#average prog rock enthusiast
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I am the centre of this universe The wind of time is blowing through me And it's all moving relative to me
#average prog rock enthusiast#lyrics from ''master of the universe'' by hawkwind which i have been listening to nonstop#happy with how this turned out i think the color palette is neat. completely unplanned#oc#donovan crane#through the red door#artists on tumblr
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04/07/06- The Barfly - North London "When I was in my teens I always drummed in a variety of bands around town. I was never fussy about what kind of music but I managed to avoid Country and Pomp and Prog Rock - that aside, I was a tart for hire (actually, for free, if I'm honest) and would sometimes be in three or four bands at a time ranging from useless to average. I slowly got into other things but only stopped playing for good when I got into Drama school. I was a pretty handy 14-year old drummer and could eventually get back to the standard of an enthusiastic 14-year old if I dedicated every waking moment to that end. So I don't bother."
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Polish prog rockers Riverside are back in Scotland again in support of their latest critically acclaimed album ‘Wasteland’. The last time I saw these guys was back in 2014 when guitarist Piotr Grudzinski was in the band. Tragically Piotr passed away after a sudden cardiac arrest leaving the band to make the difficult decision to continue on as a trio. The guys managed to get through this rough time and created ‘Wasteland’, their first album without him. Within this post-apocalyptic themed album, guitar parts are played by guest musicians and bassist, and vocalist, Mariusz Duda. Live however the guitar is provided by touring musician Maciej Meller who some may recognise from the progressive rock band Quidam.
I haven’t come across opening band Lesoir before, even though they have four studio albums under their belts. This Dutch progressive outfit come from a similar place to Riverside musically, so fit into the bill perfectly. They list their influences as being from the likes of Anathema, The Gathering, Anneke van Giersbergen, Steven Wilson, Porcupine Tree etc… but they really have their own sound and at no time did I feel I was listening to a poor man’s imitation of any of the previously mentioned bands. Due to the recorded nature of their tracks they did have some pre-recorded backing providing some orchestration, extra vocal parts, drum beats etc… It’s pretty subtle but it does add an extra dimension to their music. I think live however they could have got away without it.
It’s a pretty decent turnout for the band when they kick off their set with “Feet on the Ground”. Drummer Bob van Heumen and backing vocalist and multi-instrumentalist Eleen Bartholomeus never really stop smiling throughout the entire set. It’s good to see a band enjoying themselves. Maartje Meessen vocals sound great but unfortunately Ingo Dassen’s guitar seems to get lost slightly in the mix. His heavily processed guitar sound, I don’t think I’ve seen quite that many guitar effects pedals on someone’s pedal board before, sounds great on recorded output but live it just doesn’t seem to cut through so well. For me this was most noticeable during heavier sections where a lot of the power that should have been there was getting lost with an over-saturated effects laden guitar tone. This however was my only gripe and the band put on an entertaining performance that received an enthusiastic response from the crowd here tonight. During the set Maartje thanked the audience for coming out early to see them. If you’re catching this tour at any point then make sure you get along early as these guys are worth coming along to see.
Riverside are no stranger to Scotland and it’s great to see that they always include us in their UK tour. Their dedication to the fans here has definitely paid off as there can’t be many progressive rock bands that can play a venue the size of the SWG3 and pull a large enough crowd to fill it.
As the lights dim, the hall is filled with the sounds of the intro tape, and the band kick off with “Acid Rain” from the new album. It’s a great track to start off the gig. The up-tempo groove grabs the attention of the crowd and singer Mariusz has us all singing along to the native American tribal sounding “Whoa Whoa” section. Mariusz encourages the audience to clap and sing along throughout the gig. He has a real connection with the fans and chats away between songs. He asks us to enjoy ourselves and makes a joke about prog audiences not dancing but standing around looking up at the band and pondering the music. Unfortunately for him that’s generally how prog audiences are. There’s not going to be much in the way of fist banging, crowd surfing, circle pits and walls of death in this genre. The demographic of the Glasgow audience is also more mature with the average age probably being around the late-40’s mark.
The band run through a set consisting largely of tracks from “Wasteland” but also visits previous albums from their discography. The new material fits seamlessly alongside the older tracks. One of the highlights for me being the emotional sounding acoustic song “Guardian Angel”. I really enjoyed guitarist Maciej Meller’s guitar solo on the outro to this one. He does a great job performing on all the material for what must be quite demanding and complex parts. I’ve been to a few gigs at this venue now and the sound it always first class and tonight is no exception. The lighting is also very impressive although most of the light is shone out from the stage rather than onto it which can be a tad blinding at times.
When the guys take to the stage for their encore they all look genuinely happy at the reaction they receive from this Scottish crowd. They end the perfectly executed gig with a superb rendition of of the mellow acoustic song “River Down Below” featuring another nice guitar solo from Maciej. This show is definitely a must-see for any self-professed prog rock fan. Catch them on tour if you can.
For all remaining live dates on the Wasteland tour, connect with Riverside online, here.
Review – Martin Patterson
Images – Lara Vischi
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Review: Riverside – SWG3, Glasgow Polish prog rockers Riverside are back in Scotland again in support of their latest critically acclaimed album 'Wasteland'.
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Pink Floyd drummer Nick Mason on the downfall of ‘crazy diamond’ Syd Barrett and the band’s rise to success
THE van that was dark was purchased for 20 quid’s princely amount.
An average “Swiss salesperson put tyres, in some evidently, and also the homeowners included a large stripe.
This dark Bedford van was purchased for that princely amount of 20 quid within their formative decades
To get a motley number of middle- Sixties structure pupils with goals that are audio, it had been an important purchase.
How otherwise might they ferry their gear towards faded groups and the personal functions where they plied their industry?
They certainly were variously referred to as Sigma 6, Leonard’s Lodgers, New Abdabs and, to get a year or two, The Tea Set . . . but actually that stylish, so-really-Language title didn’t stay.
Michael Ochs Records
By late 1965, they truly became the Pink Floyd Audio, created in hurry by new singer Syd Barrett (minute from right)
We all know them nowadays as merely Red Floyd, the prog- stone leaders who offered us The Dark Side Of The Moon and Also The Wall
By 1965, they truly became the Pink Floyd Audio, created in hurry by Syd Barrett that was new.
He honored two bluesmen from Council and his report selection, since the group appeared on a single statement as another Set.
They are known by us nowadays as merely Red Floyd – pioneers who gave Side Of The Wall and Also The Moon.
When he evokes the “highly Bedford Nick Mason provides a wry grin.
“The second we got a progress, we purchased a Transit. “The one with double wheels in the back was mandatory-have. All rings possibly had a Transportation or desired one.”
I’m assembly Mason, 72, in his subtle Northern London workplaces, more a huge man-cave flooding with material addressing his double passions . . . Pink Floyd and Ferraris.
Actually informal pupils of stone history understand the Pink Floyd tale starts with Barrett’s quick LSD- fuelled decrease
He composed from pop-rock to heavenly fresh items
And assisted give their group using their psychedelic status
We stay at his boardroom- table situated only behind a fire- reddish Method 1 vehicle printed using the prancing horse emblem that is orange and refined inside an inch of its existence.
This really is about the first decades of the Floyd although we’re able to have invested a happy-hour referring to his fabulous assortment of historical engines including a 250 worth £30million.
The group have just-released an amazing eight-quantity group of CDs, DVDs and blurays collecting up demonstrations, out takes, live shows, BBC periods, reproduction cards, ticket statements, you identify it . . . all in the decades 1965 to 1972.
Michael Ochs Records
Today, via previously unreleased content, his participation within the group is unveiled in significantly more detail
It is available in a large black-box having a bright stripe, a pleasant homage towards the one automobile highly relevant to our chat . . . the Bedford.
There’s a image inside Volume One, which includes tough- and- Tea Collection monitors, of Builder launching his drumkit in to the back of the truck on Cambridge’s aptly-named Rock Street.
Through this great treasure chest, we find the improvement of 1 of Britain’s most significant rings, from psychedelic Syd Barrett- composed pop-rock to heavenly fresh pieces . . . with everything directing towards 1973’s important Dark Area.
After Syd quit we’re able to have simply loaded it in
Actually informal pupils of stone history understand the Pink Floyd tale starts with Barrett’s quick LSD- decrease that is fuelled.
However it didn’t completely start working almost all the monitors on 1967 recording, and until he’d created outstanding Arnold Layne Play for example The Piper Of Beginning In The Gates.
Today, in significantly more detail, his participation within the group is unveiled via content.
The Builder recalls when a youth associate of Waters in Cambridge, Barrett, registered The Tea Collection.
Michael Ochs Records
Nick Mason remembered when Barrett registered the previously called Tea Collection
Unlike another people, Syd wasn’t keen to be always a celebrity
“Syd was probably the most pleasant guy, definitely enchanting,” he says. “He watts
Pastoral, rote great unique music. It’s however not completely clear what occurred with him.
“There is that this perception that perhaps he simply didn’t desire to be a pop-star. You’ve to understand that the remainder people, in ’67 DID desire to be Along With the Jumps.
“Maybe Syd realized it wasn’t what he desired but didn’t understand how to get free from it.”
The paradox is the fact that Barrett was best-equipped to create reach singles if Layne was in regards to a pervert who preferred from cleaning outlines to grab women’s lingerie and was barred from stereo.
Perhaps Syd realized it wasn’t what he desired but didn’t understand how to get free from it
Another solitary that is possible was his madcap Veggie Guy but-its troubling and dim undercurrents were possibly behind your decision to discard it.
A scarce saving of Shout Thy and this monitor among Mason’s several forays into guide words, Last Shout, are one of the container that is fresh set’s products that are many revealing.
The drummer, who later included a primeval roar to 1 Of Those Times from 1972’s Meddle, claims with tongue-firmly in cheek: “It’s upsetting for me personally that my expressive profession, that was searching therefore encouraging, was instantly nipped within the marijuana by envious bandmates.
“Seriously, a vocalist is didn’ted truly fancy myself like by me. Actually I believed this isn’t wherever I’m heading.”
While Barrett ultimately bowed out in early 1968, the remainder of the group, including fresh sponsor David Gilmour, regrouped
Nick Mason claims they got creativity from teams like Genesis and Fleetwood Mac, who accomplished achievement after breaks
The remainder of the band regrouped and extended their pursuit of popularity and bundle while struggling spirit Barrett ultimately bowed in 1968.
Mason suggests: “After Syd quit, we were for the reason that interested scenario of the frontman departing and we’re able to have simply loaded it in.
“But what we did did very well for instance, for Mac and others.
“You’ve got to possess perception and assurance .
“When wherever did we believe we went I take a look at aged movies of Donald miming to tunes? But I recall that interval as significantly pleasant since we were all-on concept and we were experiencing the entire thing.”
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Nevertheless, article- singles such as for instance Stage It Could Be So Good, by Richard Wright, Also Me In The Atmosphere, by Gilmour and Waters, were.
Wherever Pink comes in. Through groups like UFO in Birmingham this really is, they certainly were regarded the of the growing picture that was underground.
Through lengthy improvised items such as for instance Overdrive and Domine, they suggested in a productive potential beyond the shallow singles marketplace.
A Saucerful Of Strategies, next recording, maintained among Barrett’s greatest compositions however it additionally designated Waters’s first excellent structure, Set Handles For That Center Of Sunlight.
Article-Barrett singles composed by Gilmour and Roger Waters flopped
However the group quickly discovered their ground and accomplished a brand new chemistry
The title-track was a collection from Wright signalling daring new sonic perspectives with haunting wood coda.
Because lack and of these fresh leanings of singles achievement, fresh viewers were required by Floyd plus they originated from locations that were improbable.
Mason describes: move and “Rock abruptly had a supply to it which was vaguely rational and we installed into that market.
“We lasted partly by because of the college signal suddenly opening, and operating abroad, especially in Portugal where they definitely adored us.
“Bryan Morrison (who went the band’s scheduling company) initially delivered us to complete ballrooms plus they disliked us.”
Stone instantly had a supply to it which was vaguely rational and we installed into that market
Among Floyd’s followers that are early was his recommendation valued by Mason even today, the overdue, excellent John Peel.
“Radio 1 had simply kicked-off also it was definitely a singles world. “But there we were with this recording songs that are humorous. Steve was the spot to have them performed. Actually sailing channels were singles-orientated.”
You can now notice a program is introduced by Peel where he explains an earlier version of Cautious With That Axe Murderotic Lady Along With A Saucerful Of Strategies Of Hercules Whilst The Gadgets.
Among Floyd’s early followers was the overdue, excellent DJ John Peel
Of Red Floyd’s early function, Builder prices the very first two photos extremely in addition to Meddle using its epic 23-moment Echoes
Recollections come flooding back such as the moment they performed the Tulip Lamp Market Hall on a single statement as Jimi Hendrix and Lotion once we dive further in to the interval. Nothing had been noticed by Lincolnshire enjoy it.
Mason suggests: “I remember an enormous barn was saturated in spirit kids since the Memory Jam Group and also Washington were really the surface of the statement. I’m amazed a battle didn’t split out.”
There’s the full time they performed with The Feathers and a cash put at Seas.
“It struck Roger very difficult but his response was to remain on-stage to check out the coin.” (Difficult To envision but he possibly required the cash in those days!)
But he explains a number of their tracks (Ummagumma) as ‘part of the training curve’
A little afterwards, the BBC asked Floyd to perform during live protection of the 11 moon-landing in September 1969.
There is of the critical item Moonhead a saving roofed within the Years container.
” it’s demonstrated one large black-hole in Mason’s storage although it might have been step for guy.
I’ve no f***ing remembrance of everything,” he cries although “I understand we were within the business. Of Red Floyd’s early function, Builder prices the very first two photos extremely in addition to Meddle using its epic 23-moment Echoes. But he explains the half business/half reside Ummagumma as “part of the training curve” and Atom Heart Mom, the band’s first No1 recording, like a “bit of the cul-p-sac.”
I understand we were within the business but I’ve no f***ing remembrance of everything
Additionally investigated within the fresh container would be the band’s movie soundtracks for More, Zabriskie Point and German movie La Vallee (Hidden By Clouds), which Mason recalls “knocking off really quickly.”
I’ve to request Mason the Pink Floyd actually execute together ” query before we proceed our individual methods.
The owner of the fire might leap behind his drumkit tomorrow but obtaining massively successful solo designers David Gilmour and Waters to acknowledge is another issue.
Nick could be pleased to return behind the package to get a Floyd gathering
But claims David Gilmour is pleased performing their own point
As-is Roger Waters
“I believe it’s very difficult to determine it occurring,” confesses Mason. “I David’s exactly the same and believe Roger’s pleased focusing on their own.
“I however think the real chance that is only will be Live Aid’s equivalent. Within the contemporary earth, we’re truly lacking powerful enough figures to create that together . . . you will need a Nelson Mandela.”
The final period Floyd performed was with Cash tunes Inhale, Desire You Had Been Below and Easily Numb ringing across Hydepark and achieving a large global Television market at Bob Live8 in 2005.
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Mason suggests: “We’re usually pleased before 92 million individuals! I don’t believe he might get it done effortlessly again although Frank did an incredible work.
“It wants somebody with worldwide prominence togo, ‘If we do that, we shall alter the planet for that better’.”
For Mason up could be the Pink exhibit that is spectacular Their Human Stays, which starts in amp & the V London, in May.
But he returns to these beginning for some conclusions. “I believe all of US look-back with substantial love onto it, especially after Syd quit,” he muses.
“We were a little jollier than individuals think.”
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