#based on reality

[petermorwood]

Based on reality...ish.

After seeing this post, @elizabethgoudge wondered:

"Wasn't there a real prototype like the Hydra plane in Captain America?"

TL:DR -Yes, there was. Indeed there were several, though "real" is a bit bit up in the air (or not, considering that none of these things ever flew...)

*****

"Captain America: The First Avenger" based some of its hardware on four or maybe even five Nazi-era prototypes, "real" in the sense of having a nebulous existence as sketches, blueprints, or concept / wind-tunnel models.

The film's design department clearly knew their stuff. They may have used other things instead or as well (there were so MANY), so the following is just my own speculation, based on many years of making many model kits :->

The Hydra mini-sub...

...seems based on a cross between the (real) "Seehund" midget submarine...

...and the design-concept Focke-Wulf Ta 283 ramjet aircraft.

Red Skull's escape plane, though never clearly visible...

...wasn't just based on but WAS a Focke-Wulf Triebflügel ("powered wings" - meaning the ramjet-driven rotor blades around its waist).

This was a proposed tail-sitter VTOL interceptor where taking off straight up might (?) have been possible, but landing straight down and backwards would invite all sorts of unwanted excitement.

It also made a brief background appearance in "Loki".

The Valkyrie flying wing…

…was based on, and hugely upscaled from, the Horten H.XVIII, one of many pie-in-the-sky "Amerikabomber" projects.

Resemblance to a Northrop YB-35 (props) / YB-49 (jets)...

…is coincidence based on form-follows-function, since - and rather importantly - the Northrop planes were built for use by the US Air Force, not the Luftwaffe (though given the way some plotlines went, their use by Hydra is another matter…)

The flying bombs which it carried...

...seem based partly on a Messerschmitt Me 334 project fighter...

...and partly on a Sombold So 344 bomber-destroyer, which had the same detachable-bomb arrangement.

The So 344's explosive nose was meant to be launched into a formation of Allied bombers, after which - despite aerodynamics now wildly out of whack and a bunch of angry escort fighters in hot pursuit - the piloted part would land safely.

Yeah, right...

*****

Despite "what if...?" suggestions on the "History" Channel that one or other of these contraptions could have "won WW2", they didn't even help to lose it less severely.

IMO their probable main purpose was to keep numerous engineers and designers safe(-ish) with pencil and ruler in workshops and at drawing boards, rather than very much not safe with rifle and grenade on some bomb-and-bullet-swept front line.

*****

Besides the midget submarine, there's one other exception to all this based-on-paper stuff, and that's Red Skull's car...

...whose inspiration seems to have been the Mercedes Benz W31 G4 heavy staff car and a Hispano Suiza H6A limousine custom-built in 1923 for the King of Spain.

All of which goes along with my own notion, that starting with a real - or merely "real" - object is a great way to make fantasy objects look, and sound in description, more convincing.

Or, as @dduane says, "The more truth you mix with a lie, the stronger it gets..."

:->

[centipedve]

people underestimate how difficult it is to write a comic script, they don't take it very seriously, but really it's a battle to work on the ioi script because after two new lines we can't stop thinking about boys kissing

[rawpastas]

He’s not gonna have any story I just got bored

Hope y’all like him cuz I like the design a lot

[radagon-in-eldentale]

Kitchen Destroyer🔥

[vibin-lemon]

HIIIIII MY NAME IS SATAN AND KALO LET ME TAKE OVER HIS ACCOUNT FOR A MONTH AHAHAHAHHAAAAA THE INTERNET IS MINE

[zeezeepearl]

ok im going to #seriouspost for a second here. I don't think Harry Potter is a manifesto. I think it was a flawed passion project that millennials latched onto because of the fantasy of sticking it to their mean teachers and arbitrarily categorizing themselves (hogwarts houses; it's the thinking millennial's astrology). I think the fact that the series got popular when and how it did was very much a product of its time.

I don't think Harry Potter is the biggest symbol of JKR's bigotry. I think the most flagrant sign of that was how she responded to critics. I watched her become radicalized in real time. I watched how she doubled down on her racism when she was called out for the ways she promoted her tragically mid fantastic beasts movies. I watched her chase marginalized teenagers with a double digit follower count off of twitter for daring to criticize her thought process, and no one with any kind of power standing against her because she was the one who was paying them. This isn't to say Harry Potter is without flaws. This is to say she really didn't give a shit about that. Getting rich and powerful is a hell of a drug, and she had enough sycophants that she had no reason to care about what her critics were saying.

She was convinced that she was a martyr; a voice for the unheard; a leader for the ages, so of course her detractors were the bad guys. And I think we should take this to heart. We should see this as an example of how easy it is to get radicalized; if you think of yourself as a paragon of virtue, you are going to think that whatever you see as good and right is an objective fact. Most people don't know this, but the majority of terfs start out as trans allies. You are not immune to propaganda! You are not immune to falling into dangerous ideologies!!!

This is why the most important thing you can do as an activist is to listen. Do NOT think you're above being wrong; do NOT develop a god complex; do NOT form an identity out of being right all the time. Involve yourselves in the groups you claim to speak for. Listen to trans women; share resources that help trans women; familiarize yourself with the diversity of experiences that trans people have and the struggles they face.

No, none of you are as bad as JKR because you don't have her money or her power. You will likely never have the capacity for harm she does. But check yourselves. Do not affirm yourselves into thinking you always have the moral high ground. Watch yourselves; humble yourselves; check yourselves for signs of cult behavior and internalized prejudice. You are always learning. You will always be learning. Do not allow yourselves to get a power trip from brushing off marginalized voices.

[chimerafeathers]

i really love how intensely Mirabelle reacts to act 5 Siffrin botched friendquest.

Isabeau is mostly operating out of concern and, eventually, hurt. he already knows something’s up before Siffrin gets to him. he knows something truly awful must be wrong for Siffrin to be lashing out like they are, and as soon as he can’t handle the situation anymore, he leaves and asks (with strained cheer) for time apart to cool off.

most of Bonnie’s anger comes from being upset and afraid that Siffrin would willingly put themself in danger for no reason, when that’s exactly why they’ve been so unsettled since the eye incident. they hate that Siffrin values their own life so little, they hate that they’re the cause of any pain or loss for him, and here he is, putting himself in that situation AGAIN. on purpose. it’s loud and explosive, but it’s familiar, too, being “hated” by Bonnie for this reason.

Odile pushes, and keeps pushing, until her concern overwhelms Siffrin and they strike where they know she’s most vulnerable. she gets physical, just for a moment, grabbing his collar before controlling herself and letting go. her fury shuts down into cold detachment, and she walks away.

but Mirabelle—dear, sweet, gentle, loving Mirabelle, “the most wonderful being on earth,” with her secret “ruthless side” that largely involves lightly badmouthing people behind their backs and then apologizing—slaps them. immediately.

and then COMPLETELY RENOUNCES THEIR FRIENDSHIP.

not just “we’re not friends anymore,” but “we were never friends in the first place.”

that’s!!! pretty extreme!!!!

of course, she ALSO starts by asking what’s wrong. something must have happened for him to act like this. but as soon as Siffrin brushes her off, she jumps past that line of questioning and dives headfirst into re-evaluating everything she thought she knew about them as a a person.

if he could say something like that to her and not see anything wrong with it, then she was wrong to treat him as a friend, wrong to read camaraderie into his teasing, wrong to think they must care about them all under their aloof demeanor.

that’s how Mirabelle phrases it—“I was wrong about you”—but i think that there’s a hidden layer of I was right about you, too.

she talks about the way they tease her like she had to convince herself that he was doing it in a friendly way. she says they talk like they “know better than her” like that’s a thought she’s had for a LONG time.

“Always soooo mysterious, Siffrin, always talking as if you're better than me! As if you know me!!! But you don't, Siffrin!!! You're just as lost and useless as I am!!! So stop!!! Talking!!! As if you know me!!!!!!”

none of this comes across as a new, sudden way to view Siffrin for her. it doesn’t shock or confuse her. it makes her angry, defensive, almost like she was waiting for something like this to happen at some point. the feeling of resentment, frustration, jealousy, being patronized and condescended to—this is something she’s been actively pushing down and rejecting this entire time, but they’ve given her ample reason for it all to boil to the surface. violently.

Mirabelle’s kindness is not inherent or easy. it’s a choice she’s making. she treats Siffrin warmly because she gives him the benefit of the doubt—refusing to act based on anxiety-fueled, cynical speculation, and reassuring herself that his actions are driven by care and friendship even if she can’t quite see it.

“I was wrong about you” doesn’t mean she always and without question believed them to be a fundamentally kind, caring person from the beginning—it’s that her first, colder instincts were right, and she was wrong to convince herself otherwise.

never mind that she asked what was wrong at first. she barely gives them time to speak in their own defense, to explain what they really meant by what they said. all of her suppressed doubts and frustrations are getting aired out now, now that all the trust she’d so deliberately placed in him has been betrayed. her pain feels bigger than this singular moment, so when she hurts him back, she makes sure it extends back through the entirety of their relationship for him, too.

“You're awful. You're not my friend, not my ally, not anything. You never were.”

like the others, she goes back to the clocktower and tells Siffrin not to come back until later. but there’s a finality to the way she ends this confrontation that isn’t quite there with the others. Isabeau and Odile reach their breaking point and remove themselves from the situation, asking for space to cool off but still somewhat leaving the door open for Siffrin to tell them what’s really going on at some point. Mirabelle is the only one who tries to fully cut ties—after everything else she says, her “I don’t want to see you until tonight” reads to me somewhat as “I don’t want to see you anymore unless I have to.”

I can’t wait to never see you again.

even back at the clocktower, Mirabelle doesn’t really defend Siffrin’s place in the party when Odile suggests leaving them behind out of concern for their trustworthiness on the most important day of the journey. Isabeau and Bonnie protest out of sentimentality and faith in Siffrin’s abilities and connection to them, and Mirabelle agrees, but…

“I agree, but... B-But would he even agree to come with us, still? Maybe they won't even come back tonight...”

she doesn’t say much outside of that. maybe the stutter and hesitation here are signs of regret about how things happened, but she lacks Isabeau and Bonnie’s confidence that Siffrin even wants to come back to them in the first place. she doesn’t trust that their bond was real anymore. maybe it never was in the first place, or maybe she broke whatever was there herself.

and she’s still mad when they finally catch up to Siffrin at the King! and she makes sure Siffrin knows that—after saving them, assuring him that he no longer needs to fight, that they’re all there for him. she still cares, of course she still cares—she’s still hurt, too, but they can figure that part out once there’s less world-ending stuff going on.

she’s the first to say that they all reserve the right to still be angry at Siffrin later—and that they’ve already forgiven him.

she’s also the first to say we want to stay with you, too. it’s not just you.

she was wrong! she thought they didn’t care but they care so much, it’s overwhelming, it’s world-ending.

i think she’s gonna be wallowing in guilt post-canon the moment she remembers what she said and did TO SIFFRIN and not just what Siffrin said to her. especially now that she knows Siffrin’s exact hangups, and especially especially if she figures out what Siffrin was trying to say.

they put themself through hell out of loneliness and fear that none of the others cared about him the way he cared about them, he was going insane from repetition and exhaustion and hunger and trying to keep them all safe and together, and all they did in the midst of all that was say something kind of mean to her one time (that turned out to not even be MEANT to be mean it was supposed to be HELPFUL they just SAID IT ALL WRONG) and she SLAPPED THEM? and told him that they WEREN’T FRIENDS AT ALL??? how could she!!! she should have known better!! what they said hurt a lot but still!!!

so when they eventually manage to try to talk about it, they end up almost in, like, a guilt competition.

Mirabelle apologizing for how she reacted, that she shouldn’t have yelled or hit him, that she doesn’t want to be the kind of person who acts that way out of anger and she’s sorry that she made Siffrin expect that reaction from her, she should have known better and believed in him more and they only messed up like that because they were losing their mind in a time loop but what’s HER excuse—

and Siffrin going nononono stop I deserved it—(HUH DON’T SAY THAT NO YOU DIDN’T)—and that he should never have said such awful things to her, ever, and she was under so much pressure already with the weight of the country and everyone’s lives and futures and her religion and their whole party counting on her to do this impossible task because she’s the only one who can, all this unbearable expectation and hope crushing her, and they KNEW that but they thought they could skip to the ending as though her feelings didn’t matter at all, like helping her wasn’t as important as saving a little time—

until they’re just. in tears together, apologizing for all the horrible things they did in between complimenting each other’s strength and kindness and resilience and how much they admire each other and saying that no, everything you did was completely understandable, actually, the only one who sucks here is me. which neither of them will accept coming from the other!!

they’re so similar, in ways they couldn’t really understand, before.

warm, affectionate, perfect Mirabelle, the resolute hero, a beacon of compassion and hope for all those around her, who wears her heart on her sleeve, her fear making her courage shine all the brighter—nothing like the insignificant, forgettable Siffrin, too terrified to be known, too fragile to touch, too selfish and disgusting to bear letting go.

cool, mysterious, unflappable Siffrin, the worldly traveler, as charming and silly as they are confident and skilled, who brushed off losing an eye like it was nothing, accepting the risks of this journey with barely more than a shrug—nothing like the anxious, stagnant, undeserving Mirabelle, a fraud and a nobody crumbling under the weight of a mission too important to be entrusted to someone like her, doubting herself, doubting her friends, doubting her mentor, doubting her faith, too weak and brittle to bend and change the way the world needs her to without breaking.

not worth bothering others with their problems. they should be able to handle this alone. stay positive, stay calm. breathe in, and out.

they’ll struggle with it, still—the hiding, the minimizing—but now, they understand each other a little better. they can hold each other accountable for what they leave unsaid.

it’ll get easier, eventually. they have plenty of time.

[fixing-bad-posts]

I guarantee kink is part of pride, we need kink at pride.

[chinotorres0919]

Haha funny little people things are more accepted. Oh yea? Things are more accepted? Prove it to me kuz as of now anyone who says LGBTQ++ community as it easy like all of us. Ur wrong. Here's the proof. See unlike most people I do my research here's how I know that people don't approve of men in dresses or any of that stuff. 68 countries are against it. 11 countries the death penalty is put into place for LGBTQ++. Don't ever bring me fiction bring me facts.

Next time don't cry when someone tells u ur wrong. N don't go running n blocking the person all kuz ur mad that u got proven wrong.

If it's so accepted than y r 68 countries against LGBTQ++??? 11 COUNTRIES HAVE THE DEATH PENALTY FOR LGBTQ++.

Just so everyone knows I'm doing this to prove a point I'm sick of people telling me I'm wrong. Unlike most of u I know WAT THE FUK I am talking about.

[arcdreamer]

"The Summer Experience" pt3

“Yeah, it does have the full package of events.” – I sighed. “But how on earth did they fire you?” – She asked. “Well. Thing began with them noticing that I’m smart.” – I looked at her, doing ducky lips, wiggling my brows. “Oh tha-at smart, huh?” – She giggles. “Yeah, so they noticed that I do job well and I’m smart to handle more. So they started to ask if I wanted to have a position that is…

[fangs-trait]

party time, genetic material, demon slayers

[ x-men | part 1/? ]

[vulpixelates]

i know it will never happen but i so desperately desire an origins-type playable backstory thing in all games but especially veilguard. i feel like it added so much depth to origins and made you feel instantly connected to your character in a way that gets lost in games like inquisition where you fill in the blanks as you go except for the bare basics. like, i do enjoy the freedom to willy nilly decide where a character was before the events of the story from a creative perspective, but the playable origins were just so good! especially when you go back to where your warden is from and can engage differently with the arcs there

[pastelaeqy]

can someone PLEASE get these characters out of my head I do NOT want them here anymore they keep making me SAD

more on the first one in the tags

[bet-on-me-13]

What Happened to GIW Site-13

So! One day, in the middle of a random field in Illinois, there is a Spacial Anomaly that is picked up by the Watchtower's Sensors.

They send a team to investigate, and find a strange facility having suddenly appeared out of nowhere. The Terrain around the Facility seems displaced, like it was dragged along by whatever dropped the Facility there, but the Flora around the Facility matched its surroundings so it couldn't have come from too far away? Where did it come from?

The Justice League doesn't pay too much mind to it at first, busy dealing with their usual mess of problems to do more than contact the local government and send a few Heroes to help with the investigation. It didn't seem to be an active threat at the moment, so sending a few superpowered Heroes are a precaution was seen as a good enough response for the time.

When the first Expedition Team went missing, they took a bigger interest.

They made contact with the Agency that was leading the investigation, a smaller agency known as the GIW that was focused on studying Supernatural Anomalies. They usually wouldn't have been the first choice, given their niche focus, but this was a special circumstance.

The Facility that had been discovered both markings stating that it was "GIW Research Site 13", however the Records they had stated that this Facility was never actually built. There were Plans to build it, but the Agency was hit with Budget Cuts after they failed to provide adequate evidence of the Supernatural, and it was scrapped. They had no explanation for how a Facility that never existed suddenly appeared out of nowhere.

They decided to send in another Team as Investigation and Rescue, this time equipped with the latest technology they GIW had developed called "Ecto-Tech", as well as a Magic User from Justice League Dark for insurance. They managed to maintain Video Contact with the Team thanks to the Ecto-Tech Cameras they had, and what they saw did not sit right with any of them.

The entire Facility was built like a Prison.

Prison Cells, or to be more accurate, Cages, lined the Walls of the section they had entered. Evidence of previous inhabitants Littered the Cells, scratches on the metal and green glowing blood staining the floors were just some of the things they found in those Cages. One of the Technicians on the Team identified the Cages as having been built with Ecto-Tech, despite the fact that the Ecto-Tech they had spent years developing was nowhere near as advanced as this.

As they continued they found Walls covered in more Glowing Green Blood, spelling out haunting messages. "They never wanted to Investigate", "Guys In White", and the most common "What F̷E̴N̸T̴O̸N̷ happened to Site 13"

Delving deeper into the Facility, they eventually found a working Computer Terminal and downloaded as much information as they could, sending it back up to the surface wirelessly, before turning around to begin searching for the other Expedition Team. But when they tried to follow they path back to their starting location, they found that it had changed. The Hallways they had just passed were missing, there were new branches in the path that never existed, and their equipment suddenly told them that they halls they were standing in didn't exist according to the Blueprints they had.

The Camera's didn't last long after that, and the last images sent through the feed were of a glowing green figure slowly approaching the Team from down a dark hallway. It seemed to be dripping with blood. Non-Green Blood.

Of course some of the League wanted to immediately rush in to save them, but it would be too dangerous without knowing more about the situation. They looked at the files they had received from the Team before they disappeared.

From there, they formed a timeline of events.

It seemed that the Facility came from an Alternate History, or another Dimension, similar to their own but with a few changes.

By all accounts it seemed like the timeline of its Original Dimension followed their very closely, until one day in the 80's when the first major discrepancy appeared. On Febuary 12th, 1989 that Universes version of the GIW reported "A True Emergence of multiple Ectoplasmic Entities reported in Amity Park, Illinois, 2:31 PM".

Apparently in that universe, the GIW had been successful in locating evidence of the Supernatural. It seemed like this event allowed them to avoid the budget cuts they had experienced in their own Universe, which was the first major change from their own Timeline. Without the Budget Cut, the GIW managed to build their Facility near where they first spotted the Entity, and from there the timeline continued to diverge.

In that same small town, multiple more sightings of Ectoplasmic Entities were reported, all witnessed to be attacking the civilian population using their abilities. It was also reported that a single Ectoplasmic Entity, thereafter known as "Designation Phantom", was defending the civilain population for unknown reasons.

Eventually the source of these Sightings was tracked down to a pair of Scientists living in Amity Park, who were decades ahead in terms of the study of Ectoplasm and Ecto-Tech, who had managed to open a Portal into another Dimension they called the "Ghost Zone". The GIW Approached them for their research, and eventually hired them on as Scientists. Their names were Dr's Jack and Madeline Fenton.

A quick investigation revealed that Jack Fenton and Maddie Walker did exist in their universe, but Jack Fenton went into Mechanical Engineering while Maddie Walker went into Theoritical Physics. They had never met in the current universe.

According to the Doctors, Ectoplasmic Entities lack the ability to have Sentience, and held a malicious rage to all living beings. They stated that "Ghosts" were simply imprinted memories on Ectoplasm that acted as if it was a thinking entity, and that "Ghosts" should be eradicated at all costs.

Unfortunately, the GIW believed them to be Geniuses ahead of their time and accepted every word that came out of their mouths as absolute fact. Any researchers that protested their claims were quickly fired as to not upset their new Golden geese, and the GIW began to follow their new Mission of eradicating all "Ghosts".

From there was a series of files detailing multiple raids into the Ghost Zone, the capture and detainment of hundreds of Ghosts and "Ecto-Infected Humans", and the gruesomely detailed Experimentation logs of the Dr's Fenton as they studied their Captured specimens.

Many of the people being debriefed later on had to leave the room when they got to that point.

It seemed like the Dr's Fenton were the most proud of the Noteworthy Specimens they had managed to capture and dissect, those which evidence showed were much older and more powerful than the typical ghosts rhey captured. These were collectively designated as the "Ancients" by the Logs.

A Yeti-Entity with Ice Powers. A Shadow-Like Humanoid with Phobokinesis. A Female Humanoid with Draconification abilities. A Four Armed Female Humanoid with Extreme Strength. A Strange Entity with Chronokineses.

But what they were most proud of was one of the first Ghosts ever reported. Designation Phantom.

They particular File was completely corrupted beyond saving, but from the notes surrounding it, it had been a very exciting time for the Doctors.

But now, better informed on the situation and what they may encounter, the Justice League decided on a new plan of action. They still didn't know how the Facility had been ripped out of its Original Universe and into theirs, but for now their objective was simply a rescue mission for both expedition teams while Justice League Dark worked with the GIW on countermeasure for Ghosts. From the Files their Universes GIW had on Ghosts, they were certainly still dangerous, and allowing them to escape the facility would be a problem. So they needed containment measures.

The Justice League prepared for their Rescue Operation, unknowing of the eyes watching their every move.

He had dragged that accursed Facility into this world in an attempt to get help, and now all he could hope for was that this version of the Justice League would act better than their own. And if they didn't, he could always try a different universe.

All would be as it should be. Eventually.

[canisalbus]

Real fan art is coming one day, but for now I really wanted to see if it was feasible to simplify their gradients into something that would fit a simple style like Bluey’s 😅

.

[mychapel-004]

FNAF SPOILERS! SCROLL! TALKING ABOUT THE SPRINGLOCK SCENE!

i’ve seen so many people discussing the springlock scene in both negative and positive ways and i think it brings up really cool points about how matthew played that scene and balanced fan expectations with his own characterisation.

i think the discussions around this movie have rlly exposed the disconnect between fanon and canon in fnaf, especially talking abt the core games in isolation, bc frankly in the game universe (ignoring the books) we get Very Little characterisation for William other than the obvious, but Matthew managed to add so much in the way he talks and his body language.

in the reveal scene, we see afton at arguably his peak. in his first scene, he comes off as somewhat demeaning and judgemental until he recognises mike’s name, at which point he seems to have this nervous energy, rushing to cover it up but stumbling slightly, his reaction to the tables being turned even slightly is massive.

this is a man who committed multiple mrdrs in essentially broad daylight, hid the bodies in the most obvious place, and still got away with it, and then kept the crime scene as a trophy of his actions, and an ongoing prison sentence for his victims. he has been in complete control for decades, and is confident that he can deal with any kind of threat quickly. his confidence in his reveal is palpable

it changes when vanessa shoots him. the whole parallel with vanessa and the animatronics is hugely interesting too- how william refers to the animatronics almost endearingly as “kids” when he wants them to obey, how both vanny and the animatronics have an unearned loyalty to him, almost a pseudo-adoption through what he did to them, taking them from their parents and keeping them under his thumb, forever stuck as naive, forgiving, obedient children. vanessa breaking from that control shakes him, but the mask slips back into place almost immediately.

then, he’s outsmarted by the brother of one of his victims, and the child he planned to end next. his pseudo-children turn on him and he can no longer manipulate his appearance or shed his skin to escape. he explodes on them, and his language is incredibly telling that he is being dishonest.

he calls them small, trying to belittle them into submission, even though they are ten feet tall metal animatronics powered by rage. he is grasping at straws to regain control, and failing miserably.

finally, the springlocks go off. the locks in the movie look more like a ribcage, so the first two likely puncture his lungs. they’re slow, and painful, but he doesn’t scream or beg or sob. he grunts and groans, gritting his teeth and only letting out sounds of pain that sound almost involuntary. there is no way in hell he would visibly let himself show weakness or pain in front of these creatures that he believes he has control over. he isn’t brought to his knees until there are eight metal spikes embedded in his abdomen. he doesn’t let the mask fall for even a second, until he literally PUTS THE ACTUAL MASK ON and finally collapses. even then, he’s fighting for consciousness, twitching and writhing with no control over his body. william afton thrives on control, and his soul will not rest until he gets it back.

it’s why he keeps the pizzeria- he always comes back. he can’t help but return to the scene of the crime, putting on his old costume, continuing his killings. he revels in being a constant threat on the horizon. and now, he knows he is going to die, and he knows the suit will bring him back, and noone will be able to get rid of him then. so he puts the mask back on, and waits.

in terms of the sfx- they’re pretty accurate. with stab wounds, you need to leave the knife in the wound as long as possible for best chance of survival, as it stops the blood from escaping. in terms of the springlocks, there wouldn’t be copious amounts of blood as the locks are keeping the wounds filled- which is good because it means a slower, more painful death.