cw: yandere reader, implied stalking, implied drugging, dubcon
hello………have u ever considered being yandere and convincing yourself that you and Deku are actual soulmates, and he just doesn’t know it yet. you try to get his attention for so long, through so many different ways (you try to become a hero, and then a villain, and then a helpless civilian and then—) and he just. never really notices you.
so you take matters into your own hands. you get him down somehow, when it’s late and not enough important people catch onto it until you’ve already gotten him. trapped him somewhere far that’s hard for most to find, tied up and at your mercy.
he’s so cute when he wakes up confused and groggy, asking, what’s going on, who are you, what is he doing here? but you can’t let him know your plans too early on, so you only sit on the bed beside him, smiling, running a hand up his naked stomach (when did you undress him?).
all hell breaks loose when he tells you that he doesn’t remember you, that you need to let him go, he doesn’t know you, you won’t get into much trouble for doing this. and that—and that’s heart wrenching? earth shattering?
how does your soulmate just not remember you, know you, love you as much as you love him? it stings more than cold metal slicing your flesh, and you cry. you cry so fucking hard into your hands at the rejection, defeated sobs wracking your body as he valiantly tries to calm you down.
so Deku, ever the kind and gracious hero that he is, comforts you. he coos to you, negates all your whining about how you must be too ugly for him, how you’re not good enough for him. he doesn’t realize the monster he’s enabling with his words until it’s too late.
he thinks he may be too kind for his own good, because in only a few moments, your tears have dried up and you’re perched on top of his chest. you look down at him with big, glassy eyes, head tilted as you cup his freckled and warm cheeks in your hands.
“You think I’m pretty?” you ask quietly, and he knows, he knows he shouldn’t cater to you. but Deku’s not a liar despite the circumstances he’s put in, and he’s sure if you would’ve approached him normally, he would’ve been interested in you.
“So pretty.” He whispers out in a rushed breath. the rest of his words get lost in his throat, his plea to be released, because you’re climbing over him. you only wear his shirt (when did you break into his apartment? how didn’t he notice? he just wore that shirt last night?) and a pair of underwear that you’re sliding to the side. you look at him with starry eyes that hold more adoration than he’s comfortable to look back at.
“Is…she pretty, too?” you ask, your voice low as if you’re scared of anyone else hearing you. Deku tries to look away, but you don’t let him, gathering the crown of his hair to force him to look at you between your legs, your other wrist holding your underwear away, fingers stretching your lips until your hole is exposed.
“Answer me.” you try to snap but your voice is so wobbly, so unconvincing for a stronger man. Deku doesn’t think he’s all that strong in the moment.
“Prettiest one I’ve ever seen.” He tries to convince himself he’s lying just to appease you, but the twitch of his cock tells him otherwise. you let out a breath of laughter, a grin so wide on your face it unnerves him and also makes him a little harder.
“Kiss her then, if it’s so pretty.” You tell him with a jut of your chin, scooting up until you hover directly over his mouth. Deku splutters, hesitates, tries to close his eyes. but he finds himself kissing back when you sit on his face, and he thinks—he thinks he might be a sicko for how there isn’t much coercion to devour you after that.
207 notes
·
View notes
I can't stop thinking about how well they portrayed Louis in the show. I think the change in race also really helped solidify the "vampire with a human soul" part of his character. Bare with me for what I mean by this; a lot of readers of the book tend to "not get Louis" and this was especially true of the movie, even AR said where it just seems like Louis is being annoying and whiny, go be a fun vampire. But Louis main conflict is that becoming a vampire changed nothing about him internally. The issues he has, primarily a concern with consumption and damnation don't go away. Louis is afraid of sin and also his own desires for indulgence. To some readers this may seem abstract, but they are often clear metaphors for being gay or alcoholism, Louis is very concerned with regulation, and not because he has any issues with drinking blood but more with how he is judged. He is very concerned about being seen as a monster (see Babette and portrait painter scenes). His big fight with Paul is also about Paul telling Louis that their family wasn't being holy enough. You can quickly see how Paul saying that they need to change their entire lifestyle is a judgement on Louis, the head of the household. Louis also said that he didn't want to believe his brother could have been visited by saints, bc it would be proof his brother is somehow a better person than him. Louis's internal conflict is often easily summarized by his Catholic guilt, which again can be abstract to audiences who have never experienced internalized homophobia or just a large sense of shame/feeling you are being watched
Anyways, why is the change in race smart, it's another way we can see Louis continues to be human governed by human rules, despite being a vampire. We can see it very clearly in how he is treated by society in the show, he is still treated as "lesser". Lestat thinks Louis should be above such things because he is a vampire, and while being gay and being an alcoholic are to some degree things you can hide, Louis's race is not. The opera being the last scene in Ep 2 where the schism between Louis and Lestat begins to get worse, is also where Louis has to act like Lestat's valet in public. If they were both gay white men they could at least act as equals, friends business partners, whatever. But even Lestat "we are above society" has to go through with this act but is notably not upset by it while Louis is. So to audiences that didn't get his issues, Louis desire to basically just be "normal", not an alcoholic, not of a sexuality that would be remarked upon, (while both real these two in the books are not shown overtly and exist in Louis's fear of damnation, which is still fear of judgement by others, but it isn't something that has a scene of a random accosting him in the street, it's more a persistent fear in his head, in the show they showed both these more overtly in the confession scene and the police officers in their home) not of a race treated as inferior, not having to act up his masculinity, by mixing all of those together at least one should make you GET it. I think even Jacob Anderson said it in the podcast that Louis really just wants to have a domestic family life like anyone else, and in the book while it is glossed over Louis says the time he spent being happy was that domestic family life. He just wants to be loved and not judged
In a lot of ways vampirism should suit Louis, and the book IWTV often romanticizes Louis pouncing on his prey from dark corners of the street. And that is what fits Louis the best, the desire to be left alone to be himself
792 notes
·
View notes
when jane's powers return in season four (and because they were regained by her confronting and accepting her past, rather than being retraumatised with it!) they're stronger than they ever were. when she starts getting a handle back on them, she very quickly comes to realise not only have they affected her, but her mother, too. one of the biggest losses that came about with her losing them was the fact that she could no longer visit terry in the void; while there was no real communication there, it did allow jane to sit with her, and gain a little more connection than she could in the real world. when she first visits the void after their return, it takes her three hours to find terry, something that is both unexpected and incredibly worrying. but when she does, it's something of a miracle. jane's increased strength and control over the void actually wakes terry up from her catatonic state, but only in the void. there's no way to help her mother physically, but she does do so (unbeknownst to her) mentally. terry is reborn in jane's newfound control over the vale of shadows; she becomes the woman she once was, and while her body remains frozen in a "good dream", her mind connected to jane's own allows her some freedom. jane is able to speak to her mother in the void, is able to be held by her, and while it's still unfair and jane cannot stay in there forever, it's something. this only lasts for about eight months, as each visit slowly begins deteriorating terry's physical and mental state, and jane's health begins declining after spending hours upon hours in the void each and every day.
when jane finds out these visits are actually killing her mother on the outside, she deems to stop, but terry expresses the importance of them being able to speak, that she'd prefer to die on the outside, if it meant she could have just a few months with her daughter like this. terry and jane's connection was always so strong, which ultimately led to terry "waking up" in the void, but even jane's newfound strength cannot save her from the harsh realities. each visit nearing the end of those eight months, terry fades more and more, becomes weaker in the void, and her real body eventually gives up. jane's in the void when her mother eventually passes on, and physically feels their connection weaken, like some part of her suddenly becomes lost in the shadows, a part she'll never find again. jane falls into a depressive state for weeks after her mother's death, given she's technically lost her a second time, but soon comes to realise she was lucky to have even shared those eight months together. it was better than nothing at all. there is a proper burial and funeral, (and when jane dies, she's buried next to her mother) which allows jane some sense of closure. she never fully recovers from losing terry, nor from the fact that she never had a proper relationship with her, but she does eventually find some peace with it all.
12 notes
·
View notes
so like
idk if order got redemption arc’d at the end but i’m gonna say no erm tehe
*adds them to the squad anyway*
wouldn’t it be sooooo funny if orca found them due to some spiderverse hologram traversing crud and treated them like the villain-in-making babi they r and gave them to tart to raise as the new adopted sibling lol-
this found family getting wild
oh yeah i beat it btw w the help of my brothar
yahoo time to lore dig :3
6 notes
·
View notes