#at least with nominations
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mygreatadventurehasbegun · 2 years ago
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So, I don’t really want Top Gun Maverick to win any awards...but damn, does Lady Gaga know how to knock it out of the park with her Oscar performances.  
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cupcakeslushie · 3 months ago
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Well, he can’t make any campaign promises in exchange for your votes, since he only owns the schmatte on his back, but you don’t really want him whisked back to the Prison Dimension so soon, do you?
Vote for feral Leo over at @tmnt-multiverse-election
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qwantzfeed · 2 months ago
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that's the problem with so many artists: the things they paint simply are not neato enough
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madisoncounty · 7 months ago
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Former Elphabas nominated at the 2024 Tony Awards Eden Espinosa, Lindsay Mendez, and Shoshana Bean
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bigskydreaming · 4 months ago
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Imagine looking at a character whose entire premise is that in every stage of his life, he's made every version of himself into someone that inspires people to such a degree that EVERY SINGLE VERSION OF HIM has people wanting to literally follow in his footsteps in some way or another.....
And coming to the conclusion that like.....the most important things about him are the sum of all his trappings. His entirely homemade developed from scratch could not exist if not for what he already was and brought with him BEFORE crafting this newest version of himself trappings, with his greatest trait throughout all of it being his adaptability; his ability and willingness to roll with the punches and not try to simply weather any opposition or changes to his life but instead reshape himself as needed to better fit INTO whatever new shape his life and the world around him takes. All while managing to carry the most innate, fundamental and necessary aspects of himself from one version to the next. Thus every single version of himself is different but simultaneously every single version of himself is also undeniably the same person.
The strength of this character, to me, will always be that he can be so many versions of himself, he can become so many things, all without ever actually losing or discarding any of the aspects of himself he considers most essential, the things he's not willing to lose or give up just to keep going. Finding that road not taken by most, usually because most never even think to look for it as an option. But one that he's always able to find because the one trick he's mastered in his tumultuous life is threading that needle of not just digging in his heels in an unproductive way but rather being selective about when and where he makes a stand and decides "this is not a thing I'm willing to compromise about" but here are places and ways I can and will change and evolve and adapt in order to make it possible for me to hold onto these parts and keep them as they are.
And that's why its always so mind-boggling to me that so many writers can't seem to think of anything else to do with Dick Grayson other than invent some new reason for him to just....not be that person, or to like just take the character whose most basic fundamental trait he's NOT about to compromise on is willingly giving up his spot in the driver's seat of his own life.....and make him just a passenger in his own life and stories.
Dick Grayson at age nine....at age nineteen...at age twenty nine....the one core thread running through all versions of him is the only way he's standing back and letting you call the shots for him or putting him on the sidelines in some way is over his dead body.
HOW he goes about that, what that looks like, who he becomes and what aspects of himself he plays up at some times and what traits he lets fall by the wayside at other times when they offer less in service to his primary goal here....that changes constantly. He changes constantly.
But those changes are almost always (or at least they used to be/should be IN MY OPINION) made with the intention of keeping certain things about him or his life as consistent as possible.
That's the duality of Dick Grayson that I'm here for. The inherent contradiction of him that COULD allow for endless conflict and breaking new narrative ground in all sorts of ways if mined properly:
His eternal willingness to compromise....but only ever in pursuit of doubling down on the ways he's not willing to compromise.
Forever walking that tightrope in ways that only a kid born and raised in a circus could ever hope to.
#see also: my grinding teeth when people disparage his circus origins#like the only thing its good for is colorful backstory and explaining his acrobatics#THERES. SO. MUCH. THERE.#theres so much EVERYWHERE in every aspect of his backstory and his preexisting comics and yet over and over we get#....what if we just ignored all that and did what the fuck ever as though this character has nothing integral to him or fundamental to say#to be fair my gripes with Taylor are not exactly interchangeable with my gripes with the previous runs#but I lump him in as an extension of them because while evocative of different SIDES of my ennui with these takes on Dick.....#the thing about Taylor's stuff to me (or the parts I read at least) is that its generic as hell while only retaining superficial elements#of Dick's character and stories in order to point to them and say see these are definitely about Dick Grayson. like....only in very surface#level ways. underneath that theyre basically generic superhero adventures that could easily be retooled to be about a pretty sizable number#of other characters. tbh with the whole alfred inheritance thing it honestly felt from the get go#that Taylor was more interested in writing a kinder gentler Batman like a Bruce from one of the animated shows like#The Brave and the Bold who gets along better with everyone else. even the way the Brave and the Bold largely exists to use Batman's#popularity as a star vehicle to platform his co-superhero for the episode lends itself to Taylor's approach in his NW run#with the central figure - only nominally DG imo - basically existing as a platform allowing for the drafting of any other character he want#to write in any given arc or story in a similar way to how Bruce is utilized in Brave and the Bold#anyway. idk idk. my issues with Taylor are not the same as the others exactly but also they are and also I just plain dont like the guy#so I complain about him at any given opportunity even when its not technically as accurate or relevant as it possibly could be#I Am Flawed. its fine though dont worry about it. its called being nuanced
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abrahamvanhelsings · 8 months ago
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crozier being kidnapped and telling goodsir not to worry because edward will be there on the morrow, completely sure of it, like it's inevitable. edward in fact immediately going to rally the men to get crozier back and finding they held a vote without him and it's been decided they'll leave without crozier (and without the sick). edward having the choice between being left alone with no chance at crozier's rescue or his own survival, or taking up his duty and leading the men onward. crozier in hickey's camp believing in edward's sense of loyalty and edward not showing up, not knowing how edward fought for him. crozier showing up at the final camp seeing edward mutilated but alive like he told him to, only to die. thinking about edward's absolute sense of loyalty to his captain and duty towards the men tearing him apart and it never saves anyone
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ashinaisshin · 8 months ago
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見せてもらいましょう…借り物の翼で、どこまで飛べるか。 Let's see how far they can fly... on borrowed wings. ARMORED CORE VI: FIRES OF RUBICON (2023), dir. Masaru Yamamura
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thechronologyofwater · 2 months ago
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not-the-living-ghost · 4 months ago
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15 hours until we find out the Emmy nominations I'm losing my mind if George Rexstrew does not get nominated
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wanderlustxprincess · 10 months ago
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Ryan Gosling getting an Oscar nomination for Barbie but them snubbing Margo for actress and Greta for directing is the biggest example of the patriarchy still thriving. The Academy completely missed the message of the movie and I am so angry!!!
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beatcroc · 1 year ago
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sit next to me right now.
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now listen to me young man, i am talking directly into your ear now. i need you to do me a favor. you will do this for me. i need you to go to thegameawards.com, and i need you to vote in this bastard of a contest for pizza tower as best debut indie game. if it does not win youll be in big trouble mister. you will never see the light of day.
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turtledotjpeg · 2 years ago
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This started out as just "hey I like both of these characters what if they interacted," but after seeing Melody crying about Kacho in chapter 400 I really wanted to draw her with someone who Gets It
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if no one else will give them a hug... can they hug each other :'(
Oito & Melody both have a tendency to freak out a bit in stressful situations, so I wondered if they might amplify that in each other haha. But on the other hand I could see them empathizing with each other and maybe being able to comfort each other? (or maybe I'm just a bit delusional lol)
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ndcgalitzine · 9 months ago
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I'm upset dude. Matt lost again :(
He may have lost the award, but like Ron Nyswaner said so beautifully on instagram today...
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also nobody looked better than he did tonight 😍😍
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spawksstuff · 5 months ago
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March 1968 TV Picture Life
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y-rhywbeth2 · 9 months ago
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Random thought of the day: It would've been very awkward if anybody got bitten by a werewolf at Cazador's place.
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ursula-legun · 25 days ago
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really going insane in my plant class over the Sociale Dynamiques......vent below the cut
the class program coordinator is an ex-navy officer, lots of the parks and rec boys we're working with are vets, as is at least one prominent student in the class.....and most of the students are like. retiree age white women who own land and want to learn how to improve it. so it's a fairly conservative crowd, sprinkled with a handful of younger idealistic envirohippywhatever types.
but the class is like. "Fairly Progressive," in a seattle-area standard sort of way. everybody's asked for their pronouns regularly, there's like....clear expectations being set around accessibility, people are encouraged to take breaks and not take anything too seriously, lots of discussion about the history of colonial devastation on US environments, etc. we average two land acknowledgements a day.
and i know that none of that means anything, but it's still so disgustingly dissonant with the actual material goals. as repayment for the training, we're being asked to work on this project that is, like...40% developing hostile architecture in two prominent parks. and while we were out there the other day, the program coordinator (+ "friendly" tiny 75yo ecologist auditing the program to report to the supervisory org) called the cops on somebody for being too close to that area of the park while having two backpacks. with half the class actively laughing + making jokes about it the whole while through.
none of this is surprising or unusual, but the hypocrisy of it is really getting to me. the program coordinator did refer to the whole trespassing/eviction/citation/harassment process as "engaging a community member" and i'm really taken aback by like. how angry i am that this guy is pretending to be respectful of homeless people, even in a normalized/thoughtless way?
idk. obviously i'm not going to be engaging with the stated goals of preventing people from camping on public land - unless i can find a way to make the land more camp friendly - but i'm so livid about like. the way that this is playing out as a process. i'm also honestly just genuinely confused, like....how are these literal actual ecologists able to, with a straight face, blame the damage to local plants on homeless people trying to fucking sleep, and not like....the whole fucking process of urbanization that led to this point. like. girl. we're planting on an old airstrip, in the middle of a burgeoning urban core, that's downstream of what used to be a creosote factory.
but that's too big for you to get mad at, so you're just going to cave in and kick out the handful of people trying to find somewhere to be left the fuck alone? it's disgusting and terrifying to see people swerve around things, mentally, like this.
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