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Kanada Yeni Yayıncı Gelir Paylaşımı Düzenlemelerini Zorlarken Meta Haber İçeriğine İhtiyacı Olmadığını Söyledi

Kanada Yeni Yayıncı Gelir Paylaşımı Düzenlemelerini Zorlarken Meta Haber İçeriğine İhtiyacı Olmadığını Söyledi

Kanada yeni, zorunlu bir süreç uygulamayı düşünürken, Meta ve Google’ı yerel haber yayıncılarıyla ticari anlaşmalar yapmaya zorlariçeriklerinin sitelerinde ve uygulamalarında kullanılmasından yararlanmanın ödemesi olarak Meta, Meta’nın haber yayıncısı içeriğine neredeyse hiçbir yerde ihtiyaç duymadığını gösteren yeni bir rapor paylaştı.

tarafından yayınlanan yeni bir rapora göre NERA Ekonomik Danışmanlık (Meta tarafından yaptırılmıştır.):

“Geleneksel yayıncılardan gelen haber içeriği Meta için düşük değerde ve düşüşte, yayıncılar ise sosyal medya uygulamalarından gelen trafikten yararlanıyor.”

Rapor, haber p bulunduhaber yayıncıları için organik görüntülemelerin %90’ı Facebook kullanıcıları tarafından değil, yayıncıların kendileri tarafından yayınlanan bağlantılardan geliyor.

Gerçekten de Meta’ya göre, birçok Facebook kullanıcısının artık uygulamada haberlerle ilgili çok fazla gönderi olduğunu söylemesiyle, uygulamalarındaki haber içeriğine olan ilgi önemli ölçüde değişti.

Meta CEO’su Mark Zuckerberg, 2021’de siyasi içerikle ilgili olarak aynı şeyi not ederek şunları kaydetti:

“Şu anda topluluğumuzdan duyduğumuz en önemli geri bildirimlerden biri, insanların hizmetlerimizle ilgili deneyimlerini siyasetin ve mücadelenin devralmasını istemedikleridir.”

Bu, Meta’yı Facebook’ta siyasi içeriğin varlığını azaltmak için çalışmaya teşvik etti, özellikle de buradaki daha geniş bulgularla da ilgili olan, kullanıcıların akışlarını dolduran bölücü, güncel içeriğe yeterince sahip oldukları.

“TFacebook’u haber almak için kullanan yetişkinlerin oranı 2016-2022 arasında yaklaşık üçte bir oranında %45’ten %30’a düştü. [while] ABD’li yetişkinlerin yalnızca %13’ü sosyal medyayı haberler için kullanmayı tercih ederken, %33’ü televizyonu, %23’ü haber siteleri veya uygulamalarını, %7’si radyoyu ve %5’i yazılı basını tercih ediyor.”

Bu nedenle Meta, Kanada’da veya başka herhangi bir yerde haber içeriği için ödeme yapmak zorunda olmaması gerektiğini söylüyor çünkü bu, yayıncıların öngördüğü değerde değil ve bu, bu konuda yanlış yönlendirilmiş düzenlemeye yol açtı.

“Pazar gücü veya orantısız pazarlık gücü iddialarına dayanarak Meta’yı yayıncılara parasal tazminat sağlamaya zorlamak için tasarlanan önerilen hükümet müdahaleleri, bu nedenle mevcut kanıtlara göre adil değildir.”

Bu, Meta’nın bu argümanı ilk kullanışı değil. 2021’de Avustralya hükümeti yerel yayıncılara fayda sağlamak için benzer bir gelir paylaşım yapısı uygulamaya çalıştığında Meta şunları belirtmişti:

“[The code] Facebook’u, yayıncıların gönüllü olarak platformlarımıza yerleştirdiği içerik için ve yayıncılara sağladığımız mali değeri göz ardı eden bir fiyat karşılığında haber kuruluşlarına ödeme yapmaya zorlar. […] Facebook için haberlerden iş kazancı minimum düzeydedir. Haberler, insanların Haber Kaynaklarında gördükleri içeriğin %4’ünden daha azını oluşturuyor.”

Meta daha sonra Avustralya haber kanallarını uygulamalarında tamamen yasaklayarak parasını ağzının olduğu yere koydu. Bu, hızlı bir yeniden müzakereye zorladı ve sonunda Haber Pazarlık Yasası’nın Meta’nın düşüncesine daha uygun olan değiştirilmiş bir versiyonunun geçtiğini gördü.

Yine de, öyle olsa bile, Avustralya Hükümeti o zamandan beri kodun başarısını lanse ettiarasında 30’dan fazla ticari anlaşma yapıldığını iddia etti. Görülen Google ve Meta ve Avustralya haber işletmeleri AU200 milyon doların üzerinde yerel medya sağlayıcılarına yeniden dağıtılıyor.

Dolayısıyla bunun açık bir emsali var ve yerel haber kuruluşlarının Kanadalı yetkilileri kendilerine yardım etmek için daha fazlasını yapmaya çağırmasıyla, Kanada’nın neden aynı şeyi düşündüğünü anlayabilirsiniz.

Ancak Meta, işi üzerindeki etkisi minimum olacağı için, baskı zorlandığında Kanada haber kuruluşlarını yasaklayabileceğini ve yasaklayacağını etkili bir şekilde söylüyor.

“Sert rekabet ve küresel ekonomik ters rüzgarlarla karşı karşıya olduğumuz bir zamanda, asıl işimize ve kullanıcılarımızın isteklerine yanıt vermeye odaklanıyoruz. Kullanıcılarımızın çoğu için bu, haber bağlantıları değildir. Facebook kullanıcıları, içerik oluşturucu tarafından yönlendirilen içerikle, özellikle de videoyla giderek daha fazla ilgileniyor.”

Bu nedenle Meta, Instant Articles, Bulletin haber bülteni programı ve diğer unsurlar dahil olmak üzere çeşitli haber girişimlerini küçülttüğünü söylüyor.

“Gelecekte özellikle haber yayıncıları için yeni Facebook ürünleri sunmayı beklemiyoruz, çünkü bu araştırmanın da gösterdiği gibi, çoğu insanın uygulamalarımızı kullanmasının nedeni haberlere erişim değil. Tabii ki, yayıncılar yine de hikayelerine bağlantılar gönderebilecek ve insanları web sitelerine yönlendirebilecek, diğer herhangi bir kişi veya kuruluşun yapabileceği şekilde.“

Meta, ihtiyacı olmayan bir şey için ödeme yapmak için hiçbir neden görmediği için Kanada haber müzakerelerinden taviz vermediğini söylüyor. Ve hatta milyonlarca önerilen gelir payı ile Meta, sağlam kalmaya çalışacak ve bu, Avustralya’nın medya kuruluşlarının iki yıl önce olduğu gibi, gerçekten de Kanadalı haber yayıncılarının engellenmesine neden olabilir.

Elbette yayıncılar bunu böyle görmeyecekler – politikacıları yeni yasayı uygulamaya zorlamaya devam ederken Meta’nın taktiklerini blöf olarak görecekler. Ancak Meta’nın daha geniş maliyet düşürme çabaları kapsamındaki çeşitli hamleleri göz önüne alındığında, şimdi onu test etmek için doğru zaman olmayabilir.

Bundan sonra ne olacağını göreceğiz – ve Facebook ağındaki kullanım ve katılım eğilimleri açısından haber içeriğinden daha geniş bir uzaklaşmaya dikkat çekmek ilginç.

Kaynak, Siteyi Ziyaret Edin

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New Post has been published on Matter Concern

New Post has been published on https://matterconcern.com/2017/01/17/asia-report-rio-tinto-rises-to-a-two-year-high-after-q4-production-report/

Asia report: Rio Tinto rises to a two-year high after Q4 production report

17 January 2017: Without any lead from the US overnight, and the wait for Theresa May’s speech o Brexit, there were no major move in the Asia-Pacific region. The commodity sector took centre stage with a good production report from Rio Tinto

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Freelance Composing Jobs and Opportunities

For your perusal: freelance writing jobs, competitions, and places to publish. 

Each month we scour the myriad opportunities out there and come up with a carefully selected list of competitions, fellowships, grants and jobs for you to browse. But this is just a slice of what's out there. Want more? Sign up to our Bloc Boost service, and have a personal, curated list of opportunities delivered to you. 

Writing Awards and Competitions

The Margaret River Short Story Competition is now open for submissions. The final judge and editor for the 2019 collection is Michelle Cahill. The competition is open to authors of any age and nationality. Winning and shortlisted stories will be published in both print and eBook format.

Entries are now open for the 2018 New England Thunderbolt Prize for Crime Writing. In this, the sixth year of the Prize, there are six awards on offer for crime writers. All genres of crime writing are eligible, from hard-boiled to comic, paranormal to rural, historical to contemporary, noir to cosy. Entries welcome from anywhere in Australia, from published or unpublished writers.

What’s Your Story? is a short story and poetry writing competition run by Stonnington Libraries. Winners are announced on Thursday 15 November, at the launch of Stonnington Libraries’ annual literary festival [untitled]: our writers, readers and stories.

This competition has two categories, short story and memoir. There is no theme and there is a maximum word count of 1000 words. First place prize is $200, second place prize is $100.

Many famous poets have written poems about science – Dorothy Porter, Emily Dickinson, and Walt Whitman, to name a few – and many in the field of science have written poetry. Announcing the Quantum Words 2018 Science Poetry Competition, run in conjunction with Writing NSW’s Quantum Words science writing festival, and in partnership with Australian Poetry.

Early career writers of migrant background are invited to apply for the 2018 Deborah Cass prize. The winner will receive a cash prize of $3,000 plus a three-month mentorship with an established writer. There is also the opportunity for publication of the winning excerpt in Mascara Literary Review. On completion, the winning manuscript will be presented to Black Inc.

Non-fiction competition with a theme of 'desire to escape'. Winner receives $300 and a weekend residency at the centre.

First prize – Leon Shann Award $AU1500; second Prize $AU500; third prize $AU200.

Ballarat Writers is now accepting entries into the Martha Richardson Memorial Poetry Prize, to be judged this year by Nathan Curnow. Winner receives $1000.

The bequest offers a cash prize of $12,000 for the best original poem of up to 100 lines submitted to the Department of English, provided that the judging panel is of the opinion that the work is of sufficient merit to warrant the award being made. The winning poem will be published in Southerly.

The Wollongong Writers Festival Short Story Prize will be awarded for a previously unpublished story of up to 2500 words on the theme ‘Feeding Time’. The winning entry will receive $1000 and publication in Mascara Literary Review.

The competition has an open theme and entrants may submit poetry up to a maximum of 50 lines. Entries must also be unpublished and not have received any previous awards or recognition in any other competition. The ‘Open’ category carries a $200 First Prize, with $100 for Second and $50 for Third Prize. The Novice Poet Award $50.

For this year's ELLE Writing Competition, in association with Hachette Australia, we're looking for modern, contemporary voices telling stories that are engaging and subversive. We want: fresh, modern, topical tales that may or may not riff on pop culture. Humour is encouraged but not essential. We don't want: stories that make us sad. The world is dark enough. While there's no specific theme, we want unpublished stories that capture the mood of the moment. Write a 4,000 word short story on the topic of your choice. The deadline for entries is October 26, so if you've got a tale to tell, what are you waiting for? The winning fiction will be published in the January/February issue of ELLE, and the author awarded a $5,000 prize. Two runners-up will receive a prize pack of recent releases from Hachette Australia worth $200.

Joyce Parkes Women’s Writers’ Prize honours Joyce Parkes who is a well known poet living in WA. She is the patron of the prize, which aims at promoting and encouraging women writers in Australia. Limit of 1,000 to 2,000 words in prose, fact or fiction. Prize Money: $500. Topic: 'Freedom'.

Open theme, short stories up to 500 words; poems up to 32 lines. Entry fee is $4.00. First prize is $100, second prize a twelve-month subscription to Positive Words Magazine. 

Entries are open to writers of all ages that are resident in Australia. The prizes will be $500 for the overall winner and $250 for the runner up.

Seeking creative nonfiction essays between 200 - 1000 words on any topic and in any style--from personal essay to lyric essay to hybrid and more! The mission of this contest is to reward bravery in real-life storytelling and create an understanding of our world through thoughtful, engaging narratives. Electronic submissions via e-mail only; reprints are okay; multiple submissions are okay as long as they are submitted in their own individual e-mail. Open internationally.

The Commonwealth Short Story Prize is awarded for the best piece of unpublished short fiction (2,000–5,000 words) in English. Regional winners receive £2,500 and the overall winner receives £5,000. Translated entries are also eligible, as are stories written in the original Bengali, Chinese, Kiswahili, Malay, Portuguese, Samoan and Tamil. The competition is free to enter.

In 2019, the New Critic Award is once again open to critics working in all fields of arts and culture (books, film, television, theatre, music, dance, performance, visual arts, etc). This year we’re particularly interested in writing that speaks to the changing nature of arts criticism – whether that be critiquing an underexamined art form, experimenting with prose style and structure, or highlighting new or underrepresented voices and perspectives.

Odyssey House Victoria invites all writers to enter in our annual Short Story Competition. This years theme is “Reflection”, an essential process for transforming experiences into genuine learning . This competition is open to writers of all ages and experience and submissions are due by the 2nd of November. Happy writing!

Established in 2007 and supported by the Malcolm Robertson Foundation, the Overland Judith Wright Poetry Prize for New and Emerging Poets seeks outstanding poetry by writers who have published no more than one collection of poems under their own name (i.e. writers who’ve had zero collections published, or one solo collection published). It remains one of the richest prizes for emerging poets, and is open to poets anywhere in the world. In 2018, the major prize is $6000, with a second prize of $2000 and a third prize of $1000. All three winners will be published in the first issue of Overland’s print magazine of 2019.

Supported by the Malcolm Robertson Foundation, and named after the late Neilma Gantner, this prize seeks excellent short fiction of up to 3000 words themed around the notion of ‘travel’; imaginative, creative and literary interpretations are strongly encouraged. This competition is open to all writers, nationally and internationally, at any stage of their writing career. The winning story will receive a $4000 first prize and be published in Overland’s first print issue for 2019. Two runners-up will each receive $500 and be published at Overland online to coincide with the release of the print magazine.

Entries to be relevant to Australia or Australians and to be written with accurate rhyme and metre. First Prize: $400, Blackened Billy Trophy and certificate.

The Penguin Literary Prize endeavours to find, nurture and develop new Australian authors writing in the areas of literary fiction, and is a nod to Penguin Random House’s literary heritage as the great Australian house of literature.

WOW! Women on Writing invites entries to its Fall 2018 Flash Fiction Contest. The honorable guest judge this season is Literary Agent Heather Flaherty with The Bent Agency. Seeking short fiction of any genre between 250 - 750 words. The mission of this contest is to inspire creativity and provide well-rewarded recognition to contestants. Electronic submissions via e-mail only; reprints are okay; multiple submissions are okay as long as they are submitted in their own individual e-mail. Open internationally. 

The competition is open to original, unpublished poems in the English language of less than 40 lines. The poem can be on any subject, in any style, by a writer of any nationality, living anywhere in the world. First place prize is €1000, a week's residency at the Tyrone Guthrie Centre, paid travel expenses (up to €600) and 4 nights accomodation in Cork city during the Cork International Poetry Festival (March 27-30) and publication in Southword Journal.

The Jim Hamilton Award for an unpublished novel of more than 30,000 words is open and closes on 30 November 2018. This year the award carries a first prize of one thousand dollars ($1000) with one award for highly commended and two awards for commended manuscripts. Entry fee is $20. FAW members $15.

The competition is open to all poets (see Rules set out below). FIRST PRIZE: $200.00, SECOND PRIZE: $50.00, HIGHLY COMMENDED CERTIFICATES. Theme: Freedom CLOSING DATE: 30th November 2018 For further information email the Competition Secretary at: wendylaing02@gmail.com

There are six prizes which will be awarded by the InkTears judging panel: Winner: £1,000, Runner-up: £100, 6x Highly Commended: £25. All prize winners will get their story published to the InkTears Readership and their bio published on the InkTears site.

Australian Book Review welcomes entries in the fifteenth Peter Porter Poetry Prize. The Porter Prize, which is worth a total of AU$8,500, is open until 3 December 2018. The Porter Prize is one of Australia’s most lucrative and respected awards for poetry. It honours the life and work of the great Australian poet Peter Porter (1929–2010), an honoured contributor to ABR for many years. All poets writing in English are eligible to enter. First Prize: AU$5,000 and Arthur Boyd’s etching and aquatint The lady and the unicorn, 1975.

The Buzz Words Short Story Prize is a new annual prize of $1,000 awarded to recognise excellence in short story writing for children. The story must be suitable for readers 8 to 11 years.

The Calibre Essay Prize is one of the world’s leading prizes for a new essay and it is now worth a total of $7,500. The Calibre Essay Prize, then known as the Calibre Prize for an Outstanding Essay, was first presented in 2007 to Elisabeth Holdsworth for her essay 'An die Nachgeborenen: For Those Who Come After' as part of a joint initiative between ABR and Copyright Agency's Cultural Fund. Entry is now open for 2019 Calibre Essay Prize. Founded in 2007 and now worth a total of AU$7,500 the Calibre Prize is one of the world’s leading prizes for a new non-fiction essay. Entry is open to all essayists writing in English. We are seeking essays of between 2,000 and 5,000 words on any subject. We welcome essays of all kinds: personal or political, literary or speculative, traditional or experimental.

Fantastica invites Australian and New Zealand writers to submit science fiction manuscripts for consideration. Winners will have their manuscript carefully shepherded to publication by an editor and the Fantastica team. The winning novel will be professionally designed with our usual flair and unleashed in digital and printed form in bookshops, on our website and ebook retailers.

Residencies, Festivals, Fellowships and Funds

The Knight Visiting Nieman Fellowships at Harvard offer short-term research opportunities to individuals interested in working on special projects designed to advance journalism. Since this initiative’s inception in 2012, the Nieman Foundation has awarded 42 visiting fellowships ranging between two and twelve weeks. Candidates need not be practicing journalists, but must demonstrate the ways in which their work at Harvard and the Nieman Foundation may improve the prospects for journalism’s future.

The Ian Wilson Memorial Fellowship will give an emerging author or illustrator creative time away from home in Adelaide for 21 nights in March 2019. This aims to be a gift of time and support, enabling you to concentrate intensively on the development of new work, as well as offering networking opportunities and professional development.

Our 2018-19 Fellowship program gives emerging narrative writers skills, support, and a platform to create change through great screen stories. A fellowship program comprising one introductory day (late 2018), four workshop days (early 2019), and a series of roundtables (early – mid 2019). The fellowship will give you information, insights, skills, and support, to develop powerful narratives that change the story on issues that matter. The fellowship pays an Emerging Artist Fee to participating writers.

A paid residency to develop new work in languages other than English, over eight weeks at LOST IN BOOKS, in Fairfield, South Western Sydney. Artists or artistic teams will be paid $2500 per project accepted into the residency. We are looking for writers, translators, illustrators, graphic novelists, poets...anyone making new literary works is welcome to apply alone or as a team.

The KSP Writers’ Centre is proud to host this annual Fellowship program for Australian adult authors providing two-week placements for dedicated aspiring and emerging writers looking to advance their career and develop a project at a professional level. Successful applicants are gifted with the time and space to work in an inspirational environment with special access to Katharine’s Cottage, where celebrated novelist Katharine Susannah Prichard wrote most of her life works.

Publications Seeking Submissions

We’re looking for fantastic, previously unpublished prose—non-fiction especially, but we will consider fiction and poetry—on nature by writers of colour worldwide. If you're unsure if your piece fits the bill, let's just say we believe nature writing can tackle all sorts of issues: from stories of farming to stories of long treks, tales of migration, racism, community, and beauty. You might be writing about remote places, cities, lost landscapes, or old homes. We're looking forward to seeing what matters most to emerging nature writers. Above all, your submission should have a great sense of place and attention to the natural world. Submissions must be finished work. TWR accepts English-language submissions by BAME writers, writers of colour, and Indigenous writers. You can be located anywhere in the world, but the main language of the submission should be English.

Our final project for 2018 will be the publication of a series of up to five chapbooks of new poetry. These will be issued in a uniform edition and published in the last quarter of 2018. Collections may include some previously published poems, but should emphasize new, unpublished work. We are happy to consider collections of individual poems, but would also like to see any cycles of poems, or series of connected poems. We will also consider longer poems.

Please send up to 3 unpublished poems in the body of an email to the editors at juniperpoetry@gmail.com. In your cover letter, please include the titles of your poems and a short bio (max. 75 words). No attachments please. We encourage simultaneous submissions, but please email us immediately if you have to withdraw one or more of your poems. We try to respond to submissions within three months.

Augur Magazine is currently OPEN to Fiction & Poetry submissions until September 30! Please use our submission portal, Moksha, to submit. We’re looking for dream-touched realism, slipstream, fabulism, magical realism (note: educate yourself before you claim this term) and, for lack of a better descriptor, “literary” speculative fiction. We accept YA and adult pieces, and possibly children’s as well (more likely for comics than otherwise). Our perfect submission defies categorization—pieces that could be “too speculative” for CanLit magazines or “not speculative enough” for speculative magazines. That said, we’re no strangers to rich realism, high fantasy, and science fiction, so if you think you match our tone, give us a try. We recommend checking out our preview issue, free online, or grabbing an issue, to see what we’ve published before.

There will be two print issues per year, in May and in November. Submissions close on March 31 and September 30 respectively. Poets may submit up to six tanka for consideration but no more than two poems by an individual poet will be selected for any single issue. Poems must be original, unpublished (in print or on the internet), not broadcast and not under consideration elsewhere. Poems posted on the internet, including social media forums such as blog, twitter, facebook, etc., where there is multiple access, are considered published and are not eligible for Eucalypt.

Lost Balloon publishes flash fiction, flash nonfiction, and prose poetry (all 1,000 words or less). We publish one new piece every Wednesday. There are no theme or genre restrictions, but we want your best. Give us work that entertains and challenges, that pushes boundaries and breaks hearts. Lost Balloon will be open for submissions during the first week (seven days) of each month. That means August 1-7, September 1-7, October 1-7, and so on. We’ll be taking submission breaks in July and December in 2018.

SUBMISSIONS OPEN 1/10/2018

RABBIT is currently accepting submissions of nonfiction poetry for Issue 26: The BELONGING Issue, to be guest edited by Sydney-based poet Eileen Chong.

Brevity publishes well-known and emerging writers working in the extremely brief (750 words or less) essay form. We have featured work from two Pulitzer prize finalists, many NEA fellows, Pushcart winners, Best American authors, and writers from India, Egypt, Ireland, Spain, Malaysia, Qatar, and Japan. We have also featured numerous previously-unpublished authors, and take a special joy in helping to launch a new literary career. Over the past year Brevity has averaged 10,000 unique visitors per month.

Bloodhound Books are renowned in the industry for producing high quality crime and mystery thrillers. Our dedicated team of industry professionals have a real passion for working closely with our authors to create the very best books. Our unique and personal approach has helped debut and bestselling authors across the world achieve outstanding success.

The ABC is looking for radio and podcast drama series from experienced writers who are new to the audio medium. Submissions are for audio series of between four to eight episodes, of up to a maximum of 25 minutes duration for each episode. The call-out is open to writers of fiction, memoir, theatre or screen with little or no experience writing for the audio medium. You must be a published writer to submit a work. This includes works that have been professionally performed, but not self-published works. Please provide a bio and links to your previously published work.

Coffin Bell is an online journal of dark literature edited by Tamara Burross Grisanti and a staff of volunteer editors. Coffin Bell is looking for poetry, flash fiction, short stories, and creative nonfiction (see our guidelines for word counts). Send us your waking nightmares, dystopian flash, dark CNF, cursed verse. CURRENT CALL FOR SUBMISSIONS: “MAGIC”–make us think in a new way about all things magical (or magickal). This includes magical realism. Give us your underhanded magicians, unscrupulous witches, devious wizards, and ways to think about magic that haven’t even occurred to us. Free submissions start July 1st, Tip Jar submissions open now!

Passages North is now open for submissions in Fiction, Poetry, Nonfiction/Hybrids, and Short-Shorts. Please see individual genre guidelines before submitting. Note that we are open for Fiction submissions from Sept 1-Oct 15 and Jan 1-Feb 15. All other genres remain open from Sept 1-Apr 15. Please note that your submission, especially if it is on the shorter side, may be considered for online publication.

SWEATY CITY is a youth journal of creative non-fiction, environmental journalism and science writing that aims to engage young people living in Sydney about environmental issues. We are currently seeking long-form journalism about urban ecologies, city-dwelling native species, stories of climate change and the intersection of cityscapes and nature for our first print edition.

Salt Hill publishes poetry, prose, translations, reviews, essays, interviews, and artwork. We read submissions for the magazine between August 1 and April 1 of each year and for the Philip Booth Poetry Award between May 15 and August 1.

Baby Teeth Journal is a literary and multi-media arts publication based in Wollongong NSW. We have a focus on local, queer creators but accept submissions from across the globe. We welcome submissions from almost every artistic medium. Flat rate of $50.

The Threepenny Review is one of the most well renowned and respected literary journals in America. They publish authors from all over the world, and many famous writers, both poets and fiction writers have been published in The Threepenny Review. The Threepenny review also pays very well. They pay $400 per short story and $200 per poem. This is a good amount of money for even a print journal to offer its contributors. It is far more than most literary publications offer.

Renaissance Magazine accepts the following unsolicited content related to the Renaissance and Middle Ages for consideration: Articles related to history, travel, Renaissance Faires, the SCA and related reenactment groups; Interviews with artists, artisans, performers, reenactors, and scholars; Book reviews (historical fiction and nonfiction are acceptable); and Music CDs and CD reviews. The average feature article is approximately 1,500 words. Features pay 10 cents/word. Columns of 500 to 1,000 words pay $50. Columns of 200 to 400 words pay $25.

The Vault is an online periodical that adheres to the limitation of Twitter publishing. We consider all types of fiction with one condition – your story must be based on science.

OPEN FOR SUBMISSIONS FROM THE 10TH - 24TH OF EVERY MONTH

We’re always on the lookout for short, engaging essays. We tend to favor work about the life, work, and process of writing, publishing, visual art, or any other creative pursuit. We’re also interested in the interplay of the arts and tech, whether drawn from your personal experience, or from observations of the world at large. Often, though, we don’t know what we’re looking for until we see it, so feel free to send something our way that we might find to be unexpectedly perfect for our blog and readership.

We commission writing about film, television, video games, moving image art and the internet, including critical analyses and fresh perspectives about specific works and makers, “How to do it” guides by experts to inspire other makers, historical explainers of movements and phenomena, personal responses to moving image works, and interviews with moving image makers. We don’t commission evaluative reviews (like a film or game review with a star rating, etc). The writing should illuminate the work and help the reader to connect with it more deeply.

Overland accepts pitches on any subject on an ongoing basis, but they are currently looking for articles on: universal basic income, bitcoin, university management, Netflix algorithms, and Goodreads.

TLB publishes work on its website that fits into two categories: TLB Review of Books or Commentary, and we welcome pitches for both.

Submissions for our New Voices category are open year round. New Voices is open to any new and emerging author who has not published a work of fiction or narrative nonfiction of novel length. You must not have a novel forthcoming at the time of submission. Published short-story collections do not count as a novel-length work and those authors are free to submit. New Voices are published online only and will feature a number of stories from new authors each month.

Archer publishes articles and images about sexuality, gender and identity from a diverse range of writers/artists, from all levels of experience.Archer is aimed at all individuals interested in sexuality, gender and equality. Archer promotes inclusivity, regardless of gender identity, geographical location, ethnic identity, sexual orientation or level of education.

We accept unsolicited material, if it is polished and fits the tone and style of the magazine, is clearly targeted at a particular section of the magazine and falls within the word counts relevant to a particular section. (For example 750 words for 'My Word' submissions or 1800 for a four-page feature; see the attached 'Word Counts' information box.)

Alternatively, writers can pitch story ideas by email first. To be considered, your pitch should explain which section of the magazine the story is intended for, be one paragraph long, contain a topic sentence, a sample introductory sentence and explain the story angle, writing tone, suggested word length, a list of possible interviewees (if appropriate) and whether or not photographs and/or illustrative material is available.

If your story is linked to a particular event (or date, or anniversary) you must pitch it at least two months before the event takes place. Important note: as a national publication, we are unlikely to accept stories that have a specifically local focus. If we like your idea, we will call or email you to discuss it further.

Earth Island Journal is always looking for compelling and distinctive stories that anticipate environmental concerns before they become pressing problems, stories that scan the horizon for the next big issue. We want stories that will surprise, provoke, and entertain our readers and that explore new territory overlooked by other publications.

Our readership is international, so please don’t pitch stories on local issues unless they have broader (read: national or international) interest or implications. Please read through our magazine’s current and back issues (archives are available online) to get a better idea of the kind of stories we publish before you send a query.

We pay writers 25¢/word print stories. You can expect to earn about $750-$1000 for an in-depth feature story (about 4,000 words).

For online reports, the fee ranges from $50 to $100. Online reports are a great way to get into the Journal, especially if you are new to reporting and writing. We publish online five days a week and are always looking for fresh ideas.

Electric Athenaeum is a Science Fiction and Fantasy magazine publishing short fiction, articles, poetry, and interviews. Each issue features an accompanying theme, and is available for free to readers. They are open to submissions for this issue’s theme, Future Generations, and consider any genre of speculative fiction. They pay £50 per story.

Forever is the romance imprint of Grand Central Publishing. Grand Central Publishing is an imprint of the Hachette Book Group, one of the big five publishers. Forever Yours is the digital sister of Forever, they focus on publishing unagented authors, and often publish authors without a publication history. They publish eBooks, but they an option to print on demand any book over 50,000 words in length.

Fairlight Books is currently open for literary submissions of short stories, novellas and novels. We are happy to accept submissions of longer fiction direct from authors.Fairlight Books is currently open for literary submissions of short stories, novellas and novels. We are happy to accept submissions of longer fiction direct from authors.

Walker Wednesday allows budding authors to submit their manuscripts to Walker Books’ award-winning editorial team on the first Wednesday of each month. Walker Books is currently accepting submissions of middle grade and young adult fiction from Australian and New Zealand authors.

Do you have a manuscript you would like Penguin to consider? Penguin Group have what’s known as the ‘Monthly Catch’. During the first week of every month, you can submit unsolicited manuscripts for their consideration.

On the first Monday of every month only, between 10am and 4pm Australian Eastern Standard Time, we accept electronic submissions that comply with the guidelines set out below.

Manuscript submissions sent on any other Mondays or day of the month will not be read so we advise you to wait until the next month if you miss the deadline.

Commercial fiction – women’s fiction, romance, thriller, crime, historical, humour, paranormal, fantasy Literary fiction and non-fiction – novels, short stories, and narrative non-fiction only Children’s books and young adult – junior and middle grade fiction, young adult/crossover fiction; we are not accepting picture book submissions Commercial non-fiction – history, memoir, mind body spirit, travel, health, diet, biography Please familiarise yourself with what we publish. We do not publish scripts, plays or poetry in Australia and will not assess them.

Academic submissions are not accepted during Manuscript Monday.

Right Now is committed to covering human rights issues in Australia through free, accessible, creative and engaging online, print and radio media. 

Scum is interested in publishing feminist-friendly work of any variety, but as a general rule your piece should be under 1000 words (50 lines for poetry) and able to be classified as “fiction”, “culture”, “memoir”, “column”, “poetry”, and/or “review”. They tend not to publish traditional reviews of books and films—to get a feel for the reviews they do publish, check the review tag. Feel free to pitch to them if you’re not sure if your piece is a good fit. (Please note that they don’t accept pitches for fiction or poetry.) 

Submissions to Scum are open the first week (from the 1st to the 7th) of every month. The rest of the month, submissions are closed. They pay $60 per piece of writing. 

At Seizure, short-form work is living large. Flashers is the online home of Australian flash fiction.

Each week we publish work between 50 and 500 words that could be written in an hour and read in a minute. We are looking for short, sharp snippets of prose. But flash fiction is so much more than a quick-fix for the time-hungry wordaholic. Flash fiction attracts writers and readers for its peculiar challenges – and authors have to make every word count.

Accepted pieces will have an accompanying illustration by a volunteer artist that matches and complements the writing. Thanks to the Australia Council, we are able to pay our Flasher contributors $50 for each published piece.

SLICE magazine welcomes submissions for short fiction, nonfiction, and poetry. We’re looking for anyone with a fresh voice and a compelling story to share—basically any work that really knocks our socks off. At the core, Slice aims to bridge the gap between emerging and established authors by offering a space where both are published side-by-side. In each issue, a specific cultural theme becomes the catalyst for articles, interviews, stories, and poetry from renowned writers and lesser known voices alike. We offer all contributors to Slice a monetary award for their work ($250 for stories and essays and $75 for poems).

Never miss a freelance writing job or opportunity with Bloc Boost

Have you got something the community should know about? A job vacancy, competition or call for submissions? Upload it to our opportunities page!

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Trade surplus and consumer sentiment rose in Australia. Will the AU200 stock index continue advancing?

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1ドルから気軽に投資でき、銀行預金よりも利息が高い「高金利預金口座」としても利用価値がある「IFC Markets」(アイエフシーマーケッツ）の魅力的な取引環境・取引条件を徹底解説！

IFC Markets (IFCマーケット)は、2006年から運営をしている歴史のあるブローカーであり、世��中で初心者からプロまで幅広いトレーダーに選ばれてきました。 IFC Marketsの魅力には、固定スプレッドでのDMA/STP環境に加え、ロスカットライン 10%を提供していることです。さらに、IFC Marketsの最大の魅力は、利用していない証拠金（これをフリーマージンという）に対して、最大で年利7%の利息が自動的にもらえることです。 また、BVI(英国領ヴァージン島)のライセンスを保有しており、資金を預けているだけで最大7%の金利が付いてくるので、銀行預金としての価値があり、普通預金に預けていたお金をIFC marketsに移し替えるという日本人ユーザーがたくさんいます。そして、資金を預けているだけで最大7%の金利が付いてくるので、トレーダーの間でかなり注目されています。 また、NetTradeXという独自のツールを提供しているのも大きな特徴です。また、口座開設も即座に完了するなど初心者が取引するまでのステップが簡単なブローカーとも言えます。 IFC Marketsの口座を保有すると、ひとつの取引口座でFX通貨ペアに貴金属、株式銘柄、貴金属や原油・天然ガスなどの商品取引、株価指数などの600以上の銘柄とマーケットを取引できます。 海外FX一番人気のMT4 (MetaTrader4/メタトレーダー4)だけでなく、MT5 (MetaTrader5/メタトレーダー5)のほかに、IFCM独自開発のNetTradeX (ネットトレードX)も、全て日本語サポートで利用できます。 MetaTraderでは、MQL言語で、EAを作成し、自動売買できますが、IFCM独自開発のNetTradeX (ネットトレードX)も、NetTradeX Language (NTL+)という世界中のトレーダーが使っている売買戦略自動化用のプログラミング言語で、シナリオ作成、バックテスト、自動取引機能がついています。 さらに、NetTradeX では独自の通貨ペアを作成しポートフォリオを組めるなど、ユニークで魅力的なサービスが提供されています。 2017年にはMT5デモ口座を、そして2018年4月にはNetTradeX向けに変動スプレッド口座を提供、そして2018年6月にはMT5リアル口座を提供開始するなど、日々サービスレベル向上に努めています。

IFC marketsの詳細はこちらから

IFC Marketsの概要

法人名IFC Markets Corp設立年2006年 営業拠点84 Spyrou Kyprianou Avenue, 4004 Limassol, Cyprus ライセンス (金融監督機関) BVI:FSC, CySEC, MiFID預託証拠金の取り扱い信託分別管理, AIG EUROPE LIMITEDの金融機関向け保険サービスに加入最大レバレッジ400:1初回入金額 (最小入金額)100円 1米ドル (USD)口座通貨建てEUR, JPY, USD, μBTC=10-6BTC追証についてゼロカット対応のため追証がないマージンコール10.00 %ロスカット (ストップアウト)10.00 %取引モデルSTP, NDD, DMA ※IFC Marketsの注文執行規約に基づく。所在国キプロス共和国サポートデスク日本語対応あり口座タイプスワップ・フリー口座, デモ口座, ビギナー口座, ミニ口座入金方法bitwallet, クレジット・デビットカード, 銀行振込 (電信送金), 銀行送金 (日本国内), Webmoney, ビットコイン出金方法bitwallet, クレジット・デビットカード, 銀行振込 (電信送金), 銀行送金 (日本国内), Webmoney, ビットコイン取扱マーケット CFD取引, ETF, FX取引 (Forex、外国為替証拠金取引), コモディティ (商品取引), リート, 株式, 原油 (石油、オイル), 国債, 株価指数, 貴金属, 金取引 (金、Gold)取り扱い暗号通貨Bitcoinのみ取り扱い通貨ペアAUD/CAD,AUD/CHF,AUD/JPY,AUD/NZD,AUD/USD, CAD/CHF,CAD/JPY,CHF/JPY, EUR/AUDEUR/CAD, EUR/CHF,EUR/CZK,EUR/GBP, EUR/HKD,EUR/JPY,EUR/MXN,EUR/NZD EUR/PLN,EUR/RUB,EUR/SEK,EUR/TRY EUR/USD,EUR/ZAR,GBP/AUD, GBP/CAD,GBP/CHF,GBP/JPY,GBP/NZD, GBP/SEK,GBP/USD,NZD/CAD,NZD/CHF,NZD/JPY, NZD/USD,USD/CAD,USD/CHF,USD/CNH,USD/CZK, USD/DKK,USD/HKD,USD/JPY,USD/MXN, USD/NOK,USD/PLN,USD/RUB,USD/SEK, USD/SGD,USD/TRY,USD/ZAR,XAG/EUR, XAG/USD,XAU/EUR,XAU/USD,XAU/XAGなど取引プラットフォーム (取引ソフト)Apple iOS (iPhone/iPad), MT4, MT5, NetTradeX, ウェブトレーダー表示桁数5桁取引単位 (1ロット当たり)100,000 通貨/1ロット最小取引単位 (最小取引ロット)0.01ロットソーシャル・トレード (コピー・トレード)Trading Signals (MetaTrader)

IFC Marketsは、老舗のブローカー

IFC Marketsは、世界屈指の金融街ロンドンに本店を構え、オフショアとして有名なイギリス領ヴァージン諸島の金融ライセンスを取得して、金融サービス���展開している老舗の証券会社です。 世界の8つの有名証券取引所がIFC Marketsの市場提供元 (LP/リクイディティプロバイダー)で、IFC Marketsの狭いスプレッドと高い約定力は、ユーザーから高評価を得ています。 また、金融関連事業を営む「IFCM CYPRUS LIMITED （旧Infin Markets Limited）」「NetTradeX Corp.」「IFCMARKETS. CORP.」の3社を統合する持ち株会社（ホールディングカンパニー）であるIFC Markets Corpグループは、別のレギュレーション・法律下にて別ブランドのブローカーも構えていたり、また、IFC Markets Corpグループは、中東・ヨーロッパ圏にいくつかの投資会社を保有し、世界44カ国にサービスを展開しています。世界展開を行う大きな金融企業で、とても安心感もあります。 その金融系グループの強みを活かし、銀行と同様のサービスである、預け金(証拠金)に年利7%の利息が付与される長期運用を見据えたサービスが特徴です。日本の銀行に預金していてもお金は増えませんが、IFC Marketsに預けているだけで、年利7%がもらえるなんてかなり魅力的ですよね！？ また、IFC Marketsでは、お好みの商品を組み合わせて作る「ポートフォリオ分析」や「合併商品」など、独自のサービスを提供しています。 IFC Marketsに興味がある方は、日本人サポート在籍で、日本語対応のIFC Marketsの分かりやすいオフィシャルサイトを是非ご覧ください。

IFC marketsの詳細はこちらから

ライセンスと信託保全

IFCMグループは、キプロス証券取引委員会（CySEC）、ニュージーランド金融市場庁（NZFSP）、英国領ヴァージン諸島金融サービス委員会（BVI:FSC）の金融ライセンスを保有しており、金融商品市場指令（MiFID） の基準に準拠していることから、厳格なレギュレーションのもとで、運営されています。 また、ユーザーからの預かり資金(必要証拠金)については、Ceska Sporitelna, a.s.（チェコ共和国）の信託口座に分別管理しているだけでなく、独自にAIG（アメリカン・インターナショナル・グループ）の金融事業者保険にも加入しており、IFC Marketsが、もし破綻しても、AIGグループを経由して、ユーザーは、自分自身の損害額全額を受けることが出来るので、日本国内の銀行が破綻して1000万円までしか保証されないペイオフ制度よりもずっと安心感があります。

IFC Marketsの魅力的な取引環境・取引条件とは?

IFC Marketsは、日本語のサポートもあり、老舗の安定感と口座のアドバンテージというメリットがあります。 ・初回必要入金額 (最低入金額)が、100円の少額投資が可能。 ・最小取引単位は、0.001 lots。 ・ロスカットレベル は、証拠金維持率10%なので、ロスカットされにくい。 ・DMA/STP、スリッページの無いインスタントエグゼキ��ーション方式採用。 ・日本円建て口座以外にも、ユーロ建て口座や米ドル建て口座も複数口座開設可能。 ・預託証拠金に対して最大7%の金利が受け取れるので、貯金口座として利用できる。 ・株式CFD取引の場合、単なる株式取引なので、もちろん配当金が受け取れる。 ・提供している金融商品は、株式取引、FX・CFD、貴金属など600以上 IFC Marketsは、ゼロカットシステム採用 (ゼロリセット)や顧客資産の信託はもちろんのこと、ロスカットが10%と極端に低く設定されているなど、FX取引のしやすさは抜群です。

100円から取引が始められる

IFC MarketsはIFC markets独自に開発したNetTradeXと人気のあるMetaTrader 4と最新のMetaTrader 5の二種類の取引ツールを提供し、固定スプレッド又は変更スプレッドなどの口座を開設できます。取引口座は米ドル、ユーロ、日本円で開設可能です。その上、NetTradeX口座はμBTC（1 μBTC = 10-6BTC）でも開設できます。 口座開設数に対して制限がありません。いくらでも同一名義で口座を持つことができます。 Beginner（初心者）又は、Micro（マイクロ）口座は1ドルもしくは、100円から取引を始められます。 一方で、スタンダード口座の場合、入金上限のない口座タイプです。 多くの口座では、入金最低金額が、最低1万円程度に設定されているのに対し、IFC Marketsでは、100円から入金できます。 また、入金手数料も無料 (0円)であり、入金手数料発生の記載のある国際銀行送金をするときも、入金額が1万円を超える場合は、IFC Markets側で負担となり、入金手数料は無料 (0円)となります。

サービスと取引口座情報

取引口座の種類MT4(MetaTrader4)/MT5(MetaTrader5)マイクロスタンダード発注方式STP方式（Instant）スプレッド方式固定方式取引口座の通貨日本円・米ドル・ユーロ最大レバレッジ400 倍200 倍初回最低入金額$ 1.00 （USD）相当$ 1,000.00 （USD）相当最小注文数0.01 ロット （1,000通貨）0.1 ロット （10,000通貨）最大注文数 （合計最大注文数）1 ロット （制限なし）10,000Lots （1,000,000,000通貨）商品（銘柄）【FX/通貨ペア】：49 銘柄 【FX/金銀】：6 銘柄 【CFD/株価指数】：11 銘柄 【CFD/商品】：64 銘柄 【CFD/証券】：376 銘柄 【CFD/仮想通貨】：5 銘柄取引可能時間【夏時間】：（月曜）午前 7:00 ～ （土曜）午前 5:00 （日本時間） 【冬時間】：（月曜）午前 8:00 ～ （土曜）午前 6:00 （日本時間）表示通貨単位3桁 / 5桁表示取引手数料無料口座維持手数料無料複数口座の保有制限なしGMT時差夏時間：+ 2 時間、冬時間：+ 1 時間

取引口座の種類NetTradeXビギナースタンダードビギナースタンダード発注方式STP方式（Instant）スプレッド方式固定方式変動方式取引口座の通貨日本円・米ドル・ユーロ最大レバレッジ400 倍200 倍400 倍200 倍初回最低入金額$ 1.00 （USD）相当$ 1,000.00 （USD）相当$ 1.00 （USD）相当$ 1,000.00 （USD）相当最小注文数0.001 ロット （100通貨）0.1 ロット （10,000通貨)0.001 ロット （100通貨）0.1 ロット （10,000通貨）最大注文数 （合計最大注文数）100,000通貨 （制限なし）制限なし100,000通貨 （制限なし）制限なし商品（銘柄）【FX/通貨ペア】：53 銘柄 【FX/金銀】：16 銘柄 【CFD/株価指数】：26 銘柄 【CFD/商品】：32 銘柄 【CFD/証券】：331 銘柄取引可能時間【夏時間】：（月曜）午前 7:00 ～ （土曜）午前 5:00 （日本時間） 【冬時間】：（月曜）午前 8:00 ～ （土曜）午前 6:00 （日本時間）表示通貨単位3桁 / 5桁表示取引手数料無料口座維持手数料無料複数口座の保有可能GMT時差夏時間：+ 2 時間、冬時間：+ 1 時間

取引銘柄とスプレッドについてのライブ相場

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IFC Marketsのライブ相場

IFC Marketsで提供されているスプレッド��イプは、次の2種類です。 ・変動スプレッド 最低 0.4 pipsから ・固定スプレッド 原則 1.8 pipsから EAや自動売買ソフトを利用する際には、常に取引条件が固定される固定スプレッドが使いやすいこともありますが、市場環境に合わせて取引できる変動スプレッドを選びましょう。

IFC marketsの詳細はこちらから

取引が初めての場合は「ビギナー口座 (マイクロ口座)」を利用しよう！

IFC Marketsで初めて金融商品を取引したいならば、まず、ビギナー口座 (マイクロ口座)でIFC Marketsを始めてください。 IFC Marketsのビギナー口座 (マイクロ口座)では、少ない必要証拠金で、リスクの少ない少額投資取引ができる取引環境となっています。 ・初回最低入金額 100円 (1ドル) ・最大レバレッジ 400倍 ・最小取引サイズ 0.001 lots, NetTradeXの場合 100通貨単位 「初めて取引したいけれど、稼げる自信がない」という方も、スタンダード口座でなくNetTradeX ビギナー口座から取引を始めることをおすすめします。 NetTradeXは、FOREX, CFD, 先物, 株式などの様々な金融市場で幅広い金融商品の取引を可能にしています。 NetTradeXには、以下のメリットがあります。 ・ご自由な金融商品の組み合わせでリアルタイムでの取引 ・セントまでの正確さ、ご自由な取引量でポジション開設 ・一つの金融商品で両建て可能 ・各金融商品の出入バランス状態の表示、建てたポジションを別々に閉じる事なく、全てのポジションを一気に瞬時に閉鎖；顧客の選択によるバランス取引 ・成行、指値・逆指値・OCO・組み合わせ・IFD/IFO更にトレーリングストップ注文とそれらのコンビネーションは、お客様の取引を効果的に行うことが出来ます。 ・大量のインジケーターを同時にしかも金融商品に合わせた様々な設定で使用 ・取引ツールに内蔵された大量の分析道具 ・取引が行われている口座の取引ツールの作業場所の柔軟設定 ・金融市場からの重要なニュースを閲覧可能 ・行った取引の種類毎の口座増減の閲覧 ・振込の安全性と受信・送信した情報の高い機密性 また、NetTradeXでは、世界中のトレーダーが使っている売買戦略自動化用のプログラミング言語NetTradeX Language (NTL+)を使って、エキスパートアドバイザー（EA）を作り、市場分析・注文発注・自動売買までの一連のプログラムを組むことができます。 NTL+ は　С、 С++、 MQL4、 Java、 JavaScript　のようなプログラミング言語を分かりやすく説明していますので、プログラムを書いて、それが上手く機能するかどうか、リスクが高いかどうか、バランス的にはどうなのかを過去のデータを使ってテストすることもできます。

年利最大7%の高金利口座

IFC Marketsの最大の特徴で、ユーザーにとって嬉しい特徴は、利用していない証拠金（これをフリーマージンという）に対して、最大で年利7%の利息が自動的にもらえることです。しかし、これは、単に資金を預けるだけでは適用されず、顧客の月々の成約済み取引ボリューム数（ロット数）によって決定されます。

成約済みの一ヶ月あたりのロット数(※)利率（年利）10 ロット以下0 %10～30 ロット1.0 %30～50 ロット2.0 %50～70 ロット4.0 %70 ロット以上7.0 %

（※）1ロット(Lot)の単位は、取引する商品（通貨ペア、貴金属、指標CFD、証券CFD、商品CFD、商品先物CFD、XAUOIL, XAUSnP, XAUXAGによって計算方法が異なります） 利息は、毎月計算され、通常の資金として自動的に取引口座に追加されるので、頻繁に取引する方には非常にうれしいシステムです。 ・利息は利用されてない資金・フリーマージンに対し計算されます。 ・利息率は各トレーダーのその月の取引ロットに対して上記の表のように決定されます。 ・利息は毎日00:00 CET時点で計算され、その分蓄積されていきます。 ・月末にその蓄積された金額は取引口座に反映されます。

日本語サポート

日本語サポートは、平日（月～土曜）の午後 2:00～午前 0:00（24:00）まで、メールとライブチャットによりサポートを行っており、対応も全て日本人が担当しています。ヨーロッパのサポートデスクからの対応になるため、質問を投げても、回答が日本時間の深夜になる場合も多いですが、IFC Markets創業時から日本マーケットを担当している人がいるので、比較的丁寧なサポートが得られますので、初心者でも、英語がわからなくても何不自由なく、IFC Marketsで取引できます。

入出金方法

最近、IFC Marketsのウェブサイトと会員ページがアップデートされました。現在は入金も手数料無料となりました。 詳細は、「取引」＞「入金」or 「出金」のボタンをクリックすると、確認できます。

まとめ

IFC Marketsは、『NetTradeX』という独自のプラットフォームを利用するためや、高金利口座であることを目当てに、口座開設する人が非常に多い人気のある老舗のブローカーです。 IFC Marketsでは、ボーナスなどのサービス自体に派手さはありませんが、フリーマージンへの利息提供や完全固定スプレッドなど、他では見受けられないオリジナリティあふれるサービスを展開しています。 他にも特徴としては、初めて金融取引をする方に対して、少額から取引できるように、最低入金額を1ドル、最小取引ロットを100通貨単位まで引き下げ（NetTradeX:ビギナーアカウント）、初心者ユーザーややトレーダーにとって、使いやすいように設計しています。『NetTradeX』という取引プラットフォームは、それほど知られていないプラットホームではありますが、IFD/IFO注文やモニターの分割機能、ツールによるTrailing Stop機能など、『MetaTrader4』には無い便利な機能も装備されていますので、いつものありふれた機能ではなく、少しマニアックな機能を利用したい方には、利用する価値のあるプラットフォームだと思います。 しかしながら、NetTradeXは、MacBookでは使えずWindowsのユーザーしか利用できないのが残念です。 また、IFC Marketsは完全固定スプレッドを提供していて、さらに、売買手数料が一定なので、リスク管理や損益把握に有利です。 NetTradeXビギナー口座を利用すれば、最小100通貨から取引することができるので、名前の通り初心者の方に非常におすすめです。 また、入出金方法も多様で、平日24時間ずっと、日本人サポートスタッフが常駐しているので、困った時も安心です。

IFC marketsの口座開設はこちらから

source http://kaigai-invest.blog.jp/ifcmarkets/introduction

[its-veso]

Elliott wave Analysis: AU200 Stock and AUDUSD Update

The AU200 is trading nicely bullish, ideally unfolding an extended five-wave move within higher degree wave v) with possible resistance and reversal zone being seen around the 6300/6400 region, where various Fibonacci ratios and the upper Elliott wave channel line can react as turning points, and push prices lower.

Also keep in mind that most of the stocks are approaching resistances, so be aware of a minimum reversal in three legs in upcoming sessions.

AU200, 4H

AUDUSD looks to have completed a triangle correction within wave b, as part of a three-wave bearish move, at the 0.711 level. The decline that followed can now be part of a wave c of Y, which can later look for support and a bullish reversal around the 0.697/0.690 region.

A recovery in impulsive fashion (five legs) and a break above the 0.7107 level would confirm more gains.

AUDUSD, 1H

Get the 5 most predictable currency pairs[1]

References

^ Get the 5 most predictable currency pairs (www.forexcrunch.com)

from Forex Crunch http://feedproxy.google.com/~r/ForexCrunch/~3/7BLLy1Mh0u0/

[addisonjovitays]

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[toniologe]

Bürostuhl STARTEC AU200 Netzstoff blau

Bürostuhl STARTEC AU200 Netzstoff blau

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[mondimotor-blog]

#Mondial atv #au200 toklarda #mondimotor WhatsApp 534 771 48 48 İstanbul Başakşehir (Mondimotor) https://www.instagram.com/p/CEWkdQ5h1zk/?igshid=13yz2pgfouirq

[mondimotor-blog]

ATV Mondial au200 CC ATV stoklarda #Mondimotor WhatsApp 534 771 48 48 İstanbul Başakşehir #atv #mondial #kubaatv (Mondimotor - Mondial Motorlu Araçlar Yetkili Satıcı ve Servisi) https://www.instagram.com/p/CByhh1gB0xO/?igshid=fh2sqpptysz3

[mondimotor-blog]

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