#be kind rewind (2008)

[haveyouseenthismovie-poll]

[sesiondemadrugada]

Be Kind Rewind (Michel Gondry, 2008).

[silveragelovechild]

Actors in Blackface

I was recently reminded that Marvel Studio’s favorite Robert Downey Jr was even nominated for an Oscar for performing in Blackface for “Tropic Thunder” (2008).

White actors in Blackface (dark or black makeup, sometimes with exaggerated lips) was pretty common in the so-called “Golden Age” of Hollywood. Singer Al Jolson even built his entire career in Blackface.

I am not African American so I can’t speak to how offensive Blackface is (but in the modern era, it’s seem pretty offensive).

I’m Mexican American and growing up I hated when I saw non-Hispanic actors portray Mexicans in movies or TV. Almost always they played the characters as lazy, or drunks, and often the bad guy. In particular I hated Eli Wallach (who is Polish) for his portrayal in “The Good, the Bad, and the Ugly”.

Fred Astaire, in Swing Time (1936) and in Easter Parade (1948)

Dan Aykroyd, in Trading Places (1983

Jack Black, in Be Kind Rewind (2008

Bugs Bunny, 1942 cartoon Fresh Hare

Bing Crosby, in Dream House (1932)

Ted Danson, a 1993 Friars Club roast of his Whoopi Goldberg

Robert Downey Jr. in the 2008 film Tropic Thunder

Jimmy Fallon, impersonating Chris Rock on Saturday Night Live

Judy Garland in Babes in Arms

Al Jolson

Jane Krakowski twice on 30 Rock

Shirley Temple in The Littlest Rebel

[cartermagazine]

Bismillah al rahman al rahim…

Happy Born Yasiin Bey @yasiinbey

Born December 11, 1973 in Bedford-Stuyvesant Brooklyn, Yasiin Bey is a renown MC.

Yasiin has been making hip-hop music since 1994, and first gained national attention in 1998 with the release of Mos Def and Talib Kweli are Black Star, and his subsequent solo album, Black on Both Sides, in 1999.

Throughout his career, Bey has balanced music with acting, appearing in films such as Bamboozled (2000), Brown Sugar (2002), The Italian Job (2003), Something The Lord Made (2004), The Hitchhiker’s Guide to the Galaxy (2005), 16 Blocks (2006), and Be Kind Rewind (2008) among others.

“This is business, no faces just lines and statistics… From your phone, your zip code, to SSI digits… The system break man, child and women into figures, two columns for who is and who ain’t niggas… Numbers is hard and real and they never have feelings, but you push too hard, even numbers got limits… Why did one straw break the camel’s back? Here’s the secret, the million other straws underneath it, it’s all mathematics.”

CARTER™️ Magazine

[popculturebuffet]

Finally on Adult Swim originals, favorite character from the originals from 2019 - onward era (notably, live action slowed down at this point and shows reduced to just 1-2 premiering per year now): Tigtone, Lazor Wulf, Momma Named Me Sheriff, Beef House, Three Busy Debras, YOLO, Birdgirl, Tuca & Bertie, Teenage Euthanasia, Smiling Friends, Royal Crackers, Rick & Morty the Anime, and Invincible Super Girl (okay, it just came out but still)? Skipping Primal, Unicorns Warriors Eternal, and JJ Villard's Fairy Tales since the CN Studios miscellanous ask covers them. Also skipped My Adventures with Superman since WB Animation ask covered it. I know this is a lot but I'm positive you haven't seen a good amount of those so I got more comfortable just lumping all of 2019 onward in one era.

Also noticing by 2023, Adult Swim got more preferred between Cartoon Network losing their primetime hours of 5-8 PM to Adult Swim that year (meaning there's more Adult Swim hours than Cartoon Network hours now), stuff intended for Cartoon Network moving to Adult Swim such as My Adventures with Superman, Unicorns Warriors Eternal, and Invincible Super Girl, and even the nostagic blocks such as Checkered Past (showcasting the big CN originals from the Cartoon Cartoons era) and Toonami Rewind (throwback to the original Toonami from 1997-2008 with Sailor Moon, Dragon Ball Z Kai, and Naruto on the block) landing on Adult Swim over Cartoon Network.

ON the latter thing, yeah. I think Adult Swim is slowly eating CN, airing content that's fine for kids too, simply because WBD is carring less and less about cartoon network and children's cartoons in general. So it makes more sense to pivot to something that in their greasy eyes is making money. It's not all bad as checkered past and the shows mentioned are still fine for kids, but it is noticable.

Just going with what I did last time and wish I'd done sooner: If I don't mention something, I didn't see it. ALONSY!

Beef House: I loved this one. Genuinely loved it. I don't have a faviorite character as it's been a while but Tim and Eric parodying a stock sitcom with a WACCKKKKYYYY premise is perfect. IT's a real shame this didn't get a season 2. It was funny, offputting and just my kind of nonsense.

Three Busy Debras: I like what i've seen, a bizzare series about three women all named debra and a stepford suburb. It's bizzarely perfect. I need to see more.

YOLO: YOLO is great, and it's not a huge suprise given it comes from smiling friends co creator micheal cusak. Season 1 is decent and it has this weirdly specific feel that makes for the best adult swim shows: it fits in well with weird cahos for the sake of it and what not, but is distinctly australian, and uses it's ugly animation perfectly. Like Smiling Friends after/alongside it, it LOOKS like it was made cheap but is actually incredibly intricately crafted. It's good fun.

Birdgirl: Was a disappointment. Paget Brewster was already having a hell ofa day voice acting wise with Ducktales, so having her return to this early role was a great idea in theory. In concept.. it didn't really work. Trying to do a sequel to harvey birdman but throwing all it's hannah barbera characters out was a mistake. Judy is more likeable here as she had about two gags in the original, but the show itself never really seems to come together all that well from the few eps i've seen. I just could not get into it.

Tuca and Bertie: Speckle. He's the best boy.

Tuca and Bertie is sadly done, but it remains one of adult swims best shows ever. I might have to list my faviorites when this is over. While WBD didn't keep it going as long as they should have, unlike a LOT of shows under their tyranny they at least gave it the second chance it deserved after Netflix cancelled it in less than a month, a trend that's continued and continues to make no sense.

So as a result of this monumentally dumb decision Adult Swim picked the show up and thus one of the best shows of the decade got a proper run. What we got was fantastic, a show that's creative and adult, but in a nuanced way tackling issues like sexual assault and workplace abuse with grace. The show feels like the warmer compliment to Bojack, the series sister show thanks to both having designs by LIsa Hanawalt.

While Bojack focuses on a more broken world with a seriously flawed main character, Tuca and Bertie is more optimistic. It won't hestitate to punch you in the gut repeatedly, but ther'es a light at the end of the tunnel. Things CAN get better. And given the truly awful shit that just happened, it's a message we need: things can suck: breakups happen, abuse happens, your world can be dark.. but you are loved and we can get through it together. It's also really fucking funny and has creative worldbuilding, taking the simple design choice of having plant people and playing around with as they go to the point Tuca is eventaully vociing a tree voiced by Matthew Rhys.. which is distracting and was for @jess-the-vampire as he uses the same voice for both characters. It's diffrent enough to still be good voice acting, but it's weird hearing that voice as a supportive loving boyfriend with a drinking problem.

Teenage Euthnasia; I could not get into this one.

Smiling Friends: Whenever I see your smiling face, I have to smile myself because I love youuuuu... yes I do. Alan, though Jombo is a close second

Smiling Friends is a masterpiece. I'm still mildly sore about this season due to the doug walker cameo as.. come on guys. Come the fuck on. You know what he's done. Come on. Come onn. But otherwise this season just made a great show greater and both seasons are some of adult swims best.

Smiling Friends was helpful in my growth as an animation fan as it showed things like how to use animation frames to make characters feel just slightly off, and is a wonderful blend of styles. Like I said witH YOLO the show looks like a cheap adult cartoon, and budget isn't everything as a lot of adult swims earliest shows were made on a paperclip an da piece of string and still are amazing, but uses every inch of it's budget in creative ways. It's weird as hell and you never know what to expect with an episode. The two leads are perfectly fleshed out: Pim being optimstic and naive, CHarlie being a mess with a messier extended family and a drinking problem, and the cast is perfectly supported by Alan and Mr Boss (And Glep but he's more of an accsorry), an uptight unplesant but hilarious type a asshole, and a weird goof.

The show is a near perfect string of jokes, creative concepts and punches to the face of black comedy and real genuine depth. It also gave us this gag

Which is so sadly relevant and useful and comes off twice as great coming from the same company that does this the worst and i'm damn certain Cusak and Hadel know that. A masterpiece I only hope gets better... just keep doug walker out of it.

Rick and Morty the Anime: I tried the first ep, didn't really gel with it and have too much piled up to really be intrested in going back

INvincible Fight Girl: I've only seen an episode and a half of this but DAMN do I love it. A wonderful tribute to shonen anime and wrestling, two things I dearly love perfectly smushed together. It fills the void in my heart left by OK KO , having that same nice mix of genine characters and a batshit insane world. I mean I already heaar ther'es a character named MBrandon. It presents this weird hyper world in it's own way, taking it, like ok ko did for the most part, earnestly, whcih adds to the comedy and allows us to feel for andy as she goes on her journey. This one has all the makings of a true classic

Overally I think the networks in a good place: it';s got some stacked shows, is doing renewals and like the dc sid eof things seems to be better than anything should be under WBD's thumb. There's still some bullshit like the uzumaki fiasco, but so far adult swim seems far safer than it has any right to be in this horrifying climate for animation and I welcome that and pray to god it dosen't change.

[actuallylorelaigilmore]

2024 Belated Updated Movie Masterlist

every year, i repost my movie watchlist here and set a new goal for movie watching. it is september now and i only just realized that i never did that for 2024!

instead, i tried to chip away at the 2023 reviews i was behind on first, got absolutely swamped by life (which i promise i'm still working on telling you all about) and never kicked off 2024 officially, even as i have been watching movies and keeping track of them to review here.

so, no time like almost-october, right? better than letting all of 2024 be absorbed into a black hole. and i didn't have a goal for this year, since i completely forgot to even kick off the year with a fresh masterpost, but the upside of that is that i don't have to feel bad about never coming close to my aspirational ideals.

also! i finally gave in and created a letterboxd account, though i'm still working on setting things up over there--and i'm going to keep writing my reviews over here anyway, because this is still my online home.

if anybody wants to read my most recent year in review, last year’s list is here, with movies i watched linked to their reviews (and more reviews to come). for 2024 though, behold, my constantly-growing movie list (split in half because tumblr's mad at how many i want to see):

4th man out (2015) 12 years a slave (2013) a family man (2016) a room with a view (1985) a simple favor (2018) a single man (2009) a wrinkle in time (2018) abigail (2024) about time (2013) admission (2013) after yang (2021) always be my maybe (2019) american fiction (2023) american gangster (2007) ammonite (2020) amsterdam (2022) an education (2009) anything’s possible (2022) aquaman (2018) are you there god? it’s me margaret (2023) argylle (2024) arrival (2016) atonement (2007) august: osage county (2013) babylon (2023) bad education (2019) be kind rewind (2008) bedazzled (2000) beetlejuice (1988) beetlejuice beetlejuice (2024) begin again (2013) between the temples (2024) big eyes (2014) billy elliot (2000) blockers (2018) bohemian rhapsody (2018) bowfinger (1999) boy erased (2018) breaking (2022) brideshead revisited (2008) bright young things (2003) burn burn burn (2015) cairo time (2009) call jane (2022) can you ever forgive me? (2018) catherine called birdy (2022) chef (2014) clemency (2019) coco (2017) cold copy (2023) colette (2018) crazy rich asians (2018) creed (2015) creed 2 (2018) creed 3 (2023) crimson peak (2015) crouching tiger, hidden dragon (2000) crush (2022) cuckoo (2024) cyrano (2021) dazed and confused (1993) demolition man (1993) devil’s knot (2013) didi (2024) die hard 2 (1990) die hard with a vengeance (1995) dog day afternoon (1975) drive-away dolls (2024) dual (2022) earth girls are easy (1988) effie gray (2014) ella mckay (?) eurovision song contest: the story of fire saga (2020) fast color (2018) fear street part one: 1994 (2021) fear street part two: 1978 (2021) fear street part three: 1666 (2021) fighting with my family (2019) fly me to the moon (2024) fright night (2011) furiosa: a mad max saga (2024) galaxy quest (1999) girls trip (2017) glass onion: a knives out mystery (2022) gone girl (2014) good luck to you, leo grande (2022) goodbye christopher robin (2017) gosford park (2001) gunpowder milkshake (2021) happy death day (2017) happy death day 2u (2019) happy texas (1999) her smell (2018) his three daughters (2023) hit man (2023) holes (2003) honk for jesus. save your soul. (2022) honor society (2022) how to talk to girls at parties (2017) how to train your dragon (2010) hysteria (2011) i am not your negro (2017) i don’t feel at home in this world anymore (2017) i saw the tv glow (2024) i, tonya (2017) if (2024) if beale street could talk (2018) inception (2010) infinitely polar bear (2014) jackie (2016) jane got a gun (2015) janet planet (2024) jennifer's body (2009) joyful noise (2012) judas and the black messiah (2021) judy blume forever (2023) junebug (2005) jupiter ascending (2015) just mercy (2019) kajillionaire (2020) keeping mum (2005) killers of the flower moon (2023) knife fight (2012) kubo and the two strings (2016) laggies (2014) last holiday (2006) late night (2019) lemonade mouth (2011) little (2019) live free or die hard (2007) logan lucky (2017) longlegs (2024) love, simon (2018) magic mike xxl (2015) magic mike: last dance (2023) mansfield park (1999) marmalade (2024) mars attacks! (1996) mary queen of scots (2018) master (2022) master gardener (2022) maxxxine (2024) may december (2024) me and earl and the dying girl (2015) meet the robinsons (2007) megamind (2010) memento (2000) men in black international (2019) mermaids (1990) midsommar (2019) migration (2023) miss pettigrew lives for a day (2008) miss sloane (2016) missing (2023) monkey business (1952) moonlight (2016) moonrise kingdom (2012) moonshot (2022) mother couch (2023) mothers instinct (2024) moving on (2022) mr. magorium’s wonder emporium (2007) mr. mom (1983) much ado about nothing (2011) muriel’s wedding (1994) musica (2024)

nancy drew and the hidden staircase (2019) nanny mcphee (2005) nanny mcphee returns (2010) national anthem (2024) never let me go (2010) newsies (1992) night shift (2023) no time to die (2021) nope (2022) northanger abbey (2007) not okay (2022) obvious child (2014) omni loop (2024) on the come up (2022) oppenheimer (2023) other people (2016) pacific rim (2013) palm springs (2020) parallel (2024) parasite (2019) paris is burning (1990) passing (2021) penelope (2006) pete’s dragon (2016) pirate radio (2009) please stand by (2017) polite society (2023) pride (2014) pride and prejudice and zombies (2016) professor marston and the wonder women (2016) renfield (2023) return to oz (1985) rise of the guardians (2012) rita moreno: just a girl who decided to go for it (2021) rocketman (2019) roll bounce (2005) rosaline (2022) saving face (2004) say anything (1989) scoop (2024) scream (2022) scream 6 (2023) see how they run (2022) seeking a friend for the end of the world (2012) she said (2022) shirley (2024) shoplifters (2018) short term 12 (2013) sing street (2016) skincare (2024) sleeping with other people (2015) someone great (2019) somewhere quiet (2023) sorry to bother you (2018) soul (2020) spider-ham: caught in a ham (2019) spider-man: across the spiderverse (2023) spider-man: far from home (2019) spider-man: homecoming (2017) spider-man: into the spiderverse (2018) spider-man: no way home (2021) spin me round (2022) spotlight (2015) spy kids (2001) stage fright (2014) step up (2006) talk to me (2022) teeth (2007) the 355 (2022) the age of innocence (1993) the american society of magical negroes (2024) the anniversary party (2001) the batman (2022) the best exotic marigold hotel (2012) the bikeriders (2023) the book of clarence (2023) the breadwinner (2017) the burial (2023) the children act (2017) the craft: legacy (2020) the disaster artist (2017) the divine order (2017) the emperor’s new groove (2000) the eyes of tammy faye (2021) the fall (2006)    the fallout (2021) the fighting temptations (2003) the five year engagement (2012) the gentlemen (2019) the godfather (1972) the godfather part 2 (1974) the godfather part 3 (1990) the great gatsby (2013) the great lillian hall (2024) the hunchback of notre dame (1996) the hunt (2020) the iron lady (2011) the kill room (2023) the legend of tarzan (2016) the lost city (2022) the master (2012) the matrix resurrections (2021) the monuments men (2014) the notebook (2004) the old guard (2020) the outfit (2022) the photograph (2020) the prestige (2006) the prince of egypt (1998) the prom (2020) the queen (2006) the royal hotel (2023) the second best exotic marigold hotel (2016) the secret garden (2020) the skeleton twins (2014) the spy who dumped me (2018) the suicide squad (2021) the thicket (2024) the trial of the chicago 7 (2020) the truman show (1998) the unbearable weight of massive talent (2022) the united states vs. billie holiday (2021) the velocipastor (2018) the way he looks (2014) the woman king (2022) the wonder (2022) their finest (2016) thelma (2024) this means war (2012) tootsie (1982) treasure planet (2002) troop zero (2019) turtles all the way down (2024) twisters (2024) two lovers and a bear (2016) uglies (2024) upgraded (2024) us (2019) v for vendetta (2005) valley girl (2020) velvet goldmine (1998) venom (2018) venom: let there be carnage (2021) venom: the last dance (2024) victoria & abdul (2017) violent night (2022) walk the line (2005) wet hot american summer (2001) what happens later (2023) what we do in the shadows (2014) where’d you go, bernadette (2019) widows (2018) wild target (2010) winner (2024) women talking (2022) yesterday (2019) young adult (2011) zombieland: double tap (2019)

[the-rewatch-rewind]

Yes, I've watched this full miniseries 37 times.

Script below the break

Hello and welcome back to The Rewatch Rewind! My name is Jane, and this is the podcast where I count down my top 40 most frequently rewatched movies in a 20-year period. Today I will be talking about number two on my list: BBC and A&E’s 1995 mini-series Pride and Prejudice, directed by Simon Langton, written by Andrew Davies, based on the novel by Jane Austen, and starring Jennifer Ehle and Colin Firth.

Mr. and Mrs. Bennet (Benjamin Whitrow and Alison Steadman) have five daughters: beautiful and kind Jane (Susannah Harker), witty and strong-willed Elizabeth (Jennifer Ehle), homely and puritanical Mary (Lucy Briers), well-meaning but naïve Kitty (Polly Maberly), and frivolous and spoiled Lydia (Julia Sawalha). Because there are no Bennet sons, Mr. Bennet’s estate is entailed upon his cousin Mr. Collins (David Bamber), and the daughters are aware that at least one of them must marry well to provide for the rest of the family after their father’s death. When wealthy and friendly Mr. Bingley (Crispin Bonham-Carter) moves into the neighborhood, he and Jane quickly hit it off, and the Bennets’ problems seem to be over. However, Mr. Bingley’s sisters, Caroline (Anna Chancellor) and Louisa (Lucy Robinson), along with his unpleasant, proud friend Mr. Darcy (Colin Firth) have strong objections to the Bennet family, who strike them as undignified gold-diggers, even though Mr. Darcy unwillingly finds himself strangely drawn to Elizabeth.

Okay so yes, this is technically a TV show rather than a movie, but even though it’s over five hours long, I still tend to watch it as a movie, and it felt right to count it as such, although when I first wrote it down in my movie notebook, I never anticipated that it would become my second most-frequently-rewatched. I remember that my parents were really into it, and at some point when it was on TV after we finally got a VCR, they had taped it. I tried to watch it with them a few times when I was younger, but I found the flowery language difficult to understand, and I typically fell asleep in the middle without knowing what was going on. The first time I watched it and actually paid attention was in 2005, and the main thing I remember was that my dad assumed I knew the story by then and kept making spoilery comments. I don’t think I fully appreciated it at that point, but I definitely enjoyed it more than I thought I was going to. I ended up watching it twice in that year and then five times in 2006, which is when it became one of my favorite stories. I read the book and watched a few other adaptations that year. In 2007 I only watched this series once, but that was also the year that my family ended up getting two male puppies, and after much deliberation about what to name them, we determined that Bingley and Darcy were the best names that went together and represented something we all enjoyed. After that, I watched it three times in 2008, once in 2009, twice in 2010, four times in 2011, twice in 2012, twice in 2013, four times in 2014, once in 2015, once in 2016, twice in 2017, once in 2018, three times in 2020, once in 2021, and twice in 2022. I don’t remember exactly when, but somehow between my siblings, my parents, and I, we ended up with three copies of this on DVD in addition to the taped one. I should also mention that I only counted it when I watched the whole thing from start to finish within a few days, so I’ve watched it like that 37 times, but I’ve definitely seen pieces of it way more than that. I keep waiting to get tired of watching it, but every time I put it on, it remains delightfully enjoyable.

I know that Pride and Prejudice by Jane Austen is one of the most beloved stories in the English-speaking world, and probably beyond – although the number of people confused by my dogs’ names taught me that not everyone is particularly familiar with it – and that it has been adapted and retold dozens of times, and that fans of the story have very strong opinions about which is the “best” adaptation. The loudest debate is between this version and the 2005 film directed by Joe Wright and starring Keira Knightley and Matthew Macfadyen. The first time I watched that version was in 2006, in the midst of my mania for the 1995 version, and I thought it was terrible. I knew it had to be shorter for the feature film format, but they cut out so many of my favorite parts! It wasn’t until I rewatched the 2005 version in 2016 that I understood that the people who prefer that version love this story for very different reasons from me. If you’re mostly invested in the Elizabeth/Darcy romance, that’s the version for you. It’s all about the tension and chemistry between those two characters, and everyone else is kind of stuck in as an afterthought. But even though the Bennet daughters’ need to get married is central to the plot, I had never considered the main appeal of this story to be its romance. To 2023 me and you the listener, who know that I’m aromantic, that isn’t very surprising, but at the time it kind of blew my mind to learn that so many fans of the story are there for that slow burn. Even in 2012 to 2013, when The Lizzie Bennet Diaries was coming out, I figured the reason people were so obsessed with Darcy was because not seeing him until episode 60 added to his mystique. At the end of that show, I was way more concerned about Lydia’s story than Lizzie’s, and while I enjoyed seeing Lizzie and Darcy finally get together, it was more of a “yay, things are happy now” relief than squeeing over the adorable romance. Anyway, while I used to be one of those obnoxiously pretentious fans who maintained that the 1995 adaptation was way better than the 2005 one, now I’m more of the opinion that they’re both good, just different, and just because I prefer one over the other doesn’t actually make it better. So if you’re listening to this and are a huge fan of the 2005 version, or any other adaptation, know that I’m not trying to tell you you’re wrong. Ultimately, Pride and Prejudice is a great story with many layers, and I think it’s awesome that there have been so many different versions that emphasize different aspects.

Despite the fact that this version is quite long (although not nearly as long as the Lizzie Bennet Diaries), I personally love the pacing. The events of the story take place over about a year, and these six 55-minute episodes take their time bringing us through that year with the characters. Watching it now, I don’t understand how I ever fell asleep with it on as a child, because I am thoroughly engaged the whole way through. Sometimes I intend to only watch an episode or two at a time, but I end up sitting through the whole thing because I cannot tear myself away. These characters are just so fascinating, and the cast brings them to life so convincingly. In general, I try to separate actors from characters, but I will always associate this cast with this show. Part of that is because of how many times I’ve watched this, and another part is because most of these actors haven’t been in very many American films – with the major exception, of course, of Colin Firth, whose Hollywood career skyrocketed after the success of this series – so I haven’t seen them in many other things. But the main reason is because they all embody their characters so perfectly in this series that it’s hard to see them as actors. Every cast member fully committed to their character in a way that somehow makes them feel simultaneously larger than life and grounded in reality. Alison Steadman’s Mrs. Bennet in particular is over the top and ridiculous but manages to just barely remain believable. While the five Bennet sisters on the surface can be summarized by archetypes, they’re much deeper than they first appear, and I love the ways that both the writing and the performances gradually bring that out. Crispin Bonham-Carter perfectly embodies the puppy-dog friendliness and gullibility of Bingley, and Colin Firth nails Darcy’s transformation after Elizabeth calls him out. Benjamin Whitrow makes Mr. Bennet so likable that it took me a while to understand that part of the family’s plight is his fault. That kind of complexity is one of the major things that makes this movie so rewatchable. There are so many layers to every storyline and every character that you can’t possibly uncover them all in just a few views. There’s also a lot going on in the background – like, Mary doesn’t get very many lines, but I love watching her light up whenever Mr. Collins is around. The show is edited in such a way that the audience can see what every relevant character is thinking at all times, so that even when it’s difficult to understand the fancy dialogue, we still get what’s happening based on the characters’ reactions.

This adaptation receives a lot of praise for its faithfulness to the novel, but while it does follow the book quite closely, I don’t think it gets enough credit for the changes and additions it made that were still in the spirit of the original story. There is some dialogue that was taken word for word from the book, but Jane Austen tended to summarize conversations rather than transcribing them, so quite a bit of new dialogue needed to be added, and I personally find it difficult to tell where Jane Austen ends and Andrew Davies takes over. Austen didn’t write scenes that only featured male characters, claiming that she had no way of knowing how men spoke or behaved when there were no women present, but this show opens with a scene between Bingley and Darcy and focuses a bit more on their friendship than the book does. The change in this version that gets the most attention is when Darcy unexpectedly happens upon Elizabeth after having taken a swim in a lake on his property at Pemberley. I always just saw this as a silly way to add to the awkwardness of the situation, with Darcy trying to remain dignified in soaking, casual clothes, and it surprised me to learn that a lot of people love that scene because Colin Firth apparently looks very sexy in his wet shirt. The change that I personally find most interesting is in the letter that Darcy writes explaining himself to Elizabeth after she turns down his first proposal. In the book, he starts with the allegations about breaking up Jane and Bingley and then moves on to the more serious stuff about how Wickham (played by Adrian Lukis, who told Elizabeth that Darcy ruined his life) had tried to seduce Darcy’s younger sister. In this version, the letter starts with the Wickham stuff and ends with the Bingley stuff because we’re initially watching Darcy and flashbacks of his memories, and then halfway through revealing the letter to the audience, we see Darcy give it to Elizabeth, and then we see her reactions to reading his thoughts about her sister and the rest of her family, along with flashbacks of her memories. Darcy is rather arrogant when he talks about separating Bingley from Jane, so I feel like it makes a little more sense for him to start with that when he’s upset by Elizabeth’s rejection and then move on to the darker Wickham drama, but I really like the way this version shows their reactions to the part of the letter that’s most painful to each of them. And before he writes the letter, we see Darcy dwelling on Elizabeth’s words, and he reacts to what she said about Wickham by saying aloud to himself, “At least in that I may defend myself,” implying that the Wickham story is what prompted him to write the letter in the first place, explaining why he starts with that this time. So it’s true to the original without being constrained by the original, and I think that’s what makes it work so well as an adaptation.

As I said before, many people think of Pride and Prejudice as primarily a romantic story, and like, they’re not wrong, but there’s so much more to it than that. There’s a lot of focus on familial relationships, especially between the two eldest daughters, Jane and Elizabeth, which I’ve always appreciated for its similarities to my relationship with my sister. It’s also worth noting that in this society, women in the Bennets’ station could not get a job, so they basically had two options: marry well, or depend on a male relative. Marriage was essentially a business arrangement, not necessarily a romantic one. In the first episode, Jane and Elizabeth have a conversation about their situation in which Elizabeth says that because Jane is the prettiest and sweetest of the sisters, she will need to be the one to marry very well, and Jane responds with, “But Lizzy, I would wish… I should so much like… to marry for love.” And then she makes this amazing face like she can hardly believe how unreasonable she’s being. Elizabeth assures her, “And so you shall, I’m sure. Only take care you fall in love with a man of good fortune.” But when Jane asks Elizabeth how she feels about marriage, she asserts, “I am determined that nothing but the very deepest love will induce me into matrimony. So, I shall end an old maid and teach your ten children to embroider cushions and play their instruments very ill!” And they laugh. But Elizabeth is completely serious, at least about the first part, as she demonstrates when she turns down two very lucrative marriage proposals that most sensible women in her position would have eagerly accepted. Both men – Mr. Collins and Mr. Darcy – think they are doing her a great favor in offering their hand and are shocked by her refusal. Mr. Collins is a bit of a doofus, but he is also going to inherit her father’s house, and it would therefore be the honorable thing for him to marry one of the Bennet daughters so they could at least continue to live there after Mr. Bennet’s death. But Elizabeth knew he would make her miserable and was unwilling to put up with him merely for security. One could say she slapped amatonormativity in the face, and we love to see it. But interestingly, when Mr. Collins does get married, it’s to the very aro-coded Charlotte Lucas (played by Lucy Scott). Her good friend Elizabeth is utterly shocked that anyone, let alone someone she cares about, would agree to marry Mr. Collins. But Charlotte literally tells Lizzy, “I’m not romantic, you know. I never was.” Aromantic queen. And when Elizabeth vents to Jane about this, Jane has the great line, “You do not make allowances for differences of situation and temper.” Jane is the ally we all need. Later, when Elizabeth visits the Collinses, Charlotte makes it clear that she kind of just does her own thing and barely sees her husband, and Elizabeth feels bad for her friend, but honestly, Charlotte’s life doesn’t sound so bad to me. She has security, and her husband mostly leaves her alone. Things didn’t get much better for an introverted aroace woman in that society. Although part of me does still wish that Mary had ended up with Collins, since she also seems like an introvert on the aroace spectrum, but she actually likes him.

Elizabeth is the opposite of aroace, but the way she refuses to listen when society tells her she’s supposed to marry for money feels kind of similar to modern aroace people refusing to listen when society tells us we’re supposed to fall in romantic, sexual love. One of the things I appreciate most about this story is how it demonstrates that everyone and every relationship is different. Jane and Bingley immediately fall for each other and are perfectly compatible, but because they place so much trust in the people around them, it takes a while for them to officially get together. And I don’t just mean the way Bingley’s sisters and Darcy pulled him away – Elizabeth kept reassuring Jane that it was obvious how she felt about Bingley because it was obvious to her, and neither of them realized that a stranger would just see Jane’s kindness to Bingley as treating him like she treats everyone else. Elizabeth and Darcy are just as well suited for each other as Jane and Bingley are, but they both have some major growing to do – they need to overcome their pride and prejudice, if you will – before they can be together. And then there’s Lydia and Wickham, whose relationship is based mainly on lust. Neither of them seems to have learned anything between the beginning and end of their story, and it’s hard to imagine them being happy together. I used to think of Lydia as a spoiled brat who got what she deserved, but now I feel really bad for her. She was a 15-year-old child who was preyed upon by a grown man, and the best-case scenario was for her to marry him. Her plight demonstrates just how awful the societal rules regarding sex were for women, although the story barely seems aware of it. Her elopement is used as a plot device for Darcy to redeem himself, and the focus is all on how her sisters’ chances of good marriages have been damaged. It’s kind of odd that so many social norms are condemned in this story, and yet Lydia is portrayed as deserving of life-long punishment for daring to break one rule. Jane Austen was progressive, but not that progressive. So that’s the one part of this that bothers me. If you too want justice for Lydia, I highly recommend The Lizzie Bennet Diaries on YouTube, which does an excellent job of humanizing and redeeming her.

Anyway, back to this version, I love that it includes another couple that many adaptations leave out – Mr. and Mrs. Hurst. Mrs. Hurst is Mr. Bingley’s sister Louisa, who, along with their sister Caroline, loves to make fun of and criticize the Bennets. Caroline is partly motivated in her criticism by jealousy, since she has her eye on Darcy and can tell that he’s interested in Elizabeth. But Louisa seems to be motivated by pure snobbery. Which is kind of hilarious because her husband is basically a loser. He doesn’t seem to have an estate or anything, since they’re always staying with her brother, and all he does is drink, hunt, play cards, and sleep. It’s just like, girl, you have no room to criticize anyone’s situation or decisions when you’re stuck with that guy. This just further helps demonstrate that nobody fits society’s ideal, so maybe we should all just live and let live. The characters who remain proud and prejudiced at the end of the story are mostly bitter and unhappy, while those who have learned to look at things from other people’s perspectives are the happiest. And I really like that message.

And aside from the fascinating social commentary, this series is a delightfully fun watch, full of great moments that I will never tire of revisiting. I love, or at least am intrigued by, all the characters, from the leads to the most obscure side characters. She’s barely in it, but one of my favorites is Mrs. Bennet’s sister, Mrs. Phillips, played by Lynn Farleigh. Between her interactions with Mr. Collins, who accidentally insults her and then frustrates her as a whist partner, and the way she consoles Mrs. Bennet after Lydia runs off with Wickham, her lines are some of my favorites to quote. And of course, there’s Lady Catherine de Bourgh, Mr. Collins’s benefactor and Mr. Darcy’s aunt, played by Barbara Leigh-Hunt, who is so impressed with herself that she can’t tell that she’s almost as ridiculous as Mrs. Bennet. I love Sir William Lucas’s “Capital, capital!” and Maria Lucas’s commitment to making haste. Even the characters I don’t like as people are interesting to watch. Wickham is the worst, but I’m almost impressed by his gall. Like, the fact that he can face the Bennets after seducing Lydia as if he’s done nothing wrong is astounding. That man truly has no shame.

While I enjoy pretty much every moment of this series, I have to say that my favorite episode is the fifth one. It really doesn’t seem like it should be, since that’s when the whole Wickham/Lydia stuff is going on and everybody is super stressed, but it has so many of my favorite moments. Like when Elizabeth is playing the pianoforte at Pemberley and a random servant feels the need to stand right in front of her, bow to no one in particular, and then walk offscreen. I don’t know who that bowing servant is or why he does that but I love him. And then there’s the part when Elizabeth returns home with her aunt and uncle, and her cousins are so excited to see their parents again that one of them tries to do a cartwheel and ends up just falling over. And in another wonderful deviation from the novel, Mr. Collins decides to visit the Bennets, ostensibly to console them, but really to gloat that their problems aren’t his problems because he didn’t marry one of them. In the book, he does this by writing a letter, but it’s way funnier to have him visit them, and get to see Mary be impressed with him again. But the best part of that scene is that when Kitty sees his carriage coming, she declares, “I’m not going to sit with him for anyone!” and runs off to hide in the yard. Later, when he’s talking to the other sisters, we can see Kitty peering through the window to see if he’s still there, and it makes me laugh every time.

This show is so good that I would still love watching and quoting it anyway, but I do think my enjoyment has been at least somewhat enhanced by having dogs named after two of the characters. The names really suited them, too – dog Darcy was standoffish toward strangers, but with the people he liked he could be very cuddly, whereas Bingley would pretty much follow anyone around to see what they were up to. Bingley absolutely loved to play fetch, while Darcy would just stare at him like, “What is wrong with you?” in the perfect dog version of how their namesakes felt about dancing. Sadly, Darcy got cancer and died in 2020. Bingley is still hanging in there, although at 16 years old he’s definitely declining, and his fetching days are long behind him. There are a lot of differences between me and Jane Bennet, as she is clearly not aroace, but since we share the same first name and are both the eldest sibling, I’ve always felt a kinship to her, and it makes me happy that presumably we each got to watch our own Mr. Bingley grow old. I think after he inevitably passes, watching this series will probably feel bittersweet for a while, although I don’t think that will make me love it any less. I anticipate continuing to watch it at least once a year on the 26th of November, in honor of the Netherfield Ball, while fondly reminiscing about fetching with Bingley and snuggling with Darcy.

I could go on and on about this movie for hours, but ultimately, what it all boils down to is I love the 1995 Pride and Prejudice because it is an excellent story told extraordinarily well, about characters who are exactly as ridiculous and flawed as real people. So if you’ve thought about watching this version but have been turned off by the length, I highly recommend giving it a chance anyway. Yes it’s almost six hours long, but it’s a thoroughly enjoyable way to spend almost six hours. I was suffering from depression when I first got into this series, and it was one of the few things that made me feel good about life. And if I had not already been in love with this version, I probably wouldn’t have watched The Lizzie Bennet Diaries, and therefore might never have gotten into Shipwrecked Comedy, and that would be very sad. So I have a lot to thank this miniseries for.

Thank you for listening to me discuss another of my most frequently rewatched movies. It’s a little hard for even me to believe that I’ve rewatched Pride and Prejudice more than any other movie besides one in the last 20 years, but I think it really is my second favorite movie, so it’s fitting that it ended up here. Now I only have one movie left, and it’s number one by a lot, with 51 views compared to P&P’s 37. So stay tuned for what is clearly my favorite film. And now, for the last time, as always, I will leave you with a quote from that next movie: “My, she was yare.”

[thewomanofrevelation]

The Living Dead., Be Kind Rewind/dir. Gondry/2008.

[zemfruit]

Jack Black pogging from Be Kind Rewind 2008

[fibromyalgic]

— ☆ you can call me . . . Soleil / Hazard / Rewind!

☆ 24 years old. it & he pronouns only.

☆ xenogender effeminate T4T gay thing.

☆ white, norwegian, bilingual.

☆ physically disabled, neurodivergent, and autistic.

— ☆ welcome to my disability-focused sideblog, made by your local hypermobile rivethead latex-slugthing!

I'm an ambulatory wheelchair user. I am on full disability benefit, and have been since I turned 18.

due to the nature of this blog, I'm comfortable sharing certain health issues, since I'll occasionally talk about them & it recontextualizes my posts in a way I feel is important. yes, these are all either professionally diagnosed or acknowledged, though I am pro informed self-dx.

— hypermobile ehlers-danlos syndrome accompanied by myalgic encephalomyelitis / chronic fatigue syndrome.

— severe bilateral nasal valve collapse with a deviated septum, inferior turbinate hypertrophy, and chronic rhinitis with chronic sinus headaches.

— non-allergic asthma.

— multiple kinds of chronic skin issues.

— fibromyalgia.

— avoidant personality disorder, autism, dyscalculia, & ocd.

— light sensitivity & myopia (nearsightedness).

I will be getting surgery for the severe structural issues with my nose sometime in 2025, despite my anxiety regarding it all. I plan to document my experiences with this eventually, but I am a little shy!

as for other major surgeries important to me, I had a problematic femur osteochondroma removed in 2017. I also had an inguinal hernia repair done in around 2007-2008.

you may see me space out my punctuation in my posts. this is not a typing quirk; this is to make my posts a little more accessible to those with difficulty following sentences.

[eyemad63andathird]

Be Kind Rewind (2008)

[the-invisible-queer]

Not sure if this is the kind of thing you were talking about but I have the entire flip sequence starting around 2:05 (I couldn't find a decent quality clip of just the flips sorry) memorized bc in 5th grade my best friend and I used to spend hours rewinding the 3D concert movie DVD watching it over and over to try and learn how to do it ourselves. We never really succeeded and also both got injured doing this at some point but to this day I see the whole routine in my head EVERY time I hear this song or see any mention of the movie lmao https://www.youtube.com/watch?v=jIyH0As3AR0

THE FLIPS WERE INCREDIBLE

STILL ARE

The concert movie is so good

2008 Joe will forever turn me into that 11yr old again

[gritboy]

You'll Like This Film Because You're in It: The Be Kind Rewind Protocol DVD Bundle

Michel Gondry’s debut book is a functional memoir of his quest to put the tools of filmmaking in the hands of as many people as possible. At Deitch Projects in 2008 Gondry emulated the heroic example of his characters, constructing a do-it-yourself film studio in which any visitor could assemble their own film from extant plot summaries and rent the results. This book chronicles Gondry’s journey…

[mineofilms]

End of the Beginning

“Is this the end of the beginning? Or the beginning of the end? Losing control or are you winning? Is your life real or just pretend?” "End of the Beginning"

Going through my writings for the past year when I kept coming across instances where things just do not make sense to me. Not the words I write or topics I talk about, but rather ‘some’ of the takes of these topics by the random minorities of INTERNET TROLLS, Internet Subcultures, and others. The problem in general with Internet Subcultures are Internet Subcultures. However, I have already written about that and those extremely short and not very well thought out opinions of said topics of mine.

This year was marked by life after Hurricane Ian, with damage to the house, only now being repaired. Due to inflation, rising insurance premiums and cost of living going up while monies coming in are either static or going slowly in reverse we had to make serious concessions as to what we wanted for our home. The house is forever changed. We won’t get the pool cage replaced. The insurance pay out was half of what it will cost for a new one and the insurance for it could buy a brand new pool cage every three years. We went over a year without one, adapted our lives and maintenance around that and it has worked out to a point where we had the time to think about what we actually wanted and how much we had to pay with for it. Now that we have a real concept of what we want we are slowly getting that done.

I started the year’s Blogging on my fitness history and journey over the years. I am still at it. I have learned to train smarter, around my current limitations and I feel I look good for what I have had to go through with my ability to still train at a high level. This past year I wrote about the Buffalo Bills more than I have in the past over a one year span. I am probably not done. With how Buffalo is these days, there is usually something worth discussing every few weeks, let alone months. I wrote a lot about redefining Woke-Culture as ‘(Whoa)ke Cult-Lure.’ I wrote about that subject enough to be a target of trolling then doxing by a very persistent but small group of 40+Don’t-Matter-Progressives on a stupid platform that no one really uses called SpaceHey. SpaceGhey, is what most that know the platform call it.

“Reanimation of the sequence Rewind the future to the past. To find the source of the solution; The system has to be recast.” ~BLACK SABBATH

I did more movie reviews this year than I have done in recent years. I think I will continue this trend in 2024. When I do a review I tend to write about movies that I knew nothing about going into it and being very surprised at how good it was. I will also write about movies I saw that I thought were going to be good from the trailer and/or the plot write-up and the movie being so terrible that I had to write about all the things I hated about it. In great detail, of course. I do not always review films that everyone else has seen or is popular. I go by what I want to watch, not what the mass media and YouTube reviewers say I should watch.

Movies I wrote about this year:

• Infinity Pool (2023) • You People (2023) • Knock at the Cabin (2023) • Nefarious (2023) • Choke (2008) • Oppenheimer (2023)

Movies I briefly talked about this year:

• The Elephant Man (1980) • The Thing (1982) • Friday the 13th Part 2 (1981) • Altered States (1980) • Tightrope (1984) • Communion (1989) • The Fourth Kind (2009) • The Entity (1982) • Prince of Darkness (1987) • Galaxy of Terror (1981)

Along with my thoughts on politics and political ideologies I also dove more into religion/faith using Christianity as the main example. The only reason Christianity gets mentioned the most when I talk about religion is because it tends to be the most popular or most obvious. Most of everyone has heard of the rumored, “son-of-God,” Jesus Christ. We have all heard the stories and all that. It is the easiest one to prove wrong as well, but we’ll save that for 2024 and beyond. I spent just as much time writing about Social Media, Music and technical blogs with aspects of using smart devices and using older accounts with those devices. It is sort of pain in the butt when something newer comes out and it isn’t exactly compatible with your main accounts because your main accounts are now two decades old. I have newer accounts sure, but none of them are as used as my main INTERNET accounts that have most of everything signed into them. Sometimes the process is overly complicated and I will take detailed notes as to how I came up with the solutions. I will write out the notes in the form of a blog to tell the tale or just a backup for myself if I ever have to deal with the problem again. I prepared another medical update that handles the past/present of my medical conditions in a better, more thorough, breakdown. I had to take a break from everything during the months of June and July due to being sick. A combination of getting the flu and medications having adverse effects on my body for my diabetes. We still have yet to get a real handle on controlling my blood sugars. Granted we have made some strides in the right direction but my sugars continue to be higher, even with the medications they give me. At the beginning of June is when I started receiving harassment from that contingent of hypersensitive 40+Don’t-Matter-Progressives on the SpaceGhey. After I handled that, went on vacation, came back, got sick again, did I begin writing again. I was sent an open survey by my county’s Democratic Party and they made the mistake of allowing the survey takers a textbox for every question to give people a chance to say what they want to say. I will tell you; I wish ALL multiple choice tests or surveys did this. I have always had a problem with the multiple choice approach. It lacks contextual-value. Not all questions are written with context in mind and they should. Anyway; I sent them a very detailed survey back with why I would never register to vote or vote for a Democratic Party representative in any form of Government. This sparked a little bit of a debate, as most assume if one isn’t a Democrat then by default they must be a Right-Wing-Trump Supporter, which isn’t true either. I do not support either one of them as my main way to express how I feel about politics.

Both are poor choices for social societal evolution.

I took mid-October and the first part of November writing about the Israeli/Palestinian War. I wrote about 8,791 words on the subject. I studied the history. I looked at opinions on both sides and I fact-checked most of the things that are being spewed as semantics but really are just rhetoric, where semantics is the study of real and true meanings of words and phrases and are based on credible facts. Where rhetoric only has to appear it is based on credible facts, but doesn’t actually have to include anything real, true or fact, merely that it only sounds plausible. I take the same approach when talking about ALL forms of religion. That is why religion is such a tough sell and extremely easy to dismiss when looking really hard at the science, logic and common sense on the subject. If one is Pro-Palestinian they will be very triggered by what I got to say, but if one is Pro-Israeli they will be just as disappointed in my resolve or opinion on the matter.

I finally got around to defining what “Two-Step Flow Theory for Idiots” is…

One of the last big things I talked about this year are the Ten Things That Terrified Me in Film/TV. Things I remember that freaked me out in a Movie. I am 45 now and a lot of these were seen when I was a kid. So 80s baby all the way. I really harp on “conceptual horror” over just visuals. “Conceptual Horror” would be imagining you as a child, in bed, feeling this sense that you are being watched. You cannot see anything, but you look in the darkest corners of your room to see BLACK and feeling there is something there that wants you to be terrified of its presence upon you. You get the distinct feeling this thing, this entity, wants to do bad things to you or at the very least make you do bad things to others or yourself. That to me, this uncertainty, this distinct feeling of “a harmful force upon you,” is terrifying and really the only thing that truly haunts me. That unknown feeling of dread by something you cannot quantify, but is in your space that is supposed to be yours and safe.

2023 was a year where I looked into AI more than I ever have. Both with using ChatGPT, and writing prompts or, “cheat codes,” for ChatGPT. I wrote a few blogs about AI and I will continue to do that. I also listened to the audiobook versions of the “Remembrance of Earth's Past” or known as (The Three-Body Trilogy) by Liu Cixin. Three-Body is a mind-bending existentially terrifying sci-fi journey that explores humanity's encounter with an alien civilization. From the deep of cosmic concepts to intricate political and philosophical threads, Three-Body is an exploration of the unknown, challenging our understanding of the Universe, reality, perspective, perception, existence itself. Very few science fiction novels actually change how I think. This series absolutely did that with its concepts of first contact, the dark forest theory, game theory, nihilism, time, relativity, relativistic time, reality possibly being an infinitely long loop, love, death, infinity, multiple-dimensional realities, macro and micro quantum reality, religion not being real and existentialism. I will do a bigger BLOG-breakdown of the series with heavy spoilers at some point in the future.

For 2024, I currently have fourteen Blogs scheduled as of right now. This doesn’t mean I will be writing only fourteen Blogs but that those are the ones I have multiple pages of notes on the subject for and want to tackle. I wrote 30 Blogs in 2023. Where only half of them were planned in advance. I do plan to continue to work on Fiction this year. I am hoping to complete something this year for sure. There has been and will be many changes to my life and how my family carries on its wayward son… I tend to say this every year that the year before was the worse year of my life. The same can go for 2023 as well but I think of it in different terms now.

On 12/22/2023, after I had just came back from one of my deep thinking sessions on my walks around the wooded area in my neighborhood, my father passed away. Dad would have been 70 on the first day of 2024. As a family, we elected not to post this on the typical social media posts on subjects like this. Being Friday evening and all, with Christmas Eve, Christmas Day and my Nephew’s Birthday a day after that we did not want to ruin anyone’s holiday. We didn’t want our friends and family to have to stop their lives for our misfortunes. The truth is my father has been extremely ill since 2004, even before that. I started noticing my Father’s health change in and around 1995-1996. During that time, and years to come, my father did very little to help himself with his health. The Doctor would instruct him to do A, B, C and my father would take that and create his own sense of D, E, F of it. Health declined every few years. Every few years the cycle would repeat itself. Every time he’d go to the ER or stay in ICU, he’d come back, a little bit less of himself and more zombie-like. 2021 my father finally hit a wall that he couldn’t just walk through and his strength and awareness around him would dwindle. The last thing to go is a person’s sense of self. Towards the end he would stop communicating like a normal person. He would talk to us sporadically but be less and less coherent and more and more incoherent. Finally, my father’s body could no longer hold out and he passed peacefully in his sleep. One minute he was resting then next he was just a vacant vessel for a human soul.

I am not exactly sure how to word all this to sound as it should. As I have said, largely my father hasn’t been around in the way we know him and all you may remember him for a very very long time. It is hard to really understand how I feel and think at this moment. I do not feel that sense of sudden loss that most tend to go through. Actually ALL my brothers feel like this about this specific situation. When I think about this now, on the last day of 2023 and the day before his birthday, is I revert to when I was a kid and we lived in Tampa, Sarasota and right when we moved to North Port, from when that all started in 1984-1991. That is really how I think of my dad now. I cannot really think about him as my father, near and after 1997. 1997-2001, I was just graduating High School, trying to figure out adulating, finishing school, working dead end jobs, then going to college and not having a single clue as to what I was supposed to do. My brothers were all in High School doing their thing. My mother was dealing with my father, who started his descent into what we ALL had to go through for the last 20 years. Guidance for me was non-existent and with friends that are no longer here in my life anymore. I picked film in college because I loved movies. I wanted to work behind a camera from the time I left High School to now. I picked that because of the love but also because it would get me away from here and having to deal with all this stuff my dad was going through and watching my friends’ transition into their current lives, both for the best and not the best of circumstances.

I never actually got out of here and my degree is/was a complete waste of time, energy, money, resources and false-hope. Granted I love what I know but wish I could at least make a living doing it over just writing about it. Now with my own mortality showing these same signs; I am the same age now that my father was in and around when he began his issues. I think about how much quality time I have to work on projects like this. Both time and the roadblocks that were there, that are no longer there, but other roadblocks still exist. I feel like 2024 will be an end of a new beginning and the beginning actually begins, now…

Reflections of the self and redemptive nature of living life and then eventually time catches up. The ultimate fate of us ALL is death, the light, the love, the life, the emptiness and despair of it ALL. "It's a far, far better thing I do than I have ever done before. A far better resting place I go to, than I have ever known." ~1859 novel by Charles Dickens, “A Tale of Two Cities” reused in the final moments of the 1982 film: “Star Trek II: The Wrath of Khan.” The very first record/tape/music I ever purchased was Black Sabbath’s Paranoid per the recommendation of my father. I was 11…

Rest In Peace Dad… 1/1/1954-12/22/2023

“Release your mind. Fast forward to the secrets of your code. Your life's on overload. Delete or save…” "End of the Beginning" ~BLACK SABBATH Writer(s): John Osbourne, Tony Iommi, Terrence Butler

Finis Principia (Latin for; End of the Beginning) by David-Angelo Mineo 12/30/2023 2,737 Words

[adultswim2021]

Assy McGee #13: “Vowel Play” | May 19, 2008 - 12:30AM | S02E07

Gordon Gerton, spelling bee champ, is missing. He disappeared during a blackout at one of his precious spelling bees, leaving nothing behind except for a pocket dictionary with a red pubic hair sandwiched between the pages. Luckily, Assy McGee is on the case. Assy poses as a substitute teacher who takes no shit from the kids. Later we find out that the red pubic hair belonged to a sexy teacher, who may have been having an affair with Gordon. What will become of this bright boy? 

This episode is sicko, and buddy, I’m here for it. I’m convinced that the only reason this hasn’t been pulled from Adult Swm’s site is because only psychos like me are even bothering to watch this show. When Assy is substitute, a kid shoots a spitball at him. Assy responds in kind by shooting him dead. It’s sorta subtle; at first I thought he was just firing into the air. But upon rewinding I spotted the kid, face down in a pool of blood, towards the bottom corner of the screen, sorta obscured by his classmates. It feels like they got away with something, there, especially by today’s standards. Later when Assy tries to intimidate a kid by sticking a gun in his mouth he manages to restrain himself from pulling the trigger. This is actual growth, and I applaud him.

Not only this, but there’s the whole teacher/student affair subplot, which honestly feels gratuitous, but I guess it was sorta topical. At this time, there was a spate of adult female teachers making love to male children, parodied at the time most notably by South Park in season ten.

This episode is really something, man. I don’t think I actually laughed at it, but I admired how far it went. But when you couple it with season two as a whole, it’s probably more indicative of the show creators not giving too much of a shit about the show. It almost feels like they’re sabotaging it. Like, maybe this show was meant to be a 6 episode oddity? It was good enough for Perfect Hair Forever. Did this show really deserve better than Perfect Hair Forever? 

EPHEMERA CORNER

Tim and Eric Not Live #4: “Conclusion” (May 20, 2008)

[dirtreally]

Please Dick Ride My Shit

I got 3 likes from two people within an hour of eacj otjer om letterboxd the other day and im still bouncing from that