#author Dani

[callmecams26]

YALL ARE FAKE FRIENDS I just found out Dani Pedrosa released a children’s book at some point called “two elves for Dani Pedrosa”

Who was gonna tell me????? I’m sobbing this is the cutest thing ever

[nelkcats]

My son wants to destroy the world, how do I stop him? - Search

It had been a few months since Phantom joined the League. Although he was more of an emergency contact they called in worse cases than a real member. According to the Justice League Dark, he was a ruler of another dimension so he couldn't be around all the time.

When Wonder Woman complained about his commitment to the team, Phantom frowned and called her hypocritical. Apparently Phantom watched over all the dimensions, so asking him to protect one in particular was stupid, or worse, selfish. Diana ended up very embarrassed after learning about it.

Then, it was strange for Phantom to stay beyond 5 minutes after providing his help, so Bruce was surprised to see the boy walking towards him looking extremely nervous and asking for a conversation. Bruce agreed out of curiosity.

The conversation took a strange turn when Phantom started praising his parenting skills (Bruce was proud of his kids clearly, but how the fuck did Phantom know his identity?), and complimented him on...Red Hood's self-control??? And what a good kid he was??

Apparently, Phantom had a son (Bruce was starting to believe in the "immortal" part that Constantine talked about), but he had a terrible temper and loved to destroy dimensions, for which he was often punished (Bruce was at a loss for words), Phantom assured him that no dimension that didn't deserve it was destroyed but he didn't know how to change Dan's approach.

The King insisted that he was fine with his son destroying dimensions as long as his grandfather authorized it, since they had forgiven him and those dimensions were finished anyway (Batman was grateful that his mask would not show his facial expression) but that destroying everyone would affect him in the long run and he was worried about him.

In the end, Bruce invited them to the mansion, or rather, invited Phantom to talk to Alfred and he told him he would bring his son. Bruce remembered that Jason would be visiting that day and wondered how badly the meeting would go.

[seaglassdinosaur]

Hoping wishing praying begging that Kenny doesn’t get put in a relationship with a cop.

[vorbarrsultana]

on today's episode of making the grishaverse make sense: trying to come up with somewhat historically plausible title for nikolai

[aerltarg]

i was today years old when i found out that the series called “throne of glass” exists and this is their protagonist aelin ashryver whitethorn galathynius, and these are her titles

i literally haven't read these books, i never heard of them until now, so i rely on the internet w this info but. are you kidding me??? literally just count how many times you can find the word “fire” here lmao, not to mention “the queen who was promised” and “light-bringer" (“fire-breathing bitch-queen” i pretend i don't see you).

dany, you're so famous, your wannabes have their own series now! this is just so hilarious i can't 😭

[inventedsanity]

is it my destiny to fall in love with queer bait ships :(

[fromtheseventhhell]

Arya and Dany stans: *discuss the likelihood that they'll have a positive relationship given their parallels, foreshadowing, status as key characters, and being two of George's favorite characters*

Stansas: Is this Sansa shade?

I think it's hilarious that Stansas got mad at me for (accurately) pointing out that they accuse Arya and Dany stans of being motivated by Sansa hate simply because...we get along and like both of them lol. The idea of them getting along is about their characters and has nothing to do with Sansa. Just because they pit Dany and Arya against each other for Sansa's sake doesn't mean we're motivated by the same thing. Are there some conversations that bring up Sansa + Arya's strained relationship? Absolutely, that isn't baseless in the books considering they're written as foils and George has already said they have issues they need to work out. The "Stark sisters 4ever" fantasy they have is just that, and it's funny we never see this same energy for Arya being turned into a prop for her sister 🤔. Sisterhood didn't stop Sansa from siding with Joffrey, telling Cersei that Arya was a traitor (even though she had no idea where Arya was), or calling Arya unsatisfactory when she thought that she was dead so why are we supposed to pretend it's an all-important factor when discussing Arya's potential relationships with other characters?

[jonsnowunemploymentera]

I understand that there is a sizable amount of Jon stans whose delusions can be aggravating. Trust me, I’ve come across my fair share of people who think that the sun rises only for Jon Snow and no one else. But, it’s really annoying when certain sections of this fandom act like reading Jon as Azor Ahai is a result of Jon fans making shit up. No, we’re not. We’re literally reading what the text is telling us. We’re not reading into it, we’re reading it straight up. Mel’s singular ADWD chapter is literally just: hey Mel pay attention to Jon Snow, also there’s random stuff happening all over Westeros, and also pay extra attention to Jon Snow.

Mel’s visions are absolutely correct. What’s not correct is how she interprets them to fit an agenda/make herself appear more credible to others (Jon, Stannis). We already know exactly what this looks like when she sees towers being submerged in water, says it’s Eastwatch by the Sea when asked, even though in her head she’s like “oh it can’t be Eastwatch because that place doesn’t look like that”.

ADWD shows us that Mel looks into her fires searching for Azor Ahai and sees “only Snow”. There’s no other way of reading that other than “oh yeah if Mel is specifically looking for Azor Ahai and is seeing Jon Snow, then Jon is the Azor Ahai she’s looking for”. And the gag with this is Mel’s entire purpose, her existence, is to find Azor Ahai. But she completely misidentifies him so when she encounters the real deal, she’s in far too deep to make the obvious and necessary pivot. And it’s even funnier (and I think that’s what GRRM is going for) when there’s nothing special about Mel’s chosen hero Stannis, but there’s a lot that is special about the one she’s ignoring: Jon. Mel literally tells Jon “you’re a super special magic boy let’s make babies because of how super special you are, and these babies will be even more powerful than the ones I made with Stannis” but at the same time being like “yeah mr not-that-special Stannis is totally the guy I’m looking for”.

Plus, Mel’s “only Snow” is quite literally reaffirmed in Jon XII when he dreams himself atop the wall, armored in ice, and wielding LIGHTBRINGER. This isn’t some ordinary flaming sword. This sword burns “red in his fist”, which literally equates it to “the red sword of heroes” - Azor Ahai’s sword. Not only that but Mel’s ptwp is definitely going to be reborn. She has visions about a grey girl on a dying horse WHICH IS TRUE!! What’s not true is this girl being Arya. It’s Alys Karstark. She then has visions about daggers in the dark, which again happens!! Read the last few pages of Jon XIII ADWD. The one that hasn’t come yet but will (based on Jon XIII) is a “promised prince born amidst salt and smoke”. There’s a reason why GRRM included these things in the narrative. And there’s a reason why they happen sequentially. So unless Winds comes out and GRRM is like sike forget that ever happened, it’s pretty safe to assume that Jon is Azor Ahai.

[greenerteacups]

oooh please someday tell us what you think of GOT

oh, no, it's my fatal weakness! it's [checks notes] literally just the bare modicum of temptation! okay you got me.

SO. in order to tell what's wrong with game of thrones you kind of have to have read the books, because the books are the reason the show goes off the rails. i actually blame the showrunners relatively little in proportion to GRRM for how bad the show was (which I'm not gonna rehash here because if you're interested in GOT in any capacity you've already seen that horse flogged to death). people debate when GOT "got bad" in terms of writing, but regardless of when you think it dropped off, everyone agrees the quality declined sharply in season 8, and to a certain extent, season 7. these are the seasons that are more or less entirely spun from whole cloth, because season 7 marks the beginning of what will, if we ever see it, be the Winds of Winter storyline. it's the first part that isn't based on a book by George R.R. Martin. it's said that he gave the showrunners plot outlines, but we don't know how detailed they were, or how much the writers diverged from the blueprint — and honestly, considering the cumulative changes made to the story by that point, some stark divergence would have been required. (there's a reason for this. i'll get there in a sec.)

so far, i'm not saying anything all that original. a lot of people recognized how bad the show got as soon as they ran out of Book to adapt. (I think it's kind of weird that they agreed to make a show about an unfinished series in the first place — did GRRM figure that this was his one shot at a really good HBO adaptation, and forego misgivings about his ability to write two full books in however many years it took to adapt? did he think they would wait for him? did he not care that the series would eventually spoil his magnum opus, which he's spent the last three decades of his life writing? perplexing.) but the more interesting question is why the show got bad once it ran out of Book, because in my mind, that's not a given. a lot of great shows depart from the books they were based on. fanfiction does exactly that, all the time! if you have good writers who understand the characters they're working with, departure means a different story, not a worse one. now, the natural reply would be to say that the writers of GOT just aren't good, or at least aren't good at the things that make for great television, and that's why they needed the books as a structure, but I don't think that's true or fair, either. books and television are very different things. the pacing of a book is totally different from the pacing of a television show, and even an episodic book like ASOIAF is going to need a lot of work before it's remotely watchable as a series. bad writers cannot make great series of television, regardless of how good their source material is. sure, they didn't invent the characters of tyrion lannister and daenerys targaryen, but they sure as hell understood story structure well enough to write a damn compelling season of TV about them!

so but then: what gives? i actually do think it's a problem with the books! the show starts out as very faithful to the early books (namely, A Game of Thrones and A Clash of Kings) to the point that most plotlines are copied beat-for-beat. the story is constructed a little differently, and it's definitely condensed, but the meat is still there. and not surprisingly, the early books in ASOIAF are very tightly written. for how long they are, you wouldn't expect it, but on every page of those books, the plot is racing. you can practically watch george trying to beat the fucking clock. and he does! useful context here is that he originally thought GOT was going to be a trilogy, and so the scope of most threads in the first book or two would have been much smaller. it also helps that the first three books are in some respects self-contained stories. the first book is a mystery, the second and third are espionage and war dramas — and they're kept tight in order to serve those respective plots.

the trouble begins with A Feast for Crows, and arguably A Storm of Swords, because GRRM starts multiplying plotlines and treating the series as a story, rather than each individual book. he also massively underestimated the number of pages it would take him to get through certain plot beats — an assumption whose foundation is unclear, because from a reader's standpoint, there is a fucke tonne of shit in Feast and Dance that's spurious. I'm not talking about Brienne's Riverlands storyline (which I adore thematically but speaking honestly should have been its own novella, not a part of Feast proper). I'm talking about whole chapters where Tyrion is sitting on his ass in the river, just talking to people. (will I eat crow about this if these pay off in hugely satisfying ways in Winds or Dream? oh, totally. my brothers, i will gorge myself on sweet sweet corvid. i will wear a dunce cap in the square, and gleefully, if these turn out to not have been wastes of time. the fact that i am writing this means i am willing to stake a non-negligible amount of pride on the prediction that that will not happen). I'm talking about scenes where the characters stare at each other and talk idly about things that have already happened while the author describes things we already have seen in excruciating detail. i'm talking about threads that, while forgivable in a different novel, are unforgivable in this one, because you are neglecting your main characters and their story. and don't tell me you think that a day-by-day account tyrion's river cruise is necessary to telling his story, because in the count of monte cristo, the main guy disappears for nine years and comes hurtling back into the story as a vengeful aristocrat! and while time jumps like that don't work for everything, they certainly do work if what you're talking about isn't a major story thread!

now put aside whether or not all these meandering, unconcluded threads are enjoyable to read (as, in fairness, they often are!). think about them as if you're a tv showrunner. these bad boys are your worst nightmare. because while you know the author put them in for a reason, you haven't read the conclusion to the arc, so you don't know what that reason is. and even if the author tells you in broad strokes how things are going to end for any particular character (and this is a big "if," because GRRM's whole style is that he lets plots "develop as he goes," so I'm not actually convinced that he does have endings written out for most major characters), that still doesn't help you get them from point A (meandering storyline) to point B (actual conclusion). oh, and by the way, you have under a year to write this full season of television, while GRRM has been thinking about how to end the books for at least 10. all of this means you have to basically call an audible on whether or not certain arcs are going to pay off, and, if they are, whether they make for good television, and hence are worth writing. and you have to do that for every. single. unfinished. story. in the books.

here's an example: in the books, Quentin Martell goes on a quest to marry Daenerys and gain a dragon. many chapters are spent detailing this quest. spoiler alert: he fails, and he gets charbroiled by dragons. GRRM includes this plot to set up the actions of House Martell in Winds, but the problem is that we don't know what House Martell does in Winds, because (see above) the book DNE. So, although we can reliably bet that the showrunners understand (1) Daenerys is coming to Westeros with her 3 fantasy nukes, and (2) at some point they're gonna have to deal with the invasion of frozombies from Canada, that DOESN'T mean they necessarily know exactly what's going to happen to Dorne, or House Martell. i mean, fuck! we don't even know if Martin knows what's going to happen to Dorne or House Martell, because he's said he's the kind of writer who doesn't set shit out beforehand! so for every "Cersei defaults on millions of dragons in loans from the notorious Bank of Nobody Fucks With Us, assumes this will have no repercussions for her reign or Westerosi politics in general" plotline — which might as well have a big glaring THIS WILL BE IMPORTANT stamp on top of the chapter heading — you have Arianne Martell trying to do a coup/parent trap switcheroo with Myrcella, or Euron the Goffick Antichrist, or Faegon Targaryen and JonCon preparing a Blackfyre restoration, or anything else that might pan out — but might not! And while that uncertainty about what's important to the "overall story" might be a realistic way of depicting human beings in a world ruled by chance and not Destiny, it makes for much better reading than viewing, because Game of Thrones as a fantasy television series was based on the first three books, which are much more traditional "there is a plot and main characters and you can generally tell who they are" kind of book. I see Feast and Dance as a kind of soft reboot for the series in this respect, because they recenter the story around a much larger cast and cast a much broader net in terms of which characters "deserve" narrative attention.

but if you're making a season of television, you can't do that, because you've already set up the basic premise and pacing of your story, and you can't suddenly pivot into a long-form tone poem about the horrors of war. so you have to cut something. but what are you gonna cut? bear in mind that you can't just Forget About Dorne, or the Iron Islands, or the Vale, or the North, or pretty much any region of the story, because it's all interconnected, but to fit in everything from the books would require pacing of the sort that no reasonable audience would ever tolerate. and bear in mind that the later books sprout a lot more of these baby-plots that could go somewhere, but also might end up being secondary or tertiary to the "main story," which, at the end of the day, is about dragons and ice zombies and the rot at the heart of the feudal power system glorified in classical fantasy. that's the story that you as the showrunner absolutely must give them an end to, and that's the story that should be your priority 1.

so you do a hack and slash job, and you mortar over whatever you cut out with storylines that you cook up yourself, but you can't go too far afield, because you still need all the characters more or less in place for the final showdown. so you pinch here and push credulity there, and you do your best to put the characters in more or less the same place they would have been if you kept the original, but on a shorter timeframe. and is it as good as the first seasons? of course not! because the material that you have is not suited to TV like the first seasons are. and not only that, but you are now working with source material that is actively fighting your attempt to constrain a linear and well-paced narrative on it. the text that you're working with changed structure when you weren't looking, and now you have to find some way to shanghai this new sprawling behemoth of a Thing into a television show. oh, and by the way, don't think that the (living) author of the source material will be any help with this, because even though he's got years of experience working in television writing, he doesn't actually know how all of these threads will tie together, which is possibly the reason that the next book has taken over 8 years (now 13 and counting) to write. oh and also, your showrunners are sick of this (in fairness, very difficult) job and they want to go write for star wars instead, so they've refused the extra time the studio offered them for pre-production and pushed through a bunch of first-draft scripts, creating a crunch culture of the type that spawns entirely avoidable mistakes, like, say, some poor set designer leaving a starbucks cup in frame.

anyway, that's what I think went wrong with game of thrones.

[dantegreaves00]

Hell-A love story

Dead Island 2 x FtM reader

Five years before the zombie outbreak that turned LA into Hell-A, Y/N left his sisters place after an argument with her husband,.

Now he's back, why even he doesn't know. His sister has new friends who are immune to the virus, and her ex Sam B is back on the scene. After being hurt by LA and Hollywood before can Y/N find a home with his sister again and possibly a lover?

A huge thank you to my good friend @brunos-wife360 for helping me out with this and for allowing me to take inspiration from her Slayer x Reader fics.

Also, I just wanted to say

Hello readers, this is my first ever series here on Tumbler, so I'm a little nervous about posting.

I decided to give writing a go as there's not a lot of Dead Island 2 fics on here, let alone FtM reader fics.

As long as you don't fetishise FtM trans people, then I don't care if you are cis (female or male) or if you identify as female. You can read my work as long as you know that I am FtM and I write for FtM readers.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Part One

Part Two

Part Three

Part Four

Part Five

Carla

Amy

Dani

Ryan

Bruno

Jacob

Michael

Tag list

@brunos-wife360

@morgana-artt

@amdaspoon

[4getfulimaginator2022]

Jorleesi Fic + Author Rec

In honor of Fanfic Writer's Appreciation Day 2024, I wanted to do a fic rec list for my new fandom, Jorleesi (Jorah x Daenerys from Game of Thrones). Here are some of my top fic recs, and I am also including an author rec list for the amazing individuals who have contributed so much to this fandom! Happy reading and please show all of these great authors some love ❤️ here on Tumblr and AO3!

Fic Recs🔥(with my cover art)

Author recs ❣️

@fandomsbyladymelodrama on AO3

@rileypotter17 on AO3

@salzrand on AO3

charliebrown90

@houseofthebear on AO3

@ser-jorah-the-andal on AO3

@wildfire-1980 on AO3

@gettingovergreta on AO3

@clarasimone on AO3

@terisrog on AO3

@thank-god-and-you on AO3

@thethingswelove on AO3

@bridgr6 on AO3

@toas-tea on AO3

@khaleesa on AO3

@fanoftheknight on AO3

@squilf on AO3

@youcancallme-ray on AO3

@myspecialhell on AO3

@profiler-in-courage on AO3

@4getfulimaginator2022 on AO3

I'm so sorry if I forgot to mention anyone! Thank you again for all you have given this fandom and best wishes from one of your readers! 💗💞💝 And to everyone looking for great Jorleesi fics to read - please go read and review their work!

[biscuityskies]

seeing the long day through

And somehow, Cody finds himself continuing to thaw. The battlefield demands his attention, but he still commands his troops in what has to be more of a partnership with the High General than what was intended. Part of Cody wonders if it was lonely at the top, if Kenobi was beginning to wilt like one of those small plants he seems determined to keep alive even in the depths of space. And he wonders too - though much more carefully, placing structural controls where he’s not allowed to stray - if Cody is part of the reason he perked back up, like when those little plants finally see the light of a sun again.

Evenin' *tips hat* i come bearing gifts, in the form of a fill (two! two fills!!) for @codywanfirstkissbingo - uncertain kiss and hopeful kiss! I hope you enjoy :’)

[storybounded]

I did it, I finally have seen all sonic movies.

[ghostwise]

Fic authors self rec! When you get this, reply with your favorite five fics that you've written, then pass on to at least five other writers. Spread the self-love 💗 (hi hello rinny spreading the love to your writing 💚)

Four little Crows, off to meet the Maker - "'Maker,' Tristeza thought that night, reading in her bedroom and finding herself unable to focus on the words. 'I know it is Your will, or it would not have come to pass! And yet, I am terrified. Forgive me. I know it is right to oppose the Crows but what is my little life, even in its greatest capacity, compared to the whole of them? Andraste, I beg of You: Protect us! Guide us! Keep us from harm!'"

This is the first chapter of my Antivan Zevwarden long-fic Matacuervos, and I am listing it as its own entry, though I'm proud of the entire work; I really feel the first chapter is some of my strongest writing to date. If you're at all curious at least peek at the first chapter... I'm so proud of it!

As for what's to come, I can promise: action, knife fights, romance, death, horses, worker's rights, gay nuns, haunted manors, prostitutes beating slavers to death, and more?

2. for suffering is such a part - "The Lady of the Forest stepped out from between the branches—only it wasn’t the Lady they knew. Close inspection revealed a new spirit entirely; her features changed, her form taller and more free, and branches of oak carried regally upon her head. She was only like an echo of the spirit they’d encountered in the temple, amplified and changed in tone.

'It is not so easy a thing to kill me,' the new Lady said with a smile. 'For you know well, the forest has as many faces as it does trees. Burn me down, cut me, bind me, the forest persists—as surely as autumn, as formless as mists.'"

For suffering is such a part was my first attempt at writing a long fic, and at 50k words it was my first truly ambitious writing project. I think it suffers issues in pacing and flow but I'll never stop being proud of it, it's a solid beginning. It also hosts some stuff I'm really hype about such as Jowan traveling with the Wardens, Zevran interacting with elven spirits, and Morrigan contracting lycanthropy. It's also the first appearance of OCs that show up in other works: Keeva, Mathuin, and Adelmar.

3. not a homecoming, but something like it - "The man Zevran is with has begun to pick up her groceries, although somewhat haphazardly, dropping one orange for every three he grabs. “You see?” he calls out, darting after a can and swiping it before it gets rolled over by a cart. “I knew she’d recognize you!”

And Zevran, the little boy she’d read stories to in the brothel, the same brown eyes, just taller, smiles at her like she’s singing a song and he’s in her lap again."

I think if you look at my writing a few things become really obvious: first of all, I love Zevran's story. Secondly, I'm big on community, friendship, culture, and healing trauma in that framework. No one is alone. No one is ever alone. Some of my favorite comments on this fic hit it right on the money:

4. Falon'Din enasal enaste - "Zevran wasn’t raised to feel grief, not the way others were. Grieving openly was a sign of weakness, and weakness invited abuse. Surviving was more important. But Hamal carries grief with him. He breathes it in his sleep. Braids it into his hair. How cruel and unfair it all is.

Tamlen is laid to rest among moss and stones, with flowers and so many ribbons."

I don't talk about this one very often!! It's very early-days writing. I remember being really proud of the tone and feeling in this. Grief is hard to write, but it's a topic I tackle often. But the scene of Tamlen's funeral is at the very core of Hamal's character, and the ZevHamal dynamic as a whole.

5. Drought Mermaids - "The work is complex. While Vida’s aptitude for weather magic is rare, and therefore in high demand, there’s more to it than summoning storms. She knows that the sky does not end with the horizon, that the atmosphere does not peter out into nothing in space. She knows that there are no clear boundaries; everything is part of everything else. There are a hundred factors to take into account."

I'd be remiss not to share a published piece of work. This story has existed for many years and it underwent several edits before it got picked up by a magazine. It's a sweet little tale about nostalgia, community, and magic please check it out !! I always recommend Haven Spec's features; they have some stellar work in their archives!

dividers by @saradika-graphics

[elizabethwydevilles]

the 'padme trilogy' of books is so weird because every time I hear something new about them it becomes even more clear that the author was much more interested in Sabé than Padmé… like why is it even called the Padmé trilogy fr

[fansformentalydistroyedmen]

Last Names

A Malcolm Bright x Reader Fan fic

Your last name is a secret his is hidden can this love start and survive with two traumatized people. Dumb parents

Chapter 1- The Meeting

“Hold on Sam! Don’t let go! I’m trying, the rope just won’t cut. No Sam! Sam! Mom! Dad!” I sit up fast panting and hot tears running. My heart feels like it’s going to burst out of my chest. I rub my eyes and look at the clock. It was about 5 in the morning. An hour of sleep is not too bad. I roll out of bed and straight into the shower. Trying to be as fast as possible I don’t even bother trying to warm up the shower. It’s not the day to try and get over my fear of water. As I watch my hands shake as I try to scrub my hair I close my eyes and as always, there they are just like always, haunting me. “Go away.” I whisper desperately. Opening my eyes and being blinded by sunlight as it floods my bathroom. I finish up and get out, quickly getting ready for work. I grab my phone and walk out of my apartment. As soon as the door opens I can hear the busy city of New York. The loud car horns, the screaming people, and of course the sound of construction. I wave down a taxi and get in thanking the driver. As he drives away I stare out the window letting my leg bounce up and down. It’s a bright day, the sun is way too bright, not a cloud in sight. This city is terrible to live in with constant migraine but you learn to deal with the pounding in your head. I rummage through my purse and pop a couple of my daily meds, an anti anxiety, some to help with the migrain, then a few for panic attacks, and so on and so just anything they claim will help, they never really do. The rest of the taxi ride is quiet as I let my head fall back. Once my ride comes to a stop I pay and get out. I walk into the police precinct. Immediately I am flooded with familiar sounds and faces making me relax. I walk over to my desk throwing my stuff on the table. I slump into my chair and rub my face. Soon someone taps me on my shoulder, my friend Dani.

“You look tired.” She hands me a cup of coffee. I am immediately overwhelmed with the smell of terrible coffee. I smile and take a sip, is it disgusting, yes, will it only be one of thirteen, again yes.

“Thanks.” I take another sip

“You look tired, late night?” She smirks.

“Yep you know the fun stuff, insomnia, nightmares, and the occasional attack from my cat, Penny.”

“Boring you really got me excited in the beginning.” She says with a slight frown. I raise my eyebrow.

“Really you had even the slightest of hopes my night went different. Do you even know me.” I laugh. She rolls her eyes at me and walks to her desk. I start to fill out some boring paperwork and continue with my coffee. Until my Boss and Mentor Gill walks out.

“We’ve got a case!” He yells out as he throws a coat over his shoulders. With that everyone on my team gets up and leaves. I jump into Gill's car and he starts driving while Dani and my other team member JT follow behind us.

“So how are you doing?” Gill starts with his usual questions.

“You know, fine nothing exciting.” I shrug.

“How's the nightmares?” Again with the questions.

“Preventing me from sleeping but I got a whole hour last night.” With that Gills chuckles.

“So what about the migraine?” Listen, all these questions are sweet but my answers never change.

“Painful but bearable.” Once again I reply now for the lecture.

“You know if you drank more water instead of the, what is that your fifth cup of coffee this morning?”

“6th thanks for underestimating me.” I can see his eye roll. The rest of the car ride is quiet besides the tap of my foot on the floor. Once we arrive I get out but Gill stays.

“I’ll be back, just head upstairs.” I look at him weirdly but follow his instructions. I walk up the stairs and show my I.D. I see Dani and JT so I walk up to them.

“So what do we have?”

A single homicide looks pretty straight forward.” JT claims.

“Boring.” I groan realizing that was said out loud and not just in my head.”

“Sorry I didn’t mean that I just mean it shouldn't be too bad. No no of course her murder was bad I...never mind.” I bite my lip trying to shut up as JT shakes his head. We all start examining her body. Something felt wrong with this case. It was just a feeling but something was off. A couple minutes later I hear Gill talking to Dani and JT and they do not seem happy. I must of zoned out and missed something. I look straight forward only to be met with bright blue eyes.

“Holy!” My hand goes for my heart.

“Sorry you scared me.’ I shake my head.

“Oh sorry ma’am.” The strange man says. My head tilts in curiosity. Who was he and why was he so comfortable in a crime scene. I watch the wheels in his head turn as he stares at the lady.

“Can I help you?” His eyes shoot up to look me dead in the eye.

“Oh sorry, I just haven’t seen you around here before. Normally it's all the same people. I’m Y/N by the way, not that it matters.’ I smile

“Hi Y/N, I'm Malcolm Bright, a Consultant.” He smiles softly but as soon as he said his last name something went off in my head.

“Not to be blunt but why did you just lie to me about your last name?” I ask as curiosity takes over.

“Excuse me?”

“Sorry when you said your last name you blinked a few extra times, that's a tell for when people lie.”

“I’m not lying.”

“You just did it again, the whole blinking thing.”

“I’m not lying, you must be mistaken.” He looks down at the body again.

“Why do you keep lying, you must be a terrible liar.”

“Listen, ignore the blinking thing, why did you introduce yourself with just your first name is the question? People normally use their last name.” I bite my lip at that.

“I don’t like being called by my last name, that’s my parents name not mine.”

“If you won’t tell me the truth I won’t tell you either.” He looks back at the body, I narrow my eyes at the strange man in front of me. Who was he? Why was he here? Questions flooded my head. I was caught off guard when he stood up quickly. He looked angry, I hope I didn’t upset him. Just then he starts going off about how this was a copycat of the surgeon. He went into the surgeon with a fine tooth comb. It was crazy the amount of details he knew about this case. He later stormed out of the apartment and Gill followed. I closely trailed him. He was my ride back and if he was leaving I was too. I could see them arguing. Soon Gill caught a glimpse of me so I walked out.

“Time to go back to the precinct?” Gill rubbed his face.

“Yeah, Bright gets to sit up front he’s older.” My eyes widened but I did not have the energy to argue as my head started to pound even harder.

“Fine whatever.” I exclaim as I rub my eyes and get into the back of the car. Malcolm stares at me weirdly as he gets into his seat. The car ride is quiet which I accept gratefully as it now felt like my head was going to burst open all over the backseats. Once we arrive at the precinct everyone trails into the conference room and starts talking over the case. I sit in my chair with my knees pulled up to my chest as Malcolm goes over a Profile of the killer. Once he is finished people start to trail out of the room as I stare at the board soaking in everything. Malcolm shows up behind me.

“So see anything?’ I gasp at the sudden person and noise behind me.

“Sorry, no, geez what do you have with scaring me.” I rub my eyes viciously.

“I don’t do it on purpose, just Y/N.” He says snarkily.

“Oh so that's how it's going to be Malcolm. So you're a profiler?”

“Yep and I can profile you and anyone else.”

“Ah really.” I laugh

“Yep like I can tell that either you're high on anxiety or that’s your 9th cup of coffee. Which is because you haven’t slept because of something that obviously haunts you. Family issues, financial struggle no your to put together for that, medical issues would explain the migraine you have. So what is it?” My eyes widen and my anxiety picks up as my legs shakes more viscously.

“None.” I say as I stand up way too quickly. The world starts to spin and I feel my legs start to give out. I grab onto the table as he reaches for me. I grab my head as he hesitantly places a hand on my shoulder.

“You good?” He stares with scared eyes. I blink a couple of times.

“I’m fine, sorry I stood up too quickly.”

“Maybe you should sit down or drink something other than coffee.”

“I’m fine but thank you.” I walk out of the room quickly and go to the bathroom knowing its the only place he can’t follow me. I quickly lock the door and slide down it covering my face.