and video resolutions (1080p, 720p, and so forth.) to make sure the web site performs good with any system at any connection pace. When coupled with YouTube’s ridiculously large library, this apply requires a ton of space for storing. Do premium streaming companies copy recordsdata to this extent? Not even shut. All fashionable browsers help just a few ultra-popular (and extremely compressed) video encoding strategies, like HTML5, H.264, and WebM VP8. Naturally, most (if not all) premium streaming websites stick to these popular formats. everysecond.io Cupboard space isn’t excuse for the value disparity between SD and HD movies on streaming companies. If YouTube can supply 4K video at no cost regardless of its ridiculous storage wants, then why does Amazon cost individuals $1 additional to look at Toy Story 3 in 1080p? In truth, why does Netflix supply completely different costs for premium SD and HD content material? In case you can watch a 4K unboxing video on YouTube at no cost, then why do it’s a must to pay additional to look at motion pictures in HD on paid streaming companies? Content material Supply Isn’t A lot Extra Costly Premium streaming websites can’t use storage and website hosting as an excuse for promoting SD and HD video at completely different costs. Possibly it simply prices extra for web sites to ship HD video to clients, so they provide SD video at a lowered value. That is sensible, proper? In fact not. Streaming companies function over Content Delivery Networks (CDNs) and Open Connect Appliances (OCAs), which considerably reduces the fee and issue of HD content material supply. These phrases sound very summary and dense, however they’re actually fairly easy. Web site visitors is like common site visitors. If everyone tries to take one street, then they’re going to create a site visitors jam and transfer very slowly. The identical factor occurs on web sites. To fight this drawback, streaming companies construct CDNs. A CDN is a dense, international community of servers that every one comprise the identical content material. They’re like completely different roads to the identical vacation spot. This manner, Netflix doesn’t come to a standstill each time a brand new season of Stranger Issues comes out. OCAs are just like CDNs, however they’re constructed to forestall site visitors jams on your entire web, fairly than only a single web site. Like OCAs, CDNs comprise an in depth library of movies, they usually’re unfold across the globe. The large distinction is that CDNs are operated by your web service supplier. When your total neighborhood goes to look at the brand new season of Stranger Issues, your ISP will redirect that web site visitors to a CDN, which retains non-Stranger Issues followers from experiencing any web site visitors jams. Clearly, these CDNs and OCAs value some huge cash to take care of. However they’re what you may name “web infrastructure.” The funding’s already been made, so the price of delivering HD content material as a substitute of SD content material is negligible at greatest. But some premium streaming companies nonetheless wish to cost you completely different charges for SD and HD video, they usually’re nonetheless behind the ball on 4K. Is Content material Licensing to Blame? Streaming companies don’t have an actual excuse for the value disparity between SD and HD video. They’re already storing every video in a number of resolutions, and content material supply hardly prices them a penny. It’s exhausting to inform exactly why streaming companies are promoting SD and HD movies at completely different costs, however the weird relationship between TV networks and streaming firms could possibly be the reply. In a Reddit thread from 2016, a bunch of confused YouTube customers complained that a number of the HD exhibits and flicks bought by YouTube are solely stream-able in 480p (not HD in any respect). Because it seems, a few of these exhibits and flicks got here with a tiny disclaimer, stating that “HD viewing isn’t accessible on net browsers.” Amazon Why wouldn’t HD be accessible on net browsers? Properly, one of many exhibits in query is Silicon Valley, which is owned by HBO. It’s attainable that YouTube purchased the rights to promote HD copies of the present for cell units, however wasn’t allowed to buy the rights for HD net streaming. In spite of everything, why would individuals subscribe to HBO GO if they will simply watch Silicon Valley in HD on YouTube? It’s additionally attainable that this bizarre enterprise apply extends to different companies. Netflix could need to pay additional to get the HD license for Mates, and Amazon could need to pay additional to get the HD license for Toy Story 3. 4K content material is probably going much more costly to license! Is that this a silly excuse? In fact. Streaming companies and TV networks are treating completely different video resolutions like completely different merchandise, they usually’re leaving customers to take care of the mess. What’s so ironic and irritating in regards to the scenario is that these firms are so caught up in their very own nonsense that they’re ignoring the booming 4K video market. 108-million people are anticipated to purchase 4K TVs in 2019, don’t you assume they’d pay $2 additional to lease a 4K copy of your film? Will Everybody Cost Further for 4K? Some individuals could be keen to pay a greenback additional for 4K video. In case you splurged for a nice-looking TV, why would you pinch pennies with regards to the content material? Not less than 4K is new and glossy. Paying additional for HD video vs. low-resolution SD video in 2019 appears foolish. If HD changed SD because the “discounted” video decision on streaming websites, we’d be glad. Sort of. It’s exhausting to let go of the truth that YouTube gives free 4K video regardless of its storage prices. If YouTube can present 4K video at no cost, then why ought to we pay additional for 4K video on premium streaming platforms? Not Everybody Costs Further for 4K As of proper now, the longer term appears respectable. Google Play, YouTube, and Apple supply 4K as the usual (and solely) video decision for a handful of flicks and exhibits, and Amazon is making an attempt its greatest to supply 4K video to Prime subscribers for no additional value. However on the identical time, these companies are nonetheless responsible of making a value disparity between SD and HD content material, and Netflix solely gives 4K video for its highest-paying subscribers. !function(f,b,e,v,n,t,s) {if(f.fbq)return;n=f.fbq=function(){n.callMethod? n.callMethod.apply(n,arguments):n.queue.push(arguments)}; if(!f._fbq)f._fbq=n;n.push=n;n.loaded=!0;n.version='2.0'; n.queue=[];t=b.createElement(e);t.async=!0; t.src=v;s=b.getElementsByTagName(e)[0]; s.parentNode.insertBefore(t,s)}(window, document,'script', 'https://connect.facebook.net/en_US/fbevents.js'); fbq('init', '335401813750447'); fbq('track', 'PageView'); Source link

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tm360blog-blog · 6 years ago

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Lenovo owned Motorola is the verge of launching a new device soon in India. the company has today release an official teaser on its Twitter handle and has confirmed to launch its latest offering Moto E5 Plus in the country. however, it has not revealed the exact timeline of the launch. except, wild guesses which suggest that it will be launching as earlier as next month (July).

BIG battery. BIG screen. For BIG entertainment. The #motoe5plus is on its way. Get set to say #helloentertainment! Stay tuned. pic.twitter.com/eGKxElhLmY

— Motorola India (@motorolaindia) June 29, 2018

To quickly recall, The Moto E5 Plus is the successor to the company’s last year offering Moto E4 Plus. the device was announced earlier this year alongside its siblings Moto E5 and Moto E5 Play in April

Moto E5 Plus Highlights

6″ edge-to-edge display :

Get a big screen in a slim body. The 6″ Max Vision display gives you a better view of websites, games, and more.

12 MP camera with laser autofocus :

Capture sharp photos even in low light conditions – and even when there’s no time to focus.

Distinctive design :

With a reflective wave pattern and an arched back, it looks as great as it feels.

Fingerprint reader :

Never mind remembering a passcode. One touch wakes up your phone and unlocks it instantly.

1.5-day battery :

Go up to a full day-and-a-half on a single charge with a 5000 mAh battery.

Quick gestures :

With Moto Actions, your simple gestures make everyday interactions more convenient. Whether you’re chopping down twice to turn on the flashlight, or twisting your wrist to open the camera, you can do more with less effort.

Smarter screen :

Don’t jump through hoops to stay in the loop. Moto Display gives you a quick preview of notifications and updates, so you can see what’s going on without unlocking your phone. Just give it a nudge to see what’s new, then reply to emails and texts without even unlocking your phone.

Moto E5 Plus Specification

The Moto E5 Plus bears a 6-inch HD+ (1440 x 720p) IPS LCD 18:9 Max Vision Display and is powered by an Qualcomm Snapdragon 435 Mobile Platform paired with 3GB of RAM. it comes with 32GB onboard storage which is further expandable upto 256GB via MicroSD card. the device runs on Android 8.0 Oreo update and is backed by a massive 5,000mAh Non-removable battery with 15W TurboPower charging support which gives 6 hours of usage in just 15 minutes of charge. the company claims offers of 1.5 days of battery life on a single charge. the device comes with water repellent nano coating, Front-ported speaker, and 2 microphones.

In terms of optics, the device sports a 12-megapixel rear camera with F2.0 aperture, a 1.25um large pixels, LED flash, PDAF (Phase Detection Autofocus), and Laser Autofocus. it also include various feature such as HDR, Panorama, Manual Mode, Burst Shot, Best Shot, QR code/Barcode Scanner, Slo-motion mode, Video Stabilization. it also capable of capture video recording in 1080P(30fps), 720P(30fps), and 480P(30fps). On the front, there’s an 8-megapixel front-facing camera with f2.2, 1.12um pixel size, and a Selfie Flash.

Connectivity option includes 4G VoLTE, Wi-Fi 802.11 a/b/g/n, (2.4GHz + 5GHz), GPS/A-GPS, Bluetooth 4.2 LE, FM Radio, Micro-USB port, and a 3.5mm Headphone jack. it measures at 161.9 x 75.3 x 9.35 mm (with camera bump + 0.4mm), and weighs at 200 grams. the device will come in Black, Mineral blue, FIne Gold, and Flash Grey color options.

Moto E5 Plus Price

The Moto E5 Plus is priced at € 169 (roughly Rs.13,500). it is expected that the company might priced it as low as Rs. 10,000 as the device comes with decent specifications and carters the budget segment.

Moto E5 Plus Expected to Launch Soon in India Lenovo owned Motorola is the verge of launching a new device soon in India. the company has today release an official teaser on its Twitter handle and has confirmed to launch its latest offering Moto E5 Plus in the country.

#Moto E5 Plus #Motorola

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atsur3ki · 7 years ago

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Clarification Post

If any of you have seen the post on IKFM, I’m sure there are some questions regarding the video editing credit, here’s an explanation. The first edit put forward by IKFM was rejected for the following reasons :

1 - It looked biased towards IKFM and the bias was thoroughly visible even with the 2nd verse exposure of the other team. This was felt by not just the Mizoram team but also the IKFM admins. Bear in mind that this is a collaboration and not a competition, so we should work together and not against each other. The screentime calculations were done by me personally and these are the results in ‘seconds’. Anyone questioning the results can take it up in the upcoming meet if they want to.

2 - There were stylistic differences, to further elaborate: the editor preferred a minimalist approach while the request was for something flashy that would flow to the beat with a bit more special effects.

3 - There were a few key steps that the other team wanted to be showcased but it wasn’t possible with the first video because it had verse cuts rather than it going back and forth.

4 - Poor quality (720p and not pertaining the already poor quality video of the other team - 480p) and there were a few name additions to the IKFM dance team credits which were missing.

So the editor was asked to work upon the video again to rectify those flaws whereupon they declined to do it due to time constraints. This is where I had to come in to re-edit the entire video. I’m sorry for concealing the fact that I was working on the second edit but i wanted to hear your actual opinions and knowing that I was working on it would have influenced your views on the matter. So while preparing the intro, I asked Orlinda to keep it a secret to see the response and a short video was released. As expected, it was jumped upon by several members without giving a proper explanation on why it was not good and ironically they used a trailer made by me as the comparison, not knowing that I was editing the video as well. After working on a short notice, the video was put up and was linked to the group and the members were asked for a feedback. By this time, since everyone was lead to think that the editor was someone else, the video was ripped apart with technically faulty assumptions...and i say assumptions because when provided with a side-by-side comparison video later, all the points raised were proven false and even the first editor agreed to it. These were two of the points worth clarifying which weren’t clarified in the comparison video: 1 - Our video quality was downgraded to match theirs, the first video had better quality :- Their video was upgraded to match ours by me personally, not the other way around, the 1st video was uploaded in 720p, 2nd video was in 1080p and here’s the proof.

2 - There was better division of parts in 1st video compared to 2nd video:- I’ll let the picture do the talking.

If you have anymore questions, please PM me :) - Nishi.

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