#at least between the side stories and main game
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armoredisopod Ā· 1 day ago
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New Event PV
youtube
New Operators
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Rose Salt, 5* Welfare Multi-Target Medic
If i find a way to get super rich, i'm sure you'll get your share.
Tecno, 5* Shaper Caster (new branch)
Whether anyone can see it or not, the crystals are still there, but i'm still standing.
Thorns the Lodestar, 6* Alchemist Specialist
I hear the waves crashing at the sides of the boat, heralding our victory.
With this ship at the center, i will interpret my own Iberia.
Operator Outfits Update
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Total of 4 new outfits, 1 new addition for the MARTHE brand, 2 new additions for the Shining Steps brand and 1 new addition for the Icefield Messenger brand
MARTHE
Wiping Knife - Cutter (Login Event)
Shining Steps
Dreaming High - Ray
Top Tier Live - Tequila
Icefield Messenger
Inviting Snow - Harold
Harold's outfit will be up for sale during The Rides to Lake Silberneherze Retrospect
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Announced outfit reruns
Series V and VI Icefield Messenger outfits (Erato, Greyy the Lightningbearer, Goldenglow, Tsukinogi, Qanipalaat, Penance)
Epoque outfits of Kjera and Puzzle
Operator Modules Update
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Rose Salt being part of the Multi-Target Medic branch immediately gets her module
RIN-X module base effect gives Rose Salt an additional tile of range up front
Arts Fighter Guard branch gets 3 module types
Module 1 given to Surtr, Vina Victoria, Guard Amiya and Mousse
Module 2 given to Astesia and Sideroca
Module 3 given to Viviana
Exusiai gets her 2nd module
MAR-Y module base effect increases Exusiai's ASPD by +8 when there are ground enemies within her attack range
Events and Stories
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Exodus from the Pale Sea, an Iberia side story event
The traveler who is guided by reason returns to his homeland without common sense.
He saw ships without oars traveling across a sea without water, men without desires hoisting sails without direction,
Saw a man who begged for death condemning himself to live, and a man who was robbed of everything by the sea leaving everything behind and running toward the sea.
How should he understand it, and what can he do to change it?
Uh well, first he has to figure out how to deal with the chains on his body and the gallows not far away, right?
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The Rides to Lake Silberneherze Retrospect, scheduled after Exodus from the Pale Sea
Poly Vision Museum, limited time mini-games event, scheduled after The Rides to Lake Silberneherze Retrospect
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Operator Archives update for Rose Salt, Tecno, Ceylon and Courier
Record Restore update for The Black Forest Wills a Dream, What the Firelight Casts and Where Vernal Winds Will Never Blow
Misc Stuff
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New QoL features
Players will be able to set their birthday in-game and receive birthday rewards
Added special operator voicelines for birthday and new year's day
Added the ability to have multiple assistant operators in rotation and main menu loadouts to switch between assistant rotation and backgrounds and UI themes
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New SSS QoL changes
After clearing at least one floor of an SSS mission without a support unit, players can use 2 [Routine Affairs Proxy Cards] to skip an SSS run get rewards based on highest floor completed [PRTS Annihilation Proxy Cards] players get from missions are converted to [Routine Affairs Proxy Cards], they can still be used to skip annihilation Older SSS maps will be rerun
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Annihilation #29 - Paddy Field 9-7, annihilation mission with Here a People Sows enemies and mechanics
SSS New Season #7, Concert Security Service - Leithanien Philharmonic Association & Area Under Construction For Dossoles
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Erato and her potential tokens along with Perfumer's [Species Plantarum] Outfit will be available in the certs shop to players that don't have them
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heartbeatbookclub Ā· 3 months ago
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I really do have to go back to the original game at some point soon, because I make frequent reference to things I remember in contrast to how + handles things, but the last time I experienced the game start to finish was when it came out, so...
In particular, I think there are a lot of things I need to investigate more closely in order to really reconcile all of my thoughts on the main game with the Side Stories.
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icewindandboringhorror Ā· 1 year ago
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recent lounging babey images
#he's so floppy recently and I hope it's just the heat. I think wamr weather makes everyone floppy and loungy#a beauntifulle boye...#cats#STILL working on posting some drafts. finishing new poll adventure.. other things... It's just hard with the weather and other things going#on. I've had a few more doctors appointments and other things to do recently that have to be done in a time limit#so I hvae to use my extremely limited energy working on that instead of doing the things I'd really rather do. :T#Main focuses though are keeping up better with doing and posting costumes + sculptures as main creative things. at least finishing the#main poll adventure story. Reworking the game I kind of abandoned for a few years. keeping up with game videos and a few other side things.#Especially the game though. I've been in a really worldbuildy mood recently. I just wish that was easier to manifest into something. I've#now put the worldbuilding slideshow reading video on pause for a while because it's SOOO long to do#and I think I should prioritize making games and stuff instead. but still other things. IT's just kind of like.. I have a whole world and#everything very built and planned out but now.. what do I do with it? what's the best way to share that? factual slideshows just going over#the information like a dictionary? make it into a game? write short stories? do art attached to the world? etc. etc. ?? There are so many#potential avenues I end up kind of flip flopping between them a lot because none really seem more beneficial than the others and they all#seem equally enjoyable and also equally hard so. It's like?? I guess just do what the hell ever and hope I made the right choice in terms o#cost benefit and reward for my time lol. ANYWAY.. Also why I'm in my 'trying to make friends' era still because I think having other creat#ive friends can help you find direction like.. people will meet each other and then go 'hey lol just for fun lets start a project together!#and then like 5 years later it's genuinely become something. etc. having other people to help weed out ideas and start small creative teams#together and etc. I feel is a very beneficial part of networking or whatever but also I have the social capacity of a stale bread roll and#am also inherently unrelatable to seemingly a majority of people due to my hermit wizard swag (detachment from general society and hyper#focus on fantasy worlds in my head gjhghj) so trying to meet people as a grown adult with social issues is Very easy and fun (it is not)#even very basic things like my core communication style is so incompatible with a lot of people it's like.. hhhh... People in this modern#age have GOT to stop being afraid of phone calls and/or text that is longer than 6 paragraphs. Work with me here. I WANT to talk to you. bu#I do not know what your emojis mean and it's physically impossible for me to type less than 85 sentences. please.. hhjgjgb#AAANYWAY!! I am working on things when I can given the circumstances (SUMMER).. hopefully some costume pictures and stuff soon. :'3#I've not forgotten about my art and etc. - as usual I just am bad at social media and also functioning if it's above 65F lol
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eff-plays Ā· 1 year ago
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Ok so I watched the interview with Stephen Rooney, Astarion's writer, and here are some highlights. (I'm an aspiring writer and current game design student who wants to write for games so I'm sorry if some of these insights aren't as interesting to you as they are to me <3)
He calls Astarion his "horrible little vampire boy"
He loves seeing the fandom around Astarion<3
He did write other characters in the game, but mostly NPCs surrounding Astarion or his storyline, so it mostly revolved around Astarion
Astarion is not as connected to other companions/Origins as, for example, Lae'zel and Shadowheart, or Wyll and Karlach are to each other, but he is still reactive to their stories, even if it's just to stand off to the side and laugh when something terrible happens
He had a clear sense of where Astarion's story would start and end, but it got "muddy in the middle", but those are also moments where the best ideas come from
They write from the general idea that every character has one "good" and one "evil" ending, in order to give the player choice. RIP Ascendant apologists :(
According to Stephen, two of the most important aspects of Astarion's character (to keep consistent when bringing him to Idle Champions, at least) is that he enjoys violence, but is also fun about it
"He has a certain appreciation for violence, I guess? A bit of a murdery streak. [...] He's a vampire, he's all about blood, and he's all about, kind of, those darker sides of humanity. [..] But at the same time, he is ... He is really fun, he's really fun to write, he's really fun to have in your party, and it's very important for me that that is also represented."
"He's gonna stab you, but will have a smile on his face as he does it? I mean, I dunno. That's kind of him in a nutshell."
Larian would not have allowed for Astarion to be a typical brooding Dracula type, and there were scenes that were shot down for not being original enough
The main thing about Astarion was trying to get a "sense of fun." It would be easy to write a character that was very unlikable, and they absolutely did not want to do that
Rooney says Astarion is consistently terrible throughout the game and awful in a whole lot of ways, but he also needed to be charming enough that you could tolerate his presence and wanted him around
Rooney also had a lot of input on Astarion's stats (meaning the 10 Charisma is probalby 100% intentional)
He also had input on how certain lines should be delivered, even though the writers didn't directly work with voice actors
The way Astarion moves and poses is "all Neil"
Apparently, Neil Newbon worked on the character for years and Rooney did not speak to him once, though his voice work did influence how Astarion's lines were written and it became a "feedback loop" (Possible context for "ONLY SLIGHTLY, NEIL")
There were no points where a line delivery drastically changed Astarion's writing; rather it was a constant, slow evolution
However, there was one very spoilery moment where Neil gave such emotion to some "basic" lines that it fundamentally changed the scene (WHAT IS IT OMG)
It's difficult to balance approval, as you don't want to straight up write a monster. Every character needs to have some humanity in them. So if it comes to leaving the party, it needed to be the result of something central to said character. They wanted to be mindful of situations that would cause actual rifts between characters. (I assume this is why most generic disapprovals/approvals are +/- 1 or 2, while character-related ones give +/-5 or more)
However, as they don't write straight up horrible people/monsters, it doesn't come up as often as one might think.
The interviewer makes a point about how characters like Astarion and Lae'zel are good examples of how to play "evil" characters, as they are maybe not the best people but are still eager and willing to stick around the other party members
They worked to make sure the characters would work as a group, no matter the configuration of the group. The characters needed to be on the same path, even if they don't always agree or walk that path the same way.
Stephen Rooney is very proud of the "climactic" scene of Astarion's story. (AS HE SHOULD BE.) He even had to step away from the computer and have an emotional moment. Me too, man.
He's also "extremely pleased" that there's a point where you can punch Astarion in the face. "Actually, that one might be my favorite part" A MAN OF THE PEOPLE!!
Stephen Rooney's tip on what specific thing you should try out with Astarion: When he's trying to get a "sneaky nibble" at night, you should "probably" let him bite you. Way ahead of you there, sir.
No discussion about Astarion's romance unfortunately, but that's that!
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httpsleely Ā· 7 months ago
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HQ BOYS AS YOUR S/Oā€”WHAT I IMAGINE THEIR INSTAGRAM WOULD BE LIKE
synopsis. hq! boys using instagram but they're down bad for you
ft. hinata shoyo, tsukishima kei, suna rintarou, kenma kozume
others. character! is aged up, hq timeskip! era
notes. idk i feel like this could be better but I'm too lazy to be bothered. this is just a silly little thought while i was drinking tea šŸ˜Œ
[ masterlist ]
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HINATA SHOYO would post you a lot. He definitely has you on his profile picture; either it's your solo picture or a picture of you and him. His posts would only consist of four things: you, volleyball, his friend's, and himself (occasionally)ā€”but there's more pictures of you in it than the three mentioned. His fans teases him and says that his account basically turned into a fan page of you. His bio would be in between something so sweet or so cheesy. He'll probably have a corny quote.
ā€œRomance is icing, but the love is the cakeā€”@your_usernameā€
ā€œmy love: @your_usernameā€
ā€œMy sunshine forever & always @your_usernameā€
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TSUKISHIMA KEI rarely posts you. It's not that he doesn't want to, it's just that. . . He likes having his privacy with you. but when he does post you, his fans go berserk. It's a rare opportunity for him to post you (I strongly believe he'd post you in special occasions; like anniversaries, special holidays (if you celebrate), or winning his games), so of course, everyone will have a field day about it. And when he posts you it's not just a simple picture, he'd have a full on note for you.
ā€œThank you @your_username for everything you do for meā€”for all the support you give me whether it may be coming to my games, cooking me good food, saying the exact words I need to hear, or even simply just your presence by my side. Thank you for being with me through everything. This 3rd year anniversary won't definitely be the last anniversary we'll celebrateā€”so here's to more love that I'll give you, pipsqueak. I love you always.ā€
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SUNA RINTAROU post you way too much. He'd have at least five highlights about you; one for his favorite pictures of you, one for him and you, one for your unflattering pictures, one for very special occasions that he's with you, and one for videos he took of you. And he doesn't just post you on his stories, he also has tons of pictures of you on his main post. If hinata has three things he post, well, suna only has you on his instagram. People often mistake his account for your account because of how much pictures you have in it.
ā€œCafĆ© hopping with @your_usernameā€
ā€œShe said that I should post this picture of her @your_usernameā€
ā€œIdk who this person is, do you? @your_username?ā€ (*but his post is literally you)
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KENMA KOZUME posts (sometimes) whenever he feels like it. he just generally doesn't post a lot. But he posts about you on random occasions. mostly post dumps about you, like what he did in a month with you. Or simply just random pictures of you (some unflattering and some aesthetically pleasing). And he posts with no caption, just you and your @. his fans are basically dehydrated from pictures of the two of you, so they also have a field day whenever he post about you. I'm pretty sure it'd even go trending on twt (x) at least once or twice.
ā€œšŸ¤ @your_usernameā€
ā€œout & about w/ @your_usernameā€
ā€œily @your_usernameā€
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Ā© httpsleely | reposting, modificating, stealing, plagiarizing, and translating my works on any platform are strictly prohibited.
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writers-potion Ā· 8 months ago
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Storyediting Questions to Ask
As You Read the First Draft:
Are there place that surprised you as you read your first draft? - Why do you suppose that is? - Is there material there you'd like to expand?
What are the character really doing in this story? - Might they have issues you haven't explored fully yet?
Look to the places that drag. - These might be scenes where you have avoided dealing with something deeper. - What are the characters really thinking in these places? - What are their passions, frustrations, and desires?
Imagine alternative plotlines. - How might your plot be different if ti headed off on another tangent from various points in the story? - You don't have to follow them, but they might suggest other streams that can flow into the main plot.
Think About Structure:
Does you story play out naturally in three acts?
Is there an immediate disturbance to the Lead's world?
Does the first doorway of no return occur before the one-fifth mark?
Are the stakes being raised sufficiently?
Does the second doorway of no return put the Lead on the path to the climax?
Does the rhythm of the sotyr match your intent? If this is an action novel, does the plot move relentlessly forward? If this is a character-driven novel, do the scenes delve deeply enough?
Are there strongly motivated characters?
Have coincidence been established?
Is something happeing immediately at the beginning? Did you establish a person in a setting with a problem, onfronted with change or threat?
Is the timeline logical?
Is the story too predictable in terms of sequence? Should it be rearranged?
About Your Lead Character:
Is the character memorable? Compelling? Enough to carry a reader all the way through the plot?
A lead character has to jump off the page. Does yours?
Does this character avoid cliches? Is he capable of surprising us?
What's unique about the character?
Is the character's objective strong enough?
How does the character grow over the course of the story?
How does the character demonstrate inner strength?
About Your Opposition:
Is your oppositing character interesting?
Is he fully realized, not just a cardboard cutout?
Is he justified (at least in his own mind) in his actions?
Is he believable?
Is he strong as or stronger than the Lead?
About Your Story's Adhesive Nature:
Is the conflcit between the Lead and opposition crucial for both?
Why can't they just walk away? What holds them together?
About Your Scene:
Are the big scenes big enough? Surprising enough? Can you make them more original, unanticipated, and draw them out for all they are worth?
Is there enough conflict in the scenes?
What is the least memorable scene? Cut it!
What else can be cut in order to move the story relentlessly forward?
Does the climactic scene come too fast (through a writer fatigue)? Can you make it more, write it for all it's worth?
Does we need a new minor subplot to build up a saggin midsection?
About Your Minor Characters:
What is their purpose in the plot?
Are they unique and colorful?
Polishing Questions:
Are you hooking the reader from the beginning?
Are suspenseful scenes drawn out for the ultimate tension?
Can any information be delayed? This creates tension in the reader, always a good thing.
Are there enough surprises?
Are character-reaction scenes deep and interesting?
Read chapter ending for read-on prompts
Are there places you can replace describing how a character feels with actions?
Do I use visual, sensory-laden words?
For a Dialogue Read-Through:
Dialogue is almost always strengthened by cutting words within the lines.
In dialogue, be fair to both sides. Don't give one character all the good lines.
Greate dialogue surprises the reader and creates tension. View it like a game, where the players are trying to outfox each other.
Can you get more conflict into dialogue, even emong allies?
If you like my blog, buy me a coffeeā˜• and find me on instagram! šŸ“ø
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cardo-de-comer Ā· 2 months ago
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soo helloo and i think it's time for me to explain the deal with my characters and this whole "you're not supposed to be here" thing. EDIT: just fixed some stuff. thank you folks for your support, i really appreciate you all <3
i made these characters way back in june and by today they have a lot of lore around them in my head. i even have a dream to make a game with them but it's just a dream for now so i'm gonna try to explain the main things about this story. Obviously this is a long post, although I tried to keep this stuff short. and excuse me for my writing and any mistakes, I don't usually write this much text.
It starts with the world. Alternate 15th century, humanity is almost gone and what's left of it shares quite a big city with demons and angels. However, demons and angels are usually being treated like servants - eventually one gets tired of it all, so everyone knows an uprising is just around the corner. Let's just ignore that for now.
The City has a catch of it's own - it's alive. The walls have eyes and ears and the City knows every resident by heart and soul, both figuratively and literally. Usually City acts through the King, it chooses protectors for itself, ones who have strong minds to comprehend it - they will be called the royal knights, each of them have a company of a /more wiser than the rest of them/ demon and angel to help with their tasks. Only the King and ten royal knights know that the City is alive and very talkative but they don't understand fully what it's trying to tell them. Most of them choose to ignore the voices in their head because hey, that's what you do usually in this situation, otherwise they drive you nuts.
City is also extremely emotional and appearance depends on its condition. Usually it's a sunny day out and the city looks welcoming, but you don't want to be there when the City is scared: it might eat you alive by accident. Now that the environment is aside, time for the main three characters.
Imri is a young lad who will soon be a royal knight. He actually wanted to be a painter when he grows up but well, you cannot disobey the king's orders. Quite emotionless and a man of a few words, he tries to stay on a neutral ground between good and bad - a perfect candidate for manipulation to all three sides, demons, angels and the City.
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look at him
Royal knights get to know their angel and demon companions at least a week before they get knighted to avoid any misunderstandings. Imri doesn't mind his friends at all, although one of them caused quite a fuss.
Angel /they name themselves Lyra/ is an overly positive, naive and blindly kind entity. A bit childish and very fond of justice, they try to act as a voice of conscience, not understanding that sometimes this can make everything even worse than it was. There is a feeling that they're trickier than it seems but you can never quite tell.
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the latin text all over them is just a part of their design
The demon though... That's not even a demon, that's the Devil himself. Yes, everyone knows who this is, everyone avoids him and he's not supposed to be here at all. Despite being THE Devil, he didn't try to do anything horrific yet and, when he's not joking around, he tries to be the voice of reason, the voice that no one listens to. He seems to know a lot more about this whole world than anyone else but he talks about it only when he wants to.
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no one likes him at all, expect maybe Imri who just tolerates his presence like he always does
That's the main three. There is a few secondary characters, Imri's father being one of them.
sir Jastrab /or just Dell/ is one of the royal knights, he's a bit naive, loyal, and a soul so kind that his demon hung himself. Oh well. He lost one hand in what he calls "a work accident" which is partly true but he never goes into details.
He never wanted for his son to be a part of the knights because he knows by experience that it's not an easy job and not every father wants for their child to go insane from the voices in their head.
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few people said that the angel accompanying him looks like d20 and so be it
The others are Sun and Moon - local deities, despite being on the sky every day and night, usually they don't really care about what's going on down below. You can still talk to them but don't expect much action. Regardless of all this, they are still loved by almost all living things. They can rarely meet each other but humans always depict them together no matter what.
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creators of the Stars - some part of a human soul that i can't talk about :)
Angels and demons come in all forms and sizes but those are the main population - lesser demons resemble the Devil in some ways and lesser angels look like clovers. Rivals usually but when the revolution happens, they learn to tolerate and work with each other. Humanity doesn't really have a chance.
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they hate everyone equally And there is another being, that Imri meets a few times through the story - it's Death. Death is just having fun in this end of the world and there is a lot of work to be done.
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this is an old and rough design so maybe it'll change The whole story begins at that day when Imri is supposed to be knighted. Everything seemed fine until Imri gets to hear the City for the first time and realizes that he hears and sees a lot more than everyone else. Completely overwhelmed he blacks out - even the toughest of minds often can't take it - and wakes up later only to find out that the King got killed somehow, angels and demons saw this as the starting point for a revolution and the City starts to panic.
Now Imri, guided by his companions and the voice of scared City that's crumbling and slowly drives him insane, shall travel to the center of it to find out what really happened, getting through demons and angels who are busy destroying the rest of humanity. Fun.
There is a lot more to this whole thing but I cannot tell the entire plot because spoilers, in case if i actually will make something out of this story. Think of it as a game lore. I'm not sure about making sth yet because i operate only on hopes and dreams and i barely have any strength lately but who knows... But now you have at least some context! And yeah, thank you if you actually read all of this, you're a hero.
Now i need to get back to drawing. Thank you all for your support. <3
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ffxivtranslations Ā· 2 months ago
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Why did Haurchefant have to die? Interview Translation
I translated part of an interview with Yoshi-P and the two main scenario writers of HW, Ishikawa and Oda. It's about Haurchefant's character arc and why he had to be sacrificed. At least Oda tried to save him, bless his heart!
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Interviewer: In 2.x, Haurchefant appeared to be a cheerful character, but in 3.0 his role takes a serious turn. What was the reason for this change?
Ishikawa: In the 2.x series I was in charge of his dialogue as the Character Concept designer, but in 2.55 I felt I had properly written down his important points and position in society, so I could hand him over to Oda and Maehiro for 3.0. Because of this I donā€™t think anything changed about him from the start; how he cares about his friend, or his essence as a knight.
Oda: I agonised over Haurchefantā€™s fate right until the very endā€¦ over and over I suggested plots in which he might somehow survive.
Yoshi-P: Those plots were too contrived; I couldnā€™t approve them! LOL In depicting this war between humans and dragons, I thought it was wrong to only have the dragonsā€™ side experience loss after loss and not have the humans make any sacrifices. So thatā€™s why I told them to properly decide the fate of every character. The fate of every character should have been decided early in the development phase of Patch 2.3. So Haurchefantā€™s fate was decided by then too, right?
Oda: Yes, thatā€™s right. Thatā€™s why in Patch 2.4 and 2.5, when I wrote all his un-voiced lines, I was already doing so conscious of the fact that he would die later on.
Yoshi-P: Haurchefant is a character that is not just loved by players, but also loved by the development team. But since we decided on the plot twist where he would become the Warrior of Light's shield, we were prepared for the worst. Because of that we were able to write the Patch 2.5 scene, in the Falling Snows, where he reaches out to the Warrior of Light in his time of need. I think that such a long build-up led to the deep emotional impact of Haurchefantā€™s final moments. In that way, I think the deciding his fate early on was connected to how much importance he had to the story.
Oda: However, seeing how warmly players reacted to him, I feared that having Haurchefant lose his life would cause some players to quit the game forever, and fought desperately against it to the endā€¦
Yoshi-P: He kept giving me re-takes of the plot where Haurchefant is able to come back to life, and eventually I remember getting quite mad at him. At one point, the 3.0 ending ceremony scene had Haurchefant appear in a wheelchair and I yelled ā€œHey, isnā€™t that the same as Thancred in ARR?!ā€. Iā€™m pretty sure I shouted at him LOL
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novaursa Ā· 3 months ago
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Hello:) I love your writing and I saw that you're still taking requests, so I wanted to ask if you'd be interested in writing about my idea??
So the whole idea is Cregan x wife!reader where (before her marriage) she was from a more southern house that's closer to Kings landing (Tyrell, Lannister etc. you can choose)
Now, the main plot is that she wants to help during the war, but she's not that good at fighting and also has no dragon. However, she wants to prove that she can help.
So she fakes/has a little argument with Cregan and then, after a cute goodbye, infiltrates the greens in Kings landing.
There, she acts as if she's no longer close to cregan because he is a black supporter and because of her previous house, she's a green loyalist (in reality, she's team black and a true lady stark)
While she's there, she infiltrates them and sneaks information to cregan and rhaenyra etc. While both of them (or at least cregan worry about her)
Larys and aemond are obvi kind of suspicious of her.
You can choose how you want this to end. If it's angsty because she gets caught or happy even though she got caught, or maybe she doesn't get caught at all. You can choose, with your writing, I'm sure you'll find a great solution:)
The whole scenario is inspired by "She Wolf" by shakira (I hope you know the songšŸ˜…)
For the rating 16+/18+ depending on the violence/gore/sexual themes.
(Also I wanna thank you for actually considering and writing about my idea for your harwin story "chasing the inferno". I was the anon)
I hope the idea isn't too confusing. Have a great day :)
The Silent Game
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- Summary: When your family took the side of King Aegon II, the usurper, you felt the need to support the rightful Queen and your husband, the Warden of the North. No matter the cost.
- Paring: lannister!reader/Cregan Stark
- Note: For more of my works, visit my blog. The list is pinned to the top.
- Rating: Mature 16+
- Word count: 8 000+
- Tag(s): @sachaa-ff
- A/N: I hope this is what you had in mind. šŸ™‚ That idea you had (about Chasing the Inferno) was brilliant. And just what I needed to continue the plot, as my imagination was at the halt at that time. And I know that song. I was in my Shakira era when it came out. šŸ˜„
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The North had always been a place of bold contrasts: the cold and the warmth, the silence and the howling winds, the dark nights and the flickering lights of Winterfell. You were still adjusting to these contrasts, even after months of marriage to Cregan Stark, the Warden of the North. Your union had been one of strategy, a lioness from the Westerlands joining forces with the wolves of the North. But in time, your marriage had grown into something deeper, something that transcended the cold calculations of politics.
Yet now, as the war between the Greens and the Blacks brewed, you found yourself increasingly restless. Winterfell felt like a prison, even with its ancient walls and the comforting presence of your husband. You longed to be more than just a silent supporter; you wanted to take action, to show Cregan that you were his equal in all things, that you could be the lioness who fought alongside the wolves.
But Creganā€™s attention had shifted, as it often did with the coming of autumn. The Wall and its endless duty had consumed him, and the war in the south seemed a distant concern compared to the threats of the North. It was a reality you understood but did not accept. You needed to contribute, to show your devotion to him and his causeā€”Rhaenyra's cause.
Tonight, as you sat by the fire in your shared chambers, the flames casting long shadows across the stone walls, you decided to act. You would provoke Cregan, force him to send you away, to the very heart of the enemyā€™s territoryā€”Kingā€™s Landing. There, you could serve as his eyes and ears, a lioness among snakes, sending back crucial information to the Black faction and to your beloved husband.
The plan was simple in theory, but your heart clenched at the thought of deceiving him, even if it was for a greater purpose. You had to make him believe that you no longer wished to stay in Winterfell, that you felt suffocated and out of place in the North. The thought of causing him pain was unbearable, but you knew it was necessary.
Cregan entered the chamber, his dark hair still damp from the cold air outside. His grey eyes softened when they met yours, and he offered you a small smile as he moved to sit beside you. His presence was comforting, a reminder of why you had fallen in love with him.
"You've been quiet tonight," he observed, his voice a low rumble that seemed to resonate with the very stones of Winterfell.
You looked into the fire, gathering your resolve. "Iā€™ve been thinking, Cregan. About our place in this war."
He frowned slightly, not out of anger but concern. "Our place is here, in the North. The Wall needs me, and Winterfell needs its lady."
His words were reasonable, grounded in the reality of your lives, but they ignited the spark of frustration you needed to fuel the argument. "And what of the war in the South? What of Rhaenyra? Do we not owe her our loyalty? Our support?"
Creganā€™s brow furrowed further as he regarded you. "We support her, but our duty is here. The North is vast and unpredictable; it cannot be neglected."
You stood up, letting your anger seep into your voice, even as it tore at your heart to speak such words. "I am a Lannister, Cregan! My brothers are in Kingā€™s Landing, one serving on the Small Council of the Greens. How can I sit here, idle, while they plot against Rhaenyra and our cause?"
Cregan stood as well, towering over you, his expression a mix of surprise and hurt. "You would leave Winterfell? Leave me?"
The pain in his voice nearly broke your resolve, but you pressed on, knowing this was the only way. "If it means contributing to this war, then yes! I am not some helpless maiden to be kept in the North while the world burns. I want to fight, to serve, to show that I am as much a Stark as I am a Lannister."
His eyes darkened, and for a moment, you feared you had gone too far. "You think I don't need you here? That I donā€™t want you by my side?"
You softened your tone, taking a step closer to him. "I know you do, Cregan. But I need to prove my worth, not just to you, but to myself. Send me south. Let me be your eyes and ears in Kingā€™s Landing. I can be of more use there than I am here."
He looked away, the muscles in his jaw tightening. You could see the conflict in his eyes, the battle between his desire to protect you and his understanding of the larger game at play.
"I cannot send you into the lionā€™s den, not when your brothers are part of it," he said finally, his voice strained.
You reached out, taking his hand in yours. "They are my brothers, yes, but they are also men who have chosen the wrong side. They may not trust me, but they will allow me close enough to gather information, to play the part of the loyal sister while serving Rhaenyra and you."
Creganā€™s gaze returned to you, searching your face as if trying to find any hint of doubt. "This is dangerous. You know that."
"I do," you whispered. "But I am willing to take that risk for you, for our house, for our future."
He closed his eyes, his grip on your hand tightening. "You ask too much of me," he murmured. "But how can I deny you when you speak of duty and love in the same breath?"
You felt a tear slip down your cheek, quickly brushed away before he could see. "Then you will send me?"
Cregan opened his eyes, the decision made but the weight of it clear in his expression. "I will. But promise me, when this is done, you will return to me. I cannot lose you."
You nodded, swallowing the lump in your throat. "I promise, Cregan. I will return."
He pulled you into his arms, holding you tightly as if afraid you would slip away then and there. You buried your face in his chest, inhaling his familiar scent, committing this moment to memory.Ā 
When he released you, his expression was one of determination mixed with sorrow. "Iā€™ll make the arrangements. Youā€™ll leave within the week."
You nodded, unable to speak, your heart heavy with the knowledge of what you were about to do. But you reminded yourself of your purpose, of the love that drove you to this decision. You would prove your loyalty, your devotion, and your love for Cregan Stark, even if it meant walking into the lionā€™s den to do so.
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The morning light filtered through the heavy curtains of your chamber, casting a muted glow over the room. The warmth of the fire had long since faded, leaving a chill in the air that seemed to seep into your very bones. You had spent the night sleepless, lying in the large bed you shared with Cregan, your mind a whirlwind of thoughts and emotions. Today was the day you would leave Winterfell, your home, and your husband, to embark on a dangerous mission to the South.
The thought of leaving him, of being apart from the man you loved, filled you with a deep ache. But this was necessary. For Rhaenyra, for the Blacks, for Cregan. You had to believe that.
A soft knock at the door drew you from your thoughts. You sat up, wrapping your robe tightly around yourself as the door creaked open, revealing Cregan. His expression was a mixture of sadness and resolve, a reflection of your own emotions. He entered the room silently, closing the door behind him, and for a moment, you both just stood there, staring at each other.
"Youā€™re leaving soon," he said quietly, his voice rough from the early hour.
You nodded, unable to find the words to respond. You knew that if you spoke, your voice would betray the turmoil inside you.
Cregan crossed the room to stand before you, his large hands gently cupping your face. His touch was warm, comforting, and you leaned into it, closing your eyes as you savored the moment.
"I wish there was another way," he murmured, his thumb brushing softly against your cheek. "I wish I could keep you here, safe, by my side."
You opened your eyes, meeting his gaze. "I know, Cregan. But this is what needs to be done. For Rhaenyra, for the North...for us."
His jaw clenched, and you could see the struggle in his eyes. "I hate that you have to do this, that I have to send you into danger."
You placed your hands over his, squeezing gently. "Youā€™re not sending me into danger, Cregan. Iā€™m choosing this. I want to help, to do my part. And I know you would do the same if our positions were reversed."
He pulled you into his arms then, holding you close against his chest. You could feel the steady beat of his heart, the rise and fall of his breath, and you closed your eyes, trying to memorize every detail of this moment. The thought of being without him, of not feeling his warmth beside you at night, was almost unbearable.
"You must be careful," he whispered into your hair, his voice thick with emotion. "Promise me youā€™ll stay safe, that youā€™ll come back to me."
You tightened your hold on him, pressing your face into the crook of his neck. "I promise, Cregan. I will return to you. I will always return to you."
He pulled back slightly, just enough to look into your eyes, his expression serious. "If you find yourself in danger, if things become too perilous, you must come back. The war, the causeā€”itā€™s not worth losing you."
Tears welled in your eyes, but you blinked them back, refusing to let them fall. You needed to be strong, for him, for both of you. "I will be careful, I swear it."
Cregan leaned down, capturing your lips in a tender, lingering kiss. It was a kiss full of love, of longing, of a desire to hold on to this moment for as long as possible. You returned it with equal fervor, pouring all your emotions into that kiss, as if it was the last one you would ever share.
When he finally pulled away, his forehead rested against yours, his breath warm against your skin. "I love you," he whispered, the words carrying the weight of all the things he couldnā€™t say.
"I love you too," you replied, your voice barely more than a breath.
The two of you stood there for what felt like an eternity, holding each other, neither wanting to let go. But eventually, you knew the time had come. You stepped back, breaking the embrace, and Creganā€™s hand lingered on yours as you moved away.
"Iā€™ll be waiting for you," he said, his voice thick with emotion. "Winterfell will be waiting for you."
You nodded, unable to speak, your heart heavy with the knowledge that this might be the last time you saw him for a long while. But you had to stay strong, for both of you.
Cregan escorted you to the courtyard, where a horse had been prepared for your journey. The Northern wind whipped around you, biting at your exposed skin, but you barely felt it. All your focus was on Cregan, on the way his hand gripped yours, as if afraid to let go.
As you approached the horse, Cregan helped you mount, his hands lingering on your waist, his touch warm even through the thick layers of your clothing. Once you were settled, he stepped back, his eyes never leaving yours.
"Youā€™ll have a small escort until you pass the Twins, just enough to keep you safe without drawing too much attention," he said, his voice steady despite the emotion in his eyes. "I trust you, my love. I trust you to do what needs to be done."
You nodded, swallowing the lump in your throat. "And I trust you, Cregan. I will send word as often as I can."
He gave a small, tight smile. "Iā€™ll be waiting for your letters, but more than that, Iā€™ll be waiting for you to return."
You looked down at him, your heart breaking at the thought of leaving him behind. But you steeled yourself, knowing that this was the path you had chosen.
"I will come back to you, Cregan," you promised, your voice firm. "No matter what happens, I will return."
He reached up, his hand brushing against your cheek one last time. "Goodbye, my lioness. Until we meet again."
With a final nod, you urged the horse forward, the sound of hooves on the stone courtyard echoing in your ears. You didnā€™t look back, knowing that if you did, you might lose the resolve to go through with this. Instead, you focused on the path ahead, on the journey south, on the mission that awaited you.
But as Winterfell disappeared behind you, you couldnā€™t shake the feeling that a part of you was being left behind, with the man you loved.
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The towering walls of the Red Keep loomed ahead as your carriage (courtesy of Lady Frey when you rested in the Twins) rolled through the gates of Kingā€™s Landing. The familiar, oppressive weight of the capital settled on your shoulders the moment you crossed into the city. You had grown up in these streets, and while the grandeur of the Lannister seat at Casterly Rock had always called you home, there was something about the Red Keep that felt equally like a gilded cage and a battlefield. You took a deep breath, steeling yourself for what lay ahead.
The journey south had been long and grueling, but that was nothing compared to the task you now faced. You had to convince your brother, Tyland, that your presence here was born out of desperation and exile, not strategy and loyalty to Rhaenyra. Every word, every gesture would need to be calculated, yet natural, to ensure he believed you were truly the sister he thought he knew.
The carriage came to a halt, and before you could fully prepare yourself, the door was pulled open by a Lannister guard. You stepped down, your legs stiff from the journey, and barely had time to straighten your skirts before you saw himā€”Tyland, rushing down the steps of the Keep, his face etched with worry.
"Sister!" His voice was strained with concern, and he reached you in a few quick strides, enveloping you in a tight embrace.
For a moment, you allowed yourself to melt into his embrace. It had been years since youā€™d last seen Tyland, and despite everything, despite the sides you had chosen, he was still your brother. The scent of his familiar cologne brought back memories of a simpler time, before the realm had been torn apart by dragons and treachery.
"Tyland," you breathed, your voice trembling as you wrapped your arms around him, drawing on the emotions you needed to sell your story. "I didnā€™t think Iā€™d ever see you again."
He pulled back slightly, his hands resting on your shoulders as he scanned your face, searching for any signs of harm or distress. "What happened? Why are you here? Why are you alone?" The questions came in a rapid, breathless stream, his eyes wide with worry.
You looked down, feigning shame and sorrow, before meeting his gaze with a carefully crafted expression of despair. "Cregan found out about our familyā€™s support for King Aegon. He was furious, Tyland. He said he couldnā€™t have a Lannisterā€”a traitor, he called meā€”living in his house. Heā€¦ he exiled me. Sent me away with nothing but a few guards and this carriage. I had nowhere else to go."
Tylandā€™s face darkened with anger, his grip on your shoulders tightening. "That bloody Northern savage," he spat, his voice low and dangerous. "How dare he treat you like this? How dare he?"
You shook your head, tears welling in your eyes as you allowed yourself to lean into the role you had to play. "He said he never wanted to see me again, that I was nothing but a stain on his honor. I begged him to reconsider, but he was adamant. I had no choice but to come here, to you."
Tylandā€™s expression softened, his anger giving way to concern as he pulled you into another embrace. "Youā€™re safe now," he murmured against your hair. "Youā€™re with your family, where you belong. Weā€™ll protect you, I promise."
You nodded, clinging to him as if for dear life, even as your mind raced with the lies you had spun. "I was so afraid, Tyland. I thought he mightā€¦ I thought he might harm me. The way he looked at meā€¦"
Tyland pulled back, his eyes fierce with a protective fury you hadnā€™t seen in him before. "Heā€™ll pay for this, I swear it. But youā€™re safe now. Iā€™ll make sure of it."
You allowed yourself to sag against him, letting out a shuddering breath as you feigned relief. "Thank you," you whispered, your voice shaking. "I didnā€™t know where else to turn."
He stroked your hair gently, guiding you back towards the Red Keep. "You did the right thing, coming here. The warā€¦ itā€™s tearing everything apart, but youā€™re safe with us now. Weā€™ll figure out what to do next."
You let him lead you inside, your heart pounding with the fear that he might see through your act. But Tyland was focused on comforting you, on reassuring you that you were home now, that you were safe. The gods old and new were merciful, it seemed, as he didnā€™t question your story, didnā€™t probe deeper into your supposed exile.
As you walked through the familiar halls of the Red Keep, Tyland kept a protective arm around you, guiding you towards the chambers that had been hastily prepared for you. His anger at Cregan, his love for you, were palpable, and you leaned into that, praying silently that you could maintain this charade.
When you reached your chambers, Tyland dismissed the servants, wanting a private moment with you. He led you to a chair by the fire, urging you to sit, and then knelt before you, taking your hands in his. "You donā€™t have to be afraid anymore. Weā€™ll protect you. The Greens will win this war, and when they do, youā€™ll be safe, and youā€™ll have your place in the new order."
You nodded, your eyes fixed on his as you forced yourself to believe in the role you were playing. "I just want to do whatā€™s right, Tyland. I want to support our family, to do whatever I can to help."
He smiled, a hint of the boy you once knew shining through the hard exterior he had built over the years. "And you will, sister. You will. Weā€™ll make sure of it."
As he stood to leave, you squeezed his hand, forcing yourself to look vulnerable, desperate for his protection. "Pleaseā€¦ donā€™t let anyone else know what happened. I donā€™t want to be seen as a failure, as someone who couldnā€™t hold onto their marriage."
Tyland nodded, his expression serious. "Of course. Weā€™ll keep this between us. No one will think less of you for what that Northern brute did. Youā€™re a Lannister, and youā€™re my sister. Thatā€™s all that matters."
You nodded, offering him a weak smile as he left the room, closing the door softly behind him. The moment he was gone, you allowed yourself to collapse into the chair, your hands shaking with the weight of the deception you had just woven.
The Red Keep was your tie to home, but now it was a den of enemies, a place where every word, every action, could spell disaster if you were not careful. You prayed to the gods old and new, begging them for strength, for cunning, for the ability to play this dangerous game.
You had convinced Tyland, but there were many others who would not be so easily swayed. You had to be vigilant, careful, and above all, you had to keep Cregan in your heart. You would send him word when you could, slip information back to him and to Rhaenyra. But for now, you had to be the lioness among lions, playing your part in this deadly dance.
And all the while, you prayed that Tyland, or anyone else, would never see through the mask you had so carefully donned.
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The grand halls of the Red Keep were as cold and imposing as ever, despite the ornate tapestries and blazing hearths that lined the corridors. You had grown accustomed to the hollow echo of your footsteps as you navigated this labyrinth of stone and secrets, but today, the weight of your task felt heavier than ever. The shadows seemed to cling to you, whispering of the dangers that lurked behind every corner.
In the privacy of your chambers, the faint scent of burning parchment still lingered in the air. You had just destroyed a letterā€”one that had arrived under the cover of darkness, smuggled into your hands by a loyal servant of the North. The letter had been from Cregan, your heart's anchor in this sea of deception.
You could still feel the warmth of his words lingering in your chest, a reminder of the love that bound you to him, even across the distance. He had written of his worry for you, of the nights he spent staring out over the frozen landscape of the North, wishing you were there beside him. He thanked you for your courage, for the sacrifices you were making, even as he admitted how much it pained him to have sent you away. His words were full of love, but also fearā€”a fear that you would be caught, that the game you were playing would turn deadly.
My brave lioness, he had written, I know the strength you carry within you, but I cannot help but worry for your safety. Every day, I pray to the old gods to watch over you, to keep you safe in the den of our enemies. You are my heart, my soul, and I am so proud of what you are doing, even though it tears at me to think of you so far away. Return to me, my love, when this is all over. Until then, be careful, and know that my thoughts are with you always.
You had read the letter several times, allowing yourself a few moments of vulnerability as you traced the familiar curves of his handwriting. But you knew that every word was dangerous, that keeping such a letter would be a risk you couldnā€™t afford to take. So, with a heavy heart, you had burned it, watching as the flames consumed the last tangible connection to your husband.
Now, as you walked through the Red Keep, you carried the memory of that letter with you, tucked away in the deepest part of your heart. You had to be careful, more so than ever before. The walls had ears, and the slightest misstep could unravel everything.
As you rounded a corner, heading towards the private dining chamber where you were to meet Tyland for dinner, you caught the tail end of a conversation that sent a chill down your spine.
Aemond Targaryenā€™s voice, sharp and filled with frustration, echoed down the hallway. "Itā€™s impossible that Rhaenyra could have known about the ships. Someone must have tipped her off. The fleet from the Free Cities was our best chance to cut off her supply lines at the Gullet!"
You slowed your pace, your heart beginning to race as you listened. Larys Strongā€™s voice, oily and calm, responded in a tone that made your skin crawl. "It is troubling, my prince. We must consider that there may be a leak within our ranks, someone feeding information to the Blacks. We cannot afford any more missteps."
Your breath caught in your throat as you realized the gravity of their conversation. Rhaenyra had been warned about the shipsā€”a piece of information you had managed to send north discreetly through one of your own messages. If they suspected a spy in their midst, it would only be a matter of time before they began to scrutinize everyone, including you.
As you continued down the hallway, forcing yourself to remain calm, you felt a pair of eyes on you. You turned your head slightly and saw Aemond and Larys watching you from the shadows. Aemondā€™s single eye glinted in the dim light, his gaze sharp and assessing. Larysā€™s expression was unreadable, but his presence alone was enough to set your nerves on edge.
You met their gazes briefly, offering a small, polite nod as if nothing was amiss, before continuing on your way. The chill that ran down your spine was unlike anything you had felt before, a cold, creeping fear that settled deep in your bones. They had seen you, and you could only pray that they did not suspect you of anything more than passing by.
As soon as you were out of their sight, you quickened your pace, eager to reach the safety of your brotherā€™s chambers. Your heart pounded in your chest, but you forced yourself to maintain a composed exterior. You couldnā€™t afford to show any sign of fear or guiltā€”especially not now.
When you finally reached the private dining chamber, you found Tyland already seated at the table, a glass of wine in hand. He looked up as you entered, his expression softening into a smile.
"Sister," he greeted, rising to embrace you. "You look troubled. Is everything all right?"
You returned his embrace, taking comfort in the familiar scent of your brother, but the tension in your shoulders refused to ease. "Iā€™m just tired," you lied smoothly, offering him a weary smile. "The journey was long, and the atmosphere hereā€¦ itā€™s oppressive and difficult to adjust in a few months."
Tyland nodded, leading you to the table where a simple but elegant meal had been laid out. "The war weighs heavily on all of us," he said, pouring you a glass of wine. "But youā€™re safe here, with family."
You accepted the wine, taking a small sip as you tried to push the encounter with Aemond and Larys from your mind. But the memory of their scrutiny lingered, a constant reminder of the precarious position you were in.
As the meal progressed, you made light conversation with Tyland, discussing family matters and memories of your childhood at Casterly Rock. He seemed genuinely pleased to have you back in his life, and his presence was a balm to your frayed nerves. But even as you laughed at his stories and shared in his plans for the future, you couldnā€™t shake the feeling that you were walking on a knifeā€™s edge.
Every word you spoke, every gesture you made, was calculated to keep up the facade. Tyland must not suspect anythingā€”nor could anyone else. You were playing a dangerous game, and the stakes were higher than ever.
As the night wore on, you excused yourself, claiming fatigue from the journey, and Tyland kissed your cheek warmly before you left. "Rest well, sister," he said, his voice filled with affection. "Weā€™ll speak more in the morning."
You nodded, offering him a final smile before retreating to your chambers. Once inside, you closed the door and leaned against it, letting out a shaky breath. You had made it through another day, but the fear remained, gnawing at your resolve.
You crossed the room and knelt by the hearth, staring into the dying embers of the fire. Closing your eyes, you whispered a prayer to the gods old and new, asking for their protection, their guidance. You needed every ounce of strength and cunning to survive thisā€”to complete your mission and return to Creganā€™s arms.
As the night deepened, you crawled into bed, but sleep eluded you. Instead, you lay awake, staring at the ceiling, the weight of your deception pressing down on you like a heavy cloak. The memory of Creganā€™s letter played over in your mind, a reminder of why you were doing this, of who you were doing it for.
No matter the danger, no matter the fear, you would see this through. For Rhaenyra, for the North, and for the love you carried for the man waiting for you in Winterfell.
But as you drifted into an uneasy sleep, you couldnā€™t help but wonder how much longer you could keep the truth hidden, how much longer you could play this deadly game before someone discovered the lioness in their midst was indeed a wolf.
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The skies above Kingā€™s Landing were thick with the smoke of burning ships, the sound of clashing swords and the cries of the wounded echoing through the streets. The city had fallen, its walls breached by Rhaenyra's forces, and now the Blacks had taken control of the capital. The Red Keep, once a symbol of power and authority under the Greens, had become a battlefield, its halls filled with the triumphant and the defeated.
You stood in the throne room, surrounded by the black and red banners of House Targaryen, your heart heavy with a mixture of relief and dread. The mission you had embarked upon months ago had finally reached its conclusion. You had done what you had set out to doā€”played your part in the fall of the Greens from within their own stronghold. But the price of your success now weighed heavily on your soul.
At the far end of the hall, Rhaenyra Targaryen sat on the Iron Throne, her dark hair cascading down her back, her gaze as fierce as the dragons she commanded. Daemon stood beside her, his presence as menacing as ever, his eyes glittering with the thrill of victory. The throne room was filled with the murmurs of courtiers and soldiers alike, all of them awaiting the queenā€™s judgment on those who had opposed her.
As you approached the throne, your heart pounded in your chest, knowing what was about to happen, dreading it. Tyland had been captured along with the other members of the Green council, and now they awaited their fates. You had pleaded with the guards to see your brother, to speak to him, but they had refused. You had been kept away from him, kept in the dark until this moment.
"Your Grace," you said, your voice steady despite the storm raging inside you as you curtsied before Rhaenyra. "Kingā€™s Landing is yours, and the Greens have been defeated. I am at your service, as always."
Rhaenyraā€™s gaze softened slightly as she looked down at you, a rare moment of warmth in the midst of the chaos. "You have done much for our cause, my lady. Your loyalty and bravery have not gone unnoticed. It is thanks to your efforts that we were able to anticipate their moves, to strike where they were weakest. For that, you have my gratitude."
You bowed your head, accepting her praise, but the words felt hollow. Gratitude could not ease the tension that coiled in your gut, the fear that gripped your heart as you awaited her next words.
Rhaenyraā€™s gaze hardened again as she turned her attention to the prisoners being brought before her, shackled and defeated. Among them was your brother, Tyland, his face pale but his expression resolute. He had always been a proud man, and even now, in chains, he refused to show fear.
"Tyland Lannister," Rhaenyraā€™s voice rang out, echoing through the throne room, "you stand accused of treason against the rightful queen of the Seven Kingdoms. You served the usurper Aegon and conspired to destroy House Targaryen. For your crimes, there can be but one punishment."
You felt the blood drain from your face as the words you had feared most were spoken. "No," you whispered, barely audible, before finding your voice and stepping forward, your heart in your throat. "Your Grace, please, I beg you to spare him."
The entire hall seemed to hold its breath as you spoke, all eyes turning to you. Rhaenyraā€™s gaze was sharp, questioning. "He is a traitor, my lady. His actions led to the deaths of many, and he must answer for them."
You sank to your knees, desperation in your voice as you pleaded for your brotherā€™s life. "He is my brother, Your Grace. He may have been misguided, but he did what he believed was right, just as we all have. I know his loyalty was to the wrong cause, but I beg you to show mercy. Let him live, and I swear he will never pose a threat to you again. He is all I have left of my family."
Tylandā€™s eyes met yours, and for the first time since you had reunited in Kingā€™s Landing, you saw something break in his stern facade. The love and concern in his gaze were unmistakable, and you felt your heart wrench as you saw your brotherā€”the man who had always protected you, who had stood by you when no one else didā€”now reduced to this.
Rhaenyraā€™s expression remained impassive, but you could see the conflict in her eyes. She was a queen, but she was also a mother, a sister. She knew what it was to love and to lose, to be torn between duty and family.
"You ask much of me, my lady," Rhaenyra said slowly, her voice measured. "Tyland Lannisterā€™s hands are stained with the blood of my loyal followers. Mercy for him could be seen as weakness, a precedent that might encourage others to rise against me."
Daemonā€™s gaze flickered to you, then to Tyland, and back to Rhaenyra. His voice, when he spoke, was cold and calculating. "Mercy is a luxury we cannot afford in these times, Rhaenyra. Traitors must be dealt with swiftly, without exception."
Tears blurred your vision, but you refused to let them fall. You couldnā€™t afford to be weak now, not when your brotherā€™s life hung in the balance. "Please, Your Grace," you implored, "I will do anything you ask of me. Anything. Just spare him. I will leave the capital, return to the North, or anywhere else you command. I will serve you however you wish, but please, do not take him from me."
The silence that followed your plea was deafening. Rhaenyra looked at you, truly looked at you, and you could see the wheels turning in her mind, weighing your words, considering the options. You held your breath, praying that the love you had for your brother, and the service you had given to her cause, would be enough to sway her.
Finally, after what felt like an eternity, Rhaenyra spoke. "Tyland Lannister has committed grave crimes against the realm, crimes that warrant death. But in recognition of the service you have rendered to my cause, I will grant him his life."Ā 
A gasp of relief escaped your lips, and you bowed your head in gratitude, tears now streaming down your face. "Thank you, Your Grace. Thank you."
"But know this," Rhaenyra continued, her voice stern and unwavering. "He will live, but his life will be one of exile and dishonor. He will be stripped of his titles and lands, and he will be sent to the Wall. He will live out his days in the service of the Nightā€™s Watch, far from here. He will never again set foot in the South."
You nodded, unable to speak, overwhelmed with a mix of relief and sorrow. It was a harsh sentence, but it was life. Tyland would live, and for that, you were endlessly grateful.
Tyland was led away, his eyes lingering on you until he disappeared from view. You rose to your feet, still trembling, and Rhaenyra gestured for you to approach the throne.Ā 
"You have done much for me, and for that, you have my thanks," she said quietly, so only you could hear. "But remember, this mercy I have granted comes with a cost. Loyalty must be earned and maintained. See to it that you do not waver."
You met her gaze, understanding the weight of her words. "I will not forget, Your Grace."
With that, you turned and left the throne room, your heart heavy but filled with a sense of purpose. Tyland would live, and that was more than you had dared to hope for. But the road ahead would be long and treacherous, for both of you. You had made sacrifices, and you would have to make more. But as long as you could keep the people you loved safe, it would all be worth it.
As you walked through the halls of the Red Keep, the echoes of your footsteps accompanied by the distant sounds of a city under new rule, you prayed once more to the gods old and new. You had survived this day, but there would be many more challenges ahead. And through it all, you would need to stay strong, for yourself, for your brother, and for the North that still awaited your return.
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The road to the North was long and arduous, the chill of autumn creeping steadily into the bones of everyone who traveled it. The once green fields had turned to barren landscapes, the sky a constant blanket of grey. You sat in the carriage, wrapped in furs, the bitter cold seeping through the heavy fabric. Beside you, Tyland sat quietly, his expression unreadable as he stared out the window at the bleak countryside.
The silence between you had stretched on for days, the weight of everything that had happened in Kingā€™s Landing hanging heavy in the air. You had saved his life, but at a cost. Tyland had lost everythingā€”his titles, his lands, his place in the South. And now, he was being sent to the Wall, to a life of exile and duty in the farthest reaches of the realm. You knew he struggled with the reality of his new fate, and the words he had not yet spoken weighed on your heart.
As the carriage rumbled along the rough road, you finally mustered the courage to speak, breaking the silence that had settled between you like a shroud. "Tyland," you began, your voice soft but steady, "I know this is not the life you envisioned for yourself. Iā€™m sorry for what has happened, for the choices that led us here."
Tyland turned his gaze from the window to you, his eyes searching your face for a moment before he sighed, a heavy sound filled with all the emotions he had kept bottled up. "You did what you thought was right," he said finally, his voice tinged with bitterness but also a hint of resignation. "You always were the clever one, the one who saw the bigger picture. But I canā€™t say Iā€™m not angry, or that Iā€™m not filled with regret."
You nodded, understanding his feelings all too well. "I had to make a choice, Tyland. I couldnā€™t let you die, not when there was another way. But I know the Wall is not what you wanted, and for that, I am sorry."
He leaned back against the cushioned seat, rubbing a hand over his face as if trying to wipe away the weariness of the past few months. "The Wall," he muttered, almost to himself. "Itā€™s a place for criminals, for bastards, for those who have nothing left to lose. And now I am one of them."
"But youā€™re alive," you said gently, reaching out to take his hand in yours. "And youā€™re still a Lannister, no matter where you go. The North may be harsh, but there is honor in serving at the Wall, especially now that winter is coming. The realm will need men like you, strong and capable, to defend it."
Tyland looked at your hand in his, then back at you, a shadow of a smile playing at the corners of his lips. "You always did have a way of making the worst situations seem bearable. I suppose thatā€™s why youā€™re still alive, too."
You smiled back, though it didnā€™t quite reach your eyes. "We do what we must to survive, Tyland. But that doesnā€™t mean we have to face it alone."
The rest of the journey was spent in a tentative peace, the bond between you and Tyland slowly beginning to heal, though it would never be the same. He had accepted his fate, though with a heavy heart, and you had accepted the burden of knowing that your actions had brought him to this point. But as the carriage drew closer to Winterfell, you couldnā€™t help but feel a sense of relief.
When Winterfell finally came into view, its ancient walls standing tall against the sky, you felt a wave of emotion wash over you. This was home now, the place where you had found love and purpose, and where you would begin the next chapter of your life. As the carriage rolled through the gates, you could see the figures waiting in the courtyardā€”Cregan among them, his tall, broad-shouldered form unmistakable.
The carriage came to a stop, and before you could even step out, Cregan was there, pulling the door open and helping you down. His hands were warm, his touch grounding you as he pulled you into a tight embrace. You buried your face in his chest, breathing in the familiar scent of pine and cold air that clung to him.
"I missed you," you whispered, your voice muffled against his furs.
"And I you," he replied, his voice thick with emotion as he held you close. "Every day, every night, I thought of you. But now youā€™re here, and thatā€™s all that matters."
You pulled back slightly, just enough to look up into his eyes. "I brought Tyland with me. Rhaenyra spared his life, but she sent him to the Wall."
Creganā€™s gaze shifted to where Tyland was stepping out of the carriage, his expression unreadable. He nodded in acknowledgment, though there was no warmth in his eyes. "Lord Lannister," he greeted, his tone respectful but formal.
Tyland straightened, meeting Creganā€™s gaze with a mixture of pride and resignation. "Lord Stark," he replied, bowing his head slightly. "Iā€™m here to serve, as ordered."
Cregan studied him for a moment, then nodded. "The Wall is not a punishment, Tyland, but an honor. The Nightā€™s Watch may be seen as a place for those with no other options, but the truth is, itā€™s a place for men who understand the weight of duty. The realm needs protectors, especially now, with winter coming. You will find purpose there, and in time, perhaps even a sense of belonging."
Tylandā€™s eyes flickered with something unreadable, but he nodded in agreement. "I will do my duty," he said quietly, his voice carrying a note of determination. "If this is my fate, then I will embrace it."
Creganā€™s expression softened slightly, and he extended his hand to Tyland. "Then you have my respect, and the respect of the North. You are welcome in Winterfell until you take the black."
Tyland accepted the handshake, and for a moment, the two men stood in silent understanding. You felt a sense of relief wash over youā€”there was no animosity here, only a shared understanding of the burdens they both carried.
As the three of you made your way inside Winterfell, the warmth of the great hall enveloped you, the familiar scents of wood smoke and roasted meat filling the air. You felt a sense of peace settling over you, knowing that you had done what you could to protect your family, and that here, in the North, you would find the strength to face whatever came next.
That evening, you and Cregan sat together by the fire, the weight of the past few months slowly lifting as you shared stories of what had transpired. Tyland joined you, his demeanor more relaxed than it had been since his capture. The three of you spoke of the future, of the challenges that lay ahead, but also of the hope that lingered just beyond the horizon.
As the fire crackled and the shadows danced on the stone walls, you felt a deep sense of contentment. The North was harsh and unforgiving, but it was also a place of honor, of loyalty, and of love.
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The warmth of the fire had long since faded, leaving only the soft glow of embers to illuminate the room. The heavy furs that covered the bed provided a cocoon of warmth, sheltering you from the cold that seeped in through the stone walls of Winterfell. Outside, the wind howled, a reminder of the harshness of the North, but here, in Creganā€™s arms, you felt only the warmth of his body against yours.
The two of you lay entwined beneath the blankets, your skin still tingling from the intensity of your lovemaking. It had been so long since you had been together like this, since you had felt the press of his body against yours, the way his hands knew every curve and hollow of your form. You had missed thisā€”missed himā€”with an ache that had grown unbearable during your time apart.
Creganā€™s fingers traced lazy patterns along your spine, his touch light but possessive, as if he was reminding himself that you were truly here, that you were his once more. You pressed closer to him, your head resting on his broad chest, listening to the steady rhythm of his heartbeat beneath your ear. It was a sound that had become your anchor, a reminder that you were home.
"Youā€™re quiet," Cregan murmured, his voice rough with the remnants of sleep. His hand slid up to cup the back of your neck, his thumb brushing gently against your skin. "Whatā€™s on your mind, my love?"
You closed your eyes, savoring the warmth of his touch, the safety of his embrace. "Iā€™m justā€¦ grateful," you whispered, your voice barely more than a breath. "Grateful to be here, with you. I missed this, missed us."
Cregan shifted slightly, rolling onto his side so that he could face you, his dark eyes searching yours in the dim light. "I missed you too," he said, his voice low and full of emotion. "Every day you were gone, I thought of you. Wondered if you were safe, if you were thinking of me as much as I was thinking of you."
You reached up, your fingers brushing the stubble on his jaw, feeling the roughness beneath your fingertips. "You were always on my mind," you confessed, your voice trembling slightly with the weight of your emotions. "There were times I didnā€™t know if Iā€™d make it back, but the thought of you, of usā€¦ it kept me going."
His expression softened, and he leaned down to press a gentle kiss to your forehead, his lips lingering there for a moment. "Youā€™re here now," he whispered against your skin. "And I wonā€™t let anything take you away from me again."
You wrapped your arms around him, pulling him closer, needing the reassurance of his presence. "I donā€™t want to be apart from you ever again," you said, your voice fierce with determination. "Iā€™ll do whatever it takes to stay here, with you, in the North. This is where I belong, where we belong."
Creganā€™s hand moved to cradle your face, his thumb brushing away a stray tear that had slipped down your cheek. "Youā€™re my wife, my love," he said, his voice steady and sure. "Nothing will keep us apart again. Weā€™ve been through too much, and weā€™re stronger for it. This is our home now, and weā€™ll face whatever comes together."
You nodded, feeling a sense of peace settle over you. It was trueā€”together, you could face anything. The challenges you had overcome, the dangers you had braved, had only strengthened the bond between you. And now, here in the safety of Winterfell, in the warmth of Creganā€™s arms, you knew that you could finally allow yourself to rest, to trust that you were where you were meant to be.
Creganā€™s lips found yours again, the kiss slow and tender, full of the love and longing that had built up during your time apart. You melted into him, your fingers tangling in his hair as you deepened the kiss, wanting to lose yourself in the warmth and comfort of his embrace.
When you finally pulled away, breathless and flushed, you rested your forehead against his, your eyes closed as you savored the closeness between you. "I love you," you whispered, the words slipping out as naturally as a breath.
"I love you too," Cregan replied, his voice rough with emotion. "More than anything. More than the North, more than duty, more than life itself."
You smiled, feeling the truth of his words settle deep within your heart. There was nothing more important than this, than the love you shared, the life you were building together. And after everything you had been through, you knew that you were ready to face whatever the future held, as long as you had him by your side.
The two of you lay together in silence for a while, simply enjoying the warmth of each otherā€™s presence, the quiet intimacy that had been so hard-won. The world outside might be harsh and unforgiving, but here, in this moment, you were safe. You were loved.
As you drifted off to sleep, your head resting on Creganā€™s chest once more, you knew that whatever challenges lay ahead, you would face them with the strength of the North in your veins and the love of your husband in your heart. And that, you knew, would be enough.
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davosmymaster Ā· 2 years ago
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No Time To Die
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TAGS AND WARNINGS - +18, Minors DNI, no explicit smut but sexual themes, whump, a lot of angst, blood, graphic wounds and procedures (?) probably not medically accurate, could be almost gore if you squint, hurt/comfort, two dorks in love, canon-typical violence, near-death experiences. Not based on the game, I donā€™t know anything about the game and I donā€™t want spoilers please.
PAIRINGS - Joel Miller x fem!reader
WORD COUNT -Ā  9.6k.
SUMMARY - The main difficulty of being Joelā€™s closest friend is not falling in love with him, but you still do. Those feelings are buried until you join him on a mission to trade supplies with Bill and Frank. With your life now hanging by a thread, Joel is determined to get you to safety, but the clock is ticking faster than he can run.
A/N - I honestly donā€™t know what this is. I tried to look for angsty and whumpy fics and couldnā€™t find any that hit the spot just right; so I wrote my own. This story is set in some time between 2010 and 2020, or so. Bill and Frank are still very much alive. The only warning apart the amount of blood in this, itā€™s my own knowledge of the English language.
'Breathe'
Ā With a shiver, you try to comply with your own command. The action itself confuses you, and you don't know where exactly in your mind that thought came from; or why. All you know is that a moment ago you were nothing, absolutely nothing, not even human. You forgot your own existence in a still ocean made of black thick ink. The ink is now backtracking, though, but the remnants of it stay in your foggy mind, clouding it as your consciousness comes back in waves.
Ā Waking up from a dream is easy, you just come back into yourself from a nice trip to your own imagination. Regaining consciousness, however, is a little more difficult. Instead of going somewhere, you go inwards into yourself. Your overworked mind, already tired and busy with keeping you alive, doesn't care much about bringing you to any other place so you can die peacefully. No. And the awakening is not as it should be either.
Coming back into yourself is your body crawling its way to the land of the living, with your flesh drenched in tears, blood and sweat; and nails digging firmly into the dirt. At least that's how it feels as you go back and forth between the two worlds, rocked violently by the waves threatening to drown you in its heavy never-ending dream.
Ā You wake up tired, and cold. The first sense that returns is touch; and with it, a pulsing pain radiates from under the right side of your collarbone and all the way down to your chest and back. The ā€”obviousā€” wound is warmer than the rest of your body. It's like you've grown a second heart right at the borders of the wound; it throbs relentlessly. The second is taste. Your mouth tastes like salt and melted butter; despite not having eaten either in at least three days. Around the dryness of your tongue you feel a sticky liquid swirling around in your mouth, plastered to your gums.
Ā Whatever it is, you cough it out of your mouth. The old blackened blood splatters on the wooden planks below your mouth. Then, a second later, you feel a sprawled hand on your back; and the rest of your consciousness returns with it.
Ā He calls your name. And he, whose presence you'd have recognized even blindfolded, even miles away from there, doesn't appear in your mind for a few seconds. But even half-conscious and at death's gates, his name leaves your mouth with a sigh of relief.
Ā Joel.
Ā "I'm here," he says, his palm now pressing a bit harder into your back, trying to comfort you somehow. If you had been fully aware, you'd have been embarrassed at the relieved groan that had escaped your lips while saying his name. "How are you feeling?"
Ā His voice sounds less muffled now, but the pulsing pain intensifies the closer you are to the surface. A second groan escapes your mouth as the warmth under your collarbone becomes impossible to ignore.
Ā "I know, I know" he says.
Ā Your eyes flutter open. From your point of view there's not much to see except torn wallpaper, your blood stains, and the shadow of a window. You're on the floor, your cheek pressed against the dusty carpet, your body very still laying on them, and Joel rubbing your back.
Ā The room is dark. His fingers enter your field of vision, they dip on the wet blood stains and turn around so Joel can see the sticky fluid staining his fingers. He takes a breath, a gasp, really.
Ā "Goddamnit," he mutters under his breath. His hand stops rubbing your back, and as black stains crawl from the corners of your vision, trying to take you under the waves again, he talks to you:
Ā "I need to turn you around..." he says with a gentle voice. It's like the icing on top of a sour and burnt cake; he's trying to sound caring, but that doesn't change the fact that it's going to hurt like a bitch. "You hear me?" he says, and his voice breaks for a second. Your ears ring, the next thing he says your brain doesn't process it, your vision has been clouded by darkness again...
Ā A scream tores your throat as a shooting pain lights your body on fire. It feels like lightning going through your backbone. Suddenly, the waves are very far away and you're feeling way too conscious for your liking. Despite your pain, Joel is still as careful as he can as he lays you on the floor, now facing the ceiling instead.
Ā The throbbing pain continues, and you blink to get rid of the tears that distort Joel's face. His hand wipes the tears from your face.
Ā "I know," he says. He has a crease between his seemingly angry eyebrows that you had never seen before.
Ā Both hands are roaming your ribs now, before you can even say anything. His warm hands give you shivers as he touches your naked skin. The pain is so unbearable that all you can do to mitigate it is hold your breath. If you could move, you'd be right now curled on the floor like a pretzel. You are not crying anymore, but you'd be lying if you said you weren't close.
Ā "Can you breathe?" he asks then, when he doesn't find any cracks in your ribs by touch alone. You don't respond because you can't find your own voice, and he sounds desperate at this point. "You coughed blood, I need to know if any of your lungs are collapsing."
Ā "It-it hurts..." you wheeze, your eyes tightly shut. For a split second, you wish you were back to being nothing. Being nothing sounds way better than having a gunshot wound in your chest. The bandages, tight over your bones and shoulder, don't mitigate the pain either. If anything, they worsen it. It feels like a tight sock over a painful pustule on your heel.
Ā Worst part is you know all this pain is for nothing; you know you won't make it. If you go back to the QZ, you will be executed. If not, there's nobody to help you except Joel. But even if there were doctors or hospitals, you highly doubted you could find the necessary tools to extract a bullet and stitch the wound. That is, if you manage not to die of blood loss.
Ā "Where?" Joel asks. Even beyond all this concern and well-hidden panic, he seems to cling to an ounce of hope. "Tell me where it hurts."
Ā Your fingers gently trace your skin until they reach the area under your collarbone, and you sign to your back too. There's a bandage there, but nothing else, and that's when you notice you don't have a shirt on, just your blood-soaked bra.
Ā "Is it bad?"
Ā "Not that bad. The bullet went through," he said. That explains the pain on both sides of your body; you have a literal hole in your chest. "And it clotted soon enough to stop the bleeding, but you lost too much blood anyway... Anywhere else?"
Ā Your whole body hurts and this abandoned house suddenly feels like penance, but you don't want to scare him further, so you shake your head no very slowly.
Ā "Alright," he mumbles. Joel nods once, and it looks like he is reassuring himself. His eyes betray him, he looks like he is very far away from here, very buried under all the scenes playing on his mind; but despite his stillness, his lower lip quivers.
Ā You can't move your right arm at all, but with the other hand, your fingers lightly touch his knuckles still resting on your stomach. He winces, and your fingers are wet with his blood too. He must have beaten to death whoever shot you, that you are certain about.
Ā Your voice, little more than a weak breath, whispers:
Ā "I-I want you to do it."
Ā The crease between his eyebrows deepens. He seems confused rather than angry; the reaction you were hoping for. You take a breath to repeat your own words, but he squeezes your hand.
Ā "Don't," he says.
Ā "Joel..."
Ā "Don't even think about it," he snarls. "You are perfectly fine, don't be dramatic."
Ā You don't know what hurts more; his pain or yours, but his denial makes your eyes wet with tears again. This is already hard, but he is making it even harder. All he will achieve by trying to keep you alive is either prolonging his pain or getting himself killed. You both know this is no world for the injured and the sick, not out of the QZ, at least. And in most cases, not inside either.
Ā All you ask of him is to not leave you for the infected to find. Is that too much to ask?
Ā You want to insist, but you know he won't have it. Joel has lost so much already that the thought of losing what little left he has is not even going to cross his mind. Not until it's too late, at least. Also, you don't want your last moments with him to be a fight. You are tired of fighting, of swimming against the current. You just want to let go for once, give in to the external forces, close your eyes and peacefully breathe.
Ā What's more, you should have already known that he wouldn't do you that favor. He is too selfish for that.
Ā He pats your cheeks gently with his large hands, and your eyes, already rolling back into your skull, get focused on him again with a few blinks. You breathe slowly, trying to focus on him, on the world around you slowly twisting and turning.
Ā "...that's it," he says, it doesn't sound like his first sentence, so you guess he's been talking to you before. When you look back at him, his breathing is shallow, and you know he is trying to take a hold of himself too, trying not to give in to panic. "Good girl, that's it. Keep your eyes on me."
Ā Exhausted and hurting as you are, keeping your eyes open it's like asking you not to drop a weight that you cannot, in fact, handle; but you try nonetheless. It's your fault, really, for letting yourself go, for trying to give up on your fight earlier than you should. Joel is here trying to keep you alive, mending all your broken ends and stitching them together ā€”he has always been good at thatā€” while you're just trying to give up on him ā€”you are really good at that tooā€”.
Ā Giving up on Joel has been one of the hardest things you've ever had to do; and now you're letting him go for the last time. Part of you is glad you don't have to keep watching how he chooses Theresa over and over again. You are even relieved that fate ā€”or whatever there is out thereā€” is forcing you out of the equation. After all, you would never have given up fully on him.
Ā He refuses to kill you, what he doesn't know is that you've been dead for a long while now. Him being your executioner would be the kindest act he could have with you, the most intimate thing you'd ever share; your last moments. You want it to be him, you want him to free you from this torment.
Ā He refuses, though; and it feels like a punch to the pit of your stomach. You shiver.
Ā He gets up from his place on the floor, where you are lying just over the carpet. You follow him with your eyes and see a fire cracking up in a fucked-up chimney. He stokes the fire, throws some more wood on it and then comes back to you, covering you with his jacket, the very same jacket you had on before he turned you around. It's warm, his, and you have to stop yourself from sinking your nose into the collar.
Ā "I had to take off your shirt to patch you up," he says, but he doesn't say sorry. Ever. So you guess it's his way of apologizing.
Ā You simply nod, aware that you had wished for this very moment to happen many times before. You had dreamt of his rough hands over your naked flesh, caressing the sides of your body. You had dreamt of him watching you with those chocolate eyes as you took your shirt off, deep black pupils spreading over the brown as he watched the lace fall like a helpless witness.
Ā But now the bra was covered in blood and he was watching you anywhere but the lace. He had a frightened and concerned look on his face, rather than aroused. A look that would have made you feel guilty and ashamed if it had happened in the other scenario. And instead of undressing you, he was covering your body with his jacket as if you were his child.
Ā "What's wrong?" he is asking now, instead of whispering 'I want you' and it hurts all the same to know he's not ever going to say it, and that Tess now will have all those words for however long their lives are.
Ā You guess they were made for each other. And it makes all the sense, really, no one like Joel would ever look at you twice. You were grateful that he even allowed you to be his friend.
Ā "Nothing," you respond.
Ā It's always 'nothing' when it comes to Joel. It's always that nothing whenever he notices you are under the weather. It's always nothing when you are hurt, when someone tries to rob you and they leave an angry black eye on your face. It's always nothing; and he never believes you.
Ā "I don't make promises, you know that," he says, taking your left hand in his. "but you will be fine, I swear."
Ā You don't know what to say, how to explain that you are not scared of death, that you are just scared of not seeing him again. But you can't, so you say nothing and just nod.
Ā Does he want to hurt himself? Okay. You can't do much while lying on the floor anyway.
Ā After that, both of you stay silent. Joel seems to be avoiding looking at you. His eyes are stuck in the fire creaking in the chimney, but they are too restless to be present and conscious of the yellow and orange haze.
Ā Your palm lands on his thigh, your fingers gently brushing the denim. You want to comfort him somehow, but, at the same time, you are scared he will reject your touch and reassurance. That's all you can do for him: no words, no further touching, just a featherlight touch that indicates you are still present. There, with him.
Ā "I thought we couldn't make a fire."
Ā "Don't be dumb. The windows are all broken, it's winter and you are in shock. How else would you heat up?"
Ā "Got it. You're not in a talking mood," you huff. "Alright."
Ā Silence settles between both of you. However, one of his big, rough hands travels to where your fingertips are gently brushing his thigh. At the touch, even if you don't want to let go, your fingers begin to back off. He's not in a good mood, and you seem to be pushing his boundaries a little too much. Except that, instead of letting you go, he catches your hand in his and puts it back over his jean. This time, it's him who brushes his thumb over your knuckles.
Ā For a minute, the only sound in the living room are both your breathing patterns, the flames licking the air and the wind rushing through the broken windows.
Ā "I'm sorry..." you start. And immediately, his brown eyes are all over you again. Your voice sounds exhausted, more than you'd have liked. "...I fucked up the mission. I know-"
Ā "You haven't fucked up anything," he interrupts. That's Joel, all stoic, swallowing his feelings and denying everything that it is not up to his standards. "Would you mind to just rest-"
Ā Your eyes well with tears.
Ā "Joel, for once... Just for once, don't lecture me, don't ignore what I'm trying to say just because you don't want to hear it," you tell him. Then, he thankfully presses his lips together in a pained grimace, but stays silent nonetheless. "I fucked up the mission getting injured. I know it isn't my fault, but it doesn't matter whose fault it is. If you wanna go on without me, I won't blame you."
Ā His fingers are now squeezing yours, but you know he is not even conscious of that. He leans in a little, his cheeks now reddened in anger. He looks like he is about to spit on your face.
Ā "I'm not leaving you anywhere," he says. He looks offended that you even thought he was capable of that. "You and I are gonna get to Lincoln, either if you like it or not. There, Bill and Frank will help you. We have traded all kinds of things with them, and I know they are very well supplied."
Ā "Why would they help me?"
Ā "They are not just people we trade with," he says. His fingertips brush a strand of hair out of your face. "I know they will."
Ā "What if they changed their minds?"
Ā His pupils lock into your own, his jawline swells as he grits his teeth.
Ā "I'm persistent."
Ā The mission was supposed to be an easy one. Walk out of the QZ undetected, walk fifteen miles to the town of Lincoln, just outside Boston, get our things and come back. Our cargo were the two last spools of aluminum that Joel had promised to trade with them and two packets of seeds. Theirs? Two pounds of rolling tobacco and a gun. Tess couldn't make it, she had appointments with other smugglers, probably the ones who snuck the drugs in; which was more than half of their business. If it wasn't that important, she wouldn't have stayed in the QZ for anything in the world. But Bill and Frank were also important, and Joel couldn't go alone.
Ā The two of you should be home by now, and you wondered if Tess was regretting her decision of asking you to go with him. Last night you had both snuck out of the Boston QZ; and it usually didn't take more than six hours to get to Lincoln. But just outside the city you had bumped into raiders; and a stray bullet had hit you. Now you were stranded in a small cabin lost in the woods, about seven miles away from Lincoln; and unable to walk a single step.
Ā And to top it all off, Joel was enraged and neurotic.
Ā Still with the same expression, he takes your wrist and squeezes two fingers into it. Even if you had preferred him not to, knowing that your heartbeat got wild whenever he was around. You let him check on you, hoping that if your symptoms got better he would let you have a quick nap. Your nervousness, however, doesn't improve despite your efforts of trying to calm yourself down.
Ā "Since when are you a doctor?"
Ā He lets your wrist go, then gets back on his feet and gets his rifle.
Ā "You should rest. You'lll need it," he says, now heading to the entrance. He's gonna be standing on guard all night, you are sure of that. "We're leaving tomorrow morning."
Ā That is when you lose it. You can't believe he is that blind, that caught up in his own world.
Ā "I know in your perfect fantasy this is just a scratch, but I truly can't move, Joel. Even laying here awake is hard. How am I supposed to follow...? Joel!"
Ā But he's out of the house before you even finish the sentence.
Ā Ā [***]
Ā Ā Joel doesn't keep his word.
Ā A few hours later, not even near dawn yet, you get pulled back from a dream. Your eyes take a few minutes to register your surroundings; again. And the memories gallop back to your mind in a rush; accompanied by the burning and piercing pain on the upper right side of your chest. Your eyes shut tight, and you inhale a shallow breath. Even breathing hurts.
Ā "We need to go," Joel whispers. His voice sounds muffled, especially over the sound of your beating heart. "C'mon, wake up."
Ā He is once again rocking you rather than shaking you awake. Just to be able to fall asleep you had rolled back into your chest, cheek once again firmly pressed against that twenty-year-old dusty carpet. When he came back from checking the perimeter, not even five minutes after your argument, he placed his backpack right under your stomach so your right side was elevated. You wouldn't have been able to fall asleep if it wasn't for that. The pain was maddening, atrociously painful. Joel had found you gritting your teeth even in your sleep.
Ā He had said you'd leave the next day, but you felt like not even minutes had passed.
Ā "Morning," you complained, half a grunt accompanying your words. Joel shook you gently again when he saw you relax a second time, and your voice came back. "Y-you said...mor-"
Ā "I know what I said but we can't wait any longer," he answered. "I'm gonna sit you up."
Ā Fear pumped enough adrenaline into your system to wake you up. The ache from before rushed back into your mind, and your 'please' and 'wait' left your mouth like a prayer.
Ā "I can do it," you said, but it sounded more like begging than an affirmation.
Ā "I know you can," he lied. As your eyes opened and you saw his expression ā€”eyes focused on you, trembling hands, half of his face hidden in the shadows, the other half gently licked by the orange-like haze of the dying fireā€” you understood that you had to be in a really bad condition for him to look at you that way, and feel the need to lie to make you feel better. But then, a second right after that, his shoulders relaxed, his eyes fluttered between your face and the surface of his jacket over your shoulders. His stoic mask was back on. "I'm just gonna help you, okay? But you do it."
Ā He did not, in fact, let you do it.
Ā You had managed to lift yourself barely an inch over the carpet, using all the strength left in your healthy arm, when both his hands curled around your side and pulled you up to his chest. Clenching your jaw, you allowed him to drag you a few feet back and into a seating position against the wall; your whole weight over the left side of your body.
Ā "Don't lean on the other side, your shoulder blade is broken."
Ā "Oh..." you almost chuckled. "Great."
Ā For a second, Joel looks at you as if you were completely insane. He reaches for his backpack, crouching on the place where you were lying just seconds prior. Then takes his flask and doubts when passing it on.
Ā "I'm not that desperate for water," you respond, reaching for the flask and drinking a gulp of the liquid. You swallow despite the soreness in your throat. "Next thing you'll do is spit food into my mouth."
Ā "Not even getting shot shuts your fucking mouth, does it?" he says, grossed out at your comment. However, a smile tugs at the corners of his lips. Relaxing him has a calming effect on you too.
Ā You try to pass him the flask again, but he refuses.
Ā "No," he says. "Drink it all. You'll need it."
Ā You look at him with narrowed eyes, confused. It's hard to keep a single thought in your head other than the throbbing pain in your chest and back, but you still try. Rather than asking him how you are supposed to walk seven miles, with the aluminum and his pack, you try to approach the matter another way.
Ā "What's the plan?"
Ā He takes a deep breath.
Ā "You're not gonna like it," he says, his deep voice almost slurring the words. It's barely a whisper. He looks into your eyes, then. "I'm gonna carry you."
Ā "What?"
Ā "You heard me."
Ā There's not an ounce of doubt in his eyes. Joel has that look of determination, the one you only really see when he has his eyes set on something really fucking important for him; most times that includes his own brother or not talking about the times before the outbreak. And with that look on his face, you know there's nothing you could possibly say or do to make him reconsider his own words. He's stubborn like that.
Ā You still try.
Ā "It's seven miles, Joel..." you tell him on a thready voice, a whisper. And Joel sighs through his nose ā€”as if he had forgotten. "And we have to carry..."
Ā "We leave everything here," he says. "Come back for it later."
Ā "They won't let us in empty-handed."
Ā "You don't know them."
Ā For Joel to be so certain about it, certain enough as to put both your life and his on the hands of strangers; you understand that their relationship goes beyond trading. Joel had told you about them, about their situation and the first time Tess and him had shared dinner with Bill and Frank. Still, you were suspicious of them, and you thought that he was too; up until now, at least.
Ā "It's still seven miles," you tell him, and you know him, you know he's about to stop talking to you and leave the room if you don't, at least, partly give in to his reasoning. "...are you sure you wanna do it?"
Ā His pleading brown eyes engulf you, then, with an emotion he had never showed before. His gaze diverts for a second to your wound, to the bandages that, as you look at them, you find they are once again covered in blood. They are soaked in it, the skin surrounding it has a large black bruise ā€”internal bleeding, you guess. And when you try to take a full deep breath, you find yourself unable to, at least not at full capacity.
Ā The understanding hits you, then. You don't have much time left.
Ā "I don't have any other choice," Joel says, but what he means is 'I don't want to lose you'.
Ā "Okay."
Ā Not even a full second has passed from your reluctant acceptance, but he is already on his feet. Joel walks to the only table in the room, takes your gun and puts it in his hip, right inside the jean. The only other thing he takes apart from ammo is another set of bandages ā€”and he silently thanks whatever it is out there that he put those there a month agoā€”. He doesn't have anything to clean the wound, though; and one of his biggest fears is that it might already be infected. Even bandaged it looks bad.
Ā He approaches you, crouches down so he is facing the wound.
Ā "I'm going to tighten the bandage, and I have to keep the pressure," he says, loosening the knot. His fingers are once again stained with you blood, and he has to fight the images of him pressing on your wound from a few hours ago, when he had found you and, with trembling hands, had tried to stop the bleeding coming out in waves. He looks at you, trying to forget the awful picture of your eyes closed, your body limp on the ground. "Bite something."
Ā You reach for the sleeve of his jacket, the one hanging from your shoulders; and put the padded cuff of his jacket into your mouth.
Ā Joel doesn't give you a warning; and you're not sure if that's a good or bad thing, either. He presses the heel of his hand right over the covered hole in your chest, with such strength that you wonder if he will end up breaking your clavicle in half. As he presses your body against the wall, you can almost feel the cracked bones in your back smashing against each other.
Ā Needless to say, the pain is blinding. The view of the room, the feeling of his heat around you, the scent of him under your nose... all gone in a matter of seconds. Your vision turns white, all your senses stop functioning. Over the scream that falls from your lips, muffled by the jacket, you hear him say:
Ā "I'm sorry, I'm sorry, I'm sorry."
Ā He lets go, and your vision immediately darkens, the shadows flowing from the corners of the room quick to reach you. With your last grip on reality you feel yourself melting against the wall, slowly slipping to the side. Joel catches you before you hit the floor.
Ā Cold water is what brings you back. Your breathing quickens at the coldness of it, and the next thing you feel are his wet hands palming your cheeks, throwing water from his flask all over your face.
Ā "C'mon," he mumbles. "I need you awake."
Ā Your eyes flutter open, your whole body relaxed now that he's not applying pressure; but alert enough that your unfocused eyes make a single shape out of him.
Ā While coming back into yourself, Joel does not have any time to lose. He takes his jacket over your shoulders and slips your left arm inside the sleeve, the other, where the wound is, he decides to leave it as it is; and buttons it over your chest so you're not exposed.
Ā "You good?"
Ā In any other situation you'd have said some joke, or just something to piss him off. But as of right now, nothing comes to your clouded mind; and even if something did come, you're too exhausted to even do the mental effort to say it. So you just nod.
Ā "Okay," he nods too, talking to himself inside his head, then takes your face in his hands and looks into your eyes. "You're fine, you hear me? I'm gonna carry you and you're gonna be on my back; so I need you talking all the damn time, alright?
Ā You nod again.
Ā "Starting now."
Ā "Y-yes... okay."
Ā "Good," he says. His hand crawls to the back of your neck, and he joins both your foreheads. He takes quick breaths. He's terrified when he whispers. "You're doing so good. I'm so proud of you."
Ā "Y-you... are?"
Ā "Mm-hmm," he says. And as his words settle into your brain, you feel your chest warm. When you open your eyes and he separates, there's a tear on his cheek, but he's quick to wipe it off. "I'm gonna open the front door."
Ā It's just an excuse, you both know it, but neither dares to say anything. None of you wants to talk about the elephant in the room, the fact that your chances are slim even if this works.
Ā Joel returns quickly, with his lashes wet and reddened eyes. It makes you speechless, to know that all this effort and tears are for you. You'd have never, in a million years, thought you'd ever see Joel Miller cry; let alone for you. He had always been so quiet, so detached from everyone, even from Tess.
Ā Without a word, his hands get hooked on the underside of your thighs. He lifts you up, seemingly effortlessly, and your inner thighs surround his hips. You take a deep breath, again ā€”or at least try toā€” as you try not to blush and show those feelings you buried long ago. This is not the time, nor the place; so you allow your head to follow his range of motion; forwards. Soon, your nose is pressed against the lapels of his denim shirt. With your good arm, you grab one of his broad shoulders. The other falls limp, and even that little movement hurts like hell.
Ā He freezes, his shoulders now stiff under your hand. His beard grazes your jaw as he tries to look at you, so still in his arms.
Ā "You okay?"
Ā "Yeah..."
Ā Better than okay, you want to respond. Better than I've been in a long time. But you don't.
Ā He leaves you on the table, on the edge, with your legs dangling. Ā His eyes waver for a second as he leaves you there, his hands squeeze your knees in such a brief movement that you wonder if he was even conscious of that. He looks like he wants to say something, but he can't think of what, so he turns around and bends his knees a little to get you to a good height.
Ā "I need you to push yourself up with your good arm," he instructs. "and keep the other still, okay?"
Ā "Okay," you respond, fighting the urge to just nod instead.
Ā Not even following his instructions to a t saves you from the pain. The effort, even with your arm limp in the air, makes your body shudder and an agonizing stab runs through your whole spine. The scream that tores from the depths of your throat is so intense that Joel hesitates to put you back on the table, his back trembles for a second as his body shivers in distress. But, in the end, he has you in the air with a good hold.
Ā He waits, but doesn't hear anything except shallow breaths, doesn't feel anything but the weight of your head over his shoulder.
Ā "You with me?" he asks. He is seconds away from aborting the mission.
Ā "Y-yeah..."
Ā Your arm surrounds his neck loosely. Your fist is closed tightly, grabbing the other shoulder, and he wishes he could touch you, give you some kind of comfort, but he can't let go from his grip under your knees.
Ā Joel does not have the privilege of time, every second is precious, so not even giving it a try, he starts walking as if you weighted nothing. He crosses the front door and the freezing cold wind of the East Coast cuts your cheeks. If he notices ā€”and you know that he has, wearing just his shirt in the middle of the nightā€” he doesn't react.
Ā "Remember what I told you?" he asks.
Ā In less than a minute he has crossed the space from the cabin to the highway, where you were surprised by raiders. You look around, see the bodies of five men sprawled on the floor; lifeless, drowning in a pool of their own blood. One of them has his face mauled to nothing. The sight is so sickening ā€”or maybe you are getting so illā€” that a sudden dizziness takes hold of your shivering body.
Ā "Hey..."
Ā "I'm sorry..." you start, teeth chattering from the cold. "I'm sorry I screamed into your ear earlier."
Ā A sound, half a relieved sigh and half a chuckle, leaves his mouth.
Ā "I'm half deaf from that ear anyway."
Ā A light chuckle falls from your lips too. Joel keeps walking west through the highway, and you keep yourself desperately clinging to him for dear life. The moon is your only other companion; without her, you both would be completely blind in the darkness of the night.
Ā Ā [***]
Ā Ā Joel probably hadn't thought about the possibility of taking breaks along the way. That's why, fourty-five minutes later, and under a beautiful sunrise of orange tones, he's struggling to keep going. His knees are screaming for him to stop, his biceps and hands tired of walking with a person's weight over his shoulders. And for the first time in years he remembers the times before the outbreak, when he was capable of lifting and moving huge pieces of furniture; often times on his own, other times with just Tommy.
Ā He might have overestimated his own strength, assuming he was as strong as before. But it seems that not only his mental health has deteriorated after Sarah's death, no. All of him has become older and darker and more broken since then. He hardly recognizes himself in the mirror anymore.
Ā "Joel?"
Ā "Yeah..." he gasps, out of air. "Sorry, I got distracted. You were saying...?"
Ā It is in moments like this that he hates not to be that same person he was before. He wonders if he is, finally, paying for his past sins, for all the people, infected or not, that he has killed.
It is unfair, the fact that you're paying for his piper.
Ā "You should stop for a while," you tell him, your voice low like a whisper. The warm air from your mouth slithers across his skin, up his neck, over his ear, and almost sends a shiver down his spine.
Ā "No."
Ā "Joel..." you huff. Before speaking again, you take a big gulp of air. "We are not getting anywhere if you don't take breaks. You'll just wear yourself off before we reach the halfway mark."
Ā His mind refuses to agree, but it's as if his body takes a relieved breath when he hears the words. Little by little, his body starts to listen to you before his mind does. His thighs are screaming, sore from the pain of exertion; and before he acknowledges, even, his body has stopped moving.
Ā "Okay," he gasps, quick tired breaths quickly entering and leaving his lungs. "...but just a minute, we don't have time for this bullshit."
Ā "Okay," you say, in the same tone he used earlier with you; when he lied and said he knew you could sit up on your own. "Just a minute."
Ā He pulls to the side of the road, and with the last of his strength he kneels down and tries to lay you on the ground as carefully as possible. You fall on your ass on the wet ground, but at least you don't hurt yourself on the spot. He asks you for the millionth time in the last twenty-four hours if you are okay.
Ā "I think I'm doing better than you," you respond, but your voice is so exhausted that Joel would love to just lay next to you and lull you to sleep.
Ā He turns around, his whole weight sitting on the grass as he takes gulps of oxygen. His eyes shut tightly, he wipes off a tear of sweat from his temple and looks at you.
Ā Wide-open eyes stare back at you, but just for a split second. He gets closer, his thumb brushing the shoulder of the brown jacket, his brown jacket. His eyes pierce yours.
Ā "Are you sure?"
Ā "That bad do I look?"
Ā Joel doesn't look at you, not at your face getting paler by the second or the dark circles under your eyes, or your hair now dishevelled. He sees you on his memories and can barely recognize you; your skin and eyes always glowing under the sun, your hair always perfectly done. Your job was often to act as an HR for their clients, and very rarely took actual FEDRA jobs that stained your hands; you weren't like Joel, you didn't care about rations or money or whatever.
Ā Expert fingers gently tug at the buttons, unbuttoning them so he could take a look to the wound. He had barely a glimpse of it when your fingers stopped his hands. Joel looks at you with those puppy eyes, as if you were about to faint in the next second.
Ā "If you wanted to see me naked you didn't have to wait until I got shot, you know?"
Ā You had said it in a playful manner, kidding, as a joke; but he saw beyond that. Part of you had only expected him to laugh, the other was dying ā€”not pun intendedā€” for him to kiss you. You'd have never said it if you weren't in this position, you'd have never gotten in between Joel and Tess.
Ā However, he didn't laugh, didn't make any funny remark. The way he looked at you, from under his eyebrows, lit a spark of hope somewhere inside you. Deep, deeper than your conscious mind would have ever reached. Joel didn't say anything, not even chuckled. His eyes came back to the wound, and uncovered the full sight of it.
Ā He had to fight a shocked gasp. His eyes fluttered, while holding his breath, between your own face and the wound. The bandage was still soaked in blood, that he had expected, but not the large bruise growing into your neck; or your right hand slightly paler than the other. He lifted, with trembling fingers, a corner of the bandage, and his action caused a trickle of dark blood to gush out, as if he had crushed a piece of watermelon between his fingers and it was now running down his arm. He looked below, inside his jacket, and saw a trail of blood that landed right into your navel.
Ā This time, it was impossible for him not to react. Not only his face, but also his body. He tried to get back on his two feet again, but before he finished the action, your fist closed around his wrist.
Ā "Joel..." he heard you call.
Ā "We need to go, now."
Ā Pressing your lips in a sad smile, you pulled him to the ground and he sat, mesmerised on that face he had only yet seen once; that time when he got too drunk on a Friday night and told you about Sarah at three in the morning. He felt his pulse quicken, his heart beating at the ends of his fingertips.
Ā "It's okay," you told him. Your gentle touch brushed his palm, danced around over his tan skin. "You can rest."
Ā Joel felt like he was in a fever dream. The setting certainly felt like it. You hadn't left the Boston QZ in a long while, and he had never pictured you out of those big silver walls either. He had not agreed to Tess' idea either, the dangers beyond the walls were almost impossible to escape. Still, Tess and him knew the city, they could get out fairly easily, had done that for a couple years to share stories over dinner with Bill and Frank. And Joel had loved the idea of seeing you sitting at that dinner table next to him, surrounded by a garden full of flowers, going through the dresses in the boutique that Tess had sworn you'd love.
Ā He had not signed up for this.
Ā "We need to go, please..." he tried a second time, but you just shook your head. He understood, somehow, what you meant.
Ā "A minute won't make a difference," you told him. In reality, you wanted to tell him that you'd be dead when he got the both of you to Lincoln, anyway. "If you are tired we will never get there."
Ā Useless and powerless as he felt, his only option was waiting. He took your hand, intertwined his fingers with yours and took a deep breath. You had never seen him so upset.
Ā "What are you so scared of?"
Ā At your words, his lower lip quivered slightly; it would almost have gone unnoticed if it wasn't because you had been watching him attentively for so many years. He looked at you, eyes barely half open, from under his eyelashes.
Ā "You're very important to me," he said. His tongue felt heavy in his mouth, he seemed to be even more breathless than he was before. Joel had a hard time admitting his feelings, even to himself. "I don't know if you understand to what extent you're important to me."
Ā "I know..." you answered, nodding, your hand squeezed his for a second, trying to give him strength. "But you have Tess home, and your brother loves you... It will hurt for a while..."
Ā "Shut. Up."
Ā His eyes were tightly shut when he said it. It was a metaphor, almost, the way his eyes were closed not just to the physical world, but to the whole situation too that he couldn't escape from.
Ā The tip of your tongue wetted your lips.
Ā "What I'm trying to say is... it will pass..."
Ā His chest heaved, his gaps the only sound that filled the space between the two of you. And you continued:
Ā "People die all the time, Joel; and most times we can't do anything about it."
Ā His body rushed at you, his hands locked perfectly on both your cheeks, like two pieces of a jigsaw puzzle finally in place.
Ā "Not you, you hear me? Not you," he almost growled, his face a mixture of anger, determination, and grief. "Never you. You're not allowed to leave me. I will never forgive you."
Ā There was something hidden between the lines, something Joel wasn't saying. It was something you had denied yourself for a long time, for years, something you had insisted on not seeing because you didn't want to see it. Because, deep down, you were afraid that Joel would never love you back, that he would break your heart, that the only good man you'd ever known inside the walls of the Boston QZ would also be the one to abandon you to your luck.
Ā Joel had been your family for so long, and you had unconsciously protected yourself from seeing him as something else. But now there it was, clearly, latent in his confession. Your punishment for years of silence was now time, or rather, the lack of it.
Ā "I'm not giving up," he said. "and I need you not to give up either."
Ā He's close. His hot breath smells sweet -so instinctively Joel- and it's all around your face. His flesh is warm over the freezing skin of your cheeks. His body around you is shelter, is home.
Ā Joel is soon leaning in. He's all erratic breathing, rapid heartbeat and trembling hands; and as you close your eyes to allow his presence to swallow you like a black hole, he closes his eyes too.
Ā He doesn't let go, not just yet. He breathes in into your quick breaths the same way you revel in his.
Ā "I need an answer," he whispers over your mouth.
Ā "I won't, either."
Ā At first it's like a collision. He kisses you angrily for a split second, demanding and impatient; then, once he knows this is really happening, once he does understand that this is ā€”finallyā€” not a dream, he relaxes into your touch, your fingers delineating his jawline, caressing the beard there.
Ā He's quick, quicker than you'd have expected him to be; definitely quicker then he would have liked. He separates, then; and looks down at his jacket and the drops of blood staining the insides of it. It's not enough blood to send you into shock again, but it means part of the wound is ripping. You need stitches, not just a couple of bandages.
Ā "Enough resting then," he says.
Ā Ā Ā [***]
Ā Seven miles is usually nothing for Joel. In the first few months trading with Bill and Frank, Tess and him usually walked the fifteen miles that separated the city and the town at least twice a month. But this is all the more difficult, not just carrying you there, but knowing that he is running out of time.
Ā And you seem hellbent on making the journey even more difficult.
Ā "So...Tess?"
Ā "Pass."
Ā You huff, and the warm air sends a shiver down his spine; but he says nothing.
Ā "Okay."
Ā Your voice sounds so disappointed that he feels a pang of guilt. You know him better than to insist, and he knows that too. The guilt increases, though; and now he's inhaling a big gulp of air while still walking as fast as he possibly can without hurting his own knees.
Ā "We fucked a few times, before," he says. "but that doesn't mean anything. She's my colleague. That's all."
Ā If he was better with words, and feelings, he could say that he didn't feel anything for her. He could say that their hookups were nothing, just a fun thing they used to do before, before he realized that the one who he really wanted was you. A few months back he had realized that it never actually satisfied him, that those moments with Tess weren't as fun and innocent as they seemed to be before. They had talked about it, of course. He didn't want to play with her feelings, and that had been the end of it. She was just as fine without him, anyway.
Ā "I thought you two were dating."
Ā "If selling drugs for a living is what you call dating, then yes."
Ā Without even looking at you, he knew you were smiling, he could almost feel your lips stretching over his shirt.
Ā "I..." you said, then he heard you take another deep breath before talking again. "I'm sorry I asked you," another breath. "I... ran out of things to say."
Ā His brow furrowed in confusion.
Ā "You can say anything," he says. "Anything you really like, even a story."
Ā Anything just to know you're there...
Ā "Well..." you started. Then, a wheezing noise filled the air, followed by a gasp. "I... liked rock music-" silence. "...back in the day."
Ā "You okay?"
Ā Your fist tightened around his shoulder, your forehead pressing against his trapezius. He heard that wheezing sound again, followed by a pant. His hands squeezed harder the tender flesh under her knees.
Ā Joel tried to look at her, but all he could see from his peripheral vision was the top of her head and one eye tightly closed. His throat turned into knots.
Ā "Baby..." that was the most gentle tone you had ever heard coming from his mouth. "C'mon baby. Hold on, we're almost there."
Ā His whole body felt paralyzed, and he had to force himself to keep walking.
Ā What he didn't know was that your lungs were burning. They felt like a pair of balloons squeezing against your ribs, trying to expand beyond its cage. And it made all the pain in your back, from the shot, double as painful. The air you tried to swallow so bad, sounded like a whistle, like the breeze through an almost closed window. You were suffocating.
Ā "Talk to me, c'mon."
Ā With a painful drag of air, you complied.
Ā "I can't..." your fist tightened around the fabric of his shirt. "I can't."
Ā "Goddamnit..." he was panicking now. "Okay, that's okay baby. Just hold on to me, don't let go."
Ā Unable to do anything else, you just nodded as best you could and kept on holding on to him. His eyes desperately looked for signs of the town, and far away, in the distance, the row of trees ended; and he walked faster, hoping that Bill had already seen the both of you through the cameras.
Ā "J-Joel"
Ā You struggled to find air, and, therefore, the words.
Ā "Easy, easy" he said. "Just a bit more. You can do it, I know you can."
Ā His words lingered in the air, unanswered, not even him fully believed them. Joel was starting to feel his own shirt wet with blood from your wound. The feeling made him sick, his own imagination as he pictured what Bill was watching through the cameras, made it all a hundred times worse.
Ā He kept hearing the panting, the wheezing, becoming more desperate by the second. He realized, with horror, that you were suffocating righ there, on his back; from a collapsing lung, he guessed.
Ā He shouted Bill's name as he saw the fence that separated them from the town. Joel wasn't sure if he could hear him, but tried anyway.
Ā He felt your grip on his shirt hesitate, and he had to fight the instinct to squeeze your hand; if he had done it, you'd have fallen from his own grip. He heard you try and say his name.
Ā "Save it," he responded, even if it came out not as reassuring as he would have liked. "Don't try to talk."
Ā Before he reached the fence, it was already opening. Bill came out running, yelling something that he was too distracted to distinguish, Frank came behind him. Joel felt his knees wobble once through the gate. And now kneeling on the floor, he called your name, tried to turn his head to take a glimpse of you.
Ā "You did it. We're here."
Ā He noticed, then, that everything seemed all too silent. Everything that happened after that, happened very quickly. The hand that had been gripping his shirt slipped, limp over his shoulder.
Ā His mind disconnected, completely unaware of the other two people approaching. He released you with all the care that a person could have had, and his arms immediately caught you in an embrace. The sight of your closed eyes made him panic, and not having even checked your pulse, he buried his face into your neck and sobbed.
Ā Trails of blood ran through his forearms, and he threw up all the words that passed through his mind; a string of 'please stay' and 'I'm sorry'.
Ā "Joel," Frank struggled with him, fingers digging into his shoulder. "Joel you have to let go. Let us help her."
Ā He was too far gone, so much so that once your body hit the floor, Frank didn't allow him to touch you again. He sobbed, and, for a second, Bill saw himself in him. He would have never thought he would see Joel in this state, but yet there he was. He kept pressure on the wound, and saw himself in Joel, and Frank in you; and promised he would never let this happen to the two of them.
Ā Never.
Ā Ā [***]
Ā Ā The sun comes out the next morning. As it always does, as it always has. Orange light and blue skies illuminate the room, the clouds shine a different color; and Joel blinks; absolutely exhausted, devastated.
Ā His body is heavy, even if he's not holding any of his weight. He's sitting on the cold tiles, on the floor, his sore knees and thighs in the space under the bed, his head lying on the mattress, his whole body is bent over and it feels like jelly. His eyes are the only thing moving, they look at the window and see the night sky turn into daylight.
Ā Joel couldn't possibly say that he slept in that position; because he didn't actually sleep. He hasn't had a second of sleep since you got shot two days ago. Lying on the bed, is you, dormant; and his thumb draws circles on the back of you hand even if he's not paying attention to it. It comforts him to a degree, at least.
Ā Suddenly, pretty much everything has lost its meaning. Frank opens the door an hour later, almost tripping with the tray of food and water that he left the night before for Joel. He hasn't touched any of it. In fact, he forgot about it, but if it bothers him, Frank doesn't say anything. He takes it in his hands so he can take it to the kitchen downstairs.
Ā "We played 'I will survive' in the radio" he whispers before leaving. "It's a 70s song, but Tess will get the meaning."
Ā "Thank you," he mutters, his mouth pasty from barely speaking in the last twenty-four hours. Funnily enough, the only word he's said to them is 'thank you'.
Ā "You're welcome, Joel," he says. After a few seconds, waiting, he makes a dissatisfied sound. Frank approaches Joel, his palm squeezing his shoulder. "You should eat something, at least. Is there anything you want?"
Ā Joel looks at him, lifting his cheek from the mattress for the first time. His eyes are blood-shot and black circles adorn his eyes.
Ā "Coffee."
Ā "Not coffee, you need sleep."
Ā He huffs, his eyes lost in the window again. Frank, knowing he won't get anything from him again, vanishes behind the door and into the kitchen. He will bring him warm food later, hoping the smell will make him eat something despite his unwillingness to listen to any signal of hunger from his own body.
Ā A few moments later, your hand slips from his. As he loses your touch, a pang hits the pit of his stomach. But then, as he lifts from the mattress again, your fingertips lightly touch his chin, your thumb lovingly brushing his beard.
Ā "Baby?"
Ā Maybe he lost his sense of time, because he didn't expect you to wake up yet. In any case, when he sees your eyes open he practically pounces on the bed. He sits on the edge, and swallows the image of you looking at him.
Ā "Morning."
Ā He smiles at your words, feels his strength coming back into his body.
Ā "You're here," he says.
Ā Even beaten up as you look, he thinks you are gorgeous. Your face has regained its usual color, the bruising is coming down, changing colors little by little, the wound is stitched and bandaged, and the blood flow seems to reach your fingertips normally once again. Joel has no idea how Bill fixed the collapsing lung, he had said something about medical knowledge being necessary in the field too, but he hadn't paid attention. He doesn't care about the details, though. He just cares that you're safe and sound, and despite the close call, that has seemed to be the end result to this whole dilemma.
Ā There's no blood in sight, not even in the bandages. Frank had washed the blood from your hair the day before, and Joel had helped with the rest. He wished he could have you like this everyday: happy, clean, safe...
Ā In the last few hours Joel had discovered he was jealous. He wished he had a town like Lincoln all to himself, just so he could see you picking flowers in the front garden.
Ā "I'm here," you told him. The words felt like strawberries in his mouth. "and I'm not giving up on you."
Ā He released a breath he didn't know he was holding, leaned in for both your foreheads to meet, and kissed you.
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apollohears Ā· 9 months ago
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DEMO. ( TBD ) āœøĀ ROMANCES. āœøĀ PLAYLISTS.
last updated: coming soon !
Step into the shadows of Day of Dusk, a mesmerizing blend of dark fantasy, horror, and romance. Drawing inspiration from the chilling folklore of the Brothers Grimm and the adrenaline-fueled film "Hansel & Gretel: Witch Hunters," this interactive novel beckons you into a world where mysteries lurk in every corner and romance dances with danger.
In Day of Dusk, the line between magic and malevolence blurs, and you, the main protagonist, hold the key to unraveling its secrets. Will you dare to navigate the twisted paths where witches, witch hunters, and supernatural entities collide?
The choice is yours, but be warned: in the shadows of dusk, nothing is as it seems.
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In the heart of a medieval fantasy realm lies "Day of Dusk," a tale woven with threads of mystery and the macabre. Journey alongside a band of young mercenaries, masters of the dark art of witch hunting, as they navigate a world teeming with secrets and shadows.
Their journey begins in the tainted township of Ruel-Mizu, where whispers of many vanished children echo through the fog-choked streets. Tasked with unraveling this enigma, your group treads a path fraught with peril and the weight of history's darkest deeds.
As you delve deeper into the town's grim past, you'll confront not only witches of formidable power but also otherworldly entities lurking in the shadows. Along the way, unexpected allies may emerge, and the bonds of friendship may blossom into something more.
Yet every choice carries weight in this twisted tale of power and love. Betrayal lurks around every corner, and the line between ally and enemy blurs in the gloom. Will you sacrifice everything for the truth, side with who you least expect it, save the town for good or succumb to the allure of forbidden romance?
In "Day of Dusk," the fate of worlds hangs in the balance, and only you hold the key to unlocking its secrets.
How far will you go to uncover the truth?
This game is a work of fiction; content warnings include, but are not limited to, graphic death, depictions of blood and gore, medieval violence, body horror, explicit language, depression, suicide, references to assault, grooming, mental and physical abuse, sexually suggestive themes, and drug and alcohol use. This story is intended for mature +17 audiences; reader discretion is advised.
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STORY FEATURES :
Step into the shoes of a diverse protagonist, embracing your identity as male, female, non-binary, or anywhere along the gender spectrum. Explore the rich tapestry of human sexuality, navigating relationships and attractions as a gay, straight, bisexual, asexual, or aromantic individual. Your journey is uniquely yours, shaped by your experiences and choices as you carve out your place in the world.
Embark on a journey of discovery and connection as you navigate the complex web of relationships in a world filled with intrigue and danger. In the end, it is through these connectionsā€”friendships forged in fire, love born from adversityā€”that you might find the true meaning of your existence and the strength to face whatever challenges lie ahead.
Have your name written in history tales to come, become a hero beacon of hope, or become a feared figure among the community.
Confide in the unrevealed troubles that settle the mysterious past of your royal company's path to break traditionā€”or steal the heir's power to the throne for your own.
Learn the dark truth about the horrors that lie concealing just how far some would go to great lengths in order to create life.
Forge the future of a community and companions lives with the supporting changes and challenges schemed upon you and all of those who you know or love.
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THE RO CHARACTERS :
Each love interest will have their own route which you will get to choose from at the end of the common route. The four romance options in this game depend purely on the readers preference which include: a man, a woman, one you can choose between their presenting gender and a cĢøĢšĢĶ€Ģ„Ģ”Ģ¤ĢžĢ§ĢŸrĢ·ĶĶ ĶƒĢ›Ģ’Ģ‘ĢŸĶ…Ķ•Ķ™Ģ¼ĶšĢ¼yĢ·ĢæĢ’Ģ†Ķ„ĢĶŠĶ—Ģ…ĢˆĢ›Ķ€Ķ‰Ģ­Ķ™pĢ¶Ķ€ĢĢ…ĶĢšĶ›ĢŸĶŽĢ©Ģ©Ķ•Ģ­tĢµĶ‚ĢŠĶĢ‘Ģ‹ĢšĶĢ½ĢŗĢ¬Ģ­Ģ§ĢŖiĢ“ĶĢ€Ķ˜ĶŠĶĢæĶŠĢ½Ķ ĢĢ ĢŖĶœcĢ“Ķ˜ĢĢ”Ģ¾Ģ‚ĶĢ—Ķ‰Ģ­Ģ–Ķ•Ķ…Ķ• Ģ“Ķ’Ģ‚Ķ‹ĶĶ“Ķ‰ĶšĶ”Ģ¬Ķ“Ģ©ĢœbĢ¶Ģ½Ģ”ĢƒĢ€ĶĶ‚Ģ•Ģ’Ģ˜eĢ·Ķ‹Ģ•ĢæĶ‚ĢšĢ€ĶĶ‘Ķ„ĢŒĢ«Ģ®Ģ”Ģ¹Ģ»Ģ°Ģ”ĢŗĢ–iĢµĶ€Ķ—Ķ…ĶšĢ¤nĢøĢŽĢ‹ĶĢ«gĢ¶ĢŒĢšĢ¾Ģ³Ģ„Ģ”Ķ….ĢµĢ•Ģ›ĢŠĢŽĶĶ„Ģ§Ģ©ĢÆĢ¹Ģ¦
Silas/Sophia Amon ā€” the needling best friend and a member of your witch hunting team. Forge a deeper friendship and uncover the true meaning of loyalty with your brash yet devoted childhood best friend, whose charming demeanor hides on top of another layer of emotion.
"I'll be the bad guy if it means keeping us alive. Someone has to make the tough calls around here."
Pavlos NorlenbourneĀ  ā€” the neglected forsaken naive royal with a roaring secret. Draw close to a haunted prince, haunted by the shadows of his tragic upbringing, and unravel the mysteries that surround him as you delve into the depths of his troubled soul.Ā 
"In a world where power is everything, I'm just a pretty pawn in their game. But I'll make my own moves, carve my own path."
Annette Meadowcroft ā€” the obsessive poet with a firing spirit who refuses to be tamed. Uncover the hidden depths of a secret poet, whose words hold the key to unlocking the secrets of the heart. Join her on a journey of self-discovery as she seeks to break free from the constraints of society and embrace the beauty of the world around her.
"The ink flows from my pen like a river of defiance, writing my own narrative in a world that seeks to silence women like me."
Rune ā€” the callow knight who isn't very fond of small talk with a foreboding origin. Dare to tread the path of a cryptic made being, grappling with questions of identity and purpose as they navigate a world that sees them as little more than a weapon.Ā 
"If you have the audacity to think that I am some sorrowful god, then the pain of my fraud in human appearance will be all the more agonizing."
Depending on your play style, you have the ability to create, shape and destroy numerous familial, romantic, platonic, professional and community relationships with a full cast of characters whose genders and personalities vary.Ā 
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āœø Dedicated to all the hopeless romance and fantasy fans who are too engrossed in their books to talk and too shy to write, to my momanager Kass, who always likes to keep things real.
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gyllenhaalstories Ā· 10 months ago
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CHOKEHOLD ā€” ELWOOD DALTON
summary: dalton is a triple threat: heā€™s got sexy tattoos, a thick neck and heā€™s terribly needy.
warnings: reader is gender neutral!, smut (quickie, masturbation, chokingĀ  handjob, edging, subby dalton vibes). 18+ NO MINORS.
word count: 1430
photo credits: me @/gyllenhaalstories) / divider credits: @/firefly-graphics
notes: i'm the captain (conductor? driver? main cheerleader who's been thirsting for dalton since the beginning? choose your fighter) of the the dalton hype train. grab your train ticket and join us! choo-choo! šŸ–¤ thank you for reading & REMEMBER TO REBLOG!
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You knew what he was up to. You had your suspicions from the start, when he told you he wanted to grab something from the bedroom with a smile on his lips. There was a hint of mischief camouflaged under a layer of fake innocence, a mix that was so characteristic of him.
Dalton was not being subtle about it either. His moans, grunts and whimpers were loud enough to echo from the bedroom to the hallway, from where you were standing. Truthfully, the whispered pleas, muffled begging and ā€œyeah, just like that, fuckā€ gave everything away.
You knew he was alone, at least physically. You also knew that he was thinking of you while he was doing whatever it was that kept him too busy to answer when you called out his name.
He loved to tell you how much he thought about you. Whether he was quickly jerking off in the shower after training to release some of the pent up energy that ran through his veins, or when he was taking his sweet time to enjoy himself ā€” he was dying to tell you all about it.Ā 
You started to wonder what turned him on the most between the act of sharing his filthy thoughts or watching you as your brain slowly melted away, detail after detail, until you had to recreate whatever jerk off story he was telling you. Knowing Dalton, it was most definitely both of those. And knowing Dalton, he was putting on a show for his own pleasure, the fact that you enjoyed it just as much was the cherry on top.
He caught a glimpse of your head peeking in the doorway. He tightened his fist around his cock and jerked off faster, focusing on his tip that already started to leak.
You stared, immobile, except for how you bit on your lower lip.
"Come on, don't be shy."
His invitation succeeded in being too tempting to resist. You walked in the bedroom and admired his body some more. The way his chest rose and fell heavily with every breath he took captivated you.
Dalton cut you off before you started drooling at the sight of his small, perky nipples. He was now standing up, the rest of his naked body exposed to you. He erased the distance between the two of you, his mouth searching for yours to exchange a kiss that you denied him.
"You wanted to get off?" He nodded, then tilted his head to the side. "So I'll get you off."
His hands, glistening with the spit and precum he used as lube, abandoned his cock and reached towards your clothes. He was eager to touch your body, to feel your warm skin on his.
Again, you denied him of this privilege. You clicked your tongue, telling him off. "No touching, babe." He pulled his best game of puppy eyes in an attempt to win you over, but he failed. "I just wanna make you feel good."
He earned a kiss when he surrendered and you let your hands fall on his shoulders and caress down his chest, his abdomen and to his waist.
Your fingers traced over the defined muscles of his hips before you broke contact to spit on your hand, getting it ready for his throbbing cock.
He threw his head back when you wrapped your hand around his shaft, revealing his neck that looked so sad without its usual marks.
You remedied the situation by leaving kisses on and around his Adam's apple, hickeys soon followed while you jerked him off so painfully slowly.
Dalton did not want to warn you about how close he had gotten himself before you caught him, he wanted to get lost in the feeling of your hand stroking him from the base to the tip. You cupped his heavy balls with your other hand. It felt heavenly, proven by the droplets of precum that trickled down his cock.
"Feels good, yeah?"
He nodded eagerly, you looked down between your bodies and noticed how he was flexing his hips, trying to fuck your hand faster. "I need you so bad, baby..."
"I know," you cooed at him. "I know you do. I can see it. I can feel it." You laughed softly, not mocking him about it just yet.
"I wanna be inside you." He mumbled, his moans getting louder when you swiped your thumb over his sensitive tip. "Please, please, please..."
His begging was cut short when your hand wrapped around his thick neck. You choked him lightly, giving him one more chance to listen to what you said moments ago.
Only, it only made him crave the feeling of you even more. "Come on," he repeated his words from earlier. "You know you want it too."
"Oh, I do." You smirked at your man. "But not yet. I want to make you earn it."
You took him by surprise when you jerked him off faster, harder, bringing him closer than he did on his own before until you felt a breath getting stuck in his throat. You pulled your hand away from his cock and looked down as it throbbed again.
Dalton caught your attention when he chuckled, the adrenaline rush of the first edge kicking in.
In return, you caught him off guard by tightening your grip around his neck and taking his cock in your hand again. You guided him, forcing him to walk backwards until his bare back met with the wall. You pinned him up in place, secured with the chokehold around his neck.
"You're so fucking hot." He managed to whisper, the praise convinced you to loosen your hand for a few moments. You let him catch his breath before you choked him again, before you edged him again.
He was being so good for you, and you told him so many times, while he took two more edges in this position. You felt Dalton pulsate in your hands, all of the veins bulging underneath your fingers. "Do you think you earned it?" You asked with a condescending tone. "Do you wanna cum? I think you do."
You blurred his mind, he was lost in confusion between begging to cum right now or waiting until he could finish inside of whatever hole you would offer him. He tried to think with his mind, but he failed miserably.
"Please let me cum!"
You added another layer of agony by letting go of his neck for a few moments, so you could push him towards the bed this time.
His body relaxed as the bed sheets and cushions safely welcomed his weight. And yours too, while you climbed to kneel by his side.
Your hand jerked him off fast again while he was fighting against how sensitive he felt, how close to his release he truly was. "You wanna cum for me baby? You wanna make a big mess for me?"
He wanted it so fucking bad and you knew it. You granted his wish and kept jerking him off until you could no longer hear the slick sounds of your hand around his shaft. The noises were replaced by his grunts of pleasure that resonated in the room.
Pleasure that turned into a complaint when you pulled your hand away at the perfect time. You made him cum without the final strokes of your hand that he craved so badly. Your other hand, though, was still choking him. You held him right there, in that sweet spot of euphoria while he finished riding the wave of his orgasm.
The vein on his temple looked so perfect, and you planted a loving kiss on it, tasting the beads of sweat that were on his skin. He came down from his high, both satisfied but still in desperate need for more.
You released his neck for the final time and replaced your hand with a trail of kisses all over his skin. You tried to follow his movements while he panted, recovering from the limited oxygen he had received these past minutes.
He watched you closely while your mouth abandoned his neck and, instead, followed the ropes of cum that he painted on his tan and toned stomach. Drops of cum dripped down his puffy abs and you licked all of it clean.
"Next time you want to jerk off, will you ask for my help instead?" You asked, crawling up the bed so your faces met for a heated kiss.
He moaned against your lips at the taste of him. "Next time, I'll just use you to jerk off instead."
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atinyslittleworld Ā· 5 months ago
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Size doesnā€™t matter
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mingi x f!reader ft. ateez
Summary: Mingiā€™s tiny girlfriend drives expertly his massive SUV, saving Ateez from a chaotic road trip, proving that size doesnā€™t matter in driving
Word Count: 753
Genre: humour
Warnings: none
Mingi, the tallest and most confident member of ATEEZ, was proud of his massive SUV. It was as grand and imposing as he was. However, his driving skills were... not exactly up to par. His girlfriend, Y/N, though petite, had an uncanny talent for driving the beast of a vehicle with grace and precision.
One sunny afternoon, Mingi decided to take his girlfriend and bandmatesā€”Hongjoong, Seonghwa, Yunho, Yeosang, San, Wooyoung, and Jonghoā€”on a road trip to the beach. The plan was simple: get there, have fun, and return before sunset. Little did they know, this trip would become an adventure of epic proportions.
As they piled into the SUV, Mingi took the driverā€™s seat with an air of confidence. Seonghwa claimed the passenger seat, while the rest of the bandmates squeezed into the back. Due to the limited space, they ended up sitting on top of each other, like a human game of Tetris.
"Alright, everyone, buckle up. This is going to be a smooth ride," Mingi declared, starting the engine with an overly enthusiastic grin.
Barely five minutes into the journey, Mingi took a wrong turn, steering them onto a narrow, winding road that seemed to shrink with every passing minute. The SUV lurched and bounced, causing everyone in the back to clutch at whatever they could for support.
"Uh, Mingi, are you sure weā€™re going the right way?" Seonghwa asked, gripping the door handle tightly.
"Of course! I have a great sense of direction," Mingi replied, though the beads of sweat on his forehead told a different story.
After what felt like an eternity of bouncing along the wrong road, they finally found a spot wide enough to turn around. Mingi attempted a three-point turn, but the SUV seemed to have a mind of its own. He was either too close to the ditch on one side or scraping the bushes on the other.
Y/N, squeezed between San and Wooyoung, finally spoke up. "Mingi, maybe I should drive?"
The car fell silent. The bandmates exchanged glances, and San let out a barely contained snicker.
"Really, babe? I can handle this," Mingi insisted, looking less certain with each failed attempt to turn the SUV.
Y/N gave him a reassuring smile. "Trust me, Iā€™ve got this."
With no other options in sight, Mingi reluctantly agreed. Now came the challenge of getting Y/N to the front seat. Practically wedged in the back, she had to climb off Sanā€™s lap, then over Wooyoung, who yelped as she accidentally elbowed him in the ribs.
"Watch it, Y/N!" Wooyoung whined playfully, while San tried to help her maintain balance.
Finally, Y/N managed to extract herself from the human puzzle, clambering over Yunhoā€™s long legs and squeezing past Jongho to reach the front. Seonghwa unbuckled and slid out, letting Y/N take the driverā€™s seat.
Adjusting the mirrors and scooting the seat forward to accommodate her petite frame, Y/N took the wheel. With a gentle but firm touch, she maneuvered the SUV with a precision that left everyone, including Mingi, in awe. In no time, she had them back on the main road.
The rest of the drive was smooth and uneventful. Y/N expertly navigated the twists and turns, handled the traffic, and even managed to parallel park the beast of a vehicle at the beach, earning a round of applause from the bandmates.
"You know, Mingi, I think Y/N should be our official driver from now on," Wooyoung joked, patting Mingi on the back.
Mingi chuckled, a bit sheepishly. "Yeah, yeah, laugh it up. I guess size doesnā€™t matter when it comes to driving."
Jongho, always the practical one, chimed in. "At least now we know we can get to our destinations safely and without detours!"
As they enjoyed their day at the beach, Mingi couldnā€™t help but feel a swell of pride for his girlfriend. Sure, he might be the one with the impressive height and stage presence, but Y/N had shown everyone that true skill and capability came in all sizes.
On the way back, Mingi didnā€™t even protest when Y/N took the wheel again. Instead, he relaxed in the passenger seat, enjoying the smooth ride and the laughter of his bandmates filling the car. It was a lesson in humility, teamwork, and the surprising strengths hidden in the most unexpected places.
And so, the legend of Y/N, the tiny SUV master, became a favorite tale among ATEEZ, always good for a laugh and a reminder that sometimes, the best driver isnā€™t the one youā€™d expect.
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handsomeamoeba Ā· 1 year ago
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WRONG.
Try again.
Actually let's get into this. As someone who loves a great many fantasy RPGs including BG3, Skyrim, and Dragon Age, let me explain what BG3 gets that Skyrim misses, in my opinion.
And this is the big one: the characters in BG3 feel like real fucking people. They have backstories, demonstrable feelings about the events and the other characters, they react to the things you do and they develop as people as you further your relationships. Even minor NPCs often feel fleshed out with distinct personalities and opinions. Hell, going out of my way to cast Speak to Animals is usually rewarded with at least one charming remark. I have never given even a little bit of a shit about 99% of Bethesda NPCs. I usually choose to travel without a companion rather than with unless I need a pack mule to carry my stuff, because their primary function seems to be to get in my way, set off traps, or attract aggro. I can't remember most characters' names unless I'm actively playing. I'm more likely to casually murder people in Skyrim than I am in BG3 or DA because Bethesda hasn't really made any of their NPCs feel like real people, and consequentially I feel no guilt. By comparison I tried to do an evil run of DA:O and gave up the instant I had to kill Wynne (the grandmotherly spirit healer) when she refused to let me go through with my plans, because I hated doing it. Lydia will watch me gut an innocent man and do NOTHING because she has no life, existence, or personality outside of me, the player. This extends to romances, obviously. While optional in all the games, most people will pursue a romance path in BG3 or DA for the additional character arcs it brings to the characters, the emotional nuances they unlock. In Skyrim romance is a box you tick of tasks to complete. In fact, once you marry them, most marriage candidates personalities change *completely* because all spouses have the same few stock dialog lines. That is, if they had a personality to begin with (again, see Lydia). You know how everyone wants to romance unromanceable characters in Bethesda games? Like Brynjolf in Skyrim, or Nick Valentine in FO4? It's because Bethesda actually bothered to give them stories and opinions.
Honestly, this extends to the player character themselves. To a certain extent every player character is a blank slate, but in BG3 and DA it at least feels possible to develop a feeling about who that character is and what they would or would not say or do. I've tried to do that with the Dragonborn and rarely feel strong feelings about them or have strong opinions about what kind of person they are. The only one I've made who I have much of an idea about is my wood elf Parafina, who is Chaotic Evil. Which again is an option I only pick because no one in Skyrim feels real.
The stakes also feel more real in BG3, more personal. Obviously there's the central quest involving the tadpoles, but more than that, it is about a credible threat to your world and the people and communities in it and the people you love. There are tons of reasons to invest yourself emotionally in the narrative. I have never, ever completed the main storyline in Skyrim nor picked a side in Skyrim's civil war. Why would it? Basically nothing happens if I choose not to. Furthermore, if you're not playing as a Nord (which I usually don't), why would you care about Skyrim as a place? You are a faceless, voiceless (pun intended) outsider who gets microaggressed at every turn being asked to choose between two different flavors of fascist. Also dragons are back but like... listen, I don't care? They get pretty easy to pick off at a certain point, it's like swatting flies, they're just a nuisance on the way to my daily errands. And isn't that such a common story? Don't you know so many people who don't really bother with the main storylines of Skyrim? Yeah it's one of the bestselling games of all time but I feel like the fact that most people don't really care about its narrative should be a sign of failure. We all know it's mostly maintained its popularity due to the modding community.
Ultimately both games have rich worlds which reward exploration with little secrets and environmental storytelling. But BG3 feels more "meaningful" because they give me reasons to care about what happens. The writers worked hard to give the game emotional resonance. So I come to the two games for different experiences. I go to BG3 to engage with an interesting story. I go to Skyrim for the quick serotonin hit of completing tasks and hoarding items.
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covetyou Ā· 5 months ago
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for one night only
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ao3 ā‹† main masterlist ā‹† series masterlist
pairing: Frankie Morales x fat contortionist f!reader rating: Explicit (18+ only!) warnings: Oral sex, face fucking šŸ‘€, fingering, addiction, minor mention of clowns (no descriptions, mentioned very briefly), drug use (not Frankie, minor mention), squirting, slightly subby Frankie. word count: 4.5k summary: Frankie Morales has a problem. Not the drink. Or the drugs. Frankie Morales has a problem saying no. One night only, one night onlyā€¦ In the morning this feeling will be gone It has no chance going on
A/N: I feel like one of those ao3 notes where the author is like "soz this took 4 years to update, my whole family died and then I had to move country 12 times, and now I live on the moon and have to send all updates down to earth via the postal sysem", but my dog was diagnosed with a heart murmur on Tuesday (on Catfish Day, no less!) and then on Wednesday I was cranked open and scraped out, because I have the luck of beign born with a cervix. Neither of those things are good conditions to write smut under, I've found out, least of all when it's also the hottest days of the year so far.
So, here we are, 2 days late, and I'm not asking for forgiveness or apologising, I just really like to complain and make lighthearted jokes over serious things to make myself feel better. happiest belated Catfish Day, pocket pals šŸ’›
same reader character as in jester little bit more šŸ‘€ this story continues in fools just wanna have fun (Dieter x reader) and family friendly (Frankie x Reader [x Dieter])
follow @covetedfics and turn notifications on for updates on future work
From the moment Will proposed it three weeks ago, Frankie knew tonight was going to be a stupid idea. Still, here he was, walking into the fucking circus of all places, staring at a glowing sign that was taunting him with the words he'd told himself every time he'd ever gave in to the temptation of booze or coke.
For one night only.
Seven months of sobriety didn't make that temptation go away, and even though this was his longest stint clean in some time, today was not the day to be pushing himself. Work had exhausted him and tested his patience to the extreme, and now he was spending his one free evening in a place that was more overwhelming than it could ever be enjoyable.
It's not that his friends weren't helping, either. They were trying, just like Frankie was trying to enjoy himself, hoping each time they asked him if he was doing okay that it would suddenly be true. But the smell of beer and the press of warm bodies against his as they shuffled into the Big Top made him feel less and less in control as time went on.
It didn't get better from there.
In the Big Top, somewhere between the chaos and the elegance, and back to chaos again, he'd lost himself in it all - that was until he was distracted by a distinct smell brought into the big top by a troupe of clowns that he knew would lead him nowhere good.
That nowhere good turned out to be a shitty looking trailer half covered by a tarp, with "Bravo"scrawled on the door in sharpie. If you'd asked him how he got here, he wouldn't exactly know - he just knew it involved hearing a name, lying to his friends about needing the bathroom, and sneaking away while they were distracted by a sideshow game he had no interest in.
He knew the road he was heading down. That for one night only sign burning in his mind as he stood there, fighting a war inside his own head.
Then, like an angel covered in soft furnishings, you'd turned up, dumping blankets with an oomph onto a cart behind him, wearing what looked to be nothing more than a t-shirt and sandals as you turned to look at him, took one look at the twitching in his hand and the hesitation in his body before you told him he didn't want what was on the other side of that door.
And Frankie knew you were right.
You were the most right thing he'd seen all day. So, when you beckoned him, he obeyed, following behind you like a starving puppy as you led the way through the mess of trailers, to what must have been your own.
He'd watched as you climbed the steps ahead of him, sequinned ass on display with each step upwards, watching it sway and jiggle as you ascended, only pulling his eyes away when you turned and looked down on him with a knowing look.
That's how he found himself here. Surrounded by soft things and delicate lighting. Away from one kind of temptation but sat right in front of another, watching as you grip the edge of your t-shirt, pulling it high enough that he can see a strip of your belly as you gesture back to those impossibly short shorts.
"Do you mind if I...?"
Frankie nods, waving his hand and stuttering over too many words as he tries, and fails, to be unaffected by you and what he can only imagine you'd feel like beneath his hands.
"No, sure, fine. Uh. Go ahead."
You laugh as you start to undress, letting your t-shirt fall to cover you once more. He watches you peel those too tight shorts down your legs, grunting with the effort as they roll and pinch against your thighs. Your skin bulges and ripples as they roll down your legs, and Frankie can think of nothing but sinking his itching fingers into your soft skin and anchoring them there as he dives head first into the place hidden just beyond the hem of your shirt.
"You made the right choice, y'know. I'm much more interesting than what Bravo the Clown has to offer," you say with a wink, catching him watching you just as your shorts pool at your feet and you step out of them. "He might have his head up his ass, but his head can't touch his ass like mine can. Tea?"
With a nod, Frankie watches as you move to the kitchen - a small counter with a water kettle and some mugs, and not much else - before you call back to him.
"You can get comfortable too, if you want."
And so he does, pulling off his hat first, before unbuckling his belt and tugging it from his pants with a sigh.
When you come back, you hand him a mug, which he accepts with a thank you before gripping the burning ceramic hard in his hand, rubbing his other along the rough fabric of his jeans.
"You need a distraction," you say, with a nod to the mug burning his palm. "What do you usually do when... y'know?"
"Keep busy, usually," Frankie says, looking down at his hand, flexing it until the sting subsides.
"Let's find you something to focus on then. An activity. Something good."
Frankie's mind immediately goes where he knows it shouldn't. You'd seen him struggle, and you'd helped him, the least he could do was keep it in his pants and his mind out of the gutter.
But then, when you sit down opposite him, crossing your legs as you take a sip of your own tea, all he can see is the gusset of your panties, and he knows he's ruined. He doesn't even try to hide his cock as it hardens in his jeans each moment he spends looking at you, so casual and relaxed in this space you brought him to.
You know, of course. If he was paying even a bit of attention to what your own eyes were doing, he'd see that you're well aware of the affect you're having on him. Since he looked up at you from the steps, part of you had been working out how you'd get him beneath you again, and now it was looking like all you'd need to do was snap your fingers and all your dreams would come true.
Some might say that would be manipulative. The man needed a calm place to be for a little while, and you were happy to provide it, no payment necessary. But, with the way he was looking at you, pleading with those beautiful brown eyes - combined with the shockwaves sent to your cunt every time his voice rumbled from his chest - it was clear you were both fighting a losing battle against something much better to give in to than whatever quick fix Dieter could rustle up.
A blaring ring of a phone pulls you both out of your thoughts, and he scrambles for his pocket, pulling out a battered looking phone with a crack across the screen and pressing it to his ear.
"Hey, man," he says into the phone, not meeting your eye.
Here, in the quiet oasis of your trailer, with nothing but the distant tinkle of music to disturb the peace, you can hear every word from the other end of the line clear as day.
"Fish, where the hell are you?"
And now, maybe it is manipulative of you to stretch to put your mug down on the counter, drawing his eyes back to you.
"Uh, just had to get away."
When your fingers slowly drag up your thighs, tugging the hem of your shirt upwards and over your panties, you don't miss the way his throat bobs in a heavy swallow, his eyes going glassy as he tries to focus on the voice practically screaming down the line over the noise of carnival music and chattering crowds.
"You back at the van?"
And maybe the leg you put on the coffee table is a little unnecessary, but it works. Soon his eyes are drawn down to between your thighs, and the small scrap of fabric covering you that he'd been trying so desperately not to look at.
"No, no. I had to -" you draw your shirt a little higher, the soft pooch of your belly and the waistband of your panties now on show for him. "- mierda. Just some place quiet. It's chaos out there."
"We can leave, hermano. I told you, you never have to force yourself through this shit. You want out, we're out."
Your hands continue up, and up, pulling your shirt with them and then, just when your breasts threaten to spill out of the bottom of it, you let go, stretching your arms high above your head with a smile.
"Hello? Fish? Catfish? You're worrying me, man. Where are you?"
Raising your eyebrow, with one last ace up your sleeve, you let your thigh fall to the side, and watch the entire house of cards come falling down.
"I gotta go."
"Fra -"
"I'll text you."
The line goes dead, and Frankie quickly taps out a message in hopes to keep Santi quiet for at least a little while. When his phone is face down on the seat beside him, he lets out a breath he didn't know he was holding and rubs his hands on his rough jeans once more.
"So, Fish," you start, drawing his attention back to you, where you sit tracking your fingertips slowly up and down yourself. "Think of anything fun we could do?"
With a sly smile, biting your lip, you shuffle your hips forward. No sooner are the tips of your fingers dipping below the elastic of your panties, and he's up, out of his seat.
And straight on the floor in front of you, having taken one big step over the coffee table to get to you before wedging himself between your spread legs. And fuck does he want to touch - dive right in and feast - but instead he sits back on his haunches, staring up at you from his position on his knees, looking absolutely wrecked.
"That what you want, pretty boy?" you say, as he wipes one hand across his chin, the other balling into a fist in his lap.
He's nervous. Impulsive, sure, but hesitant. So, you reach for his hand before it falls to join his other in his lap, and press it into the soft meat of your thigh, squeezing down, before releasing and letting him take the reins.
His exploration is tentative, at first. Soft sweeps of his hand from your knee to your hip, and back again. Watching up at you as you relax down into the cushions around you, sighing and smiling each time his hands trace a new patch of you and light it on fire.
When his other hand joins the first, taking its place on your other thigh, you whisper breathy words of encouragement to him - words that sound so loud in his ears but he knows are barely audible above the sound of his own heavy breathing.
That's all he needs to start pressing his mouth to your bare skin. Kisses to your inner knee, small nibbles to the swell of your thigh. Each and every press of his mouth is met with a giggle - his facial hair tickling your delicate skin.
"I see he called you Catfish," you say through another giggle as his kisses move higher, following the trail of his hands.
"Yeah?" he says, his breath ghosting your thigh, smiling as you giggle again. And fuck, even if he never gets any higher than this, no closer to salvation than right here, the bulge of your thighs in his grip, this would be distraction enough to fight through fifty more bad days.
"It's the whiskers, isn't it?" you ask, laughing again when he scratches his beard lightly on your inner thigh.
But then, he's face-to-face with the tiny scrap of fabric covering you - so much smaller than he expected when he was sat staring from the other side of your trailer - looking up at you now that you're quiet, giggles subsided but one brewing just beneath the surface.
"Or," you start, as you reach down for his face, dragging your thumb across the swell of his plush bottom lip. "Or it's because you're a bottom feeder. Catfish by name, catfish by nature."
A soft kiss to your cunt over your panties comes before you even finish your taunt, and you find yourself groaning out his bizarre name not once, but twice as he cuts you off each time. Not that you mind, of course, and he doesn't seem to either. Each moan you make makes him press deeper and deeper kisses to you, until he's dragging his mouth up and down the seam of your clothed pussy, desperately trying to taste you.
Your cunt, as desperate to get to him as he is to her, throbs, trickling slick as he mouths at you, teasing your clit with nudges of his nose. And then he's licking you - not where you want him, but near enough, as he licks a soft stripe up one side of your cunt then the other, tasting your skin where your panties don't quite cover.
What you really want is to tear your underwear off and let him devour you, but you don't. That would mean pushing him away, and he's far too lost in it for you to even want to attempt it. So, instead, you reach down and yank the thin fabric to the side just as he takes another soft bite of your thigh, and delight in his gasp when he takes his first proper look at you.
"Oh, shit."
Whatever restraint he was showing before flies right out of the window when he can finally see your pussy. He dives in, tonguing your entrance, tasting every drop of arousal he's pulled from you since he started his teasing. Within a few licks, you've slouched further down the bench, spreading your thighs wider as his hands wrap around them and pin you down.
You feel better than he could imagine. Your thighs are thick and plush - the fat of them easily gripped and kneaded in his palms as he messily eats you, pressing his tongue into your hole only to feel you clench around him.
It doesn't get any less messy, or more refined, as he laps at you. It's like he's ravenous, and maybe he is, but it's too much, too fast, too soon, and not enough all at once.
"Slow," you gasp, rocking your hips, hoping he'll get the picture. And, to his credit, he does. He pulls back, looking between your furrowed brows and the wet mess he's licked over your cunt, and instead takes a slow swipe from your hole to your clit.
"That's it," you moan as his tongue teases around you. He avoids your sensitive nub for a few strokes, choosing instead to circle it, to tease you. But then his broad circles swirl tighter and tighter until you're groaning out into the tiny space. "Right there. You've got it. Oh, fuck."
Frankie moans right back. He's like a rock in his own pants, so hard it's bordering on painful, but he can't bring himself to pull a hand away from you to adjust himself. Instead, he uses his finger tips to pry you open a little, spreading your slit wide for him to lick into before focussing back on your clit and slipping a finger easily inside you.
This is how you're going to come. Onto this beautiful mans tongue, his fingers buried inside you, your t-shirt rucked up higher and higher by your own hands, fingers pinching your own nipples, head thrown back.
"Fuck, so close."
He groans, nodding into your cunt, his tongue swiping up and down on your clit with each bob of his head. And he looks beautiful doing it - eyes screwed shut as he moans and whines into your pussy, wanting nothing more than to please you, planting a delicious seed in your mind as he gets more and more desperate to make you come.
"Give me another finger, pretty boy," you ask, biting back a good boy when he slips a second thick digit into your fluttering pussy.
Reaching down, you stroke his face, pulling his attention up to you as you thread your fingers through his messy hair while he laps and suckles away at your clit, fingers pumping shallowly inside you.
"You want me to use that pretty mouth?" you ask, and the groan he gives you in return almost sets you off then and there.
"Oh fuck, that's good. That's good," you pant, taking a deep breath to try to hold back your rapidly approaching orgasm. "Stick out that tongue for me, pretty boy."
Frankie, ever the obedient little thing, sticks out his tongue for you, groaning when you slip a finger across the wet muscle and into his mouth, letting him suck on it for a little before swiping it across your own clit.
"Keep it out for me."
"Uh-huh."
You tug him closer, scratching gently at his scalp when his tongue slides against your pussy, before holding him in place.
"That's it. Keep it out. You're going to make me come, pretty boy. Keep those fingers right there too. Don't you dare take them out."
The look in his eyes tells you everything you need to know right then. This is exactly what he needed, the perfect antidote to his seemingly inevitable downward spiral. He looks entirely fucked out - face a mess, lips swollen, facial hair drenched in saliva and your own slick. Then, with a small nod of his head, you start to move, rocking gently against his face at first, before you pick up the pace.
You're not sure you've felt anything better. His fingers are deep and he's curling them inside you over and over, pressing against a spongy spot you're all too familiar with. You're grinding your clit against his tongue - using his whole face to get yourself off, alternating between the smooth slick swipe of his tongue before the rough scratch of his facial hair briefly catches your clit, and back, over and over. It's driving you insane. You're driving yourself insane, but you can't - won't - stop. How could you when he's panting, practically sobbing into your pussy, as you use him.
Now, you really are going to come. You rock against his face more rapidly, movements more precise now, fucking yourself onto his fingers and grinding your clit into his tongue, fingers tugging and pulling at his hair.
Then, your back is arching off the bench, a loud, keening groan leaving you, your fingers twitching and releasing from his hair, your hips stuttering as it all gets too much. Anyone else, any other day, and this would have spelled a ruined orgasm for you and a terrible nights sleep. But Frankie doesn't let up. Your fingers release him and he continues, nodding his own face against you exactly as you liked it, fingers curling, and curling, and curling so wetly inside you you're sure you're going to burst.
Until you do. You convulse there right on the bench, clit twitching against Frankie's tongue as you gush against his fingers, his chin, coming so hard you're sure you've left the atmosphere.
It's only when your voice finally comes back to you, your silent orgasm all but wrung out of you, that you tell him to stop - practically beg him - and collapse back into the cushion, still twitching.
Frankie sits between your legs, pressing feather light kisses to your mound, as you come down. He looks so peaceful there, between your thick thighs, soothing himself with your body while he ignores his own aching cock.
"What's your real name, pretty boy?" you ask with a lazy smile, swiping your thumb across his chin and the wetness still glistening there.
"Francisco. Frankie. It's Frankie," he mumbles into your leg, finally shifting to alleviate some of the strain in his jeans.
"Come up here and kiss me, Frankie."
On aching knees, Frankie pulls himself up. He moves to hover over you, to hold himself off of you in case he gets carried away, but you pull him down, pressing your mouth to his and tasting yourself on his tongue.
"Mhm. You want a hand with that, Frankie?" you ask, feeling the solid length now pushing into your thigh through his jeans.
"Wanna fuck you," he gasps into your mouth, rutting and grinding forward as you scrape blunt nails up his back.
And it makes you freeze. Frankie, in that moment, is certain he's fucked up. That's not what this is.
But then he hears you curse softly under your breath, looking over to a cabinet as you try to wrack your brain for when you last restocked your stash of condoms. Too fucking long ago, is the only answer that comes to mind, and you're certain you don't have any.
"I don't have any fucking condoms - goddamnit," you say with a pained sigh, trying to stop tears of frustration pricking in your eyes. You want it too. If the bulge in his pants is anything to go by, you'd have the time of your life riding him straight through till morning.
"But we can do something else?" you say, hopeful that he doesn't want to go just yet as you reach down and start stroking him over his pants. "I think I owe you that much."
Fuck does it feel good, having your hand stroke him. He wants nothing more than to say yes - not to cash in on what he's owed, but because you feel so damn good. Still, he knows it wouldn't be enough. He'd had enough tragic experiences and fumbles in the past few months that he knew the only way he was getting off was from his own hand or by fucking hard into something soft and wet, or he wasn't coming at all.
"No," he says softly, kissing you again and shifting his hips back from your grip. "No, it's okay. And, I'm not - shit - don't feel guilty, I'm not trying to do that, I'm just - it's just - uh - fuck - it's difficult. For me to, uh..."
You lay a comforting hand on his side as he trails off. "It's okay."
If your own shame had ever taught you anything, you know he's about to apologise for something that doesn't need an apology.
"Can I show you something cool, Frankie?" you say instead, cutting him off before he could let the shame eat at him.
Frankie nods, and lets you gently push him back and off the bench seat you're both awkwardly lying on.
Hauling yourself up, you reach for something under the bench closest to the end of your trailer, and pull, throwing all your weight back until the bench is shifting forward and a hidden piece of the puzzle is pulling up and out, where you can push it down onto the coffee table.
You climb onto it then - the pillows and blankets making so much sense now that he sees this is your bed - and pull a cord on the ceiling, letting it rattle and shift until there's a soft clunk.
"Come here."
Frankie follows, wary of the stability of the whole thing only for a second, climbing up behind you as you lay down. Sitting beside you, he follows your eyes up and up until they reach the ceiling.
Only, there isn't one. Instead, what he's faced with is a window to the endless sky, lit with streaks of light bouncing off of clouds, turning them a rainbow of colors as they shift and sway.
"This is what I do when everything feels too much," you say, looking straight up into the night sky. Frankie lies beside you then, looking up into the abyss alongside you in that tiny space.
"I lie here for long enough that all the big and overwhelming things feel small again. Something about looking out into the universe really puts stuff into perspective, y'know?"
"I think I do," he says with a smile, just as your hand finds his arm.
You lie there together for a little while. Talking a little, but mostly just looking out into the sky, occasionally remarking on the shapes of the circus lights beaming into the heavens.
"Fuck," You say suddenly, and Frankie turns to see you pressing your hands into your eyes, blocking any view of the sky above as you lie together in your trailer. "Fuck."
"You okay?" he says, worried that he's over stepped his mark, stayed too long and made a weird thing weirder just by sticking around.
But then you're pouncing on him, pushing him back into your bed, and latching onto his mouth in a feverish kiss. It's all you can do to not rub your bare cunt on his jeans in desperation for more, because that's just it. You want more, condoms be damned.
"What if," you say between kisses, "I could get condoms - what if - I could grab some right now - do you - do you wanna...?"
Frankie thinks it's the most obvious thing in the world - he is, after all, still rock solid in his pants. No amount of staring at the night sky seems to be making it go away. In fact, he's just got harder and harder since laying down with you and having your hands dance delicate patterns onto his bare arms.
His hands find your ass, pulling you further into him, dragging your leg over his own and your cunt along his thigh, making you grind down into him and moan into his mouth. He doesn't exactly have words for how much he wants it, just that he knows he's as desperate for it as he was to be buried face first between your thighs. So, he groans back, your hand finding a perfect spot on the crotch of his jeans, rubbing and kneading the solid lump of his cock through the denim.
"S'that a yes?" you mumble, and as you pull away, staring into the wrecked glazed eyes of one another, you both laugh, catching each others mouths in another hurried kiss.
"It's a hell fucking yes, hermosa."
At that, you dart up. Or you try to, at least. It's more of an awkward roll and a flop as you try to pull your leg from Frankie without causing any damage, before you crawl off the end of the bed and grab for your shirt and those tiny panties again - wherever the fuck they are. Balance should be your thing, but right now as you're frantically shoving clothes on, anyone would think you didn't do this for a living.
"Wait here," you pant, hopping into your shoes. "I will be right back."
And as you leave the trailer, the door slamming behind you as you practically run away into the night, Frankie thinks of how lucky he is to have found salvation in a place like this - a soft little oasis amidst so much chaos.
this story continues in fools just wanna have fun (Dieter x reader) and family friendly (Frankie x Reader [x Dieter])
tags: @beefrobeefcal @schnarfer @for-a-longlongtime
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maleyanderecafe Ā· 9 months ago
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Death by Fire (Visual Novel)
Created by: V0dka
Genre: Horror/Romance
Death by Fire has some nice art, and an interesting concept though there isn't too much as of now considering it's a demo. The main character, Arson not only has a cool name but a cool design with a half mask. If you are interested in this game, you can find more out at @deathbyfirevn.
The story starts out with the MC waking up. They seem really tired and grumbling as their boss has called them. They decide to go buy some groceries, being served by a nice cashier. As they go up the stairs to their apartment, they come across some graffiti welcoming them home before getting knocked out. Upon waking up, they find that they are tied to a chair, with an animated TV show playing in the background. Someone states that it was a show that the MC liked when they were younger and as the MC looks at him, they see a man with a mask and some blood on his face. They can either ask about the blood or why he kidnapped them.
If the MC asks about why they did this, they will seem disappointed that they don't remember him, even though the MC has absolutely no recollection of him. Whereas if the MC talks about he blood, he will state that he cut the limbs off of a man who was trailing outside of their house. He will then state that he is taking care of the MC now, all of their eating, drinking etc. He will then ask if we like the TV show that is playing.
If we say yes, he will be happy whereas if we say no, then he will seem disappointed as we used to like this show in the past.
After which, he will attempt to loosen the ropes where we can either attack him or stay obedient. Attacking him will lead to knocking him over, however he will be able to grab hold of their ankle. He is unhappy, stating how happy he was when he first was able to see them again after so long, however, in displeased by the results. Staying obedient will lead to him introducing himself as Arson and him stating that he will have to buy somethings tomorrow before the MC falls asleep.
So as I said, fairly short. The story mostly follows the MC being annoyed before being otherwise kidnapped by Arson, though we do get to learn more about him through his appearance and his relationship with the MC. Arson seems to have known the MC from the past, though we don't know how or why, and based on his appearance probably had some injuries to the left side of his face, probably due to fire (considering his name is Arson and the title of this game). We also see that he has bandages on his arms so it's possible that he might self harm or that those too are injuries from said fire. Based on the cartoon that he plays, it's likely that Arson and the MC met when they were really small, so it's likely one of those childhood friends that the MC no longer remembers. I am curious about how Arson was able to kidnap the MC in the first place, since at least in our point of view we simply get knocked out before waking up to being tied to a chair. Still, it seems like the game will either be attempting to escape or enjoying the life of Arson taking care of us while being tied to a chair, either of which will likely lead to some interesting backstory between the two.
I will say that the art is very pretty, I like the design of Arson since there is a lot of intrigue to what happened to him from his mask to his mostly expressionless face to the bandages of his arms. He does a lot of good character design storytelling just from his design considering we don't know that much about whats happening in the game yet. The clerk also seems like she might be an important character (though it might just be that she's the only other character we've seen so far).
Over all though, a pretty short game, though an interesting premise. As I've said there's currently not much on it, but hopefully it becomes a fun game for everyone to play in the future.
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