#basic strokes of cursive handwriting

[deathsmallcaps]

Weird question: how do you write your letter X’s?

I encountered the first method drawn a couple days ago and I’ve never seen it before, so I’m curious. Please feel free to explain where you’re from/why you write it this way in the tags! I’m wondering if it’s a regional thing.

Black is first stroke, red is the second.if you do one of these, but ‘backwards’, doing what I call , please still choose the ‘frontwards’

1. Is what I call the parentheses method, which I’ve never seen before last week. Basically, you draw one parenthesis, open left, then another parenthesis open right, and their backs touch.

2. The cursive method, which I basically never do, where you do a squiggly first line, going from top left to bottom right, and then another diagonal going the other way

3. The print method, which I usually do, where you draw two diagonal lines perpendicular to each other. Should look like a plus sign on its side.

I’m hiding the poll under the cut so there’s less accidental voting before reading this whole thing.

@amaros-system I feel like this would interest you

[sasorikigai]

Hanzo has extremely good handwriting; experienced in both Japanese and English, with fluidity, elegance, and firmness in his strokes. With Japanese, he still heavily prefers the traditional method of shūji (習字) - the way of writing - and prefers semi- cursive style (gyosho) 

The style is used to write Chinese characters and is abbreviated slightly where a character's strokes are permitted to be visibly connected as he writes, but not to the extent of the cursive style. This makes the style easily readable by readers who can read regular script and quickly writable by calligraphers like him who requires ideas to be written down quickly. Semi-cursive script aims for an informal, natural movement from one stroke to the next. Another distinct feature of this style is being able to pinpoint where each stroke originates and which stroke is it followed by. Hanzo already is remarkably experienced enough to write in the regular script and knows the order the strokes which should be written in. Hanzo also prefers this style, due to its ability to create a style unique to him in a small timeframe.

Gyosho allows for a greater degree of expressiveness compared to the more formal Kaisho style. It has a flowing and dynamic quality that can convey emotion and energy, which Hanzo immensely appreciates. He also appreciates to express more artistic freedom and flexibility in his brushstrokes. This can lead to a more personalized and creative expression in his writing. This style is also suitable for various contexts, including artistic compositions, poems, and informal writing. Despite this being more of an informal style of writing, Hanzo will utilize this particular style of writing in his formal correspondences to those familiar with Chinese characters.

Whether in Japanese or English, Hanzo believes that the act of writing words in a continuous fashion - as opposed to the interrupted format of block letters - promotes an understanding of complete words better than separate letters. And he believes cursive helps to enforce that. Also, the barrier between his thought and action is minimal. But most importantly, cursive handwriting is a fine motor skill that allows for plenty of practice, and Hanzo believes that it also has to do with how developed his fine motor skill is (due to his swordsmanship and weapon mastery).

(For Hanzo's English cursive font, refer to this link)

Despite some portion of legibility sacrificed due to the fluidity of Hanzo's handwriting, his is extremely legible, with words easily recognizable and distinguishable. Also, his writing has consistent size and slant, which contribute to a neat and uniform appearance with spacing, which prevents words from blending together and makes the text more visually appealing.

While adhering to the basic characteristics of good handwriting, Hanzo has unique individuality and has a personal style, which will make his handwriting easily distinguishable. As Grandmaster Hasashi, his handwriting will also accompany a Shirai Ryu seal, with a carved handprinted signature over it. Without the stamped seal, the receiver can always question the validity of such script, as it would have been forged (his handwriting is already difficult to forge to begin with). And Hanzo carries the seal everywhere with him, as it is an irreplaceable part of his daisho contains the seals (in the pommel and guard of both his swords).

[melinatsalikis]

Text Based Sculpture - final project (one)

MKTMMXXIII, 24 soft sculpture tubes made of fabric and shredded paper, 44 x 44 inches, 2023

Our name is one of the first things we learn to read and write as a child. I remember in elementary school, my mom would label all my belongings with my name - it served a practical purpose of course, preventing my things from getting lost or confused with another student's, but it was the first instance in which things that belonged to me were explicitly marked as such. Later, in my art classes, we would be taught to sign our work, typically on the bottom right hand corner of the work for paintings or works on paper. I've tried a number of artist signatures over the years, from swooping cursive that matches the signature that I use for official documents to simply my initials and the last two digits of the year encapsulated in a square or a circle. I developed my artist signature as it is today back in 2021 during a ceramics class after getting tired of messy, smudged up handwritting on the bottom of my vessels. The easiest marks to carve into clay, and eventually I would discover to paint onto a canvas, are straight up and down strokes with minimal intersection. My initials, MKT, lend themselves to this rule fairly well, and by using Roman numerals to represent the year I could create a signature that is aesthetically cohesive and didn't fudge up the thing I was signing.

While thinking about this project, I realized that I have never signed any of my sculptures, even though plenty of artists do (Duchamp's cheeky 'R. Mutt' comes to mind, as does a collection of Rodin's bronzes). So for this project, I decided to count the up and downstrokes of my signature and break the letters and numerals down into their most basic parts. The result is my deconstructed artist signature piled up on the floor, a sculpture that literally is my signature but that still remains unsigned. The piece exists both as a declaration of my artistic authority but also a subversion of that structure.

[genderqueer-karma]

THE HANDWRITING POST !!! (please excuse my chicken scratch physics notes… the things we do to stay awake in class)

first, the signatures:

(basically, i think he signs his name one of three ways: full name with the asymmetrical “m”, full surname with first initial, and initials only. legible, but slightly messy)

***

second: manuscript + cursive:

(the manuscript/print was more for fun than anything, as i hc that he almost exclusively writes in barely legible cursive. i imagine he’s like me in the sense that he writes fast because he thinks so much, so everything looks all skewed.)

***

fun bonus: kanji! (not really hc anymore, i just wanted to try my hand at it. it’s so many strokes!! i can’t remember stroke order for the life of me…)

[whatiscalligraphy]

Introduction to Italic Script: Classic Elegance Unveiled

Introduction to Italic Script: Mastering the Basics of Elegant Lettering

Italic script is a timeless writing style that exudes classic elegance. This introduction to Italic Script will explore its origins, significance, and popularity in the world of calligraphy. We will delve into the history of Italic Script, its unique writing style, and the various applications in art and design. Whether you are a beginner or looking to refine your skills, learning Italic Script opens up a world of possibilities in the realm of beautiful handwriting. Key Takeaways - Italic Script is a classic and elegant writing style. - It has a rich history and cultural significance in the world of calligraphy. - Learning Italic Script offers a journey of self-expression and creativity. - Italic Script is used in various applications in art and design. - Developing refined handwriting skills can be achieved through learning Italic Script.

The Origins of Italic Script

Italic Script has a rich history that dates back to the Renaissance period, where it was developed as a more efficient and legible way of writing. This elegant handwriting style was created in Italy by handwriting masters who sought to improve upon the Gothic script that was prevalent at the time. The script gained popularity for its slanted letters and smoothly flowing strokes, which added a touch of sophistication to the written word. Italic Script quickly spread across Europe and has since become a beloved and cherished calligraphic style. In ancient calligraphy, Italic Script offered a departure from the more rigid and angular writing styles that were common during that time. It introduced a blend of curved and straight strokes, creating an aesthetically pleasing and contemporary look. The unique proportions of the letters in Italic Script were carefully balanced, resulting in a harmonious composition. The script's popularity grew, and it became a favored style for manuscripts, official documents, and personal correspondence. Italic Script's origins in the Renaissance era solidified its position as a timeless and enduring writing style. Its influence can still be observed in modern calligraphy and typography, as well as in various artistic and design applications. The development of Italic Script marked a significant milestone in the evolution of handwriting, showcasing the ingenuity and creativity of the master calligraphers who sought to elevate the art of writing.

The Distinct Characteristics of Italic Script

Italic Script is renowned for its unique and distinct characteristics that make it stand out among other handwriting styles. One of the defining features of Italic Script is its slanted letters, which give it a sense of fluidity and elegance. The cursive nature of Italic Script adds to its appeal, with letters flowing seamlessly from one to another. This graceful style is achieved through a combination of curved and straight strokes, creating a harmonious and visually pleasing script. In addition to its slanted and cursive letters, Italic Script also maintains a consistent forward lean. This forward slant adds a sense of dynamism to the script, making it appear more dynamic and lively. Each letter in Italic Script is carefully proportioned, resulting in a balanced composition that is pleasing to the eye. This attention to detail and precision is what sets Italic Script apart and gives it its distinctive aesthetic. Italic Script's slanted letters and elegant style make it a popular choice for a wide range of applications. Whether used in formal invitations, certificates, or personal projects, Italic Script adds a touch of sophistication to any written text. Its legibility and timeless beauty make it a sought-after handwriting style in the world of calligraphy and design. Italic Script Characteristics: - Slanted letters that create a sense of fluidity and elegance - Cursive nature with flowing letters - Consistent forward lean for a dynamic feel - Carefully proportioned letters for a balanced composition Italic Script's distinct characteristics make it a captivating style that is appreciated by calligraphers and handwriting enthusiasts alike. Its combination of slanted letters, cursive flow, and balanced proportions creates a visually appealing script that stands the test of time.

Learning Italic Script: Techniques and Practice

If you want to master the art of Italic Script, it's essential to dedicate time and practice to develop your skills. Here, we will explore various techniques and exercises that will help you on your journey to becoming proficient in Italic calligraphy. Understanding the Basics To start learning Italic Script, it's important to understand the basic letterforms and their proportions. Each letter has a specific structure, slant, and stroke direction. Take the time to study and practice creating each letter individually, focusing on maintaining the proper slant and stroke consistency. Practicing Letter Combinations Once you feel comfortable with the individual letters, it's time to move on to word formations and sentences. Practice connecting the letters fluidly, ensuring a consistent slant and rhythm throughout. Remember to pay attention to the spaces between words, as they play a significant role in creating a harmonious composition. Consistency and Repetition Consistency is key when learning Italic Script. Regular practice is essential to develop muscle memory and refine your handwriting style. Set aside dedicated practice sessions, focusing on maintaining a steady slant, consistent letterforms, and smooth connections between letters. The more you practice, the more natural Italic Script will become to you. Learning Italic Script requires patience and persistence. Embrace the artistry of this elegant writing style and allow yourself the time to develop your skills. With practice and dedication, you will soon be able to create beautifully flowing Italic calligraphy that exudes timeless elegance. Benefits of Practicing Italic Script Techniques for Learning Italic Script - Improves handwriting legibility - Enhances attention to detail - Develops hand-eye coordination - Boosts creativity and self-expression - Study and practice individual letterforms - Focus on maintaining proper slant and stroke direction - Connect letters to form words and sentences - Regularly dedicate time for consistent practice “Italic Script is a beautiful art form that requires dedication and practice. Remember, the journey to mastery is just as important as the end result. Enjoy the process, embrace your own unique style, and let your creativity flow through every stroke of the pen.”

Applications of Italic Script in Art and Design

Italic Script, with its timeless elegance, finds diverse applications in the realms of art and design. It is a favored style in calligraphy, lending a touch of sophistication to formal invitations, certificates, and personal projects. Its legibility and flowing letters make it an excellent choice for wedding stationery and other formal events. In the world of design, Italic Script is often incorporated into logos, branding materials, and typographic layouts, adding a sense of classic beauty and refinement. When it comes to art, Italic calligraphy brings a unique charm to various creative projects. Artists and calligraphers use this script to beautifully render poetry, quotes, and other written expressions. Italic Script's elegant curves and slanted angles create visually appealing compositions that capture the eye. Whether it's a hand-lettered piece, a painting, or a digital artwork, the incorporation of Italic Script adds a timeless allure and a sense of artistry. Italic Script in Design: Italic Script plays a crucial role in design, particularly in the realm of typography. It has influenced the creation of typefaces that mimic its graceful letterforms. Designers often use Italic variations to introduce a dynamic and expressive element to their typographic layouts. The slanted and flowing letters of Italic Script add visual interest and movement to the overall design, making it a powerful tool for conveying a message or creating an aesthetic impact. In addition to its applications in typography, Italic Script also inspires designers to experiment and push creative boundaries. Artists combine Italic Script with other hand-lettering styles, resulting in captivating hybrid forms that merge tradition and innovation. These unique combinations allow for endless possibilities and enable designers to create distinctive and memorable visual experiences. In summary, Italic Script's versatility in art and design makes it a go-to choice for various creative projects. Its elegant and legible nature lends itself well to calligraphy, where it is utilized in formal invitations, certificates, and personal projects. In design, Italic Script adds a touch of sophistication to logos, branding materials, and typographic layouts. Its influence on typography is evident in the creation of typefaces that mirror its graceful curves and angles. Artists and designers find inspiration in Italic Script, combining it with other lettering styles to create unique and captivating works of art. Embrace the beauty of Italic Script and elevate your artistic endeavors with this classic writing style.

The Influence of Italic Script on Typography

Italic Script has had a significant impact on the world of typography, inspiring the creation of typefaces that mimic its elegant curves and slanted angles. Many type designers incorporate Italic variations into their font families, allowing for expressive and dynamic typographic layouts. The influence of Italic Script on typography goes beyond just adding visual interest; it enhances readability and adds a sense of flow and rhythm to written text. When used strategically in typographic layouts, Italic Script can convey different moods and tones. It adds a touch of sophistication and classic beauty, making it an essential tool for typographic communication. Whether it's used in headings, subheadings, or body text, the slanted letters of Italic Script create a visual contrast that draws the reader's attention and adds emphasis to important information. "Italic Script adds a sense of elegance and grace to typography. Its fluid and slanted letters create a visual harmony that enhances the overall aesthetic of the design." By incorporating Italic Script into typography, designers can create dynamic compositions that guide the reader's eye across the page. The slant of the letters creates a natural flow, leading the reader from one element to another. Italic Script can be particularly effective in conveying a sense of movement or energy, making it a versatile tool for conveying different themes and messages within typography. Italic Script in Typography Effects Adding emphasis to important information Enhances readability and draws attention Creating visual contrast and hierarchy Guides the reader's eye and adds structure Conveying elegance and sophistication Enhances the overall aesthetic of the design Adding a sense of movement and energy Creates dynamic compositions Italic Script continues to inspire typographers and designers, offering endless possibilities for creating visually captivating and impactful typography. Its elegant curves and slanted angles add a timeless beauty to any design, making it a valuable tool in the world of typography.

Tools and Materials for Italic Script

https://www.youtube.com/watch?v=yHfPDWUtkvc When it comes to practicing Italic Script, having the right tools and materials can make all the difference. Here are some essential items you'll need to embark on your journey into the world of Italic calligraphy: - A pointed pen or a broad-edged calligraphy pen: These pens will allow you to create the thin and thick lines characteristic of Italic handwriting. - Quality ink: Opt for a dark-hued ink that flows smoothly and consistently. - High-quality paper: Choose paper with a smooth surface to ensure optimal ink flow and a satisfying writing experience. Investing in reliable tools and materials will help you achieve the best results in Italic Script. The right pen and ink combination, along with the right paper, will enable you to create beautiful and elegant letterforms. It's worth noting that there are various options available in the market, so exploring different tools and materials can be an exciting part of your Italic calligraphy journey. Experiment with different pens, inks, and papers to find the ones that suit your personal preferences and style. Table: Essential Tools and Materials for Italic Script Tool/Material Description Pointed pen or broad-edged calligraphy pen Allows for the creation of thin and thick lines characteristic of Italic Script Quality ink Dark-hued ink that flows smoothly and consistently High-quality paper Smooth surface for optimal ink flow and a satisfying writing experience With these tools and materials at your disposal, you'll be well-equipped to embark on your journey to master the art of Italic Script. Remember to have fun, experiment, and let your creativity flow as you develop your own unique Italic handwriting style.

Exploring Italic Script Variations

Italic Script offers a world of creative possibilities with its numerous variations. Modern calligraphers and artists embrace these variations to add their unique touch and create distinct styles of Italic handwriting. By experimenting with different sizes, slants, and embellishments, practitioners of Italic calligraphy bring a contemporary flair to this classic script. The variations in Italic Script allow for personalization and customization. Artists often blend Italic Script with other hand lettering styles, resulting in exciting hybrid forms that merge tradition with innovation. These unique combinations push the boundaries of Italic calligraphy, making it a dynamic and versatile art form. Whether you prefer a traditional approach or enjoy exploring new possibilities, the variations in Italic Script offer endless opportunities for creativity and self-expression. By infusing your own style into this timeless script, you can create captivating pieces of art that showcase your unique artistic voice. Variation Description Italic Handwriting Styles Practitioners of Italic Script develop their own distinct styles by adjusting the slant, letterforms, and flourishes. These styles can range from elegant and refined to bold and expressive, allowing for a wide range of artistic interpretations. Modern Italic Calligraphy Contemporary calligraphers often experiment with unconventional tools and techniques to create modern interpretations of Italic Script. They may incorporate mixed media, vibrant colors, and experimental layouts to push the boundaries of traditional Italic calligraphy. Hybrid Forms Some artists combine Italic Script with other hand lettering styles, such as Copperplate or Gothic, to create unique hybrid forms. These combinations result in visually dynamic scripts that bridge the gap between tradition and innovation. Italic Script variations not only allow for artistic exploration but also provide calligraphers with the freedom to adapt their style to different projects and contexts. Whether you are creating formal invitations, designing logos, or adding a personal touch to a special gift, the versatility of Italic Script ensures that you can find a variation that suits your needs. Embrace Your Creative Journey Embrace the endless possibilities of Italic Script variations and embark on a creative journey that celebrates your unique style. Whether you choose to explore different slants, experiment with letterforms, or blend Italic Script with other hand lettering styles, your artistic voice will shine through. The beauty of Italic Script lies not only in its timeless elegance but also in the personal touch you infuse into each stroke. So, pick up your pen, let your creativity flow, and create captivating pieces of art with Italic Script.

The Impact of Italic Script on Personal Handwriting

Learning Italic Script can have a profound impact on your personal handwriting skills. The precision and attention to detail required in mastering Italic handwriting can significantly improve the legibility and elegance of your writing. By practicing Italic Script, you will develop a heightened awareness of letterforms, leading to greater consistency and uniformity in your writing. Italic Script's influence on muscle memory and hand-eye coordination can also enhance your overall writing speed and efficiency. As you become more familiar with the slanted and flowing nature of Italic handwriting, you will find yourself naturally adapting to a quicker writing pace. This increased speed does not compromise legibility, as the distinct characteristics of Italic Script ensure clarity even in faster writing styles. Furthermore, learning Italic Script opens up a world of possibilities for self-expression and creativity in your handwriting. The elegant and stylized nature of Italic Script allows you to add your unique flair and personality to every stroke. Whether you choose to embellish your letters with flourishes or experiment with variations in size and slant, Italic Script offers a canvas for artistic exploration within your handwriting. Italic Handwriting Improvement Tips: - Start by practicing basic letterforms and their proportions. - Focus on maintaining a consistent slant and stroke direction. - Gradually progress to word formations and sentences, emphasizing legibility and uniformity. - Regular practice and repetition are key to developing fluid and graceful Italic handwriting skills. Unlock the full potential of your handwriting by embracing the artistry of Italic Script. With dedication and practice, you can transform your handwriting into a testament of elegance and sophistication. Whether for personal use or professional reasons, the skills and techniques gained from learning Italic Script will undoubtedly leave a lasting impact on your handwriting journey.

Embracing the Timeless Beauty of Italic Script

Italic Script, with its graceful and elegant style, captivates admirers with its timeless beauty. The flowing lines and slanted angles of Italic handwriting exude an air of sophistication that adds a touch of classic charm to any piece of writing. Whether you are a calligraphy enthusiast or simply appreciate the aesthetics of elegant handwriting, embracing Italic Script allows you to immerse yourself in the artistry and creativity of this beloved writing style. With Italic Script, you have the opportunity to elevate your handwriting to new heights of beauty and expressiveness. The smooth curves and consistent forward lean of the slanted letters create a harmonious composition that is visually pleasing. Read the full article

[principiumindividuationis777]

Graphology Lesson 2: Zones

Now, I am going to tell you about zones...

The zones to which I refer are the zones of letters, especially when written in cursive (in an aside, men are more likely to print, while women are more likely to use cursive), the upper zone, like an upper loop, the crossing of a "t" or the dotting of an "i" or "j", represents the superego, which in some sense is the conscience, but can also be understood as the prohibitions parents/guardians/society placed on a person, to the extent that he or she internalized such rules and taboos:

To use the above sample, which is more or less a handwriting demonstration, if it represents the typical writing of the author, the upper zones are quite narrow and conventional, meaning that the values he or she was taught are likewise. At the other extreme, very odd upper zones could be signs of genius and innovation, but could also be signs of psychosis.

One thing of importance is the height of t-crossings in lowercase: The higher they are, the higher the self-esteem of the author.

Middle zones essentially represent the core self that resolves conflicts between the upper zones (superego) and our primal instincts, the id, symbolized in lower zones.

The lower zone indicates libido and other primal feelings (e.g. such basics as the need to eat). For Tumblr especially, I ought to note the most common sign of same-sex attraction, in either sex, in handwriting, is reversed lower zones (reversed compared to conventional training).

For instance, in the most notably lesbian woman, Hayley Kiyoko, observe how the lower zones of the k's in "Kiyoko" invert the usual direction of looped k's:

The longer the lower zone, the stronger the libidinous feelings, and this is specific to the subject, meaning that if someone's lower zones suddenly become longer, that person is attracted to the person or subject about whom he or she is writing.

As asexuality is distinct from low libido, however, ace people do not necessarily have short lower zones, but rather do not link the upward, return stroke of the lower zone with the middle zone. For instance, Nikola Tesla is often said to have been asexual:

Tesla's lower zones are fairly long, but, for the most part, are simply lines that do not directly connect to the middle zones- in other words, Tesla did not feel a connection between his libido (lower zones) and his identity (middle zones).

[seoexpertschennai]

Nurturing Growth: A Blossoming Journey from Buds to Blossoms in Chennai

In the vibrant city of Chennai, the pursuit of holistic development for individuals is a paramount goal. This is especially evident in the realms of occupational therapy and handwriting classes, where the journey from buds to blossoms takes center stage. This blog explores the significance of these services in Chennai and highlights the best occupational therapy and handwriting classes that contribute to personal and professional growth.

Occupational Therapy in Chennai

Occupational therapy plays a crucial role in enhancing the lives of individuals facing various challenges. Whether it's rehabilitation after an injury, assistance for children with developmental disorders, or support for adults with mental health concerns, the demand for top-notch occupational therapy in Chennai is ever-growing.

When seeking the best occupational therapy in Chennai, it's essential to consider factors such as expertise, personalized care, and a comprehensive approach. Reputable centers prioritize understanding each individual's unique needs, tailoring therapy plans that encompass physical, emotional, and cognitive aspects. These services not only aid in recovery but also promote overall well-being.

One notable establishment renowned for its commitment to excellence in occupational therapy is Buds to Blossoms. With a team of experienced professionals, state-of-the-art facilities, and a client-centric approach, they stand out as leaders in the field. Their dedication to fostering growth from the initial bud of therapy to the full bloom of recovery makes them the go-to choice for individuals seeking the best occupational therapy in Chennai.

Handwriting Classes in Chennai

In the digital age, the art of handwriting often takes a backseat, but its importance in personal and academic spheres remains undeniable. The need for the best handwriting classes in Chennai is evident, as legible and expressive handwriting is a skill that transcends generations.

The journey from bud to bloom in handwriting is an intricate process that involves proper guidance and structured learning. The best handwriting classes in Chennai focus not only on improving penmanship but also on instilling a love for the written word. These classes go beyond the basics, catering to learners of all ages and skill levels.

Buds to Blossoms is at the forefront of providing unparalleled handwriting classes in the city. Their expert instructors employ innovative teaching methods, combining tradition with contemporary approaches to ensure each individual reaches their full potential. From foundational strokes to advanced cursive writing, this esteemed institution nurtures the growth of every budding writer, making them the epitome of the best handwriting class in Chennai.

In Chennai, the journey from buds to blossoms in occupational therapy and handwriting classes is a testament to the city's commitment to holistic development. By choosing the best occupational therapy at the finest handwriting classes at Buds to Blossoms individuals embark on a transformative journey, unlocking their full potential and flourishing in every aspect of life.

[maibeemp]

“I think it’s so neat that everyone develops their own unique handwriting even though we’re all taught to write our letters the same way. Really, it’s so cute.”

ANCIENT ASK | PLEASE DO NOT SEND MORE

With grace, Mai wrote the customer's name, Kihara, on the cup after taking the coffee order. It was such a pretty name, so the Celtic demigoddess made an effort to write as prettily as possible on a curved surface. Like she'd do for any name, really. Her cursive flowed smoothly like a winding river. The strokes were deliberate, forming each letter with care. When she finished, she made the coffee with just as much care.

"Kihara!" the barista called out into the café, putting the cup down on the counter, the beautiful handwriting facing out.

Mai chuckled lightly at the woman's observation, after a quick thought. Her eyes crinkling at the corners with amusement. "You're bloomin' right! It's like a little glimpse into someone's personality, isn't it? Even though we all start with the same basic letters, we put our own personal touch on them~" she smiled, appreciating the beauty in the little things, like the way people write.

"I like your name; it's really pretty! I hope I did it justice~"

[adragonsfriend]

Not a linguist but I think there’s a fairly good reason for why Aurebesh letters are the way they are. Everyone uses datapads, and paper, and therefore handwriting, is pretty rare. If everyone is typing, there’s really no need to conserve space, since like in a word doc you’re not limited by space like you are on paper, leaves, tree bark, stone etc. I think this is also the reason why the Aurebesh letters aren’t actually very nice to write, (like there’s no reasonable stroke order that isn’t just super awkward for some of them). Basically, almost no one is hand writing them, except maybe artists, and adding text to art is really more drawing the letters than writing them anyway.

I haven’t looked to see if there is any cannon info on the origins of basic, but I’m pretty sure data pads and such have been around for a long time in the Star Wars universe, and basic was chosen and/or constructed for the most amount of species to be able to speak, its corresponding alphabet was probably also chosen/constructed with the medium most people were using in mind. If it’s a totally constructed alphabet, then it doesn’t have the history with physical writing mediums which real life written languages do.

Or, even if it does come from an alphabet with that history, there’s a fabulous real life example of writing getting more angular with Chinese characters as they’ve changed over thousands of years

And these are hand writing! Some fonts are far more boxy. Now admittedly Chinese is one of probably the most efficient space to meaning conveyed ratios in a language, so the point about that stands…

But also French exists to prove that people will both tolerate and actively preserve fairly inefficient space to meaning ratios in language.

(Eg. l’huile de noix de coco = coconut oil)

I don’t know too much about this but there was apparently a kind of a crisis about whether the character writing system was going to survive when things were just starting to go digital because while you can get most alphabets down in just a few pixels, characters require a lot more detail—then better screens and typing systems like the pin-yin keyboard were invented and it wasn’t an issue anymore. The point of this tangent is that part of the reason the characters might be so boxy and simple is some remnant of the influence of a period of technology where screens weren’t good enough to use more than a few pixels for each letter. Maybe the standardization of basic was done in that period and due to maybe repeated standardisation (which a massive galactic government would absolutely rely on to function on the scale of the Republic—much like several periods of most large empires have involved standard fixing writing, measurements, roads, vehicles, currency etc.) it hasn’t been allowed to change much since that period, and so has remained pretty blocky and not very space efficient.

All this being said, the combined letters look really cool and I like them a lot. Maybe something like that is used when people do hand write Aurebesh? Maybe there are weird school administrator fights about which letters to combine and how and what fonts are right, just like there are fights about whether to teach cursive or printing, and serif vs. sans-serif fonts.

Maybe almost everything official in the Republic is done in basic and typed and for anything handwritten people don’t really ever use Aurebesh, they use other alphabets like Huttese or their native language alphabets? Maybe handwritten Aurebesh is like a core words thing which everyone else thinks is pretentious as hell? Maybe there’s a cursive Aurebesh script that everyone uses and you’d almost never print it (I’ve heard at least once that this is what mostly happens in Cyrillic languages)?

Anyway I’ve gone on about five tangents whilst being neither a historian nor a linguist. Languages are cool. I think ops actually already mentioned half the things I mentioned, and the combined letters are cool I didn’t know that before, aside from in Korean. Please correct my history/language facts if I’m wrong.

the Aurebesh isn't very great from a conscripting perspective. not only because it's a fucking cipher (a mere font to write in English, with English nonsensical spelling rules) but also because all letters are blocky squares.

Which us fine because this isn't the focus of Star Wars, it's purpose isn't to work well linguistically or practically, it is to set an atmosphere and pretend it's not English

Chinese, Japanese and other syllabic scripts work that way because each symbol stands for a while syllable, not an individual sound. and English has syllables with massive consonant clusters like scratch

an alphabet needs many tall, thin letters like l i r q r t p d f h j k l b

if all letters are fat and wide like ლ then any text occupies far too much space and is overly long. and larger chunks of text consume exponentially more space, paper, ink, digital pages, stablishment titles, etc, not to mention being annoying to read

the simplest solution is to create thinner versions of each letter, making them thinner and thinner until it's a totally different alphabet

a different solution that preserves the blocky feel is to combine letters together into ligatures, like in Hindi, specially for common words and consonant combinations, so, fusing E and R into a single ER letter, for example.

to illustrate, this is "Republic" in canon Aurebesh:

and this is "Republic" after combining some letters:

we could go more aggressive and combine more than two letters, but speakers would have to know all ligatures, but that's fine, Hindi speakers learn hundreds or millions of letter combinations and they're not random, they are intuitive

now with Skywalker:

of course, i'd still prefer to make an alphabet which actually makes sense

real life example: Korean

if we wrote English with the Hangul, Republic would be 러풉맄

[ㄹ=r][ㅓ=e][���=p][ㅜ=u][ㅂ=b][ㄹ=l][ㅣ=i][ㅋ=k]

ㄹ+���=러

ㅍ+ㅜ+ㅂ=풉

ㄹ+ㅣ+ㅋ=맄

canon Aurebesh would spell it ㄹㅓㅍㅜㅂㄹㅣㅋ

Hindi:

र=e रे=re फ=p फु=pu

ब=b ल=l ब्ल=bl ब्लि=bli ख=c

रेफुब्लिख = Republic

canon Aurebesh would spell it रएफउबलइख

[penkraft123]

The Living Art of Handwriting: Modern Calligraphy

Modern_Calligraphy. Cursive handwriting with a pen is an open door into the sensual world. Handwriting is not just an expression of gratification but more than a history. Unlike the writing of cursive, there is no replacement for the art of calligraphy and it's still kicking and very much alive. Since ancient times calligraphy is surprising us in a way where most of us will be surprised. The process itself is so elevating from choosing the right pen to the right paper and patterns. Calligraphy as a Profession Many businesses use the service of calligraphers such as wedding planners hire to create invitations, educational institutes use for creating degree certificates, and sometimes graphic design companies for special orders. Likewise, many professional calligraphers work as freelancers to add their own touch to the art of creating official documents, business cards, and wedding cards. In many places, calligraphy is a booming art in business and many hire professional calligraphers to create envelopes, place cards, addressed invitations. Calligraphy was one of the most dominant forms of art which are fading due to advanced technology. But here at Penkraft, we try to keep the art form in its natural form and keep the art mortal. Tools of the Calligrapher Calligraphy is art form whereas modern fronts are poor imitation. If you are interested in learning calligraphy one must master these few techniques and the basic tools.

The Pen The most important and powerful tool for calligraphy is the pen and there is varied options for artists to choose from. As it is well said, The pen mightier than the word Cartridge pen is used by most of the calligraphers as they can change the nib according to the flow of words for large letters wide nib while a narrower for smaller ones. The Technique

Practicing calligraphy will definitely lead you to different styles of writing. Every nib has got its own style so practice as much as possible with different techniques so you will get a well idea of the technique and a better understanding of nibs and use of colors.

start "3" The Balance

Calligraphy is the balanced art form forming a combination of lines and ovals. One should be well versed with the amount of space to be maintained between letters and the arrangement of upper and lower case letters to produce an artistic masterpiece.

start "4" The Flow

The flow between the letters should be smooth so the words look beautiful across the page. Take your time in writing every letter and word and avoid changing the nib of the pen in the middle of a word as the sentence might look choppy or half-written so the calligraphy looks more like art of work than scribbles. Practice Practice Practice! Start small but most importantly practice. Practice makes perfect. Understand the art well and the right tools with lot of time to enjoy the new art. No matter soon you will be immersed in this ancient form delicacy and reimbursed the art in its pure form. Penkraft not only trains one the art of calligraphy but believes in developing beautiful minds just like the art.

Penkraft conducts classes, course, online courses, live courses, workshops, teachers' training & online teachers' training in Handwriting Improvement, Calligraphy, Abacus Maths, Vedic Maths, Phonics and various Craft & Artforms - Madhubani, Mandala, Warli, Gond, Lippan Art, Kalighat, Kalamkari, Pichwai, Cheriyal, Kerala Mural, Pattachitra, Tanjore Painting, One Stroke Painting, Decoupage, Image Transfer, Resin Art, Fluid Art, Alcohol Ink Art, Pop Art, Knife Painting, Scandinavian Art, Water Colors, Coffee Painting, Pencil Shading, Resin Art Advanced etc. at pan-India locations. With our mission to inspire, educate, empower & uplift people through our endeavours, we have trained & operationally supported (and continue to support) 1500+ home-makers to become Penkraft Certified Teachers? in various disciplines.

[liapher]

Dracula! 🧛

[Click on the pictures for better resolution.]

After my previous experiment with wrap-around hinges, I kept thinking about how to secure the wrap so it remains shut when the book is closed. When I started reading Dracula, the solution was obvious: vampire fangs that “bite” into the front cover!

Since almost all diary entries, letters, newspaper articles and telegrams in Dracula start with a date, I decided to have some fun there and set the date in a way that matches the item: different handwriting fonts for different recurring characters, a telegram font and a newspaper font, a little waveform separator for Dr. Seward's phonograph diary, and—my favourite—Pitman's shorthand for Jonathan and Mina's diaries.

I've been reading Dracula via the Dracula Daily substack and wanted to be able to carry on doing this also in this different media format, so I added an index that tells me the pages that belong to each day, and also added the dates to the footer.

More typesetting/binding notes under the cut:

⁂

Typesetting

Set mainly in ETbb (11/14), which is based on Bembo. The various decorative fonts were much harder to find than you'd think—sooo many cursive handwriting fonts on the web, but most of them look very modern or have horrible kerning or entirely unnatural character transitions. Explaining how I created the stenography bits (over 70 distinct little "intros"!) would really warrant a post of its own, but the short version is that I spent some time reading up on Pitman's shorthand, then used a tool that can, more or less, convert English (or phonetically written English) into shorthand, then double-checked various words with the help of old dictionaries on the Internet Archive and edited the strokes to my liking.

(The appendix includes a brief introduction to Pitman's shorthand as well as a dictionary-of-sorts for the stenography bits that appear in the book.)

2. Binding the textblock

Until now, the books I've bound have always been slim enough for me to get away with square-back bindings without the books looking too wedge-shaped, but Dracula here is just over 500 pages, so I figured it'd look better with a rounded spine. (Since backing the spine is beyond my expertise and I also don't have the tools for that, I skipped that step, but I'd love to give it a try someday.) To get the spine into a shape I liked and to glue it, I used two clamps, two sheets of cardboard, and two sturdy old encyclopedias, like so:

Which worked pretty well.

I sewed two-colour (b&w) headbands, this time with 2-ply embroidery thread:

3. The case:

The main part of the case is a Bradel binding with a rounded spine. The inside of the front cover contains an extra layer of bookboard with triangular cut-out that are slightly larger than the fangs, and partially covered with some thin cardboard.

The white bookcloth unfortunately proved to be trickier to work with than I'd hoped: it's basically see-through (so I had to glue white paper to the outside of my black bookboard first) and smudges super easily.

If I do something like this again, I might consider making all of the front and back cover as thick as that fore-edge section of the front cover currently is, to make it look more even. Also, important lesson learned: even if everything fits together nicely when it's just bookboard and paper, adding bookcloth will make all the hinges much stiffer (I unfortunately had to redo the fore-edge hinges).

Cheers 🩸

[pepperonidk]

Moon River || j.w.w.

MASTERLIST

Pairing: Jeon Wonwoo x f!Reader

Summary:  Soulmates can communicate with each other through journals. When one writes or draws in theirs it shows up in the other’s.

Warnings: absolutely none, it’s PURE FLUFF. so sweet you’ll get cavities ;)

Word Count: 1020

A/N: This is one of the first things I had written soo be gentle with this lmao. Very cozy rainy day vibes, grab a warm beverage, put on some good music, and a fuzzy blanket. (btw this is posted on my marvel blog @capwogers)

Hey soulmate, it’s me again. Today was a great day, even though it was storming all day. I actually really like stormy weather. Do you? I spent all day in bed and finished reading that book I got last week. I wonder what I should read next. Any recommendations?

xx Stardust

The curly loops and feather-light strokes of her handwriting filled the lines of his journal, as Wonwoo read his soulmate’s entry. Her handwriting had become more than familiar to him. He had seen it develop from the sloppy and shaky scrawls from when they were in kindergarten to the neat and compact letters on the page now. Wonwoo couldn’t help but question the whole soulmate thing. How could you possibly know so much about someone without even knowing something basic like their name? It’s a cruel joke, Wonwoo decided. He and his soulmate had tried before, but their names would not show up on the paper, leaving them to create code names for each other.

 But names weren’t the only thing missing. Wonwoo wondered if his soulmate lived near him. He looked out the window and saw the overcast sky, full of dark clouds. If she lived nearby maybe it was possible he’d seen her before. He tried to imagine what she might look like, the slope of her nose, the curves of her lips, the hybrid of colors in her eyes, all the details that could never be described properly with words. Wonwoo was a hopeless romantic and couldn’t help it when his heart sank at the realization that he just doesn’t know. He had always wanted to draw her, and every time he tried to do so in the journal, she would tell him that his sketch was lovely, but he knew he wasn’t drawing her.

Darling, I wonder a lot about where you are. It’s storming here too, so maybe you’re not that far away. I guess I do like stormy weather too, the thunder is oddly relaxing. And you finished it already? You definitely deserve an award, that dedication is unbeatable. As for recommendations, I hear Kafka’s got some interesting work, depending on how you feel about bugs. Today was kind of rough for me, but it’s alright. I’ll take it easy tonight.

Talk soon, Moon River

Wonwoo filled in the next few lines after hers, and signed his code name in his extravagant cursive. Both of their nicknames were references to their favorite songs. Wonwoo had an old soul, and it was evident in his taste in music. He would often let her know when he had found a new old song for her to listen to. Although her taste in music was a lot more current, she always enjoyed hearing Wonwoo's music as she felt it brought her a lot closer to him. 

Shutting the cover of his journal, Wonwoo thought about his plans for the rest of the evening. It had been a particularly stressful day at practice, as it always was when the boys disagreed on anything, and he really did not want to sit alone with his thoughts in his apartment. So he grabbed his umbrella and his journal and made his way to his favorite cafe. The rain had lightened up outside, slowing down to a light drizzle and made his walk down the few blocks all the more peaceful. He took in his surroundings, trying to memorize the details of the signs of life around him so he could draw it all out on paper.

Now inside the cafe, Wonwoo was relieved to see that it was not so full. He didn’t want to be alone in his apartment, but he also didn’t want to be alone in a room saturated with people. He ordered his coffee and sat down at a table by the window. Outside he had a clear view of the small bookstore across the street and people scurrying as the rain started coming down stronger. He pulled out his journal and began to draw underneath his entry a sketch of the scene outside. With his headphones in, Wonwoo didn’t realize how much time had passed until he noticed his soulmate had written underneath his drawing.

You’re missing something.

xx

Wonwoo raised an eyebrow at the writing, and directed his confusion at his drawing. What was he missing? He turned his head to look back at the bookstore. There were the shelves of books, somehow still dry under the awning, which was a shade of green darker in some spots because of the rain, the paintings of white daisies on the window, almost faded out now, and the bench in front of it where a girl sat with a book in front of her. Had she been there this whole time? How did he forget to include her?

Directing his attention back to the sketch, he began to draw her in, not bothering to look back up in fear she might notice him staring at her. Her figure quickly came into being on his replica of the flower shop when he noticed another line of writing appear on the lines.

Those are hearts on the rain boots, not polka dots.

xx

Confident that he saw polka dots, he looked up just in time for him to make eye contact with the girl on the bench. His first thought was simply that she was pretty. His second thought was one of panic and fear that she might think he was creepy for staring at her. His third thought was when he put two and two together and realized he was staring at her. At that point he stopped thinking, dropped his pencil and ran out of the cafe.

 Wonwoo practically ran to her, but came to an abrupt stop a few feet in front of her. She stood up from her seat in the bench and smiled at the incredulous expression etched on Wonwoo's face. “It’s about damn time,” she laughed.

Still shocked, it took Wonwoo a few seconds before he finally replied, “I’m Wonwoo,” he stuttered out breathlessly. “And you’re my soulmate.”

[actualbird]

luke pearce has a canon sample of handwriting and im gonna pick it apart

wc: 878

this post is written by someone who is so happy one of his niche and 99% of the time useless interests has come in handy. disclaimer: i got into handwriting trait analysis as just a hobby, so i'll use both terms that are standard and terms i made up cuz i cant remember what they were called but i remember they exist. im not an expert, i just forged signatures in high school

anyway, it's in SSR Perfect Partner, on the whiteboard. assuming luke's detective agency isnt home to a spectre who likes to write on the whiteboard, luke wrote these words. and im in LOVE

IT'S A RLLY ENDEARING KINDA HANDWRITING, IDK, IT'S THE VIBES. but vibes are not empirical, of course. what Is empirical are specific handwriting traits and elements and it's fun to take a look at!!

1) Letter Formation

since this sample is small as hell, basically a sample size for ants, it's hard to see every letter but it's still clear that that his capitalized letters in the word that isnt in all caps (letters H, J, and P) are quite large relation to the non-capitalized letters, theyre taking a lot of real estate in width and a little bit too in height.

aside from largeness in general, the space Inside those capital letters is a bunch as well. the space between the two vertical lines of the H is moderately far, the width of the curved portion of the P extends widely as well. the J is SUPER interesting to me for the same reason, it's got a wide lower extension and a wide roof too, but also the roof doesnt extend to the right. it starts at the top of the lower extension and only goes left. this happens in the horizontal line on the H too, as well as the curved element in the uppercase P in the most bottom word AND EVEN the lowercase letter p in the second word within the circle

sadly, since this sample is so tiny and like 5 pixels big, it's hard for me to see any characteristics for the other lowercase letters aside from the lowercase y (or a g, hard to tell) in the word beginning with the uppercase H. that y shows off a nice, wide lower extension, just like the J

-

2) Size Consistency

i mentioned this earlier already but the capitalized letters are much larger than the lowercase ones. this is how uppercase letters should work, but luke's handwriting emphasizes that a bit more. additionally, while the uppercase letters opt for widness, the lowercase letters opt for Flatness

-

3) Spacing

my GOD the lowercase letters are packed as hell. the uppercase letters get a lot of space and then all the lowercase letter crowd together

-

4) Connecting Strokes

i was only able to find one (1) clear connecting stroke in this sample, and thats in the word starting with the uppercase H. the H connects to the next letter

hard to tell if the other letters are in one continuous stroke too, but from a characterization speculation angle, luke's brain goes Fast. and this is his evidence/thinking whiteboard in his detective agency office. i can easily see his handwriting having moments of non-connection (i.e., each letter is done in one stroke, lift pen, next letter) when hes writing slowly, but when his brain kicks into gear he could shift into a more fluid connective kind of writing (i.e. multiple letters done in one stroke without lifting the pen, kinda like cursive but happening in printed handwriting)

-

5) Alignment

this one is also hard to gauge. alignment refers to if written words follow the either existing or imaginary line of the surface. like, if it's straight or slanting. but this is hard for this sample specifically since it's done on a whiteboard, where luke would have to be standing to write on a vertical surface, something Very Different than writing on a surface thats flat. so the alignments in the sample vary

in general, he does keep to the imaginary line with a tendency to slant upwards. but im not sure if thats a trait inherent to his handwriting or if it's cuz he was writing at position and angle that happened to change when he was standing at the whiteboard

-

bonus: i tried to recreate it

because of course i wanted to do that. heres my usual handwriting

practiced for around 20 minutes, heres my suffering

and heres what i managed to do after that

it's NOT GREAT (lowercase letters r nowhere near packed enough and since i had only practiced for a short time, none of the letters connect as they should when relaxed/casual/written fast) but getting a feel for his writing did let me know that MAN, IT'S FLAT. thats what i was most conscious of and felt, FLAT LETTERS, FLAT HANDWRITING FOR LUKE PEARCE.

i'd die for a clearer handwriting sample, especially for the lowercase letters to see Exactly where the connections happen, thatd make recreating the handwriting way easier. i also want luke's signature, i assume itd have this flatness and wideness in key letters too

[whatiscalligraphy]

Italics Calligraphy: The Classic and Stylish Script

Italics Calligraphy: Embracing the Elegance of Classic Script

Welcome to the world of Italics calligraphy, where elegance and style meet the beauty of the written word. Whether you're a seasoned calligrapher or just starting out, Italics calligraphy is a script that will captivate your imagination and add a touch of sophistication to your projects. In this tutorial, we'll take you through the basics of Italics calligraphy, from its origins to the tools you'll need, and the essential techniques to create modern and stunning letterforms. Let's dive in and explore the beauty of Italics calligraphy! Key Takeaways - Italics calligraphy is a famous and versatile script with a rich history. - It originated during the Renaissance era and became popular across Europe. - To practice Italics calligraphy, you'll need broad-edged pens and suitable paper. - Basic strokes and rules guide the construction of Italics letterforms. - Lowercase letters in Italics calligraphy are constructed using basic strokes.

Origins of Italics Calligraphy

Italics calligraphy, also known as the Italic script or Cancellaresca, originated in Italy during the Renaissance era of the 14th to 15th centuries. Niccolò de’ Niccoli, a Florentine humanist, developed a cursive form of the Humanist minuscule to transcribe books more efficiently. This new script spread across Europe and became the preferred style of handwriting. However, its popularity declined with the invention of the typewriter. To understand the beauty and artistry of Italics calligraphy, it's important to delve into its rich history. The script emerged during the Renaissance era in Italy, pioneered by Niccolò de’ Niccoli, who sought a more efficient way to transcribe books. His development of a cursive form of the Humanist minuscule led to the birth of Italics calligraphy. This script quickly gained popularity and became the preferred style of handwriting across Europe. However, with the advent of the typewriter, Italics calligraphy started to wane in popularity as typewriters were unable to recreate the elegance and fluidity of the script. Despite this decline, the artistry and historical significance of Italics calligraphy continue to captivate calligraphers and enthusiasts around the world. Renaissance Era 14th to 15th centuries Originated in Italy Script name Italic script or Cancellaresca

Tools for Italics Calligraphy

When it comes to practicing Italics calligraphy, having the right tools is essential. The choice of pens and paper can greatly affect the quality of your lettering. Here are some recommended tools to help you get started: Pilot Parallel Pen The Pilot Parallel Pen is a popular choice for beginners. It features a broad-edged nib that allows for smooth and consistent ink flow. The pen uses ink cartridges, making it convenient and easy to use. With its sturdy construction and affordable price, the Pilot Parallel Pen is a great option for practicing Italics calligraphy. Traditional Straight Holder + Nib Combo For a more traditional feel, you can opt for a straight holder and nib combo. This setup offers versatility and customization options. Some recommended nibs for Italics calligraphy include the Brause bandzug nib, Leonardt Tape nib, Mitchell Roundhand nib, and Speedball C nib. These nibs provide a variety of line widths and can be paired with a straight holder for a classic calligraphy experience. When choosing paper for Italics calligraphy, look for low-absorbent smooth paper that allows the ink to glide smoothly. Marker pads, bleed-proof paper, HP Premium 32LB, Rhodia pads, watercolor paper, and Fabriano paper are all good options to consider. The right tools can make a world of difference in your Italics calligraphy journey. Whether you prefer the convenience of the Pilot Parallel Pen or the traditional feel of a straight holder and nib combo, investing in quality tools will allow you to achieve beautiful and consistent lettering. Pair your chosen tools with suitable paper, and you'll be well-equipped to explore the art of Italics calligraphy.

Sizing of Italics Script, Slant, and Pen Angle

When learning Italics calligraphy, understanding the basic strokes and rules is essential for achieving consistent and balanced letterforms. One of the fundamental aspects to grasp is the sizing of the script. The Italics script follows a 5:5:5 ratio, with the central body part, ascenders, and descenders all measuring five contiguous nib widths. This ratio ensures harmony and proportionality in your calligraphy. In addition to sizing, the slant and pen angle play crucial roles in creating the distinctive look of Italics calligraphy. The script is written with a slight forward slant of 5-7 degrees, giving it a dynamic and elegant appearance. To achieve this slant, hold your pen at an angle of 40-45 degrees. This angle allows for smooth and consistent strokes, enhancing the overall flow and rhythm of your writing. To better visualize the sizing, slant, and pen angle of Italics calligraphy, refer to the table below: Aspect Measurement Sizing 5:5:5 ratio (central body part, ascenders, descenders) Slant 5-7 degrees forward slant Pen Angle 40-45 degrees By adhering to these sizing proportions, slant, and pen angle, you can develop a well-balanced and harmonious Italics calligraphy style. Practice these techniques with dedication and precision to unlock the full beauty and expressiveness of this script.

Lowercase Letter Groups in Italics Calligraphy

In Italics calligraphy, the construction of lowercase letters involves utilizing basic strokes to create various letterforms. Understanding these basic strokes is essential for mastering the art of Italics calligraphy and achieving consistency in letter construction. Let's take a closer look at the different strokes and how they contribute to the overall formation of lowercase letters. Basic Strokes for Lowercase Alphabet The lowercase alphabet in Italics calligraphy is constructed using four fundamental strokes: - Underturn: This stroke is a downward motion that curves gently to the left at the bottom. - Overturn: The overturn stroke is an upward motion that curves gently to the right at the top. - Compound Curve: This stroke combines the underturn and overturn strokes, creating a fluid, curved shape. - Ascending Loop: The ascending loop stroke is an upward motion that forms a small loop at the top of the letter. By combining these basic strokes in different ways, lowercase letters in the Italics script can be created with elegance and consistency. Practicing each stroke individually and then integrating them into letter formation will help improve your calligraphy skills. "Mastering the art of Italics calligraphy involves understanding the basic strokes that form the foundation of lowercase letters." To aid in your practice, downloadable practice sheets are available that guide you through the construction of each lowercase letter. These practice sheets provide a valuable resource for developing muscle memory and achieving letterform consistency. Consistent practice and attention to detail will allow you to create beautifully crafted Italics calligraphy. Example of Lowercase Letter Groups Understanding the basic strokes and their application in forming lowercase letters can be further enhanced by visual examples. The table below showcases the basic strokes and their use in constructing lowercase letter groups in Italics calligraphy: Basic Stroke Letter Group Underturn a, c, e, o, s Overturn b, d, h, k, l Compound Curve m, n, p, q, r, u Ascending Loop f, g, j, y By practicing each lowercase letter group individually, you can familiarize yourself with the strokes specific to that group and refine your letter formation. Remember to start with a light touch and gradually apply more pressure to create varying line thickness, a characteristic of Italics calligraphy. With regular practice and dedication, you will gain confidence in constructing lowercase letters in Italics calligraphy, allowing you to create stunning pieces of calligraphic art.

Extra Tips for Italics Calligraphy

As you continue your journey in mastering Italics calligraphy, there are a few extra tips that can help improve your skills and enhance the quality of your work. Here are some useful recommendations: 1. Calligraphy Inks: When it comes to choosing the right ink for your Italics calligraphy, consider using high-quality calligraphy inks such as Winsor & Newton calligraphy inks, Sumi ink, or gouache. These inks offer rich pigmentation and smooth flow, allowing you to create beautiful and vibrant letters. 2. Ruler: A rolling ruler is a handy tool for drawing parallel lines in Italics calligraphy. It helps maintain consistency in spacing and alignment, resulting in a more professional and polished look. Use a ruler to guide your pen and ensure even strokes throughout your script. 3. Pencils and Erasers: For preliminary sketching or composing your letterforms, a mechanical pencil is a great tool. It allows you to create faint guidelines or lightly sketch your design before inking. Additionally, a kneaded eraser is handy for erasing any unwanted pencil marks while preserving the integrity of your paper. By incorporating these extra tips into your Italics calligraphy practice, you can elevate your skills and achieve more refined and visually appealing results. Experiment with different inks, use rulers for precision, and rely on pencils and erasers to perfect your letterforms. With practice and dedication, your Italics calligraphy will continue to improve and impress.

Applying Italics Calligraphy

Italics calligraphy is a versatile script that can be applied to various projects and crafts, adding an elegant touch to your creations. Whether you are looking to personalize greeting cards, embellish journal pages, create stunning scrapbook designs, or add a touch of sophistication to wedding calligraphy, Italics calligraphy is a perfect choice. When it comes to greeting cards, Italics calligraphy can help you create unique and eye-catching designs. From birthday cards to thank you notes, the flowing and graceful strokes of the script add a personal and artistic touch. You can experiment with different colors and embellishments to make your cards truly stand out. Journals are another great platform for showcasing your Italics calligraphy skills. Use the script for titles, headers, and quotations to create beautiful and inspiring journal pages. The elegant and timeless nature of Italics calligraphy adds a sense of sophistication to your journaling experience. “In a scrapbook, Italics calligraphy can be used to highlight important moments and captions, adding a touch of creativity and elegance to your pages.” Table: Applications of Italics Calligraphy Greeting Cards Journals Scrapbook Pages Wedding Calligraphy Create personalized and artistic designs Add elegance to titles and headers Highlight important moments and captions Address invitations and create wedding vows Add a personal and artistic touch Create inspiring and sophisticated pages Enhance creativity and elegance Add elegance and charm to wedding stationery For wedding calligraphy, Italics script is a popular choice for addressing invitations, creating wedding vows, and designing wedding books. The classic and old-world feel of the script adds an extra touch of elegance to these special occasions. Whether you are a beginner or experienced calligrapher, Italics calligraphy offers a world of possibilities for your creative projects. Embrace this beautiful script and let your imagination run wild as you apply it to various mediums.

Recommended Books for Learning Italics Calligraphy

https://www.youtube.com/watch?v=fjQVGtj-sQQ If you are serious about learning Italics calligraphy, there are two highly recommended books that can guide you through the process. These books provide detailed instructions, projects, and valuable tips to help you improve your skills and explore the art of Italics calligraphy. Whether you are a beginner or looking to advance your knowledge, these books are essential resources for your calligraphy journey. First Steps Calligraphy First Steps Calligraphy by Don Marsh is a fantastic introduction to basic Italics calligraphy. The book covers everything you need to know to start your calligraphy journey, including the history and principles of Italics script, recommended tools and materials, basic strokes and letterforms, and tips for practice and improvement. With step-by-step instructions and practice exercises, this book will help you develop a solid foundation in Italics calligraphy. Calligraphy School Calligraphy School is an excellent choice for those looking to further their Italics calligraphy skills. This book offers more advanced techniques and guidance for intermediate to advanced calligraphers. It covers topics such as flourishing, composition, layout design, and project ideas. With beautiful examples and inspiring projects, Calligraphy School will take your Italics calligraphy to the next level. Both books provide invaluable resources for learning Italics calligraphy and expanding your artistic horizons. Whether you prefer a beginner-friendly approach or a more advanced guide, these books offer a wealth of knowledge and inspiration to help you master the art of Italics calligraphy.

Conclusion

Beautiful Italics Calligraphy is a true art form that brings a touch of elegance and sophistication to any handwritten project. Whether you are a beginner or an experienced calligrapher, mastering Italics Calligraphy can elevate your artistic skills and enable you to create breathtaking pieces of art. With the right tools, persistent practice, and dedication, you can unlock the timeless appeal of Italics Calligraphy. This classic script has the power to captivate and inspire, allowing you to produce stunning works of art that showcase your creativity and attention to detail. Embrace the beauty of Italics Calligraphy and explore the endless possibilities it offers. From embellishing greeting cards to adding a touch of charm to wedding calligraphy, the versatility of this script knows no bounds. Let your imagination run free and bring your artistic visions to life through the strokes and curves of Italics Calligraphy. So why wait? Dive into the world of Italics Calligraphy, unleash your creativity, and embark on a journey of self-expression through the art of beautiful handwriting.

FAQ

What is Italics calligraphy? Italics calligraphy is a script style that originated in Italy during the Renaissance era. It is known for its dynamic and versatile nature, with many variations. It is widely used for various projects and crafts, adding a classic and stylish touch to any handwritten piece. What are the recommended tools for Italics calligraphy? The recommended tools for Italics calligraphy include broad-edged pens such as the Pilot Parallel Pen or traditional straight holder + nib combos like the Brause bandzug nib, Leonardt Tape nib, Mitchell Roundhand nib, and Speedball C nib. It is also important to use low-absorbent smooth paper to achieve optimal results. What are the basic strokes and rules for Italics calligraphy? Italics calligraphy follows a 5:5:5 ratio for the sizing of the script, with 5 contiguous nib widths for the central body part, ascenders, and descenders. The script is written with a slight forward slant and a pen angle of 40-45 degrees. The letterforms are contained within a parallelogram shape with a horizontal to vertical ratio of 2:3, ensuring consistency and balance. How do I construct lowercase letters in Italics calligraphy? Lowercase letters in Italics calligraphy are constructed using basic strokes. It is important to understand and practice these strokes to master the construction of the alphabet. Downloadable practice sheets are available to help with letter formation and consistency. Are there any extra tips for improving Italics calligraphy? Yes, for different effects, consider using Winsor & Newton calligraphy inks, Sumi ink, or gouache. A rolling ruler can be useful for drawing parallel lines, while a mechanical pencil and kneaded eraser can help create faint and fine lines. These tools enhance the quality and precision of your calligraphy. What are the applications of Italics calligraphy? Italics calligraphy can be applied to various projects and crafts, including embellishing greeting cards, titles and headers in journals and scrapbook pages, creating gift embellishments, and wedding calligraphy such as addressing invitations, wedding vows, and wedding books. Its classic and old-world feel adds elegance and charm to any application. Are there any recommended books for learning Italics calligraphy? Yes, there are several books available for learning Italics calligraphy. "The First Steps Calligraphy" by Don Marsh is a great introduction to basic Italics calligraphy, while "Calligraphy School" offers more advanced techniques and guidance. These books can serve as valuable resources for improving your skills and exploring the art of Italics calligraphy.

Source Links

- https://www.lettering-daily.com/italic-calligraphy/ - https://anartfulmom.com/italic-calligraphy-for-beginners/ - https://befonts.com/italic-hand-calligraphy-font.html Read the full article

[kyoupann]

Please do more of the writing head canons. It’s really interesting to see other people’s ideas on the topic, so if you can be bothered, I would highly appreciate more, thanks bye <3

Y’all don’t know how happy I am to talk about these headcanons, they are my babies and I love them so much :’) thanks for asking g <3

Handwriting Headcanons

Same dynamic as before, try to guess whose handwriting it is before reading and tell me how many you got right! <3

You can find the first post here (no need to check it tho)

Quick disclaimer: halfway through making my initial notes, I remembered I had one (1) single lesson of graphology in my applied linguistics class, but that was a year ago and some information might be off. I just thought it was neat to include.

Another quick disclaimer: I don’t know much about Hylian, but I like to think it has a similar stroke system to Japanese, so the pressure and accuracy of your strokes play a major role in your handwriting (among other things, ofc.) so there are some parts where I focus more on that

(First Row, from left to right)

Sky

Our first boy is mother hen! Believe it or not, he has the prettiest handwriting out of all of them! Sky: probably has nice, even elegant handwriting because Sun forced him to practice when they were little. In the end, that paid off because his handwriting is the prettiest one. There’s no pressure, but he is confident in what he writes that his lines aren’t thin. Mistakes? what is that? this boy has impeccable grammar and spelling. No mechanic errors to be found in his letters! I’d like to think that many of Hyrule’s classic/staple poems were originally written by the firt king aka sky child. Like, imagine, after a retiring from being a Person of Power (as the first ruler), Sky finds comfort in the arts: revisits his old woodcarvings and starts writing poetry about the world he still doesn’t fully understand. wowie. tldr: sky writes poetry and you can pry it from my cold dead hands.

This is what one of his letters would look like: 

Next one is the one and only, our Hero of Time

2. Time

I’ll die on the “Time didn’t know how to read and write” hill. His handwriting is simple, not pretty but not messy. It has some grammar and spelling mistakes here and there. Can become unreadable if writing in a hurry, he sorts of forgets spaces between words are a thing/letters have different sizes and lowercase letters end up the same size as capital letters. I’m not saying he sometimes forgets to write articles: he just doesn’t want to. Honestly, he just has this dad-neat handwriting. He is a gentle dad and writes like a dad, if he puts too much pressure onto the paper, his handwriting become too sharp/angle-ish and ends up looking ugly. And as much as he would like to not care about it, in the end he does (:

Malon taught him how to write and it was quite the experience. At first he didn’t want to because he was ‘too old’ to learn and it was torture at first, but now look at him devouring his cowboy novels. 

A chunk of his handwriting: 

*sniff* such a dad quote.

3. my mansss, your  4x1 deal at Target: Four

Look, my boy is patient! He could do some nice and fancy lettering if he wanted to. He was taught that handwriting and spelling said a whole lot about him as a person, you know, like a first impression kinda thing; so he always proof reads more than twice before sending ­a letter. Super rare grammar mistakes.

The faster he writes, the more slant his writing becomes. Under stress/ when not sure how to write things down, run-on sentences are everywhere and his handwriting is inconsistent in general (I don’t headcanon each part of him having completely different handwriting because handwriting becomes muscle memory over time. It’s just slightly different variations of the same, like idk  Vio’s handwriting is neater than Green’s and Red writes hearts instead of any dot/circle and no, I do not take constructive criticism on that, jk i do.) Adding on to each of the colours’ handwriting, I’d think Red and Green write with words slanted to the right( inclined), Vio is a mix of the opposite, so reclined and straight, and my mans blue a true neutral writes straight (kinda like Time’s).

The logic behind this is that inclined writing supposedly means honesty and need for giving (and getting) affection; reclined means, as you can probably imagine,  defensiveness and repression of true feelings, but also shows great concentration; straight handwriting means self-control, observation and reflection as well as distrust and indifference. But as complete being (tm), Four just writes as in the image example which is not too straight and not too inclined, and I believe that’s a good middle for him

HOWEVER, if I’m feeling in the mood for crack, I totally accept this boy to have the ugliest, chicken scratches-looking handwriting! :’D It’s just funny to think that someone like him, who has to be precise and careful in his work, can't write neatly to save his life. 

One of his letters would look like this: 

Also I just LOVE how his hero titles look in this font ksksks

and that’s

(Middle row, from left to right)

4.- Mister Bunny Boy - Legend

His uncle taught him how to write. I’d call his handwriting pretty and neat at a first glance, but he presses too hard on the paper, most of the time staining the back or the following page. Sometimes will retrace some words if he doesn’t like how it looks (which only makes it messier). According to my notes, a thick or strong handwriting represents determination/commitment.

As I also headcanon him to know many languages, mechanical errors are more present than grammar ones; that is, weird capitalisation of words. Punctuation is somewhere in between; uses too many commas when he should just cut the sentence. he mixes punctuation from two languages or more in writing when too distracted (or too focused, because, well, pressure.); when he writes for himself, he has almost no problem following said language’s punctuation rules. Also, this is just polyglot culture, and I’m projecting a bit, but when he forgets a word in the language he’s writing, he just replaces it with its equivalent in another language because we don’t care about fluency, but rather functionality. in this household (more on that in my language hc, ksksks).

An example of his writing:

so powerful

4.-  Mr. Wolfman, howl me a song - Twilight

I don’t have much for him because 1) I don’t think he writes a lot and 2) he is a hands-on/visual learner, I’ll die by that. He only learnt how to write because Ulli insisted it was important and he was not about to disrespect his momma; he IS That Guy, but doesn’t really write enough to have neat handwriting.

Many people seem to overlook the fact that his house is filled with books and write him as completely illiterate (which if not explored properly, ends up feeling a bit disrespectful and full of prejudice, but go off I guess; and that’s on my core Headcanons for Twi); however, he sticks to simple sentences. Knowing how to read and understanding a text is different from knowing how to write them. Like, when we would see a semicolon and understand its position in the text, but didn’t understand the nature of it. Is this clear? idk i’m sorry. So yeah, boy reads a lot, writes very little.

As for his Actual Handwriting, as opposed to Legend, his handwriting is thiccc but not because he presses into the paper; he is just that messy, he has no sense of ink-flow-control, he does what he can with what he has. To the untrained eye, his handwriting illegible letters like v, n, u are very similar; when he makes notes for himself he does it in the form of doodles or small ‘icons’. But! He reads a lot, so he rarely makes spelling mistakes (: he is your go-to guy when you don’t know how to write a word.

An example of his writing:

He keeps a journal, sue me.

3. My first born- Warrior

Okay, first off... I accept this is completely biased. I saw the idea and said “That’s True”. If you haven’t, please read Effective Communication; or The Lack of Thereof by htruona, a fic where the boys reflect on the language barriers between them. It’s incredibly funny and probably what made me start making these silly notes. So, if you’ve read that fic, you know where I’m going.

My man, Warrior, can’t fucking write. I mean, he physically can, but it’s very bad. Here’s the reason for it, tho, and it’s not his fault: Technically, he knew how to write alright but he joined the military and whatever note he had to write had to be concise or in the worst case coded. He mixes capital and lowercase letters. If we consider that he joined the military at around 15, his handwriting and grammar had yet to continue developing. Just think about how after summer break, your handwriting was always slightly worse than before because you didn’t write for an entire month. Now think what 2 years can do to that. Hmm, not cool, dude. He makes quick notes, when writing he’s all gotta go fast. he is the lighting mcqueen of writing; good for emergency messages, not ideal for love letters. His punctuation also suffered a lot, he only know full stops and commas and hardly uses them. A sentence for him is either one word or fifty without a single comma, no inbetween.

His hero title and an example of his writing.

(Bottom row, or what I like to call “fuck cursive” row)

7.- Magic man - Hyrule

I’m basic and I do agree with the popular headcanon of he not knowing how to write because well, y’all know his Hyrule. He only knows how to write his name because that’s important, same with numbers. I don’t see why would he write/read except checking the roadsigns. (he can even use this as an excuse for getting lost frequently; he thought it said something different.) But I do think that because his habitual reading consists of roadsigns, his ‘punctuation’ is weird af and places full stops/points/periods at the same level of his words and his commas/question/exclamation marks below them. Yk, creative license. Sadly, I don’t have much about my magic hands man so here’s what his writing would look like if he actually wrote a paragraph:

Man, I love Hyrule.

8.- Man, I don’t understand this boy -  Wild

Cursive? ain’t nobody have the time for that. He woke up and had to save the world in his underwear while not knowing how to read nor write.  He learnt during his journey and was taught by multiple people from different regions, that explains his inconsistent spelling of things and names for them. So Wild knows language variations for many items and uses them interchangeably (even if they aren’t exactly the same). Another headcanon related to writing/language skills that I’ve been thinking about is that if the shrine was able to cause amnesia, I’m sure there were other areas in the brain affected which leads us to language disorders such as agraphia and aphasia. But that’s a story for another day ksksksk

An example of his writing (after relearning)

9.- The best of sons - Wind

I don’t have much for him and that makes me sad. Look, he’s a kid, doing kid things like stabbing dudes on the head. This boy was taught cursive by his grandma, but could never do it and no one needs it anyway. His handwriting is good enough for his pirate life, Tetra is the one to handle Official stuff, he just gotta sign. Spelling and grammar mistakes abound. He is still relatively young and can correct his handwriting if he desires. But same as Wild, with how many times he’s been thrown out and hit his head, I’m starting to consider some language disorder for him as well.

An example of his writing:

aaand that’s it.

Thanks, y’all for showing interest in this silly thing uwu it was fun to finally talk about this. If you ever want to discuss ideas/headcanons(especially if they are related to language and culture), I’m your person (: I’m always happy to hear new headcanons. Feel free to add anything to this post either in a reply or in a reblog, I’d love to hear from y’all <3<3

[birdy-bat-writes]

What do you think the batboys handwriting look like? Neat,cursive, chicken scratch, big, small, etc...

This is a good one.

Bruce: Neat basic cursive. It wouldn’t be too flowwy or flaired. Just basic cursive that looks a bit scratchy at the ends because he rushes and his fountain pen can’t keep up.

Dick: Neat and medium sized but it usually hops back and forth from printing and cursive. He’s used to taking quick notes that way. He’ll only use full cursive if he’s writing a letter or a formal note to someone he cares about.

Jason: He has really big but neat handwriting. His hands and fingers and very big so his pen strokes are wider. His handwriting is neat but his s’s and his z’s are always printed very meticulously because he forgets how to do them in cursive. he prints more than he writes in cursive but his handwriting is very pretty.

Tim: Timmy the Duck Drake over here has the teeny tiny, practically minuscule  sized writing that is a combination of chicken scratch, cursive and bold printing. He take very quick and detailed notes in a hurry and it’s resulted in his permanent handwriting style to be very small and scratchy. Important stuff is double-written in bold print and random notes are tiny broken cursive.

Damian: Our class boy here has the most beautiful flick of his wrists when he writes. He looks calm and follows the pen as he writes out sentences that look like simple calligraphy. He writes in cursive with flaired strokes and medium sized curly letters to start each page. He naturally writes like this and he does it quickly. His handwriting reminds Bruce of Thomas Wayne’s handwritten notes and letters.