#baker has a deathwish
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Jamie Foy - Baker Has Deathwish Part 2
#Jamie Foy#Baker skateboards#Baker Has a Deathwish Part 2#baker has a Deathwish#skateboarding#I stole this gif from slap
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falling down a tony hawk hole (again) after reading your skater fic
If you mean the video games, good shit.
If you mean his actual skating then I need you to do something for me instead because vert and transition skating is cool but street is where its at.
Go on youtube and watch any 2 of the following, Baker 3, Baker Has A Deathwish, The Deathwish Video, and Emerica Presents: Stay Gold. Come back tomorrow and I'll give you more.
In fact, I'm gonna go watch skate videos right now
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Casper Brooker BAKER HAS A DEATHWISH 2 part
#video#skateboarding#deathwish#casper brooker#deathwish 2#skateboarding part#skateboarding edit#baker skateboards
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Lizard King skates for Baker/DeathWish.. whom lives to Shredd, and RIPs bongs and scooby snax errday!!
#thk#teamhalloweenkids#my gif#halloween#Halloween is rocknroll#deathwish#lizard king#420#baker has a deathwish#rip boards and bongs#Live to skate#skate or die#built to shredd#shake junt#berrics
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🛹 4t2 parenthood skateboard recolors 🛹
as promised (to myself), here are 14 recolors on the “board meeting” mesh from parenthood, converted by earlypleasantview.
there’s a total of 16 skate brands featured, some newer than others, but i made sure to include a few more recognizable brands like element and enjoi. i wish there was a sophisticated catalog of past artwork on decks, and if there were photos, it wasn’t the pristine easy-to-transfer images that are currently on distributors’ websites. so what you see here are the current boards being offered by each respective brand. three of the recolors include more than one brand: girl/chocolate, dgk/keystreet, and deathwish/doomsayers/antihero. i could go on forever about this project it has been my favorite to work on by far! i can definitely see myself making more recolors like this in the future. :]
the mesh is included, but be sure to grab EA’s recolors here.
files are compressed. swatches included in the zip.
download: [sfs] | [box] ♡
credits: @earlypleasantview, my bf♡ for the help + suggestions, skate brands: baker, birdhouse, element, enjoi, dgk, key street, deathwish, doomsayers, antihero, girl, chocolate, hookups, krooked, real, santa cruz, + tactics.
#ts2 download#ts2 recolors#ts2 object#4t2#s2cc#ts2#4t2cc#ts2cc#ts2 deco#sims 2 cc#4t2 conversion#i told myself 15 would be limit and i think i did p good with what i could find#maybe now ill finish the other wall hangings in my wip folder...... maybe#anyway the thai leftovers in my fridge are calling my name
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(slash are pea, irt characters) Tommy and Phil are certified Insufferable Morning People. Tommy will shout at everyone in the vicinity to RISE AND GRIND!!! the second someone can reasonably call the time "dawn", already fully dressed. Phil likes to use all his daylight and is the kind of guy to sleep with his window open and get out of bed to the sunrise which allows for, when he chooses to use it, maximum ability to annoy Techno, who doesn't want to get out of bed in general. Why would you want to get out of bed. What's there for him
Ranboo does not have a sleep "schedule" (in part because no one knows how much sleep he needs or when or how not even him) (this may be part of why his neuroses are as aggravated as they are) but if you somehow find him when he's properly asleep and you disturb him he WILL be muttering under his breath when he thinks you're out of earshot for the rest of the day. And he will not be saying kind things.
Niki can wake up early – she is a baker after all – but she appreciates the art of sleeping in on off days very much
Wilbur has never woken up early and the times he's lied about doing so have either been him waking up at 3AM and failing to fall back asleep or never going to sleep at all
Tubbo wakes up at 0630 and goes to bed at 2230 every night to lie there for eight hours and sometimes he even sleeps
Deathwish Coffee knew about the staged finale because Punz had to call to tell them to adjust the amount of stock they were sending to the Dream SMP because Dream was about to be incarcerated
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TOP TEN OLDER MAINSTREAM COMICS I READ THIS YEAR
I kept track of all the comics I read this year, and not all of them were new. I have no idea who this will help or benefit but at least the circumstances of me only listing the completely arbitrary older work I read for the first time this year will deter anyone from arguing with me. However, for the sake of possibly being contentious, let me mention two comics that fall outside the top ten, because they’re bad:
Trencher by Keith Giffen. David King did a comic strip about Keith Giffen’s art style on this book in issue 2 of But Is It... Comic Aht that everybody loved, and made me be like, ok, I’ll check it out. But it’s basically just a retread of Lobo in terms of its tone and approach, but without Simon Bisley. I don’t really know why anyone wouldn’t think Bisley is the better cartoonist. Also, those comics are terrible. Thumbs down.
The Green Lantern by Grant Morrison, Liam Sharp, and Steve Oliff. I bought the first year of these comics for a dollar each off a dude doing a sidewalk sale. Found them sort of incoherent? I haven’t liked a new Grant Morrison comic in ages, with All-Star Superman being really the only outlier since like We3. This is clearly modeled off of European comics like Druillet or something, and would maybe benefit from being printed larger, I really dislike the modeled color too. But also it’s just aggressively fast-paced, with issues ending in ways that feel like cliffhangers but aren’t, and no real characters of interest.
As for the top ten list itself, for those who’ve looked at my Letterboxd page, slots 10-8 are approximately “3 stars,” 7-4 are 3 1/2 stars, slots 3 and 2 are 4 stars, with number one being a 4 1/2 star comic. The comics I’m listing on my “Best Of The Year” list that’ll run at the Comics Journal alongside a bunch of people are all 4 1/2 or 5 star comics. This is INSANELY NERDY and pedantic to note, and I eschew star ratings half the time anyway, because assignations of numeric value to art are absurd except within the specific framework of how strong a recommendation is, and on Letterboxd I feel like I’m speaking to a very small and self-selecting group of people whose tastes I generally know. (And I generally would not recommend joining Letterboxd to people!) But what I mean by all of this is just that there is a whole world of work I value more than this stuff, and I’ll recommend the truly outstanding shit to interested readers in good time.
10. Justice Society Of America by Len Strazewski and Mike Parobeck. Did some quarantine regressing and bought these comics, a few of which were some of the first comics I ever read, but I didn’t read the whole thing regularly as a kid. Parobeck’s a fun cartoonist, this stuff is readable. It’s faintly generic/baseline competent but there’s a cheap and readable quality to this stuff that modern comics lack. Interestingly, the letters column is made up of old people who remember the characters and feel like it’s marketed towards them, and since that wasn’t profitable, when the book was canceled, Parobeck went over to drawing The Batman Adventures, which was actively marketed towards kids. It’s funny that him and Ty Templeton were basically viewed as “normal” mainline DC Comics for a few years there and then became relegated to this specific subset of cartooning language, which everyone likes and thought was good but didn’t fit inside the corporate self-image, which has basically no aesthetic values.
9. The Shadow 18 & 19 by Andy Helfer and Kyle Baker. I’d been grabbing issues of this run of comics for years and am only now finishing it. Kyle Baker’s art is swell but Helfer writes a demanding script, these are slow reads that cause the eye to glaze over a bit.
8. The Jam 3-8 by Bernie Mireault. I made a post where I suggested Mireault’s The Jam might be one of the better Slave Labor comics. Probably not true but what I ended up getting are some colored reprints Tundra did, and some black and white issues published by Dark Horse after that. Mireault’s art style is kinda like Roger Langridge. After these, he did a crossover with Mike Allred’s Madman and then did a series of backups in those comics, it makes sense to group them together, along with Jay Stephens’ Atomic City Tales and Paul Grist’s Jack Staff, or Mike Mignola’s Hellboy, as this stream that runs parallel to Image Comics but is basically better, a little more readable, but still feeling closer to something commercial in intention as opposed to self-expression. Although it also IS self-expression, just the expression of a self that has internalized a lot of tropes and interests in superhero comics. If you have also read a lot of superhero comics, but also a lot of alternative comics, stuff like this basically reads like nothing. It’s comfort food on the same level of mashed potatoes: I love it when it’s well-done but there’s also a passable version that can be made when depressed and uninspired. But drawing like Roger Langridge is definitely not bad!
7. WildC.A.T.S by Alan Moore, Travis Charest, et al. I wrote a post about these comics a few months ago, but let me reiterate the salient points: There’s two collections, the first one is much better than the second, and the first is incredibly dumbed-down in its nineties Image Comics style but also feels like the best version of that possible, when Charest is doing art. Also, these collections are out of print now, a friend of mine pointed out maybe they can’t be reprinted because they involve characters owned by Todd McFarlane but Wildstorm is owned wholly by DC now.
6. Haywire by Michael Fleischer and Vince Giarrano. I made a post about this comic when I first read a few issues right around the time Michael Fleischer died a few years ago, but didn’t read all of it then. This feels way more deliberately structured than most action comics, with its limited cast and lack of ties to any broader universe, but it’s also dumb and sleazy and fast moving, and feels related to what were the popular movies of the day, splitting its influences evenly between erotic thrillers about yuppies and Stallone-starring action movies. The erotic thriller element is mostly just “a villain in bondage gear” which is sort of standard superhero comics bullshit but it’s also a little bit deeper than that. The first three issues, inked by Kyle Baker, look the best.
5. Dick Tracy by John Moore and Kyle Baker. These look even better! A little unclear which John Moore this is? There’s John Francis Moore, who worked with Howard Chaykin and was scripting TV around this time, but there’s another dude who was a cartoonist who did a miniseries for Piranha Press and then moved on to doing work for Disney on Darkwing Duck comics. Anyway, Kyle Baker colors these, they’re energetically cartooned, each issue is like 64 pages, with every page being close to a strip or scene in a movie. I’m impressed by them, and there’s a nice bulk that makes them a nice thing to keep a kid busy. (For the record, my favorite Kyle Baker solo comic is probably You Are Here.)
4. Chronos by John Francis Moore and Paul Guinan. I was moving on from DC comics by the late nineties, but Grant Morrison’s JLA was surely a positive influence on everyone, especially compared to the vibe there in the subsequent two decades. These are well-crafted. There’s a little stretch where it uses the whole “time-traveling protagonist” thing to do a run of issues which stand alone but fall in sequence too and it’s pretty smooth and smart. The art is strong enough to carry it, the sort of cartoony faces with detailed backgrounds it’s widely agreed works perfectly, but that you rarely see in mainstream comics. The coloring is done digitally, but not over-modeled enough to ruin it.
3. Martha Washington by Frank Miller and Dave Gibbons. A few miniseries, all of which sort of get weaker as they go, but all in one book it doesn’t feel like it’s becoming trash as it goes or anything. When Miller dumbed down his storytelling in the nineties it really was because he thought it made for better comics, the tension between his interest in manga and Gibbons’ British-comics classicism feels productive. I do kind of feel like the early computer coloring ruins this a little bit.
2. Xombi by John Rozum and JJ Birch. Got a handful of these on paper, read scans of the rest. This is pretty solid stuff, not really transcendent ever, but feels well-crafted on a month-in, month-out level. I read a handful of other Milestone comics, and a lot of them suffered from being so beholden to deadlines that there are fill-in issues constantly. This is the rare one that had the same creators for the entirety of its run. There was a revival with Frazer Irving art a decade ago but I prefer JJ Birch’s black line art with Noelle Giddings’ watercolors seen here. They’re doing an early Vertigo style “weirdness” but with a fun and goofy sense of humor about itself. I haven’t read Clive Barker but this feels pretty influenced by that as well. (The Deathwish miniseries is of roughly comparable quality. I read scans of the rest of that after I made my little post and, yeah, it does actually feel very personal for a genre work, and the JH Williams art with painted color is great.)
1. Tom Strong by Alan Moore, Chris Sprouse, etc. I got bored reading these as a teen but getting them all for cheap and reading them in a go was a pretty satisfying experience. It’s partly a speed-run through Moore’s coverage of the concept of a comic book multiverse seen in his Supreme run, minus the riffing on Mort Weisinger Superman comics, instead adding in a running theme of rehabilitating antagonists whose goals are different but aren’t necessarily evil. It’s more than just Moore in an optimistic or nostalgic mode, it also feels like he’s explaining his leftist morality to an audience that has internalized conflicts being resolved by violence as the genre standard.
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Skater Beta
Skater Beta
Game Skater Beta là dòng game Action
Giới thiệu Skater Beta
IMPORTANT - File access permissions are required to run this app. Please scroll down for a detailed explanation. All of Skateboarding In The Palm Of Your Hand Designed by skaters for skaters, we teamed up with 20 of the most prominent brands in skating to create the game every skater has been waiting for: Powerful And Intuitive Control Use the touch screen to directly control your shoes and board. Controls have been carefully designed to highlight the things that are most fun and important in actual skating, with a strong focus on flow of tricks and runs. Every Trick Is Possible This is the first touch-based skating game to include the full range of street tricks. Jump from Ollie, Switch, Fakie and Nollie and perform all standard flip tricks; with the inclusion of body rotations you can even do tricks such as Front-Side Flips and Big Flips. With recent updates now including Late Flips, Reverts, Ghetto Birds, Impossibles, Dolphin Flips, Dragon Flips and Gazelles. Chain everything together with manuals, nose manuals and every kind of grind and slide. Share And Discover Runs Skater allows you to save your favourite trick runs and share them with the world. In turn, you get to discover and copy runs that other players have created – giving you access to an endless feed of new ideas to explore. The Latest Gear – Already Included Pick from the latest shoes and decks to skate with; DC Shoes, DGK, Revive, etnies, Emerica, éS, Foundation, Lakai, Toy Machine, Zero, Baker, Deathwish, Shake Junt, Amgrip, Spitfire, Thunder, Venture, Pig Wheels, Force and Bro Style – they are all already included in the game. Real, Legendary Spots The spots featured are El Toro, Carlsbad Gap, Hollywood High, Stoner Plaza, Camp Woodward, Love Park and The Berrics – with even more to come in future updates! Starting with architectural plans, height maps and photos we took on-site, every detail of these legendary spots has been faithfully recreated – down to the graffiti, street signs and even stickers on obstacles. Skater Celebrates Style and Individuality Knowing that different people see different things in a spot and skate it in their own unique way, Skater blurs the line between single and multiplayer experiences to enable social interaction unlike any other previous skating game. It’s like taking part in a the world’s biggest online skate session… Go skate at some of the most famous spots in history with content from thousands of players from around the world – any time you want! IMPORTANT - The permissions READ_EXTERNAL_STORAGE and WRITE_EXTERNAL_STORAGE are required to run Skater. These are required for access to resources needed for core functionality including an extension file which contains most art and other assets for the game and it will only be able to function if granted access. Please ONLY purchase this app if you are happy to allow these permissions. fixed highscores info sorting backend redirected
Download APK
Tải APK ([app_filesize]) #gamehayapk #gameandroid #gameapk #gameupdate
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could I get a dbd killer matchup? I'm 5"2, and somewhat chubby. my hair is always dyed, right now it's a light purple, and my eyes are blue/yellow. I am an INTP, gemini, and consider myself to be very a bubbly person. I spend my time reading about history, art history and prehistory included. When I'm not reading, I'm usually oil painting, drawing, or planning outfits. I love to dress really cute and doll like, so I almost always wear dresses. I love pastels and florals, so that's all I wear.
I match you with Max Thompson Jr. aka Hillbilly!
He first fell for you when he saw you through the Mist, hanging around the campfire with your fellow Survivors. You were new, he could tell, but you were much happier and bubblier than other Survivors despite being sacrificed by Trapper just in the last trial you were in.
And the way you look? Your bright colors and floral patterns might be a deathwish in Trial, but as you make yourself comfortable on the log, he gets to look at you longer until he or you are summoned to the trial. Max is the one that makes the bold move to approach you in the trial but he chickens out and runs away and all you see is his tattered shirt and disfigured shoulder as he revs his chainsaw to get some distance between you two.
So imagine his surprise when he is alone moping his damn cowardness in Coldwind Darm and suddenly he hears you hollering and calling him? He almost gets a heart attack and he is reaching for his mace when you suddenly appear before him and he is frozen again. You are staring at him right in front of him and you aren't showing any fear or disgust towards him. Max stammers quietly incoherent words and you surprise him by asking his name.
"M- Max...!" He stutters and you smile at him as you tell him yours. You ask if you can it with him and he moves his mace behind his back so you can sit next to him. You take your seat and you're still smiling at him and he isn't sure if this is some cruel joke or a trick.
You're intentive, creative and you have a whole new way of seeing the world around you. INTP people are known for their brilliant theories and ruthless logic. You're just as close to Benedict Baker when it comes to solving the secret behind the Entity. These are the qualities that help you to tell just what kind of man this infamous Hillbilly that others warned you about is. Cruel and ruthless, they said but you see hurt and shy man.
You can tell by the way he told you his name that he must suffer from some kind of speech disorder alongside with some heavy and serious scoliosis twisting his spine and deformity running all over his bare skin. He isn't really chatty either, even if you try to get him to open up so you start telling him things about you or things you like doing. You tell him everything you know about history, painting, and outfits you love back before the Entity.
You show sadness when thinking about all your clothes back home and Max pipes up at this. He tries, God bless him, he tries to tell you that if you do well in trials then the Entity would reward you with new clothes or tricks to survive in upcoming trials. It takes a moment and a real trial before you get your favorite skirt from your time before Entity and you run to Max with the skirt on to show him your old and new cloth.
"Oh Max, look at this skirt! This was my favorite!" You cheer as you twirl around, letting Max see the skirt flare as you twirl. He blushes as he watches. You look like a colorful flower in the middle of the dead cornfields. You stop and smile a the Killer. "Thank you Max. You really helped me out." You tell him and do something bold. You peck his cheek and Max is in love and honestly, so might you be also.
You feel things towards Max that you hadn't felt for ages. When Gemini falls in love they become cuddly and talk sweetly no matter what situation you're in and Max loves it. You shower him in sweet words and heal the ugly scars that his parents' abusive language left on him and he feels like for the first time he has found someone who never hated him and showed him genuine affection.
Picture belongs to EIRRI from Twitter!
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Esao Andrews’ “Petrichor” at Mesa Contemporary Arts Museum.
Opening on May 10th, 2019 at Mesa Contemporary Arts Museum in Mesa, Arizona and presented by Thinkspace Projects is artist Esao Andrews’ phenomenal mid-career retrospective, “Petrichor.”
From Thinkspace: “Known for his minutely detailed and narratively suggestive paintings, Andrews brings haunting imagery to life through his uniquely mannerist distortion of subjects, both human and animal, and the strange undertow of his desolate, Gothically inspired landscapes. Themed around homecomings, departures, and afflictive transformations, Andrews’ works feel drawn from the same collective imaginary reserves as myth.
“Andrews attended New York’s School of Visual Arts where he studied illustration and completed a B.F.A in 2000. An accomplished figurative painter, he participated in the BP Portrait Award at the National Portrait Gallery, London, in 2002. The artist has worked commercially in tandem with his fine art practice which has, in recent years, grown to include large-scale murals, and produced iconic album cover artwork for American rock band Circa Survive. He has also created numerous comic book covers for DC’s Vertigo Comics, and memorable deck designs for Deathwish and Baker Skateboards.
“‘Petrichor’ will feature over a dozen iconic works by Andrews, borrowed from private collections worldwide, and will include the original artwork from the Circa Survive album releases. Also included in the exhibition are never before seen sketches and maquettes, objects and skateboard decks, and twelve new, never before seen works alongside a site-specific mural created for the retrospective.”
The retrospective will be on view until August 4th, 2019.
Be sure to follow Supersonic Art on Instagram!
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Bake & Destroy >>>>> Baker 4
REwatched Bake & Destroy and looking back that video was insane. A lot of people kinda hated on the Post-Chicken Bone Era of Baker but I personally thought it was dope. Strong crew, fresh new Ams that were goin for it, Sum established Pros still doin shit and it honestly set Baker up for a strong transition into the current era but they kinda back tracked abit sooo into the RE-review.
-Video opens up with Baker vibe hijinx, Big Money, Big Cars, Who dafuq u think we are?
-Riley Hawk got opener at the time honestly I was just kinda like whatevs about it I think everyone was kinda on the hater wagon cuz hes Tony’s son, I dont think he won me over til Shep Dawgs 4 maybe but daaaaaamn I was sleep sleep. He does sum insane shit in this part, I did a re-edit of it and I still some how forgot how crazy some of the stuff he did in it is, and the part was super versatile. I think cuz hes such a mellow dude and dont say much people call him boring but his skills speak for themselves.
-Herman got 2nd part, pretty chill part when it came out I was bummed it wasn’t a full part but its got gems in it, I forgot Herman had a proper frontside flip his section is actually pretty well rounded tbh it honestly has everything needed to be a definitive part and considering the time he had to produce for it, is nuts tbh. Mike White cuts in half way (remember him) he has tall guy steez, stomps his tricks a little similar to Figgs style but without the killing himself after taste. I used to be bummed he didn’t get fully on but apparently he was an older dude and more of Shane’s homie or summn? I duno, part closes out with Herm goin big. Classic
-Bossman got a strong part, no song, it kinda has sort of a “This is what I do” kinda vibe. Guest tricks from Ellington, Grecs & Neen. Not really a long part but sum bangers torwards the end.
-MONTAGE 1: TK got a lil section this kinda bummed me out cuz I was like “damn, I want a FULL TK part, where all your footage bruh?” still sum gems tho. Lenoce got a lil section too BUT his Shake Junt part was crazy so he gets a pass STILL has sum crazy shit in this tho, Beagle is Beagle, firecrackers and mannys, Theotis had sum gems again he had a full Shake Junt Part and Nike Part out around this time so he got a pass. Soooo where all TK footy at? Luv the nigga but damn.
-Shane Heyl, I remember when he turned pro people hated and I there was mad pressure on him to deliver a solid part and most folk were pretty dismissive of this part when it came out but damn looking at it now, Shane’s ledge game is actually pretty wild, his consistency in lines is crazy too. I don’t think that Shane sucks I just think that the people he skates with are so talented that it makes him look average but in actuality the level he skated at, at his age was crazy.
-DEE! I remember watching that “Who smells worst” tour vid Baker & Deathwish did and was like “Yo who is that kid?” Watched sum of his FU CRUE vids and was impressed I thought he was the next BAKER star cuz on the real Dee skates shit thats as Scary as the shit Figgy skates but hes a smaller dude, his hair flies in his face all the time so there was the crazy level of hype he had to me. This part pretty much delivered as his first Baker part, lil country boy skates big scary shit. I was bummed he got axed from Baker after being pro for a lil bit I still think he deserves a spot over most the current Baker roster.
-MONTAGE 2: Spanky has sum good tricks and hijinx antics, I forgot he lost his board and shoes around this time, Dollin pops up and I remember first time I saw this I was disappointed he aint have a full part but then I remember he has ender in the Shake Junt vid soooo he gets a pass, Neckface got sum tricks, Brayden has sum good ass tricks, I forgot he lost his board and shoes around this time as well, but I feel like if he coulda pulled together more footage he coulda had a solid ass part on his own.
-Nuge & Baca got a shared part which was expected since I think Vol. 4 started around this time, maybe? Fun part overall but it made me wonder, has Nuge ever had a full part since being on Baker? Its weird cuz I know he had more footage than Baca that coulda stood on its own as solid yet short part but still.
-CYRIL KILLA! Man this part was crazy. I feel like in the black guy pantheon of skaters Cyril dont get enough credit cuz for like 3 to 4 years straight he was just murdering almost every spot in Cali, it not just stairs but like everything. Ishod kinda stole his shine around that time but yeah CJ is another dude who got let go from Baker too soon.
-FIGGY! He had a lot to prove, he went pro right after Stay Gold and he had shared part in the Shake Junt video. Some people called him a rich kid that acted bummy or questioned if his hesh grunge style was authentic but maaaaan this part was crazy beginning to end, he really did get robbed of SOTY that year. Like this part still 8 years later is mind blowing.
-Rest of the vid is sum fun hijinx and left overs
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Remember when Terry Kenndy gave an unnecessary speech for his baker has a deathwish part ... Yeah very unnecessary
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Fred Hicks’ Harassment Rap Sheet
Fred Hicks, head of Evil Hat (Fate, Dresden Files, Spirit of the Century, etc). His rap sheet:
-Attacked the Kingdom Death Kickstarter on Think of the Children grounds then refused to answer questions about this attack from feminists, male and female. Still hasn't apologized to Kingdom Death or any of the women he dismissed: https://plus.google.com/u/0/107088254806543142146/posts/g7hc3JL8Pie - -
Pulled his company out of a charity bundle to benefit Contessa--the organization promoting intersectional diversity at game conventions--to take revenge on the founder for calling him out.
http://www.contessa.rocks/blog/founders-forum-bundle-of-holding-statement
-- Publicly endorsed conspiracy theories implicating Mike Mearls, Monte Cook, Vincent Baker, etc: http://dungeonsdonuts.tumblr.com/post/125851772599/i-am-so-very-tiredtired-and-angry - Dogpiled on the harassment in the wake of the release of 5th edition: https://plus.google.com/+FredHicks/posts/SJHZ8Jc5SoW
https://plus.google.com/+FredHicks/posts/7pZn75p4pL4 - When Fred’s own friends, allies and freelancers disagree with his attacks, he doesn't seem to care about any of these issues enough to actually sort out which side he's on or whether he might be attacking game designers for no reason http://armsinthewronghands.tumblr.com/post/148472582493/fred-hicks-vs-cam-banks -
Compared some RPG controversy to the shootings in Ferguson: https://archive.org/download/fredhickstweetfergusonobs/fredhickstweetfergusonobs.JPG
__ Dogpiled on harassment by Anna Kreider ("As a cis-presenting married mom I experience more homophobia than gay people") https://plus.google.com/u/0/107088254806543142146/posts/g7hc3JL8Pie - Hired and promoted many of the most toxic people in gaming, including Paul Matijevic / Ettin - -Sponsors RPGnet, which not only has Ettin and other known harassers as moderators but endlessly pays anti-sexism lipservice while refusing to stop patronizing the ad server that feeds them sexist "For Men Only" game ads while simultaneously supporting the freelancers who attacked Contessa, the all female-run game convention. - Pals around with known harassers, makes constant personal attacks and announces deathwishes about his enemies online to rile up his fans to harass them--said he wished I'd "self-eject from the planet" http://pastebin.com/nAzfnHbj - Whenever progressives ask Fred to initiate a conversation about these attacks, Fred flees, claiming he has to for his "mental health".
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