#aurora: IT WAS A PARTY ABOUT TRISTAN AND IT WAS AMAZING | Explore Tumblr Posts and Blogs

tanjamikaelson · 5 years

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LOVE FOR ETERNITY - PART 76

MASTERLIST

PART 76: | FANGLORIOUS |

It was the last day of December, which meant that the New Year party was tonight. Right now it was around afternoon, Kol woke up quickly realizing that Natali was no longer lying next to him. He bling his eyes several times, then slowly rose into a sitting position, he looked around the room but there was no sign of her. Then he heard the water running in the bathroom so he had a sneaky plan. He got up from the bed and opened the bathroom door quietly, so Natali wouldn’t hear him. He opened the glass door of the shower slowly and saw that Natali was facing towards the water and he was looking at her back. She didn't notice anything until Kol didn't put his hands on her waist and dropped a kiss on her shoulder. She can feel his arousal pressing into her and presses her butt against it.

- Kol leans in and whispers into her ear, "Good morning, darling."

Natali moans when his left-hand travels along her belly and starts caressing her clit. With his other hand, he moves her wet hair from her neck and bites deliciously.

Kol lets a finger slip inside and she drops her head onto his shoulder giving him better access to her neck. Right after she reaches her peak, she turns around in his arms.

- "Good morning." Natali says and kisses his shoulder, then goes down to his chest and back up to his neck until finally, she reaches her destination and hungry kisses his mouth.

Kol.moans while tasting her lips for the first time this morning. But before he could do anything more he had planned, Natali opens the door and walks out of the shower.

When she reaches the bathroom door she turns around to look at him. She lets her eyes travel from.his head to his toes, licks her lips and winks playfully at him.

- "You're such a tease." Kol says before running after her.

Next thing she knows they were both in the bed, Kol pinned her down with his body. He grabbed both of her hands above her head almost making her still and unable to move. Giving her a cheeky smile he started leaving small kisses down her jaw and down her neck. After a few moments, he released her arms and continued to move down the bed and between her legs. He applied his tongue to her clit, swirling it around several times before dipping his tongue lower and moving inside her entrance. He did this a few times and had her tugging at his hair for more.

Her back arched as she came, the orgasm racking through her uncontrollable waves. Her legs tightened around his shoulders.

Kol stopped licking and started sucking, he knew that she wanted a strong merciless pleasure when she let out a scream and drew out into a sobbing breath. She kept his head prisoner form maybe half a minute and then her thighs relaxed and he could finally move.

Now it was his turn, he moved up between her legs. She saw him position himself with his hand and then he began his entry. Natali tried to trust up, take all of him, but she couldn't do it, not yet. He wouldn't let her. He kept easing himself in until he was all in. He began a slow rhythm, in and out, all the way in and almost all the way out.

Kol leaned forward to get a deeper angle and he wanted to kiss her. He picked up his pace as he kissed her. She pulled him to her, holding him tight and breathing hard. Natali had her legs locked around his back now and he increased his thrusts, harder and faster. She heard him breathing faster as he thrusts into her now as hard and as fast as he could and she felt the fire explode.

Kol heard her orgasmic scream, only this time it was closer to a loud moan and that was his signal. He pushed once, twice and then let it go. He held her as he pushed deep inside her, grunting with the effort. Kol put his head down on her shoulder turning to kiss her neck and then fell on top of her.

They were both breathing hard. Kol rolled his upper body off of her and looked towards her before kissing her gently on the lips. When they pulled away Natali smiles at him and then they hear her phone buzzing on the nightstand next to the bed.

- Natali took her phone and saw that she had 5 missed calls from Rebekah, "Oh fuck, I forgot that I was supposed to talk with Rebekah."

- Kol smiles knowing he is the reason she forgot her plans, "It wouldn't be the first time she is waiting."

- "Yeah, waiting because you distract me." Natali tells him.

- "Like this." Kol says and starts to kiss her neck slowly.

- "Stop." Natali says and pushes him off of her.

- Kol smirks, "I know you like it."

- "I didn't say that I don't like it, I just need to get ready and do something I had to do 2 hours ago." Natali tells him and gets out of the bed, "You can wait a couple of hours, I suppose."

- "Mmm, I'm not sure I could." Kol replies, "Maybe Rebekah can wait a couple more hours."

- "You know we're in different time zones, I can't talk with her when she is at the party or we are." Natali reminded him.

- Kol groans in frustration and reluctantly says, "Okay, fine. Go and talk to her."

- "Don't be mad." Natali says trough laugh before she goes to the bathroom to talk a quick shower.

⚜ ✡ ⚜ ✡ ⚜ ✡

Natali created a magical FaceTime so she can talk to Rebekah who’s in Saint Tropez.

- “Oh, there you are.” Rebekah remarks as Natali appeared in front of her.

- “I’m so sorry, Kol distracted me.” Natali tells her.

- “That’s what I thought.” Rebekah says, “Tell me what am I missing?”

- Natali sighs, “Nothing good.” she continues, “There is a peace of white oak on the loose. Cami had it, but then a witch who was apparently working for Klaus’ ex-girlfriend came and took it. So who knows where it is now.”

- “Should I come and help you find it.” Rebekah suggested.

- “No. Stay where you are.” Natali tells her, “You know Klaus and Elijah would be pissed if you come back here.”

- “But Aurora won’t kill me if she doesn’t want to die.” Rebekah says.

- “I know, but we don’t know who will get their hands on the white oak. It’s safer for you in Saint Tropez.” Natali told her.

- “I miss you guys.” Rebekah said.

- “We miss you too.” Natali replied.

- “You should take a break and come here as soon as possible.” Rebekah said.

- “Yeah, I need a year-long break from everything that happened this year.” Natali tells her.

- “We’re getting ready for a big New Year party, I don’t know how much time I have left to talk so tell me what else is happening?” Rebekah asked.

- “Well, I’m also trying to find my sister, but ever since we locked up Tristan she is nowhere to be found.” Natali says, “I thought she will take over the Strix now, but apparently not.”

- “She is shady, I’m telling you.” Natali could hear Kol say from the doorway, “There’s no way she left all of that behind, changed her number, didn’t thank you for doing what she wanted you to do.”

- “Uh, Kol is here and he doesn’t like when I talk about Renee.” Natali says to Rebekah.

- “Astral projects him too.” Rebekah tells her and Natali did exactly that, “Why do you hate Renee?” Rebekah asked him.

- “I just don’t think Natali should trust her.” Kol said.

- “I never said I trust her. I’m suspicious too, but I think she deserves a chance to explain herself.” Natali told him.

- “I agree, she needs to earn your trust again.” Rebekah says.

- “Exactly.” Natali agrees.

- “Well then, she should’ve called you after we got rid of Tristan, as she wanted.” Kol said.

- “Maybe she needed a break, we all need a break.” Natali says.

- “If she calls you tell me, but right now I should get going.” Rebekah tells them, “See you soon.”

They say goodbye before Natali’s magic stops and the two of them vanish back to a room where she was doing the spell.

⚜ ✡ ⚜ ✡ ⚜ ✡

Natali, Kol and their friends knew how to throw a party, that much was clear to the eternity of New Orleans, so a lot of people came to celebrate New Year at Fangtasia. The only thing is that most of them weren’t aware of vampires and they didn’t know that a lot of people never came back after their night out at famous Fangtasia.

Natali walked towards the people who came to Fangtasia in a black skin-tight dress and stilettos, looking like she just stepped off a runaway. Kol was walking next to her, dressed in a dark suit, matching with her.

They walked to the biggest booth in the club, where all their friends were.

- “Oh my God, I don’t think there’s a word to describe how you look tonight.” Sofya said as she saw Natali. She was stunned by her.

- “I’m flattered, thank you.” Natali replied, “You also look amazing.”

- "Rebekah isn't coming, huh?" Eric asked.

- "No, Eric. She isn't." Natali tells him, "You should've gone to Saint Tropez."

- "Please do, before Marcel decides he wants her back." Kol says, "And she will be stupid and let him come back and then he will leave her again."

- "She isn't stupid, Marcel is stupid." Eric told him.

- "Obviously he is." Kol says, "I'll never understand what she sees in him."

- "Okay, can we not talk about Marcel?" Natali asked, then turned to Eric, "If you want to win Rebekah you'll need to show her that you want her to be more than your one nightstand. She once told me that she wants someone who can't live without her, who would rip cities apart if someone hurts her. And you can be that person, but only if you want to." she says, "Oh and if you hurt her better don't show your face in front of us."

- Eric laughs at the last thing she said, "Thanks for the pep talk."

- "I mean I didn't want to scare you, I'm just warning you." Natali told him before taking her glass of whiskey and drinking it.

- Eric nodded, "Of course."

- "But she also wants to scare you." Sofya remarks.

- "Someone needs to protect Bekah." Kol says, "I think it's fair to say that it's best for you if you have to deal with me then with Nik."

- "Oh yeah. Klaus killed every guy she wanted to be with." Natali says, "Except Marcel."

- "You know guys this really isn't the best way to convince me to try something." Eric told them.

- "Don't worry Eric." Natali tells him, "We're rooting for you."

Then Megan approached their table with two humans, who were compelled and ready to feed on them.

- "So is it really a party if we don't share our food?"

- "No, it's not." Sofya says and stands up so that a human guy can be in the middle of her and Natali.

Kol sat next to Natali and a human girl sat in the middle of him and Eric. While Megan joined Sofya and Natali in sharing a meal. Natali bites one side of his neck and Sofya bit the other side, while Megan took his wrist and drank from it. It didn't take long for the three of them to drain even the last drop of his blood. When they finished Natali turned towards Kol, who also just drained another human with Eric. Kol and Natali looked at each other's bloody lips and he leaned forward and kissed her hungrily. His lips crushed against hers, moving against hers violently, but that somehow made the kiss better.

Natali wrapped her arms around his neck and he wrapped his around her waist.

- "Get a room." Megan remarks jokingly.

After that, the two of them pulled away from each other and smiled.

- "He was tasty." Kol says about the human they killed.

- "I know how to pick them." Megan tells him.

- "Girls, let's go and have more fun." Natali says and stands up, "But without the guys."

- "Ouch." Eric says, "And what are we going to do?"

- "You can watch." Megan tells him as she takes Natali's hand and pulled her to the dance floor.

The hot dance music started to play and all three of them started moving sensuously. Natali’s eyes land on Sofya and she saw that a guy was dancing behind her, intentionally touching her exposed skin. Not even the slightest aware that he is going to his own demise. It didn’t take long until Natali saw that his eyes went blank under compulsion and that Sofya’s face was buried in his neck. For anyone else, it would look like she was giving his a hickey, but Natali could smell the sweet scent of his blood.

A few moments later she decided to join her. She moved in behind him. He was still safely alive, but Natali decided it wouldn’t be that way much longer.

- “Is he tasty? His blood smells very sweet. I could almost taste it from across the floor.” Natali says.

- Sofya looks up with dark red lips, “See for yourself.” she then bent over and brushed her wet lips over Natali’s. They quickly pulled away before anyone noticed and Natali licked her lips as she tasted his blood.

- “You don’t mind Natali taking some as well, do you?” Sofya says to the guy and since she was still under the compulsion he shook his head and offered the other side of his neck to Natali.

Licking her lips, Natali let her fangs grow. She sank them inside his neck and the hot blood hit her tongue. They felt his shudder as Sofya did the same on the other side of his neck. He whimpered delightfully and Natali knew that his last minutes would be pleasurable for all of them.

When the guy was weak, already in the throes of the approaching death, both of them held him upright, sucking the last drops of blood out of his veins. With a small sigh, he collapsed dead between them. Sofya had a little bit of his blood on her lips so Natali whipped it off and sucked it off of her thumb.

Then Natali went back to their booth to drink more alcohol. Kol was sitting there and feeding on a dark-skinned girl, who was sitting on his lap.

- Natali took her glass of whiskey and drank it in one gulp. Just as she turned her back to Kol he said, “Are you girls having fun without me?”

- “As a matter of fact, we are.” Natali tells him as she turns to face him, “And I see you’re having fun too.”

- Kol smirks at her, “I don’t believe you.”

- Natali smiles back at him, “You don’t have to.” she says and sits next to him. Then she took the girl's hand and bit her wrist.

- “That’s enough. Leave something for me.” Kol tells her playfully.

- Natali pulls away, “There’s plenty more of them.”

- “But I like this one.” Kol tells her with his well-known smile. Natali smiles and stands up, “Where are you going?” he asks.

- “Back to my girlfriends.” Natali replies, “They like to share.”

Then she went back to Sofya who was close by and started dancing with her.

When it was close to midnight they all came back to the booth and waitresses brought them the most expensive champagne. Kol took the bottle and popped it open, then started pouring champagne into everyone’s glasses. As midnight struck they all toasted to the New Year together. When they finished drinking Kol kissed Natali and she returned the kiss with equal force. She was wrapped up in his arms as he continued to kiss her.

Later, girls were dancing again on the dance floor it was never enough for them. Kol and Eric were still sitting in a booth and watching them dance.

⚜ ✡ ⚜ ✡ ⚜ ✡

MASTERLIST

Tags: @mikaelsonsmagic @p3nny4urth0ught5 @cute-freak27 @ias-born @superhalsteads @characterobsessed @hinata7346 @luiza-4-ever @huntress1428 @infiniteoblivion21

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londontheatre · 7 years

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Commemorating the 80th anniversary of the Nanking massacre, as well as the first production at the Finborough Theatre building in its 150th anniversary year, the European premiere of Into the Numbers by multi-award-winning American playwright Christopher Chen opens at the Finborough Theatre for a four week limited season on Tuesday, 2 January 2018 (Press Nights: Thursday 4 and Friday 5 January 2018 at 7.30pm).

In December 1937, in Nanking, then capital of China, occurred one of the worst atrocities of the 20th century – the rape, torture and murder of 300,000 Chinese civilians and the systematic mass execution of soldiers by the Japanese army.

In 2004, Iris Chang, famed author of The Rape of Nanking, a chronicle of the massacre that brought it back into public consciousness, committed suicide at the age of 36. What begins as a standard lecture and interview with the celebrated author, soon descends into a surreal nightmare. As ghosts from her research appear, she tries desperately to find order in the midst of mental chaos.

Into the Numbers by the Obie Award and Dramatist Guild’s Lanford Wilson Award-winning playwright Christopher Chen, is a thrillingly innovative theatrical exploration of the philosophical and psychological implications of researching genocide, as well as the toll media saturation plays in the process.

Director Georgie Staight returns to the Finborough Theatre after her four-star (The Daily Telegraph) sell-out production of Carmen Nasr’s new play Dubailand.

Playwright Christopher Chen work includes Caught (La MaMa Theater, New York City, and Volta Festival at Arcola Theatre), Home Invasion (Site Specific with The Flight Deck, California), The Hundred Flowers Project (Crowded Fire Theatre, San Francisco), The Late Wedding (Hub Theatre, San Francisco), Mutt (La Val’s Subterranean), Passage (Wilma Theatre, Philadelphia), The Window Age (Central Works, Berkeley) and You Mean to Do Me Harm (San Francisco Playhouse). His honours include the 2017 Obie Award for Playwriting for Caught; the 2017 Dramatist Guild Lanford Wilson Award; 2017 Drama League Nomination for Outstanding Production for Caught; the 2015-2016 Sundance Institute/Time Warner Foundation Fellowship for Theater; the Paula Vogel Playwriting Award through which he was the 2013-2014 Playwright-in-Residence at the Vineyard Theatre New York; the Barrymore Award; PHINDIE Critics Award; the Glickman Award; the Rella Lossy Playwriting Award; shortlist for the James Tait Black Award; nomination for the Steinberg Award; second place in the Belarus Free Theater International Competition of Modern Dramaturgy; a MAP Fund Grant; a Ford Foundation Emerging Writer of Color Grant; and a finalist for the PONY and Jerome Fellowships. His current commissions include American Conservatory Theater, Aurora Theatre, LCT3, Manhattan Theatre Club, Oregon Shakespeare Festival and Playwrights Horizons. His work has been published by American Theatre Magazine, Dramatists Play Service, Theatre Bay Area and Theater Magazine Yale.

Director Georgie Staight returns to the Finborough Theatre after her sell-out run of Dubailand, nominated for an OffWestEnd Award. Direction includes Roosting (Park Theatre), White Light (Arcola Theatre as part of PlayWROUGHT), Flood (Tristan Bates Theatre), Safe (Jermyn Street Theatre), Dreamless Sleep (Arts Theatre and The Bunker) and Next of Kin (Bristol Old Vic Studio). She is also a playwright and has had her writing produced at Theatre503, The Bunker, Arcola Theatre, Arts Theatre and Bristol Old Vic. Writing includes the adaptation and world premiere of Deborah Levy’s Billy and Girl (Karamel Theatre), Let There Be Light (reading at Chichester Festival Theatre) and Dreamless Sleep (The Bunker). Assistant Direction includes Our Town (Watermill Theatre, Newbury) and Legally Blonde: The Musical (Bernie Grant Arts Centre). Georgie trained at Mountview Academy of Theatre Arts, and is Joint Artistic Director at Flux Theatre.

The cast is: Elizabeth Chan | Iris Chang Theatre includes B!rth (Royal Exchange Theatre, Manchester), The Sugar-Coated Bullets of Bourgeoisie (HighTide Festival), The Odyssey (Almeida Theatre), Caught, Hamlet is Dead (Arcola Theatre), Light Shinning in Buckinghamshire (National Theatre), Henry IV (Donmar Warehouse), Chimerica (Almeida Theatre, Headlong Theatre and West End), The Wheel (National Theatre of Scotland), Greenland (National Theatre), Don’t Shoot the Clowns (Fuel Theatre), An Argument About Sex (Traverse Theatre, Edinburgh) and Cinderella (Lyric Theatre, Hammersmith).

Television includes Coronation Street, Motherland, Carters Get Rich, The Last Dragonslayer, Last Tango in Halifax, Cucumber, Holby City, Black Mirror – The Entire History of You, Spirit Warriors and Silent Witness.

Timothy Knightly | Brett Douglas / Interviewer / Doctor Productions at the Finborough Theatre include The Heaven. Theatre includes The Distance (Sheffield Theatres and Orange Tree Theatre, Richmond), Romeo and Juliet (The Tobacco Factory, Bristol and Tour), The Distance (Orange Tree Theatre, Richmond), Natural Affection (Jermyn Street Theatre), The Ashes (Nottingham Playhouse), Lady Windemere’s Fan (Royal Exchange Theatre, Manchester), Ruben Guthrie (Wimbledon Studio Theatre), The Amazing Vacetti Sisters (Tristan Bates Theatre), The Water Engine (Old Vic Tunnels), Leon and the Place Between (Unicorn Theatre) and Absolution (Theatre503) . Film includes The Inbetweeners, The Birthday, The World Turns and Lucky. Television includes The Evermoor Chronicles, Not Going Out and All Saints.

Jennifer Lim | Nanking Relative / Victim / Ensemble Productions at the Finborough Theatre include Acceptance as part of Vibrant 2015 – A Festival of Finborough Playwrights. Theatre includes The Good Woman of Setzuan (National Theatre), A Colder Water Than Here (Vault Festival), World Factory Tour (Metis Arts), The Fu Manchu Complex (Ovalhouse), Wild Swans (The Young Vic), Speaking to Him (Birmingham Rep), Cleaning Up (Theatre Venture), Hecuba (Foursight Theatre), Daughter of the River (Mu-Lan Theatre Company) and Pork Bellies (Theatre Centre). Rehearsed Readings include The Kumamoto Care Home Murder (Theatre Royal Stratford East) and You Need Some of This (Theatre503). Film includes A Monster Calls, Far Away, Piercing Brightness, Ten Thousand Waves, Womb, Still, Act of Grace, Hostel, Code 46 and Rogue Trader. Television includes Spirit Warriors, Holby City and The League of Gentlemen. Radio includes And the Rain My Drink and The Story of the Stone.

Amy Molloy | Minnie Vautrin / Ensemble Productions at the Finborough Theatre include Over the Bridge. Theatre includes Disco Pigs (National Tour and Irish Tour), Cyprus Avenue (National Theatre of Ireland – Abbey Theatre, and Royal Court Theatre), Playhouse Creatures (Bruiser Theatre, Belfast), Teaset (Pleasance Courtyard, Baron’s Court Theatre and White Bear Theatre), Little Boxes (Theatre503), Rock Paper Scissors (Brockley Jack Studio Theatre), Let Me Count the Ways (Rich Mix London), Tejas Verdes – Chilean Trilogy and Villa – Chilean Trilogy (The Mac, Belfast), The Parachutist (Cockpit Theatre), My Cousin Rachel (Gate Theatre, Dublin), Big Maggie (Druid Theatre, Galway), Belfast Girls (King’s Head Theatre), October, and Building Site (Arcola Theatre), John Gabriel Borkman (BAM Harvey Theater, New York City, and National Theatre of Ireland – Abbey Theatre), The Lieutenant of Inishmore (The Curve, Leicester), Black Milk (Brian Friel Theatre, Belfast), Kitty and Damnation (Lion and Unicorn Theatre),The Surveyor (New End Theatre, Hampstead), Once a Catholic (Upstairs at the Gatehouse), The Seagull (Chelsea Theatre), A Laughing Matter (Pleasance London) and Come on Over (Tristan Bates Theatre). Film include Raided House, The Sea and Black Ice. Television includes Virtues, The Fall, Call the Midwife and 50 Ways to Kill Your Lover.

Mark Ota | Deputy Japanese Ambassador / Soldier / Ensemble Theatre includes Poker Face, I Went To a Fabulous Party (Kings Head Theatre), How to Hold Your Breath (Royal Court Theatre), My Mind is Free (Edinburgh Festival), (Up)Rooted (SLAM), Theatre Madness Festival (Stratford Circus), Home is Where (Rich Mix), The Hotel, Romeo and Juliet (Jackinabox Productions), Speaking to Him (Birmingham Rep), Cleaning Up (Theatre Venture), Hecuba (Foursight Theatre), A Midsummer Night’s Dream (Moving Stories), The Tempest, As You Like It, The Memory of Water and Constellations (Arts Educational Schools London). Rehearsed Readings include The Sun (Yellow Earth) and Bird Bones (London Playwrights Lab). Film includes The Watchers, Silentville, Walking With the Ferryman, Mountain, Woman Forever Woman, Moumoku Samurai, Memory Lane and Lullaby.

Finborough Theatre, 118 Finborough Road, London SW10 9ED Box Office 0844 847 1652 http://ift.tt/NsSQwL Tuesday, 2 – Saturday, 27 January 2018

http://ift.tt/2kVYyTv London Theatre 1

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