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kickdownthewalls · 5 years ago

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TOP 20 ROCK/METAL ALBUMS OF 2019

Been looking back at the list I made last year and it is hard to say if 2019 was better or not. I feel like, if nothing else, there were fewer let-downs and more out-of-the blue surprises, so I guess that means it was an improvement. For anyone who says there are no good metal albums coming out these days, I say they just need to dig a little. So many great bands have been forming in recent years and started looking back to the origins of metal before death and black metal ruled the world. Since that was the era I grew up in, it isn’t too surprising that a lot of my choices this year hark back to earlier times. Case in point…

20. BEWITCHER - Under the Witching Cross

First up is one of many bands to put a modern spin on a retro sound and this one is even from the PNW (Portland). In this case, the most obvious comparison is early Venom. “Hexenkrieg” even has a chorus like “Acid Queen” and a bridge straight outta “1000 Days in Sodom.” Lyrically, Bewitcher may be even more primitive, with lots of references to Satan, goats, and witching of all sorts. Musically, however, they do show some real diversity and skills, mixing up lightning-fast tunes with slower, pounding metal. No sophomore slump here, thank Satan.

19. INCULTER - Fatal Visions

Norway is starting to establish itself as a home for raw and brutal old-school thrash metal, with the likes of Condor, Deathhammer, and Nekromantheon delivering some wildly OTT albums in recent years. Inculter are a bit newer but really impressed with their debut in 2015 and are back with an even more lethal release in 2019. The riffing is relentless, although the band does do a good job of mixing up the tempos throughout. Still, fast thrash with touches of early Sodom and Sepultura is the core of Inculter’s sound and it is the perfect soundtrack for getting out your aggression here at civilization’s end.

18. MIDNIGHT PRIEST - Aggressive Hauntings

I’ve been following this Portuguese outfit since their debut nearly a decade ago and have seen a solid increase in songwriting and production, along with a solidification of style. Many bands have stolen King Diamond’s sound and style, but Midnight Priest use it as a jumping-off point into a realm of their own. The vocals cover a great range with theatrical lyrics of hauntings, convents, and candles, while the music is firmly in the classic 80s vein with some wildly catchy riffs that remind me as much of Priest and Accept as they do King and Fate.

17. FATAL CURSE - Breaking the Trance

Hailing from the middle of upstate New York, this power trio has more in common with their NWOBHM-loving brethren across the northern border than they do most US bands. Fortunately, they pull it off with the effortlessness only a group of dyed-in-the-wool fans of the music can. Songs like “Can’t Stop the Thunder” and the title track overflow with pure, punchy energy that reminds me of the heyday of Diamond Head and Jaguar. It’s a short but power-packed debut that bodes well for the band’s future.

16. BABYMETAL - Metal Galaxy

Although this might seem out of place, I’ve always had a love for electronic dance music and this is the best combination of metal and dance I’ve heard yet. While the first two Babymetal records had a cool sound, they felt kind of samey and it was hard to really remember any of the individual tracks. Not so here. “Da Da Dance” is pure anime energy, while “Shanti Shanti Shanti” incorporates Indian instrumentation and melodies and “Oh! MAJINAI” can only be called a pirate anthem. Even “PA PA YA!!” with its rap bridge totally rocks. Some folks are turned off by ‘manufactured’ bands like this, which I totally get, but I’m more interested in the results and “Metal Galaxy” is a really solid, diverse album that I’ve come back to many times already.

15. IRON GRIFFIN - Curse of the Sky

Finland is apparently the world’s capitol of metal (most bands per capita) and represents all types well. Iron Griffin is a thoroughly original and enjoyable mix of 70s occult and hard rock, early USPM, and classic epic metal. The production is nice and organic, with each instrument shining through, especially the bass. Vocalist Maija Tiljander can deliver the mellow and screaming parts with equal panache, while all of the instruments are handled by Oskari Räsänen (drummer of the divine Mausoleum Gate). If you enjoyed their EP, this album is 100% better and that is saying something.

14. VIGILANCE - Enter the Endless Abyss

Haven’t heard too many Slovenian heavy metal bands (Hellcats is the only other one I can think of), but Vigilance is quite impressive in both delivery and originality. Their style is a fairly complex mix of classic, speed, and black metal. The riffing is solid, with plenty of Maiden-esque harmonies to be had, while the vocals are gruff in the vein of Amok-era Sentenced. Every song is a bit of a journey, without being overblown, and it makes for a very satisfying album experience.

13. TANITH - In Another Time

After being blown away by their performance at Frost & Fire IV, I was very pleased to see Tanith sign with Metal Blade and release a killer debut. Trying to describe the band’s sound is difficult, as they incorporate a lot of different elements. There is a definite 70s vibe and some early prog-rock influences at work, with complex song structures that thankfully never get self-indulgent. The blending of male and female clean vocals is another highlight and both work remarkably well with the melodic riffs. The bass playing is also worth noting, as it winds its way through each song in perfect counterpoint to whatever the guitar happens to be doing. Bonus points for writing a song about the Cassini probe and its journey to Saturn.

12. ATLANTEAN KODEX - The Course of Empire

When I hear the term ‘epic metal,’ this is exactly what comes to mind. It incorporates the most grandiose elements of bands like Manowar, Bathory, and Solstice, but Atlantean Kodex somehow take it to the next level. This isn’t a collection of catchy songs, it is a weighty opus that you need to sit back and let cascade over you. It has been six years since their last record but you can definitely hear the time was well-spent and great care taken to craft each song just so. Although it doesn’t surpass The White Goddess in grandeur, it is close behind.

11. SUICIDAL ANGELS - Years of Aggression

Greek thrash very much in the vein of the classics from ’88-’90. Solid production, straightforward but great riffing, and a wide range of tempos. There are songs that swing back and forth between fast and slow, some that are mid-tempo throughout, etc. I love that Suicidal Angels sound like they are equally influenced by the Germans and Bay Area thrashers equally, with nods to outliers like Sepultura and Artillery as well. The band tends to sound pretty much the same from album to album, and that is true here as well, but it feels like this is one of the best collection of songs they have put together yet.

10. POUNDER - Uncivilized

Here is another great US band, this time formed by some death metal merchants looking to do something a bit more traditional. Pounder really do a great job covering all the bases and Uncivilized overflows with catchy riffs and melodies, anthemic choruses, and a great deal of diversity. Speed metal like “Red Hot Leather” is followed by a power ballad in the form of the AOR-tinged “Long Time No Love” and both are excellent. Shades of Rainbow permeate tracks like “The Mists of Time” and “Uncivilized.” Early Pretty Maids is a good reference point for the styles covered and the gruff but melodic vocals. Stellar debut and I’m really hoping the band forges on as I think there a great deal of potential here for even better work.

9. TOXIKULL - Cursed and Punished

This one almost slipped under my radar but glad I managed to hear it. This is the stunning sophomore release from Portugal’s Toxikull and is prime power/speed metal with searing vocals and some of the best change-ups and most memorable choruses of the year. Imagine Judas Priest’s Painkiller with more modern production and even more adrenaline and you have a pretty good idea of what to expect. Clocking in at just over a half hour, this is a solid album that never disappoints.

8. DESTRUCTION - Born to Perish

Destruction was never my favorite of the German thrashers but I still enjoyed most of their albums, even if they started to sound pretty much the same shortly after the reunion in 2000. I felt like something was different with this new one, as the opening snare drum assault of the title track got stuck in my head almost immediately. The overall style is still very much modern, thrashy Destruction, but there seems to be a little more melody overall and the songs feel more thought-out and memorable. It is always heartwarming to hear a band releasing one of their strongest albums this far into their career. Now we just need a US tour…

7. MYSTIK - Mystik

Another release that I nearly missed out on is Mystik, who hail from Sweden and pack a real wallop of melodic speed metal with compelling vocals and strong choruses. The production is that perfect balance between pro and underground and gives the music a really timeless feeling. This is another short album that gets to the point and delivers, song after song. The vocals remind me a bit of early Warlock and Acid, while the music has a darker edge and the two complement each other to a T.

6. ROTTING CHRIST - The Heretics

These Greek pioneers have really walked a wide-ranging path over the years, from raw black metal to polished gothic metal, and on into uncharted realms where those elements and more all come together in sublime fashion. There is a truly epic quality to the songs on The Heretics, even with all of the songs being in the 3-5 minute range. Gruff vocals are juxtaposed with clean backing vocals and chanted choruses, with the music covering equally diverse ground. A work of startling, dark beauty and possibly my favorite Rotting Christ record to date.

5. VULTURE - Ghastly Waves & Battered Graves

This is pure German speed metal, with frantic yet melodic riffs, relentless drums, and piercing vocals. Bands like Ranger and Speedtrap brought the sound back to life a few years back and Vulture really take it to the next level. The aggression and rawness is still intact, with nods to early Exodus, but there is a keen sense of melody and strong songwriting that runs throughout the record. Plus, possibly the best album title of the year.

4. AVATARIUM - The Fire I Long For While

I have always enjoyed Avatarium’s records, this is the first time that it feels like the band has really come into its own and produced a remarkable piece of art in the process. The heavy, doomy riffs are still plentiful, but there is a deeper resonance to the melodies and riffs than ever before. The powerful vocals of Jennie-Ann Smith take the center seat, but the increased use of organ and fuzz-heavy guitars and bass really rounds out the sound. The shift from 100% Leif Edling-penned songs to the majority coming from Smith and guitarist Marcus Jidell also no doubt lends to the more unique character of The Fire I Long For (though I must say that “Epitaph of Heroes” would be right at home on Ancient Dreams).

3. DEATH ANGEL - Humanicide

As much as I love many bay area thrash bands, I think Death Angel have secured themselves as my all-time favorite. Their first three albums are timeless and the albums since the reunion have been close behind. The worst thing I can say about any of the records is that they are good but maybe not as memorable as the ones before (notably The Evil Divide and Killing Season). Humanicide is probably my favorite since The Art of Dying, with a wide range of styles, memorable choruses, and the artistic blend of rough and polished that Death Angel does so well.

2. SOILWORK - Verkligheten

It has been a while since I’ve paid that much attention to Soilwork and now I wonder if I’ve been missing out because this album is a monster. The combination of styles here, from melodic death metal with blastbeats to 80s metal to frantic thrash is intoxicating and executed so perfectly, the album just blows right by. “Full Moon Shoals” exemplifies the range perfectly, with one of the best bridges I’ve heard in ages. It feels like Bjorn’s involvement in the retro-minded Night Flight Orchestra has helped to give Soilwork a broader sound as well as a tighter focus on crafting the songs into something more than just a collection of riffs. Even the bonus Underworld EP is consistently strong, while many bands would just toss their throwaway tracks on such a release. For a band’s 11th album, Verkligheten is not just above average but near the top of the band’s best works, period.

1. SACRED REICH - Awakening

Sacred Reich was one of the brightest stars of the late 80s thrash wave, with a strong debut and a timeless follow-up, but, like so many others, they lost their way in the 90s and eventually disbanded. Although it took the band 23 years to finally get their comeback record out, damn, it was totally worth the wait. Everything that I love about Sacred Reich is here: speedy riffs mixed with chugging mosh parts, a hypnotic rhythm section, Phil’s one-of-a-kind vocal assault, and every song a winner. Even “Death Valley,” which I didn’t care much for on first spin, has grown on me with its groovy, stoner vibe. The timing couldn’t be more perfect for Sacred Reich’s heartfelt, socially-conscious lyrics, too, and Awakening is hopefully just that: the dawn of a whole new era for OD and tha Reich!

There may not have been any big-name releases this year, but the underground came through with a ton of brilliant new releases. Narrowing down my list to 20 was more difficult than ever this year and I’d like to mention several other bands that nearly made the list: ALCEST, ANGEL WITCH, APHRODITE, BARBARIAN, CALYX, CRYPT SERMON, DEMON HEAD, EXCUSE, HAUNT, HELLISH GRAVE, KRYPTOS, LUCIFERA, METAL INQUISITOR, ROCK GODDESS, SANHEDRIN, SCREAMER, SMOULDER, and SPIRIT ADRIFT. Definitely check out any and all of these albums, preferably on Bandcamp where you can also buy them.

With so many smaller and retro-minded bands hitting the scene this year, there were also plenty of demos, EPs and 7” singles. Among the best: BEASTMAKER, CIRITH UNGOL DENIAL OF GOD, GALAXY, HAUNT, MIDNIGHT DICE, MIDNIGHT SPELL, SHADOW WARRIOR, SOLICITOR, SOURCE, THE NIGHT ETERNAL, TYRANN, and VISIGOTH. GALAXY in particular has the potential to really be something special and I can’t wait for their next release.

Will 2020 top this year? Hard to say, but there are plenty of promising releases on the way from SODOM, HELLOWEEN, DELAIN, NIGHTWISH, DARK ANGEL, and LUCIFER. Maybe MEGADETH will surprise us with a worthy comeback, too, you never know. It will be a chaotic year for the world, no doubt, so we are going to need some good, solid metal releases to help us cope. Horns up!

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