#augusto licks
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€ àŁ àŁȘ Öą âïžâ àŁȘ âč
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€ ⟠ICONS TRIO GLM (120Ă120).
âȘ O papa Ă© pop, o papa Ă© pop! O pop nĂŁo poupa ninguĂ©m (guĂ©m, guĂ©m, guĂ©m, guĂ©m)!! ⏠ă
€ ă
€â O Papa Ă Pop, 1990.
curta ou reblogue se usar.
crĂ©ditos nĂŁo sĂŁo necessĂĄrios, mas apreciados âĄïž
psd used: tonespot by mahgi.
#engenheiros do hawaii#engenheiros do hawaii icons#humberto gessinger#augusto licks#carlos maltz#spirit icons#social spirit#120x120#icons para spirit#spirit headers#engenheiros do hawaii headers#psd icons#icons psd#psd
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Pale Lights - Chapter 28 Trial Participants Lineup
General updates: Augusto got his own section and Francho is updated with his deity in the description.
Art Updates:
Tristan has his hat back.
Sarai is sans hat, and with paler blue eyes.
And Augusto is well... Not good. I almost started to feel pretty bad for him. Then he opened his mouth and began talking. You have to wonder just how he got a skin scrape going from his nose and down his face. And then down his neck which is at an entirely different level and angle. Thatâs more than just a regular slide against a rough surface.
#Pale Lights#Fanart#Cast Overview#character designs#gwennafran art#I wonder if a massive feline god ended up taking a nice long lick at Augusto's face
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MINORS DNI 18+
âThe ass on her, huh?â Auggie remarks, licking his bottom lip as he glues his eyes to the subject.
SCOTT BARRINGER steals a glance at you, allowing his gaze to linger on your swaying hips, at how your figure fills out your jeans. âYeah, sâalright,â he replies, but bows his head down to redirect his attention to his essay. A thousand words on what friendship means to him due in less than a week. One of Peterâs creative punishments.
Auggie notes the disinterest, but is determined to get a rise out of Scott, scooting closer to him on the bench. âAh, more of a tits guy, right?â Obnoxiously, he looks over Scottâs shoulder, and snickers to himself.
Scott casts him a glance in his general direction. âMore of a âdrop it or drop deadâ guy.â As his gaze sweeps back to face forward, he lets it pass over you again, idling just a split second. He tells himself itâs to make sure you canât overhear this conversation.
Vaguely more threatening than his other tone, Auggie raises his hands in surrender, once again mockingly. âWoah, big man, easy. Just gauginâ, is all.â
That grabs Scott. Now fully invested enough to pivot his head to look at Auggie head on. A wry curl to his lips as he scoffs at him. âAnd whatâs that supposed to mean?â
Aug knows heâs got him. âI dunno,â He shrugs. âsheâs cute. Planning on talking to her, you know,â Suggestively, he shuffles his shoulders. âsee where it goes?â He stands from the seat, and pats Scottâs back firmly when he passes him. âWhat?â Once he rounds himâ and Scottâs eyes follow himâ he purses his lips in calculation, taking great joy in the bewilderment Scott conveys. âYou like her or something?â
Scott rolls his eyes in dismissal, clicking his tongue, going back to his task. âShut up, man.â
âSo you wonât mind?â Auggie outstretches his hand in a gesture, âNot that care, jusâ⊠you wonât mind? I know sheâs been looking at me, man, I donât think you had a chance to begin with.â Something about this issue makes Augusto want to press. Scottâs one of the most volatile guys here, and itâs a fun pastime to try to set him off.
âYeah, right.â a simple and sarcastic answer is disappointing, but not unexpected. When things get too heated, there are times Scott checks himself out, using that soft-spoken voice and removing himself from the situation. But when Auggie spins on his heel, he overhears another phrase, a touch louder than the one before. âWeâll see about that, Aug.â
A grin tugs at his lips, emitting a snort as he symbolically pops his collar using his unzipped jacket. âYeah, guess we will.â
#indy: drabbles#ch: scott#scott barringer drabble#scott barringer smut#scott barringer x reader#scott barringer x reader smut#scott barringer x you#scott barringer x you smut#scott barringer fanfiction#higher ground fanfiction#scott barringer x f!reader#scott barringer x f!reader smut#scott barringer imagine#reader insert
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Hi, let me saying that I love you fics â€ïžIâm Italian, just to let you know how distant your fics can reachđsorry for my English tough. I donât know if you know about it but there is a movie called Imperium: Augustus (Imperium is a series of TV movies about the Roman Empire made with the contribution of our national television RAI. In Italy Augustus/Octavius/Octavian is very loved ok, heâs seen as one of the fathers of our country) and it focuses beautifully on the relationship between Julia and her father, also narrating is life. Sorry for the disturbance and for the long post and of the confusion. It was just to let you know about this movie, if you havenât seen it. You find it on YouTube in English but with a Portuguese title Augustus o primeiro imperador de Roma and in Italian, Augusto il primo imperatore. Sorry again, now I leaveđ
â€ïžand again: your fics are beautiful!
Thank you!!!!! đ„șđ
I do not know a lick of Italian, lol. Midwestern American!
Thank you so much for reading Iâm glad you love the series! Iâd love to see those films! I unfortunately am not much of a movie watcher and might not be able to find access to itâŠ
A very old sketch
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estou apaixonado pelo augusto licks dos engenheiros do hawaii đđŒđđŒ
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Acabou ou começouÂ
Acabou, não me peça mais detalhes Acabou, não me peça para escutar Acabou, Ja perdi toda a vontade Acabou, Ja navego em outros mares Acabou ou Acabou Começou, Quero todos os detalhes Começou, Agora posso te escutar Começou, Trasbordando de vontade Começou, Vamos juntos navegar Começou ou Começou Acabou Começou Acabou Começou Acabou ou Começou Começou Acabou ?.. Começou Acabou ?.. Começou ou Acabou ?.. Acabou? Não não não! Mais um pouco, mais um acorde, uma nota, uma citação, um pensamento e quem sabe uma recordação. Um sonho, um prazer, uma paixão. Pode ser uma história, uma memória, uma conexão do passado com o futuro. Pode até começar de novo só pra não acabar.
[ficha técnica]
Composição mïżœïżœsica e letra: ABQNE (H.Lyra/L. Pissutto)
Gravado no estĂșdio NaCena em Junho/2019, com olhar e ouvidos de Augusto Licks
Projeto Chumbo
FlĂĄvia Plombon: Vocal Paulo Plombon: Vocal, Ukulele e GaitaÂ
ABQNEÂ
H. Lyra: Cajon e Voz L. Pissutto: ViolĂŁo e Voz | Direção Geral e Produção.Â
Direção Musical: Paulo Plombon e Humberto Lyra Mixagem: Serginho Fouad Direção ArtĂstica, Incentivador, Entusiasta e Mestre: Zeca Baleiro
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Pedro for Variety (10-14/20)
By Adam B. Vary ⹠Styling: Sean Knight âą Grooming: Mira Chai Hyde Related: photoshoot / list of articlesÂ
When Pedro Pascal was roughly 4 years old, he and his family went to see the 1978 hit movie âSuperman,â starring Christopher Reeve. Pascalâs young parents had come to live in San Antonio after fleeing their native Chile during the rise of dictator Augusto Pinochet in the mid-1970s. Taking Pascal and his older sister to the movies â sometimes more than once a week â had become a kind of family ritual, a way to soak up as much American pop culture as possible. At some point during this particular visit, Pascal needed to go to the bathroom, and his parents let him go by himself. âI didnât really know how to read yet,â Pascal says with the same Cheshire grin that dazzled âGame of Thronesâ fans during his run as the wily (and doomed) Oberyn Martel. âI did not find my way back to âSuperman.'â
Instead, Pascal wandered into a different theater (he thinks it was showing the 1979 domestic drama âKramer vs. Kramer,â but, again, he was 4). In his shock and bewilderment at being lost, he curled up into an open seat and fell asleep. When he woke up, the movie was over, the theater was empty, and his parents were standing over him. To his surprise, they seemed rather calm, but another detail sticks out even more. âI know that they finished their movie,â he says, bending over in laughter. âMy sister was trying to get a rise out of me by telling me, âThis happened and that happened and then Superman did this and then, you know, the earthquake and spinning around the planet.'â In the face of such relentless sibling mockery, Pascal did the only logical thing: âI said, âAll that happened in my movie too.'â He had no way of knowing it at the time, of course, but some 40 years later, Pascal would in fact get the chance to star in a movie alongside a DC Comics superhero â not to mention battle Stormtroopers and, er, face off against the most formidable warrior in Westeros. After his breakout on âGame of Thrones,â he became an instant get-me-that-guy sensation, mostly as headstrong, taciturn men of action â from chasing drug traffickers in Colombia for three seasons on Netflixâs âNarcosâ to squaring off against Denzel Washington in The Equalizer 2.
This year, though, Pascal finds himself poised for the kind of marquee career heâs spent a lifetime dreaming about. On Oct. 30, heâll return for Season 2 as the title star of âThe Mandalorian,â Lucasfilmâs light-speed hit âStar Warsâ series for Disney Plus that earned 15 Emmy nominations, including best drama, in its first season. And then on Dec. 25 â COVID-19 depending â heâll play the slippery comic book villain Maxwell Lord opposite Gal Gadot, Chris Pine and Kristen Wiig in âWonder Woman 1984.â
The roles are at once wildly divergent and the best showcase yet for Pascalâs elastic talents. In âThe Mandalorian,â he must hide his face â and, in some episodes, his whole body â in a performance that pushes minimalism and restraint to an almost ascetic ideal. In âWonder Woman 1984,â by stark contrast, he is delivering the kind of big, broad bad-guy character that populated the 1980s popcorn spectaculars of his youth.
âI continually am so surprised when everybody pegs him as such a serious guy,â says âWonder Woman 1984â director Patty Jenkins. âI have to say, Pedro is one of the most appealing people I have known. He instantly becomes someone that everybody invites over and you want to have around and you want to talk to.â
Talk with Pascal for just five minutes â even when heâs stuck in his car because he ran out of time running errands before his flight to make it to the set of a Nicolas Cage movie in Budapest â and you get an immediate sense of what Jenkins is talking about. Before our interview really starts, Pascal points out, via Zoom, that my dog is licking his nether regions in the background. âDonât stop him!â he says with an almost naughty reproach. âLet him live his life!â
Over our three such conversations, itâs also clear that Pascalâs great good humor and charm have been at once ballast for a number of striking hardships, and a bulwark that makes his hard-won success a challenge for him to fully accept.
Before Pascal knew anything about âThe Mandalorian,â its showrunner and executive producer Jon Favreau knew he wanted Pascal to star in it.
âHe feels very much like a classic movie star in his charm and his delivery,â says Favreau. âAnd heâs somebody who takes his craft very seriously.â Favreau felt Pascal had the presence and skill essential to deliver a character â named Din Djarin, but mostly called Mando â who spends virtually every second of his time on screen wearing a helmet, part of the sacrosanct creed of the Mandalorian order.
Convincing any actor to hide their face for the run of a series can be as precarious as escaping a Sarlacc pit. To win Pascal over in their initial meeting, Favreau brought him behind the âMandalorianâ curtain, into a conference room papered with storyboards covering the arc of the first season. âWhen he walked in, it must have felt a little surreal,â Favreau says. âYou know, most of your experiences as an actor, people are kicking the tires to see if itâs a good fit. But in this case, everything was locked and loaded.â
Needless to say, it worked. âI hope this doesnât sound like me fashioning myself like Iâm, you know, so smart, but I agreed to do this [show] because the impression I had when I had my first meeting was that this is the next big sâ,â Pascal says with a laugh.
Favreauâs determination to cast Pascal, however, put the actor in a tricky situation: Pascalâs own commitments to make âWonder Woman 1984â in London and to perform in a Broadway run of âKing Learâ with Glenda Jackson barreled right into the production schedule for âThe Mandalorian.â Some scenes on the show, and in at least one case a full episode, would need to lean on the anonymity of the title character more than anyone had quite planned, with two stunt performers â Brendan Wayne and Lateef Crowder â playing Mando on set and Pascal dubbing in the dialogue months later.
Pascal was already being asked to smother one of his best tools as an actor, extraordinarily uncommon for anyone shouldering the newest iteration of a global live-action franchise. (Imagine Robert Downey Jr. only playing Iron Man while wearing a mask â you canât!) Now he had to hand over control of Mandoâs body to other performers too. Some actors would have walked away. Pascal didnât.
âIf there were more than just a couple of pages of a one-on-one scene, I did feel uneasy about not, in some instances, being able to totally author that,â he says. âBut it was so easy in such a sort of practical and unexciting way for it to be up to them. When youâre dealing with a franchise as large as this, you are such a passenger to however theyâre going to carve it out. Itâs just so specific. Itâs âStar Wars.'â (For Season 2, Pascal says he was on the set far more, though he still sat out many of Mandoâs stunts.)
âThe Mandalorianâ was indeed the next big sâ, helping to catapult the launch of Disney Plus to 26.5 million subscribers in its first six weeks. With the âStar Warsâ movies frozen in carbonite until 2023 (at least), I noted offhand that heâs now effectively the face of one of the biggest pop-culture franchises in the world. Pascal could barely suppress rolling his eyes.
âI mean, come on, there isnât a face!â he says with a laugh that feels maybe a little forced. âIf you want to say, âYouâre the silhouetteâ â which is also a team effort â then, yeah.â He pauses. âCan we just cut the sâ and talk about the Child?â
Yes, of course, the Child â or, as the rest of the galaxy calls it, Baby Yoda. Pascal first saw the incandescently cute creature during his download of âMandalorianâ storyboards in that initial meeting with Favreau. âLiterally, my eyes following left to right, up and down, and, boom, Baby Yoda close to the end of the first episode,â he says. âThat was when I was like, âOh, yep, thatâs a winner!'â
Baby Yoda is undeniably the breakout star of âThe Mandalorian,â inspiring infinite memes and apocryphal basketball game sightings. But the show wouldnât work if audiences werenât invested in Mandoâs evolving emotional connection to the wee scene stealer, something Favreau says Pascal understood from the jump. âHeâs tracking the arc of that relationship,â says the showrunner. âHis insight has made us rethink moments over the course of the show.â (As with all things âStar Wars,â questions about specifics are deflected in deference to the all-powerful Galactic Order of Spoilers.)
Even if Pascal couldnât always be inside Mandoâs body, he never left the characterâs head, always aware of how this orphaned bounty hunter who caroms from planet to planet would look askance at anything that felt too good (or too adorable) to be true.
âThe transience is something that Iâm incredibly familiar with, you know?â Pascal says. âUnderstanding the opportunity for complexity under all of the armor was not hard for me.â
When Pascal was 4 months old, his parents had to leave him and his sister with their aunt, so they could go into hiding to avoid capture during Pinochetâs crackdown against his opposition. After six months, they finally managed to climb the walls of the Venezuelan embassy during a shift change and claim asylum; from there, the family relocated, first to Denmark, then to San Antonio, where Pascalâs father got a job as a physician.
Pascal was too young to remember any of this, and for a healthy stretch of his childhood, his complicated Chilean heritage sat in parallel to his life in the U.S. â separate tracks, equally important, never quite intersecting. By the time Pascal was 8, his family was able to take regular trips back to Chile to visit with his 34 first cousins. But he doesnât remember really talking about any of his time there all that much with his American friends.
âI remember at one point not even realizing that my parents had accents until a friend was like, âWhy does your mom talk like that?'â Pascal says. âAnd I remember thinking, like what?â
Besides, he loved his life in San Antonio. His father took him and his sister to Spurs basketball games during the week if their homework was done. He hoodwinked his mother into letting him see âPoltergeistâ at the local multiplex. He watched just about anything on cable; the HBO special of Whoopi Goldbergâs one-woman Broadway show knocked him flat. He remembers seeing Henry Thomas in âE.T.â and Christian Bale in âEmpire of the Sunâ and wishing ardently, urgently, I want to live those stories too.Â
Then his father got a job in Orange County, Calif. After Pascal finished the fifth grade, they moved there. It was a shock. âThere were two really, really rough years,â he says. âA lot of bullying.â
His mother found him a nascent performing arts high school in the area, and Pascal burrowed even further into his obsessions, devouring any play or movie he could get his hands on. His senior year, a friend of his motherâs gave Pascal her ticket to a long two-part play running in downtown Los Angeles that her bad back couldnât withstand. He got out of school early to drive there by himself. It was the pre-Broadway run of âAngels in America.â
âAnd it changed me,â he says with almost religious awe. âIt changed me.â
After studying acting at NYUâs Tisch School of the Arts, Pascal booked a succession of solid gigs, like MTVâs âUndressedâ and âBuffy the Vampire Slayer.â But the sudden death of his mother â whoâd only just been permitted to move back to Chile a few years earlier â took the wind right from Pascalâs sails. He lost his agent, and his career stalled almost completely.
As a tribute to her, he decided to change his professional last name from Balmaceda, his fatherâs, to Pascal, his motherâs. âAnd also, because Americans had such a hard time pronouncing Balmaceda,â he says. âIt was exhausting.â
Pascal even tried swapping out Pedro for Alexander (an homage to Ingmar Bergmanâs âFanny and Alexander,â one of the formative films of his youth). âI was willing to do absolutely anything to work more,â he says. âAnd that meant if people felt confused by who they were looking at in the casting room because his first name was Pedro, then Iâll change that. It didnât work.â
It was a desperately lean time for Pascal. He booked an occasional âLaw & Orderâ episode, but mostly he was pounding the pavement along with his other New York theater friends â like Oscar Isaac, who met Pascal doing an Off Broadway play. They became fast, lifelong friends, bonding over their shared passions and frustrations as actors.
âItâs gotten better, but at that point, it was so easy to be pigeonholed in very specific roles because weâre Latinos,â says Isaac. âItâs like, how many gang member roles am I going to be sent?â As with so many actors, the dream Pascal and Isaac shared to live the stories of their childhoods had been stripped down to its most basic utility. âThe dream was to be able to pay rent,â says Isaac. âThere wasnât a strategy. We were just struggling. It was talking about how to do this thing that we both love but seems kind of insurmountable.â
As with so few actors, that dream was finally rekindled through sheer nerve and the luck of who you know, when another lifelong friend, actor Sarah Paulson, agreed to pass along Pascalâs audition for Oberyn Martell to her best friend Amanda Peet, who is married to âGame of Thronesâ co-showrunner David Benioff.Â
âFirst of all, it was an iPhone selfie audition, which was unusual,â Benioff remembers over email. âAnd this wasnât one of the new-fangled iPhones with the fancy cameras. It looked like sâ; it was shot vertical; the whole thing was very amateurish. Except for the performance, which was intense and believable and just right.â
Before Pascal knew it, he found himself in Belfast, sitting inside the Great Hall of the Red Keep as one of the judges at Tyrion Lannisterâs trial for the murder of King Joffrey. âI was between Charles Dance and Lena Headey, with a view of the entire fâing set,â Pascal says, his eyes wide and astonished still at the memory. âI couldnât believe I didnât have an uncomfortable costume on. You know, I got to sit â and with this view.â He sighs. âIt strangely aligned itself with the kind of thinking I was developing as a child that, at that point, I was convinced was not happening.â
And then it all started to happen.Â
In early 2018, while Pascal was in Hawaii preparing to make the Netflix thriller âTriple Frontierâ â opposite his old friend Isaac â he got a call from the filmâs producer Charles Roven, who told him Patty Jenkins wanted to meet with him in London to discuss a role in another film Roven was producing, âWonder Woman 1984.â
âIt was a fâing offer,â Pascal says in an incredulous whisper. âI wasnât really grasping that Patty wanted to talk to me about a part that I was going to play, not a part that I needed to get. I wasnât able to totally accept that.â
Pascal had actually shot a TV pilot with Jenkins that wasnât picked up, made right before his life-changing run on âGame of Thronesâ aired. âI got to work with Patty for three days or something and then thought Iâd never see her again,â he says. âI didnât even know she remembered me from that.â
She did. âI worked with him, so I knew him,â she says. âI didnât need him to prove anything for me. I just loved the idea of him, and I thought he would be kind of unexpected, because he doesnât scream âvillain.'â
In Jenkinsâ vision, Max Lord â a longstanding DC Comics rogue who shares a particularly tangled history with Wonder Woman â is a slick, self-styled tycoon with a knack for manipulation and an undercurrent of genuine pathos. It was the kind of larger-than-life character Pascal had never been asked to tackle before, so he did something equally unorthodox: He transformed his script into a kind of pop-art scrapbook, filled with blown-up photocopies of Max Lord from the comic books that Pascal then manipulated through his lens on the character.
Even the few pages Pascal flashes to me over Zoom are quite revealing. One, featuring Max sporting a power suit and a smarmy grin, has several burned-out holes, including through the characterâs eye. Another page features Max surrounded by text bubbles into which Pascal has written, over and over and over again in itty-bitty lettering, âYou are a fâing piece of sâ.â
âI felt like I had wake myself up again in a big way,â he says. âThis was just a practical way of, like, instead of going home tired and putting Netflix on, [I would] actually deal with this physical thing, doodle and think about it and run it.â
Jenkins is so bullish on Pascalâs performance that she thinks it could explode his career in the same way her 2003 film âMonsterâ forever changed how the industry saw Charlize Theron. âI would never cast him as just the stoic, quiet guy,â Jenkins says. âI almost think heâs unrecognizable from âNarcosâ to âWonder Woman.â Wouldnât even know that was the same guy. But I think that may change.â
When people can see âWonder Woman 1984â remains caught in the chaos the pandemic has wreaked on the industry; both Pascal and Jenkins are hopeful the Dec. 25 release date will stick, but neither is terribly sure it will. Perhaps itâs because of that uncertainty, perhaps itâs because heâs spent his life on the outside of a dream heâs now suddenly living, but Pascal does not share Jenkinsâ optimism that his experience making âWonder Woman 1984â will open doors to more opportunities like it.
âIt will never happen again,â Pascal says, once more in that incredulous whisper. âIt felt so special.â
After all heâs done in a few short years, why wouldnât Pascal think more roles like this are on his horizon?
âI donât know!â he finally says with a playful â and pointed â howl. âIâm protecting myself psychologically! Itâs just all too good to be true! How dare I!âÂ
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Pedro Pascal on Fame and âThe Mandalorianâ: âCan We Cut the Sâ and Talk About the Child?â
By Adam B. Vary
Photographs by Beau Grealy
When Pedro Pascal was roughly 4 years old, he and his family went to see the 1978 hit movie âSuperman,â starring Christopher Reeve. Pascalâs young parents had come to live in San Antonio after fleeing their native Chile during the rise of dictator Augusto Pinochet in the mid-1970s. Taking Pascal and his older sister to the movies â sometimes more than once a week â had become a kind of family ritual, a way to soak up as much American pop culture as possible.
At some point during this particular visit, Pascal needed to go to the bathroom, and his parents let him go by himself. âI didnât really know how to read yet,â Pascal says with the same Cheshire grin that dazzled âGame of Thronesâ fans during his run as the wily (and doomed) Oberyn Martel. âI did not find my way back to âSuperman.'â
Instead, Pascal wandered into a different theater (he thinks it was showing the 1979 domestic drama âKramer vs. Kramer,â but, again, he was 4). In his shock and bewilderment at being lost, he curled up into an open seat and fell asleep. When he woke up, the movie was over, the theater was empty, and his parents were standing over him. To his surprise, they seemed rather calm, but another detail sticks out even more.
âI know that they finished their movie,â he says, bending over in laughter. âMy sister was trying to get a rise out of me by telling me, âThis happened and that happened and then Superman did this and then, you know, the earthquake and spinning around the planet.'â In the face of such relentless sibling mockery, Pascal did the only logical thing: âI said, âAll that happened in my movie too.'â
He had no way of knowing it at the time, of course, but some 40 years later, Pascal would in fact get the chance to star in a movie alongside a DC Comics superhero â not to mention battle Stormtroopers and, er, face off against the most formidable warrior in Westeros. After his breakout on âGame of Thrones,â he became an instant get-me-that-guy sensation, mostly as headstrong, taciturn men of action â from chasing drug traffickers in Colombia for three seasons on Netflixâs âNarcosâ to squaring off against Denzel Washington in âThe Equalizer 2.â
This year, though, Pascal finds himself poised for the kind of marquee career heâs spent a lifetime dreaming about. On Oct. 30, heâll return for Season 2 as the title star of âThe Mandalorian,â Lucasfilmâs light-speed hit âStar Warsâ series for Disney Plus that earned 15 Emmy nominations, including best drama, in its first season. And then on Dec. 25 â COVID-19 depending â heâll play the slippery comic book villain Maxwell Lord opposite Gal Gadot, Chris Pine and Kristen Wiig in âWonder Woman 1984.â
The roles are at once wildly divergent and the best showcase yet for Pascalâs elastic talents. In âThe Mandalorian,â he must hide his face â and, in some episodes, his whole body â in a performance that pushes minimalism and restraint to an almost ascetic ideal. In âWonder Woman 1984,â by stark contrast, he is delivering the kind of big, broad bad-guy character that populated the 1980s popcorn spectaculars of his youth.
âI continually am so surprised when everybody pegs him as such a serious guy,â says âWonder Woman 1984â director Patty Jenkins. âI have to say, Pedro is one of the most appealing people I have known. He instantly becomes someone that everybody invites over and you want to have around and you want to talk to.â
Talk with Pascal for just five minutes â even when heâs stuck in his car because he ran out of time running errands before his flight to make it to the set of a Nicolas Cage movie in Budapest â and you get an immediate sense of what Jenkins is talking about. Before our interview really starts, Pascal points out, via Zoom, that my dog is licking his nether regions in the background. âDonât stop him!â he says with an almost naughty reproach. âLet him live his life!â
Over our three such conversations, itâs also clear that Pascalâs great good humor and charm have been at once ballast for a number of striking hardships, and a bulwark that makes his hard-won success a challenge for him to fully accept.
Before Pascal knew anything about âThe Mandalorian,â its showrunner and executive producer Jon Favreau knew he wanted Pascal to star in it.
âHe feels very much like a classic movie star in his charm and his delivery,â says Favreau. âAnd heâs somebody who takes his craft very seriously.â Favreau felt Pascal had the presence and skill essential to deliver a character â named Din Djarin, but mostly called Mando â who spends virtually every second of his time on screen wearing a helmet, part of the sacrosanct creed of the Mandalorian order.
Convincing any actor to hide their face for the run of a series can be as precarious as escaping a Sarlacc pit. To win Pascal over in their initial meeting, Favreau brought him behind the âMandalorianâ curtain, into a conference room papered with storyboards covering the arc of the first season. âWhen he walked in, it must have felt a little surreal,â Favreau says. âYou know, most of your experiences as an actor, people are kicking the tires to see if itâs a good fit. But in this case, everything was locked and loaded.â
Needless to say, it worked. âI hope this doesnât sound like me fashioning myself like Iâm, you know, so smart, but I agreed to do this [show] because the impression I had when I had my first meeting was that this is the next big sâ,â Pascal says with a laugh.
Favreauâs determination to cast Pascal, however, put the actor in a tricky situation: Pascalâs own commitments to make âWonder Woman 1984â in London and to perform in a Broadway run of âKing Learâ with Glenda Jackson barreled right into the production schedule for âThe Mandalorian.â Some scenes on the show, and in at least one case a full episode, would need to lean on the anonymity of the title character more than anyone had quite planned, with two stunt performers â Brendan Wayne and Lateef Crowder â playing Mando on set and Pascal dubbing in the dialogue months later.
Pascal was already being asked to smother one of his best tools as an actor, extraordinarily uncommon for anyone shouldering the newest iteration of a global live-action franchise. (Imagine Robert Downey Jr. only playing Iron Man while wearing a mask â you canât!) Now he had to hand over control of Mandoâs body to other performers too. Some actors would have walked away. Pascal didnât.
âIf there were more than just a couple of pages of a one-on-one scene, I did feel uneasy about not, in some instances, being able to totally author that,â he says. âBut it was so easy in such a sort of practical and unexciting way for it to be up to them. When youâre dealing with a franchise as large as this, you are such a passenger to however theyâre going to carve it out. Itâs just so specific. Itâs âStar Wars.'â (For Season 2, Pascal says he was on the set far more, though he still sat out many of Mandoâs stunts.)
âThe Mandalorianâ was indeed the next big sâ, helping to catapult the launch of Disney Plus to 26.5 million subscribers in its first six weeks. With the âStar Warsâ movies frozen in carbonite until 2023 (at least), I noted offhand that heâs now effectively the face of one of the biggest pop-culture franchises in the world. Pascal could barely suppress rolling his eyes.
âI mean, come on, there isnât a face!â he says with a laugh that feels maybe a little forced. âIf you want to say, âYouâre the silhouetteâ â which is also a team effort â then, yeah.â He pauses. âCan we just cut the sâ and talk about the Child?â
Yes, of course, the Child â or, as the rest of the galaxy calls it, Baby Yoda. Pascal first saw the incandescently cute creature during his download of âMandalorianâ storyboards in that initial meeting with Favreau. âLiterally, my eyes following left to right, up and down, and, boom, Baby Yoda close to the end of the first episode,â he says. âThat was when I was like, âOh, yep, thatâs a winner!'â
Baby Yoda is undeniably the breakout star of âThe Mandalorian,â inspiring infinite memes and apocryphal basketball game sightings. But the show wouldnât work if audiences werenât invested in Mandoâs evolving emotional connection to the wee scene stealer, something Favreau says Pascal understood from the jump. âHeâs tracking the arc of that relationship,â says the showrunner. âHis insight has made us rethink moments over the course of the show.â (As with all things âStar Wars,â questions about specifics are deflected in deference to the all-powerful Galactic Order of Spoilers.)
Even if Pascal couldnât always be inside Mandoâs body, he never left the characterâs head, always aware of how this orphaned bounty hunter who caroms from planet to planet would look askance at anything that felt too good (or too adorable) to be true.
âThe transience is something that Iâm incredibly familiar with, you know?â Pascal says. âUnderstanding the opportunity for complexity under all of the armor was not hard for me.â
When Pascal was 4 months old, his parents had to leave him and his sister with their aunt, so they could go into hiding to avoid capture during Pinochetâs crackdown against his opposition. After six months, they finally managed to climb the walls of the Venezuelan embassy during a shift change and claim asylum; from there, the family relocated, first to Denmark, then to San Antonio, where Pascalâs father got a job as a physician.
Pascal was too young to remember any of this, and for a healthy stretch of his childhood, his complicated Chilean heritage sat in parallel to his life in the U.S. â separate tracks, equally important, never quite intersecting. By the time Pascal was 8, his family was able to take regular trips back to Chile to visit with his 34 first cousins. But he doesnât remember really talking about any of his time there all that much with his American friends.
âI remember at one point not even realizing that my parents had accents until a friend was like, âWhy does your mom talk like that?'â Pascal says. âAnd I remember thinking, like what?â
Besides, he loved his life in San Antonio. His father took him and his sister to Spurs basketball games during the week if their homework was done. He hoodwinked his mother into letting him see âPoltergeistâ at the local multiplex. He watched just about anything on cable; the HBO special of Whoopi Goldbergâs one-woman Broadway show knocked him flat. He remembers seeing Henry Thomas in âE.T.â and Christian Bale in âEmpire of the Sunâ and wishing ardently, urgently, I want to live those stories too.
Then his father got a job in Orange County, Calif. After Pascal finished the fifth grade, they moved there. It was a shock. âThere were two really, really rough years,â he says. âA lot of bullying.â
His mother found him a nascent performing arts high school in the area, and Pascal burrowed even further into his obsessions, devouring any play or movie he could get his hands on. His senior year, a friend of his motherâs gave Pascal her ticket to a long two-part play running in downtown Los Angeles that her bad back couldnât withstand. He got out of school early to drive there by himself. It was the pre-Broadway run of âAngels in America.â
âAnd it changed me,â he says with almost religious awe. âIt changed me.â
After studying acting at NYUâs Tisch School of the Arts, Pascal booked a succession of solid gigs, like MTVâs âUndressedâ and âBuffy the Vampire Slayer.â But the sudden death of his mother â whoâd only just been permitted to move back to Chile a few years earlier â took the wind right from Pascalâs sails. He lost his agent, and his career stalled almost completely.
As a tribute to her, he decided to change his professional last name from Balmaceda, his fatherâs, to Pascal, his motherâs. âAnd also, because Americans had such a hard time pronouncing Balmaceda,â he says. âIt was exhausting.â
Pascal even tried swapping out Pedro for Alexander (an homage to Ingmar Bergmanâs âFanny and Alexander,â one of the formative films of his youth). âI was willing to do absolutely anything to work more,â he says. âAnd that meant if people felt confused by who they were looking at in the casting room because his first name was Pedro, then Iâll change that. It didnât work.â
It was a desperately lean time for Pascal. He booked an occasional âLaw & Orderâ episode, but mostly he was pounding the pavement along with his other New York theater friends â like Oscar Isaac, who met Pascal doing an Off Broadway play. They became fast, lifelong friends, bonding over their shared passions and frustrations as actors.
âItâs gotten better, but at that point, it was so easy to be pigeonholed in very specific roles because weâre Latinos,â says Isaac. âItâs like, how many gang member roles am I going to be sent?â As with so many actors, the dream Pascal and Isaac shared to live the stories of their childhoods had been stripped down to its most basic utility. âThe dream was to be able to pay rent,â says Isaac. âThere wasnât a strategy. We were just struggling. It was talking about how to do this thing that we both love but seems kind of insurmountable.â
As with so few actors, that dream was finally rekindled through sheer nerve and the luck of who you know, when another lifelong friend, actor Sarah Paulson, agreed to pass along Pascalâs audition for Oberyn Martell to her best friend Amanda Peet, who is married to âGame of Thronesâ co-showrunner David Benioff.
âFirst of all, it was an iPhone selfie audition, which was unusual,â Benioff remembers over email. âAnd this wasnât one of the new-fangled iPhones with the fancy cameras. It looked like sâ; it was shot vertical; the whole thing was very amateurish. Except for the performance, which was intense and believable and just right.â
Before Pascal knew it, he found himself in Belfast, sitting inside the Great Hall of the Red Keep as one of the judges at Tyrion Lannisterâs trial for the murder of King Joffrey. âI was between Charles Dance and Lena Headey, with a view of the entire fâing set,â Pascal says, his eyes wide and astonished still at the memory. âI couldnât believe I didnât have an uncomfortable costume on. You know, I got to sit â and with this view.â He sighs. âIt strangely aligned itself with the kind of thinking I was developing as a child that, at that point, I was convinced was not happening.â
And then it all started to happen.
In early 2018, while Pascal was in Hawaii preparing to make the Netflix thriller âTriple Frontierâ â opposite his old friend Isaac â he got a call from the filmâs producer Charles Roven, who told him Patty Jenkins wanted to meet with him in London to discuss a role in another film Roven was producing, âWonder Woman 1984.â
âIt was a fâing offer,â Pascal says in an incredulous whisper. âI wasnât really grasping that Patty wanted to talk to me about a part that I was going to play, not a part that I needed to get. I wasnât able to totally accept that.â
Pascal had actually shot a TV pilot with Jenkins that wasnât picked up, made right before his life-changing run on âGame of Thronesâ aired. âI got to work with Patty for three days or something and then thought Iâd never see her again,â he says. âI didnât even know she remembered me from that.â
She did. âI worked with him, so I knew him,â she says. âI didnât need him to prove anything for me. I just loved the idea of him, and I thought he would be kind of unexpected, because he doesnât scream âvillain.'â
In Jenkinsâ vision, Max Lord â a longstanding DC Comics rogue who shares a particularly tangled history with Wonder Woman â is a slick, self-styled tycoon with a knack for manipulation and an undercurrent of genuine pathos. It was the kind of larger-than-life character Pascal had never been asked to tackle before, so he did something equally unorthodox: He transformed his script into a kind of pop-art scrapbook, filled with blown-up photocopies of Max Lord from the comic books that Pascal then manipulated through his lens on the character.
Even the few pages Pascal flashes to me over Zoom are quite revealing. One, featuring Max sporting a power suit and a smarmy grin, has several burned-out holes, including through the characterâs eye. Another page features Max surrounded by text bubbles into which Pascal has written, over and over and over again in itty-bitty lettering, âYou are a fâing piece of sâ.â
âI felt like I had wake myself up again in a big way,â he says. âThis was just a practical way of, like, instead of going home tired and putting Netflix on, [I would] actually deal with this physical thing, doodle and think about it and run it.â
Jenkins is so bullish on Pascalâs performance that she thinks it could explode his career in the same way her 2003 film âMonsterâ forever changed how the industry saw Charlize Theron. âI would never cast him as just the stoic, quiet guy,â Jenkins says. âI almost think heâs unrecognizable from âNarcosâ to âWonder Woman.â Wouldnât even know that was the same guy. But I think that may change.â
When people can see âWonder Woman 1984â remains caught in the chaos the pandemic has wreaked on the industry; both Pascal and Jenkins are hopeful the Dec. 25 release date will stick, but neither is terribly sure it will. Perhaps itâs because of that uncertainty, perhaps itâs because heâs spent his life on the outside of a dream heâs now suddenly living, but Pascal does not share Jenkinsâ optimism that his experience making âWonder Woman 1984â will open doors to more opportunities like it.
âIt will never happen again,â Pascal says, once more in that incredulous whisper. âIt felt so special.â
After all heâs done in a few short years, why wouldnât Pascal think more roles like this are on his horizon?
âI donât know!â he finally says with a playful â and pointed â howl. âIâm protecting myself psychologically! Itâs just all too good to be true! How dare I!â
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When Pedro Pascal was roughly 4 years old, he and his family went to see the 1978 hit movie âSuperman,â starring Christopher Reeve. Pascalâs young parents had come to live in San Antonio after fleeing their native Chile during the rise of dictator Augusto Pinochet in the mid-1970s. Taking Pascal and his older sister to the movies â sometimes more than once a week â had become a kind of family ritual, a way to soak up as much American pop culture as possible.At some point during this particular visit, Pascal needed to go to the bathroom, and his parents let him go by himself. âI didnât really know how to read yet,â Pascal says with the same Cheshire grin that dazzled âGame of Thronesâ fans during his run as the wily (and doomed) Oberyn Martel. âI did not find my way back to âSuperman.'â
Instead, Pascal wandered into a different theater (he thinks it was showing the 1979 domestic drama âKramer vs. Kramer,â but, again, he was 4). In his shock and bewilderment at being lost, he curled up into an open seat and fell asleep. When he woke up, the movie was over, the theater was empty, and his parents were standing over him. To his surprise, they seemed rather calm, but another detail sticks out even more.
âI know that they finished their movie,â he says, bending over in laughter. âMy sister was trying to get a rise out of me by telling me, âThis happened and that happened and then Superman did this and then, you know, the earthquake and spinning around the planet.'â In the face of such relentless sibling mockery, Pascal did the only logical thing: âI said, âAll that happened in my movie too.'â
He had no way of knowing it at the time, of course, but some 40 years later, Pascal would in fact get the chance to star in a movie alongside a DC Comics superhero â not to mention battle Stormtroopers and, er, face off against the most formidable warrior in Westeros. After his breakout on âGame of Thrones,â he became an instant get-me-that-guy sensation, mostly as headstrong, taciturn men of action â from chasing drug traffickers in Colombia for three seasons on Netflixâs âNarcosâ to squaring off against Denzel Washington in âThe Equalizer 2.â
This year, though, Pascal finds himself poised for the kind of marquee career heâs spent a lifetime dreaming about. On Oct. 30, heâll return for Season 2 as the title star of âThe Mandalorian,â Lucasfilmâs light-speed hit âStar Warsâ series for Disney Plus that earned 15 Emmy nominations, including best drama, in its first season. And then on Dec. 25 â COVID-19 depending â heâll play the slippery comic book villain Maxwell Lord opposite Gal Gadot, Chris Pine and Kristen Wiig in âWonder Woman 1984.â
The roles are at once wildly divergent and the best showcase yet for Pascalâs elastic talents. In âThe Mandalorian,â he must hide his face â and, in some episodes, his whole body â in a performance that pushes minimalism and restraint to an almost ascetic ideal. In âWonder Woman 1984,â by stark contrast, he is delivering the kind of big, broad bad-guy character that populated the 1980s popcorn spectaculars of his youth.
âI continually am so surprised when everybody pegs him as such a serious guy,â says âWonder Woman 1984â director Patty Jenkins. âI have to say, Pedro is one of the most appealing people I have known. He instantly becomes someone that everybody invites over and you want to have around and you want to talk to.â
Talk with Pascal for just five minutes â even when heâs stuck in his car because he ran out of time running errands before his flight to make it to the set of a Nicolas Cage movie in Budapest â and you get an immediate sense of what Jenkins is talking about. Before our interview really starts, Pascal points out, via Zoom, that my dog is licking his nether regions in the background. âDonât stop him!â he says with an almost naughty reproach. âLet him live his life!â
Over our three such conversations, itâs also clear that Pascalâs great good humor and charm have been at once ballast for a number of striking hardships, and a bulwark that makes his hard-won success a challenge for him to fully accept.
Before Pascal knew anything about âThe Mandalorian,â its showrunner and executive producer Jon Favreau knew he wanted Pascal to star in it.
âHe feels very much like a classic movie star in his charm and his delivery,â says Favreau. âAnd heâs somebody who takes his craft very seriously.â Favreau felt Pascal had the presence and skill essential to deliver a character â named Din Djarin, but mostly called Mando â who spends virtually every second of his time on screen wearing a helmet, part of the sacrosanct creed of the Mandalorian order.
Convincing any actor to hide their face for the run of a series can be as precarious as escaping a Sarlacc pit. To win Pascal over in their initial meeting, Favreau brought him behind the âMandalorianâ curtain, into a conference room papered with storyboards covering the arc of the first season. âWhen he walked in, it must have felt a little surreal,â Favreau says. âYou know, most of your experiences as an actor, people are kicking the tires to see if itâs a good fit. But in this case, everything was locked and loaded.â
Needless to say, it worked. âI hope this doesnât sound like me fashioning myself like Iâm, you know, so smart, but I agreed to do this [show] because the impression I had when I had my first meeting was that this is the next big sâ,â Pascal says with a laugh.
Favreauâs determination to cast Pascal, however, put the actor in a tricky situation: Pascalâs own commitments to make âWonder Woman 1984â in London and to perform in a Broadway run of âKing Learâ with Glenda Jackson barreled right into the production schedule for âThe Mandalorian.â Some scenes on the show, and in at least one case a full episode, would need to lean on the anonymity of the title character more than anyone had quite planned, with two stunt performers â Brendan Wayne and Lateef Crowder â playing Mando on set and Pascal dubbing in the dialogue months later.
Pascal was already being asked to smother one of his best tools as an actor, extraordinarily uncommon for anyone shouldering the newest iteration of a global live-action franchise. (Imagine Robert Downey Jr. only playing Iron Man while wearing a mask â you canât!) Now he had to hand over control of Mandoâs body to other performers too. Some actors would have walked away. Pascal didnât.
âIf there were more than just a couple of pages of a one-on-one scene, I did feel uneasy about not, in some instances, being able to totally author that,â he says. âBut it was so easy in such a sort of practical and unexciting way for it to be up to them. When youâre dealing with a franchise as large as this, you are such a passenger to however theyâre going to carve it out. Itâs just so specific. Itâs âStar Wars.'â (For Season 2, Pascal says he was on the set far more, though he still sat out many of Mandoâs stunts.)
âThe Mandalorianâ was indeed the next big sâ, helping to catapult the launch of Disney Plus to 26.5 million subscribers in its first six weeks. With the âStar Warsâ movies frozen in carbonite until 2023 (at least), I noted offhand that heâs now effectively the face of one of the biggest pop-culture franchises in the world. Pascal could barely suppress rolling his eyes.
âI mean, come on, there isnât a face!â he says with a laugh that feels maybe a little forced. âIf you want to say, âYouâre the silhouetteâ â which is also a team effort â then, yeah.â He pauses. âCan we just cut the sâ and talk about the Child?â
Yes, of course, the Child â or, as the rest of the galaxy calls it, Baby Yoda. Pascal first saw the incandescently cute creature during his download of âMandalorianâ storyboards in that initial meeting with Favreau. âLiterally, my eyes following left to right, up and down, and, boom, Baby Yoda close to the end of the first episode,â he says. âThat was when I was like, âOh, yep, thatâs a winner!'â
Baby Yoda is undeniably the breakout star of âThe Mandalorian,â inspiring infinite memes and apocryphal basketball game sightings. But the show wouldnât work if audiences werenât invested in Mandoâs evolving emotional connection to the wee scene stealer, something Favreau says Pascal understood from the jump. âHeâs tracking the arc of that relationship,â says the showrunner. âHis insight has made us rethink moments over the course of the show.â (As with all things âStar Wars,â questions about specifics are deflected in deference to the all-powerful Galactic Order of Spoilers.)
Even if Pascal couldnât always be inside Mandoâs body, he never left the characterâs head, always aware of how this orphaned bounty hunter who caroms from planet to planet would look askance at anything that felt too good (or too adorable) to be true.
âThe transience is something that Iâm incredibly familiar with, you know?â Pascal says. âUnderstanding the opportunity for complexity under all of the armor was not hard for me.â
When Pascal was 4 months old, his parents had to leave him and his sister with their aunt, so they could go into hiding to avoid capture during Pinochetâs crackdown against his opposition. After six months, they finally managed to climb the walls of the Venezuelan embassy during a shift change and claim asylum; from there, the family relocated, first to Denmark, then to San Antonio, where Pascalâs father got a job as a physician.
Pascal was too young to remember any of this, and for a healthy stretch of his childhood, his complicated Chilean heritage sat in parallel to his life in the U.S. â separate tracks, equally important, never quite intersecting. By the time Pascal was 8, his family was able to take regular trips back to Chile to visit with his 34 first cousins. But he doesnât remember really talking about any of his time there all that much with his American friends.
âI remember at one point not even realizing that my parents had accents until a friend was like, âWhy does your mom talk like that?'â Pascal says. âAnd I remember thinking, like what?â
Besides, he loved his life in San Antonio. His father took him and his sister to Spurs basketball games during the week if their homework was done. He hoodwinked his mother into letting him see âPoltergeistâ at the local multiplex. He watched just about anything on cable; the HBO special of Whoopi Goldbergâs one-woman Broadway show knocked him flat. He remembers seeing Henry Thomas in âE.T.â and Christian Bale in âEmpire of the Sunâ and wishing ardently, urgently, I want to live those stories too.
Then his father got a job in Orange County, Calif. After Pascal finished the fifth grade, they moved there. It was a shock. âThere were two really, really rough years,â he says. âA lot of bullying.â
His mother found him a nascent performing arts high school in the area, and Pascal burrowed even further into his obsessions, devouring any play or movie he could get his hands on. His senior year, a friend of his motherâs gave Pascal her ticket to a long two-part play running in downtown Los Angeles that her bad back couldnât withstand. He got out of school early to drive there by himself. It was the pre-Broadway run of âAngels in America.â
âAnd it changed me,â he says with almost religious awe. âIt changed me.â
After studying acting at NYUâs Tisch School of the Arts, Pascal booked a succession of solid gigs, like MTVâs âUndressedâ and âBuffy the Vampire Slayer.â But the sudden death of his mother â whoâd only just been permitted to move back to Chile a few years earlier â took the wind right from Pascalâs sails. He lost his agent, and his career stalled almost completely.
As a tribute to her, he decided to change his professional last name from Balmaceda, his fatherâs, to Pascal, his motherâs. âAnd also, because Americans had such a hard time pronouncing Balmaceda,â he says. âIt was exhausting.â
Pascal even tried swapping out Pedro for Alexander (an homage to Ingmar Bergmanâs âFanny and Alexander,â one of the formative films of his youth). âI was willing to do absolutely anything to work more,â he says. âAnd that meant if people felt confused by who they were looking at in the casting room because his first name was Pedro, then Iâll change that. It didnât work.â
It was a desperately lean time for Pascal. He booked an occasional âLaw & Orderâ episode, but mostly he was pounding the pavement along with his other New York theater friends â like Oscar Isaac, who met Pascal doing an Off Broadway play. They became fast, lifelong friends, bonding over their shared passions and frustrations as actors.
âItâs gotten better, but at that point, it was so easy to be pigeonholed in very specific roles because weâre Latinos,â says Isaac. âItâs like, how many gang member roles am I going to be sent?â As with so many actors, the dream Pascal and Isaac shared to live the stories of their childhoods had been stripped down to its most basic utility. âThe dream was to be able to pay rent,â says Isaac. âThere wasnât a strategy. We were just struggling. It was talking about how to do this thing that we both love but seems kind of insurmountable.â
As with so few actors, that dream was finally rekindled through sheer nerve and the luck of who you know, when another lifelong friend, actor Sarah Paulson, agreed to pass along Pascalâs audition for Oberyn Martell to her best friend Amanda Peet, who is married to âGame of Thronesâ co-showrunner David Benioff.
âFirst of all, it was an iPhone selfie audition, which was unusual,â Benioff remembers over email. âAnd this wasnât one of the new-fangled iPhones with the fancy cameras. It looked like sâ; it was shot vertical; the whole thing was very amateurish. Except for the performance, which was intense and believable and just right.â
Before Pascal knew it, he found himself in Belfast, sitting inside the Great Hall of the Red Keep as one of the judges at Tyrion Lannisterâs trial for the murder of King Joffrey. âI was between Charles Dance and Lena Headey, with a view of the entire fâing set,â Pascal says, his eyes wide and astonished still at the memory. âI couldnât believe I didnât have an uncomfortable costume on. You know, I got to sit â and with this view.â He sighs. âIt strangely aligned itself with the kind of thinking I was developing as a child that, at that point, I was convinced was not happening.â
And then it all started to happen.
In early 2018, while Pascal was in Hawaii preparing to make the Netflix thriller âTriple Frontierâ â opposite his old friend Isaac â he got a call from the filmâs producer Charles Roven, who told him Patty Jenkins wanted to meet with him in London to discuss a role in another film Roven was producing, âWonder Woman 1984.â
âIt was a fâing offer,â Pascal says in an incredulous whisper. âI wasnât really grasping that Patty wanted to talk to me about a part that I was going to play, not a part that I needed to get. I wasnât able to totally accept that.â
Pascal had actually shot a TV pilot with Jenkins that wasnât picked up, made right before his life-changing run on âGame of Thronesâ aired. âI got to work with Patty for three days or something and then thought Iâd never see her again,â he says. âI didnât even know she remembered me from that.â
She did. âI worked with him, so I knew him,â she says. âI didnât need him to prove anything for me. I just loved the idea of him, and I thought he would be kind of unexpected, because he doesnât scream âvillain.'â
In Jenkinsâ vision, Max Lord â a longstanding DC Comics rogue who shares a particularly tangled history with Wonder Woman â is a slick, self-styled tycoon with a knack for manipulation and an undercurrent of genuine pathos. It was the kind of larger-than-life character Pascal had never been asked to tackle before, so he did something equally unorthodox: He transformed his script into a kind of pop-art scrapbook, filled with blown-up photocopies of Max Lord from the comic books that Pascal then manipulated through his lens on the character.
Even the few pages Pascal flashes to me over Zoom are quite revealing. One, featuring Max sporting a power suit and a smarmy grin, has several burned-out holes, including through the characterâs eye. Another page features Max surrounded by text bubbles into which Pascal has written, over and over and over again in itty-bitty lettering, âYou are a fâing piece of sâ.â
âI felt like I had wake myself up again in a big way,â he says. âThis was just a practical way of, like, instead of going home tired and putting Netflix on, [I would] actually deal with this physical thing, doodle and think about it and run it.â
Jenkins is so bullish on Pascalâs performance that she thinks it could explode his career in the same way her 2003 film âMonsterâ forever changed how the industry saw Charlize Theron. âI would never cast him as just the stoic, quiet guy,â Jenkins says. âI almost think heâs unrecognizable from âNarcosâ to âWonder Woman.â Wouldnât even know that was the same guy. But I think that may change.â
When people can see âWonder Woman 1984â remains caught in the chaos the pandemic has wreaked on the industry; both Pascal and Jenkins are hopeful the Dec. 25 release date will stick, but neither is terribly sure it will. Perhaps itâs because of that uncertainty, perhaps itâs because heâs spent his life on the outside of a dream heâs now suddenly living, but Pascal does not share Jenkinsâ optimism that his experience making âWonder Woman 1984â will open doors to more opportunities like it.
âIt will never happen again,â Pascal says, once more in that incredulous whisper. âIt felt so special.â
After all heâs done in a few short years, why wouldnât Pascal think more roles like this are on his horizon?
âI donât know!â he finally says with a playful â and pointed â howl. âIâm protecting myself psychologically! Itâs just all too good to be true! How dare I!â
x
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Reap The Hate Youâve Sown
Pairing(s): Romantic Royality
First chapter - Previous chapter - Next chapter
Warnings: Choking, manipulation, villanous Deceit Characters: Roman Sanders, Patton Sanders, Virgil Sanders, Deceit Sanders, Remus Sanders,
Summary:Â Roman ventures out to rescue his brother
Word Count: 7585
People who were asked to be tagged: @avocados26, @fandoms-will-collide @nottoonormalme, @bihighandgivinghighfives, @atticusfinchthelegendâ, @hekking-happy-nonsense, @lockmcduckwoodchuck
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Read on AO3
The storm howled as three figures made their way through the woods surrounding the castle. Branches pulled at Romanâs hair as he cleaved his way through the forest. It was pitch black aside from a small purple glowing orb Virgil had conjured to light their way. General Isolda closed the ranks, occasionally pulling Roman or Virgil to safety when an overhead branch swept dangerously low in the fierce wind.
âWhere do we go?â General Isolda asked. âHow do we know where the warlock keeps the prince?â
âWe have to go to the eye of the storm,â Virgil said darkly. âIt wonât be far. Thatâs where heâll be waiting for us.â
A shudder crept over Romanâs spine, which had nothing to do with the relentless storm. He tried to remind himself he had done this countless times, he had fought monsters for years! It didnât work. This was no mindless beast, just acting on a hungry belly. No, this demon was driven by a vastly different kind of hunger. Roman remembered the eyes that had rested on him for a few seconds⊠He couldnât shake the feeling that the warlock wouldnât stop until he devoured everyone in the castle.
The further they got into the woods, the quieter the wind became. When they finally stepped out into an open spot, it had become wind still. A perfect circle in the sky showed of the starlit sky. Roman looked up, gaping at the swirling clouds that raged just outside the circle, yet he felt not a single breeze.
âThere he is.â The general said. Roman snapped his attention back to the open spot. In the middle clearing stood a large tree. Someone was tied to the trunk, strapped tightly in roots and branches.
âRemusâŠâ Roman took off in a sprint towards the tree, ignoring the cursed out protests of his companions. âREMUS!!â He didnât bother to check if the others followed behind him. All he could see was his brotherâs pale face, his eyes closed and his head leaning limply against a branch.
A fire sprouted up just a few meters from the tree. Roman could stop just in time, the flames licking at his hands. He took a few steps back, his companions running up next to him.
âThatâs far enough, dear.â A voice said. From the shadows of the tree stepped the warlock. A snap of his fingers and the fire extinguished itself. The general unsheathed her sword. Virgil bared his teeth in a hiss. Romeo the spider crawled out from the sorcererâs cloak to sit protectively on Virgilâs head and joined in on the hissing. Roman only tried to swallow away his fear.
âWell, well, well, look who have come to play the knights in shining armourâŠâ Deceit drawled. âThe beloved crown prince,â He turned to Virgil, who glared daggers at him. âA sorcerer with secrets,â Lastly he turned to general Isolda. âAnd I have no idea who you are, so Iâm just going to ignore you!â
âUnhand my brother, villain!â Roman said in a braver voice than he felt.
âAre these the only soldiers that Augusto could spare from his grand armies?â The warlock laughed softly as he strode to Remus in his wooden prison. âPathetic, really. My expectations were low to begin with, but this?â He tutted and shook his head. âThis is just sad.â
âI said, unhand my brother!â Roman tightened the hold on his sword to hide how his hands were shaking.
âI thought you were all too scared for your insignificant little lives to leave him at my mercy for so long,â Deceit said as he absentmindedly trailed a finger across Remusâ jawline. âBut I guess itâs just plain indifference. A minor setback. If one son captured isnât enough for that coward to face me, maybeâŠâ Deceit tilted his head in thought. âMaybe I just need to capture his golden boy. What do you think, dear prince?â He turned to Roman. âWould your parents save you? Or would they leave you to rot, just like your brother?â
âOver my dead body!â Virgil growled. He stepped up next to Roman. His eyes had never been a more vivid purple. âIf you want him, you have to go through me first, you lying scumbag!â
âDear me, Virgil,â Deceit sighed. âStill as dramatic as ever, I see. I donât know why I expected otherwise.â
Virgil stiffened. âDonât!â He hissed at hooded man.
âWhat? I just meant you havenât changed since I last saw you-â
âDonât!â
â-When you abandoned me all alone in the mountains! That hurt, you know.â
ââŠWait.â Roman looked between the two men, confusion mixing with fear. âYou⊠know him, Virge?â
ââŠOh dear,â The warlock delightedly said after a few seconds of tense silence. âWhat an awkward situation! You never shared that little fact with the class, did you? Whatâs wrong, stormcloud?â Virgil recoiled at the nickname, but Deceit gleefully continued on. âAshamed of your old master? Well go ahead! Do tell your new friends who exactly taught you everything you know!â
âOld masterâŠ? You mean-?â Roman stared at his friend who hung his head, shame colouring his cheeks. âTell me thatâs not true! Tell me heâs lying!â
Roman desperately wanted Virgil to deny it, wanted his friend to grow angry, to spit and yell at the accusations. Instead Virgil only guiltily avoided Romanâs eyes.
âOh he was such a diligent student,â Deceit continued. âAlways ready to learn, so eager to follow my instructions. When I told him to apply for the job of court sorcerer, he readily agreed to be my spy! Didnât you, stormcloud?â
âYour spyâŠ?â Roman whispered.
âShut up!â Virgil spat at the warlock. âIâm not the obedient little puppet you tried to make of me! I freed myself! Please Ro,â Virgil turned to Roman pleadingly. âI donât work for him! I would never hurt you!â
âYou are his spy?â Roman asked horrified.
âIâm not!â
âYes you aaaaaare!â Deceit singsonged. âI mean, really, prince Roman! You canât trust anyone these days!â
âI SAID SHUT UP!!â Virgil snapped before turning back to Roman. âAlright, maybe it started like that, but I had a change of heart very quickly! Please, I promise Iâm not that person anymore! I changed, I swear!â
Roman said nothing. He could only back away from the man he considered his friend, betrayal nearly suffocating him. Hurt crossed Virgilâs face.
A hand grasped his shoulder, stopping him. Roman startled, looking up to general Isoldaâs stern face.
âKnow your enemies, my prince.â The general said solemnly.
âI⊠I donât-â Roman stammered.
âYou would distrust the one who dropped everything to help you, at the risk of angering the crown?â General Isolda continued. âWho has had every chance to hurt you in the past, but never did? Or do you want to believe the words of someone who tries to manipulate you to forsake your friend?â The woman glared at the warlock. âThe one who has your brother in captivity, might I add?â
Roman tried to think of something to say, but every retort died on his lips. He glanced back at Virgil.
âI swear on my life, RoâŠâ Virgil pleaded. âIâm on your side.â
âŠ...The general was right. What was he doing?
âI⊠I trust you, Virge,â Roman nodded, shamefully. âIâm sorry-!â
âGood,â The general released Romanâs shoulder. âGlad you have come to your senses, my prince.â
âDonât worry,â Virgil assured. âYouâre not the first to fall for his trickery,â With a growl he turned back to Deceit. âBut Iâll make damn sure youâre the last!â
âYouâre outnumbered,â The general said to the warlock. âNow unhand the prince.â
âI donât like you.â Deceit scowled at her.
âGo back to ignoring me then,â She countered.
âSuch a strong woman,â Deceit said. âIâm so impressed. I guess strength is the only worthwhile thing Augusto sees in you, doesnât he? Donât you wish you had-â
âYour tricks wonât work.â Roman interrupted, grinning when the warlock let out a low hiss in annoyance. âRelease my brother, or we will get him back through force!â
âIâm positively quivering,â Deceit deadpanned, before he gave a resigned sigh. âHave it your way.â
It was the only warning they got.
Roman felt it before he saw it. An all-encompassing heat as his eyes violently had to adjust to a sudden burst of bright light. General Isolda dragged him to the side just in time as a comet of golden flames singed Romanâs hair. As abruptly as the light had started, a wall of purple sheened shadows extinguished the flames. Roman blinked away spots in his vision, never more glad for the dark.
âVery good, Virgil!â Deceit taunted. âYouâre so⊠Evolved.â
âThereâs more where that came from.â Virgil said, just a hint out of breath.
âWell then,â Deceit said. His eyes flared up like flames in the darkness. âTeacher versus student! Show me what you have learned!â
âGladly.â Virgil spat. The shadows built in his hands, before Virgil flung them towards Deceit with an infuriated scream. Golden flames met them in the middle, colliding into each other. Roman watched as an inferno of purple and gold swirled up in a tornado of raw magic. When it vanished the two men attacked each other, snarling and snapping like animals, magic scorching the air. Deceit towered over the short sorcerer, but what Virgil lacked in physical stature and strength he made up with pure, relentless rage. Even so Roman saw his friend struggle.
âWe have to help!â He said to the general. The woman nodded, determined. Side by side they threw themselves into battle with a drawn out war cry, falling in next to their friend.
It was three against one. To Roman it felt like he was fighting a small army. Spells slammed into cold metal, magic met swords. Any time he tried to get a hit in, the warlock disappeared and reappeared somewhere else. The warlock cast spells and vanished fluid and agile like a snake before any of them could counteract. Hits and spells meant for Deceit struck themselves or their companions. General Isolda would swing her sword only to meet thin air, missing Virgil by a hair. After a spell of sharp shadowed arrows just barely avoided Roman, Virgil was forced to go with less dangerous spells. Whenever either of them tried to get close to the tree they were driven back by energy blasts or flames. Virgil shouted a spell that Deceit countered easily. Purple shadows fiercely fought against golden light.
Eventually however they started to see through his tricks. A blade grazed Deceitâs hand, leaving an angry red line. Virgilâs spells met their target more often. They adapted, saw attacks better coming and jumped out of the way quicker. Roman could cheer when he finally saw the warlock falter in his steps, hope coming alive in his chest. They could actually do this!
An energy blast propelled Roman backwards, landing on his back a few meters away. He quickly scrambled up again and ran back towards the battle. The warlock shot him a look, then looked back at Virgil and general Isolda. Deceit slammed his fists together and yelled something incomprehensible. Mist whirled up around him, surrounding him and pulling him from sight. And it didnât stop there. It grew and crept over the open spot at an alarming speed, until even the starlit sky was obscured from sight. Roman stopped. He whirled around, turning, turning, more frantic each time. There was nothing. Just mist. He couldnât see an inch in front of his face.
âVirgil?â He shouted hesitantly. âGeneral??â
âWeâre here!â General Isoldaâs voice answered, further away than what was reasonably possible.
âWhere are you? I canât see you!â Romanâs voice cracked on the last âyouâ. His heart raced in his throat.
âStay put! Weâll find you!â Virgil answered, his voice even more distant than the generalâs. Roman nodded, croaking out a shivery âokayâ, as he tried to stay still. Part of him wanted to run and scream. Part of him wanted to curl up and cry. Where was his bravado now? Where was the courage that never failed him when he slayed monsters? He swallowed, inhaled deeply through his nose. Four seconds in, hold for seven, breathe out for eight. Four seconds in, hold for seven, breathe out for eight.
Everything would be okay. They would return safe and sound with his brother. He would have another chance. Everything would be okay. They would return safe and sound with his brother. He would have another chance. Everything would be okay, everything would be okay, everything would be okay-
He repeated the same mantra in his head over and over, hoping to calm his hammering heart and every instinct that screamed at him to run, run, run, run, run, RUN-!
A shadow moved in the corner of his eye. Roman whirled around. Nothing there. A soft laugh echoed at the edge of his hearing. He leapt and swung his sword, but only cleaved through mist. Endless, endless mist.
âOver here.â A voice teasingly whispered behind him. Roman screamed and jumped around, once more swinging his sword and finding nothing. The voice laughed again, this time to the right of him.
âPrincey??â Virgil yelled anxiously, still too far away.
âIâm here!â Roman choked out, a whisper more than anything. He attempted to yell louder, but his throat closed up painfully. A hissing sound made him spin on his heels. Roman caught a glimpse of something slither on the ground, something with yellow and black scales before it slinked back into the mist. He walked backwards, legs trembling underneath him.
âYou fight so bravely, dear prince,â The voice hissed. âBut in vain. You know you canât win thissssâŠâ
âI wonât stop fighting,â Roman answered wobbly. âI wonât!â
âOh, of course you wonât,â The voice cooed, circling him. Roman tried to follow it, hoping to spot something other than mist. âYouâve fought all your life, havenât you?â
âYes!â Roman said. âI have defeated many foul beast before you, and you will be no different!â
âAll those victories,â The voice hummed. âAnd yet none of those have ever truly satisfied you, havenât they? Because you canât fill your hollow heart with empty praises.â
Romanâs heart thumped in his throat. âI⊠I donât know w-what youâre talking about!â He answered.
âItâs amazing what one spills when theyâre in pain⊠What dark secrets your brother has told me about you.â The voice shifted, and suddenly Roman felt a solid presence behind him, hot breath tickling his skin as Deceit spoke directly into his ear. âI know your heart, Roman Alveraz.â
With a startled shout Roman spun on his feet, lurching his sword towards the other. It was blocked mid-air as Deceit grabbed the blade and held on tight. Roman was left staring into the piercing golden eyes that glowed from the darkness of the hood. He felt like prey trapped under a predatorâs hungry glare.
âI know how you constantly fight for approval,â Deceit said. Blood trickled down his palm, but still he held the sword tight. âI know you fight for the love from your peers, while your ambitions rot at your feet.â
âStop itâŠâ Roman said shakily.
âI know how you follow in mommy and daddyâs footsteps like a good little marionette,â Deceit continued on mercilessly. âI know how you obediently dance every step they ask of you, until your feet are bleeding and raw. I know you hide behind that mask you call your true face.â Â
âStop it!!â
âYou must be so tired, dear prince⊠All those years fighting, and for what? For a crown you know very well you havenât earned? For the shallow smiles of people who would stab you in the back at their first opportunity?â
âDonât listen to him!!â Virgilâs voice sounded from across the mist.
âI can help you, you know,â Deceit said sweetly. âYour life is a balancing act above a raging wildfire, where even the smallest mistake burns you beyond repair. But I could douse the flames. You donât have to fight anymore. I can make it all stop. No more fake smiles, no more pretending⊠I can take the pain away for you. Forever.â
âHeâs lying!! Roman, donât listen to him!â Virgil shouted, but Roman scarcely noticed. He was drowning. Deceitâs words pushed him down under in an ocean of honey, sweet and suffocating.
âYou want that,â Deceit pressed on. âDonât you?â
âYesâŠâ Roman whispered before he could stop himself. âYes.â
âOf course you do,â Deceit said gently, ever so gently. âBut if you want my help, you know what youâll have to do firstâŠâ
âInvite you inâŠâ
âExactly!â Deceitâs voice shook in triumph. âWalk back into the castle, and invite me in.â
ââŠNo.â Roman said in weak defiance. âNo! Youâll hurt people-!â
Deceit growled, all gentleness leaving him. âWhat have they done for you? What do those mindless sheep mean to you? Nothing. You owe them nothing!â
The golden eyes flared up with every word, and Roman was helplessly pinned down under their gaze. A shiver started in his leg- Wait, his leg?
âYou think anyone would miss them if their worthless lives ended?â Deceit went on, but Roman was a bit distracted by the tingle on his leg that startlingly enough moved up. The shiver crawled up and up, until it crawled onto Romanâs shoulder and down his arm. Roman only briefly saw a dark purple gleam and eight furry legs, before it leapt. With the tiniest yet fiercest war cry ever heard, Romeo the spider soared through the sky like an avenging angel and landed full on the warlockâs face.
Deceit gave an undignified screech as he released Romanâs sword and leapt back, flailing his arms around as he tried to smack the spider off. The mist surrounding them disappeared. Deceitâs concentration was broken.
âGet off, get off!!â The warlock shrieked, golden spells continuously just missing the purple blur that crawled over him with lightning speed.
âGood Romeo!!â Virgil yelled proudly as he ran to Roman to drag him away from the preoccupied warlock.
âHeâs distracted!â General Isolda shouted. âNow is our chance!â
It was the only thing Roman needed to hear to shake away the hold that the honeyed words had on him. Virgil released him as Roman ran towards the tree, where general Isolda was already busy slashing away the roots that kept Remus prison. Roman and Virgil joined in her efforts, Roman using his sword and Virgil blasting small fire blasts to burn the wood. Romanâs breath quickened, his arms swinging frantically. Too slow, too slow, this was too slow-!!
âKeep working!â Roman yelled as he threw down his sword. The other two shouted in confusion, Roman ignored them. He wrapped his arms around Remusâ torso and pulled. He heard branches snapping as his brother was torn free from their grasp. Understanding his plan, Virgil and the general doubled their effort on the roots still wrapped around Remus. Roman kept pulling, throwing his whole body into it. He felt how the roots gave way bit-by-bit, until-
Abruptly all resistance fell away. Roman lost his balance and fell on his back, dragging his brother with him. The air was knocked out of his lungs by the limp body suddenly dropped on his chest. The weight was promptly removed when general Isolda lifted Remus up and threw him over her shoulder like a sack of potatoes.
âWe got him!â She said as Roman staggered back onto his feet with Virgilâs help. âWe have to get out of here now!â
âNot so fast.â
They turned. Deceit stood, slightly panting, but victoriously holding out a hand where Romeo squirmed and struggled to break free. Virgil paled.
âNo,â Virgil pleaded. âDeceit, please no-!â
âSo you do remember some of my lessons,â Deceit said with an unpleasant tone. âGood.â
Deceit tightened his hand and squeezed. Romeo let out pained squeaks at the same time as Virgil wailed, dropping onto his knees while clutching his chest.
âVirgil??â Roman kneeled next to his friend, whose face was pale with pain. He didnât understand. What was happening??
âDeceitâŠâ Virgil gasped. âPlease, please stop-!!â
âYou know what I want,â Deceit said a little shakily. His hand trembled as he gripped the spider even harder. Virgil cried out and the warlock looked away. âI never wished to hurt you, stormcloud, despite what you think of meâŠâ He continued softly. âBut I have to do this. I hope I can make you understand some day.â
âWhatever it is you want, itâs yours!â Roman yelled, even as Virgil weakly protested. âJust stop what it is youâre doing, just stop!â
Deceit relieved the pressure on Romeo. Virgil slumped against Roman who caught his friend. Virgil was pale as milk, yet his pained expression faded quickly, something else taking over entirely.
âGood,â Deceit said unsteadily. âGood... Well then, if we could come to an arrangement-â
A hurt and absolute livid scream tore itself from Virgilâs throat. Shadows shot from his hand like an oncoming tsunami, and hit the warlock square in the chest. Deceit was launched backward, made hard contact with the ground, rolled over a few times before coming to a stop on his stomach. He didnât get up.
Roman stared at the unmoving body of the warlock, then at his friend. Virgil only frantically searched the open spot.
âRomeoâŠ?â Virgil called out uncertainly. âRomeo??â
A soft rustle in the grass made Virgil hold his breath. A purple glimmer skittered over the ground as quick as it could towards Virgil.
âRomeo!!â Virgil cried out in relief as he held out his hands. He cradled the spider close to his chest as soon as Romeo crawled onto his palms. âOh Romeo⊠Iâm going to get you ten- No, twenty cherry crumble pies topped with the biggest, fattest flies when we get home! All for you, brave little buddy!â He kissed the spider on its furry body multiple times. Romeo wiggled under all the attention. The sight made Roman want to laugh and cry at the same time. He went with neither, as his eyes fell on the warlock, who still hadnât moved. Roman determinedly rose, grabbing his sword from the ground. Time to finish the job.
A hand grabbed his wrist. âLeave him.â Virgil croaked.
âWait, what?â Roman stared down at him incredulously. âBut this is our chance, we could kill-â
âNO!â Virgil yelled. âJust leave him!â
âBut-!â
âPlease Roman,â Virgil stood up. Roman saw him wipe away a few stray tears. âLetâs go.â
Roman didnât understand any of it, but he couldnât ignore his friendâs pleas. So he nodded.
âRight⊠Letâs go.â
They ran. Virgil in front, conjuring a glowing orb, general Isolda with Remus thrown over her shoulders in the middle and Roman at the back, his sword still at the ready. As they ran out from the open spot and back into the woods, Roman turned one last time. Deceit slowly pushed himself up. Roman could swear he saw something float near the warlockâs head, but he didnât stay to see what it was.
The storm still raged. As they ran through the forest, the wind even worsened. They struggled against its push. The soft purple orb was the only source of light they had, and it cast the forest with its swaying branches in haunting shadows. In every part of the pitch black darkness Romanâs imagination conjured up images of the warlock, ready to drag them back into the night. Roman knew they had to keep running, otherwise one of those images might prove to be the real one. Virgil, however, had other ideas. The sorcerer came to a halt as they reached a good distance from the open spot. General Isolda and Roman stopped too, puzzled.
âWhy have we stopped?â The general asked.
Virgil turned. âPut him down,â He said as he pointed at Remus.
âWhatever for?â General Isolda questioned. âNeed I remind you, we came here to rescue him!â
âPut him down!â Virgil said with such urgency that the general quickly lowered Remus onto the ground. âWe canât go back to the castle yet!â
âWhy?? That monster is not going to stay down for long!â Roman asked as he threw down his sword and knelt down to pick Remus up again. âWe have to keep moving, or-â
Hands shot up, closing around Romanâs throat. Romanâs yelp was cut off as the hands wrung his neck in a crushing grip. Remus sat up like a doll on strings. Roman wheezed and struggled, scratching and pulling at the sudden suffocating hold Remus had on him. Vaguely he saw how Remusâ face was distorted in a vicious snarl as he tightened his hands. Virgil and general Isolda yelled, but all Roman could focus on was the shadowed face of his brother. Remusâ eyes were feverishly bright. Too bright. âRemâŠâ Roman gasped, black spots appearing in his vision.
Virgil grabbed his shoulders and pulled, at the same time as general Isolda grabbed Remus in a headlock and yanked him back to disconnect the two. Roman gasped for air as he was released, taking in the air like a drowning man. Remus meanwhile shouted and shrilled violently, even continuing when the general covered his mouth with her hand.
âThereâs your answer!â Virgil said as Roman caught his breath. âLook at his eyes, Ro!â
Roman looked up at his brother, who struggled and screamed in the generalâs arms like a feral animal. Remusâ eyes were glowing a molten gold, the same colour that had glared at him from underneath a hood.
âHeâs hypnotized! The second we set foot in the castle, heâll invite the bastard in and it would all be for nothing!â
The general winced when Remus bit her hand with a fierce growl. âWhat do we do?â She asked.
Virgil got up, helping Roman to his feet as well. âHold him down.â He said grimly. General Isolda didnât question it, instead wrestled Remus to the ground and pressed him down by his shoulders. In order to do so, she had to release his mouth and Remus immediately screamed his lungs out again.
âWhatever you must do, do it quick!â The general yelled over Remusâ cries. âHis screaming might attract that thing right to us!â
Remus struggled harder, furiously clawing at the generalâs arms, but she managed to keep him pinned. Virgil knelt down next to Remus, shadows gathering in his hands and his eyes flashing purple. Remus immediately tried to scratch and bite at him, but Roman knelt down alongside the others and wrestled Remusâ arms to the ground. Virgil gave him a thankful nod, before he placed his hands on Remusâ chest, the shadows pulsing on his skin. Remus screamed louder. Â
âGet out of him,â Virgil said through gritted teeth. âGet out!â
Remus convulsed on the ground like lightning set his bones ablaze. His eyes rolled back in his head as two powers inside him fought. Virgil pushed and pushed his magic against the other, sweat forming on his brow.
âI saidâŠâ Virgilâs already gravely voice deepened, the veins on his hands darkening to a pitch black. âGet. OUT!!â
With a final push, Virgil forced all his magic into Remus, whoâs back arched and mouth flew open in a soundless scream. A stream of golden light bled out from Remusâ open mouth. Under their bewildered gazes, the gold first pooled together, before shimmering and forming a tiny snake of light. It raised its little head and hissed at them.
âQuick! Grab it!â Virgil said.
Three pair of hands tried to swipe the snake off the ground. The snake hissed again and ducked under their hands before any of them could get a hold on it. It slithered back into the forest, lightning its path like a little beacon.
âShit!â Virgil spat.
âWhat is it? What will it do?â General Isolda asked.
âTell him where we are,â Virgil said. âWe have to go. Now.â
The three of them jumped up. The general wanted to lift Remus back up, but Roman beat her to it. As he gathered Remus in his arms, his brother tilted his head to look at him.
âRomanâŠâ Remus muttered.
âThatâs right, Rem,â Roman laughed wobbly as he hauled his brother up and held him protectively against his chest. âI got you. Iâm not letting go.â
Remus blinked tiredly at him, before his head fell on Romanâs shoulder and his eyes slipped shut. Unconscious, Roman thought.
âLetâs go, letâs go!â Virgil urged as he swept Romanâs sword of the ground. Roman and the general followed Virgil and the small light orb through the dark as fast as they could. Roman had no idea how long they walked, but every minute felt like an eternity. The storm pushed at them ruthlessly. They couldnât run as fast as they would have liked, lest they constantly trip over roots and holes in the ground, so progress felt like wading through syrup. He briefly thought how this might be his eternity, running through the woods with danger breathing hot down their necks, when-
âJust up ahead! We made it!â Virgil shouted. Roman wanted to cry out in happiness as he saw the edge of the woods, the castleâs lights shining through the branches. A lighthouse in the storm, guiding them home.
Bursting from the treeline they started to sprint towards the castle gates. Thankfully someone had left them open. Needles pricked in Romanâs lungs, his legs nearly collapsing under him but he didnât dare to slow down. Almost there-!
Fire burst to life in front of them, stopping them meters away from the drawbridge. The flames circled them, until they were trapped. Roman didnât need to look to know who had finally caught up to them, but he turned anyway.
Deceit was shrouded once more in mist, far closer to them than Roman had hoped. His eyes burned golden, promises of destruction flaring in them.
âGive him back!â Deceit snarled in a booming voice.
âRUN!!â General Isolda yelled.
Virgil doused the flames with his shadows so they could make their escape. Romanâs feet ached as he raced towards the castle. The extra weight of his brother threatened to drag them both down, but he gritted his teeth and pressed on. Behind him Virgil shielded him from oncoming flames, the heat licking at the back of his neck. General Isolda dragged Virgil with her as the sorcerer cast protection spell after protection spell. Roman was almost at the drawbridge-!
His foot got stuck behind a rock just as he wanted to run in. He tripped, only preventing from falling on his brother by twisting his body just in time so they fell sideways on the wooden planks of the bridge instead. Virgil cursed and turned to run right towards the danger, hoping to distract Deceit from the others. The general however grabbed him by the collar, lifted him off the ground and practically hurled him towards the castle gates, where he landed next to Roman. General Isolda stood protectively before Roman and Virgil, her sword drawn as the warlock closed in, flames and mist surrounding him like a hellish entourage.
âIf you want them,â General Isolda hissed. âYouâll have to get through me first!â
âWith pleasure.â Deceit purred. His golden magic came to live in his hands. Roman braced for impact, shouting the generalâs name as Deceit ran towards them-
A sound not unlike a tapping against thick glass was heard. The air pulsated and Deceit was thrown back, barely managing to stay on his feet. He shook his head, throwing himself towards them to attack them again. Once more, an invisible shield stopped him.
ââŠWhatâs happening?â The general asked, confused, as Deceit feverishly felt among the air, his palms flat like he was touching a wall rather than thin air. He slammed his fists, ripples like water forming wherever he hit, but it did not let him through.
ââŠWeâve made it onto castle grounds.â Roman realized. âHe canât enter!â
Romanâs disbelieving laugh was overpowered by Deceitâs furious outcry. The warlock called forth his magic, hitting the shield over and over with golden fire with enough force that the flames climbed up as high as the watchtower. Roman felt the heat on his face as the air rippled, but held steady. Deceitâs livid screams followed Roman and his friends as they got up and ran over the drawbridge to the safety of the castle walls. Above them the storm roared to life once more, lightning strikes following each other up closely. They reached the door as lightning struck down behind them.
âOPEN THE CASTLE DOORS!!â The general shouted as she pounded her fist against the heavy wood. No answer came. Virgil growled in impatience and pushed against the doors, his shadow magic pushing alongside him. The doors groaned and opened, allowing the three companions to stumble in.
Roman had never been more happy to see the castleâs entrance hall in his life. Then a sword was pointed at him. He stared up into the shocked face of colonel Bentley, along with a few dozen startled knights behind him.
âPrince Roman?â The man stammered. âIsolda?? You- You survivedâŠâ His eyes fell on Remus and they widened comically large. âYou found the prince! How-??â
âStand down, Bentley!â The general commanded. The man instantly drew back the sword and jumped into a salute. âOur princes went through enough tonight! They donât need to your questioning on top of it!â
âYes maâam! Sorry maâam!â The colonel barked automatically. But then he seemed to realize something as he dropped his hand. âWait, no! Youâre no general anymore! Our king and queen have dishonourably removed you from your position! You committed treason!â
Isolda nodded. âAs I suspected.â She said before she addressed the rest of the knights in the hall like she hadnât heard him. âMake yourself ready! We have a warlock to capture!â
âWhat??â Roman gasped.
âB-But generalâŠâ The colonel protested, the title still slipping from his tongue without thinking. âThe king and queen said that you-â
âThat man is a threat to the crown, colonel!â Isolda interrupted. âSurely youâll do our king and queen a favour by capturing their enemy. Who knows, they might even handsomely reward you! They need a new general, after all. Iâm sure theyâd want a brave man such as yourself to fill the position.â
The colonel thought this over for a few seconds. Greed twinkled in his eyes.
âIf you put it like thatâŠâ He finally said. âVery well! Knights! Like the lady said! Make yourself ready!â
âGeneral, you canât-!â Roman protested.
âNot a general anymore,â Isolda said. âBut it doesnât matter. If we have any chance of capturing him and bringing that man to justice, itâs now. We have to try! And this timeâŠâ She looked around the hall proudly, where the knights readied themselves to venture into the storm. âIâll have more help.â
âWe could come with you!â Virgil said. Roman nodded in agreement.
âYouâre both very brave. But I think someone else needs your help more than I do,â Isolda said as she nodded at Remus. âIâll be fine.â
Roman stared up at her, at a loss for words. âThank youâŠâ He said eventually. Isolda nodded at him, a smile playing on her lips, before she followed the colonel and the knights outside, leaving Roman and Virgil alone in the entrance hall.
It was only then, as the knights disappeared into the night and his brother safe and sound in his arms, that Roman truly realized that they had done it. Somehow, against all the odds, they had saved Remus. His brother was home. Laughter bubbled up in his throat, slightly delirious. Virgil gave him a funny stare, before his lips hesitantly quirked up and his breathless chuckles joined Romanâs.
âDid⊠Did we just do that? And win?â Roman asked an equally stunned Virgil.
âYeah!â Virgil said. âWhat the shitâŠâ
Roman snorted at that, relief tampering down the adrenaline still running through his veins. A glance down at his unconscious brother quickly sobered him up though.
âHe needs healing.â Roman said. Virgil turned serious as well.
âI have everything for a proper healing in my workshop,â Virgil said. âBut in order to get there we would have to cross the courtyardâŠâ Both friends turned to the storm outside that only seemed to turn more violent by the minute, lightning strikes following each other up with barely a pause. âYeah⊠We should probably avoid any more life threatening situations if we can.â
âBut he needs help now!â Roman said.
âRelax, I can heal his most urgent injuries right away,â Virgil jumped when a thunderclap made the windows rattle. âWe better get him somewhere safe though.â
âRight, yes,â Roman nodded, weary exhaustion and heaviness settling in on his shoulders. Damn, he needed- What he desperately wanted was⊠âLetâs go back the throne room for now.â
âThe throne room?â Virgil frowned. âYou sure thatâs a good idea, princey? Your pa- I mean, the king and queen are there too!â
âI know,â Roman scowled at the idea of facing them, but his heart ached for the comfort of golden curls and blue eyes. âI just⊠I need to see Patton. He has to know weâre okay.â
Virgil still looked dubious, but he nodded in understanding. âLetâs go then.â
Their footsteps rang through the empty halls as they made their walked to the throne room. Occasionally lightning outside lit up their path. Roman threw his friend a few hesitant glances before he cleared his throat.
âVirgil⊠About what the warlock saidâŠâ Roman began carefully, but Virgil flinched even so.
âLook, I can explain!â Virgil said hastily. âI met him when I was young, and-â
âItâs okay.â
Roman would have laughed at the startled wide-eyed stare Virgil threw his way, if it hadnât been for the sheer dread still present on his friendâs face. âNo really,â He said sincerely. âItâs fine, Virge. I donât care about your past. I mean, you saved my butt multiple times tonight! Screw what that guy said! Youâre my friend now and thatâs what matters.â
âIâŠâ Virgil looked more than a little stunned. The darkness of the halls couldnât quite hide his touched half smile though. He pulled the hood of his cloak over his head to cover it up. âPrincey, you sap.â He muttered as he gently bumped his fist against Romanâs arm.
âIâm serious!â Roman said.
âI know you are, you lovable idiot.â
âGood. Secret softie.â
âOh shut upâŠâ
âBut Virge, if you ever do want to talk about itâŠ?â Roman said.
Virgil groaned. âI think Iâm gonna take a three day nap first.â
âHa! You and me both!ââ Roman adjusted his grip on Remus slightly. He was getting heavy, but Roman was not letting go. Luckily the throne room doors were just up ahead.
âBut after that,â Virgil said quietly. âIâll tell you everything.â
âAre you sure? I mean, you donât have to-!â
âI know I donât. I just⊠Think it would be nice to finally tell someone, you know? No more hiding.â
âNo more hiding,â Roman said. âSounds like a plan!â
The knights standing guard gaped at them when they approached, but they scrambled to open the throne room doors. Horrified gasps and astounded whispers rang around the throne room as Roman and Virgil walked in, the doors closing again behind them. Roman could not blame them. He knew what kind of picture they painted. Both him and Virgil exhausted and dirty, Virgil holding a bloodied sword, and him walking in with an unconscious Remus held protectively in his arms. The crowd parted to let them through, eyes wide and disbelieving.
âVirgil?! ROMAN!!â Â
Pure joy swiftly coursed through when Roman saw Patton push people aside to run up to him, tears of relief streaming down his loveâs face. Patton skidded to a halt however when he spotted Remus. Shocked he covered his mouth with trembling fingers.
âYou⊠You found him,â Patton said with wide eyes. âA-And the warlockâŠ?â
âCurrently being hunted down by the general and her knights,â Virgil said as he led Roman further into the throne room. Patton followed. âHeâs not a threat anymore.â
There stood a long console table to the wall, tastefully decorated with candelabras. Virgil dropped the sword against the wall and unceremoniously shoved the candelabras off the table so Roman could gently place Remus on the temporary sick bed. Patton hurriedly shrugged off his jacket, folded it up and placed it under Remusâ head as a makeshift pillow. A shuddery sigh left Roman as he carefully adjusted Remus in what he hoped was a somewhat comfortable position.
He would have his second chance. He only hoped Remus would give it to him.
Roman took a few steps back to give Virgil his space. The sorcererâs eyes lit up once more in a purple gleam, as he moved his hands lightly over Remusâ chest. Virgil softly started  chanting healing spells, a songlike quality to his voice. Did Romanâs eyes trick him, or did Remus immediately look a bit better?
âRomanâŠâ A soft hand was placed on his arm. Tearing his gaze away from his brother, Roman looked at Patton. His fiancĂ© stared up at him with wide tear-filled eyes. A broken sob left him as Patton threw his arms around Romanâs waist. Roman immediately returned the embrace, tightening his arms around the shorter man. He buried his face into the soft curls and pressed desperate kisses on his loveâs head.
âI thought I lost youâŠâ Patton sobbed into his chest. âI thought- I thought I would become a widower before we ever got married! I thought-!â
âIâm here, dear heart,â Roman murmured, tears forming in his own eyes as well. âIâm okay. I got back to you. Iâm here.â
Patton nodded and happily blubbered out something Roman didnât quite hear. It didnât matter. For one brief, beautiful moment all was well.
But of course, of course, the moment had to be broken. Roman heard the breathless crowd hurriedly part and footsteps approaching. One glance away from the safe haven of his fiancĂ©âs curls confirmed who said footsteps belonged to. With a snarl Roman pulled himself reluctantly out of Pattonâs embrace.
âDonât come near him!â Roman growled. His parents stopped in their tracks.
âIâm not allowed to go near my own son?â Queen Nadia asked with a tremor in her voice, one delicate tear gliding down her cheek.
âNo! No youâre not!â Roman said with a humourless laugh. âGlad you understand it so quickly!â
âHeâs our son!â King Augusto protested. âWe havenât seen him for nearly a year!â
âAnd whose fault is that exactly??â Roman bit out. âIf you had actually done what you promised you would instead of, oh I donât know, lying to me, maybe, just maybe, you would have seen him a little sooner! Just a thought!â
âWe didnât lie!â King Augusto said. âWe never lie to you!â
âYES YOU DO!!â Roman pulled at his hair. âYouâre lying to me right now!â He didnât want to have this conversation right now. He was tired. So, so tiredâŠ
âCome now Roman,â His mother smiled and held her arms out, stepping up like she wanted to embrace him. âHow about you we talk about this in the morning, after we all had a good nightâs rest after such a terrible day?â
âDonât touch me!â Roman stepped back, trembling. He wanted to grab his sword to make sure these people never touched him again.
âRoman, youâre obviously stressed,â His mother said in a sweet, yet admonishing tone. She kept advancing in on him. âYouâre not thinking clearly. How about you calm down first-â
Roman recognized the shivery crawl that shot up his leg and back before he saw Romeo the spider take his place on his shoulder. Queen Nadia stumbled back with a high pitched shriek as the tarantula hissed angrily at her. Roman let out a crazed little giggle as Romeo protectively hunched, waiting to jump on the face of the first person stupid enough to get closer. Wow, since when was a spider the size of his fist less frightening than his own mother touching him?
âThanks, little buddyâŠâ He whispered gratefully. Romeo clicked his mandibles happily in response.
âWhat is that thing?â The king asked in disgust as he eyed the spider.
âHis name is Romeo,â Roman said. âAnd heâs not a thing!â
âDamn right!â Virgil said, briefly interrupting his healing.
âStay out of this!â The queen said before turning back to Roman. âSweetheart, this is all a big misunderstanding-!â
âItâs a misunderstanding that you didnât even CONSIDER to look for Remus??â Roman snapped. âOr didnât want to send out soldiers WHEN HE WAS RIGHT OUTSIDE THE DOOR???â
âOh please forgive us for prioritising everyone elseâs safety in this castle over one person!â The king barked. âWhich that wasnât an easy sacrifice to make!â
âOhohohoho, thatâs rich, coming from you!â Roman laughed bitterly. âYou complete and absolute ASSHOLE-!!â
âWait! Roman, sweetie! Stop!â Patton stepped in front of him, bravely ignoring Romeo in favour of smiling sweetly at Roman. âItâs okay! Theyâre right!â
Roman distinctly felt like someone kicked him in the stomach. âWhatâŠ?â He whispered.
âTheyâre right! When you were gone, they explained everything to us! I promise you, it really was just a misunderstanding!â Patton said. âThey can explain to you too, you just-â
âPat-! Pat, NO. Not you too!â Roman grabbed him by the shoulders. âDonât listen to them! This is what they do! They lie to your face and make themselves the victims! This is what theyâve always done!â
âBut⊠ButâŠâ Patton stepped back, looking between Roman and his parents hesitantly. âThey wouldnât! Itâs all just a big mistake, thatâs all!â
âPatton, please!â Roman pleaded. Not him. Not his fiancĂ©. âListen to me!! Iâve lived- Or rather, survived- With them for years! Theyâre lying! Please believe me!!â
âHeâs right, Pat.â Virgil said as he turned away from his healing to stand behind Roman for support. âTheyâre a bunch of liars. I can know, I have experience with those.â
Roman wanted to hug him, but kept his eyes focused on his love. Patton stared at him, chewing his bottom lip, again looking between him and the king and queen.
âButâŠâ Patton said hesitantly. âI know them too! I thought-â
âItâs a façade, Pat!â Roman pressed on. âItâs not real!â
âHoney,â Queen Nadia said gently. âMaybe you should listen to your fiancĂ©.â
âSTAY OUT OF THIS!!â Roman screamed at her before looking at Patton. âDear heart⊠Please.â
Patton looked around, first at Roman, then his parents, then at the crowd that stared and waited with bated breath, unconsciously loving the juicy gossip they were getting. Doubt tore him apart. He turned back to Roman. His fiancĂ©, who looked torn up, hurt and scared. Pattonâs tried to say something, anything, when his gaze flicked to a point behind Roman. His eyes widened. Roman frowned. What was-
âVIRGIL LOOK OUT!!â Patton screamed.
Roman heard a sickening whack. He whipped around in time to see Virgil tumble to the ground, blood trickling down his temple. The figure that loomed over him held a bloodied candelabra, which he had soundlessly picked up from the ground in the confusion. The figure chuckled.
âWhoopsies! Thatâs gotta hurt!â Remus giggled, swinging the candelabra around like a baton. Roman stood frozen to the ground. His eyes went from his knocked out friend, up to his brother who grinned and put a foot on Virgilâs back like he was prey he finally managed to kill. Romeo jumped down from Romanâs shoulder to run in panicked circles around his master, which were stopped when Remus kicked the spider away with another cackle. The spider smacked against a pillar, and didnât move anymore when he fell down.
âYou- Wait-!â Roman tried to make sense of what was happening, his mind flailing to catch up. He desperately searched for a hint of gold in his brotherâs eyes, but they were the same dark brown as his own. âYou were unconscious!â He finally blabbered out.
âOh yeah⊠I was, wasnât I?â Remus wiggled his shoulders mischievously. âArenât I a stinker?â
His mother caught on before Roman did. âGUARDS!!â She shouted. âGUARDS!!â
âHaha, nope!â Remus wagged a finger teasingly. âI donât think so! This show is SOLD OUT!â
At the last word Remusâ eyes flared up in a bright green glow. One wave of his hand thrown towards the doors, and a current of green streams rushed itself through the crowd, webbing themselves over the door in an intricate glowing pattern. Barring anyone from coming in⊠And getting out.
âWhat the-?!â Roman gaped. âRemus, you-??â
âThatâs right, bitches!!â Remus screeched. âI can do magic now!â He threw his arms wide, the green energy surging and pulsing around him and he laughed, a wild maniacal sound. Roman finally snapped out of his stupor.
âYou-! But why-?!â He stammered.
âWhy?â Remus looked Roman in the eyes. He barely recognized Remus in this crazed green-eyed creature. âTo assist a very dear friend of mine, of course!â
âThat thing in the mountains?! He tortured you!â Roman yelled.
âOh, he definitely made me scream alright, but it was in a very different way than you think!â Remus giggled. He twisted his head, grinning at the sight of multiple guests running towards the doors and desperately trying to tear them open. He inhaled deeply and closed his eyes. âAh, the sweaty smell of sheer and utter panic⊠One of my favourites!â Remus giggled again, unable to hold back his mirth. âBut not what I want right now! So everyoneâŠâ His eyes shot open, the green flashing even brighter. âLOOK. AT. ME!!â
His high-pitched scream overpowered the hysteria that had grabbed the crowd by their throats. All eyes turned to him in horrified silence. Remus shimmied under all the attention.
âLook at this!â Remus beamed. âWhat a reunion, huh?? And at such a killer party too! AlthoughâŠâ Remus made a show of looking around critically, caressing his moustache in exaggerated consideration. âI donât know, I just feel like thereâs missing something! Or should I sayâŠâ A big grin split his face in half as Remusâ eyes darkened with vengeful glee. âSomeone.â
King Augustoâs face twisted in panic, which he in vain tried to cover up with anger. âDonât you dare!â He screamed, fear lilting the edges of his voice as Remus only grinned wider. âYou traitorous scum, donât you dare-!!â
âDECEIT!!â Remus threw his head back and howled up at the sky. âCome on down here, you slippery snake! I OFFICIALLY INVITE YOU TO THIS PITY PARTY!!â
Thunder roared in triumphant response, so powerful that Roman felt it vibrate in his chest. The beautifully crafted glass stain windows cracked and shattered, dousing the screaming mass in splintered glass as they ducked for cover. Roman quickly grabbed Patton and pulled him towards the ground in a protective embrace, feeling the glass cut on his cheeks. Mist crept in through the shattered windows. The mist gathered itself on the steps that lead to the thrones, twisted, twirled in itself, before finally solidifying into an all too familiar cloaked figure.
The panicked cries of the crowd were interspersed by Remusâ cackle as he clapped his hands in delight. Deceit raised his head and took in the screaming people with disdain, before he reached up and snapped back his hood. Finally Roman saw the face of the warlock. He sucked in a breath. One word echoed through his head as Roman took in scales, furious two-toned eyes and fangs just barely visible in a loathing snarl.
Monster.
Before Roman could find his words, Remus ran and bounced up the steps with eager joy. He halted just one stair below Deceit.
âDid I do good, DeeDee?â Remus breathlessly asked. âDid I, did I??â
The warlock turned to Remus, and to Romanâs bewilderment his face immediately softened into something akin to tender fondness.
âOh Remus,â Deceit cooed, as he gently caressed Remusâ face with one hand. âYou did absolutely marvellous, my darling.â
Remus sighed happily as he melted into the contact with a soft moan, nuzzling his face into the hand and looking up at Deceit with what could only be described as lovesick adoration. Deceit smiled, then looked back at the huddled crowd. All softness in his face instantly died away.
âNow then,â Deceit said darkly. âWhat a day of reunions this is turning out to be.â
#sanders sides#sanders sides fic#deceit sanders#remus sanders#roman sanders#patton sanders#virgil sanders#ts roman#ts deceit#ts patton#ts virgil#ts remus#royality#romantic royality#the alternative chapter title: Romeo The Spider Finally Gets To Jump On Someone's Face
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Power Trios.
#nirvana#kurt cobain#krist novoselic#dave grohl#the police#sting#stewart copeland#andy summers#engenheiros do hawaii#humberto gessinger#carlos maltz#augusto licks#paralamas do sucesso#herbert vianna#bi ribeiro#joĂŁo barone#music#rock#80s#90s#grunge#power trio
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The Society of Romulus and Remus
Ludwig is the product of a centuries old curse that transforms him into a dangerous werewolf. His only chance for a cure is with Feliciano, heir to the Society of Romulus and Remus, a group of hunters who hunt on the supernatural.
                           Chapter 8      Â
âNow, are you sure you donât want anyone accompanying you?â Augusto still insisted, coming close, making sure that Lovino was appropriately dressed, earlier making sure that he had packed all that he needed, even giving him some extra small weapons to keep in his pockets if anything.
âNonno, stop worrying, Iâll be fine, Iâve done worst trips than this,â Lovino assured, coming close to the group of people saying goodbye as they waited for the bus doors to open in preparation to leave.
âBe safe still,â Feliciano worried just as much.
âThereâs still the wave of werewolves in the area,â Augusto reminded.
âSo? Iâve done my fair share of hunting already. I can take them,â he was confident, already tapping the pocket where he kept everything specifically for werewolves. Thatâs when the bus roared, when the doors opened and all the travelers began their ascend, wishing last goodbyes and hugs, one Lovino had to participate in, especially with worry warts as his grandfather and younger brother. Feliciano held the tightest and longest embrace, swaying and wanting to coax Lovino enough to staying.
âItâll be only two weeks,â Lovino assured him.
âStill, Iâll miss you so badly,â Feliciano pouted on his shoulder.
âOh come on, youâve dealt with months without me, what is this going to be? Tell you what, Iâll bring you a gift, just like I used to, ask away and Iâll do what I can to bring it,â he promised with that rare pure smile and loving intent in his eyes. It spread over to Feliciano, excited over the millions of possibilities he could have, that he knew Lovino would give him. He stayed pensive as he jumped in his spot thinking, licking his lips and looking above as if his sure idea could fall from the sky.
âFlowers! Bring me the prettiest flowers you see in the trip, and Iâll make us both the most wonderful crowns,â he decided, excited already and many designs surely presented in his mind to create.
Lovino rolled his eyes at such a childish and calm idea, but nodded in sureness, one last embrace before he decided to move away, a last wave to his family as he boarded, the last member the driver was waiting for, once having him in, already settling off to the hidden road that would soon bring them back to the bustling of normal civilization away from the lives of the base and hunt. Augusto and Feliciano didnât leave until they saw it disappear with the darkness of the hidden tunnel, gone and to deal with everything how Lovino could. All they could wish for was luck and their uttermost blessing.
 No matter the personal turmoil, Feliciano was expected to go on with his usual daily lesson with Ludwig. Augusto himself had insisted and he decided on being obedient, down the usual routes of the base, into the building and up to his office, trying to erase the sadness from earlier with a blow and an opening into the room. To his surprise, he met Ludwig packing some things from his office into a small bagâŠwhich took his own seat, leaving him standing there awkwardly as he watched his instructor move about the room.
âUmâŠâ he tried to get his attention wondering what he should do.
âAh yes, Feliciano, about your lessons the next two weeks,â he worried about now as he brought his GPS to pack in a safe area, the last item in one of his pockets before he sealed it.
âUhâŠare you leaving?â Feliciano wondered as much.
âGot assigned a mission in Lithuania."
âLithuania? With all the werewolf sightings?â
âExactly. They need some extra hands on defending some of the smaller villages and they decided on recruiting me on that brigade."
âSo, youâre leaving?â Feliciano was startled and confused, Ludwig was not one to do his business so suddenly, especially when he was in the midst of dealing with instructing the leaderâs grandson.
âYes, in about,â he checked his watch, âthirty minutes. My rental should be arriving then and I would head off instantly.â He went to some cabinets at the other side of the room checking if there were some weapons he should bring from the ones there.
âFor how long?â Feliciano followed him all throughout.
âIâll try to make it a week and a half. I already told them I canât stay longer, I should only really be focusing on your teachings.â Done, there was nothing else to pack, he could close his bag in finalization.
âAndâŠwhat about my lessons then?â Feliciano wondered, a sudden excitement within him as he already celebrated some days of relaxation and freedom. He didnât hide it enough as Ludwig glared and was already suspicious.
âIâm leaving you some work to do, already numbered and organized in that folder there.â He pointed to the sole item on the desk with even a pen and pencil for Feliciano to use.
âReally?â
âI want it all done by the time I return, with no excuses or failure. You have more than enough time and chances to get help,â he grimaced and pointed to him with insisting, command and anger, clear and absolute.
âStill, I wonât let you deal with all this just by yourself.â He opened the door and-
âFeli dearie!â Gilbert shouted in instant welcome, arms expanding in his self-explosion and presentation.
âGilbert will be substituting in the meantime. Heâll make sure youâll be working and knows more than enough to help answer any questions you might have,â Ludwig assured, ignorant to his brotherâs sudden display.
âIâll prove myself more than capable!â He shouted in determination, with a salute as he came between them. ââŠbeing less bossy too,â he whispered to Feliciano, who chuckled but Ludwig must have heard since he glared with annoyance.
âI have to pack some last things from my room, afterwards my rental should be here and Iâll settle off." He accommodated in his mind as he maintained continuous sight on his watch. âGilbert, donât be a nuisance and, Feliciano, be responsible with your work and have it all done for when I return."
âWill do,â Feliciano assured for now.
âIâll keep an eye on him,â Gilbert winked and smiled, Ludwig trusting it enough to give a sigh of luck, a turn and away into the halls, into business and away from the base.
Gilbert and Feliciano smirked with all kinds of tricks and ideas.
 With their recent time together, Feliciano found himself wishing for Gilbert to be his instructor. He was easier going, he laughed, he bolstered, he made constant jokes (although sometimes bad) and didnât roll his eyes or groan whenever Feliciano did something wrong in his writings and reports. He would turn his chair towards him, point out easily and not have him start papers and drawings all over again. They enjoyed their working by balconies, with flourishing fauna, the fresh air and the liveliness of the people commuting in the base. Gilbert didnât rush him, in fact, they spent most of their meetings trying to hurry up and finish whatever documents Ludwig had left for the day so they could each settle on other plans of leisure. Those starting three days had been wonderful, especially when Ludwig had left Feliciano to start a particular kind of lesson that he had been expecting for quite a while now.
 Feliciano dropped the old large book on the pavement, enough of a force to shake, to resound and to arise dust into the new day fresh air, coughing it away, trying to catch his breath after having to carry it from Ludwigâs office. Kiku, in his moving form, came close and peeked, spotting on its cover a wolf symbol...a Venetian mark, the very same mark Feliciano had decorated on his hand.
âIs thisâŠ?â Kiku wondered.
âYes! Michelangelaâs compendium!â Feliciano was proud, letting his hand trace the old leather, wondered at how beautiful it was and how it stuck well together despite the decades.
âHow did you get this? How were you even allowed?â Kiku was dumbstruck.
âNonno made three copies after finding it, this is one of them, the original one in his private collection, one in America and the other in the Chinese base. Ludwig left me to do a reading from this book and it gave me permission to take it out,â he explained as he finally opened it, revealing the index, titled and ordered in an old Italian, but readable and Feliciano could easily learn from it, his fingers tracing as he alighted at every word, looking for numbers and turning the pages to see how it was beautifully decorated, in extravagant letters, drawings, symbols and diagrams to go on, never missing a touch of intricacy and whimsicality.
âIt is as beautiful as it has been spoken about,â Kiku delighted, truly taken by even the paper that was used, leaning more in his watching over Felicianoâs shoulder.
They explored the book together, going through all kinds of explanations of spells, magic, even detailed drawings of different kinds of creatures. There were basilisks, vampires, fairies, of course werewolves, but only one part, only one section was Felicianoâs purpose and main interest. He was welcomed into it with an intricate web design, one of a tree of life, a great symbol for what lay in the next pages.
âWhat exactly did Ludwig tell you to do?â Kiku still questioned and wondered. This was not a book to be given to just anyone, especially a beginner like Feliciano.
âJust read, weâll be starting on healing for when he returns and he said thereâs a lot of things here that can make it easier for me for when I start."
âHow much?â
âJust two pages, butâŠâ he gave Kiku a teasing smirk, enough to let him know that Feliciano was not going to limit himself, not when this book held something that he had been craving for so long.
Anxious he was, he quickly read his part for Ludwigâs homework, enough for the testing that he should ask at some point from Gilbert, before discarding, going on with the pages, the words, the charts, step by step explanations, an amazing concentration that didnât budge even as Kiku floated around him. It was rather odd, but exciting and a chance for Kiku to see a side of Feliciano others rarely saw. His side of dedication, intelligence and calculation that was best Kiku moved aside to not disturb a single line of his thoughts and learning.
Feliciano spent a good amount in the bookâs hold, giving a tap here and there, a hum, an alight, until finally at one moment he laid it upon the floor, a new dedication and smile.
âWhat is it?â Kiku wondered, quite startled.
âI think I got it! I think I know how to properly life awaken!â He announced proudly.
Holding to the book, he stood up and chose from one of the many statues in the terrace, one of a young man, with long waved hair, a particular curl rising from his center forehead, more modern with the glasses and war uniform he wore.
Kiku followed behind him curious, âwho is he?â
âItâs the newest of the statues, made after World War II. It was erected to honor a Canadian soldier that had helped the base greatly in being protected from an air raid. My great grandfather wrote many good things about him and thereâs a very old picture of him with Nonno as a baby.â
âSo you decided on choosing him long before?â
âYes, he seems very kind and noble. I wonder what kind of person he could really be.â Feliciano gazed up, letting its form assure him yet again, before he kneeled, placing the book properly before him, reading the enchantment and spell well. With a breath of relief, with a centering, a focus, he got it.
âFelicianoâŠare you sure?â Kiku still questioned.
âIâve been using my power long before getting here, Kiku, I know my limitations, I know what I can do,â Feliciano was sure, starting his release with his closed eyes, relaxed figure, lost still in himself.
âYesâŠbut youâve been doing this without proper instruction and guidance.â It was one thing that worried Kiku ever since Feliciano started testing this back when he was eight years old, when he made him awaken. But as always, it was like he didnât listen to his words, he continued on.
A light glowed from the palm of his hand, focusing it forward as he let it lay on the statue, releasing beads of magic unto it, brightening and brightening until everything in their vicinity was left blinded. It was sudden and harsh, it distracted Feliciano, and thinking he was done, he let himself stop, to settle, to try and find vision as the strong light subsided. Kiku was in the same state despite being a spirit, for the first time in a while having to shake himself and let his whole being make use to the darkening of this terrace once again. Once it was all gone, they met with the statue not standing on its pedestal by the small stairs, but lying face down on the floor, arms and legs splayed, for a moment both wondering if it had just fallen without any result. Suddenly there was a groan, a rising of the head, adjusting his new eyes to fluttering, to watching, with big questions and surprise surely. He moved about his head, his arms causing a rise, the rest of the body joining along in its standing, still analyzing, still letting his eyes explore. Feliciano reacted to this by shrilling, jumping and letting even his arms bounce in the air in his own congratulation.
âLook Kiku, I did it! I did it! I did it! I did it!â He even hugged Kiku, spinning him in his delight, despite the huge shock that was in Kikuâs expression as if he had been shot.
Feliciano then quickly let go, deciding to offer his help for the now alive statue to stand, while Kiku composed himself, fixing his robe and trying to pretend nothing had happened.
âOh, you look so good, and nice, and pretty, are you okay? Did the process hurt? I really tried my best and Iâm so sorry if I did. Do you have any memories? Do you know your name? How are you feeling?â Feliciano pestered on as he examined, taking his arm to weigh, touching, spreading, so close that the now lively statue was feeling uncomfortable, especially when he was still examining everything anew, trying to find his own independent movements, even speech.
âUmâŠuhâŠâ his gentile voice could only utter, looking around as if some obvious hint could speak for him.
âFeliciano, calm down, one thing at a time, heâs still adjusting,â Kiku commented, offering the statue a calming smile to assure there was nothing to worry about.
âOh yesâŠyes, youâre right, I-Iâm so sorry, may we first ask for your name please.â Feliciano moved away at Kikuâs signal, giving the statue just what he needed toâŠbreathe he guessed.
These seconds gave him just enough peace and reaching, to present properly, for once with a friendly smile that showed the trust Feliciano had seem from the statue ever since he first spotted him here.
âHe-hello, I suppose itâs a pleasure, as for name, it is-â
âFelicianoâŠFeliciano!â There came that distant interrupting call, surely from the halls that would lead to the terrace, an oncoming person that was unwanted to what Feliciano made here.
âWho is that?â Kiku showed his worry clear, his eyes searching for the pillar he would take as a refuge once whatever person came in.
âIâŠI donât know.â He was sure it wasnât Ludwig or Gilbert. He stayed as frozen, hoping it would be enough to hide his creation. Kiku doubted that this statue in its early birth could quickly learn such a skill.
âFeliciano!â Kiku reminded with a point, earning a gasp from the young brunet as he tried to find a quick way to hide the new statue. As the steps of the coming person became stronger, Feliciano had no other choice than to pull and push the new man into the hide of a wall, away from sudden sight, from the opening bang of the door, from the new dark eyes that settled, the statue given only but a glance from his giver begging for him to remain in his hiding.
âAh, there you are!â The visitor greeted, taking readied strides down the steps until he stood closer to Feliciano.
âKeron, itâs great to see you!â Feliciano delighted.
âLikewise, my dear Feli, likewise,â he smiled, taking sitting in one of the pillars, settling himself for a long while and Feliciano had to try hard to hide a strain and a groan.
âI hope Iâm not being rude, but what are you doing here? Did Gilbert sent you for me to do something? I was sure I didnât have anything for today.â
âOh no, no, no, I came here on my own accord,â
âOh, is something the matter?â
âOh definitely not, just wanted to see you,â he grinned uncomfortably, which made Feliciano question, tapping and leaning his foot as a show of urgency that Keron quickly caught on, deciding then to be quick about this before he lost the momentum.
âFeliciano, have you liked your time in the base?â He thought he could start.
âUmâŠI guess, I mean, I would have preferred to be somewhere else, but yes, itâs been nicer than what I expected. People are really kind, hardworking, so smart and with so much to-â
âYes, yes, yes, thatâs all very nice. How would you find that it would be better?â He smirked, leaning now much closer in a way that only made Feliciano move back, finding it odd.
âUm, I guess for me to leave or to justâŠnot do all these things my grandfather wants me to do.â He was honest.
âReally? Do you really not believe thatâŠyou couldâŠperhaps just have someone instead to make it much more interesting?â He smirked, he leaned closer, devilish and eager.
âUmâŠwhat kind of someone?â Feliciano was not following and Keron had to hold himself from smashing his head against one of the statues there.
âPerhapsâŠperhaps you need someone like me,â he finally reached.
âSomeone like you? For what?â
âWhy, for walks across the forest, for lonely nights with just us, for whatever you crave⊠we could even hunt and I could let you see me fight in one of my famed killings. Anyone in the base would envy you greatly if they knew you had such an opportunity,â he coaxed, he hoped Feliciano had understood enough.
âThat umâŠthat sounds really romantic, Keron.â Ah yes, this was going the directions he wanted. âAll untilâŠthe killing andâŠhunting part that is.â
âI could make some adjustments.â
âThat would be nice.â
âDo I take that as an acceptance?â He smiled, already sounding trumpets of victory in his mind, to take Feliciano to those instant words and have him be his.
âKeron, that is allâŠvery kind and thoughtful of you, but IâmâŠdoing quite well by myself and I donât think I would need something like that to add to what Iâm going through. Iâm sure you could find somebody else to do all those fun things, maybe someone who likes to see you hunting,â Feliciano smiled sincerely, all while Keronâs demeanor began to fall.
âSoâŠyouâre denying me?â
Feliciano tried to think of something that wouldnât sound so harsh or mean, but as he took a glance to the statue, who was surely nervous, peeking, close to a reveal, not to mention Kiku was also starting to stir from his position just as wondering about that interaction with this fellow, Feliciano realized he had to hurry.
âIâm really sorry, Keron, but IâŠdonât have that kind of interest in you and the kind of life you have here,â he revealed warily, dreading how mean he surely sounded, but he really had to hurry and he had to set straight his wishes when it came to others.
âI also would really like if you would leave me for now, Iâm doing someâŠstudies that really need my attention and I canât have distractionsâŠsorry,â he leaned in apology, an intent with a beautiful shine in his eyes that was enough to not have Keron punching him. He still slammed a fist against a marbled rail, surely cracking, making Feliciano worry over the statue that hid by its side.
âYouâll find yourself regretting this decision Feliciano Valenti, you made quite a loss today.â In a quick swish, in harshened steps, in a loud bang of the entrance door, he was gone, creating a nervous atmosphere in this place that Feliciano had liked to consider of peace.
Finding everything clear, Kiku materialized himself fully by Felicianoâs side, and the other statue began crawling back into the light, joining them as well.
âWho was that?â Kiku instantly questioned.
Feliciano sighed, âitâsâŠnobody you should concern much about, itâs my own dealing.â His gaze then returned to the new statue, his new presence enough to alight Feliciano with stupor and want again. âSorry, now we can properly introduce ourselves. What is your name?â
The statue brimmed, âMathew Williams.â
 Lovino closed the trunk, all the items inside safe and ready for the new trip.
âAre you sure you donât want to stay longer?â Toris asked him, his Lithuanian client to who Lovino had just brought the sword to the Baltic base.
âA lot of members would want these items quick and I still have other items to carve back at my own base. I want to get them done as soon as possible.â
âIâm sure they can wait, if anything we can offer our own workshop.â
âI feel more comfortable in mine.â Lovino went forward to open the door to the driver seat of the car he was loaned.
âIf youâre settled, then very well, but please be careful on the road, werewolf activity has been very high in these areas and we have already lost some of our men to them. We had to call members from your own base to deal with them, even Ludwig is here.â
Lovino rolled his eyes at the mentioning of his name, taking sitting and closing the door, adjusting himself before the wheel.
âDonât underestimate me, Iâm just as capable as that bastard,â Lovino addressed him as such without a care, dreading how people wouldnât confide in him enough just because he hadnât reached the levels and badges Ludwig did. Lovino has only been in the base for two years, Ludwig for five, of course he would have more time to get tittles and missions. He wished his grandfather wasnât so paranoid and worried over his protection to give him some of the harder tests and missions.
âI wish you farewell and an immense amount of luck. Send us a text or a call letting us know you drove through Poland all right."
âWill do.â
It was their last exchange before Lovino turned the engine and Toris moved away, Lovino taking instant leaving into the route planned for him. A single wave and the Baltic base began to hide again in the deep forest that encircled it deeply in secrecy. It took a while for Lovino to reach a main road, and with the late hour, it was still as vacant as his thread through the forest. In his boredom he turned on the radio, messing with the satellite installed until he found some stations from Italy, jumping from some top 40âs station to the latest news about his favorite football teams. He would bang his hands on the wheel, let himself sing along without a care, the surroundings nonexistent as he let himself enjoy what would be many hours of driving to get back.
As he swore he was soon meeting with the Lithuanian-Polish border, all his sudden joyous swaying was interrupted by the all too familiar glow of his own wolf mark. His was the Neapolitan one, spinning around his arm, most of the time covered, but the glow enough to show through his darkened clothes. It was designed specifically for it to do as such.
He instantly stopped, the car halting in the very middle of the road. Whoever was behind could pass right through, Lovino didnât care when he had other things to worry about. He slicked back his sleeve and saw clearly how his mark resounded in light, signaling the approach of the monsters his very line was born to hunt. He took a moment to breathe out any kind of fear, find his bravery, his hand reaching to the back, finding through the mess of weapons his riffle, his long thin sword, some freezing ponds as well as some net capturing ones. With all his items settled, he dared bring an opening to his door, weary from that very instant he met with the cold and fresh air, closing the door behind him, making anew his settlement to begin this mission, end it and bring forward a price to his base. Maybe then his grandfather will finally see, maybe then he would be granted some new level or badge.
There was a forest right before him, dark, foreboding, every sound haunting and hinting cries of what lay inside. He took no care, he came forward, knowing steps, his weapons already pointed and prepared, being careful as to not let any breaking branch or shell or item resound, eyes watching every space, every opening, rise, below, ducking, moving aside, even jumping and climbing trees to have a better upper watch. His glow kept blinking, which meant he or she was still far, still out of area and no matter how deep he came, no matter the small cliffs, the brooks, the boulders, the hikes up treacherous hills, nothing, in fact, his glow completely stopped, which meant it surely left, off into another forest, without hints, sites, a run or a capture. Lovino groaned as he jumped down the steep of a hill, decided on returning, on moving his weapons to lay in a hanging on his back, on defeat of nothing, murmuring curses all the way.
He knew how to return, he knew what signs to pinpoint as a lead, he wouldnât get lost, he confided on returning. So focused he was on what he thought would be a hunt that he properly didnât take the surroundings, the beautiful dark green under the crescent moonlight, the shines of the water, of how the rocks and boulders formed into natureâs own carved statues, into meadows, into spaces of freshness and wonder that Lovino let himself admire, let himself relax as words died out and he simply decided on wandering and watching.
As he could spot the road from a distance, as he thought he could finally leave, his eyes instead took a sudden light of color, one he couldnât disobey, couldnât ignore. When he gazed to the side he saw a patch of flowers, colorful, beautiful, telling him of softness and scents that moved him forward. He thought of Feliciano, knowing he would love these, knowing that this was the gift he asked, decided on his picking, leaning down and starting a bouquet with as much as he could bring.
As the form became much more divine, Lovino let himself grin at the smile Feliciano would surely wear once he saw this. He could already feel him jumping, shouts of excitement and crushing hugs that would refused to budge no matter his harshest threats. Was this enough? Were there enough colors? Should he pick from those others or settle with the nearest ones. Fuck it, take those white ones, the crazier Feliciano would get about it. It would add quite a heavenly touch that fitted himâŠalso on himself, since he knew that Feliciano would surely make one of those stupid flower crowns for him too.
There, that should do it, now to get something to hold them, maybe even some water- his mark alighted sure, bright, intense, it was here. Growls, ferocity, lurking right behind him. Lovino pushed himself away before he was crushed by the massive black figure, by the claws, by the raging teeth that begged for a bite of this lone figure in the woods. Bruises with his roll against the floor and then a hit against a near tree, but nothing, he took out his weapons from his back and aimed, beginning his slash with his sword and the firing with his gun. It was big, probably one of the largest he had ever seen, a dark coat that didnât suit him for his aim, for it helped it camouflaged well between the shadows. The only thing that made it stand out were the clear blue eyes, shinning quite beautifully even in its hunger, in its blinding, in its want of kill. Even if they were somehow lost, they were also targeted, keeping a heavy focus on the hunter, both spinning and avoiding in jumps, trying what they could for a slash, for a weakening that could give them a cut of harsh blood.
Hits, purpling, bits of blood flying about and coating the grass, the trees, heavy breaths, yet neither refused to back down, they continued in their clash, shouts, growls, but at one point one was to weaken, one was to fall. Lovino got a deep gush on his leg that kept oozing, slowly weakening him until it proved fatal to stand, until one push had him caged, the monsterâs saliva, the blood from the cuts he managed to bring on the beast and huffs reigning down on him ready for a sweet feast, for a sated hunger. Nothing he could do had been enough, no matter some last trying kicks or punches. No, the beast held him down, baring his teeth, inching for his bite and Lovino had begun to accept.
He lost, he was gone and his last aching thoughts were that he let the flowers scatter into ruin on the ground.
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TambĂ©m parabenizamos a Augusto Licks, ex-guitarrista da banda Engenheiros do Hawaii, que hoje completa seus 64 anos!!! . ParabĂ©ns Augustođđ»đđ»đđ»đ€đ»đ€đ» . đđ
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ș . #augustolicks #engenheirosdohawaii #paz #riodejaneiro #vivaorock #rocknroll #rockandroll #musica #saopaulo #shows #foco #festa #gratidao #show #rockcover #alegria #felicidade #comunidaderock #amo #purorock #fotos #amizade #sdv #birthday #bday #tbt #niver #aniversĂĄrio #parabens #radiocidadeoficial https://www.instagram.com/p/CAuwOSsAmXC/?igshid=1uo4pun0vu88k
#augustolicks#engenheirosdohawaii#paz#riodejaneiro#vivaorock#rocknroll#rockandroll#musica#saopaulo#shows#foco#festa#gratidao#show#rockcover#alegria#felicidade#comunidaderock#amo#purorock#fotos#amizade#sdv#birthday#bday#tbt#niver#aniversĂĄrio#parabens#radiocidadeoficial
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Muita Vogal para Humberto Gessinger
Pouca vogal Ă© o tĂtulo do trabalho produzido por Humberto Gessinger e  Duca Leindecker (lĂder da banda CidadĂŁo de quem), entre 2008 e 2012. O nome faz referĂȘncia aos sobrenomes. De fato, poucas vogais os constituem. PorĂ©m, ao tratar do ilustre Gessinger, faz-se necessĂĄrio o uso de vĂĄrias vogais. Â
O multi-instrumentista, nascido em 1963, começou as apresentaçÔes no mundo da mĂșsica durante o perĂodo em que estudava Arquitetura, na Universidade Federal do Rio Grande do Sul. Ele nĂŁo levou consigo para a vida o diploma de conclusĂŁo do curso, mas levou a amizade de trĂȘs amigos da classe, cujos relacionamentos sĂŁo aproximados em um festival da instituição que protestava contra Ă paralisação das aulas, cuja data coincide com a realização da abertura do primeiro Rock in Rio (11 de janeiro de 1985) o que implicou na formação de um grupo por eles para a manifestação por meio da mĂșsica.
O objetivo de Carlos Stein (guitarra), Marcelo Pitz (baixo) e Carlos Maltz (bateria) era a melhoria da qualidade de ensino. PorĂ©m, eles conquistaram a admiração do pĂșblico apĂłs a apresentação no festival, fato que apoiou e incentivou a continuação de atividades pelos quatro. Engenheiros do Hawaii nasce e marca presença em palcos alternativos na cidade de Porto Alegre e shows no interior do Rio Grande do Sul. O nome escolhido para designar o grupo de amigos ironizava os estudantes de engenharia,  os quais vestiam bermudas, chinelos e blusas no estilo havaianas. Como haviam pouquĂssimas mulheres no curso de engenharia, eles vinham ao encontro das alunas de arquitetura e curtiam passeios pela praia com suas pranchas de surf.
Humberto Gessinger Ă© o Ășnico integrante que participou da banda, do seu inĂcio (1985 ) Ă sua pausa ( 2012 ). Ainda no primeiro ano de carreira, ele consegue a participação de Engenheiros na coletĂąnea de Porto Alegre, chamada Rock Rio Grande do Sul com a parceria de Os Replicantes, TNT, DeFalla e Garotos da Rua, graças ao projeto de reunir os artistas pela gravadora RCA, atual Sony BMG Music Entertainment.
Dado o ponto de partida, em 1986 o ålbum Longe Demais das Capitais é gravado. Com os ideais no pop, comparava-se a afinidade com o estilo de Paralamas do Sucesso.  A partir da nova obra, a banda abrange o Brasil e ganha espaço até nas telenovelas: os ritmos Toda Forma de Poder, Segurança, Sopa de Letrinhas e Longe Demais das Capitais badalavam as novelas Vitória (Rede Record), e Hipertensão (Rede Globo).
(Capa do ålbum ''Longe demais das capitais'', foto inicialmente em preto e branco. Depois, ela ganha cor artificial no disco, sem que a banda saiba. Foto: Divulgação)
A essa altura,  Carlos Stein e  Marcelo Pitz sĂŁo os primeiros a deixarem a banda. PorĂ©m, Gessinger nĂŁo se abala com a crise e muito menos se incomoda com o crescimento da popularidade. Pelo contrĂĄrio, recrutou o o guitarrista Augusto Licks e assumiu as quatro cordas do baixo. Juntos, os trĂȘs lançam o disco A Revolta dos DĂąndis, em 1987.
Muitas das mĂșsicas lançadas em 87 sĂŁo referĂȘncias e umas das mais ouvidas de Engenheiros atĂ© hoje, como Infinita Highway, Terra de Gigantes e RefrĂŁo de Bolero, por exemplo. Em entrevista Ă revista eletrĂŽnica Zero Hora, Gessinger analisa Infinita Highway:
Apesar de nĂŁo ser o single do disco, chegamos a fazer alguns (programas) Globos de Ouro com ela. Era a parada de sucessos da Ă©poca â lembra Gessinger, para quem a mĂstica da canção se deve ao fato de ela ter tocado muito em rĂĄdio. â E era uma mĂșsica longa (mais de 6 minutos), lembro que ela ultrapassava os limites dos cartuchos de fita que tocavam na rĂĄdio.
Dessa forma, tornou-se impossĂvel lembrar de Engenheiros, sem lembrar da famosa estrada Highway, a qual se menciona. Nessa Ă©poca, a banda se atrai pelo estilo rock progressivo, inclui-se no repertĂłrio mĂșsicas de longa duração, harmoniosas,  mescladas com o estilo erudito e, atĂ© nos dias de hoje, percebemos a ligação de Gessinger com instrumentos geralmente nĂŁo ligados ao rock (herança do rock progressivo), como a gaita, por exemplo, a qual Ă© utilizada em shows e o mĂșsico brinca criando novas melodias para as mĂșsicas antigas.Â
Chega 1990 e a banda investe, de vez, no rock progressivo, todas do disco desse ano â O Papa Ă© Pop- contĂ©m mĂșsicas marcadas por piano elĂ©trico, instrumento que Gessinger assume. A banda estava no topo das paradas do rĂĄdio e consegue sua primeira ida ao JapĂŁo e Estados Unidos, em 1993. PorĂ©m, uma discussĂŁo interna implica na saĂda de Augusto Licks.
Segundo Robson Machado Neles, fĂŁ de longa data, Engenheiros acabara ali.
ââ Depois dessas rixas, virou uma confusĂŁo. Gessinger arruma o ââHumberto Gessinger Trioââ e outros mĂșsicos passam por ele, como o  Fernando Deluqui (ex-RPM). JĂĄ o Carlos Maltz, nessa Ă©poca, houve um tempo em que ele assumiu os vocais, a partir daĂ nĂŁo se sabe mais quem estĂĄ na banda, se Engenheiros volta ou nĂŁo. E atĂ© hoje Ă© isso, pode voltar como nĂŁo, mas para nĂŁo sujar mais o passado, melhor o Gessinger em carreira solo. Claro, as mĂșsicas foram boas (Vida Real, De FĂ©, O preço), mas gosto de lembrar da Ă©poca anterior a essa e fingir que a banda ainda Ă© a mesmaââ - reflete Neles.
Engenheiros entrou em crise mas nem tudo estava escuro para o cantor: acontece o nascimento de sua filha Clara, em 1992. A bebĂȘ Gessinger cresce e acompanha o pai nos palcos.Â
   (Humberto convida sua filha para cantar Pose. Foto: MTV)
Com a instabilidade de Engenheiros e de outros grupos, nos quais Gessinger tentou o trabalho em conjunto, ele vive em uma nova Era, iniciada em 2013, com o marco do lançamento de seu primeiro ĂĄlbum solo: Insular. Recheado de mĂșsicas inĂ©ditas, a vontade do mĂșsico era compor um ĂĄlbum que nĂŁo ficasse velho apĂłs o ouvinte desfrutar mais de uma vez e, se fossem singles jĂĄ divulgados, isso aconteceria.
NĂŁo se sabe atĂ© onde a estrada Highway levarĂĄ o mĂșsico gaĂșcho, contudo, apĂłs 2136 vogais, a certeza de que ele marcou geraçÔes fica, e suas composiçÔes dificilmente serĂŁo esquecidas, pois o contexto e a reflexĂŁo trazidos por elas ocorrem atĂ© hoje e devem ser refletidas.
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AĂ vc cresce ouvindo e admirando uma banda e suas mĂșsicas. De repente a vida lhe proporciona A oportunidade de conhecer o dono dos solos disso tudo! Hoje, Augusto Licks (@workshoplicks), ex-guitarrista do Engenheiros do Havaii com toda sua bagagem e cultura. Valeu, Licks! (em SomNacaixa) https://www.instagram.com/p/B5HBvwAjRqr/?igshid=1eum0cldte6kw
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- âSĂł Um Vez" -
Era garrafa que pedia o copo O chinelo que pedia o pĂ©Â O travesseiro que pegou no sono O almoço me serviu o cafĂ© Era toalha que pedia o banho O silĂȘncio, a meditação A caneta que escreveu a letra E o violĂŁo compĂŽs essa canção SĂł um vez, isso foi sĂł uma vez Era a brisa que soprava o vento A semente que colhia a flor O momento que pediu um tempo Enquanto o frio aqueceu o calor Era a noite que pedia o dia A loucura a lucidez A tristeza riu na alegria O que era sempre foi sĂł uma vez Foi sĂł um vez, isso foi Era garrafa que pedia o copo O chinelo que vestia o pĂ©Â O travesseiro que pegou no sono O almoço me serviu o cafĂ© Era o cadarço que pedia o laço A moeda que fez desejo O amigo me pediu um abraço A sua boca me pediu um beijo SĂł uma vez, isso foi sĂł uma vezâ
[ficha técnica]
Gravado em vĂĄrios estĂșdios de Agosto de 2017 a Junho 2019. Voz, Guitarra e Arranjo de Cellos: Augusto Licks Cello: Jonas Moncaio Piano: Adriano Magoo Baixo: Fernando Nunes Bateria: Kuki Storlaski Guitarra: Tuco Marcondes Produção: Luiz Pissutto
Mixagem e Direção Musical: Serginho Fouad
Incentivador, Entusiasta, Mestre e tudo mais que fez o projeto vir a tona: Zeca Baleiro
#augustolicks#musicabrasileira#engenheiros#anos90#anos80#engenheiros do hawaii#guitarrista brasil#abqne#enghaw#zeca baleiro
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