#at some point I do actually need to write all these stories

[felassan]

David Gaider on Morrigan, under a cut for length:

"Morrigan began, waaaay back, as a bit of Morgan le Fey (hence the Dark Ritual) mixed with Delirium from Sandman. The Delirium elements subsided into more of a weird cadence of speech as my idea of Morrigan solidified - more cynical, wanting to connect but unable to. Originally, we were looking for a Middle Eastern actress to play her, as Shoreh Aghdashloo was slated to play Flemeth and we wanted a similar sounding voice -- but it was a real struggle, and then Shoreh unfortunately had to drop out to do a movie. So suddenly we had nobody for either character! Then, one day, Caroline (our VO Director) comes in with a recording sent by a rep for Claudia Black - who hadn't done game VO back then but wanted to get into it. And it was Claudia doing a slow *beat poet* rendition of Baby Got Back. I kid you not. I was already a fan, so I lost my goddamn mind. (Yes, I still have the recording. No, you cannot have it.) Naturally, we jumped on that immediately. As I recall, this was met with resistance from higher up - they had this image of Morrigan as young, like 18 years old (no idea where this came from) and complained that Claudia sounded "too old". Them: "She sounds like she smokes three packs a day!" Me: "That's what I like about her!" Caroline and I were determined, so we pushed ahead. We had to agree to get Claudia to sound "younger", which I was dubious about. The first two sessions we asked her to pitch her voice up and it was AWFUL. Claudia had to focus on sounding "right" instead of acting. So Caroline and I did the sneaky thing, and on the third session we asked her to just... act. Use her natural voice. We loved her performance so much we had the feeling that the team would love it too and forget their nonsense. They did. My best memory of Claudia was when we first met. I'd been flown down to LA for the initial sessions to help the major DAO actors find the character "voice" and, boy, was I nervous. It didn't help that I was a huge fanboy of Claudia's and she was going to be the *first* of all the actors I'd talk to. Caroline gave me a list of rules for "how to talk to a celebrity" - top of the list: DO NOT COMPARE THEM TO OTHER ACTORS. So I meet Claudia, and I'm sweating. I think: I'll start from the beginning, right? "Well, when I started writing Morrigan, the voice in my head was Helena Bonham Carter..." Claudia gives me a look and tilts her head. "So what you're saying is... I'm a very cheap version of Helena Bonham Carter." I'm mortified. I melt. I gasp and stutter and she lets me implode for maybe 30 seconds before she throws her head back and LAUGHS. So wicked. I love her instantly and forever. For the next several days, whenever she's in the booth and I make a comment to Caroline - which she can't hear, because the booth is sound-proof - she'd say "Oh, does he want it more like Helena?" And I'd melt into the desk in renewed mortification and she'd LAUGH. This is Claudia in a nutshell. Morrigan became a real touchstone for me, the heart of DAO. Way beyond her initial inspirations. Some said "she's just an ice queen" like some I'd written (Viconia, Bastila, etc.) but such categories are very reductive, I find. She had a voice I could instantly slip into, every time, without fail. The problem, after DAO was said and done, was with how we were going to honour the Dark Ritual going forward... or, more to the point, how we *weren't* going to honour it. I wasn't willing to let her go, however, so I had to figure it out. BUT... that's a story for another day. CORRECTION: A friend reminds me that the beat poet recording Claudia did was "Smack That" and NOT "Baby Got Back", and now I need to go give it another listen just because I can."

[source thread]

David Gaider: "Actually, when Shoreh's movie wrapped she came back and asked if the role was still available - her grandkids were VERY excited for her to be in a game. It wasn't, but as I recall Caroline was all "well, we have this role in ANOTHER game we're making..." Hence why she ended up in ME2." [source]

David Gaider: "Tali's accent was purely created by the actress - which made it a bit of an Issue when the time came to have more Quarians in ME2. "Do we get the actors to all try and mimic... whatever she's doing?" I'm certain Caroline could write a book about how THAT all went down." [source]

User: "I also never knew that Delerium was part of the inspiration for her (atleast in the beginning)." David Gaider: "It'd be difficult to see that now. The very first drafts were a lot more eccentric - more like Flemeth, I'd say, but times ten. The feedback I got was that she's a bit too LALALULU and I had to agree (and my idea of her was changing anyhow). So that slowly got weeded out." [source]

User: "What had you seen Claudia in that made you such a big fan already? (was it pitch black?)" David Gaider: "Originally? Farscape. Then Pitch Black, yes. I tried watching Stargate just for her, but coming in so late I kinda bounced off it." [source]

User: "My only complaint is, and has always been, why is she the straight romance when everything about her screams lesbian?" David Gaider: "I would have written it, if it’d been allowed (remember this was VERY new back then), but after all was said and done I’m kind of glad I didn’t. The friendship path I wrote for Morrigan with a female Warden is perhaps my favourite but of writing I did from back then." [source]

User: "Morrigant to me was such a fantastic character because of the way she sounded! Her introduction in DAO is iconic to me "Well, Well, what have we here?"" David Gaider: "You have NO IDEA how many takes that took. 😳" [source]

User: "Claudia Black did an amazing job with every line in every game." David Gaider: "She absolutely did. It took some time for her to get her bearings, but by the end of our first few sessions I actually went back and re-wrote a bunch of lines to match Claudia's voice. She informed so much of who Morrigan became." [source]

User: "are YOU the reason we see so much morrigan after dao? (positively, she is one of my all time favourite characters)" David Gaider: "Yes and no. She was always considered, by both me and the team, to be a "face" of Dragon Age. I'd have put her in DA2 if there'd been room, but thankfully that limitation is what allowed Flemeth to grow into her own." [source]

User: "were Morrigan and Flemeth always supposed to be Chasind, and/or did the Chasind have any ties to northern Thedas in earlier drafts of the character? The Chasind are universally depicted with dark skin except for Morrigan and Flemeth." David Gaider: "I don't think we had a very clear idea of the Chasind in general back then - they kind of got abandoned as a concept once we cut the Human Barbarian origin for DAO, and were only picked up again later." [source]

[local-lamppost]

Act 3 Thoughts

Watched Wicked, came home, waited 20 minutes, binged Act 3. I do not recommend this lifestyle. Anyway...

I was so satisfied with where we ended up, but I would have also appreciated about 20 minutes to an hour more. It felt like some beats were skipped over, they wanted to get to specific endings and didn't have the time to wrap them up as neatly as I would've liked.

Maddie is a good example. She's a plant for Ambessa, okay but when and why did she become one? She couldn't have been one before Cait being named commander and when we next see her she's pushing for Cait to take power back from Ambessa. Did Ambessa just message her right after Cait and Vi started working together again as like a "the woman you love's actual love is back in the picture, you can either wallow or get revenge with me", but also made a smarmy remark about Cait 'at least being warm' or something. We didn't need to absolve Cait or villainize Maddie for their 'relationship' because they didn't even have a relationship-just a coping mechanism for Cait, similar to Vi's drinking. At best it was all unnecessary and at worst a waste of time.

Away from that, I want to focus on some good.

I am officially a JayVik shipper now. Them disappearing into a void together, encircled with each other, after Viktor spend however long within timelines/multiverses in hopes of finding a Jayce able to bring him back to his humanity? Come on, they needed to kiss. Especially after Jayce and Mel's low key break up. Honestly we were denied the three of them working together, because they would have been unstoppable.

Speaking of Mel, I love her. I love her design, her powers, her matricide, her taking command of Ambessa's armies, etc. I wish we could have seen more of her adapting to her new powers, finding peace with what she now is. There could have been a cool interaction with Viktor over how Arcane power has changed them both for better and worse.

I don't think Mel's story is done. With other characters, I can see them coming in for future story arcs as like, cameos or background details, but if the next LoL story is in Noxus I fully expect Mel to be a major player again.

Back to Jayce. I like Jayce, that could be my Arcane hot take, and I definitely want to write something more in depth on him. On all the characters really. For now, I'll just say that his determination to destroy everything he has built, because the only creation worth saving is his relationship with Viktor is just... glorious.

Viktor was amazing. I love Viktor in the lore, and they took his traits from the lore and amped them up to eleven. His body being destroyed and rebuilt, the process of which has chipped away his humanity and mutilated his dreams. He lives up to his own quote: "In the pursuit of great, we failed to do good. We have to make it right."

Ekko is a character I never realize I miss. That sounds mean, it probably is, but I am never the less so happy to see him every time. It's like finding the missing piece you didn't even know was lost: that is Ekko to me. His mini adventure in the parallel universe was adorable. Us getting to see what could've been alongside learning what matters most to Ekko, him getting a taste of a near perfect life and still choosing to return to his own time. That's why Ekko is the true hero of this story.

In terms of Jinx, I'll just say I'm not a hundred percent sure she's dead. The airship leaving at the end followed by her scribbled sign off, plus not getting a dead body shot. It was definitely left open ended. Her looking to do something good, to not mess up, alongside her fear of not wanting to try again because she is just tired of failure, of being a Jinx, was too real in many ways. I will go in depth on her at a later date.

Caitlyn's arc is going to be argued about, no question. It needed more time (see the start of this long post) to make her point of her anger burning away, of it not being sustainable, hit harder. I would have made her realize what her anger was doing to Vi, have Jinx point out that they really are acting the same in their treatment of Vi, and use the whole Ambessa was literally stoking the fires of her hatred to help fit what time they had left. Honestly just have Cait learn Ambessa was the one behind the memorial attack, that would be a much better way to explain her anger diminishing enough to look beyond her own hurt to realize and take account of her mistakes.

Vi, as usual, needed more screen time. Not necessarily because her story would've been helped by it like in act two, but just because I wanted her to have more time to enjoy her life. I went into act three with the sole hope that Vi would have a nice day, only for her to loose everything again. The only people she has left are Cait and Ekko, and god help anyone who tries something against those too now. Her ending being the chance to finally rest, to lean on someone else, was beautiful. She is my favorite character and please let her have only good things in the future, she was traumatized in almost every scene this season please-

Nobody tell Vi that in a universe where she died young everyone else ended up living. It would destroy her.

Vi and Cait relationship was great. I wouldn't say it was rushed in act three, because it felt like it was where it should be for a final batch of episodes, if that makes sense. It felt like the set up was Cait being genuinely remorseful and Vi just wanting someone in her life who wanted her in return. It helps that they have great chemistry and that when given the chance they fit so neatly together. I think Jinx encouraging Vi to be with Cait is what sold it to me. Jinx realizing how much Vi has given/sacrificed and giving her blessing for her sister to be happy with someone she disapproves of; not to mention Cait pulling the guards from their posts to give Vi the chance to actually meet Jinx in order to have that conversation. All in all, it comes down to Vi's "I don't care" because that's really all there is too it for them. Vi is done being miserable and Cait makes her happy, vice versa. Cait is someone Vi can rely on, Vi is someone Cait can find strength in.

Spitfire round:

Sevika being made a councilor

Every single one of Mel, Cait, and Jayce's designs were 10/10s

Vi not being given an actual uniform, just armor and the gloves

Jinx cutting her hair further to match Vi

Ekko getting his crystal sword/bats

Heimerdinger dying after living a life where he could make his city something to be proud of

I was fully expecting Vander and Silco to kiss in that one shot

Everything with Benzo

Loris' name being said

Vi humming the song and the song being their mother's lullaby

Viktor being held within the Herald

Sky leaving so Viktor was free to bring Jayce to his space mind palace

Caitlyn's rifle never surviving

Fishman McBlue being the only one of Cait's soldiers to stick to his guns and stay loyal

Sevika and Shoola side eyeing each other

Vander and little Vi and Powder with the bunny

The bunny being a passenger on Jinx's balloon

Singed's messed up family getting a happy ending

[saras-almanac]

So I’ve been sitting on my feelings about the BuckTommy breakup and handling of it for a while, trying to get my thoughts in order. And after a while of thinking on it—and the recent Lou interview dropping making me feel like my feelings are valid—kind of made me want to just blurt them all out and hope for the best. So this is that.

Ultimately the entire handling of the BuckTommy breakup feels cruel. And not just cruel in an intentional way, but cruel in a casually, not even given any thought cruelty, which is worse sometimes. And to be honest, I think that’s part of why I’ve been struggling with it so much. (That and the echoes of Magicians season 4, which if you know you know).

What I mean by cruelty is just the lack of any real effort or care put into this storyline, one that they had previously been handled with so much care and concern and were praised (rightly so) for at the time. It’s the way they introduce this Tommy as Abby’s ex thing, which makes hardly any sense at all, but also feels cruel in the intention of laughing at the invisible string of fate theory between them. It’s they way that they’re 6 months anniversary and not only have they not talked about this, but Buck (Evan Buckley) didn’t get him a gift that feels cruel because that feels so wildly out of character for him. It’s the way they had the break up play into some bisexual stereotypes at best and inherently biphobic at worst by having Maddie suggest Abby turned him gay or that Buck needs to “explore” things to figure out what he wants or that Buck “Doesn’t know what pond to jump back into” of it all. (Not to mention the comments from OS about wanting Buck to fuck—which I’m not getting into because I didn’t read it and as a bisexual woman, don’t feel the need to go and try to find something that might upset me more.)

All those reasons are why the breakup itself is cruel to the characters, but it’s also cruel to those of us watching, and especially to anyone and everyone who loved and/or related to the character of Tommy, who we see walk away much much worse off than when we found him. It’s the way the story (intentionally or not) is framing it like a romcom break up – make up – pining storyline which they apparently are not doing according to interviews. It’s the way they didn’t give any sort of closure to Tommy for the character or for the audience.

There’s a reason that people lose themselves in stories—it’s because they follow certain rules and contracts. It’s expected that stories do not match up to real life because while things don’t have bigger meanings in life or they don’t work out according to plan, in stories, everything happens for a reason. Because that’s the whole point of what you’re consuming. And along with that, emotional moments are meant to feel cathartic in a way, at least eventually, because you were able to see the bigger picture, to feel the finality to things, and to really understand what’s being said and what’s happening. This breakup does none of that and actually seems to have been included and rushed for shock value and that to me, is just shitty, lazy writing.

If you were going to break them up and have no desire for any sort of reunion or closure, why not make it intentional? Tommy could be the one who wants marriage and kids and settling down and Buck internally freaks out because theoretically he wants that but maybe it’s too soon and as much as Tommy loves Buck, he’s not going to wait around and hope that Buck feels the same for him because he’s been hurt too many times like that. Or Tommy could be leaving for another state because he’s no longer going to be a firefighter or needs to go for family reasons or gets a job at a different station that he applied for ages ago and he has everything all set up and isn’t going to ask Buck to leave his entire life for Tommy, so they decide to breakup even if it hurts both of them. In either of those cases, it’s sad and devastating, but at least there would be some closure to it and understanding of it for both the characters and the audience and some peace knowing that at least these two are going to be moving toward happiness in whatever way that means for them.

Instead, what we have, is a hail-mary last-second breakup that comes out of nowhere and feels abrupt and crappy in the way we leave Tommy specifically because we might never see him again. And that is the crux of the issue. Because the way this was written, the understanding is that they are going to get back together or reunion or at least have that final closure conversation—because that’s what happens in stories. We see this type of surprise breakups, breakups where they issue is they love each other too much and are afraid to go further (Athena/Bobby and Maddie/Chimney to name two examples we saw in universe) only to eventually fight to be together and realize that if they don’t take a chance they might never know how amazing it is. So the fact that it’s set up to follow this same path while nearly every interview is telling the opposite, again demonstrates that casual cruelty as well as an inherent failure on the writing. If you have to go in interview and explain what it is you wrote or are telling, then you have failed as a writer. It’s really as simple as that.

This breakup doesn’t feel set up or foreshadowed, it just feels like they added it on because they didn’t want to do anything more with it? And that feels incredibly crappy as a decision to so many people who related to Buck and Tommy and them coming out later in life and all those other things. I’m rambling and on my phone and feeling a lot of things that I can’t fully express right now, but the long and short of it: If this was always intended to be the final time we see Tommy, this breakup is even crueler than intended.

[4only1]

Hiiii there!

So I don't know about your rules so if you uncomfortable it's okay!!! 😊

Can you write a story where shingen and reader are married but reader doesn't want to be married and just wants a life of her own. So she runs away not knowing she was pregnant and when she finds out, she decideds to keep the baby and gives birth to twins a boy and a girl. Awhile reader is happy, shingen has gone completely insane looking for her.

Every day some dies do to the fact they couldn't find reader. But shingen learns where reader is hiding and goes himself to get only to find out she has given birth to gun and his twin sister.

They rest can be up to you! 😊

Thank you! 😊

Fear and Loathing

Yamazaki Shingen x Reader Warning: Angst (I can't help myself) Masterlist ------------------------

It was all you felt for this lifestyle you had been forced into. Fear and loathing. Fear for the man you married, for the members of the clan who despised you enough to try and get rid of you. Loathing of the man you married, for the lifestyle forced upon you. 

Marriage was a silly thing to you. If it were actually your decision, you never would have married, let alone a man like Shingen Yamazaki. The man he once was had now become lethargic, empty, depressed. You didn’t like your married life before, and you certainly didn’t like it after his defeat. 

Once you were informed of the Yubitsume to take place, you couldn’t stay here any longer. It didn’t matter that you had supposedly sinned, you needed to leave. In the dead of night, you vanished. Nobody knew exactly how you left without so much as a trace, but it didn’t matter. What did, was the fact that Shingen was furious, with the other woman, with everyone who didn’t notice, but especially with you.

The bloodshed that followed was only contained once his brother, Shintaro, claimed they would find you. How he needed to put the clan first, and let them take care of finding you. Soon, one month passed, then two, then three, and as they did, Shingen became more restless. Where did you go, and what were you doing?

It was a taste of freedom unlike any other, one you had never known. You travelled far away, hidden within the depths of a small prefecture, no one knowing of who you truly were. You made a life for yourself, working at a small shop, supporting yourself, no longer constricted by the rules of the Yamazaki clan. Until you found out you were pregnant.

It wasn’t expected but not exactly surprising. You had been expected to give birth to the heir at some point, and it just had to be when you decided to run away. You decided to keep it, more trouble would come if you didn’t, and maybe if you delivered the heir, you could bargain for freedom for yourself. It was selfish, but you never asked for this life, and certainly not this child. 

As your pregnancy progressed, you became depressed at the fact of giving birth to the Yamazaki clan's heir. You couldn’t do this, this child would tie you to the clan forever, regret sank in. It hit even harder when you discovered it was twins.

Meanwhile, the Yamazaki clan was in shambles. Their leader had gone mad trying to find you, often taking his frustrations out on those around him. A trail of blood followed him, and it bleed for you. He was desperate as the months passed. He needed you, you didn’t have a choice, once he found you, you were never leaving his side again.

It was a week after you had given birth, over nine months since you ran away, that he appeared. Like you escaping through the night, his figure was a shadow, watching you, waiting. He was shocked to be greeted not only by you, but two infants as well. Exhaustion was obvious on your face, but it also held another emotion he couldn’t quite place.

“You’ve been hiding all this time, even after you discovered you were carrying my children. This game is over, it is time to return.”

He was blunt with his words, as always. He expected immediate action from you, instead, you remained seated, looking at him, that same indescribable emotion on your face. 

“I don’t think that will happen. I have served my duties as the wife by giving birth to the heir of the clan. You don’t need me anymore, and I don’t need you.”

“You don’t get a choice, you are to return and continue to be my wife”

A long pause followed. He wouldn't take no for an answer. Until...

“I’m so tired”

Your broken voice spoke. Broken things can be fixed, Shingen thought. But something stopped him, you stopped him. The two infants laying in their cots caused him to pause, if he had you, you would break further, maybe even die.

If you love something, you’ll let it go, and he might just have to do that. You were broken, and he couldn’t fix you, even if he lived in ignorance to your condition, forcing you back into the clan, by his side, it would forever plague him. 

The thought of knowing you were alive was better than keeping you by his side, forever spiraling until you faded away. He couldn’t leave without something though. 

“I will take my son with me, the daughter shows no promise for anything special, she will remain with you.”

You offered no argument as he took the child, as he was leaving you offered on final remark.

“His name is Jonggun, but please, give him a proper name. And let us forget we ever met.”

He would never know what happened to you or the daughter, and although he had your son, it was too painful to look at him. He avoided the son, again falling into a deep depression. It wasn’t until he was dying protecting the child he had taken from you, that he finally understood.

It finally clicked what that look on your face was. He hadn’t seen it since you first left, nobody having the nerve to show it in front of him. It was normally mixed with another emotion as well, but this time, it stood alone, by itself.

It was loathing.

------------------------------------------

I can't help myself, I love writing unhappy stories. I like to try and make the prompts possible in the storyline, it's just more enjoyable for me. Careful when you say, the rest is up to you, because I will turn it into an angsty story. TBH I originally was gonna make reader die, but couldn't make it work.

All my Shingen stories have the common theme of reader dying or running away, just how I like it.

[alpaca-clouds]

Arcane Season 2 - How Bad Pacing Can Ruin Everything

So, Arcane season 2 ended. And I am sorry, I need to vent.

I am honestly not sure whether the rumors are true and this were originally meant to be more seasons. The Riot CEO apparently denies it, but then again, I have seen CEOs confidently go out on stages to talk about a project which they knew was cancelled at that point in time. So, sorry, but I will never ever trust a CEO. Lying is like 50% of their jobs. Being greedy is the other half. Sorry, not sorry.

I am gonna write something about disability in Arcane (overall) during the next few days, but let me just talk a bit about the pacing issues of season 2.

Spoilers for season 2 - all of it - obviously.

Believe me or not, but I know the exact issue of Arcane season 2. It is called: Too many characters. Too many plotlines. It is something that easily happens when writing an ensemble story (no matter what the format is you publish the story in - it happens in books, movies, shows, games). At times it works fine if you manage to weave the entire ensemble into the same main plot. But as soon as you wanna give everyone their own little storyarc with a bit of their own themes, it often goes haywire. Either you will end up dropping some characters to the side and not properly finish up their story, or you will end up rushing everything. Neither is gonna be good.

Here I am mainly thinking... Was the entire Black Rose/LaBlanc stuff planned to be there from the beginning? Was it put in later? I mean, given that the entire story felt like it might set up Mel as a Champion for LoL... How do I put it? Mel was too overdesigned in the show, to not be a future Champion. That was my feeling from the beginning. I don't know if they gonna make her a Champion, but man, it feels like it.

But no, the main issue really is the pacing. There is just too much stuff happening.

I will remain, that the thing that shows this better than anything was the second "arc" of season 2. Episode 4-6. And the general way the entire Caitlyn, Vi, Jinx thing plays out. We have the following things happen in the first six episodes of season 2:

Cait's mother dies

Cait swears revenge and asks Vi to assist her as an enforcer

Vi does not want to. Ends up getting drunk.

Vi decides to do it anyway.

They do a bit of chemical warfare for good measures.

They go down there. Fight Jinx. Vi cannot do it - partly because Isha.

Cait breaks up with Vi and becomes the evil fascist dictator

Vi becomes an alcohol addict.

Except, never mind, Caitlin is already feeling shitty about it next episode.

Jinx gets Vi and Magic Pixie Dreamgirls her out of her new-found addiction.

Jinx and Vi are good again. They go help Vander.

Cait meets Vi for the first time since the break up. They instantly are back on the same page.

Like, there is so many plothooks in this storyline alone that do go completely unexplored.

There are two characters here, that do play a role in the last three episodes too and that felt like they were some proper characters at some point. Those two are Maddie - the Scottish-dialect enforcer girl - and... Frankly, I do not feel like looking up the name. The big burly one, who after the break-up takes care of Vi.

Those two feel like they were at some point meant to be more real characters. But because of the pacing, they are barely ideas. Maddie starts making out with Caitlyn because...? I don't know. Because I literally do not know anything about this character but "she is an enforcer", "she is queer", "she is attracted to power(?)", and thats it.

And the other guy goes with Vi because... Uhm... I don't know. I know literally nothing about this chaaracter other than that he is big and an enforcer. *shrugs*

It most certainly feels like there was some planned version of this show, in which Cait and Vi both had a proper corruption arc. In which we really saw the two of them struggle. In which we actually saw Piltover and Zaun under the control of Commander Caitlyn and Noxus, and saw the horrible things they were doing and what it was doing with Caitlyn. In which we also saw Vi struggling with addiction and stuff.

But that was not the version we got in the end. Instead in this version... things go magically well.

Hooray?

Same with Jinx. Her mental health issues just magically get better when Isha is there, because that is what the story needs to happen now.

Here, too, it also feels like huge chunks of the story are missing. It feels like there was a story going more into the relationship of Sevika and Jinx for a bit. But if that story had been there once, it was most certainly no longer there. It was hinted at, yeah, but that's it.

And then there is the entire magic plot.

Look, I think among the fans of the LoL Lore I am not the first one to say: "Yeah, trying to marry the worldbuilding of Arcane to the established Runeterra worldbuilding does not work, because of the magic." Runeterra so far was always a fairly high magic world - at least that was implied by comics and short stories. Magic was a common thing in this world. Otherwise we could not have that many magic champions and a whole place whose entire thing it had been: "We are anti-magic Nazis building mage concentration camps!"

When Riot said, that Arcane was now the main canon, A LOT of fans of the lore were like: "You get that it is not gonna work." And yeah, Arcane Season 2 clearly shows how it doesn't work.

Because the way they put in the entire "Mel is magic, also the Black Rose is a thing" stuff just... It did not fit in the entire plot around it. Because Arcane had been designed as a world where magic was very rare and strange. But now Mel had to be magic and somehow had to be connected to the Black Rose.

Also... What the fuck even happened there in the end? Why put that in? Why make Mel go against LaBlanc? I am sorry, but that was simply too much for this plot. The entire Black Rose stuff stuck out of this plot like - pardon the pun - a thorn.

Generally there are several relationships that feel, like they had at one point been a whole more explored, but then got dropped to the wayside.

As I said, Sevika and Jinx are definitely an example. Ekko and Heimerdinger as well. I also feel like what was episode 7 of the show was probably originally more than one episodes and slower paced - though it still to me was the one episode in this, that kinda worked in of itself. And that the Ekko and Jinx relationship was better established.

I also feel that Viktor and that echo of Skye was probably at some point supposed to actually have talks. Like: "I will miss talking to you." - "No, you won't." Okay? THEN SHOW ME THEM TALKING PLEASE?!

Which kinda brings me down to the main thing that happened because of the pacing issue. Season 2 of Arcane knew only two extremes in terms of "Show, don't tell". Either it goes full "music video" in whcih indeed it just shows us shit without context or dialogue - or we get the information just via dialogue, in a complete tell.

This also shows in the last episode, with the entire thing of Piltover asking the Zaunites for help, after brutally surpressing them forever. Yeah, I see where they were going with this. About being the bigger people and planting seeds and what not. But frankly, there might have been a time and space for a story like that, if properly told (you know, with giving more of the Zaunites a voice in this story, showing more of the conflict and spacing this plot out over several episodes). But a) it was not properly told, and b) a world in which several genocides happen while Trump somehow won a second term is not that world. Yes, b) is not the fault of anyone working on Arcane. That was simply bad luck on their part. But a) is very much their fault - and even if we did not have a Palestinian Genocide and no second Trump term: Without a) being done properly, it would not have worked. It would have just not felt quite as miserable.

You know, the most frustrating thing about this was, that... While I think that one way or another I would still have hated how the show handles the topic of disability (again, I will write about this during the next few days), I generally might have liked the same plot, if it had been given the needed space to breathe.

Like... Sure, I would have never really been on board with "fascist Caitlyn", or rather with "fascist Caitlyn, who gets then forgiven by everyone". But I could have somewhat swallowed it, if that forgiveness had to be earned. But because of the breakneck speed of this show, it never got earned. I am not even talking about redemption arcs here - those are always a headache - but specifically about the fact that Caitlyn gets instantly forgiven by everyone.

Also, lol. The entire thing with Ekko convincing Jinx to come along off-screen. That was unelegant.

Heck, it feels in the first four episodes, as if there was an arc being set up for Sevika in general. And it feels like that arc needed to happen, given that Sevika ends up on the COUNCIL OF PILTOVER in the epilogue. However, that Arc just does not happen. Then, like... why set it up?

That is general the issue. There is a lot of set-up and very, very little payoff to any of it.

And here is the thing. I have heard people argue about whether or not this was meant to have more seasons. But frankly: I do not think that the writers who wrote season 1 would have written this story this way had they known it would be two seasons.

Mind you, compared to some people I would not rate the writing in season 1 higher than maybe 6 or 7 of 10. It was solid, but not overwhelmingly great. But season 2 in comparison is a 2 of 10, maybe a 3 of 10, if I am being gracious.

And frankly, I do not think any writer, who is in any way worth their salt, would write a story where a main character goes evil, and then do exactly nothing with it. I mean, sorry, us writers, we are a dramatic bunch. And we will not resist the drama being served on a silver platter unless we are forced too. I cannot imagine a single writer, who will go with the end of episode 3 and then not write a bunch of angst with Caitlyn and Vi - unless they were forbidden.

And mind you, CaitVi is by far the ship I am least invested in. But it is simply such a glaring example of where the plot is rushed in a way that it hinders the character arcs.

Oh, and also... Lest. Lest in the first six episodes clearly felt like a character, who was going to play a role. Only to then disappear to not be seen again during the finale. What happened to Lest? Is she dead? Is she alive? I guess we'll never know.

*sighs* I am sorry. I really am. I am just... very disappointed. This has been a mess. And I think it would not have needed to be.

Like, the animation is still the most pretty thing ever made in the world. But man... The plot? The plot sucks balls. And not in the sexy way.

[beevean]

I understand the miscommunication now. However, there is a difference between saying "I never played the 2000s games that gave closure to ShTH, and I like how SXSG handled things" and

I think what I appreciate most about Shadow Generations is just that it gives Shadow ACTUAL, CANON closure for his struggle between good and evil.

If you missed out on the games, fair enough, it happens. Personally, I played Heroes and ShTH some years before Adventure 2, and it shaped my perception of Shadow. But if you put it in an objective way, as in, "Shadow never got proper closure before", then I would say "no, he did, multiple times, here's proof - you may not like the writing, but it still happened".

I didn't even talk about '06 itself because I am not going to think about its place in the canon timeline lol. But in a meta sense, it counts for my point: we players experienced Shadow's story and how it precisely exists to show us "look, he has moved on, he can no longer be swayed or manipulated, he knows who he is and what he's fighting for". Sure, the events with Mephiles didn't happen or he forgot, but that game still counted as closure to us after playing ShTH.

I really like that Shadow Gens doesn't emphasize his promise to Maria - he's not doing this out of obligation, but because he chooses to.

It's true that Shadow doesn't talk about his old promise, it's good and shows that he has grown. To be fair, though, another reason for this could be that the story is much more focused on Shadow's biology and ties to Black Doom than his relationship with the world (plus, it wouldn't make sense for him to tell Maria he had promised her to make people happy when she hasn't died yet lol). And, this is an issue I have with the part where Shadow briefly contemplates to stop Rouge and use Chaos Control to freeze Maria and Gerald in White Space: the fact that he has to be told to let them go is still, conceptually, Shadow needing Maria as moral guidance.

As for the mandate bit, I'm aware Boom isn't canon and Forces shows Shadow cares about his team (shout out to their banter in Team Sonic Racing for backing it up as well); I was more referring to the general 2010's vibe. Once you get past 2010, Shadow appears in Generations, where he just wants to "finish" Sonic… And then nothing until Forces, with everything extracurricular from Boom and IDW (while not being strictly canon) pointing to Sega and the writers… not treating his character well.

I disagree. I don't think it makes sense to talk about "general vibe", when the list of Shadow's appearances in the 2010s is so small they can be dissected one by one. Once you remove Boom, which again doesn't count at all as Boom Shadow is a different character from main Shadow (or you might as well argue that the 2010s as a whole turned Knuckles into an illiterate Kronk-like idiot or Eggman into a softie who is frenemies with Sonic), his portrayals in the games are generally decent, with perhaps the one exception of Free Riders where everyone was a dick for no reason lol. Speaking of Gens, sure Shadow challenges Sonic out of nowhere, but then he cheers for him to defeat the Eggmen and then even sticks around for his birthday, so he's not just "the Vegeta" as he has been described since then.

We can argue that Shadow was used very sparingly in the 2010s, which is true. The 2010s were a response to the backlash of the 2000s, and one of the complaints was precisely that Shadow stole the spotlight, along with all the "shitty friends", so they all took several seats back. The reason I insisted that Boom and IDW don't count is that they aren't canon, they shouldn't be used as proof to talk about the character, and they aren't proof of how SEGA sees the character - although they certainly didn't have an iron grip on the external writers except for some basic guidelines, and maybe they should have. I think we are still feeling the consequences of the series stumbling 10 years ago (that 2013-2017 gap was painful), and the fandom growing sour because of it.

I don't think SXSG is a bad game. I have a couple of complaints with Shadow's writing, but they mostly stem with how the story uses him, other than that I can see they tried to make him sound like he did in '06 and he works. My issue is wider: I would like these characters to move on and stop clinging onto games that are by now older than the average fan. We had Frontiers which mostly retreaded character arcs that we have seen in Sonic Adventure, way back in 1998; and now we got SXSG, which was a long, long way to tell us "hey remember ShTH? Now Shadow is tired of BD's shit. Here's a reminder of that game's twist regarding Shadow's biology, but he doesn't care. Also he still misses Maria." So I'm here like... the older games are there. Shadow's multi-game arc is there. Couldn't you have just re-released them? Couldn't you have announced a sale for SA2 on Steam? Or ported Heroes and ShTH, which would have been appreciated by a good chunk of the fandom? SXSG may be fun to play and a testament of ST learning lessons on level design and gameplay style, but the game itself was not the point of the experience, right? It's for newcomers attracted by the incoming movie to get an idea of who Shadow is. I understand and respect that I am not the target audience here. But that doesn't mean the older games are suddenly invalid or should be forgotten.

i guess tl;dr please port shth and battle and then let's write new scenarios for the cast

(Spoilers for Shadow Generations)

I think what I appreciate most about Shadow Generations is just that it gives Shadow ACTUAL, CANON closure for his struggle between good and evil.

By the end of Adventure 2, he remembered his promise to Maria and made his choice to save the world, but then he "dies".

When Heroes revives him, he doesn't remember any of that.

His namesake game (and I say this as gently as possible), as cool as the multiple endings were, feels so unsatisfying. We get to see Shadow's potential for good and evil, sure, but then the true canon ending comes, and it doesn't specify what he did (or even what exactly he remembered about his past) to get there, and then he just decides not to let his past control him. Which isn't a terrible direction on paper, but the symbolism of him literally throwing away a picture of his family just seems... Like the opposite of what made this character appealing in the first place?

And from there, the games kept giving mixed signals. Sonic '06 shows how deeply he and Team Dark come to care for each other, but then its events get literally removed from the timeline. Sega begins to pretend that Team Dark aren't even friends in their mandates for a while (despite the fact they clearly care for each others' wellbeing before anybody else's). Shadow becomes practically a popsicle stick puppet for "angry, serious, violent rival", and they never feel a need to explain his motivations or reactions beyond waving at that four word character description again.

Shadow's appeal (at least to me) was never that he was a character who didn't care about anything - it was that he cared very deeply, actually. (Someone who nearly lets the world be destroyed as revenge for losing his family is the exact opposite of someone who doesn't care!) He may not be cheerful, he may be quiet and stern, he may have a temper and be capable of terrible things if he isn't careful, but he isn't heartless.

And Shadow Generations FINALLY got it right, I feel.

There's now no doubt that he remembers his past, and that it did matter to him. It still does, in fact, and we're dropping the idea that he'll move on from it like it never happened. That's not how tragedy works.

But he will be able to move forward.

He has finally, WITHOUT GETTING AMNESIA, IN THE CANON TIMELINE, gotten to become the hero Maria wanted him to be.

That doesn't mean his story's over: I'm sure they can still find adventures to send him on. And that doesn't mean he needs any kind of complete personality overhaul, either. He can still be more aggressive than Team Sonic, and more stern, and maybe even more willing to resort to questionable methods to fight next week's bad guy.

But all of Team Dark has gotten to acknowledge that they do, in fact, care for each other, even if their attitudes aren't as chummy as Team Sonic.

Shadow has gotten to hear from his family that they are proud of him, weird alien DNA and all, and that even though he will have to go the rest of his long life without them, their love will always go with him, and give him the strength he needs to overcome any of his darker parts.

Shadow having a darker edge than Sonic and Shadow being a hero are things that can and SHOULD coexist, and I'm so glad we finally got to see it for him without it getting wiped from canon or his own memories again.

[chickenkurage]

"The Author" (Reality Warped AU)

This is the villain.... "Alan"

He's not that scary yet XP...... Anyways, lore!

· • —– ٠ 📜 ٠ —– • ·

Summary/Synopsis:

Imagine sitting at your desk, writing the ending of your own book. When all of the sudden you wake up in a world that you literally made! Goodness this is an author’s wet dream! At least that’s what Alan is supposed to feel, until he remembers what kind of person “Alan” is in his story….

Where Alan Becker, the author of Animation vs Animator and his standalone Animation vs Minecraft (kudos to Mojang) was suddenly sucked in his own book, now he finds himself in place of his self insert character named “Alan”.... He’s supposed to be glad because he’s meeting his own creations (his own characters! Can you believe that?!), until he remembered he’s the “supposed” villain of the story.

Oh well, he can change things up right?

Ugh, right…. He is the villain, and being a villain means it’s hard to gain your character's trust (why did he even write his character as a villain?......a right because he couldn't think of any other villain, so naturally he wrote himself as one.... ugh).

· • —– ٠ 📜 ٠ —– • ·

LORE:

“Alan” in this AU is the villain, the creator of victim, The Chosen One, The Dark Lord and The Second Coming: The Chosen One’s Return. He was the worst out of the worst, he only thought of them as some play toy. Telling them what to do, and such. He was the fucking worst, at least to their point of view…. Actually, scratch that, he was the worst to everyone’s eyes. Even the Color Gang hates Alan (and somehow, they were the “chillest” out of them all). They were so used to Alan treating them like dirt at this point. Then all of the sudden he’s all kind now? What games is he playing?

Alan Becker is just an author, a really well-known author that created Animator vs Animation, originally a story he created as a teen then he tweaked it a little bit when he got older (his writing was atrocious, it clearly needed some work). But nevertheless, he was proud of his work, he even gained a fandom because of it. Met a lot of people too, and friends too! As a child, he always wanted friends on his own computer, always fantasizing how he would be with them and how fun it would be. So naturally he made a story, and that story became a sensation years later. He really should be thankful for his family and friends for giving him a push to actually publish it. After losing his interest in drawing (he clearly was not improving) he decided to just hone his writing skills better, after all a lot had said he was better at writing than drawing. And somehow, he’s glad he actually continued it. So, tell him, why the fuck did he suddenly wake up in his own story?!?! Not only that, but he also has no face?! Oh god he has no face (actually it was his fault for not really going in depth on how “Alan” looks like, now he suffered the consequence of losing his own face).

Now he's stuck as his own self insert character, forced to play a villain role, before deciding, fuck it and fed his characters kindness and love, because for the life of him he cannot act like an asshole; he feels too bad............ Naturally, he also knew how the story would end, and it won't end on a good note. So thankfully, acting kind will MOST PROBABLY change their ending... Hopefully, oh god out of all books he gets sucked into, it's his own book which probably has so many plot holes?! Someone please save him now!!!

· • —– ٠ 📜 ٠ —– • ·

Here is your well-deserved lore everyone! We finally got another Alan who isn't crazy, turned crazy, evil, a terrorist need I say more? - S

[guiltycorp]

Damn i really want to know tf happened in the writing room of arcane s2. Some of the downgrades were inevitable due to the show's corporate limitations (not being able to progress the class war story in a meaningful way, having to tie things back to league of legends in terms of making playable characters more appealing to well, play... rip Mel and Viktor in particular), sure. But i still feel like it's even worse than that? There are so many bad decisions that i couldn't even start listing them all... the characters, plot, pacing, themes, it's just such a mess? Even the dialogue writing, it feels much more mm Marvel at its worst i suppose. What i am most bothered by is probably just the straight up harmful messaging so um... Cycles of violence and abuse can be broken by individual decisions to become a better person! Got nothing to do with systemic oppression, living conditions, mental health issues, you can just conveniently ignore aaall the social context, live laugh love and then things get better automatically yep, oppressors famously stop oppressing you when you show them that you're harmless and won't put up a fight anymore. Literally three out of three suicidal characters dying to redeem themselves? Not even in a tragic/cathartic way but in a bittersweet 'they finally atoned for their mistakes' way? Groundbreaking lmao. Romantic relationship between Vi and Caitlyn including no communication about their biggest fight, just conveniently skipping to sex and getting back together - would have loved that if it was framed as the unhealthy fucked up thing that it is, skipping over Vi's hurt and her background to once again become a cop, her girlfriend's direct underling at that (!) due to her not having any other support systems... But nope that was our cute lesbian romance wrapped up, a good thing all around, not concerning at all. Jayce telling Viktor that what he 'always admired about him' was his disability and his deadly disease (??? from a character who spent the whole s1 and first act of s2 desperately trying to help Viktor find a cure? sure) and that those imperfections don't need fixing, just wtf truly. Magic bullshit was also weird, some implications of 'natural magic is ok, but achieving that power through other means corrupts you into a crazy robot bitch or just wilts your trees i guess', but tbh it was written in such a weird and inconsistent way that we can skip this one... Yeah actually a lot of things were just such a mess that I feel silly pointing to specific moments or lines I didn't like, I mean duh, it barely makes sense as a story at all... I am happy we have s1 which comparatively was a masterpiece, and i also really enjoyed s2 act1, i truly believed it would lead somewhere good at the time, my mind still kind of cuts off the story at that point when i think about it, that WAS the open ending of the show to me (is it possible that there were rewrites? targeting act 2 and 3? idk, wishful thinking perhaps). Despite my extremely negative feelings about this season's conclusion i remain glad that so many people appreciate the show regardless, it is clear that there was STILL a lot of love in the process of its creation (although i'd argue that even some of the visual aspects of the show suffered in quality, once again i have to wonder about behind the scenes mood of it all) and i get very upset when i see creatives online despairing over reception of their projects even when i'm absolutely in the disgruntled crowd hahaha... ...however yeah, this wasn't great In a world that increasingly grows more and more right-wing politically... we really needed something different i think.

[sabine-smitten-obviously]

And YOU will feel healed of the last 15

... when you read this fic. That is, as long as you suffered from an abandonement wound like i did.

Ello lovelies, i have another wonderful fanfic-rec for you! 🤓

But you are an ocean by @ineffably-good

Coverart by @ineffableclassics

What it is about:

After Aziraphale's defection, Crowley tries to figure out how to live life for himself.

Notes:

Ok so, the end of season two broke me. Figured I was maybe done writing stories about these two after that. And yet, several hours later, a sentence appeared in my head, and then this happened. Guessing at chapter totals… I'm finding I like the idea of Crowley going off in a different direction than what I'd initially expect. Not just raging, not sleeping for a century, but actually trying to move on. And why the hell shouldn't he just move to the South Downs by himself? So here we are.

What i like about it:

🩷This fic doesn´t jump in on pushing the story - their story - forward. Instead it goes a totally different path. A quite big part of it is dedicated to Crowley mending the pieces of his broken heart. It´s endearing, it´s breathtaking and it will have you cry. Not only for Crowley but for every single person who ever had to endure heartbreak.

🩷Fun fact no.1: in real life I am a relationship-coach specialised in toxic relationships and heartbreak. And the way Crowley´s heartbreak is described couldn´t be any more accurate. Every thought, every pain, every action he takes, the strength it costs him, the weight of it all - its written absolutely to the point. I could have copied several pages for the "most beloved quote".

🩷So Crowley tries to build a life for himself. Not just living without the angel and rotting in a pit, but really trying to carve out a nice little existence for himself. He is doing his work, he is healing and you can follow along with him, as he learns to build at least new "friendships" - though he would never call it that himself, thanks a lot.

🩷This healing-journey takes quite some time and somewhere in the middle of it i started to think - he could do it. He COULD heal his hurt, mourn the loss and still somehow at least live a life on his own. Maybe feeling the missing part of himself for the rest of his existence, but not being miserable about it the whole time. And that is a thought - a wish - i would have for my dark angel.

I could see him living that life and at one point i almost thought - i would love to see how that would´ve played out for him. A life without Aziraphale. What connections would Crowley have made? How would he have coped with the loss of those humanly connections lifespan after lifespan? Would he have relocated each century? Would he have moved to Australia and learned surfing at one time? Would he have become a timelord and travelled - i mean seriously, Crowley could do that probably?

But you, my dear, are an ocean.

And oceans are ancient

And can survive everything,

Even the wrath of weather and planets.

-- Nikita Gill

SPOILERS AHEAD - if you don´t want to know the plot, stop reading here.

Stop reading if you dont want spoilers!

Ok - you´ve been warned! Here we go: 🤗

🩷Fun fact no.2: I actually downloaded this fic some time ago but had another fic in mind i wanted to start next. So after i finished the last one (also really brilliant, i wrote a rec on it too), i started my e-reader the next day, THIS fic was already open instead on page 1. Huh?

I have absolutely no idea how this is possible, but i DO believe in hints-of-the-universe. Or little demonic miracles on their own. Because i needed this fic.

🩷Because of course - this is a Good Omens fanfic and eventually the other angel arrives. And without giving away to much: Aziraphale has to fight for Crowley. A long long time. He has to be steadfast and consistent and earn the trust of his has-been-companion-for-millenia. Nothing is a given any more.

And i am NOT saying that this is what Aziraphale needs to do or that he was wrong in any way. (The fic doesnt say that either by the way.) But what cracked ME personally about the last 15 was my own abandonement-wound which got triggered massively. I felt retraumatised even.

So reading and feeling that Crowley does not jump on the next best possibility to be back with the angel was a big thing. Having the Angel slowly earning his trust and simply showing up again and again - I needed that. I needed Crowley to take his time, not be the sick lovefool he is often proclaimed to be. For him to have doubts, to feel conflicted, to feel love and the need to self-preserve at the same time.

All these ambiguities we all have. And to take the steps with him. Watch the turning point, when the fear of losing Aziraphale again becomes less and less and the fear of wasting time gets stronger. Taking one step at a time, sometimes even backwards. All those things, typical for a healing process, which is never straight forward but most of the time a rollercoaster instead. I loved this. I needed this. I could sit back, breathe and watch my own heart grow. Just. Wow.

Most beloved quote:

So if you feel like maybe you need a fic in which Aziraphale really shows up and cares while Crowley really takes his time to learn to trust again... And not because one of them has been an idiot, but to experience them both learning and growing together ... and that might be something for your own healing journey, this might be just THE fic for you. I absolutely loved it and so will you.

Reading is therapy! 🤗

[eponymous-rose]

Some (many) thoughts on Arcane s2 while it's still fresh in my mind:

(tw: discussion of fictional depictions of suicide)

I'm gonna do some nitpicking here, but only because I really did like it overall - I think for me s1 was a solid 10/10 and this season was an 8.5/10, so I'm certainly looking forward to rewatching it! The animation was a big step up from s1's incredible work, the music was great, the performances were fantastic. I do think the overall writing/story fell down a bit, though.

It's weird, because my go-to when character arcs feel rushed is to want more episodes, but I don't think that necessarily would have solved my issues with this season.

Cait turned on Ambessa on a dime - we love to see it, but I think we maybe needed a few more overt hints of her discomfort with her position, maybe a sense of wrongness in their adoptive relationship and some parallels with Jinx & Silco given what Vi says early on ("why are you the one acting like her?"). Ambessa believes her daughter to be lost, and Cait has lost a mother - they were certainly playing on that substitution, but the eventual turn, while fun, felt a bit quick and unearned. I saw someone joke about the word "Cupcake" flipping Cait back like a sleeper agent, but that's kinda how abrupt things felt.

I think Mel's plot largely hung together okay, although it was pretty disconnected from everyone except Ambessa - would've loved to have seen some acknowledgement that Cait was filling her shoes as Daughter for a while there.

Isha was sweet and I liked the parallels with the Powder-Vi relationship (LOVED Jinx running with the pink chalk and Isha with the blue), but I think the sacrifice metaphor got a little muddled. The parallels with Powder charging in and killing everyone around her, versus Isha charging in and saving everyone but herself felt a little forced and I struggled to see how they served the greater narrative. The whole point of Powder's failure was a messy combination of bad luck, overcompensating for what she perceived as a lack of confidence in her, etc. Isha had Jinx's confidence on her side, I guess, and now of course we have the foreshadowing of Jinx dying to save someone else, which she's been trying to do since Act II.

Suicide was a pretty heavy concept throughout the first season. We had the parallels of Jayce and Viktor, we had the little-remarked-upon moment where Viktor hesitates before cutting the wire on Jinx's bomb. I actually think this season did pretty well with those two (although I'll talk about a couple things that irked me below), but the concept that we can't escape the things that we've done and we instead have to find salvation in those around us felt kind of contrary to Jinx's finally finding a way to die for her sister. I don't know that Jinx's story was necessarily supposed to feel satisfying or complete, but without another season there's not much to dig through there.

And that brings up the main reason I don't think more episodes would have resolved my quibbles with this season: it was pretty prone to overexplaining. To me, one of the most exceptional things about that first season was how little it explained. You had these gorgeous, evocative flashes of Vander trying to kill Silco, Silco stabbing him and fleeing into the night, and that's all we needed! That's it! We didn't need to know the specifics, we didn't need more backstory than that - the whole point of the season was that these kids are trying to make their own stories, and these guys have set the stage and are in the process of bowing out. Much as I loved the glimpses this season into the past generation's adventures, it felt like it was pinning something down that was more effectively left to the imagination.

There were also some weird fumbles with discussions of disability, especially in that last episode. I loved so much of what season one did with it - the older generation of Zaunites almost all had some form of disability due to the way they'd been systematically poisoned and their constant exposure to danger, and that was a really in-your-face way to challenge the early "why can't we all get along" stuff. And so much of Viktor's and Jayce's arcs are tied in with the sense of time running out and how Heimerdinger's long-term goals are incompatible with helping the people suffering right now. But instead we get this weird "you didn't like your imperfections so you tried to eliminate all imperfections", which doesn't quite ring true.

We just fundamentally didn't get to a resolution that I think was heavily implied, especially in Act II. "No one in power is innocent" is a great, raw line, but we didn't really see it play out. Instead, we have everyone stopping from othering each other in order to band together against an even bigger Other. As a side note, I don't think that Sevika's ending is meant to be a positive thing - we see from the skeptical looks of others that she's got a long road ahead. The revolution we saw coming just sort of fizzled out, and I think it's still on the horizon, which makes things feel incomplete.

There were also a lot of notes that repeated instead of echoing or harmonizing. We had variations on the theme of Vander dying three different times. We had Vi being unable to kill her sister several times. The repetition felt a bit like it was filling time instead of moving things forward the way s1's plot kept pushing.

This season is also the first time I felt the hand of League of Legends Canon shoving the plot into place. We knew Vi was heading for that enforcer uniform, but after the initial conflict it sometimes felt more like we just unlocked a new skin for the character. The Vander-as-Warwick stuff was kind of silly and out of left field, although it was executed pretty well and certainly pulled at the ol' heartstrings. Ekko getting his time abilities was fun and impacted the final fight, but I feel like we were missing something there as well that I'm having a harder time putting my finger on. Some of Viktor's lines felt designed to make the League players in the audience go "HE SAID THE THING". And I hate the feeling of setting up the Next Installment in the Cinematic Universe, probably just because I'm exhausted with Marvel stuff - I'd love for an adaptation like this to be able to really and truly stand on its own.

Overall, it just felt less like the characters were driving the story and more like they were ticking off boxes, which is just something that any good finale has to contend with one way or another.

Anyway, that's a lot of nitpicking. Fundamentally, this felt almost like it was a really strong fic that did a surprisingly good job of wrapping everything up and was stunningly put together in places... but still lacked the spark of the original.

Stuff I loved: Vi/Cait getting a pretty strong arc and certainly the first lesbian sex scene I've ever seen in a TV-14 cartoon. Animation and score was stunning. I did love the what-if of episode 7 - something I've been waiting for them to acknowledge is that literally everything that happens in the show follows from that one break-in during episode one. I actually think Vi and Jinx's reunion and reconciliation felt earned.

I'm curious how I'll feel on subsequent rewatches - the first time I watched s1, I remember being blown away but not in a "this is the best thing ever" way, and it wasn't until the second time that it really clicked for me.

[katerinaaqu]

One can argue that modernity is by definition the absence of form and that everything can change but either way again I completely disagree with the notion that there is no other way it could be successful. And many fans even got disappointed at the changes and all. Again we have so much connected the idea of "retelling" with "forget the plot" sometimes and it shows to all the "modern retellings" how they miss the point of the material they ellegedly adapt by a mile. Is your opinion and good for you to have it but again I disagree big time. It is a matter of marketing sometimes and like I said many people got disappointed at the changes as well. Many even said "we ignored the changes because music was good" and again i disagree. You might claim that and I can counter we shall never know again I disagree that you cannot be lore accurate. That is my opinion that's all.

I never meant to say over 3 hours although i see why it comes out this way. I meant 3 hours is a length that one expects a performance to have. And again I said many times over that he doesn't need to adapt every single moment of the Odyssey and turn it into a 5 hour thing. I said it would be better to be lore accurate. I literally said nothing of speeding up. Where on earth did that come from? On the contrary. In fact the last saga WAS sped up and it showed to the narrative.

Actually they were not to the Odyssey but to epic cycle and AGAIN that is exactly what I said. I said the first two sagas proved that you can have a LOOSE ADAPTATION (not 100% acurate) and STILL be lore-acurate. Astyanax incident was spoken in just one line in the Iliou Persis. It was given a reason in the musical. THAT is what I expect to see in an adaptation; liberties that work WITH the plot and fill in some gaps. Not something that says "fuck the plot I'll do whatever" that is not an adaptation in my mind or at least not a good one but it also depends on the media.

And I never said you did?! 🤷‍♀️ I said that is the feeling I got from some people who loved the musical who couldn't understand my dislike for it. Where did I say you said that? I said that they state their opinion on THAT matter like you express your opinion on THIS matter. And again why can't you accept that someone has a different idea on what a retelling is? You can say it is. I say it isn't because I do not agree in this method and a story that ignores the most basic parts of a plot does not count as a retelling in my book. It is an original story inspired by a material.

I put the emoji for a reason my friend. I was only half serious on that answer. I am honored you enjoyed my posts which is why also I engage with you and I express my opinion sincerely and directly because I believe we can be honest with each other. And when I said "don't expect me to change my mind" I meant that as an emphasis that I respect your opinion but I would continue to express the same thought and say that I disagree. If that offended you in any way that was not my intention. I see that you are passionate on your subject and I am on mine so I only "warned you" that my answer will still be the same. I NEVER said you are trying to push your opinion on me now I believe YOU shouldn't misunderstand me. I only mention that my opinion will continue to be the same.

And I said a hundred times already that I do not say you try to do the same and I also said that I didn't feel like that with most of fans either. You keep insisting on that but again all I said was that I disagree with you. Why do you feel attacked? If my previous reply seemed harsh I am sorry but again I didn't say you tried to push your opinion I only state what I do with mine.

Okay right back at you. I feel that you are not listening what I say. I again said I do not consider it a retelling because it literally respects nothing of the plot. It is not re-telling the story it is a writing of a new one (again that is my opinion). You disagreed and I disagree. Why do you keep saying that I accuse you of something? Also I said a million times you do not need a word for word thing to have a loyal adaptation. I also stated it a hundred times. Cutting is inevitable. THIS amount of change was optional.

I see. You definitely are free to do so. Honestly it is sad that it comes this way but you absolutely can and you have the right to do so. I am sorry you felt this way perhaps that is because I express my opinion too passionately the same as you. It happens. I am sorry that it comes this way. No I do not block people. If others wish to block me is up to them. It wouldn't be the first time. It is up to you. You do not need to earn Mr for it and I do not live for followers or people who block me

I know I am not a pleasant person and never claimed to be. I am who I am. If that is so unpleasant to you that you wish nothing to do with me is up to you really. No need to warn me about it.

You realize that a fandom has gone off the rails or that it has REALLY taken over when you see "Epic the Musical" tagged under images of Achilles and Patroclus! Like...how are two characters who were both dead by the taking of Troy, yet alone by Odyssey who do not appear not even as a mention for the Underworld as they were in the Odyssey, relatable to this?!

Sorry! XD

[sheliesshattered]

the number of times that I've been actively researching a scientific topic in preparation for writing a sci-fi story that incorporates that topic

and then brand new info on that topic is released into the scientific community. while I'm in the midst of reading up on it

is too damn high, and honestly starting to get a little spooky

[saras-almanac]

So I wrote this post the other day about my feelings on the handling of the BuckTommy breakup (which you can read here if you want). And @parrishjeanna reblogged with a link to an article from Tim. I wrote out a reply to it but it became so long I needed to put it in a separate post because it’s over 3k and I need to put it until a readmore.

Okay so I did read that article thank you @kawaiifacesong for linking the not generating revenue clicks because I don’t like reading any articles for 9-1-1 because it’s literally all buddies who can’t ask anything about the show. (Case in point, in this particular interview, the interviewer brings up “The Couch Theory” because Buck and Eddie sit on a couch.)

So this interview was trash for many reasons but I’ll narrow it down to three for the sake of this response: Biphobic nature of the breakup and aftermath, what’s being said in interviews isn’t what we’re seeing, and Tim writes as he goes so there’s no actual plan going forward.

First: The Biphobic Nature of this breakup is still moving full swing.

The idea that Buck is “still figuring himself out” and needs to explore is insulting in so many ways—especially to myself as a bisexual lady in my 30s. Firstly, being in my 30s, the idea that you need to figure yourself out still is absolute bullshit. Yes, you can still find new things out about yourself and make some changes, but usually by this point in your life, you have a pretty decent handle on who you are as a person. Which Buck does have… and we’ve seen that? So it has to be a reference to his newly discovered and realized sexuality.

Which, AGAIN is so biphobic and plays into incredibly harmful bisexual stereotypes that bisexuals need to “explore” to figure out what or who they want. This means either they need to fuck around and make sure they’re really bisexual. OR they need to get enough experience with their same gender to then be able to have a same-gendered relationship. Both of which are insulting and harmful. This idea that Tommy couldn’t possibly be a lasting relationship because Buck just came out as bisexual is wrong. It’s fine if they didn’t want Tommy to be a long-term love interest or even an end-game love interest, but why couldn’t they have done it differently, to hopefully not play into these harmful stereotypes that are still incredibly prevalent today.

Now do I think they fully intended it to play out as biphobic as it is? Not really, but I do think that the heart of what they wanted—Buck exploring his sexuality—is inherently biphobic because of the way they have chosen to go about it. There’s a world of difference between having Tommy break up with Buck so Buck can go exploring and having OS and TM saying similar things in interviews and Tommy and Buck breaking up and Buck getting back out there and dating around. Which if they had given it just a smidge of thought, I have to hope they would have come to that same conclusion and maybe gone about it in a different way.

Second: What Tim’s saying in interviews about what’s happening on the show and in these storylines doesn’t match up to what we’re seeing

I’m going to paste the few paragraphs related to BuckTommy break up here, just to read. I have bolded what I thought was important and what I’m going to talk about after it.

“Look, I think the breakup was premature, but that was by design. For me, the story that I was trying to tell was here’s a guy, Tommy. He’s not a main character on the show. We haven’t done ‘Tommy Begins’ or something. But you do see him in the ‘Begins’ episodes, in flashbacks, and by the time he leaves in ‘Bobby Begins Again,’ he’s turned over a new leaf. He’s feeling more comfortable. He’s hanging out with the new people at the 118 once Bobby takes over, and they throw him a party and bake him a cake when he goes off to his new post. There was even a reference in Broken when Chimney calls him to do the water drop,” Minear explained. “But Tommy’s a guy who’s in a different place in his life than Buck is. And I think what Tommy realizes is exactly what he said, which is, ‘I’m not your last. I’m your first.'” Minear referenced the coffee shop scene in Season 7, where Buck asked Tommy to give them another shot and come to his sister’s wedding, as a point when Tommy thought, “Alright, this guy’s kind of great. He’s super hot and he’s sweet. And this will be nice. And I’m going to be vulnerable for this.” As the relationship grew stronger and the stakes grew higher, however, Tommy reevaluated things. “I think Tommy, in the end, understood that this was not forever — that Buck is exploring himself. He’s still figuring himself out. And even if Tommy doesn’t know it, he might sense the fact that Buck likes to jump in with both feet a little bit precipitously,” Minear mused. “So was the breakup premature? Yes. Because Tommy was put in a position where he had to be honest. And once he speaks the truth, which is, ‘I think I know where this ends, and I can’t move in with you,’ he’s kind of breaking the spell — the spell of that honeymoon. Tommy even says, ‘I didn’t see this coming either.’ I don’t think either one of them did.”

Okay, lots of things happening in this quote but ultimately there’s a massive disconnect in what TM thinks is happening or what he’s saying is happening and what is actually on screen—and that’s a huge problem. You can’t rely on interviews to explain things, it needs to be in the actual text of the episode.

I think the real crux of the issue is this: “Tommy’s a guy who’s in a different place in his life than Buck is… Tommy, in the end, understood that this was not forever… he’s kind of breaking the spell—the spell of that honeymoon.”

Let’s break this down a bit. Tommy being in a different place in his life than Buck… How? Buck has, since the pilot episode, been looking and searching for a stable romantic relationship—he’s always craved that and wanted that. Even in the breakup, he was thinking about their future and marriage and moving in with Tommy. Is that not what the next logical step of a relationship might be? So doesn’t that—regardless of whether it was premature or not—prove that Buck and Tommy are in the same place of clearly wanting a long-term, committed relationship? So if this wasn’t the case, why didn’t you show that? Show them having that disconnect or make it clear that Tommy’s dropping hints about their future and Buck is not in the same place so he’s not picking up on them at all. Because what we saw was Buck wanting and seeing a future with Tommy and Tommy basically telling him that the doesn’t actually.  

“Tommy, in the end, understood that this was not forever — that Buck is exploring himself. He’s still figuring himself out.” This is my villain origin point—for real. Because this is also not what we saw! What we saw, was a Buck who was so secure in himself and his relationship, arguably for the first time on this show, that he didn’t panic or second-guess anything really. He was all-in with Tommy and enjoying himself and being with Tommy. He even said that being with Tommy makes him more comfortable with himself—aka what a lot of couples say when they’re in committed and reciprocal, healthy romantic relationships—that being with you makes me happy being me. (Paraphrasing here, but hopefully my point gets across.)

Because what is there for Buck to figure out yet? He knows he’s bisexual and incredibly into Tommy. He’s happy and content with his work life and seems pretty happy with where he’s living. His relationships with his friends and family are all as good as they usually are. So what is there for Buck to still figure out? I’m left to assume that this is again only about his sexuality, which just keeps adding more to the pile of shit that makes me feel crappy and uncomfortable with this storyline.

Also, why couldn’t Buck and Tommy last? Why is that assumed to be the correct conclusion to come to? How many high school sweethearts get together and last? How many people who don’t date until they’re in their 20s-30s find someone right away and stay together? How many people come out as queer later in life because they have found someone they click with and it just makes them see more of themselves and they stay together? Sure, this is not the case with every single person in these situations, but it’s not unheard of. To me, this just feels like the show and Tim are acting like Buck is a young, 20-year-old child and now a grown man in his 30s…

What we actually saw on our screens, was two people who genuinely seemed to enjoy each other and spending time together. That had an easy and sweet relationship, where they both felt settled and comfortable together. It’s why the weird change in 806 felt so abrupt—what do you mean these two people who had amazing communication up until that point, have not talked about their past relationships at all? I think that was done as a shortcut for the writers and TM to say, “Look, see, they’re not compatible, they can’t last because they’re not talking about anything serious.” But again, my point is: then you should have showed us that beforehand, given some foreshadow or lead up to it. Instead, they chose to blindside the audience for the “shock value” and it didn’t work. Shock value for shock value’s sake never works for the audience. They don’t want the rug to be pulled out from under them, they want to see you building something and only after it’s built can they see what you were doing the whole time.

Now, I understand that they just wanted to break them up for “story” reasons (which I have no faith is going to be anything good). While I personally hate that because I feel like there would have been much more storylines and things for Buck to be involved in and it would have opened up a lot more potential stories for the future, I get that it’s not my decision to make. But why couldn’t they actually make this make sense in the actual context of what we’d seen already? If you wanted to break them up because they’re in different places, then having Buck ask Tommy to move in could have caused more of an argument of Tommy saying that Buck doesn’t really see him and doesn’t seem to understand that Tommy has a whole life outside of Buck. O Tommy could have been the one to propose moving in together and Buck freaks out because it’s too soon—which leaves Tommy to come to the conclusion that they want different things right now and he can’t just sit around and hoping Buck will catch up because it would be too hard for him to let go of Buck later. Or have Tommy literally going to a different place—whether temporarily or permanently—and so they have to break up because Buck has a whole life here and Tommy wasn’t about to ask Buck to uproot himself for Tommy…

There’s so many other ways this breakup could have gone instead of the route they went—and they would have made much more sense contextually. Instead, they went this cheapest way possible and have Buck now acting like a child about calling Tommy, when in reality and with the growth we’d seen of Buck in the past 8 years, he would have reached out to Tommy already. At least to talk things through. The baking thing was cute for an episode and it would have been okay for longer, but I’m just sitting here wondering exactly why Buck can’t call Tommy… If it’s because he’s hurt, then they needed to say that because right now, it just seems like Buck is literally being forced to not call him but the audience isn’t really sure why.

All this brings me to my biggest point. Third: I don’t trust anything that’s being said in interviews or by TM because he doesn’t write in advance and that’s a major problem

Before we get into it let me make a disclaimer: I’m gonna need every single network and studio to start requiring all the white men who write for them to actually be getting them scripts. We cannot rely on their “genius” to make sense because these scripts—especially season 8—should have had a few more passes before what we’ve seen. The only episode so far that actually felt like a complete episode was the Halloween episode.

And if this season has taught us anything, it’s that Tim not having any real plans or anything written is actually a massive problem for this show.

Now me not believing TM is not me saying that I 100% believe Tommy is coming back (though I feel like the chances are higher now with the reaction from the GA for ABC to suggest some things or at least give a closure beat to this character and relationship) This is more, nothing that TM has said in interviews up until this point for season 8 has really actually happened on screen except for Eddie shaving his moustache… Granted, I don’t read every single article with him so I might have missed something, but I just feel like he’s got no interest in setting anything up and actually paying it off in any real way.

So many people were so excited for season 8 because it was the first season in years where we actually knew so many storylines going into 8—that weren’t told to us in interviews; they were introduced in the actual show! We had Bobby/Athena’s house hunting, HenRen fighting Ortiz and trying to get Mara back, Madney fostering Mara in HenRen’s place, Eddie dealing with Christopher leaving, and Gerrard back at the 118. Any one of those storylines would have been so amazing to really see explored and fleshed out. Instead, everything was basically settled and done by episode 4—apart from Christopher and Eddie resolution and Bobby/Athena actually moving in / building. To me, as a writer myself, that decision to rush though those other stories was a massive massive misstep. There was so much there to explore and delve into that could have been so satisfying to watch and really reap the emotional payoff.

Instead, we had like 2-4 minutes max of processing HenRen not being able to see Mara again before they were all reunited. Not that I wanted to see HenRen struggling again in this way, but it would have been different and they could have put some humor into it with Karen suggesting they tail Ortiz and try to find things out about her—or Hen comes back from a shift to find Karen has stayed up for 38 hours tracking every single facebook post from Ortiz and her family to try and find something they could use and she’s the one who uncovered the link between Ortiz and Gerrard, which then promts Hen to ask Buck as Gerrard’s specialist boy to ask for a favor or try to convince Gerrard to help them deal with Ortiz.

And Maddie and Chimney having Mara would have been so interesting to see them actually having conversations about what they want for their family going forward—do they want more kids, do they not? Are they wanting to try naturally or adoption? And then Mara being with Chimeny could have also added another layer of tension between Hen and Chimney with Hen being jealous that Chimney is raising her daughter.

I mean Eddie… the fact that it took 8 episodes (basically) for him to actually acknowledge that he needs to do something to be a part of his son’s life is a major problem as well. It makes me not want to root for Eddie to reconcile with Chris because he has shown hardly any initiative in actually confronting what he did and the actual reason why Chris is so upset and feels betrayed. There was a little in 6, but that’s sort of it.

Bobby and Athena, they just don’t seem to know what to do with them anymore. And that’s a shame because there are so many things they could do—namely my favorite thing which is give them more comedy to do! They are so funny together (cruise ship is one of my favorite things). Or they could have had the first few episodes be them sort of couch surfing through the firefam and be a fun little runner of “we really need to figure out what we’re doing.” Even their storyline of their house burning just doesn’t seem to be a thing anymore.

Buck, it would have been so amazing to see him dealing with the work stuff more and having Tommy to lean on, to see Buck who’s been pretty secure in his work for the past few seasons now dealing with Bobby being gone and Gerrard there, just really gets him thinking about the future. Or even the comment about budget cuts, why was that never brought up again? That would have been so interesting to lead up to the midseason finale, which of the 118 is going to get laid off? And Buck being in such a secure spot maybe he volunteers because he wants to explore something outside of firefighting and/or because everyone else has kids and a family and he knows it’s easier for him to not have a job? And then he’s saying his goodbyes and the midseason act out is Bobby announcing that Eddie is going to be leaving them instead.

Instead of really exploring any of that, it’s all been rushed through to move on to the next thing, but the honest truth is: I don’t trust what TM’s great next thing is because he absolutely squandered all the potential he had going into season 8. So all these “amazing things” he has going forward I just don’t trust they’re going to happen or even be slightly interesting. Instead, I assume they’re going to be something that’s like an episode opening and then never mentioned again if they do happen.

I just don’t understand what is going on in his head other than ego right now and I’m just… I deal with too many egos in my life to deal with another one like this.

[pepperpixel]

“put me on a pedestal and i’ll only disappoint you

tell me i’m exceptional, and i promise to exploit you

gimme all your money, and i’ll make some origami honey!

i think you’re a joke!!! …but i don’t find you very

fuuuuuuu~nyyy”

More tagr art!!! Assorted stuff this time! Featuring some cute chibi stuff. Some solo gaz’s, a lil uhhh. Comic of an altercation.. and a very belated Halloween pic I started drawing last Halloween and didnt finish lol. Also featuring lyrics from pedestrian at best cuz that song rllly rlly fits my ver of tak lol.

[haemey]

Yeah, I mean, it is quite detailed in some regards, but some things are bound to slip through the cracks. I'm pretty sure it's impossible to be 100% consistent or even just plan down to the last eventuality when creating a world. And personally, I don't think it's necessary, either. Most of your audience will accept what you give them, as long as some surface level thought has been given and what you tell them doesn't completely contradict anything else you showed them. The people who dig deeper are, despite what it might seem like within any given fandom, actually a minority. And unless you commited any egregious mistakes while writing and creating your world, those people will actually be happy you gave them something to speculate on.

This scene, along with any of the flashbacks, any of the scenes in Heaven or Hell and a few others isn't in the book, it was added for the series. It's quite possible that the true reason for Gabriel jogging on Earth is just... to have a setting for that dialogue, and to highlight the differences between him and Aziraphale more acutely. There is probably a bit more to it, GO is heavy in subtle symbolism after all, but the whole "can angels lose their gut in a matter of hours" and "do angelic bodies need to be trained and maintained" thing might simply not have been considered. From a writing perspective "lose the gut" is likely a throwaway line to show how little Gabriel understands Aziraphale and his concerns, and maybe to make him seem a little mean, though unintentionally and well-meaning on his part (does that make it less hurtful? No. Does it make sense for his character? Yes.).

But that is where fanon comes in!

What was that post about someone pointing out plotholes in someone else's story and them going "thanks, it has pockets"?

I just had a few thoughts, specifically about the scene in Season 1 where Aziraphale and Gabriel talk in the park while Gabriel is out for a jog.

First of all, the "lose the gut" comment. The war is only a few hours off and Gabriel wants Aziraphale to get in shape for it. Which has to be possible, otherwise he wouldn't ask for it. So angels (and by extension, demons) can just... choose to lose fat? That would mean they can also choose to have it? So Aziraphale just... chooses to look like a cinnamon roll. Which is just so wholesome.

But then, why is Gabriel out jogging? More importantly, why is he out jogging on Earth? I can't imagine it's just because Aziraphale asked for a talk and Gabriel decided that this was the best way to meet. He had no qualms simply appearing in a restaurant, or coming to the bookshop, before. Is he running to... well, run? For fun? To stay in shape? Why? If he can choose to be fit, why would he need to work out? Surely, the Supreme Archangel and Commander or the Heavenly Host has better things to do on the dawn of the Apocalypse and the last War than to just... go for a leisurely jog on Earth.

So, maybe, and this is a big maybe, their physical bodies' fitness is separate from that of their true forms? Maybe their human-like bodies need to be maintained the human way? Maybe he told Aziraphale not to lose his physical "gut", but his metaphysical one? Maybe he wants to make sure his own physical body is in good enough shape for what's to come?

I don't know where I'm going with this, there's not really a point to this. I just had a thought and wanted to share.

[babacontainsmultitudes]

Now don’t get me wrong, I absolutely think that from a moral standpoint Glenn made the better choice at the end of the trial- in fact I think one of the most tragic things about that scene (where we hear Glenn’s reasoning and all that) is that if you needed irrefutable proof that Glenn is both a good person and a good dad, there it was! But of course by that point it was already too late.

But… Sometimes I find myself thinking about… How to put this… If Nick had learned of his dad’s decision, do you think he might have… Taken it the wrong way? Do you think if Nick Close had learned that Glenn chose to give up being his dad, he would have understood this as the ultimate act of abandonment? Or that his dad didn’t see him as someone worth fighting for? Not that I think Nick would have wanted his dad to fight the dragon either per se, but… Well, maybe deep down some part of him would have, actually.