#bbc sherlock season 1

[one-awesome-beetle]

NEW HYPERFIXATION!! its bbc sherlock

[idbelostwithoutyou]

Sherlock | s1 ep3 | The Great Game

[noodles-and-tea]

LOOK THEYRE HAPPY

[thegildedbee]

{S1/S2} & {S3/S4} Fics: [Questions] .......................................................................

[well, instead of a few thoughts about the "whys" for the Parentlock fic recs that were the point of starting this post, and then a list of and comments about the recs, this turned into a longer meta -- which, we don't really do meta any more, do we, except in passing? fwiw, then, a throwback post, I guess?]

........................................................................................................... I've been thinking some about differences in Sherlockian fic treatments, when comparing the S1/S2 period to the S3/S4 period - in general, this means 2014 as a dividing line, although that's not a hard-and-fast cut-off point: for example, there were fics that were conceptualized or well-along-the-wip-road prior to S3 that carried on from within the earlier canon-space even if they were completed a year or so later; and there were fic authors who were publishing circa 2015 who had shrugged off S3 when it was being aired, and couldn't have cared less about post-S3 [often disputatious] meta discussions/ speculations.* So, by my figuring, 2014-2015 is a transitional phase, with my guess being that it would be late in 2015 when fics written by authors engaging with S3 canon began merging into a critical mass, creating a second, S1/2/3-transformed foundational reference point for many fics going forward -- and, the later in time one ventures, the reference point for most fics.

It's not that I've been wondering/pondering about the differences because I think pre- or post-S3 fics are better or worse -- to say the least :-) I feel positively about fic from both time periods! It's partly curiosity about the writing of fic in the two different creative contexts: in the "before time" or the "after time" of BBCS' post-Reichenbach canon decisions. And it's also partly curiosity about the differences in length that now exist for the two periods: about 4 years for pre-S3 fic -- which will always remain so, along with the amount of fic it contains [minus deletions and disappearances of specific fic] -- and going on 11 years now (and always stretching further, with increasing content) for post-S3 fic.

I think that one impulse prompting my curiosity is the fact that, realistically, at this point in time [the start of 2025] new canon is unlikely to appear. When BBCS was still in motion as an evolving source for its own canon (in actuality and in potentia), fics were brought to life within a contingent canonical landscape (whether authors were adapting to it or subverting it or anticipating it or transforming it or appropriating it or moving at tangents to it). Of course, the canonical landscape was rendered static when BBCS pulled over to the side of the motorway and killed the engine.

What I'm not saying is that fic is in stasis -- it can't ever be, for lots of reasons! One reason is that, as time passes, the world changes, and we change, and what we see when we look at traditional canon changes . . . and so the fandom dynamic of fic evolution continues :-) A second reason is that new people come along to write fic and to comment on fic, and to meta about fic, and their contributions augment and reshape the cumulative corpus . . . and so the fandom dynamic of fic evolution continues :-) A third reason is that, through our encounters with other imaginative realms, old and new (novels and films and series and other enthusiasms) and then with each other, there's a continuous glamouring that shimmers the atmosphere . . . and so (say it again :-) the fandom dynamic of fic evolution continues :-) Even so, I've been a bit wistful these days about experiencing Sherlockian canon-in-the-making . . . which is maybe what's prompted me (?) to return to the ur-source, which, because it's been so long since I've visited there, can conjure up that kind of magic :-) And so I've been doing some weekly mini-wanderings through ACD canon, and reading between the lines in a kind of what's-old-is-new-again-familiar-unfamiliarity that's been rewarding :-) But more on point for this post (ha! if you've read this far you've been wondering, is there a point? . . . ) is a sense I have that re-visiting S1/S2 fic is another way of accessing a bit of a present-day sense of canon-in-the-making, because it is far enough in the past now, and because of the post-S3's-interpolated-foundation-for-fic has itself extended outward so far, that pre-S3 fic can be visited in a what's-old-is-new-again kind of way (S1/S2 has familiar beats to it, but when visiting I somehow feel whisperings of a mrs. hudson-like smile of "but we see things somewhat differently here, dear" :-)

Okay, enough with all the preliminaries! All that being said: So, what's an example? Here's one I've come back to many times: One major shift is in fics where Sherlock is a parent, or is interacting with a child of John's, because pre-S3 means pre-Mary [at least the "Mary the (former?) assassin" of BBC Sherlock] and pre-"Rosie." [It is the case that some pre-S3 authors have a "Mary," but it's a version that's drawn from ACD canon, and, as such, is usually a much more understated presence; re kids from ACD canon, that's a null consideration.]

There are an overwhelming number of post-S3 fics where Sherlock-with-a-child means Sherlock&John-and-Mary's-Rosie under various scenarios. And while there are lots of different Rosie personalities, Rosie plots, and Sherlockian encounters with Rosie, a majority (or very nearly all?) post-S3 Parentlock fics share in this background rationale (more or less, to be sure) even as they play out from there in a gazillion different inventive ways. Pre-S3 Parentlock fics don't have that raison d'etre, of course, and the child characters and plottings that feature in the S1/S2 period have a generally wilder set of imaginings, and their S1/S2 fic Sherlocks have a balance of characteristics that have some subtle differences that I've always found intriguing, and keep coming back to (this can hold for Johns as well, although the emphasis is more pronounced with Sherlocks). Being pulled back into pre-S3 fic and re-visiting it through categories like Parentlock has been another way that I've re-experienced a kind of anticipatory canon-in-the-making . . . ambience? aesthetic? aura? which I've found to be intriguing. I'm not sure that looking backwards has much appeal for others -- maybe (?) In any case, I guess I thought I'd try and puzzle it out for myself by writing it down and not just having it float about in wisps in my mind palace :-)

Well, hey now, as this is an epic amount of wandering about, I think it's time to come to a rather inelegant galumphing of an endpoint! Writing up the fic recs will have to maybe happen somewhere down the road...

(For anyone who has wandered along this far as well: if you have any thoughts you'd like to share about S1/S2 and S3/S4 fic partitioning, or [the futility of?] attempts to re-surface a canon-in-the-making-vibe -- feel free to add them in! If so, borrowing these would allow this post a much more inspiriting way to finish :-)

........................................................................................

*(. . . and of course there were a significant number of authors who left the fandom after S3 -- but that's a fic trend reflection for another day :-)

.......................................................................................

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@msladysmith  @ninasnakie  @riversong912  @dapetty .............................................................................................

[bettercallcohen]

"I'm afraid my brother can be very intransigent."

"The Great Game" S1E3 - Sherlock (2010 - 2017)

[inexpressiblybeautiful]

Mycroft: Sherlock there is this dangerous woman in the UK and we need your help.

Sherlock: What did she do?

Mycroft: She took photos of a precious royal and is now blackmailing the british royal family with it.

Sherlock:

[shy-bi-letsfuckingdie]

the real reason Sherlock became a consulting detective with “the deduction thing” is so no one doubts or wonders about his knowledge of specific types of GAY UNDERWEAR

[my-entire-personality-is-fake]

Update on my discovery of Sherlock:

He pouts. This brilliant, genius man pouts. He's so incredible and so spectacularly pathetic. I love him

[vargdottern]

when you finish your bbc sherlock rewatch and get to go back to season 1 again <33

[loremori]

Martin Freeman (230/366)

📺|Sherlock (2010–2017) Writer & Creator Mark Gatiss Steven Moffat

Modernized version of the Conan Doyle characters.

[a-victorian-girl]

Bonus:

ICONIC. @giftober 2023 | Day 9: "Shadows/Silhouettes"

[one-awesome-beetle]

[kajaono]

In conclusion: I mourning what could have been, because it would have been so easy

[sherlock-is-ace]

the jump from season 1 to season 2 of black sails is so funny cause sesason 2 starts right where we left off, but there's some inconsistencies. Within a couple of seconds, silver's hair got a tiny bit longer, flint lost the twisty moustache, and then there's dufresne

[inexpressiblybeautiful]

Even though I am an adlock shipper until the day I die it would be stupid to deny that this isn´t exactly what happened in the episode called A Scandal in Belgravia.

Irene: *is a dangerous person who manipulates people to get what she wants*

Mycroft: *warns Sherlock about how dangerous she is and that she uses people as a means to an end*

Sherlock: *falls in love with Irene Adler and does as she pleases* Lmao red flags ?Where? What red flags?

Irene: *manipulates Sherlock and uses him to get what she wants*

Mycroft: 🤦‍♂️🤦‍♂️🤦‍♂️🙄

Sherlock:

[need-a-name-101]

Omgg this episode wtff Sherlock please for the love of the people around you change that text message tone.