#at nothing in particular

[atrociousbby]

good morning you fucks I'm still mad

[shaunashipman]

I'm feeling a very impotent rage in this chili's tonight

[hellenhighwater]

Forbidden orange juice

[dailyhouse]

dr james wilson - house 2004-2012

[communistkenobi]

"Sex" is commonly used to refer to a person's status as a man or woman based on biological factors. Although sex reflects a person's biology, as opposed to gender, which is generally considered to be socially constructed, the biological aspect of the body that determines a person's sex has not been legally or medically resolved. Traditionally, a person's legal sex is established by the sex that the birth attendant places on the birth certificate. Thus, for infants born with unambiguous external genitalia, the external genitalia typically control the sex determination. If the genitalia appear ambiguous, sex is assigned, in part, based on sex-role stereotypes. The presence of an "adequate" penis in an XY infant leads to the label male, while the absence of an "adequate" penis leads to the label female. A genetic (XY) male with an "inadequate" penis (one that physicians believe will be incapable of penetrating a female's vagina when the child reaches adulthood) is "turned into" a female even if it means destroying his reproductive capacity. A genetic (XX) female who may be capable of reproducing, however, is generally assigned the female sex to preserve her reproductive capability, regardless of the appearance of her external genitalia. If her phallus is considered to be too large to meet the guidelines for a typical clitoris, it is surgically reduced, even if it means that her capacity for satisfactory sex may be reduced or destroyed. In other words, men are defined based on their ability to penetrate females, and females are defined based on theis ability to procreate. Sex, therefore, can be viewed as a social construct rather than a biological fact.

— The Road Less Traveled: The Problem with Binary Sex Categories by Julie A Greenberg in Transgender Rights (2006)

interesting to note that 1) the introduction of chromosomal information doesn’t actually provide more “biologically accurate” precision in sex assignment, only a more complex set of administrative and medical instructions on the procedures of assignment, 2) the only concern in sex assignment is maintaining the distinction that “females make babies” and “males penetrate females to induce pregnancy.”

This is why the idea that “sex is biological” or that we can just drill down to find the sex atom of the human body, be that chromosomes or gametes or whatever else, is premised on the notion that sex assignment is simply a record of a self-evident reality, not the construction of the category of sex as the mythological foundation of cis-heterosexual reproduction

[drulalovescas]

It's Supernatural FOR YOU.

It's Brokebacknatural for me.

[kedreeva]

Today in measuring your peahen, Bug is casually 2 foot, 3 inches tall (she can stretch a little taller when she REALLY wants a treat). This is just tall enough to see over a tray table and pull things off of nightstands and end cabinets.

Bug is also a little over 3 feet long from tail tip to beak tip. Most of Bug is made up of tail and neck. There is a 6lb dead weight in the middle somewhere that she knows how to directly place onto the ball of one foot while standing on you.

Bug's wingspan is around 3.5 feet, thought I didn't get a measurement. It will be over 4 feet as an adult.

Bug is growing in her spurs. As a Spalding (hybrid) hen, Bug will likely have one inch bone knives conveniently attached to her tarsometatarsus. This is technically fused foot bones, not a leg bone. Curiously, pure Pavo cristatus hens have spurs, and pure Pavo muticus hens have spurs, but many domestic Pavo cristatus and low-percent Spalding hens lack them. This is one of the indications of domestication in the cristatus species. As I prefer the wild type, I prefer my hens spurred, so this is a good sign!

Bug's toes measure a smidge over 5 inches from the tip of her rear-facing to to the tip of her longest front facing toe. Try measuring that on your hand.

Bug's nails measure 1/2-3/4 an inch long, depending on the toe. That's almost as long as one finger section for most people.

When I had snakes, I got asked all the time if I was afraid of them biting me. The answer is no. I have been bitten by a 6 foot long, 20lb boa constrictor, and have no scars to prove it. Meanwhile I have so many scars from peafowl sitting on me, particularly on my forearms, that I have had to reassure people I am not a danger to myself.

I post these photos as a reference, but also as a precaution. This is a BABY peafowl, and a female at that. She is only 6 months old and weighs a little over 6lbs, which means she's about 2/3 of the way grown, and adult hens are typically 3/4 the size of an adult male. These are BIG birds that can do a LOT of damage, even accidentally. When they become aggressive, as in the case of hand-raised males or poorly bred birds, they become a potentially fatal threat to any other fowl you have. Unlike chickens, they are more than capable of (and prone to!) jumping to human face level before they flog (kick with their feet in a way that allows their spurs to hit home), which means they could easily take out an eye or cause other serious facial injury if they get a lucky strike. I have seen more than a few people end up with stitches, and more than a few birds end up euthanized because people think they are gonna be cute cuddly friends.

I know that Bug is a cute bird, but I also want to stress that a) she has an outstanding personality as a result of breeding choices and socialization b) she hasn't hit maturity, and won't do so for another 2+ years, so her personality could change considerably still and c) I have been raising peafowl one way or another for my entire adult life, which has been structured around keeping them. I love my birds, and I would love for more people to keep peafowl as they are great animals, but they are not casual animals. They are large and potentially dangerous farm fowl that take a lot of space, care, and knowledge to keep.

[deoidesign]

How I save time on backgrounds as a full-time webcomic artist

Hi! I make webcomics for a living, and I have to be able to draw a panel extremely fast to keep up with my deadlines. I draw about 50 panels a week, which gives me about 45 minutes per panel if I want any semblance of a healthy work-life balance.

Most webtoon artists save time on backgrounds by using 3d models, which works for them and is great! but personally I hate working in 3d... I went to school for it for a year and hated it so much I completely changed career paths and vowed never to do it again! So, this is how I save time without using any 3d, for those of you out there who don't like it either!

This tactic has also saved me money (3d models are expensive) and it has helped me converting my comic from scroll format into page format for print, because I have much more art to work with than what's actually in the panels. (I'll touch on this later)

So, first, I make my backgrounds huge. my default starting size is 10,000 x 10,000 pixels. My panels are 2,500 pixels wide, so my backgrounds are 4x that, minimum. Because of this, I make them less detailed than I could or that you might expect so it doesn't look weird against my character art when I shrink portions of it down.

I personally find it much easier to add in detail than to make "removing" details look natural at smaller sizes, but you might have different preferences than I do.

I also make sure to keep all of my elements on separate layers so that I can easily remove or replace them, I can move them to simulate different camera angles more easily, and it's simple to adjust the lighting to imply different times of day.

Then I can go ahead and copy/paste them into my episodes. I move the background around until it feels like it's properly fitting how I want.

Once I've done that in every panel, I'll go back through the episode and clean up anything that looks weird, and add in solid blacks (for my art style) Here's a quick before and after of what that looks like!

This makes 90% of my backgrounds take me just a few hours. This is my tactic when I'm working in an environment that an entire scene, or multiple scenes, will take place.

But many panels will inevitably have a location that's used exactly once, and it would waste time and effort to draw a massive background for those. So in 10% of cases, I just draw the single panel background in the episode. I save all of these, just in case I can re-use it later (this happens more often with outdoor locations, but I save them all nonetheless!)

I generally have to draw about 2 big backgrounds per episode, and 3-5 single-panel backgrounds per episode! At the beginning of an arc/book the number is higher, but as the series is continuing and I'm building up an asset library of indoor and outdoor elements to re-use for the book, the number generally goes down and I save more time.

My series involves time travel and mysteries, so there's a lot of new locations in it and we're constantly moving around. If I were working on a series that was more consistent in this aspect, this process would save me even more time!

Like I said earlier, this also saves me a lot of pain and gives me a lot more options as I'm converting from scroll format to print format!

panels that look like this in scroll format...

can look like this in print!

because I drew the background like this, so I didn't need to go through the additional effort to add in the extra detail to expand it outwards at all.

Anyways, I hope this helps someone! As always if it doesn't help, just go ahead and disregard. This is what I do and what works for me, and I feel like I only ever see time-saving tips for comics that involve 3d models and workflows, which don't work for me at all! I know there's more people like me out there, so this is for you!

Enjoy!

Also obligatory "my webcomic" if you want to see this in action or check it out!

[fakemichaelsheen]

-the theatre, 1597-

aziraphale, wiping tears: what did you think?

crowley: ...

aziraphale: did you not like it?

crowley, hesitates: weeell...

aziraphale, sighs: what was wrong with this one?

crowley, shrugs: I don't know. it was all so...depressing. I mean, they were kids, angel

aziraphale, rolls his eyes: it's romantic

crowley: it's morbid

aziraphale, shakes his head: yes but it's about the star crossed lovers. the forbidden love. the tragedy. two feuding families. you wouldn't understand

crowley: *stares at him*

crowley, incredulous: sorry, did you seriously just say that?

aziraphale, oblivious: yes. so?

crowley, sighs: nothing *takes his arm* come on, let's get out of here

aziraphale, smiles: yes, I believe I owe you a drink. for coming with me

crowley, nods: several, I should think

aziraphale: it wasn't that bad

crowley, glares at him: dead kids, angel

aziraphale, agreeing: yes, I see your point

[littlenastieswewhispered]

“buffy ended the show single :)” ok but only because her current love interest just DIED!! (he near quite literally died in her arms! in sacrifice for her!) her last words of the entire series were telling him she loves him and then saying his name in admiration. she isn’t single; she’s a widow.

[claudiaeparvier]

Louis’ family + photographs

[watanagashii]

sometimes I feel like I could laugh for hours

[perfectlyripeclementine]

sometimes you fuck someone who ruins masturbation. like, sometimes someone knows how to make you see God with their fingers inside you or just from looking into your eyes and after that nothing you can do to yourself is enough. your favorite vibrator, your favorite position. coming by yourself helps relieve the ache, marginally, but it doesn’t go away. you can come to the thought of them three or four times in a day, or even in an hour, and maybe they’ll even talk you through it over the phone or leave you a voicenote to fuck yourself to. and maybe it’ll exhaust you. maybe it’ll put you to sleep. but it’s not enough. coming by yourself just isn’t enough. coming for them isn’t enough because you need to come on them, to fill their mouth with your pleasure, to hear that sound they make when you clench and throb around their fingers.

[edorazzi]

It's Tintin Day again! ⚽✨

I know nothing about football but 'twas the season! And as a true Scotsman Haddock has been supporting every team which isn't England. Careful, Tintin!!! 😬

[fruitjuus]

shadowheaarttt

[bikananjarrus]

i’ve really enjoyed how they opened the first two episodes not focused on our main characters at all, and showing us just how terrifying the cordyceps infection is.

the scientists at the beginning of the pilot on the talk show, and at first there’s that good-natured talk show feel, but the longer the scientist goes on explaining the cordyceps and how it would be possible for it to survive in humans and imagine thousands upon thousands being controlled, and the whole auditorium goes still and silent, and it ends with just two words, “we lose.��

and then in this episode, with the mycologist and her complete fear after examining the body. the shaking of her hands and the quiet terror in the way she says that there is no cure, no medicine. that the only solution is to bomb the city with everyone in it. and can someone take her home so she can be with her family, because she understands what the scientist said from the first episode. we lose.