#baroque dance
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I had this brainrot in my head all week. Just two cuties dancing an allemande (???)
yeah she's dancing in her stays, don't worry about it, I assume they're alone or James wouldn't have indulged this side of himself I've decided that he has
I referenced this vid on youtube, which was an excerpt from something called Dancing Through Time. In my brief and poorly-educated searches on baroque dance, I came across two different ideas about what it was - a much simpler and less touchy-feely dance, and the one I linked above, which appears to be the 18th century version of grinding on the dance floor swing and actually looks like a lot of fun.
#18th century#amrev#baroque dance#allemande dance#liberty's kids#sarah phillips#james hiller#sarah phillips/james hiller#I am incapable of maintaining consistency in design#no I don't know what that background is about#I scrubbed along the hue/sat bars for at least fifteen minutes and this is what I came up with#my art
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Yearly obligatory reblog 😌
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Today is World ballet Day, and you must be crazy if you thought I’d let this day pass with no new post soooo… here we are! With a ballet from the 18th century staged in the 18th century way! ISN’T THAT AWESOME?
This is the scene no. 7 of “Didona Abbandonata, ballo tragico pantomimo” (1766) by Gasparo Angiolini. This is a live recording from 2015, re-staged by Helena Kazárová. All this looks just gorgeous. I with there was a troupe of baroque dancing near me.
Credits:
Helena Kazárová (choreography and stage direction)
Hartig Ensemble dancers
Musica Florea orchestra (conducted by Marek Štryncl)
Costumes: Roman Šolc
Make-up and wigs: Karel Langer
Filmed by Daniel Roznyó
Cast: Queen Dido - Blanka Ferjentsik Wernerová, Aeneas - Miroslav Stehlík, Ladies-in-waiting: Michaela Bartlová, Ida Fišerová, Lenka Kantorová, Michaela Špačková. Companions of Aeneas: Ladislav Beneš, Aleš Hanzlík
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Ferdinand van Kessel (attributed)
The Dance of the Rats
ca. 1690
#Ferdinand van Kessel#flemish painter#flemish painting#flemish art#flemish artist#baroque#baroque painting#baroque art#baroque artist#rats#animals in art#dancing#17th century#art on tumblr#rodent#beautiful animals#art history#aesthetictumblr#tumblraesthetic#tumblrpic#tumblrpictures#tumblr art#aesthetic#beauty
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ah yes, the two genders. testosterone boys and harlequinn girls.
#p!atd#panic! at the disco#afycso#a fever you can't sweat out#ryan ross#brendon urie#spencer smith#jon walker#old panic!#2005#2000s emo#emo#emo music#emo kid#poppunk#pop punk#dance punk#baroque pop#baroque rock
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Mezzetin or Mezzetino is a comic character in the Commedia Dell'arte, an italian genre of theatre characterised by masked "types" that was very popular in Paris (and all of Europe) from the 16th to the 18th century and it's considered to be a variation of the stock character Brighella (also comedic and masked).
We can recognise Mezzetin not only because of the title of the painting, but thanks to his outfit: red or burgundy livery, or striped jacket and breeches, and a floppy hat. Sometimes he also wears a short cape and a musical instrument or a sword. Here another version of Mezzetin by Watteau:
Mezzetin, Jean-Antoine Watteau, ca. 1718-1720., Metropolitan Museum of Art.
Above we see him with a baton, which might seem like an odd choice, but the caption reads "Mezzetin dancing", and the baton was the way the ballet master would direct both the music and the dance, as we can still see here in the 19th century:
Dance Class at the Opera, rue Le Peletier, Edgar Degas, 1872, Musée d'Orsay
Mezzetin is pictured during a temps which is pretty much a pose, since there is no actual movement during the temps (standing on one leg, the other one is extended pointed to the front, side or back), and this movement is usually a whole bar in the music, so I personally think of it a pause or a moment to pose and show off the foot and position (but that's only the way I personally feel it XD). The arms are in opposition: left leg and right arm to the front. This is how that looks leg to the front looks in Beauchamp-Feuillet notation:
Choréographie, Raoul Auger Feuillet, 1700
So, now we can all have a nice photo posing like Mezzetin dancing.
ab. 1720 French School - Mezzetin dancing
(Carnavalet Museum)
#18th century#baroque#art#18th century art#mezzetin#commedia dell'arte#baroque dance#dance#degas#watteau#1700s#1710s#1720s
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#architecture#architettura#damrak#Canal#Het groot complimentenboek#buildings#homes#Dutch#grachtenpand#Nederlands#dancing houses#facades#gables#baroque#amsterdam
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A Fever You Can't Sweat Out by Panic! at the Disco is a Demigirl and Bisexual!
requested by @buriedstargirl
#request#album#a fever you can't sweat out#afycso#demigirl#bisexual#bi#panic! at the disco#patd#ryan ross#spencer smith#brent wilson#pop punk#emo pop#baroque pop#alternative rock#electronica#dance punk#2005
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No references no coherent thoughts just Sansa and Arya dancing to Purcell
Oh my GODS Sansa would have loved Purcell
#also baroque dances. Sansa would have loved those#Arya Stark#Sansa Stark#westeros stuff#Asoiaf#Sonja's art
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A Dance to the Music of Time by Nicolas Poussin, 1634-1636.
#classic art#painting#nicolas poussin#french artist#17th century#baroque#allegorical art#life allegory#people#almost nude#angels#dancing#musical instrument#statues#outside
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An Early Documentation of the Safety Dance
Andromeda by Juan Antonio de Frías y Escalante
#andromeda#juan antonio de frías y escalante#escalante#art#greek mythology#safety dance#17th century art#baroque art#sea monster#painting
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I miss ski jumping :(
#ski jumping#i'm so sad#wisla would have been nice#now i still have to wait like two weeks until they jump again#courchevel was like when someone would place a table full of treats right in front of you but you are only allowed to take one#(like the Ü-Ei ad lol)#but on a lighter note#I'll be able to visit Klingenthal for the sgp#so thats nice#:)#update#I might not be able to visit Klingenthal :(#I have a ballet performance on that day#(or well at least a dance performance)#which is always super special and fun#(especially because we get to wear baroque esque dresses for that performance because its more like a themed ball than anything else)#and now I'm torn between the two options#:(#I really want to see ski jumping irl#but the performance would also be so nice#if anybody has suggestions or advice on this decision please lmk#I desperately need a second opinion
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Scoring Florence + The Machine’s Albums Out of 100
Florence Welch’s discography is a wild journey of emotion, grandeur, and vulnerability. Here’s how I would score each album out of 100:
Lungs (2009) – 95/100 Florence + The Machine's debut album that started it all. Lungs is a raw and powerful album that shows the versatility of Florence Welch's voice and songwriting talents. The music has a chaotic energy because Florence was still discovering her voice. She technically wrote the album over five years. Plus, she was working with multiple songwriting partners and producers. The mystical undertones, gothic lyrics, and big drums make this album a storm. Some of my favorite songs were co-written and produced with Florence + The Machine co-founder Isabella Summers, including "Dog Days Are Over" and "Cosmic Love." Standouts: "Rabbit Heart (Raise It Up)," "Cosmic Love", and "Between Two Lungs"
Ceremonials (2011) – 97/100 This album is a true masterpiece because it's "a wall of sound," to quote Florence Welch. Florence leaned fully into the baroque. She and her collaborators (Paul Epworth, Isabella Summers, Francis White, James Ford, etc) created an otherworldly atmosphere with drums & percussion, harps, pianos, guitars, bells, bass, synth, and layers of Florence singing backup vocals. Ceremonials explores themes of water, death, and rebirth. Every elegant song feels like a grand cathedral of sound. Standouts: "Shake It Out," "Breaking Down," and "Only If For a Night"
How Big, How Blue, How Beautiful (2015) – 92/100 Florence reined in some of the grandiosity for a more rock-influenced sound. It's still lush, but the instrumentation focuses on guitars and horns. Florence faces her demons in this album and comes out better on the other side. I love the emotional complexity of this album, but a couple of tracks feel slightly more subdued than expected. This was the last album where Isabella Summers co-wrote or produced any Florence + The Machine songs. She and Florence co-wrote three songs, including one of my favorites, "Delilah." Standouts: "What Kind of Man," "Ship to Wreck," and "Delilah"
High as Hope (2018) – 93/100 This album is more stripped-back and personal than her previous ones. Florence Welch co-produced and wrote the whole album by herself. The vulnerability of High as Hope is palpable throughout the songs. While some might miss the massive production of earlier albums, the intimacy of High as Hope is its strength. All the songs feel delicate and confessional. Standouts: "Hunger," "Sky Full of Song," and "Big God"
Dance Fever (2022) – 99/100 This is my favorite Florence + The Machine album. Dance Fever blends the theatricality of Ceremonials with the emotional introspection of High as Hope. I love how Florence wrote an album that combines the confessional aspects of High as Hope and How Big, How Blue, How Beautiful with the horror movies she watched during the pandemic to produce some genuinely epic lyrics. The instrumentals of every song make you want to dance, even if the lyrics make you want to cry. Florence's vocals are at the next level, showing how much she has grown since Lungs. Standouts: "King," "Free," and "Dream Girl Evil"
#florence and the machine#florence + the machine#florence welch#fatm#florence welch and isabella summers#isabella summers#isa machine#florabella#musicians#producers#songwriters#dance fever#lungs album#hbhbhb#high as hope#ceremonials#albums#album#scores#indie pop#indie folk#baroque pop#art pop#neo soul#folk#gothic pop#power pop#art rock#orchestral rock
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youtube
youtube
#the 90s song ever#poll#polls#music poll#tournament poll#90s music#spice girls#90s pop#dance pop#seal#baroque pop#90s soul#Youtube
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What power art thou?
Who from below
Hast made me rise?
Unwillingly and slow
From beds of everlasting snow
See'st thou not how stiff
And wondrous old?
Far unfit to bear the bitter cold
I can scarcely move
Or draw my breath
I can scarcely move
Or draw my breath
Let me, let me
Let me freeze again
Let me, let me freeze again to death
Let me, let me
Let me freeze again to death 💀
The Cold Song by Klaus Nomi 🎧
#Intomysoul#Opera#baroque#klaus nomi#The Cold Song#gif moodboard#gif mood board#4/2024#moodboard#track of the day#exploring music#musick#slow dancing#dance the pain away#dancing in the dark#classic music#x-heesy#fucking favorite#music#now playing#spotify#music and art#l o v e
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Queen Charlotte | c. 1768 Nathaniel Dance-Holland
#queen charlotte#portrait#royal portrait#baroque#1760s#18th century art#nathaniel dance-holland#classical painting#art#painting#oil on canvas#bridgerton characters#curators on tumblr
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