#bali artisan

[925realsilver]

This 925 sterling silver woven bracelet formed from two types of chain, rope chain and wheat chain.

Unisex-friendly as this item has masculinity side of its wide chain and femininity side of its elegant clasp design.

[mothmiso]

Bali (2) (3) (4) (5) (6) by Ygal Ktorza

Via Flickr:

(1) Sangeh Monkey Forest (2) Balangan beach (3) (4) (5) Uluwatu's temple (6) Fruit vendor    

[handweavers]

something that comes up for me over and over is a deep frustration with academics who write about and study craft but have little hands-on experience with working with that craft, because it leads to them making mistakes in their analysis and even labelling of objects and techniques incorrectly. i see this from something as simple as textiles on display in museums being labelled with techniques that are very obviously wrong (claiming something is knit when it's clearly crochet, woven when that technique could only be done as embroidery applied to cloth off-loom) to articles and books written about the history of various aspects of textiles making considerable errors when trying to describe basic aspects of textile craft-knowledge (ex. a book i read recently that tried to say that dyeing cotton is far easier than dyeing wool because cotton takes colour more easily than wool, and used that as part of an argument as to why cotton became so prominent in the industrial revolution, which is so blatantly incorrect to any dyer that it seriously harms the argument being made even if the overall point is ultimately correct)

the thing is that craft is a language, an embodied knowledge that crosses the boundaries of spoken communication into a physical understanding. craft has theory, but it is not theoretical: there is a necessary physicality to our work, to our knowledge, that cannot be substituted. two artisans who share a craft share a language, even if that language is not verbal. when you understand how a material functions and behaves without deliberate thought, when the material knowledge becomes instinct, when your hands know these things just as well if not better than your conscious mind does, new avenues of communication are opened. an embodied knowledge of a craft is its own language that is able to be communicated across time, and one easily misunderstood by those without that fluency. an academic whose knowledge is entirely theoretical may look at a piece of metalwork from the 3rd century and struggle to understand the function or intent of it, but if you were to show the same piece to a living blacksmith they would likely be able to tell you with startling accuracy what their ancient colleague was trying to do.

a more elaborate example: when i was in residence at a dye studio on bali, the dyer who mentored me showed me a bowl of shimmering grey mud, and explained in bahasa that they harvest the mud several feet under the roots of certain species of mangroves. once the mud is cleaned and strained, it's mixed with bran water and left to ferment for weeks to months.  he noted that the mud cannot be used until the fermentation process has left a glittering sheen to its surface. when layered over a fermented dye containing the flowers from a tree, the cloth turns grey, and repeated dippings in the flower-liquid and mud vats deepen this colour until it's a warm black. 

he didn't explain why this works, and he did not have to. his methods are different from mine, but the same chemical processes are occurring. tannins always turn grey when they interact with iron and they don't react to other additives the same way, so tannins (polyphenols) and iron must be fundamental parts of this process. many types of earthen clay contain a type of bacteria that creates biogenic iron as a byproduct, and mixing bran water with this mud would give the bacteria sugars to feast upon, multiplying, and producing more of this biogenic iron. when the iron content is high enough that the mud shimmers, applying this fermented mixture to cloth soaked in tannins would cause the iron to react with the tannin and finally, miraculously: a deep, living grey-black cloth.

in my dye studio i have dissolved iron sulphide ii in boiling water and submerged cloth soaked in tannin extract in this iron water, and watched it emerge, chemically altered, now deep and living grey-black just like the cloth my mentor on bali dyed. when i watched him dip cloth in this brown bath of fermented flower-water, and then into the shimmering mud and witness the cloth emerge this same shade of grey, i understand exactly what he was doing and why. embodied craft knowledge is its own language, and if you're going to dedicate your life to writing about a craft it would be of great benefit to actually "speak" that language, or you're likely to make serious errors.

the arrogance is not that different from a historian or anthropologist who tries to study a culture or people without understanding their written or spoken tongue, and then makes mistakes in their analysis because they are fundamentally disconnected from the way the people they are talking about communicate. the voyeuristic academic desire to observe and analyse the world at a distance, without participating in it. how often academics will write about social movements, political theory and philosophy and never actually get involved in any of these movements while they're happening. my issue with the way they interact with craft is less serious than the others i mentioned, but one that constantly bothers me when coming into contact with the divide between "those who make a living writing about a subject" and "those who make a living doing that subject"

[kayuandco]

Go Green in the Kitchen with Eco-Friendly Large Wooden Salad Bowls

There isn't anything quite like the beauty and natural charm of a large wooden salad bowl. Crafted from high-quality timber and made with expert precision, these unique pieces are a testament to the skill and dedication of Balinese artisans. At Kayu&Co., we offer a diverse selection of large wooden salad bowls that are both functional and works of art in their own right.

Our big wooden salad bowls are crafted by hand with care, ensuring each piece is unique and one-of-a-kind. We use only the highest quality native Balinese wood, which is carefully selected and carved to create a smooth and matte finish. What's more, our wooden products are made from a mix of wood and coconut fibre waste, making them 100% compostable and eco-friendly.

Kayu&Co. is committed to sustainability, and our large wooden salad bowls are no exception. We use sustainable production methods and ensure that our products contribute to a healthier planet. We also empower women artisans in Bali, providing them with a platform to showcase their talents and earn a livelihood. By choosing our large bowls, you're not just investing in a beautiful and functional piece of art - you're also contributing to positive change.

Our bowls are perfect for any occasion, whether you're hosting a dinner party or simply enjoying a meal with family and friends. They're also great for decorating your kitchen, adding a touch of natural elegance to your home. With their exceptional durability and distinctive designs, our large wooden salad bowls are a great addition to any home.

Choose Kayu&Co. for large wooden salad bowls that go beyond the ordinary. Contact us today at Website and experience the difference of ethical craftsmanship!

Source URL:https://kayuandco.blogspot.com/2024/02/go-green-in-kitchen-with-eco-friendly.html

[sparkledlotus]

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🪷•°Sparkled Lotus°•🪷

#beading #beadwork #zipperpulls #charms #beadedbookmarks #keychains #jewelrymaking #earrings #handmadejewelry #jewelrycrafts #artisanjewelry #bracelets #jewelry #etsy #ebay #handmade #gifts #handmadewithlove #artisan #handcrafted #fashion #shopsmall #women #womenownedbusiness #smallbusiness #charmbracelet #butterfly #floral #flower #hibiscus

[hunterartemis]

The Kate Sharmas in Real Life : Indian women in 19th Century Attire

As an Austenite, I find Bridgerton an abomination, from the costume to plotline. However, like many people I found the 2nd season a bit tolerable especially the storytelling. Simone Ashley who was Kate Sharma (it’s rather pronounced as “sher-ma”) reminded me someone, especially someone dressed in western clothes in colonial India.

It is a preconceived notion by many that Indian people, especially women did not wore western clothes until it was post 1960s, but it is not true. The most fundamental garment, a blouse for saree was a Victorian addition. The eastern Indian women often worn saree as a single garment, and in ancient times, Saree or “akhanda vastra” (undivided cloth) was worn with a “kanchuki” underneath, or an Indian version of Bandeau. Blouse, in its modern form was then called a Chemise (semij, as the local vernacular called it). It came as in late 19th century, and the trendsetters were Upper class Bengali women. Rabindranath Tagore mentions how modern yet scandalising it was for a woman to wear a “Semij” in his numerous novels, especially in Chokher Bali .The picture below is of Princess Sudhira of Cooch Behar wearing what can be deemed as the earliest Indo-Western Fusion fashion in 1900s (she was known to have some good european wardrobe)

You might be thinking, Indo-Western garment is not anything near to the empire line Regency costume! yes, it is not. But before you at me, behold this historical photograph.

She is Maharani Suniti Devi, Queen of the Princely state of Cooch Behar, North Bengal. This shot was taken at 1902. I Know I am 100 years too late but during the 1813 Indian royals were busy from saving their states from the British Subsidiary Alliances, and Artisans were getting crushed by the flooding capitalists as the Monopoly of the East Indian Company was abolished by the 1813 Charter Act--- long story short, they didn’t wear the western garments that early. I picked her photo specifically because Simone Ashley, as Kate Sharma reminded me of her. Tall, slim, thin mouth, bright eyes, voluminous hair and dark skin. 

It is not that there are no dark skin rulers in India, and there were no royal women who donned western clothes--there are: in Fact the Daughter of Daleep Singh, the last Sikh Emperor and the Maharani of Kapurthala, both were photographed in Late Edwardian costumes in the beginning of 20th century. My pick is specially Suniti Devi because she exudes a classic ethnic Bengali beauty. I am emphasising on the fact Bengali because in Indian pop-culture Bengali women are portrayed as docile soft shy beings venerated for their big eyes and pliant beauty. However here you can see that this women is anything but. She is properly clothed in Late Victorian gown. From the prim contours of the waist it is clear that she is wearing proper undergarments like longline corset; light bustle as it was fashionable at that time and the correct petticoat. Loose but well arranged Gibson curls define her thick Bengali waves at the front of the head. The entire thing does not come off as costume-like, she looks like she was made for wearing it: she was not obviously corset trained because Indians often prefer loose fitted clothing and yet she does not look least bit out of place in that dress. 

Despite everything western in that dress from the Gibson hair to the black passmentary lace detaiiing on the white skirt, there is a distinct Indianness that graces the outfit. A long trail of English tulle is draped across the chest, as to emulate the shoulder drape of the saree: in India, a gentleman’s daughter is required to cover her chest with the drape of saree or a light scarf with Salwar. She didn’t need to; she was a Maharani, she could go without it, but she chose to drape it anyway. she also wears bangles in both hands, again a Custom by Bengali women who think a girl should not leave her wrists empty, because it symbolises widowhood. It was unlikely for a Victorian or Edwardian woman to wear bangles in both hands, especially without gloves-- but she did it anyway.

This distinct Indianness with western outfit is the exact essence which Kate replicated in the Wedding Scene

[positivexcellence]

towwn: summer officially starts tomorrow, which means it’s time to gear up for beach days + poolside siestas. need a new bathing suit? these eco-conscious brands are reimagining every step of the production process—from recycled, regenerative and/or renewable materials to reduced waste, eco packaging + more. dive into our list of eco swimwear pioneers + share your favorite green bathing suits in the comments

@summersalt made for women by women with a commitment to innovative materials like econyl recycled nylon, this beloved brand minimizes waste by reducing demand for virgin resources + improving manufacturing processes.

@vitaminaswim in addition to biosculpt suits, a plant-based alternative to nylon, this brand invests in regenerative ocean farming + conservation via partnership with @1percentftp.

@prana these ethically made bathing suits for men + women are fair trade certified, utilizing organic cotton, hemp + recycled polyester. stylish + affordable with eco-friendly manufacturing, the fenton + vintage boardshorts are editor favs.

@cleobella a celeb-favorite, these designs are handmade + produced by artisans in bali or india with eco-friendly materials like gots-certified organic hemp, linen + biodegradable fabrics.

@andieswim promoting eco-friendly materials like regenerated nylon made from fishing net + discarded plastics, this nyc-based, female-founded co. gets high marks for ethical manufacturing, size inclusivity, + timeless, durable designs.

@madewell the popular store boasts a swimwear line made of recycled fabric, including over 4 tons of recycled pre-consumer nylon – think: fishing net, fabric scraps, + carpet. featuring inclusive sizing, you’ll look good *and* feel good in these suits.

@venus a sustainable yet highly affordable brand, the site features a large collection that utilizes digital printing, which minimizes water waste compared to screen printing. they also use repurposed fabric scraps + defective items to reduce waste, chemicals + emissions.

@meraeke this sexy swim brand is based in miami, inspired by greece, + made from 100% recycled + sustainable fabrics – specifically econyl regenerated nylon, which saves oil & carbon emissions.

[nailshavenbali]

Simple yet Elegant❤️😍

Simple nail arts created by one of our nail artisans at Nails Haven Bali. 😍💥

[sadhyagoel]

A tropical paradise: Bali

In the Indonesian archipelago like a jewel in the ocean, Bali stands as an epitome of tropical allure and cultural richness. Renowned globally as the Island of the Gods, Bali beckons travelers with its lush landscapes, pristine beaches, vibrant culture, and spiritual sanctuaries.

Bali's landscape is a testament to Mother Nature's unparalleled artistry. Verdant rice terraces cascade down hillsides like emerald staircases, offering a glimpse into the island's agricultural heritage and captivating visitors with their serene beauty. Pristine beaches, such as the iconic shores of Kuta, Seminyak, and Uluwatu, invite sun-seekers to indulge in blissful relaxation and watersports amidst the gentle rhythm of the waves.

Bali's cultural richness is woven into every facet of daily life, from elaborate temple ceremonies to vibrant dance performances that tell stories of ancient legends and traditions. The island's temples, adorned with intricate carvings and surrounded by lush greenery, serve as spiritual sanctuaries where devotees and visitors alike come to seek solace and connect with the divine.

Artistry flourishes in Bali, with skilled artisans crafting intricate wood carvings, colorful batik textiles, and mesmerizing Balinese paintings that reflect the island's cultural heritage and spiritual beliefs. Visitors can explore bustling art markets, such as Ubud's famous artisan villages, where they can witness traditional craftsmanship and even try their hand at creating their own works of art.

Bali's holistic approach to wellness attracts seekers from around the world, drawn to the island's tranquil spas, yoga retreats, and wellness centers. From rejuvenating Balinese massages to revitalizing yoga sessions amidst serene surroundings, Bali offers a sanctuary for the mind, body, and soul, where visitors can find inner peace and balance amidst the tropical paradise.

Bali, with its natural splendor, cultural vibrancy, and spiritual essence, invites travelers to embark on a journey of exploration and discovery. Whether seeking adventure, relaxation, or cultural immersion, the Island of the Gods promises an unforgettable experience that leaves a lasting imprint on the soul. So, let the allure of Bali beckon you to its shores, where tropical paradise and timeless traditions await.

[sochicfinds]

950 Silver Double Dragon Bangle, Tigers Eye Stone Bracelet, Vintage Artisan Jewelry Bali

[myangelan]

Embodying the strength, grace, and mystique of dragons in a tattoo isn't easy, but the artisans at this Bali tattoo studio have managed to do just that. Marvel at their craft and let the dragon spirit guide you.

[925realsilver]

Coming in twisted rope band, this bangle is so chic to complete your holiday look with its shimmering color from the abalone shells part of the cutie turtles. Handcrafted by skillful artisans in Bali, Indonesia.

[reitmonero]

Traditional Batik Making in Ubud

Where to See Traditional Batik Making: In Ubud, you can experience traditional batik making at several places. One of the most popular spots is the Bali Batik Factory located in the center of Ubud. Here, you can witness the intricate process of batik making firsthand, from the application of hot wax to the dyeing of the fabric. The artisans at the factory are usually more than happy to explain…

[odnewsin]

Odisha: Today’s pics

Ahead of Cuttack’s ‘Bali Jatra,’ artisans prepare various decorative items for the festivities  

[sparkledlotus]

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▪︎DROP LENGTH: Approx 1.5"

▪︎TOTAL LENGTH: Approx 2"

▪︎BEAD WIDTHS: 4mm - 6mm

▪︎EARRING CLOSURE: French hook

▪︎METAL: Silver plated brass & Tibet/Bali style antiqued metal alloy components

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BEADS: Czech glass beads; Translucent firepolished olive green luster daisies, translucent ruby red flat flower petals, opaque yellow ochre faceted crystal rounds & translucent cobalt blue Picasso faceted rondelle crystals

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🪷•°Sparkled Lotus°•🪷

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[incrediblesphere]

Bali Silver Jewelry: Craft Your Own Style