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harveyguilleniconodelamoda · 6 months ago

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Whimsical Windbreaker

Sometimes when I post on this blog, it's just with basic information about an item of clothing, how it was styled, what I think of that styling, and where to find it (if it's still available). Sometimes I provide affordable alternatives in the same style for pricier items.

No matter how in-depth the post (or how not, as the case may be), I often find myself wondering at the reasons behind this item of clothing or that, how it was styled, and how it fits into Harvey's personal style ethos. Sometimes, I even draw conclusions about those things based on the information available. But oftentimes, these patterns emerge not via single items of clothing, but by observation over time. And in the meantime, I find myself making a lot of short, pithy posts that are at least 50% pretty pictures.

But sometimes, Harvey hits us with a piece so interesting and unique that it merits an essay all on its own. Such is the case for this gorgeous silk jacket, so strap in for a deep dive!

The Jacket

Harvey first (as far as I can find) wore this jacket in 2021 for a photoshoot with Cooper Sebastian in New York. Since then, he's worn it a few times at various events or outings with friends and family, most notably Gabriel Iglesia's sold-out show at Dodger Stadium in May 2022. It's an eye-catching piece that Harvey typically styles with an all black or dark blue base, preferring to let the jacket speak for itself.

This silk men's windbreaker from Gucci has a cream base color with a vibrant teal and black art print by Freya Hartas featuring flying squirrels, rabbits, and a border of dancing beetles. The jacket has a zip closure at the front with gold-tone hardware, welt pockets at the waist and interior, elasticized cuffs and hem, and a spread collar. It is fully lined and was originally part of a 3-part set that included a matching top and shorts (each sold separately, of course). The jacket originally retailed for $6,995, but can sometimes now be found online for resale for as little as $495 (or as much as $2,400) on sites such as TheRealReal and eBay, as can the other items in the set.

The Collection

This jacket was part of Gucci's 2020 "Ouverture of Something That Never Ended" collection and campaign, released as part of that year's Guccifest. The campaign included a 7-part miniseries directed by Gus Van Sant and featuring multiple celebrity cameos, with the goal being to present the collection in a pandemic-conscious format. (Source)

You can view a promo for it on Youtube.

The vibes of the campaign are sun-washed and nostalgic, evoking some ephemeral simpler time with everything from the 1975 Minnie Riperton hit "Lovin' You" playing throughout, to the shots of models in retro preppy fashions meeting at soda shops, driving in classic cars, and going to the drive-in for date night.

At the same time, however, the promo seems to want to depict a better past--or perhaps a better and simpler future?--with a racially diverse cast and much queering of gender presentation.

It's a nice thought--that the simple joys of life never ended, and that we might one day reach a point where we've truly progressed socially and politically, while also learning to unplug and enjoy that simplicity with our fellow humans. It's easy to see why these images of such togetherness, while not truly reflective of our present or past, would have been attractive in late 2020--a time when we were all being viscerally reminded of just how much we need other people.

The collection itself leans just as vintage and retro as the promo, incorporating elements from every decade from the 1950s to the 1990s--all those years we tend to think of with a rosy wash of "things were better then" (no matter how untrue that may be).

There is something studiously informal and both/and about the collection: its lookbook features images of models in outfits that evoke androgyny and gender play, but also a conversation between casual and dressy, luxury and thrift (or the appearance of thrift), quiet and busy. The collection overall leans heavily 70s, but with 50s prep school elements, and overtone of grunge, and the barest suggestion of the modern light academia aesthetic. The models as depicted are the embodiment of every quirky character in a classic John Hughes film, brought to life in photos that, regardless of subject or setting, all share that distinct desaturated sepia Polaroid cast.

Who is Freya Hartas?

Freya Hartas is an illustrator based in the UK who specializes in children's books. Her work features anthropomorphized animals, cuddly monsters, fairies, dragons, and the children who often stumble upon them. Her style is colorful, whimsical, and deeply nostalgic, reminiscent of the illustrated fairy tale books I loved as a child. At the same time, the subject matter she gravitates toward is very modern, featuring diverse characters and themes of self-discovery, self-acceptance, and empowerment. I genuinely could have stared at her illustrations for hours.

Her contribution to "Ouvertures" was a set of limited-edition items featuring her fantastical creature illustrations and the Gucci logo. This is part of Gucci's longer commitment to showcasing emerging artists in their fashion. While the items are no longer available, the illustrations are gorgeous and worth a look.

Harvey's Personal Style

One of the recurring themes in Harvey's personal style is his love of color and, for lack of a better term, whimsy. Bold or abstract prints and bright colors have been mainstays for Harvey since his early MTV days, and teal is one of the colors he revisits often--such as in his most recent Siriano collaboration for Pride Across America, this iconic photo from an interview with The Advocate in 2022, or even as far back as this Palm Springs road trip photoshoot with Chubstr from 2016.

Teal is such a vibrant color, rife with contradictions. In color theory, teal carries connotations of calm, tranquility, and healing. In animation, it often denotes electricity, magic, and power.

In fashion, it's a versatile statement color that transcends seasons and doesn't so much scream "look at me" as simply demand that you do by existing. It stands out even in an otherwise colorful crowd, naturally drawing the eye. Like red, it's the kind of color that can stand on its own, or as part of a glorious rainbow. It's such a Harvey color in that way, isn't it?

Harvey has also been open over the years in his admiration and support for visual artists, and has even partnered with independent artists to promote his projects and create merch on his website.

So it's no surprise that he would be drawn to an item like this jacket: unusual, colorful, a bit whimsical. Something youthful and fun, but also a serious collector's item for any lover of fashion.

And frankly, the kind of stylistic choice that makes me sit back and go "oh yeah...that's why I wanted to dedicate a whole blog to this one guy's personal style. That's exactly why."

Update: Freya Hartas is on tumblr! You can follow her and see more of her gorgeous illustrations at @freyahartas !

#fashion #harvey guillén #plus size fashion #menswear #photoshoots #street style #gucci #freya hartas #teal

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nicholejaderockabillyboutique · 25 days ago

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Boutique Vintage Finds: Uncover Timeless Treasures to Elevate Your Style Today

Imagine walking into a shop filled with garments that whisper stories of a bygone era. Each dress, shirt, or accessory holds a piece of history, a connection to a time when style was bold, unique, and full of character. If you’re someone who loves blending modern fashion with a touch of the past, boutique vintage finds might be the perfect way to elevate your wardrobe. Let’s embark on a journey to uncover the charm of boutique vintage clothing and why it’s making waves in today’s fashion world.

The Enduring Allure of Rockabilly Fashions

Rockabilly fashion, born in the 1950s, continues to captivate vintage lovers around the globe. With its playful polka dots, pin-up silhouettes, and vibrant prints, it embodies a unique blend of rebellion and elegance. Think of flared skirts paired with fitted tops, high-waisted trousers, and jumpsuit vintage styles that bring a splash of boldness to your look. It’s no wonder that 50s rockabilly fashion has stood the test of time and continues to be a favorite among boutique vintage enthusiasts. A classic retro shirt dress, for example, can instantly transform your outfit into a timeless statement.

1950s Shirts: A Wardrobe Staple

When it comes to vintage-inspired fashion, 1950s shirts are iconic. Men’s styles often featured camp collars and striking patterns, perfect for casual outings or a night of swing dancing. Women’s 1950s shirts, on the other hand, were tailored yet versatile, often tucked into pencil skirts or paired with high-waisted pants. These pieces exude effortless sophistication while remaining incredibly wearable in modern settings. For those in search of authentic pieces, stores like Jades Boutique offer an impressive collection that echoes the charm of mid-century fashion.

Why Boutique Vintage Is More Than Just Fashion

Boutique vintage clothing isn’t just about style; it’s a celebration of sustainability and individuality. Unlike mass-produced fast fashion, vintage garments are often unique, making it nearly impossible to find someone else wearing the same piece. This exclusivity appeals to those who value standing out in a crowd. Moreover, opting for boutique vintage is a more sustainable choice, reducing the demand for new production and giving pre-loved items a new life. Whether it’s retro shirts Australia-based brands offer or classic dresses retro-inspired fashionistas crave, each piece tells its own story.

Jades Boutique: A Treasure Trove of Vintage Finds

For those who love hunting for boutique vintage treasures, Jades Boutique is a name worth knowing. This shop has a knack for curating timeless pieces that transport you back to the golden age of fashion. Whether you’re searching for rockabilly fashions to add some edge to your wardrobe or a jumpsuit vintage enough to make a bold statement, Jades Boutique has something for everyone. Their collection celebrates the beauty of classic design while keeping it accessible for modern fashion lovers.

Retro Shirts Australia: A Growing Trend

Australia’s love for retro fashion is evident in its thriving vintage market. Retro shirts, in particular, have become a staple for those looking to incorporate a touch of nostalgia into their daily wear. From bold prints to softer pastel tones, retro shirts Australia fashionistas embrace offer a versatile way to elevate any look. Pair them with denim for a casual day out or tuck them into a skirt for a more polished vibe. No matter how you style them, retro shirts are a wardrobe essential for anyone who loves boutique vintage clothing.

The Timeless Charm of Dresses Retro Style

Few things capture the essence of vintage fashion quite like retro dresses. From swing dresses with full skirts to sleek, figure-hugging designs, these garments epitomize elegance and femininity. Retro dresses are perfect for any occasion, be it a casual brunch, a cocktail party, or even a wedding. They offer a touch of glamour while allowing you to express your personal style. When paired with vintage-inspired accessories, these dresses transform into showstopping outfits.

Why Vintage Is the Future of Fashion

In a world where trends come and go, vintage fashion remains a constant source of inspiration. Boutique vintage clothing allows you to embrace a slower, more thoughtful approach to style. It encourages you to value quality over quantity, craftsmanship over convenience. By choosing vintage, you’re not only making a fashion statement but also taking a stand for sustainability and individuality. Whether you’re a fan of 50s rockabilly fashion or love exploring unique pieces like a retro shirt dress, there’s no limit to what you can discover in the world of boutique vintage.

Final Thoughts

Boutique vintage finds are more than just clothes; they are windows into the past, each piece holding stories of style, culture, and creativity. Whether you’re exploring rockabilly fashions, retro shirts Australia has to offer, or timeless dresses retro-inspired, these treasures allow you to craft a wardrobe that’s as unique as you are. So next time you’re looking to refresh your style, consider diving into the world of boutique vintage clothing. Who knows? You might just uncover a timeless treasure that becomes the highlight of your wardrobe.

#jumpsuit vintage #dresses retro #rockabilly fashions #boutique vintage #retro shirt dress #50s rockabilly fashion

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originaldenimjeans · 5 months ago

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How To Style Your Favorite Denim Jeans For Any Occasion

In the ever-evolving world of fashion, few items have stood the test of time as enduringly as denim jeans and jackets. From their rugged beginnings to becoming a staple in closets worldwide, denim has proven its timeless appeal. But what is it about these wardrobe essentials that keep them perpetually in vogue? Let’s explore the fascinating reasons why denim jeans and jackets never go out of style.

Versatility for Every Occasion

One of the most compelling reasons denim remains a fashion favorite is its unparalleled versatility. Denim jeans and jackets can be dressed up or down to suit virtually any occasion. Pair jeans with a blazer and heels for a sophisticated office look, or throw on a denim jacket over a sundress for a casual weekend outfit. This adaptability ensures that denim pieces can seamlessly transition from day to night, making them indispensable in any wardrobe. Ladies Jeans Manufacturers play a crucial role in providing these versatile and essential wardrobe staples.

Timeless Appeal

Denim has a unique ability to transcend fashion trends. While the specifics of denim styles may evolve—from flared legs to skinny jeans and from cropped jackets to oversized ones—the fundamental appeal of denim remains constant. This timeless quality means that investing in a good pair of jeans or a classic denim jacket is always a wise decision. They never go out of style, allowing you to wear them year after year.

Durability and Longevity

Another key factor in denim’s enduring popularity is its durability. Denim is renowned for its sturdiness, which means that jeans and jackets can withstand years of wear and tear. This durability not only makes denim a practical choice but also an eco-friendly one, as it reduces the need for frequent replacements. The longer lifespan of denim items contributes to their sustained popularity, as people seek value and longevity in their clothing. This is especially evident with Men Denim Jackets Manufacturers in India, who prioritize creating high-quality, long-lasting products.

Cultural Iconography

Denim has a rich cultural history that adds to its allure. It has been embraced by various subcultures, from cowboys in the American West to rebels in the 1950s and rock stars in the 1980s. This association with different cultural movements and iconic figures has cemented denim’s place in the fashion world. Wearing denim is often seen as a nod to this rich heritage, allowing individuals to express their style while connecting with a broader cultural narrative.

Comfort and Fit

Comfort is a crucial consideration in any fashion choice, and denim excels in this area. Modern advancements in fabric technology have made denim more comfortable than ever, with the introduction of stretch denim and softer blends. The availability of various cuts and fits means that there is a perfect pair of jeans or jackets for everyone, catering to different body types and preferences. This emphasis on comfort ensures that denim remains a go-to choice for many.

Endless Styling Options

Denim can be effortlessly paired with almost any color or pattern, making it a versatile base for creating numerous outfits. Whether you prefer a classic look with a white tee and blue jeans or a bold statement with a distressed denim jacket and patterned leggings, the possibilities are limitless. This flexibility in styling keeps denim fresh and exciting, no matter how many times it’s worn. For those interested in sourcing high-quality denim, Denimers, one of the prominent Ladies Denim Jeans Manufacturers in India, offers an excellent range of options to suit various fashion needs.

Personal Expression and Customization

One of the most fun aspects of denim is its potential for personalization. Many people love to customize their denim pieces with patches, embroidery, or distressing to create a unique look. This ability to tailor denim to one’s personal taste makes it an expressive and dynamic component of fashion. Denim Jackets Manufacturers understand that customization not only breathes new life into old pieces but also allows wearers to showcase their creativity and individuality.

The enduring popularity of denim jeans and jackets can be attributed to their versatility, timeless appeal, durability, cultural significance, comfort, and endless styling options. Whether through personal expression or the influence of fashion icons, denim continues to be a beloved staple in wardrobes around the world. Its ability to adapt to changing trends while maintaining its core essence ensures that denim will never go out of style.

#Ladies Jeans Manufacturers #Men Denim Jackets Manufacturers in India #Ladies Denim Jeans Manufacturers in India #Denim Jackets Manufacturers

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menfootwear · 2 years ago

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The Ultimate Guide To Men Loafers

Looking for a stylish and comfortable option for men's shoes? Look no further than men's loafers! Available in a variety of styles and colors, men's loafers are perfect for everything from a day at the office to a night on the town. Check out our guide to learn more about the different types of men's loafers available and find the perfect pair for you.

The Origin Of Loafers

Compared to other styles of shoes and boots the origin of the loafer is relatively difficult to trace but its evolution is very interesting. The Calfskin loafers have been a menswear staple since their origins in Norway in 1930. Its short history resembles this:

Early 1910: Nils Gregorissuan Tveranger introduces a new design called “Aurland Moccasin”.

The late 1930s: The Spaulding family of New Hampshire began making shoes based on the “Tverangers “ design and calling them “Loafers”.

1950: Loafers become an integral part of men's casual shoe collections.

Different Styles Of Loafers

Let's say a man thinks about how to wear loafers, what kinds of loafers they have, or when to take off their socks.

Penny Loafer:

Penny Loafer is a slip-on shoe that features detailed vamp details. Besides the upper part of the shoe, has an additional stylized piece of leather with a small cutout that gives the shoe its name. The beauty of the penny loafer is its versatility. This style of shoe is easy to pull up and down and is suitable for most outfits. Penny loafers are suitable for dressier outfits like summer suits but are great for adding sparkle to a casual look. Perfect for ……..Think varsity jackets, t-shirts, chinos, Oxford shirts, sweaters, and tailored shorts.

Tassel Loafers:

Tassel Loafers are classic rounded-toe loafers featuring decorative tassels on the vamp of the shoe. Tassel loafers often have a 360-degree lacing system. In this system, a single lace (usually leather) runs the entire length of the shoe and is tied in a knot at the front where the tassel falls. Tassel loafers are the perfect mens leather shoe to pair with chinos and blazers. Perfect with slim chinos and tailored cotton suits, tassel loafers pair well with shades of brown, beige, navy, and khaki.

Horse-Bit Loafers:

Horse-Bit Loafers differ from other styles of loafers in that they feature distinctive metal detailing across the vamp. Deriving its name from the horse's snuffle, the piece of harness that fits in a pony's mouth when riding a horse, the Horsebit Loafer has made a name for itself as the ideal casual business shoe since its introduction. Black leather or suede horse bit loafers are fine with suits, but technically not with black or white ties. The Horsebit combines elegance and usability in a way that no other shoe can match.

Moccasins Loafers:

A moccasin is a type of loafer without a heel and is made of leather. Traditionally, they had no sole and were instead made of a single material. It forms a wrap-like shape around the leg, which gathers at the top at a seam.

moccasins that are very active in spring and summer. It has a looser fit than other types of shoes, so you can stay cool in warm weather. This means that they are ideal for pairing with shorts and skirts for a casual and practical look. there is.

Low shoes have no laces. In other words, it is a slip-on .

Pros Of Buying Loafers

Loafers presently have a tremendous scope of convention from relaxed to smart.

A loafer has no laces; in other words, it’s a slip-on shoe.

The loafer is a "low shoe," and that implies the lower leg is uncovered, and the shoe doesn't wrap intently around it.

The sole of a loafer is separate from its upper.

The sole of a loafer is discrete from its upper

Loafers are a type of shoe that have a relatively difficult to trace origin but have been a staple in men's fashion for decades. They are typically made from calfskin and have a versatile style that can be dressed up or down.They are a type of shoe that has a hard sole and a soft upper. They are typically worn by men and are often considered a casual shoe. There are a variety of different types of loafers, including suede, leather, and moccasin loafers.

#leathershoes #menswear #loafers #mensloafers

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fashionbynikki · 4 years ago

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Process: Investigate fashion in the 1950s.

The 1950s were a notable period of time many have forgotten about in the fast-paced day and age we currently live in. Post World War 2, we see a wonderful peace period - one we continue to experience - debut. Not only were around four million babies being born per year (a record in history at that point), but 1951 marked the beginning of COLOUR within the television industry (RCA, 25/06/1951). Well-known figures of today's society were born such as Charles M. Schulz' Charlie Brown, star Audrey Hepburn, Disney's Cinderella, and Kermit the frog! Eyes were opened to the imperative issue of equality between genders. In a devastatingly beautiful way, the foundations of life as we know it began to flourish.

Femininity began to take over women's fashion in the 1950s while, in contrast, men's clothing pivoted towards an increasingly casual style. This new ELEGANCE emphasised the traditional hourglass figure of women. In particular, Christian Dior's 'new look,' took to the fashion scene and forever revolutionised womenswear with, "full-skirts, waspy waists and soft shoulders." It was a lavish time of graceful garments (one I know I would have loved to be part of), featuring, "clothes with gently softened shoulderlines, tiny corseted waists, roundly padded hips and long, swirling skirts only eleven inches above the ground." The craftsmanship of each individual garment was prioritised; a valuable tool we have lost with fast fashion in our present collective 'disposable' mindset.

In New Zealand, these trends flourished with the rise of the rock n roll era across the globe. The full skirts were perfect for dancing and having fun with this music's new, faster beat. Simultaneously, the term "teenager" was born as youth banded together for what we now know as concerts. Interestingly, New Zealand also coined these young females 'widgies' and males as 'bodgies.' Because of how radical this change was for older generations, as recorded in Carolyn Dluz' documentary, rock n roll was viewed as "devils music." Jukeboxes and records swiftly made their entrance, with their position in society centralised around the surge of music popularity. When visiting my nana, we began to chat about her own childhood around the 1950s. Milk bars were the hangout, and her sister used to be the person who collected the record from the jukebox at the end of her shift! Different sizes of records (‘78s and 45s) fit into each jukebox. To put the popularity of jukeboxes into perspective, Wurlitzer's 1015 model sold, "more than 56,000 units in 1946." Not only did rock n roll help bring together humanity as one people rather than separate races, but allowed for society's youth to have a new uplifting and fun atmosphere! The ultra-feminine look of the time played a vital role in the community, allowing for people to explore new and utterly gorgeous outfits.

Fashion holds an unsurmountable influence over all people; regardless of gender, race or individual personality. I have loved exploring the history of the 1950s - stay tuned to see my very own bodice based on this research!

Your aspiring fashion designer,

Nikki ❤

Bibliography - so y'all know where I get my facts from ;)

- Good House Keeping, "50 Facts about the 1950s." https://www.goodhousekeeping.com/life/entertainment/g4505/50-facts-about-the-50s/?slide=4

- Google Images Search Engine, "1950s Fashion." https://www.google.com/search?q=1950s+fashion&sxsrf=ALeKk00qJyEU5HePdP8MdPOTbkLIEOE5KQ:1619847889833&source=lnms&tbm=isch&sa=X&ved=2ahUKEwjL3sDQ46fwAhX9zTgGHfz9DtQQ_AUoAXoECAEQAw&biw=682&bih=759

- Fashion History, "1950-1959." https://fashionhistory.fitnyc.edu/1950-1959/

- Lady Jojo's Boutique, "Christian Dior's New Look." https://ladyjojosboutique.wordpress.com/2011/07/13/christian-diors-new-look-of-the-1940s-and-1950s/

- Vintage Retro, "1950s Fashion: Christian Dior's New Look." https://www.vintage-retro.com/1950s-fashion-christian-diors-new-look/

- Britannica, "Peanuts." https://www.britannica.com/topic/Peanuts

- Original Comic Art, "Charles Schulz: Peanuts Sunday Comic." https://comics.ha.com/itm/original-comic-art/comic-strip-art/charles-schulz-peanuts-sunday-comic-strip-original-art-dated-9-20-53-united-feature-syndicate-/a/7192-91035.s

- Te Ara, "Teenagers and Youth (the 1950s)." https://teara.govt.nz/mi/teenagers-and-youth/print

- NZ History, "Culture in the 1950s." https://nzhistory.govt.nz/culture/the-1950s

- Home Leisure Direct, "Jukeboxeshttps://www.homeleisuredirect.com/blog/jukeboxes/jukeboxes-complete-history.html

#fashion #teenagers #fashion history #1950s #elegance #christian dior #couture #bodgies and widgies

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elleharperbcu · 4 years ago

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Lifestyle

Critical thinking lectures:

How has lifestyle, industrial & social changes impacted fashion & textiles?

In today’s lecture we gained understanding of what has influenced and impacted fashion and textiles in the past, in order to predict what will happen to the fashion and textiles industries in the future.

We started by exploring historical aspects that have driven these changes, to start to interpret the significance that these influential factors will play on the future of the fashion & textile industries.

We watched a video on YouTube called “100 years of fashion: women” Published on 3 jun 2015. Were we discussed as a group what drives these changes.

The growth of the fashion industry, caused by the industrial revolution (1870-1900s) enabled the suffragettes to use fashion as a form of branding to help promote their cause.

“They are, of course, only following in the honourable tradition set over a century ago by the suffragettes, who harnessed fashion, and the meaning of colour, as methods of communication in the early days of photography. In 1908 Emmeline Pethick-Lawrence devised the scheme of purple for dignity, white for purity and green for hope - branding for the cause, which triggered Liberty and Selfridges to start selling ranges of tricolour ribbon, underwear, bags and soap. Christina Broom…documented marches of thousands of suffragists and suffragettes wearing white dresses designed to prove to the country the dignity of their cause.”

The Guardian Cally Blackman 8.10.15 How the Suffragettes used fashion to further the cause.

https://www.theguardian.com/fashion/2015/oct/08/suffragette-style-movement-embraced-fashion-branding

1940’s

Utility Clothing Scheme: aimed to save fabric by using economical designs, eliminating laborious technical details and limiting the choice of fabrics - all to save costs.

BBC News 5.3.2015 How did WW2 change the way people dressed?

https://www.bbc.co.uk/news/magazine-31719704

1942

“Make Do and Mend was a pamphlet issued by the British Ministry of Information in the midst of WWII. It was intended to provide housewives with useful tips on how to be both frugal and stylish in times of harsh rationing. With its thrifty design ideas and advice on reusing old clothing, the pamphlet was an indispensable guide for households. Readers were advised to create pretty ‘decorative patches’ to cover holes in warm garments; unpick old jumpers to re-knit chic alternatives; turn men’s clothes into women’s; as well as darn, alter and protect against the ‘moth menace’.

Manage with and repair the possessions one already has rather than buying replacements. "the austerity of the war years taught her to make do and mend" British Library, Learning resources https://www.bl.uk/learning/timeline/item106365.html

Examples of “make do and mend” women’s suit made out of a man’s pin stripe suit, a child’s cloak made from an old blanket.

BBC News 5.3.2015 How did WW2 change the way people dressed? Fashion on the Ration is at the Imperial War Museum, London, until 31 August 2015.

https://www.bbc.co.uk/news/magazine-31719704

The “New Look” exploded in Paris in 1947 (in contrast to the utilitarian approach adopted in the war) lead by the pioneering designer Christian Dior, who empowered women through fashion.

“Throughout the war, cloth and labour shortages had limited the amount of fabric and trimming that could be used… jackets had been masculine, shoulders square and skirts short and straight… belts, seams, collars and trouser turn-ups had to conform to certain restrictions …” Yet, only two years after the end of the war, here were ankle-length skirts whose hems measured up to 40 metres in circumference. Here was a fashion that emphasised femininity, with rounded shoulders, waists nipped in tight, and hips and busts exaggerated by bodices and padding.

The New Looks striking stylistic legacy lived on well into the 1960s.

https://www.independent.co.uk/life-style/fashion/news/the-look-that-shocked-the-world-1278048.html

https://www.telegraph.co.uk/fashion/events/how-haute-couture-rescued-war-torn-paris/

”Women, with their sure instincts, realized that my intention was to make not just more beautiful but also happier,” said Dior: A businessman as well as a poet, he made fashion responsible for expressing society's desires, and showed it how to communicate…” ref book Dior

My weakness ... is architecture. I think of my work as ephemeral architecture, dedicated to the beauty of the female body.

http://www.catwalkyourself.com/fashion-history/1950s-1960s/

Assouline publishing 2004 Dior Marie - France Pochna

Working in groups based on the following decades: 1960s, 1970s, 1980s, 1990s and 2000s. In our group we researched fashion in the 2000s. We made a mind map that considered the above influencing factors that have impacted on the fashion designers from this decade. We recorded the effect of these causes and how they have driven the design, materials and production at this time.

2000s Fashion:

Casual clothing and leisurewear were big trends in the early 2000s, a casual look for women would have been, crop tops, hoodies, low-rise flared jeans, cargo pants, daisy dukes, jean skirts, off the shoulder tops, ribbed sweaters, with platform sandals, ugg boots, or sneakers.

After researching I found technology and Y2K bug (problem in the coding of computerized systems that was projected to create havoc in computers and computer networks around the world at the beginning of the year 2000) had a huge impact on fashion in the early 2000s. The colour palette was full of shiny black tones and reflective metallics. The Y2K trend was worn on a daily but mainly reserved for going out. Popular outfits for women included mesh or handkerchief tops, box-pleated or leather skirts, shiny pants, and sparkly shoes. Britney Spears was a trendsetter for this type of style. For men, Y2K looks involved leather jackets, a statement dress shirt, and chunky shoes.

Mid 2000s fashion - Fashion started to take cues from 1960s bohemian looks. Yoga pants, low-rise jeans, cowl-neck shirts, peasant tops, capri pants, cropped jackets, and dresses over jeans was a popular outfit choice for women. These outfits were paired with accessories, such as, chunky belts, aviator sunglasses, jelly bracelets, ties worn around the neck or as belts, ballet flats, and platform boots. The 1960s revival looks were also popular with men. Including light wash bootcut jeans, cargo shorts, classic rock t-shirt, fitted cowboy shirts, henleys, polos with popped collars, and seersucker suits.

Late 2000s fashion - For women, crop tops were replaced with camisoles and miniskirts, bubble skirt, and sweater dresses. There was also a 1980s and 1990s revival of neon colours, animal prints, geometric shapes, light denim jeggings, and ripped acid washed jeans that were worn with gladiator sandals, ballet flats, and headbands. The oversized look became popular, but it was more subtle than the traditional 80s fit. Men’s late 2000s fashion was a mix of 1950s and 1980s throwbacks, with letterman and black leather jackets, overcoats, slim cut jeans, Ed Hardy t-shirts, flannel shirts, and V-neck sweaters. Paired with dad hats, wayfarers or aviators, motorcycle boots, converse, vans, or sneakers.

Hip-Hop had a influence on the 2000s fashion, many rappers influenced fashion with their own clothing lines. Including Jay-Z, Diddy, Nelly, and 50 Cent. Many looks included baggy jeans, tall t-shirts, sports jerseys, velour suits, bubble jackets, and puffer vests paired with headbands, sweatshirts, Timberland boots, and sneakers like Adidas Superstars or Nike Air Force 1s.

Streetwear is brand focused casual clothing, like jeans, tees, and sneakers. In the late 2000s popular streetwear styles included distressed skinny jeans, loose fitting tops, loose or fitted tracksuits, track pants, hoodies, graphic t-shirts, vintage thrift shop tees, and Tommy Hilfiger and U.S. Polo Assn brands. Sneakers were an important part of the style, retro Nike Air Jordans and Adidas Yeezys.

Emo fashion became popular in the mid 2000s and took cues from goth and punk styles. Outfits were often all or mainly black with skinny jeans, band t-shirts, studded belts, and checkered vans. Every emo look was completed with the right hairstyle, choppy cuts with long side-swept bangs dyed black, platinum blonde, or a bright colour.

Athleisure Wear - If you wanted to be comfortable yet fashionable in the early 2000s the velor tracksuits was the go to. Britney Spears, Beyonce and Eminem to Diddy were on on the tracksuit craze. They were brightly coloured and emblazoned with rhinestone logos and phrases. It was also in to mix track pants with dress clothing and design shoes to elevate the look.

The Beatles were one of the most influential bands in history, taking their fans on a journey of fashion styles through the decades from rock to teddy boys to hippie years.

(1962-1964) - (1964-1966)

Did technology play a part in influencing this style?

During this lecture we watched a video called The Beatles Yellow Submarine.

Exaggerated shoulder pads epitomises the Power Dressing of the 1980’s.

https://www.youtube.com/watch?v=uOlwwoZLoKE&feature=youtu.be

In the 1980s Power Dressing in the UK grew from a new money focused generation, in London, creating a bee style. This look was patented by shows such as Dynasty and Dallas, where actors such as Joan Collins and Linda Evans dressed as female power dresses. Shoulder-pads and sharply tailored suits ruled and has been continued to be used by women today to signify power.

https://www.independent.co.uk/life-style/fashion/features/what-is-power-dressing-1807353.html

THATCHER USED FASHION AS A POLITICAL TOOL

“With ‘power dressing’ she could tap into the image of a career woman but her reputation as a fierce leader then drove her to wear clothes that might ‘soften’ her image, which was why she wore pussy bow blouses. A symbol of the past reflecting a more conservative femininity, the pussy bow blouse clashed with the aggressive power suits. “This was the paradox of the Thatcher image: at once she sought to embody conservative values while also seeking to assert her right to power as a woman. Dr Tyan”

https://www.independent.co.uk/life-style/fashion/margaret-thatcher-clothes-dress-suits-power-dressing-fashion-impact-women-victoria-and-albert-museum-a7480026.html

Margaret Thatcher: Fashion as a Political Tool

https://www.youtube.com/watch?v=qynZ0NEHH4M&feature=youtu.be

How did Margaret Thatcher change Britain:

Privatisation

London became a leading financial capital

Open all hours

The decline of the north

Lessened role of trade unions

Northern Ireland peace process

Education reforms – league tables

Home ownership

Power dressing

Prestige for armed forces (Falklands)

Transformed Labour party

Julian Coman Sun 14 Apr 2013 10.00 BST https://www.theguardian.com/politics/2013/apr/14/margaret-thatcher-20-changes-britain

My own research on Margaret Thatcher -

When looking at pictures of Margaret Thatcher, after the election in 1979, a well-dressed woman with her individual style is clearly shown. She began to create her image and appearance as an example of how women in power should dress. Thatcher was a confident and stern business woman however there was a clear contrast to the feminine clothing she wore. She used her clothing and style as an act of self - definition that disguised herself from others showing her individual identity as Prime Minister. Thatcher styled herself appropriately for political occasions, the most occuring colour Thatcher wore was royal blue. With her power suits and the legendary pussybow blouses, that made her a fashion icon, she was known for her haircut, her pearls, and her handbag. Her hairstyle was one of the famous features of Margaret Thatcher, as straight and precise as the lady herself.

One great example on how her style, outfits and political power were set together was before she became Prime Minister. Thatcher wore hats because not only they suited her well but were symbols of her status and class. As the leader of a major political party, her hats seemed to be a political problem. It was a problem because middle class people with conventional attitudes were prejudiced towards her. This was not the picture of a leader the party wanted to draw. Consequently, after her election to British Prime Minister she only wore hats for State ceremonies and foreign tours but not on polictail occasions anymore.

The Fashion World Supports Pussy Riot

Fashion empowered to dictate and influence world events and social changes

17th April 2015 Jamie Waters Fashion’s most iconic political statements; The fashion world supports pussy riot & we’d rather go naked than wear fur.

https://www.dazeddigital.com/fashion/article/24414/1/fashion-s-most-iconic-political-statements

https://www.vogue.co.uk/article/clothing-fashion-protest

In pairs with reference to the timeline identify another advancement in technology that has impacted on social events, which in turn has driven a change in the fashion industry?

....

Brand Report

In groups we researched information about the brand Lazy Oaf, we created a detailed report which covers each of the 8 elements that make a band pitch. These elements include: Vision & purpose, brand identity, customer, price, product, place, promotion and packaging. In our group we decided to each choose an element to research and talk about, I picked promotion.

Lazy Oaf’s Brand Identity is definitely something I would take away and incorporate into our brand. We want to create personal products that our customers love and respect. Minimize environmental hazards through being sustainable but with fair prices. We also discussed as a group giving back to charities with a percentage of money we make as a brand.

This group task gave us practice with working together, assigning roles and discussing information online. We decided to split the work fairly so that everyone had an equal amount of work to research and present. As we had to present this group task to our peers it helped us practice for when we present our brand.

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tcm · 6 years ago

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Happy International Hat Day: Bowlers and Fedoras and Cloches, Oh My! By Jill Blake

Hats have been a staple in fashion for centuries, with origins that date back to ancient Egypt around the year 3200 BC. Of course, hat styles have changed over time, but their purposes are pretty much the same: either functionality by providing protection from the sun and other elements, or merely serving as a fashion statement. Historically, hats also often represented an individual’s social standing, with different types of hats worn by certain social classes and for certain events or occupations, from ornate wide-brimmed hats, to high quality bowlers, to newsboy caps. Hats were also part of social convention, with men wearing hats when outside and women wearing anything from pillbox hats to fascinators to complete their outfits for church or other social functions. For International Hat day, here’s a list of some popular hat styles of the 20th century. Many of these hat styles can be found on the TCM shop.

Pork Pie Hat

The pork pie hat dates back to the early-to-mid 1800s and was quite popular with men. The hat was often made of high-quality felt, but also could be made out of cotton or straw. The pork pie, or “stingy brim”, hat has distinctive features with a low crown and narrow brim. After the Civil War in the United States, the pork pie wasn’t as popular in men’s fashion. In the 1920s, silent film star and director Buster Keaton made the pork pie an integral part of his on-screen persona, helping popularize the hat once more. And in William Friedkin’s THE FRENCH CONNECTION (’71), Gene Hackman’s character, Jimmy “Popeye” Doyle, sports a pork pie hat.

Bowler Hat

The Bowler hat originates from England and was created by Thomas and William Bowler in London during the mid-1800s. The Bowler is typically made of felt and has a rounded crown, narrow brim and is very durable. While it looks formal by today’s fashion standards, the bowler was considered a more informal hat for day-to-day wear and was mainly worn by middle and upper-class men from butlers and valets, to bankers and members of the aristocracy. Perhaps the most famous bowler in classic film belonged to Charlie Chaplin, who wore the trademark bowler for his iconic Little Tramp character in films such as MODERN TIMES (’36), CITY LIGHTS (’31), and THE KID (’21). Stan Laurel and Oliver Hardy also famously wore bowler hats in many of their films, like the short ANOTHER FINE MESS (’30). Other examples include Jack Lemmon in Billy Wilder’s The Apartment (1960) and James Cagney during the “Harrigan” musical number in Michael Curtiz’s YANKEE DOODLE DANDY (’42).

Fedora

The fedora is perhaps the most iconic hat in film history, particularly throughout the 1930s up through the 1950s. It’s typically made of high-quality felt, ranging from wool to cashmere to mink. The hat also usually has a wide, soft brim and a pinched crown that is indented at the top with some kind of ribbon running around the base of the crown. The fedora dates back to the 1890s and was originally considered a ladies’ hat. By the 1920s, the fedora was popularized by male members of the British Royal family and became a staple of men’s fashion. By the 1930s, the fedora was associated with gangsters and tough guys, as well as private detectives and plain clothes police officers. Almost every modern film from the 1930s through the 1950s features a fedora, including James Stewart’s Macaulay Connor in George Cukor’s THE PHILADELPHIA STORY (’40); Dick Powell’s Philip Marlowe in Edward Dmytryk’s film noir MURDER, MY SWEET (’44); and perhaps the fedora’s most famous wearer, Humphrey Bogart as Rick Blaine in Michael Curtiz’s CASABLANCA (’42). Ingrid Bergman also wore a variation of the fedora as Alicia Huberman in Alfred Hitchcock’s NOTORIOUS (’46).

Fascinator

The fascinator is more headpiece than an actual hat, but has long been a staple of women’s fashion, particularly in Europe. Fascinators are typically decorative and are clipped or pinned into the hair. They can be made of a wide-range of materials, including silk, wool and feathers and can have netted veils. Fascinators are mainly worn in traditional or formal settings, such as during church services, weddings or funerals. There are countless examples of fascinators in classic film, but one of the most popular is the one that Rosalind Russell’s Sylvia Fowler wears with her Adrian-designed eyeball blouse in George Cukor’s THE WOMEN (’39).

Top Hat

The top hat is one of the most recognizable hats in history. It is typically associated with formal dress dating back to the 1700s all the way up to the mid-1900s and is still worn today for certain social events. The top hat is tall, with a flat top and wide brim, and is usually made of silk, beaver fur or cloth. The hat was typically associated with wealth and prestige but eventually became accessible to a wide-range of social classes. Like the fedora, the top hat is featured in countless classic movies. Fred Astaire often wore one in his RKO musicals with Ginger Rogers, such as the appropriately named TOP HAT in 1935, directed by Mark Sandrich. Then there’s Fredric March, who always wears a top hat for a night out in Victorian-era London, whether he’s Dr. Henry Jekyll or his sinister alter-ego Mr. Hyde. But the top hat wasn’t limited to men—Marlene Dietrich famously wore one in her first American film, Josef von Sternberg’s MOROCCO (’30), as did Josephine Baker—both women pushing the boundaries of gender and redefining femininity.

Cloche Hat

The cloche hat was one of the most popular hats for women in the early 20th century. The cloche dates back to 1908 and was designed by French fashion designer Caroline Reboux and named for its bell shape. The cloche was one of the most versatile hats in a woman’s wardrobe, worn with casual, everyday clothing, as well as fancier versions for evening wear. The cloche was also popular because it accentuated the shorter hairstyles that were becoming more popular at the time. Joan Crawford, Josephine Baker, Nancy Carroll, Norma Shearer and Louise Brooks all famously wore cloche hats. One of the most stunning examples is in Michael Powell and Emeric Pressburger’s technicolor masterpiece, THE LIFE AND DEATH OF COLONEL BLIMP (’43) and worn by Deborah Kerr.

Hunter/Trapper Hat

The hunter or trapper hat is sort of a variation on the deerstalker hat, typically associated with the literary character Sherlock Holmes. The trapper hat can be made of fur, leather, wool or flannel, and it has ear flaps that can be tied back. The hat is more function than style, providing warmth for a variety of outdoor activities such as hunting, fishing or selling Christmas trees, like Rock Hudson’s Ron Kirby in Douglas Sirk’s ALL THAT HEAVEN ALLOWS (’55).

Bonus: Doris Day’s Many Hats

Doris Day has rocked some hats in her day, particularly in her three films with Rock Hudson: PILLOW TALK (’59), LOVER COME BACK (’61), and SEND ME NO FLOWERS (’64). Pillbox hats. Cloche hats. Fur hats. Straw hats. Bubble hats. Bucket hats. Sun hats. And plenty of “I-don’t-know-what-that-is-but-it’s-fabulous” hats. In the late 1950s and 1960s, Day re-popularized many of the hat styles from the 1920s and 1930s, with a funky, mid-century twist. Doris wore them all and she looked absolutely fabulous.

#International Hat Day #Jill Blake #Doris Day #Rosalind Russell #Rock Hudson #Ingrid Bergman #Buster Keaton #Charlie Chaplin #Deborah Kerr.#Marlene Dietrich #TCM Shop

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senatashome · 5 years ago

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Deduction Research Watch

[Questions]

- What type specifically is the watch?

- What’s the watch colours?

- Electronic/Analog/Mechanical?

- What’s the material of the watch?

- What’s the material of the strap? ( Leather, Metal, Iron, Ceramics, Rubber, Other..)

- Why does this person wear this watch? (Reason)

- Are there any specific marks on the watch?Where is it?Why is it there?

- Is the watch for the sake of collection?

- What’s the person’s occupation?

- What’s the person’s hobby?

- What’s the person’s income status?

- The activity level of the person?

- What’s the person occupation’s status? ( Manual / Non – Manual Labour,

Indoor/Outdoor)

- Is there any stain’s on the person’s watch?What is it?Where?Why?

- Personality based on ‘The Big Five’

- Formal / Informal/ Casual type of occupation?

- Professional / Non – Professional occupation?

- Location of the watch?Dominant Hand?

- Are there any clusters leading to the conclusion that the person has lost some weight?

- Is the watch for its use, or for its appearance.

- Is there any bracelet/wrist band besides the watch?Why?

- The watch expense?

- Who bought those watch?

- Does the watch have any form of sentimental value in it?

- Is the time aligned with the current actual time?

- Any sign that the person has travelled to other places?

- Is the time in the watch Exact/Too Soon/Too Late?  Why?

- Is the type of occupation based on Individual works or Organizational works?

[Type of Watch]

{Dress watch}

The reason people wear dress watches is usually for occupation purpose, or to attend specific events in one’s life. The watch is meant for mere practicality and simplicity of telling times by a glance, and also to tell days/months/years. People may choose a dress watch rather than electronic watch usually because of the casualty and formality of one’s watch,the strap is usually a leather the colour determines the use of it, brown means that the person rather attend in an event or had an occupation that is rather casual and less formal (Party, Opera, Contest, Date, Waitress) black means that the person rather attends a formal events or had a formal occupation example :( Job interview, Formal meeting, White collar job.) People who wore a dress watch usually has a passive job or one may call a desk worker, thus we could possibly identify a bad back posture.

Conclusion: Simple, Practical, Formal, Usually Economically Stable, Private, Organised.

{Mechanical/Automatic}

Mechanical or an automatic watch is mechanical timepieces that offer many benefits over traditional wind by hand watches and modern

battery-operated quartz watches. Women’s and men’s automatic watches are popular categories in the luxury watch market. Automatics have been crafted since the 1920s but didn’t come into widespread use until the 1950s when watchmaker was able to economize the process. Men’s and women’s watches with automatic winding technology are stylish, interesting, and low maintenance.

People usually wore this watch for the sake of fashion and simplicity, the more complicated looking and attention gathering colour or spontaneous colour the more the person wants attention, by those possibilities we could possibly assume that the person is extroverted, one that cares about people’s opinion about themselves,

other cues could be gathered by how they dress, talk, etc. Most automatic and mechanical watch is expensive , usually the person has an above average income but that’s not conclusive because even people who has a fairly low income still wear this type of watch for the sake of fashion ( I’ve once encountered a janitor using a mechanical/automatic watch with a spontaneous gold colour but his outfit is rather ruined) Statistically based people who wore this type of watch usually works as a salesman ( not conclusive)

Conclusion: Extroverted, Easy going, Outgoing, Stylish, Open, Low maintenance, Non –Manual Labour, Formal.

{Electronic Watch/ Digital Watch}

Digital watches usually have a rather peculiar look on it, it’s mostly worn by men for certain purposes usually for a hobby that is mostly correlated with sports, a rather athletic person, active, most of this type of watch is water resistant and it has a rubber straps around it, people who wore this type of watch is usually athletic and inclined in the world of sports in general, one who wore this type of watch usually has a blue collar job or a manual labour job, extroverted, one who usually acts silly to gain specific attention, needs approval from the general society, mostly well shaped. One who has a strict schedule also has a high possibility to use this type of watch because of the fact that it's really practical to set up a specific timer and reminder at the watch.

Another type of digital watch is a smartwatch which is used for tracking our exercise on a daily basis, one who has a problem in sleep such as insomnia usually has one of them, organized, a smartwatch is usually used for the sake of motivating ourselves to do those activities in a practical way, most of them generally care about their appearance, dress to impress type.

Conclusion: Athletically inclined, Extroverted, (SmartWatch) Organized, Active, Spends most time outside, Open.

{Field Watch / Military Watch}

Field watch by definition is a simple military watch originally called “trench watches” they’ redesigned for soldiers to wear in a battlefield on WWII. They were made to do one thing in particular, and one thing very well: tells accurate time. They were made to be dust and waterproof, usually made of stainless still casing with a durable canvas or leather Nato or Zulu strap to prevent losing the watch in the field of battle. Field watches were designed to lose/gain a maximum of +/- 30 seconds per day.

The military watch could also be worn in active duty by a sailor, marine, airman, or a pilot. The watch is mostly for the sake of one’s occupation rather for a mere fashion, but there’s a slight possibility that the watch is worn in a fashion purpose to express one’s self-image.

Military personnel is correlated with a personality that is rather dominant, aggressive and serious, values practicality in thinking and focus the topic of conversation to the point, most of them are sporty or has a history on the field of sports, able to make strategical thinking during emotional pressure, extroverted, adventurous, self-centred and independent, optimistic, flexible, and strict. A few cues that we might encounter if we’re dealing with a military man specifically as a drill sergeant is heavy voice and highly aggressive, people with an experience in a field of military usually has a straight and good posture, they rather dominated the space around them, if they’re carrying a suitcase it’s gonna be at their left hand (most of the time) because the right hand in used to salute someone.

Conclusion: Dominant, Serious, Aggressive ( Not Always), Optimistic, Strategic Thinking, Extroverted, Adventurous, Self – Centered, and Independent.

{Pilot’s Watch]

Pilot’s watch is a watch used specifically for an occupation purpose, it’s used to tell an accurate current time accurately and other specified features, throughout the years the pilot’s watch saw inventions to make an aviator job even easier. Brands like Breitling added elements such as circular slide-rule and chronograph to meet the demands of ever-changing flight complexities. Other brands like IWC, Bell & Ross, and Longines focused their efforts on pilot's watches, particularly war years.

Pilots are a distinct segment of the general population. In addition to flying skills, a pilot is selected specifically for their personality and physical capability, a few ways to identify a pilot besides the fact that the person wore a pilot’s watch is to identify their physical functioning specifically their sight, hygiene, and metabolism. Pilot tend to have difficulty trusting anyone to d the jobs as well as they can, pilots tend to be suspicious, to a certain degree even paranoid. In moderation this quality serves them well within their environment and is, in fact a quality that management look for in the pilot personality, outside the cockpit this quality shows up in the tendency of many pilots to set two or three alarm clocks – even though he or she may generally wake up before any of the pilots go off. The suspicious/paranoid tendency also affects the way pilots function in their private lives as well. They’re inclined to modify their environment rather than their own behaviour. Pilots need excitement; a 9-to-5 job would drive most pilots to distraction. Pilots are competitive, being driven by the need to achieve, and don't handle failure particularly well, optimistic, pilots have a low tolerance for personal imperfection, and long memories of perceived

injustice, they tend to be scanners drawing conclusion rapidly about situational facts, pilots can people as if they’re instruments they draw conclusion at a glance rather than relying on long and emotion-laden conversation, they avoid introspection and have difficulty revealing, expressing, or even recognising their feelings, if they have a certain unwanted feeling they rather mask them, sometimes with humour or even anger. Being unemotional help pilots with crises, but can make them insensitive toward the feeling of others, pilots have a tendency to somewhat inability to create a good connection in one’s conversation.

Conclusion: Intelligent, Emotionally Incapable, Concrete, Practical, Linear Thinkers, Philosophical, Theoretical, Introverts, Analytically Oriented, Competitive, Goal Oriented, Organized, Realist, Observant, Perfectionist, Need of Control.

[Reason To Wear]-Fashion

One who wore a watch just for the sake of looking good most likely has a more spontaneous and attention gathering colour and design, most of them are unique where one has a transparent watch where we can see the functioning of the watch generally, the most common colour is gold/yellow, pink /neon, bright white. Those are one who likes to be placed in the middle of attention, generally, scrape for social approval, etc. Those are not conclusive if the fact is changed for example if the person dresses up for the sake of self-image and self-judgement not to be judged by others, rather it’s a way that the person expresses their emotion generally.

-Occupation

As shown before this part watch for occupation are usually used just for mere practicality and they value the quantity rather than the quality, basically used to tell actual time not for showing off or to gather other’s attention, classic, and formal. A few examples are shown above this section is Military Watch, Diving Watch, Space Watch, Dress Watch, Pilot’s watch.

-Hobby/Collection

One who collects watches usually has a lot of watch in hand, based on the general income we could safely assume that people who collect certain type of watch is stable financially most likely they have a high income, there’s a high chance of an extroversion trait in hand but not conclusive, some of them are attention gatherer, and socially inclined, somewhat optimistic, and outgoing.

-Sentimental

Sentimental watches are those who have a general sign of an ageing, culturally speaking the eldest sibling in one’s family always got the sentimental objects first before all of the younger siblings, if there’s no ageing sign in the watch it’s possible to indicate one’s

sentimental object by other cues such as maybe if the person has a torn or bad looking clothes and the watch is the only one that is expensive and good looking there’s a high chance that the object is somewhat a gift and preserved as a sentimental object.

[Colour]

Based on the colour of one’s watch we could safely determine their inner feeling and personality, the more bright and spontaneous the colour is the more the person is trying to gather attention from others, they most likely care about one’s opinions about themselves,the more dark and formal the colour is it’s more likely that the person is somewhat close and private.

Most of the time the knowledge of colour psychology is somewhat important in the basis of our knowledge base in the deduction.

[Sentimental / Gift ]

Sentimental objects is when one is given an object by one’s relatives or other person correlated to our subject that possibly has a higher degree of status or even the same such as our friend, one may keep sentimental object because it’s correlated with specific emotional situation or even memories, for example, if our friend gave us a plushy as a memory of them, but in this specific situation which is a watch sentimental objects are more likely given by one’s relatives or someone with a higher degree of status and income since calculating the expenses of a watch itself. That possibility or probability is not conclusive by itself if it happens in situation A it doesn’t mean it’s gonna 100% happened in situation B. For example, our boss or our parents gave us an expensive old watch as a gift, those gifts if it’s from a person with a different status than we will most likely become a sentimental object and also we can say it’s somewhat a luxury item if it’s classified this way.

This gift is somewhat similar with sentimental object, only that the object given will most likely be more up to date and new rather than an old object, that doesn’t eliminate the possibility that a sentimental object is also a new object, it’s quite similar within the two in the process of our reasoning i don’t think we need to differentiate those two.

How to identify sentimental watch / a gift :

- The sentimental watch will most likely is gonna be older looking.

- There’s a possibility that the profile of the watch did not match the personality of the person in hand.

- We can identify if an object is a gift if they have a moderate difference within their outfit, for example, a man has an expensive metal watch but his outfit is somewhat shady and less expensive. And the opposite works for a sentimental watch.

- It’s possible that the watch did not fit perfectly in the owner’s current wrist.

The thing that we’ll need to remember is observing and gathering data in context, we could use the owner’s profile and financial status and past wealth as a reference point for our deduction. (More to the sentimental / gift/ luxury items in a video by ‘The Art of Deduction’: How to Read People; What are Luxury Items? The Methodology of Deduction 3)

[Marks and Scratches]

‘One can deduce a person’s habit a personality by just looking at a series of scratch on a person’s watch’

We’re gonna use the splendid deductions done by the character himself Sherlock Holmes in chapter 1 of The Sign of Four’ as a reference point to this topic.

“What seems strange to you is only so because you do not follow my train of thought or observe the small facts upon which large inferences may depend. For example, I began by stating that your brother was careless. When you observe the lower part of that watch-case you notice that it is not only dinted in two places but it is cut and marked all over from the habit of keeping other hard objects, such as coins or keys, in the same pocket. Surely it is no great feat to assume that a man who treats a fifty-guinea watch so cavalierly must be a careless man. Neither is it a very far-fetched inference that a man who inherits one article of such value is pretty well provided for in other respects.”

Financial status and the expense of the watch is a wonderful way to start our train of thought, we rather could identify someone who is careless by looking at the amount of scratches on one’s watch, as he said someone who is careless rather don’t care about the condition of the watch itself because they put it on a pocket who is mixed with keys and coins, but maybe the carelessness is because the person itself doesn’t spend much money on the watch? If the person does spend money on it we could assume two things: The person is somewhat careless as referenced, possibly lazy, and by those references, we could come up to a broader conclusion such as what causes those carelessness and lazy behaviour? In this occasion, it’s because of Watson’s brother repetitive drinking or alcoholism and possibly because of his financial status at hand. And when Holmes goes to the keyhole he could safely infer that Watson’s brother is an alcoholic

“What sober man’s key could have scored those grooves? But you will never see a drunkard’swatch without them. He winds it at night, and he leaves these traces of his unsteady hand. Where is the mystery in all this?”

The opposite works the same way, man without scratches or grooves on his watch could indicate that the watch is new, if the colour seems blurred and less shiny we could assume that the person takes a good care of his items, possibly for the sake of fashion or good looking by those we could go deeper on one’s profile.

[Dissaligned Time]

If a person has time in their watch which is misaligned with the actual time we could tell a few things about them

{To Late} If a person has a watch that has a late timing in them this could mean a few things

- First is that the person didn’t really depend that much on their time on their daily basis or activity, this, of course, could be denied by certain laziness.

- Lazy, the person is too lazy to set up the time exactly.

- The person didn’t have the time to set up an exact timing on their watch, could

possibly say that the person has a somewhat strict schedule in their life.

- The watch is more used as a good looking or fashion purpose rather for its general purpose.

- The person hasn’t used this specific watch in a long period of time.

- Undisciplined, disorganized.

- The person possibly needs to change the battery of the watch in hand.

{Exact / Precise}

- The person’s activity depends on being strict and on time. ( Prefers general scheduling and thinking before acting rather than doing impulsive activities)

- Possibly an optimistic or a professional worker. ( Denied by the fact that a certain activity is rather forced or just to survive and having a stable economic status)

- A few times in hand to precisely set the time. {To soon}

- The person likes to come to certain situations rather too quick than too late.

- Organized and disciplined person.

- Had a specific schedule.

- Trying to remove a bad habit which is attending certain events/situations lately.

{Totally different]

- The person possibly travelled to another country and just got back from those countries which he/she didn’t have the time to change the timing on his/her watch.

The time misalignment only occurs when the timing is far fetched from the actual current time for example for 10 minutes or more. Thus we can’t get by to certain conclusions just because the time is 3 minute too soon or vice versa.

- R.D

#deduction #deduction research #watch

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doctortdesigns · 7 years ago

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Looks like we are starting to hit the season of fall fashions! Simplicity has just announced their Pre-Fall collection, and I’ll be posting about Butterick’s Early Fall collection tomorrow as well! Fall fashions tend to be my favorite, but, if I’m being honest, I’m not the most excited with these new releases. Perhaps my feelings will change as I write this review (as they sometimes do), but as of right now, I’m holding out for the August Burda before I get really excited about fall fashions this year. Regardless, there is a lot to look at in this release, so let’s get started:

8686 – 1940s Vintage dress. I tend to like 40s fashions, but this is one of those styles that really is too cute/sweet/girly for me to picture myself wearing. I think the vintage lovers will enjoy this dress – it has lots of great features and style lines, but I think this is also one of those styles that looks distinctly vintage, and isn’t necessarily as translatable to someone who enjoys doing a “sneaky vintage” modern wardrobe.

8687 – This shirt dress, on the other hand, feel very modern. Also perhaps slightly scandalous? I definitely get a “wearing my man’s oversized shirt as a robe after I get out of bed” vibe from this. Not that there is anything wrong with that. But I think it may limit the versatility of this as a wardrobe piece. I do like the asymmetric hem and the wrap style, but, there is definitely a vibe I get from this piece that I don’t know if I’d be comfortable wearing in public. Maybe a belt would change that feel for me? Styling could change this look a lot I think… Feel free to completely disagree with me in the comments on this one – I feel like this could be a super popular design, since it is one of the more unique looks in this release.

8688 – This dress has some nice options, between the sleeve styles and the skirt styles. I don’t know that I need to add it to my collection – I’ve got some knit dress patterns from back when I very first started sewing that are pretty similar – but I like this dress. Looks like it would be great as an outfit base for those fall days when you need to transition between layers and no layers.

8689 – This style of tunic really isn’t anything new, but I do think Simplicity did a nice job of styling and presentation. Another pass for me, but I would be excited to see other sewing bloggers make this one up.

8690 – Mimi G. Style. I’m going to say that this dress looks adorable on Mimi! But, again, this is a case where I know it isn’t something I’d wear myself, so it’s going to be a pass from a personal standpoint. It is super cute though – the proportions of the sleeves are great in relation to the whole dress.

8691 – Sew Chic dress. This is clearly a vintage inspired look. I like it, especially the short sleeved version, but I’m pretty sure I’ve got several vintage re-releases that are quite similar. Another style that I find to be cute, but not special enough to warrant a spot in the stash.

8692 – 1950s Vintage blouse pattern. I do like the shape of these blouses: fitted, but not overly so. I’m not a big fan of zippers on the back of a top, but for views A-C it is pretty unavoidable with such a high neckline.

8693 – This asymmetric top looks like a button front shirt got halfway put on backwards to me. I do like the simpler versions (as a one-shoulder 80s-inspired sweater I’m all about this pattern!), but I’m really not a fan of the view that Simplicity used for the model photo – it just looks ill fitting and sloppy.

8694 – At this point there really is nothing left to say about these loose tops with sleeve details, except, look, another one! This one does have dolman sleeves, so I guess that’s a new-ish variation to this style? Really, though, at this point there are so many, just pick one.

8695 – 1930s Vintage sleeve patterns. Do I want this to use on modern sewing pattern? No. Do I want this for part of my costume/cosplay pattern stash so I can study the drafting on these sleeve variants? You better believe it.

8696 – I prefer my cardigans with less volume and more length, but this does look rather cozy.

8697 – The square boyfriend blazer really isn’t a look that works for me, so I’ll avoid this pattern for myself, but I do like the single and double breasted options here, as well as the collar variants.

8698 – I know it’s a drawstring pant, but it’s a drawstring pant with stripes and pockets and I like it.

8699 – I also rather like this skirt as well. I think I perhaps already have more than enough wrap pencil skirts in my Burda stash, but this one pattern seems to have a lot of variety, even though the pattern tweaks are pretty minimal between views.

8700 – Pattern Hacking. I’ve been thinking I want a more casual jacket for fall, but something about the proportions of this one just aren’t doing it for me.

8701 – Pattern Hacking. Somehow switching out pockets doesn’t seem like much of a “hack,” but what do I know? I do like the silhouette and overall look of these, but, again, very similar to other styles I’ve got in the stash already.

8702 – Mimi G. Style. This tracksuit is pretty cute and very 80s. I’s not be interested in the drop-crotch pants at all, but I do like the jacket, and the slim-legged pants are cute for a fall work-out look.

8703 – This was a pattern that initially I just skipped over (it’s a plain yellow top and leggings), but, actually, those other tops with the stomach gathers are pretty cute! I don’t know if this will make it onto my wishlist, but it is a definite maybe.

8704 – Love these pull over tops! The raglan sleeve and length look great for exercising is colder weather. Plus, lots of cool pockets for exercising with devices.

8705 – This man’s version somehow doesn’t read as exciting as the woman’s pattern, but the sleeve pouch for a phone or iPod is pretty great.

8706 – Baby Gear. Not much to say about baby clothes, but the layers look practical.

8707 – I’ve been toying with the idea of a lace cardigan for a while, and this is exactly what I wanted. Love this! Totally going into my stash until I can locate the perfect lace fabric for this endeavor.

8708 – These girls dress are pretty generic, but also pretty cute for fall.

8709 – Gertrude Made bags. I don’t love the aesthetic of the bags in the photos, but from the line drawing, these are totally bags I would use. I do wish it was drafted for a zip closure, but I suppose that is something one could find a way to add?

8710 – These large travel duffle bags are also not depicted in a color scheme I’d enjoy, but I do love how practical the bags are, plus they fit over the handle of a rolly suitcase! So cleaver. I’d be curious to see how the inside is drafted (pockets???), but I think this might be on my list, since it seems my travel schedule is upping in the next year or so.

8711 – Madalynne. The bra does not look supportive enough for anyone outside of the A/B range, and why would you want to add butt ruffles to your underwear? I mean, really? At least from the standpoint of wearing underwear under clothes in any case. I was going to ponder the butt ruffle as an analog to a tail feather and the implications that could have in mating rituals, but I shall refrain.

8712 – Aprons. Pretty simple, not too exciting, but could be good if you want to make a “mommy and me” sort of look. The aprons loop pretty practical, if not overly embellished – nice pockets and full coverage.

8713 -Hats! These are actually pretty cool, and really practical styles for costuming. Love how much variety comes in a single pattern too.

8714 – Love the historical doll clothes. So cute.

8715 – Ok, I want, nay, NEED this dragon in my life! How stinking cute is this? And, I mean, let’s be real – I need at least three of them. That’s right – NEED.

8716 – These bears are cute, but they aren’t dragons.

8717 – More aprons. I find the other style to be more pragmatic.

8718 – I’m sure the internet will tell me if I’m wrong, but I really feel like this is supposed to be a Rey/Daenerys mash up of costume pieces? Lots of great pieces in here for the cosplayers out there.

8719 – I’m less excited by this… I don’t know what to call it? Generic sexy fantasy style pattern? I feel like all of these pieces have been recombined from pre-existing patterns.

8720 – Good job on picking up that it is the 25th anniversary of Hocus Pocus! I’m not even sure Disney has grasped that yet… I’ve not seen crazy heavy advertising about re-release special editions or anything. In regards to the pattern, I do wish these Sanderson sisters were a bit more detailed in the designs, but, bravo to Simplicity for winning at the cultural relevance game.

8721 – One should never pass by a good cape pattern. The hood shape looks really great, and the cape is nice and full.

8722 – Once again, I’m sure the internet will inform me, but I’m not quite sure which franchise Simplicity is referencing here? There are certainly shows I watch where jumpsuits are “the look” but this pattern is much baggier and less fitted than the styles used in those shows. The tan one is a very Ghostbusters vibe, but I’m not sure if that is the reference I’m supposed to be picking up on here?

8724 – Kids Star Wars/Superhero costumes. Really versatile, and really cute.

8725 – Nice to see Ariel added to the Disney Princess lineup.

8726 – Super generic kids costumes.

8727 – More generic kids costumes.

8728 – Cool way to do a mermaid tail in this pattern.

8729 – Kids capes, because, capes!

5628 – Jiffy pattern re-release. This literally is a piece of fabric folded in half, with two partial seams, and a neck opening. Pass.

9192 – Men’s vintage ties are kinda cool. Not the massively wide one, but the skinny tie or bow tie could be useful.

And that’s it! On the whole my top picks for this release really are in the craft/costume/cosplay realm. Not too much new or exciting in the main release. There is a lot of stuff I found “cute” but not much I felt needed to be added to the collection. What do you all think? See anything that is going to kick-start your fall sewing? Or are we waiting for the bigger releases coming later next month? Feel free to discuss in the comments!

Simplicity Patterns Pre-Fall 2018 #sewing #patterns #Simplicity #SimplicityPatterns #prefall #fallsewing Looks like we are starting to hit the season of fall fashions! Simplicity has just announced their…

#pattern #sewing #Simplicity

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hellobigandtallpoloshirts · 5 years ago

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Everything about the Golf shirt

Sports apparel is specified as garments for males and females that are made up of different items from khaki pants and also sporting activities jackets to golf shirts as well as tennis skirts that can be combined in a diversity of clothing that fulfills the outfit code for both active and also casual wear.

History of the Golf Shirt

The t-shirt's design has its origins in the athletic quest of tennis - although polo gamers, as well as golf enthusiasts, have actually likewise long incorporated them right into their sportswear program.

Rene Lacoste was a French 7-time Grand Slam champion who came to be fed up with the unpleasant tennis whites that were the practice tennis gown code. He created a short-sleeved loosely-knit pique cotton t-shirt with an un-starched, flat extending collar, buttoned placket, and also a longer shirttail in the back that became called the tennis tail. His use of the now-ubiquitous crocodile logo to mark his shirts made him the label "the Crocodile." The Lacoste brand started manufacturing the layout in the 1930s.

Polo players soon captured on as well as began utilizing this new layout in their very own attires. The term "golf shirt" was formerly utilized to define the long-sleeved shirt that was the usual gown code for polo gamers. The already preferred term was after that made use of by people to define the brand-new golf shirt starting in the 1950s despite the fact that the layout was first utilized by tennis gamers back in the 20s.

Various other designers like Ralph Lauren, with his Polo Sport, created their very own versions of the polo shirt. Ralph Lauren's fashion line consists of the long-sleeve polo shirt, ideal for informal outfit code layering in colder environments.

Traditional Design of a Golf Shirt

The golf shirt has an extremely straightforward and also typical style that is seldom damaged by those in the production company. If it isn't broken, why fix it?

Its fundamental style includes a body with a round collar as well as short sleeves. It has no more than three switches evenly spaced from the collarbone down as well as 2 tiny slits at the sides for ease of movement. The left side of the upper body area is usually reserved for the polo shirt brand or business logo design.

A variant on the traditional design is utilized in sports tasks such as tennis with the buttons missing out on from the equation. Some golf shirts also incorporate a pocket in the top left breast location.

Today, the majority of variations are generally made from 100% knit cotton material for a casual wear outfit code and also a lighter, moisture-wicking fabric when utilized as sports apparel. Various other firms likewise use a selection of fabrics such as silk and polyester, relying on their client base.

Let's chat gown codes

Personalized embroidered large men polo shirts are often paired with either pants or shorts by both men and women for more laid-back gown codes. Khaki is a preferred fabric for lower wear, although denim is also accepted.

In sportswear, the t-shirt is likewise coupled with a variety of items native to each sport. There are mini tennis skirts for females' tennis, polo pants for polo gamers and so on.

Naturally sportswear as well as sportswear gown codes apart; it is likewise a preferred choice for the workplace. Many retail and also service-oriented service atmospheres have an outfit code that is fit to their staff member's busy and typically messy tasks.

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imamotherfuckingstar-lord · 8 years ago

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Hanky Panky

Jim Kirk x WOC!Reader

Summary: When a mission has Jim and you beaming down to Auro - a planet that looks and feels like 1960, you are nervous for many reasons. One being that that era of time was not kind to a person of your ethnicity and the second - you were finally alone with Jim.

A/N: This is really first real WOC!Reader fic. Honestly, I always write my fics and the reader as a person of color - because they usually are based on me - A MEXICAN. So I wanted to do something special for my fellow WOC. Enjoy. And I definitely know their are men of color that follow me and if any of you want a specific fic for you - let me know! I’d be happy to write something!

Warning: mention of racism - fuck that shit.

This for Trek Fest 2017′s Kirk Week!

“Are we all set, Scotty?”

Your eyes gabled at the vintage clothing on your body and a tingle of nervous excitement flashed through you. Jim tugged at the hem of his brown coat and looked over at the engineer.

“Scotty?”

“Ay, Captain. All set.”

The man looked up from the control panel and a soft smile pressed from his lips. “Ay, lassy - you look lovely.”

“Thanks, Scotty.” You exhaled, “I hoped it’s accurate to Auro’s fashion the natives wear.”

“I assure you, Lieutenant Y/L/N that it is.”

Spock nodded to you - his hands tucked behind his back. “Research has showed that the inhabitants of Auro have claimed a life reminiscence to the early 1960’s.”

You looked down at the gray high waist skirt and black long sleeve knit sweater gracing your body - not to mention the black stockings and matching flats. You had to admit - it didn’t look half bad. Moving your gaze over to the Captain, you couldn’t help but admire his clothing - or at least how it looked on him. The first thing you couldn’t help but noticed was the way his hair was perfecting combined to the side showing off his high forehead - which did things to you. The outfit he was given was simple - a plain white tee under a dark green flannel and brown coat to go over it with dark slacks.

His blue eyes looked over to you and he smiled. “Are you ready?”

You moved to the transporter but hesitated when a thought came to your mind.

“Commander Spock, you’ve done full research on Auro, yes?”

“Correct. The two of you are to only observe, that is all.”

Jim glanced at you. “What’s going on?”

“Well,” you started, “it’s just - well.”

“Spit it out,” Jim chuckled and shook his head - noting how devastatingly attractive you looked when you were pondering away.

Eyeing each man, you sighed and threw a hand up. “FOR GODSAKES! MUST I SPELL IT OUT! DURING THAT TIME - A WOMAN OF MY COLOR WALKING NEXT TO JIM COULD HAVE CONSEQUENCES!”

A silence fell over the transportation room, until Spock’s eyes lit up in realization. He cleared his throat and looked to his Captain. “Lt. Y/L/N is addressing the racial issue that plagued the 1950’s - which spilled out until the early 60’s.”

“And throughout the history of the United States of America,” you added swiftly.

Jim’s eyes flew to yours and he strided to you, placing a hand onto your shoulder. “I wouldn’t - we would never send you down to a place like that.”

You looked to Spock for confirmation and he noted that the people of Auro had not occupied that particularly horrifying behavior. “Only the setting and day to day life - nothing else. Everyone is free to roam where they want and with whomever.”

Jim’s hand squeezed your shoulder and he smiled gently at you. “Are you ready to go, then?”

Inhaling deeply with relief, you shake your head yes and the two of you walked onto the platform. He stood next to you and gave you that perfect smirk on his, before looking to Scotty.

“Beam us down, Scotty.”

The air was thick with life, the colors vibrate and vivid. Your mouth gaped out an impressive gasp, eyes not knowing where to go next. It felt like the two of you had stepped into a time machine and your body felt alive - wanting to explore every nook and cranny of the small planet.

The two of you started down the street, taking in every shop and car that passed. The people were friendly, smiling and saying hello as they walked on by - the woman’s clothing varied from long knitted skirts to mod style dresses. The men looked timely in their suits and the ones in casual wear looked very much like Jim, who was walking next to you - just as enchanted.

“This is amazing - I’ve seen classic movies and this place looks like Hairspray.”

“Hairspray?”

Jim nodded at a young man carrying a stack of books before looking to you in confusion.

“I guess we know who didn’t take the classic movie course,” you teased, stopping in your tracks with a jolted halt.

“Must have sleep through..” Jim paused when he realized you were not beside him. Turning around, he spotted you a few steps back - staring at something. Walking to you, he touched you lightly on the arm and followed your gaze. Across the street was what looked like an eating establishment. “Red Racer,” he read slowly.

“I’m suddenly very hungry. What about you, Jim?”

Your eyes were glued to the red painted diner, with large windows around the building and a coke machine in the front. Sensing the excitement coming from you, he agreed and offered his arm to you. Taking it, the two of you crossed the street.

Walking up to the diner, you released your hand from Jim as he opened the door to you. Stepping inside, again you were left speechless. Black and white checkered tile graced the floor and music - the music filled the small restaurant

“Well aren’t you a cute couple - take a seat and I’ll be right with you.” A brunette in a red flare dress with a pink apron motioned for the two of you to pick a seat. You looked to Jim, who suggested a back booth. The waitress smiled and went to grab two menus.

Sliding into the vinyl booth, you grinned as Jim took a seat across from you. His blue eyes took you in and a soft smile crept from the corner of his lips.

“What should we order?”

You pondered his question before suggesting hamburgers, fries and two cokes. When the waitress arrived with the menu, you politely declined and ordered for Jim and you. Your feet danced under the table to the song that was playing and Jim laughed at your fidgeting.

“Let me guess - classical music history course?”

Leaning into the table, you looked around before speaking in a low voice. “Beside the whole racist nonsense of this decade - it’s my favorite time in history. The music, the style - the simplicity. It’s a gas.”

Jim’s eyes crinkled as a loud laugh left his throat. “A gas!”

“Yes, Jim! A gas! It means fun - having a good time! I’m glad one of us did some studying before coming here.”

Holding a hand up in defense, Jim ceased his laughter and just smiled - smiled ever so perfectly at you and for that brief moment, you wished to never leave the diner. Your gaze on him, had Jim looking down at his lap before retreating his eyes up when the waitress brought the two cokes to the table.

“The burgers should be out soon.”

Thanking her, you took a long sip from the cold beverage and sighed. “Wow, that is good.”

Jim concurred and started talking about catching a classic movie while the two of you were down here. Agreeing, your eyes went to the jukebox in your line of sight and smirked.

“Jim, do you have the currency Spock gave you?”

“Sure, why?”

“I need change,” you requested getting up from the booth and holding out a hand. With a well crafted simper, Jim rummaged in his pockets and placed two dimes in your hand - staring down at the coins you scoffed.

“So odd,” you murmured before walking to the jukebox.

Back at the booth, Jim moved to the edge of the seat, letting his legs fall in front of him and his right elbow rest on the table. He ran a look up and down your body, not ogling - admiring. It was no secret, Jim was taken with you and had been for quite some time. You felt the same, but neither of you acted on it - for reasons unknown, but mostly because the two of you never had any privacy. He was the Captain of the Enterprise and you were a well gifted Lieutenant - whose skills varied from medical to communications. The two of you were practically running the vessel and never could catch a break - until now. As he sat there, watching you studying the song catalog - Jim realized opportunity was calling. It was time to let you know he wanted you in the worst and best way.

Flipping through the jukebox options, you landed on a song that you knew well and pushed the two dimes in, selecting the song along with another and turned to Jim.

“My baby does the hanky panky, my baby does the hanky panky..”

You hips started to sway to the beat, the singer’s voice was raw and the song itself sounded amatuer - as if it was recorded in a garage, yet it made the song sound delicious. Jim grinned - eyes glued to the way your hips moved - mesmerizing him as you held out a hand. He chuckled and shook his head no, but your eyes narrowed and your shoulders jerked side to side - every so seductively, at least that’s what Jim saw. So he got up and hesitated before walking over to you.

“I saw her walking on down the line, you know I saw her for the very first time. A pretty little girl standing all alone. Hey, pretty baby, can I take you home..”

“Don’t tell me the great Jim Kirk isn’t a dancer?”

Jim scoffed and grabbed you by the waist, pulling you into his body. You gasped quietly and relished in the closeness of the man you had very much cared for - smiling as he spun you around and dipped you, before slowly bringing you back up to his eye level. His groin moved against yours, the heat rose from your toes and suddenly the knit sweater you had on - felt a little too warm. A hand moved down to the small of your back and the two of you danced dangerously close - his eyes fell to your lips and the song faded into the background. Your were breathless as the song finished and the only sound was little bits of conversation floating through the diner. Jim pressed his hand further into your back, making sure there was no room left between the two of you. Hitching a breath, you slid both hands up his arms and rested them against the base of his neck.

“Hey,” he whispered out in a brief chuckle.

“Hey back.” Your bottom lip twitched in anticipation, slowing pulling his head down to you just as the next song came on.

Everything seem to stand still as Jim licked his lips, inches from yours - eyes closed as you felt his body against yours, his warm hand radiated through your clothing. And when his lips touched yours, it felt like a dream.

A long awaited dream - that was interrupted with a curt clearing of a throat. It was the waitress and she was slightly amused - holding two plates of food.

“I’m sorry kiddos - that isn’t allowed in here.”

Panic riddled your body, maybe Spock was wrong. Your hands fell from Jim’s neck and went to the communicator hed had tucked in his jacket, ready to be beamed up.

“Excuse me?” Jim retorted with anger. “We have every right to be here - if I want to kiss my girl, I will-”

“No, you got it wrong sugar,” she laughed and your hand left Jim’s pocket, keeping the communicator hidden. “We don’t care about that sorta thing - what do you think we are? Scum! No, just meant none of that snogging! That’s what make-out hill is for!”

Relaxing, Jim apologized and quickly motioned for you to take a seat - smiling when you chose his side. Getting in after you, he apologized again and thanked her for the food.

“Don’t worry about it - the two of you were not that bad. You should see the teenagers on a Friday night! Rowdy crowd, enjoy the burgers.”

She turned to leave, but you called to her. “I’m sorry, but you mentioned a make-out hill?”

Jim tried desperately to hide the knowing smirk on his face and took a bite of his burger.

The waitress grinned and nodded. “It’s only about a 10 minute walk from here, go down Adams and turn on Rowell - it’s a small park overlooking the drive-in.”

“Oh, that’s - good to know.”

Laughing the waitress agreed and winked at you before turning to leave.

“Make-out hill, really?”

Jim nudged you playfully and you shrugged. “Our mission is take in all that Auro has to offer. I think make-out hill is a good start, don’t you?”

Unable to argue with such magnificent logical, Jim leaned into your side and pressed a kiss onto your forehead, letting his lips linger down to your ear. “That’s a great idea, Lieutenant.”

“The report you sent in on Auro was very informative, Captain.” Spock stood next to Jim on the Bridge, while you manned Uhura’s station, because she had the day off.

“I’m glad to hear that, Spock.”

“With one exception, if you may.”

Jim looked over to the Vulcan and asked him to go on.

“Well, I do not understand the details of what you described as the make-out hill. Why was that necessary to add to the report?”

Spock stared at Jim, who grinned. “It just was, Spock - will you ever stop questioning me?”

“No.”

Ignoring his friend, Jim looked over his shoulder to you. A song came to his mind, one that had been stuck in his head for days now and when you caught his gaze with a shared smile - he turned with a wide grin and the first words of the song came tumbling out of his mouth - so quiet not even the Vulcan next to him could hear.

“My baby does the hanky panky..”

Enjoyed the story? If you can spare a dollar or so, consider supporting my blog! Thanks love!

Being lazy and tagging those who come to mind at the moment. @travelwithwords @outside-the-government @yourtropegirl @star-trekkin-across-theuniverse @imoutofmyvulcanmind @spinsterlocity @girl-next-door-writes

#trek fest 2017 #jim kirk x reader #jim kirk x woc!reader #woc!reader #star trek aos #jim kirk #kirk x reader #James t Kirk x reader

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healthnotion · 6 years ago

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How to Wear a Denim Jacket

It took Levi Strauss a decade after creating the world’s first blue jeans to realize that the material that worked so well to clothe a man’s lower half, also worked brilliantly to outfit his upper half as well.

The modern man needn’t take so long to make that leap.

Denim not only makes for some of the best-looking and easy-wearin’ pants, it also makes for a handsome and rugged jacket.

140 years after first outfitting men who worked on railroads and ranches, the jean jacket continues to serve as functional, low maintenance outerwear; its durable material provides decent protection to one’s arms and torso, doesn’t wrinkle, takes a beating, and lasts for the long haul. Light in weight, it’s a great jacket for those just-a-bit-chilly days that mark the seasons of spring and fall.

With a collar and a structure that typically tapers to the waist, the denim jacket also creates a more masculine silhouette and adds to the visual appeal that arises from layering in ways that faintly echo a sports jacket, but with an entirely different vibe — casual, rebellious, oppositional-to-the-suits. Thrown over a t-shirt, it instantly adds a lot more interest to an otherwise basic get-up.

Given these assets in function and form, why are guys often hesitant to make what is really a rather simple staple of menswear part of their wardrobe?

The fact that the denim jacket is associated with miners, cowboys, truck drivers, and rockers adds to its iconoclastic appeal, but at the same time, guys may worry that its tough and cool legacy might not sit comfortably on their shoulders; they don’t want to look like a wannabe or have the jacket come off as “costumey.” They also don’t want to look like a hipster who’s trying too hard to channel the ethos of blue collar workwear. Or maybe a fella just associates the jacket with the 1980s and wonders if they’re still in style.

Well, the good news is that these hang-ups needn’t be an issue: a denim jacket can suit a man whether or not he swings a hammer or slays a guitar, can be adopted in a way that’s both natural and sharp, and when worn well, will always be, no matter the decade, perennially in style.

Choosing a Denim Jacket

No matter the era, the denim jacket remains a sweet sartorial staple.

If you’d like to add a denim jacket to your closet, choosing one comes down to thinking about two main qualities: fit and color.

Fit. As with all garments, fit is king with the jean jacket. You don’t want the jacket to either be too baggy, nor too tight. A well-fitted jacket should exhibit the following qualities:

Fits over the thickest top you plan to wear it with.

Can be buttoned up without tightness or pulling when worn over a t-shirt (denim jackets are not commonly buttoned up, but can be; if you do button up, still leave at least the top and bottom buttons undone).

Fabric hangs down in straight planes.

Bottom hem hits at about the hips; the denim jacket is a shorter jacket, and the bottom hem shouldn’t extend much past your beltline, with about the middle of your fly/upper thigh being the longest it should fall. However, the jacket shouldn’t be too short either; if it creeps up to your waistline and above, it will look too cropped, and begin to approach a more feminine style of jean jacket.

Ends of sleeves hit a little past the bends of the wrists, but don’t extend past the creases of the thumbs.

You’re able to cross and swing your arms comfortably; if you find denim fabric feels too constricting (this can be the case with darker and raw denim; lighter washes will typically be pretty soft), look for a jacket made with a bit of stretchy material added to the cotton fabric.

Color. While denim jackets are available in a variety of colors these days, blue is the most classic and versatile. Of blue jackets, their “formality” ranges along with the washes of their denim. All jean jackets are inherently very casual, but one made with a dark wash denim will be slightly “dressier,” while one with a light wash denim will be the very most casual. A medium wash sits right in the middle and is arguably your best pick — it’s versatile, classic-looking, and soft.

What to Wear With a Denim Jacket

Denim jackets aren’t versatile in the way sports jackets are — unlike the latter, they can’t be dressed up or down to meet the requirements of just about every dress code. While some very fashion-forward sartorialists will put a jean jacket over a dress shirt and tie (and even a waistcoat), the contrast between the more formal underlayer and the very casual outerwear is too jarring to make for a good look.

Denim jackets are versatile, however, in that they pair well with most every other garment that resides in the casual category of your wardrobe. These pairings can still be more or less ideal, however, and we’ll delineate that spectrum below.

On Bottom

The one rule you’ve probably heard about wearing a jean jacket is to never do “double denim”; that is, you shouldn’t wear a denim jacket on top of denim jeans. The result of this pairing is what’s called the “Canadian tuxedo,” named after an incident in the 1950s, when Bing Crosby was banned from a swanky Canadian hotel for wearing an all-denim get-up, and the Levi’s company responded by making him an entirely denim tuxedo to rock.

The reason that “double denim” is considered a faux pas is that when your denim jacket and jeans are too matchy-matchy, it looks like you’re wearing a weird pseudo suit. But avoiding this combo isn’t a hard and fast rule. While it’s more difficult to pull off well, you can wear a denim jacket with jeans, as long as you make sure there’s a good amount of contrast between the two pieces. That is, instead of wearing a medium wash jacket with medium wash jeans, you wear a darker jacket with lighter jeans, or vice versa. You can also wear jeans in a color other than blue — black or charcoal can look good with a denim jacket.

And you know what, if you’re a little daring, you can even break the rule entirely and wear a jacket and jeans that are close in color. I do! I just like my so-called Canadian tuxedo, and don’t care if it’s “wrong.” I guess that’s the rebel in me, eh?

If you’re not sure if you can pull off double denim, or just don’t like the look of it yourself, it’s best to just heed the proscription against it. Below are common and safe guidelines for how to clothe your lower half while wearing a denim jacket, with options ranked from less to more ideal:

Poor:

Dress trousers (too much high low/contrast)

Jeans that closely match the color of your jacket

Alright:

Jeans in a color that contrasts with the jacket

Joggers

Best:

Chinos/khakis (in brown, tan, olive, gray, etc.)

Corduroys

As far as your footwear goes, think casual: canvas/leather/suede sneakers, leather boots, chukkas, etc.

On Top

When it comes to what to wear under your denim jacket, a single layer is often all you need; while additional layers can be interesting, you don’t want to or need to add much bulk under a denim jacket. A thin base layer will let the jacket hang comfortably, and without constriction. Jean jackets just lend themselves to a more simple, “spare” look too.

Below we break down your underlayer choices from unadvisable to can’t-miss:

Poor:

Button-up dress shirts (too formal)

Technical-fabric workout shirts (too casual, even for a denim jacket, with a shiny texture that doesn’t complement the jacket’s matte ruggedness)

Chambray button-downs (while chambray is technically a different fabric from denim, it looks close enough to it to make this another iteration of “double denim”)

Alright:

Sweaters (some thin and very casual sweaters can work, but many can look funny under a jean jacket)

Polos (an okay pairing, but the preppy nature of the shirt clashes a bit with the jacket’s more rough-n-ready vibe)

Button-down shirts (in a very casual workplace, a jean jacket can serve as almost a kind of sports jacket substitute when worn over a button-down; a checkered print is a nice look here)

Best:

T-shirts (of all kinds, but the plain white tee is an especially classic choice)

Long- or short-sleeve henleys

Hoodies (evinces a more “urban” look)

Flannel/plaid shirts

As you mix your bottom and top layers with your denim jacket, you can prevent your get-up from looking too “costumey” by avoiding pairing too many things from one “archetype.” For example, if you wear a flannel shirt under your jacket, don’t also wear leather work boots and a beanie. Or don’t wear a white tee under your jacket, along with black jeans, and black work boots, unless you’re a biker, or intentionally going for that look. Just let the jean jacket be a natural accompaniment to the other casual clothes you already wear.

A denim jacket makes a great addition to a man’s casual wardrobe — there’s a good chance that deep down you want one, so get one. And then start wearing the heck out of it. It only looks and feels better with age. Clothing is only as authentic as the real use you get out of it.

The post How to Wear a Denim Jacket appeared first on The Art of Manliness.

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getothefashion · 5 years ago

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veronacouturefashion-blog · 6 years ago

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