#aurion nova

[roseseatea]

New Rain Code OC~

Name: Aurion Nova

Forensic Forte: Tracker (Eagle Eye)

Can accurately track a multitude of people's movements and locations. If there's like 20 people in a room, he can keep track of all 20. If we wants to focus on a particular person, he can and he won't lose track of them.

He tends to use this in real time, going into locations undercover and observing where people come and go, or following someone. But he also trained his forte to be able to use it in the future. So if an event has passed, he can remember who was there and there movements. His eye creates a visualization for him of all the unique people and their movements (hard to explain this in words lol). The more time has passed, the less effective this visualization becomes, as his memory of it would fade. When its a case he's currently on, he tries to keep it in his memory as long as possible.

Because of the nature of his forte, he doesn't normally deal with cases he had no prior knowledge of.

More info undercut~

About him

Just like Soul, Aurion is part of a group of rogue master detectives who are ex-members of the WDO. All of them have either left of their own accord or have been kicked out.

Growing up, he always had a keen eye and was obsessed with stuff like shuffle cups (he always won). He basically treats his observation of people like advanced shuffle cups.

He's excitable and outgoing, and also can be cocky of his forte.

He also cares about his group of detectives very much, sometimes getting clingy with them.

Spends maybe too much time styling his hair, getting those devil horn-like spikes to be just right.

He usually traverses by skateboard, and is also a graffiti artist. With his graffiti, he'll always include the word "Redux"

Totally never got in trouble for vandalism..

[sharky857]

Side Tenno #3: Magda

Name: Magda Nickname: Ciel (fake identity) Age: 22 (at the time of the Zariman accident), although Orokin reports state that she's 17 (another false information she gave out) Gender: Female Orientation: Polysexual Height: 180 cm / 5'10" Main Tenno School: Zenurik Current MR: Silver Sage (26) Current non-neutral Syndicates affiliation: Perrin Sequence, out of pure spite towards the whole Corpus faction Current Neutral Syndicates affiliation: N/A She stopped visiting all neutral syndicates once gotten Warframes, Weapons and Amp parts she needed. Warframes: Umbra (either as he is or with a partial "Zato" attire), Oberon Prime (with standard non-Prime attire), Rhino Prime (and base Rhino, snatched from the Jackal), Saryn Prime, Khora, Harrow, Chroma Prime, Valkyr Prime (and base Valkyr, snatched from Alad V on Jupiter), Hydroid Prime, Nezha (Empyrean attire), Atlas Prime, Gauss, Hildryn (incidentally obtained due to Magda's past and constant squaring up with the Exploiter Orb), Mesa Prime (and base Mesa, snatched from (Mutualist) Alad V once again), Mag (snatched from the Sergeant), Loki (snatched from the Hyena Pack), Nova (snatched from the Raptors), Protea (snatched from Parvos Granum while in the Granum Void), Trinity (snatched from Ambulas), Nidus. - PLEASE NOTE: all the "snatched" Warframes are kept in the Arsenal solely as personal trophies and put on display. Weapons of choice: - Primary: Kuva Bramma, Stahlta - Secondary: Despair, Akarius - Melee: Ceti Lacera, Secura Lecta Archwing: Itzal Arch-gun: Kuva Ayanga Arch-melee: Prisma Veritux Landing Craft: Nightwave Companion: Moa (Lambeo - Lehan - Atheca - Drimper), Carrier Prime, Adarza Kavat Ship Cephalon: Aurion Orbiter/Railjack's designation: True Heir

Personal bits:

She was the daughter of an elite Orokin, and at first Magda is as "power hungry" as she's "thirsty" for something else.

The young woman wasn’t suppoed to be on the Zariman. She boarded the ship with a false identity, after fleeing from home. Besides feeling bored from the luxurious and monotone life she had been living in, Magda was also lowkey plotting a way to escape an arranged marriage that she never agreed to in the first place. In an attempt to prevent any rash decision from their daughter, her strict parents recruited a Dax as her personal guardian. Eventually, Magda managed to sneak away from her Dax's control after exploiting what she used to consider "every man's weakness" (and after drugging him big time too). It is unknown what happened to that one Dax afterwards, but his demise had most certainly been not of the nicest kind.

Magda has been one of the very few "adults" who did not go fully insane due to the effects of the Void but ultimately became a Tenno, although with some initial mixed feelings due to her heritage.

She would take jobs and rank up with the likes of neutral syndicates such as Ostrons, Solaris United, Vox Solaris, etc... Solely because that's the only way she can grab the Blueprints for some Warframes and some weapon parts as well.

When the Zariman was found, Magda was terrified of what they could do to her, if the other Orokin ever found out that someone belonging to none other than the elitist class ended up like her. Magda knew that a few scenarios could happen, if she were busted: knowing what kind of horrors Orokin of their status were capable of, she even feared being brought back to her parents, for they were certainly not any different. Their only child not only dared to disobey them, but also fled from home (and from an important marriage they had been planning) and, what was even worse to their eyes, their daughter had also gone to the extent of having an intercourse with a Dax! Magda was fully aware of what she would've most certainly risked: if she had kept on standing her ground against her parents, she could've faced the Jade Light or, given her being like poisoned by Void's mysterious energy, be turned into some human lab rat for studies. If Magda had surrendered to what her parents had planned for her from the start, she would've been given a whole new "pure" body before being coerced in that marriage. Given these options at hand, she kept the false identity she used to board the ship: Ciel, 17 years old.

Magda also lowkey suspected that these false information were also part of what helped her staying alive with the other survivors of the accident. In the immediate aftermath of the accident, technically she needed not to keep up that identity anymore (they definitely had other things to worry about than a clandestine passenger, at that point), but she did so anyway, in fear that the actual children and teenagers would've somehow seen her as as much of a threat as the rest of the grown-ups gone insane.

She confessed her real name and age for the first time to the Lotus, only after fully awakened from the Second Dream. At that point she needed not to fear anyone anymore; she was a real Tenno, and the "Tenno" faction would've welcomed her, regardless or her (at time questionable) quirks.

Now Magda has a deep hatred towards the Corpus only because they proclaimed themselves "heirs" of the Orokin and they still call themselves as such. This is another reason why she could be spotted pretty often in Orb Vallis taking SU's "bounties" (so that she can wreck every single Corpus in her way), besides squaring up with the "giant spiders" themselves. This also means that whenever there are Thermia fractures, Magda will be there to seal them; she would do anything to see Nef Anyo blow a gasket or two over such loss of profit. Also, despite this former Orokin elitist considers the arena fights as "barbaric blood sports" that "only the lowest-class warriors would enjoy taking part", she can and will be seen at Nef Anyo's Index, another way for Magda to try and squeeze as much "profit" as she can from that pompous sham.

Her hatred is extended also to the Sentients, as she's been placing all the blame on them for what culminated in the Old War. From Magda's point of view, if they had kept on behaving as they had been built and instructed to do, all that could've been also prevented.

Magda's trust and loyalty to the Lotus wavered just a little bit when "Lotus" herself was exposed as a Sentient named Natah, albeit at first the young woman was overall chill. It was true that Natah was a Sentient, but also on the side of the Tenno, so it couldn't be that bad. Right?

For what concerns the Grineer, she considers them like nothing but filthy beggars. On the other hand, she might have a special consideration for the Kuva queens, for they were -in fact- part of the original Orokin elite. This is the reason why she may battle Grineers in regular missions, but would rarely venture inside the Kuva Fortress.

She may or may have not kinda changed her mind when she found herself at the other end of the stick, in the events at the time of "the War Within". Despite having gone this close to become one of the Queens' brandnew body, at that time Magda couldn't bring herself to kill who once was a fellow elitist, so she left that in the good cares of Teshin. As for that Kuva Blood... she chugged it like a pro at a drinking contest. In any case, this Tenno now has strongly mixed feelings towards those queens, and until she won't sort these feelings out, she'd rather stay away from that roaming fortress too.

Although the Quills are allied with the Tenno faction, Magda can't really stand Onkko. The cause is that one time he said "we shall make use of you", a sentence that gave her a post-Zariman flashback, when the Orokin decided to exploit the Void powers of the Tenno to their own use, which was also linked to one of the aforementioned fears of hers: being used as some kind of lab rat. In this case: as a test subject to further improve the "super-soldiers" the Orokin had been creating. Of course the Tenno were not used like that, but they were exploited against their own will nonetheless. For this reason, her standing with the Quills is nearly non-existent. On the other hand, she incidentally reached the highest rank among Vox Solaris. And given that Little Duck can provide higher-rank Amp parts and (seemingly) better Arcanes than Onkko, that has made a neat bonus for this Tenno to climb up the Vox Solaris "hierarchy".

Magda has quite an arsenal of Warframes, but only a few of them are actually deployed in battle. Some of them are mostly exploited differently than intended, while every single one she looted from the Corpus faction is kept as a personal trophy.

Magda's lust is usually towards other Tenno of her same age (roughly) or older, albeit she spends more of that time with her own Warframes due to their being more readily available. This lust is what will bring her to try to work her own "irresistible charm" also on Ashmit, for one purpose: since he is a Warlord with his own clan, Magda really wanted to be his second-in-command, and have once again a taste of power over other people. No matter what it could��ve taken and completely unaware that he already has a second-in-command, far less hungry for power: Damienne. Unfortunately for Magda, all she manages to achieve will be getting kicked out of the “Red Lotus" clan for “inappropriate behaviour”. Like she was totally unaware that Damienne is Ashmit's second-in-command, Magda was also totally unaware that the young man is 100% gay, to the point that she would scoff at him and call him "L!mp D!ck", because he seemed that unresponsive to her so-called "irresistible charm". (She still calls him that, much to Ashmit's utter impassivity and Damienne's utter rampage.)

The events in "The Sacrifice" is what eventually led her to think less like a (depraved) Orokin and more like a (deviant) Tenno. She loosely knew that her kin could be cruel, but witnessing firsthand that same cruelty through Umbra's memories (culminating with Ballas forcing the soon-to-be Umbra's hand to ultimately kill his own son) has been the final straw. Back in the days, her parents were acquaintances of Ballas, being both part of the Orokin elite, but don’t tell her. Time, trauma and cryostasis conveniently removed that bit of memory. When Magda also found out that Ballas was betraying his kind for the Sentients, every shred of compassion towards him poofed away point blank and she gladly sank that blade into his chest with all her might and scorn. A feeling nurtured also by how she had previously witnessed him "stealing" the Lotus herself, leaving all the Tenno without her precious guidance.

The events in "the Sacrifice" also ultimately opened her eyes on what other Warframes might possibly be (humans), not just Excalibur Umbra, and that's also when she started to take them into consideration for a possible and alternative intercourse. Magda attempted a Transference approach similar to the one used with her Umbra; it took her some attempts, but eventually this thirsty Tenno was not disappointed.

[jimthenecromancer]

Name: Kratos Aurion Age: 35 Occupation: Owner of Derris Kharbucks coffee shop Residence: Lezareno Apartments Building Game of Origin: Tales of Symphonia

Description: That hot dad everyone wishes they could [KEEP IT PG], and also generally the one Everyone Goes To For Help. He’s been in the parenting business for 15 years, so everyone assumes he knows what he’s doing. Despite that, he’s known to go to the corner store “for a pack of cigarettes” and return in 3-5 business days, though it could be more or less. Oddly enough, no one has ever seen him smoke or even carry a pack of cigarettes. Most people tend to find it surprising that he was part of a gang back in high school/college with Yuan, Martel, and Mithos known as the Angels of Cruxis, but he has the leather jacket with angel wings on the back to prove it. He generally has resting bitch face, and his generally blunt and to the point demeanor does absolutely nothing to dissuade others from talking to him even when he’d really prefer they didn’t. Kratos is hard of hearing, and has been wearing hearing aids since his late teens. He understands sign language and can read lips, but he pretends he can’t just to mess with Yuan. If he doesn’t feel like listening to your bullshit, he’ll turn off his hearing aids or just not wear them. His late wife Anna and his sister Lailah are the only people who know if he’s listening to you or not. He harbors a strong resentment towards Milla Maxwell and her coffee shop, Maxwell House, and Zaveid Yggdrasill just because he’s dating Kratos’s sister. He currently lives at Lezareno Apartments with his dog, Noishe, his son Lloyd, and is looking after Lloyd’s friend Colette who’s going to school in the city. 

Relations:

Immediate relatives

Lailah Aurion - older sister

Anna Aurion - wife (deceased)

Lloyd Aurion - son

Noishe - dog

Unnamed parents

Extended family

Glenn - brother-in-law (deceased)

Sorey Aurion - nephew

Mikleo Ka-Fai - adopted nephew

Maria Albane - cousin

Miguel Albane - cousin’s husband

Cress Albane - cousin’s son

Nova Aurion - cousin

Vera Aurion - cousin

Other relations

Yuan Ka-Fai - best friend / boyfriend

Martel Yggdrasill - old friend (status unknown)

Mithos Yggdrasill - old friend(’s younger brother)

Colette Brunel - child he’s the acting guardian of

[juanitoavelo]

Jour 3 : Porto > Praia de Mira - 114 km

Une étape plate comme le pas de calais ça fait fait du bien !

Après une pastel de nata en guise de petit déjeuner nous avons fait un dernier tour dans Porto sans la foule de la veille puis nous avons repris.

Malgré quelques passages sauvages le long de la mer et dans la forêt, les 50-70 premiers kilometres étaient assez monotones. Les quelques stations balnéaires que nous avons traversé ne donnaient pas envie de s’arrêter. Peut-être aurions nous eu un avis différent si nous n’étions pas nous la grisaille ?

Le soleil a percé d’un coup alors que nous arrivions à Aveiro, ville que nous avons particulièrement apprécié pour ses couleurs, son canal et son ambiance.

Nous avons ensuite fait escale à Costa Nova, station balnéaire assez huppée et sommes tombés par hasard dans un repère de pêcheurs avec qui nous avons sympathisé en baragouinant en espagnol. Ils nous ont convaincu de goûter leur maquereau fraîchement pêché et grillé devant nous !

[fullmilkshakesong]

Genesí of Apokalypsis - Genesí of Apokálypsis (on Wattpad) https://www.wattpad.com/1245710771-genes%C3%AD-of-apokalypsis-genes%C3%AD-of-apok%C3%A1lypsis?utm_source=web&utm_medium=tumblr&utm_content=share_reading Vernarth was ready at the threshold of the validity of the constellation of Orion, barely a hundred millionths as indicated by the Duoverse in his Cosmogonic amphiboly, and sensitive to physical space with the Kli vessels that he carried on his back that were in the proximity of the Loop of Bernard as the Omission nebula as the exponential hemicycle in the center of Aurion's oculus waiting for Vernarth and redistribute its molecules at 518 light-years or 440 Parsec, with the diameter that will be reflected in Patmos of more than 300 light-years condensed with the element of Hydor or water from high space over Aurion. Vernarth, united by the fragrant hand of the Mashiach, could carry it when he moved away from the Opistodomos and the remains of incandescent lagoons of supernova materials that surrounded them to accelerate the mass of the Iridescent Nimbus that Vernarth would carry, and the Mashiach as a sentinel of his Purgation. already defined whenever the simultaneous explosion of the Super Nova with Patmos becomes effective, and the Terrestrial World in impulsiveness that admonished him under the right shoulder blade in the skinny hollow of the arm that was getting rid of the oscillometer right at the original entrance of Betelgeuse, and when Vernarth remained alone in the frontal altitude chamber to take off towards the cosmogonies of Eridanus to tune into the Ptolemaic astral.

[lefeusacre-editions]

MATKORMANO | LORRAINE OCCULTE — ENTRETIEN AVEC JULIEN LOUVET & FABIEN RENNET

C’est un fait divers quasiment oublié de tous. Qui se déroule au fin fond de la Lorraine vers la fin de la présidence Gaullienne. S’y croisent ésotérisme, charlatanisme et DS noires enlevant des enfants au milieu de la nuit. C’est une histoire qui fleure bon la France d’avant, le Nouveau Détective et l’occultisme. Une histoire du genre à faire écrire les exégètes. Du genre a produire de nouvelles légendes urbaines. Ou des films expérimentaux.

Matkormano est un court-métrage stupéfiant, à la croisée des genres les plus irréconciliables. Entre found footage, reportage télévisuel & cinéma expérimental, la matière documentaire dont il s’inspire est inouïe, et la manière dont ses deux réalisateurs la distordent est aussi déroutante que tétanisante.

Mais c’est aussi la manière dont le film est diffusé qui en fait une œuvre à part. Après avoir fait le tour de nombreux festivals en Europe (Festival International du Film de Rotterdam, MUFF, Côté Court | Paris, Festival Nova | Bruxelles), c’est aujourd’hui aux acheteurs de la bande originale du film — éditée en vinyle par Specific recordings — que les réalisateurs ont décidé d’offrir leur film en téléchargement.

Rencontre avec Julien Louvet & Fabien Rennet.

Par quel biais avez-vous pris connaissance de l'affaire Maurice Gérard / Matkormano ? Est-ce un fait-divers connu dans votre région ?

Julien Louvet | Cette histoire m'a été révélée à la lecture d'un ouvrage de Gérard de Sède. Il évoque la disparition d'enfants dans l'un de ses nombreux ouvrages sur le mystère de Rennes-le-Château, qui ont fait son succès dans les années 60/70. Je me suis aperçu qu'en marge de sa littérature pseudo-ésotérique, il avait documenté ce fait-divers dès 1970, avant même la fin du procès dans ‘Magie à Marsal’, qui à ma connaissance est le seul ouvrage dédié à l'affaire si l'on exclut les ouvrages de Matkormano lui-même. Marsal étant à quelques kilomètres de chez nous, ce fut un prétexte à flânerie. 

A quel moment cette histoire a fait naître en vous un désir de film ?

Julien Louvet | Curieux d'histoire locale et attentifs au passé ésotérique de la région, nous nous sommes rendus à Marsal, petit village fortifié par Vauban, où vivent moins de deux cents âmes. C'est très beau, figé dans le temps et dans la brume. La maison du mage était là, identique aux photographies de 1968/1969. Stupéfaits, nous avons poussé la porte. Et immédiatement, nous avons compris que cette affaire n'avait rien de commun. Les fresques, les affaires... tout était là, dans une maison ouverte où aucune trace de dégradation n'était visible. La maison était probablement visitée, mais jamais profanée. 

Comment l’expliquez-vous ? Comment expliquer qu’un tel fait-divers soit quasiment tombé dans l’oubli, alors que le temps n’en a aucunement effacé les traces ?

Fabien Rennet | Le village a été très médiatisé entre 1969 et 1971 (quasiment un article par jour dans la presse locale, des journaux nationaux et internationaux qui ont traité l'affaire, etc.). Les Marsalais et la famille ont été harcelés par les journalistes, principalement pour comprendre pourquoi ils n'avaient rien vu. Peut-être par un sentiment de culpabilité, il est impossible de discuter de cette histoire avec les principaux intéressés encore en vie (le frère du mage, par exemple, qui habite toujours près de l'ashram). D'un autre côté, beaucoup en ont entendu parler par leurs parents ou grands-parents et les rumeurs vont bon train. La maison est régulièrement visitée : nous avons constaté lors de nos différentes visites que des objets étaient déplacés et des pièces fouillées, mais il n'y a aucune dégradation. C'est sûrement ces deuxième et troisième générations qui poussent la porte pour se faire peur. 

Quand êtes-vous rentrés la première fois dans cette maison ? Combien de fois avez-vous dû vous y rendre pour les besoins du film ? 

Fabien Rennet | Nous sommes entrés la première fois à l'été 2012. Nous sommes ensuite revenus régulièrement, tous les six mois environ pendant trois ans, pour vérifier que la mairie ne l'avait pas condamnée (c'était notre plus grande crainte).

La Lorraine est présentée dans le film comme une terre fortement imprégnée d'ésotérisme. C'est quelque chose que j'ignorais complètement. Qu'est-ce qui vous fait dire ça ? 

Julien Louvet | Il y a en Lorraine une véritable histoire ésotérique, depuis l'Antiquité. On sait par exemple que la colline de Sion (’La Colline inspirée’ de Maurice Barrès) était un lieu de rassemblements druidiques très important. C'est un carrefour migratoire et de ce fait, tout un ensemble de mythes se sont agrégés, confondus. On y trouve par exemple des temples à Mithra. Il y a eu une résistance populaire au catholicisme assez importante au Moyen-Age. De ce fait, le christianisme a réinvesti des traditions païennes, comme le culte à la vierge noire d'Avioth par exemple. Ce n'est pas rare. 

Fabien Rennet | Au cœur même du Pays du Saulnois, il est des mystères noyés dans le brouillard... Marsal est une citée saline. On y cultivait le sel il y a déjà six-mille ans. Nul ne sait pourquoi, mais c'était une production quasi industrielle. Les marais ont été asséchés sur des kilomètres. A quelques pas de là, vivait à la fin du XIXe siècle un personnage singulier et fort connu en son temps, poète baudelairien et auteur d'une extraordinaire anthologie du mal (Les ‘Essais de Sciences Maudites’) : Stanislas de Guaita (ami de lycée de Barrès et fondateur de l'Ordre Kabbalistique de la Rose-Croix). Il est évident qu'il fut l'un des inspirateurs de Matkormano au même titre que son environnement même.

Matkormano est un voyage à travers un fait-divers, mais aussi un voyage dans le temps : dans cette France gaulliste, avec ses petits villages de province, sa manière de traiter l’information et la façon dont les gens s’expriment, une période encore proche de nous dans le temps mais dont on a perdu le souvenir.

Fabien Rennet | En consultant les archives de la fin 68, on se rend compte à quel point les Français sont en manque de repères après "la chienlit". De Gaulle a annoncé une dévaluation du franc, l'ambiance générale est plutôt morose. Ce qui excite le plus les journalistes sont les faits-divers et, à l'opposé, les grandes "avancées du siècle" que sont la course à la Lune, la découverte du laser et les philosophies New Age. Le plus frappant est de lire la manière dont les journalistes traitent tous ces sujets : sans aucun rationalisme. Pour eux, la conquête spatiale va permettre de trouver des extra-terrestres et/ou Dieu et/ou le sens de la vie… et Matkormano fait parler des statues.

Vous avez travaillé avec comme matière première des images d’archives, pour la plupart issues des télévisions française et luxembourgeoise, auxquelles vous avez rajouté des images que vous avez vous-mêmes tournées. Or, il est très difficile de les distinguer les unes des autres. 

Fabien Rennet | Il nous paraissait important de ne pas faire d'aller-retours entre passé et présent mais de placer plutôt le film dans une temporalité indéterminée, de brouiller les pistes quant à l'origine et la date des images. Comme point de repère, nous avons eu très tôt ‘Les Documents interdits’ de Jean-Teddy Philippe et ‘La Malédiction des plumes’ de Marc Thomas et nous voulions en faire une synthèse : non pas une fausse histoire mise en scène dans un faux-documentaire mais une histoire vraie tellement incroyable que sa véracité puisse poser question.  

Ce qui est vrai pour l’image est également vrai pour les voix. On entend la voix originale du mage au début du film, puis la voix de Damien Schultz vient prendre le relai sans qu’on s’en rende vraiment compte. Comment avez-vous travaillé avec Damien  Schultz ? C’est presque un travail d’imitation qu’il a produit sur votre film. 

Fabien Rennet | La voix originale du mage n'est pas dans le film :)

Comment avez-vous écrit la voix-off de Maurice Gérard / Matkormano ? Avez-vous travaillé d’après des documents ? Imaginé un ‘point de vue’ d’après ce que vous connaissiez de cette histoire ?

Fabien Rennet | Nos sources ont été ‘Magie à Marsal’ de Gérard de Sède, ‘Faites Jaillir votre puissance magique’ de Maurice Gérard, le jugement du TGI de Metz, les archives presse (Républicain Lorrain et Est Républicain) et audiovisuelles (ORTF et RTL). Avec ce matériel, nous avons reconstitué la chronologie de l'affaire jour par jour. C'est cette chronologie que nous avons travaillée avec Damien jusqu'à ce qu'il ‘soit’ le Maurice Gérard que nous avons interviewé.

Tout le film est concentré autour de la figure de Maurice Gérard / Matkormano. Cependant, Maurice Gérard / Matkormano parle constamment de son épouse, la « grande prêtresse Alfeola » (Josiane Nain de son vrai nom). Or, elle apparaît peu dans les images d’archives, on entend à aucun moment le son de sa voix, et il est assez peu question d’elle, autant dans le traitement médiatique de l’affaire que dans votre film. Alfeola est l’angle mort de toute cette affaire. Qu’est-ce qu’on sait d’elle, avant, pendant, et après l’affaire ?

Julien Louvet | C'est notre plus grand regret. Alféola est sûrement la clé de toute l'histoire mais (mentalité de l'époque ?) il n'y a aucun article sur elle, aucune interview, à peine quelques images. Nous aurions aimé lui donner une place plus importante mais nous n'avions aucun matériel pour lui "donner corps".

Fabien Rennet | Tout ce que l'on sait d'elle c'est qu'elle était préparatrice en pharmacie quand ils se sont rencontrés, qu'elle a eu entre sept et neuf enfants, qu'elle a été internée pendant quelques années avant et après le procès et qu'elle est morte à Saint-Ouen en 2004. 

Les autres grands absents du fait-divers et du film, ce sont les enfants. Ce sont les grandes victimes de cette histoire, or, il n’est presque jamais question d’eux, comme s’ils n’étaient jamais regardés comme des personnes à part entière. 

Julien Louvet | Comme pour Alféola, la presse de l'époque de l'époque ne s'est jamais préoccupée des enfants. Elle a toujours considéré Matkormano comme la figure centrale de cette affaire. C'est pourtant là le drame de Maurice Gérard : avoir été accusé de mauvais traitements sur ses enfants et d'en avoir perdu la garde. Il avait beau être un mégalomane paranoïaque en quête de publicité, il lui a toujours été intolérable d'être accusé d'être un mauvais père. S'il y a une chose dont on peut être sûr, c'est qu'il aimait ses enfants.

Dans son dernier livre 'Cinema Hermetica', Pacôme Thiellement parle du New Age comme de la religion de la 'contre-orientation', une pseudo-spiritualité accompagnant la phase de dissolution de l'ère du Kali Yuga (l'âge de fer), une version parodique et dégradée de la Tradition Primordiale, sinistrement centrée sur le Moi (tout tourne autour du 'développement personnel') plutôt qu'une spiritualité du collectif et du cosmique. On retrouve bien une partie de l'image de Maurice Gérard que vous avez tenté de reconstituer : l'imposture (son pseudo-statut de mage), les mensonges (aux autres ― mais aussi à lui-même, Maurice Gérard ne s'est-il pas d'abord mystifié lui-même ?), le côté parodique de sa 'religion' (les statues qui parlent, etc.). 

Julien Louvet | Si l'on s'en tient à cette définition du « new age », effectivement. Mais je ne définirais pas la spiritualité de Maurice Gérard comme « new age ». La terminologie ne me plaît pas. Elle se définit en regard et en opposition aux traditions religieuses dominantes. Il n'y a pas d'opposition chez Maurice Gérard, mais plutôt une volonté de syncrétisme, comme chez Blavatsky ou Gurdjieff, doublée d'un sentiment de compréhension holistique.

Il EST mage car il pratique la magie : il agit sur le monde via des forces qui n’obéissent pas à la logique rationnelle. Je ne pense pas qu'il y ait eu une dimension parodique dans son travail, quant bien même il fut présenté de cette façon. Ça peut le sembler car on le regarde à travers le prisme de nos Traditions justement. Mais le fait de faire parler des statues par exemple est un animisme qui peut être perçu comme l'écho de son environnement. La transsubstantiation n'est pas un concept moins insensé.

Là où à mon sens il se perd, c'est effectivement dans son centrage sur le Moi. Et il faudrait peut-être y voir les prémices de ce qu'est l'Homme occidental de nos jours finalement…

SPECIFIC RECORDS | 2:13 PM  | LA FACE CACHÉE

[southangelvideos-blog-blog]

Aveiro - Portugal - Visite à pied Durée de la visite:  01h00

Nous nous sommes d'abord rendus à l'Auberge Abeiro Inn pour procéder à notre enregistrement et sommes partis à pied en direction du centre-ville d'Aveiro.

Nous avons fait un arrêt à la Place de la République (Praça da República) pour y admirer deux magnifiques bâtiments:  l'Hôtel de Ville ainsi que l'Église de la Miséricorde (Igreja da Misericordia) dont les murs extérieurs sont tapissés d'azulezos. Cette église date du début du XVIIIe siècle.

Par la suite, nous nous sommes dirigés vers le canal central, un des trois canaux présents dans la ville d'Aveiro.

On comprend maintenant pourquoi on dit que la ville d'Aveiro est la Venise du Portugal.  Plusieurs barques très colorées (les moliceiros) parcourent ces canaux, au grand plaisir des visiteurs.

Nous en avons d'ailleurs fait l'essai.  Celui-ci fera l'objet de la prochaine discussion.

A partir de la Place (Praça) Humberto Delgado, nous avons emprunté la rue João Mendonça qui longe le canal central.

On y découvre de jolis bâtiments aux façades de style Art Nouveau tels que le Musée de la Ville (Museu da Cidade) ainsi que le Musée d'Art Nouveau (Museu de Arte Nova).

On y découvre également plusieurs monuments dont l'Obélisque de la Liberté (Obelisco da Liberdade) qui a été érigé pour commémorer, entre autres,  le centenaire de la naissance deJosé Estevão, défenseur du libéralisme.

Noous avons poursuivi notre balade en direction de l'église de Vera Cruz et de la Chapelle de São Gonçalinho, toutes deux possédant une architecture traditionnelle, incluant les fameux panneaux d'azulejos.

Non loin de là se trouve le Largo da Praça de Peixe, l'ancien quartier des pêcheurs, avec ses jolies maisons aux couleurs pimpantes.

En revenant vers le centre d'Aveiro, nous avons découvert un fort joli bâtiment de couleur bleu pastel, la Casa de Chá, un petit café situé à l'arrière du Musée d'Art Nouveau.

En retournant vers notre auberge, nous sommes passés par la Place (Praça) do Marquês de Pombal entourée également de jolis édifices dont l'église São Jão Evangelista, le poste de police, ainsi que d'un bâtiment dont la façade avant est ornée de superbes azulezos.

Nous y avons découvert le resto-bar Marquês Lounge & Food et nous y sommes donc revenus en début de soirée pour nous attabler à leur terrasse et y prendre un délicieux repas.

J'ai opté pour le hamburger servi avec de fines lamelles de pommes de terre assaisonnées tandis que mon conjoint a opté pour le poisson servi avec une petite salade et pommes de terres.

Nous avons tous les deux été très satisfaits.  Nourriture délicieuse, service impeccable et prix raisonnables.  Que demander de plus!

Nous aurions aimé visité la cathédrale, le Musée d'Aveiro ainsi que le village  de Costa Nova avec ses bâtiments rayés de couleurs vives.  Cependant, étant donné l'heure tardive et la fatigue, nous nous en sommes abstenus.

L'ancienne gare ferroviaire d'Aveiro, célèbre pour ses murs recouverts d'azulejos, était en pleine réfection.  Impossible de les voir car ils étaient recouverts par une immense toile.

Voici certains points d'intérêts dans la ville d'Aveiro

40.640464, -8.653499:  Place de la République (Praça da República) 40.641718, -8.653914:  Obélisque de la Liberté (Obelisco da Liberdade) 40.641645, -8.654538:  Musée de la Ville d'Aveiro (Museu da Cidade) 40.641741, -8.655493:  Musée d'Art Nouveau (Museu de Arte Nova) 40.641423, -8.655544:  Viva a Ria - Promenade de 45 minutes en bateau dans le canal 40.643195, -8.653058:  Église de Vera Cruz 40.643250, -8.655183:  Chapelle de São Gonçalinho 40.642267, -8.655328:  Largo da Praça do Peixe 40.638446, -8.653401:  Praça do Marquês de Pombal 40.644249, -8.640790:  Ancienne gare ferroviaire d'Aveiro 40.639714, -8.650135:  Cathédrale 40.639212, -8.651036:  Musée d'Aveiro

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[cars4starters]

Toyota has called it a day bringing an end to more than 50 years of local manufacturing in Australia.

Some 3000 people gathered at a ceremony at the Altona production plant in Melbourne to mark the occasion including current and former employees, suppliers, affiliate companies and officials from Toyota Motor Corporation in Japan.

From now on it means that any Toyota you buy in Australia will not have been built in Australia – it will be an import.

Toyota Australia boss Dave Buttner paid tribute to employees past and present for their ongoing commitment to ensuring the goal of ‘last car = best global car’.

Mr Buttner assured those who had lost their jobs because of the closure that the company continue to support them beyond today.

As a result of consolidation and the cessation of manufacturing, the total number of people employed by the company will be cut from 3900 people to approximately 1300 – in other words about 2600 people will lose their jobs.

“When we launched the DRIVE program in 2014, its purpose was to ensure you are all in the best possible position to find a new job in the future,” he said.

“These services will remain until the middle of next year.”

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The company chose the occasion to announce the creation of the Toyota Community Trust, $32 million endowment fund, unveiled by Toyota Australia Chairman Max Yasuda during the closure ceremony.

The trust is designed to provide long-term benefits to the Australian community, in particular helping young Australians realise their potential.

Toyota plans to consolidate most of its operations to the Altona site, with the relocation of key business units and the development of a Centre of Excellence.

Mr Buttner said Altona would house expanded design and engineering capabilities, with a 150-strong team that is in great demand by Toyota affiliates around the globe.

“The Centre of Excellence will include a world-class training facility and other commercial initiatives that will enhance the company’s business and the community, he said.

Global President of Toyota Motor Corporation, Akio Toyoda, visited the Altona plant in August.

Today, via video, he once again expressed his gratitude for a job well done.

“I would like to express my sincere appreciation again to you, our dedicated employees, our suppliers, our customers, the local community and government who have all supported Toyota’s manufacturing development in Australia,” he said.

“From the bottom of my heart I wish you and your families happiness in the future. Thank you very much.”

As part of Toyota Australia’s transition to a national sales and distribution company, the consolidation of all corporate functions from Sydney to Melbourne will take effect by January 1, 2018.

The head office will continue to be based in Port Melbourne and most of the Altona manufacturing site will be retained for new and relocated functions.

  TOYOTA AUSTRALIA PRODUCT FACTS/HISTORY

• Australia played a prominent role in the emergence of Toyota as a global force. In the 1960s, Australia was the company’s largest export market with prominent nameplates including LandCruiser.

• Australia was the first country outside Japan to produce Toyota cars, starting with the Tiara in 1963 at a factory in Port Melbourne, now the site of the company’s corporate headquarters. Other famous car names to be produced in Australia by Toyota include Crown, Corona and Corolla.

• In late 1966, Australia was the first destination of Corolla exports from Japan, just one month after the car’s launch. Those cars went on sale the following year and a year later, in 1968, Australia became the first country outside Japan to build Corolla.

• As part of a joint venture with Holden, Corolla production was switched from Port Melbourne to a plant leased from Holden from 1989 until mid-1994. Toyota produced variants of its Corolla (Nova) and Camry (Apollo) for Holden.

• Toyota is the only vehicle manufacturer to build a hybrid car in Australia.

• Camry – built at Port Melbourne from 1987 and from Altona since 1995 – was by far the most successful model produced in this country. Total production to October 3, 2017 was 2,117,808 vehicles plus 50,296 hybrid variants that were built from 2009, totaling 2,168,104.

• Australia was the first country outside Japan to export Camry.

• The Camry was the tenth vehicle type produced by Toyota Australia in the 54 years of manufacturing since 1963.

• The end of manufacturing heralds a new era for the Camry nameplate, which will continue in Australia with the launch next month of an all-new fully imported range.

• Toyota has exported more vehicles from Australia than any other manufacturer – a total of 1,324,991 cars. The last export car was built on September 27. The largest export market was the Middle East, which took 1,245,914 Australian-built cars.

• Australia was the first country outside Japan to build Toyota engines, starting in 1979. Altona-built engines have been used in Camry for the local and export markets, including Thailand and Malaysia. The final tally was 2,535,963 locally built engines.

• In total, Australians have bought more than 6.5 million Toyota vehicles.

  TOYOTA AUSTRALIA PRODUCTION HIGHLIGHTS

• Highest production year: 148,931 (2007)

• Highest production month: 15,355 (October 2007)

• Biggest export market: Middle East (1,245,914 cars)

  TOYOTA AUSTRALIA PRODUCTION

CAR

NUMBER

YEARS

Tiara

1,684

1963-1965

Corona

336,197

1965-1987

Crown

46,690

1966-1980

Corolla

601,104

1967-1999

Camry

2,168,104

1987-2017

Apollo

40,287

1989-1996

Nova

28,128

1989-1996

Avalon

44,741

2000-2005

Aurion

184,180

2006-2017

TOTALS

3,451,115

1963-2017

That’s all folks. Toyota calls it a day Toyota has called it a day bringing an end to more than 50 years of local manufacturing in Australia.

[verymerynice]

New Post has been published on Top Auto Blog

New Post has been published on http://topauto.site/the-car-industry-is-lea/

The car industry is leaving Australia stopped the Toyota plant

Today was my last day of work at the Altona manufacturing plant of the company Toyota in the suburbs of Melbourne. After 54 years of operation in Australia, the Japanese company stopped local production of cars and decided to sell here, only imported cars.

Australia was one of the first countries where Toyota decided to establish a local Assembly. The first sedan Toyota Tiara left the factory in Elizabeth, near Adelaide in 1963. 15 years later, we began production of engines, and in 1994 was inaugurated the new plant of Hamburg. In recent years, it was producing only large sedans Camry (American version) and Aurion (Camry copy of the Russian). In all the years Toyota has released Australia’s 3 million 451 thousand vehicles, of which 1 million 325 thousand were exported — mainly to the middle East. Most popular Australian model was the Camry (1 million 168 thousand), and even Toyota have released cars under the brand Holden between 1989 and 1996 saw the light of 68 thousand models of Apollo (a copy of the Camry) and Nova (aka Corolla). Sedan Toyota Camry new generation will be delivered to Australia from Japan.

The Altona plant is the largest of all, Toyota was forced to close in the entire history of the brand. So a couple of weeks ago visited the company CEO Akio Toyoda personally apologized to the staff. They say, nothing personal — just business. To produce cars in prosperous Australia long been profitable: it’s easier and cheaper to bring cars from other continents.

The Australian company will remain the property of company: after reconstruction, it will feature a Central stock of spare parts, engineering centre, and a small bed for the development and testing of future vehicles. However, most of the current 2,600 employees will have to find a new job, although Toyota will pay them a severance payment and promises to help with employment from their partners. In addition, the interruption affected more than hundreds of related companies, which are supplied to the conveyor components.

Toyota is not the only one who shut down production in Australia. A year ago, stopped the work of the local Ford plant, about the same time General Motors has stopped the production of the compact models of the Holden Cruze and shut down the motor plant. Now on the continent there is only one company producing cars: GM in Elizabeth, which collect large rear-drive Holden Commodore sedans and Caprice. But soon it will stop and he stop a pipeline planned for October 20. After that, Australia is going to have their “automobile” automotive industry.

[jimthenecromancer]

Name: Cress Albane

Age: 17 Occupation: High school student Residence: lives with his parents in a cul-de-sac with a surprising amount of other Sitcom AU residents. because that’s how this neighborhood works Game of Origin: Tales of Phantasia

Description: A cheerful, passionate high school student who’s quick to help his friends and any animals he comes across. He volunteers at a local animal shelter on the weekends, and when not doing that can generally be found hanging out with Chester, Mint, and Arche. He has a strange grudge against Dhaos for reasons no one seems to be able to explain. A pro at fencing, and the star of his high school’s fencing team, his skills almost certainly come from his dad, Miguel, who’s a fencing instructor. Cress is also known to enjoy puns and stare at stone garden animals, wondering internally who did it to them and how he can turn them back.

Relations:

Immediate relatives

Maria Albane - mother

Miguel Albane - father

Extended family

Lailah Aurion - mother’s cousin

Kratos Aurion - mother’s cousin

Nova Aurion - mother’s cousin

Vera Aurion - mother’s cousin

Lloyd Aurion - second cousin

Sorey Aurion - second cousin

Mikleo Ka-Fai - adopted second cousin

Other relations

Mint Adenade - girlfriend

Chester Burklight - best friend

Arche Klein - close friend / Chester’s girlfriend

Ami Burklight - Chester’s little sister who sometimes tags along with her brother’s friends