#assuming canon is the rest of my life | Explore Tumblr posts and blogs

gojonanami · 11 months ago

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❝ 𝐋𝐎𝐕𝐄 𝐌𝐄𝐀𝐍𝐒 𝐓𝐎 𝐒𝐀𝐘 𝐆𝐎𝐎𝐃𝐁𝐘𝐄 ❞

❝ I CAN'T BREATHE WITHOUT YOU, BUT I HAVE TO... ❞

✧ pairing: satoru gojo x f!reader (canon / multi au)

✧ summary: "would we love each other in every life?" it's the question you asked satoru the night before his battle, and he replied that, of course you would. but did that promise create a curse -- or were you both always cursed to begin with when it came to love?

✧ warnings: 18+, nsfw, smut, jjk manga spoilers (236 spoilers), multiple lives, assassin!reader x duke!gojo, actor!gojo x singer!reader, prince!gojo x knight!reader, model!gojo x photographer!reader, oral (f!receiving) in a car, semi-public, making out in public, pantyhose ripping, canon compliant except towards the end, angsty, but also bittersweet / implied happy ending

✧ wc: 6,589

“Do you think we would be together in another life?” you ask, not thinking much of the question, as your fingers draw lazy circles against his bare chest, your head resting right between his shoulder and chest.

Satoru chuckles, vibration against your skin, “Of course we would, sweetheart,” his arms curl around you, tugging you higher, as he gazes up at you, “you think I could live any lifetime without you?” He murmurs, his lips finding yours, “I know we’d find each other, time and time again,”

“How do you know?” your fingers brush against his cheek, shaking as he presses his cheek into your palm, a smile pulling at his lips.

“Because, I love you,” he kisses you again, sweet lips gliding against yours, his breath warming your lips as he parts.

“You did say love is a curse,” you give a small smile, and he presses his forehead to yours.

“Then I’d want you to curse me — in every life.”

“I swear on my life,” you press the dagger to his throat, blade digging into his formerly perfect porcelain skin, drawing scarlet to the surface, “I’ll kill you, Satoru Gojo,”

“I’m flattered to be a target of the infamous blueblood assassin,” his cerulean eyes glinted like stars in the candlelight, flames flickering across his eyes like burning comets, “but I didn’t think you would announce yourself as you did — what if I called for my guards?”

You scoff, fingers flexing against the hilt of your dagger, “Then you would be dead before you uttered even a single sound and do you think I left your guards to chance? All of that schooling to be a duke and you haven’t learned a single thing have you?”

“And what have I done to end up as your target?” he hums — as you bit back a sigh stuck in your throat — you preferred your marks to be much less chatty, but all he had was his mouth you supposed, “you only target the rich and the corrupt — and while I may fit the former, I do not fit the latter,”

“You’re certainly sure of yourself,” and he’s unfazed by your reply, as his eyes wander the only thing visible of your expression — your eyes.

“Since you have not stated my crime, I can only assume that I’ve committed none, and the infamous assassin whose morals could not be compromised have been,” and your grip wavers a moment, and he takes advantage of your hesitance to disarm you, and pin you to a nearby chaise all before the clatter of your blade hitting the marble floor, “and now what’s an assassin’s price who has done all of this for no reward?”

“How do you know I’ve done this for no reward?” you squirm in his grip, but it’s ironclad, and you know all too well he could have broken from your grasp at any point, but he had chosen not to — your heartbeat roars in your ears as one question repeats again and again stuck between beats — why? “I very well may have taken a payment you don’t know of — you act as if you know of me,”

“Because I do,” the heir replies with a simple smile, “I have followed your work for a long time, and I found myself fascinated with what you do — and why you do it,”

“Honored to have caught your attention,” you say in mock reverence, your arm beginning to ache, “now do you plan to call your guards?”

“Didn’t know you were so eager to die,” he stares still, as you turn your head away from his piercing gaze, “shouldn’t you keep your eyes on your target or now your captor?”

“Do you ever shut up?” You mumble as you flinch as you squirm under his grip, sleeve riding up ever so slightly — and then he sees it. His eyes narrow, as his hand grasps at your wrist now, “hey! Don’t—“

In a moment his fingers nearly rip the fabric of your tunic to tug your sleeve up — angry red cuts and purple bruises litter your arm. Your breath catches as his eyes stare for several moments before sliding back to you — no longer a placid pool but a raging ocean.

“Who did this to you?” he says quietly, and you’re blinking, nearly slack jawed, as you try to rip your arms away, but he won’t let you, “who is it? Is it the same person who told you to kill me?”

“Stop—“

“Is it the same person who’s taken someone important to you?” and you grit your teeth in silence, “is it the little orphan you adopted? Yuji?”

And your eyes snap to his, “How do you know this? Who are you?”

His lips curl, “You told me yourself, I’m Satoru Gojo,” and his fingers brush your cheek, “it’s a shame you don’t remember where we first met — because I never forgot,”

You furrow your brow, “What are you talking about? I think I’d remember you. You’re…” you jerk your head, eyes looking him up and down — lingering on his white hair and eyes, “distinct,”

“Well what if I had black hair and green eyes, would you remember then?” And he whispers your name in your ear, and you pause, “the fireworks were nothing compared to you,”

And your breath catches — “You? But—“

“I had snuck out, had a disguise and everything, and I had planned to explore the festival alone but who do I find but you?” His grip on you loosens only to pull you a little closer, “the girl who had stolen two steamed buns and pinned me with part of the blame, making me run after you—“

“You didn’t have to run—“ and he snorted.

“Well, it was that or get caught sneaking out — so I chose the lesser of two evils,” you can’t help it, your fingers trace the curve of his jaw to the back of his ear, “are you seeing if I’m defective?” And you find it.

“No, he—“ you stop yourself, “you had gotten a small cut right behind your ear, it was deep enough that it would have left a scar behind,” and he had gotten a small cut from one of the soldiers who had grabbed them, bucking him with his sword, before you wrenched him out of there. The two of you spent the rest of the night eating food and sneaking around guards. And then finally climbing up on a rooftop to watch the fireworks.

“How did you—“

“One of my father’s advisers found me later that night, in exchange for never sneaking out again without telling him, he said he would keep tabs on you,”

You have no words, but one left — “why?”

“I don’t know,” he shook his head, “maybe it was because I’ve been surrounded by nothing but my family’s yes-men, and you were the one person who treated me like a person, maybe it was the fact that day was the only day I actually had fun,” and he glances at you, “or maybe it was because I was drawn to you,”

And you snort a little, “Do you believe in that fates nonsense they fed all of us as kids?”

“I think fate is a very real thing, and I think it’s up to us to seize it,” he releases you, holding your hand before bending to press the barest brush of his lips against the back of your hand, “so, will you seize it or continue to evade your fate?”

“We’ll never be able to evade the press if you do this,” you whisper, as he presses you against a wall of a secluded pillar of whatever place they had chosen to have this awards show, “and our teams will definitely chew us out if we don’t make an—ah,” you gasp, as his teeth nip at your neck, “Satoru, don’t leave a mark,”

“Sorry, sweetheart,” he licks his lips, as he leans up, his normally messy white locks combed and parted to the side, his lips kiss bitten red from the liplock he had you in for the last ten minutes, and his white suit slightly ruffled and pressed against you, “you taste so sweet,” his thumb runs down your puffy lips, “and the desserts tonight sucked,”

You chuckle, your fingers toying with the hair resting against his undercut, “Think you would have been pleased with receiving the award for best actor, is that not enough Mr. Gojo?”

“The only thing that pleases me is my gorgeous wife’s singing and,” his lips find yours in a desperate kiss, and you could taste the fruity mocktail he had earlier on his lips, “and her moans when she’s under me,” his hand slides under your dress, dragging over your pantyhose clad thighs, “do you think anyone would notice if you came back without these?”

“Yes, I do,” you gasp as he tugs at the delicate fabric, “Toru, we shouldn’t—” but your pleas are half-hearted, as his lips drift to press butterfly kisses up your jaw, “you deserve me insane,”

“I know,” he chuckles, “that’s why you love me,” and you hum, your noses brushing before you meet lips again, “I love you so much,”

Your fingers cup his cheek, as he leaned into your touch, “I love you too — don’t you want to enjoy all the accolades, the interviews, the congratulations? You won such a big award, Toru, I want you to celebrate,”

“I am celebrating,” he grins, tilting his head, “I’m surprised at you, princess — and you’re the smart one between the two of us,” he teases, as he turns his head to kiss your palm, “in an entire ballroom full of people in there and all the places in the world, there’s no one place I rather be with than here with you.”

“How did I end up stuck with you?” you grumbled, your armor weighing on you heavier than other days, as you stood in front of your prince — the little sun of this kingdom and the future king, the man you were sworn to protect for the rest of your earthly days, and your best friend, for better for worse, “if the fates have written it, I must have done something horrid in a past life,”

“Do you really believe in that garbage?” Satoru raises an eyebrow, as he places his sword down from practice, waiving off his training partner, as he wipes off his sweat with a towel offered by a maid, “You know that stuff they fed to us so we wouldn’t throw tantrums during classes — so we didn’t turn into slugs for our next life,”

“Why turn into one when you are one already?” you smirk, and he rolls his eyes, as he runs his hand through his hair.

“Has a slug ever looked this good before?” and you roll your eyes.

“Think your ego is going to be so large by the time you become king, your crown won’t sit atop your head correctly,” you sigh, rising to your feet, “now we must get you cleaned and dressed, you have a meeting with the—”

“I actually cleared my schedule for the rest of the day,” and you blink, frowning.

“His Majesty will not—”

“His Majesty will be fine — old man hasn’t kicked the bucket over the last fifty things I’ve done — I doubt this will be more than a ten minute lecture on decorum, fifteen if I decide to poke the bear,” he throws you a grin, as he pulls on a fresh shirt, “come, I have something to show you,”

“Show me?” you repeat, before his hand finds yours — his hands are smooth despite the constant swordplay and practice he put in — he supposed he owed that to the royal staff, tending to his looks as much as they did his health. The same could not be said about yours — riddled with cuts and calluses alike. Your cheeks burned as your unkempt hand held his — “your highness, this is—”

“‘Your Highness?’” he repeats, throwing you a smirk over his shoulder, “when have you ever called me that?”

The appearance of holding your hand as he pulled you down several hallways through the palace was beginning to attract the attention of several gawking onlookers. Your cheeks burn — and you’re not sure if it's from the stares, his words, or the fact he was still holding your hand as you both arrive outside his chambers. But you can’t stop him — but you never could stop him when it came to this, could you? It reminded you of the times he dragged you through the gardens, wanting to show you the rabbits’ hidey hole he had found in the corner of the royal gardens.

“Well I was made an official royal guard and appointed as your personal guard yesterday so I thought a little professionalism—” he unlocks his door, turning to look at you, a smile pulling at his lips.

“There’s no need for decorum between us, now is there?” his fingers find a stray strand of your hair, and presses his lips to it, as he opens his door. You glance inside to find a lovely decorated cake and a present wrapped perfectly on the table, “Happy birthday, sweetheart,”

“What—but—” and your mind realizes the date, “how did you—”

“You think I’d ever forget your birthday?” he tilts his head, as your eyes slide to him, “it’s the day we met,”

It was — the day you were brought from your home with your father who had been the king’s royal guard for many years, you were brought to be the prince’s — but you didn’t know you would find more than that in him.

“I didn’t know you did this for your personal staff,” you teased, a smile pulling at the corners of your mouth, “I certainly can’t imagine what they would think of you inviting a woman to your room for it,”

“Well, you are my personal guard, you’re here to personally guard me against anything, right?” and this was the nature of your relationship wasn’t it? Teasing and goading — toeing that line of proprietary before one of you eased off.

“It seems like I need to guard you only against yourself, your highness,”

“Satoru,” he corrects, his eyes sliding to you, as he says your name with a softness that you wished he wouldn’t, “you had no issue calling me that before,”

“We were only friends then, I’m your guard now—“

“Do you kiss all your friends?” And your cheeks flare, as your gaze refuses to meet his.

“That was—a mistake,” you whisper the last two words, “we can’t do this—“

“Why not?” You turn away, your eyes sliding to the cake, a frown pulling on your lips.

“Because you have a duty to your people and I have a duty to you,” and his fingers find your shoulder gently, giving you leave to pull away — but you can’t, you couldn’t.

“My only duty I desire is the one to you—I love my people, but I can’t be the king they deserve if you’re not the one beside me,” your gaze still cast downward, “I will cast away any responsibility, if I could have a chance with you, sweetheart—“

“The king has discussed your engagement with me,” you murmur, “he told me he plans to have you engaged with a princess from a neighboring—“ And his arm is wrapping around your waist, pulling you closer — your gaze lost in the endless blue skies of his eyes, “we can’t—“

“I’ll find a way,” and you scoff.

“Don’t make promises you can’t keep,” you mutter, and his warm palm slides against your cheek.

“This isn’t me promising to find a unicorn when we were five, Princess,” and you chuckle at the thought of his child self trudging into the woods with carrots in hand and what he thought was fairy dust (it was ladies’ finishing powder), “I swear that we’ll be together,” and he reaches into his pocket, and holds a small box, opening it to reveal a beautiful infinity pendant, “and this is my promise,”

You bite your lip, staring at the silver glinting in the sunlight trickling in from the windows, “Satoru—“

“Finally giving in?” And you sigh.

“How can you be sure we’ll be together?” He chuckles, as he gently turns you, making you face the mirror in his room as he places the necklace delicately around your neck, his fingers brushing against the skin of your neck before he clasps it. His arms slowly slide around your middle as he meets your gaze in your reflection, lips curling.

His lips press a sweet kiss to your cheek, “Because I know I’d choose you, again and again.”

“Why did they choose him as my model again?” You groaned as you looked at the list, tossing it back on your desk, “he’s so impossible to work with—“

“The shoots are finished quick—“ your boss replies gruffly, as he stands with his hands in his pockets, “and he said he’d only shoot with you. Said he likes your work and you’re the only one who can ‘capture the real him,’ some crap like that,” he shrugs.

“Yaga, I can’t keep dealing with this man, can’t he shoot with anyone else?”

He sighs, scratching the back of his head, “Look, the magazine we’re working with chose him as the model, and he said he would only do the shoot if you did it,”

You sigh, leaning on your palm, elbow against your desk. “you’re not giving me a choice are you?”

And no, he wasn’t.

Because now you were at the studio for the sight of the shoot, getting everything ready that you could before your model arrived. You made sure his preferred makeup artist and hairstylist were available, you picked out his favorite snacks, got his preferred lighting (to be adjusted when he was on set), and had your cameras adjusted for his light sensitivity.

All of which reduced the amount of time you had to spend with this man — but not even the most divine snacks would stop him from running his mouth.

“Sweetheart,” you turned to see him, “miss me?”

“When pigs fly, maybe,” but your words don’t faze him, a mock pout on his lips, “why do you request me to do your shoots, Gojo?”

“Because it’s the only way you’ll see me,” and you sigh, as you continue to adjust your camera again, “you still haven’t given me a chance—“

“I gave you one chance, wasn’t that enough?” Before you turn to him, “look, I’m here because I have to be. I want to shoot — get in and get out and not have to—“

“One chance to talk to you — please, even if you don’t believe me or forgive me—“

“Fine,” you shake your head, frustrated, “go finish the shoot and we can talk for five minutes after,” and maybe he would stop forcing you into this situation.

Satoru Gojo was the top wanted model by all the agencies — agencies were looking to snipe him and others were looking to have exclusive deals with him — whether it was photography businesses or brands.

You couldn’t blame them, as you adjusted your lights and took a few test shots — he was gorgeous, even by model standards. From his skin to his body to his attitude, it was effortless for him. Even a bad angle or bad lighting did very little to detract from his flawless look.

The chiseled cut of his jaw put statues to shame, his eyes shone brighter than the shiniest gemstones, his charm the envy of the love goddess herself, and his smile was enough to change hearts and minds alike.

The shoots always look little time — the part that took the most time was choosing the best shots — you’d love to take one bad picture of him. Even for yourself — but that had proved impossible. Even deprived of sleep in the hours of the early morning, he was perfect.

Perfect — except for his loyalty, you supposed.

How had it gone so wrong so fast? And how did you let yourself become so carried away that you thought you were different from the others he bedded?

And the shoot was over in a moment, and just like he said, Satoru was by your side as you begin to break down the equipment, as the other staff filed out, “can we talk now?”

“If you have to,” you would give him an ear, but it didn’t mean you’d give him anything else.

“I never cheated on you—“

“Bullshit,” you reply, as you pick up the tripod you set up, “I guess you didn’t the full five minutes,”

“No, I didn’t—what you saw—“

“I saw you kissing another girl all over social media—“

“You saw me with Suguru,” he sighs, “and we weren’t kissing — we were hugging. You thought it was kissing from the angle of the picture, and before I could explain, you had blocked me on everything,”

You pause, “Suguru?” You repeat, as you pull out your phone and pull up the picture — black hair, hair half up, and they could have been hugging. And Satoru pulls out his own phone and shows you a selfie he took that same day, the meta data matching, “oh, oh fuck,”

“Was that an apology? Not familiar with those coming out of your mouth so—“

“Satoru, I’m so sorry,” you murmur, “I saw the pictures and I heard the rumors and I assumed the worst of you,” you run your fingers through your hair, “even though I knew you better than that,”

“You did, but I understand why you thought that,” he shrugged, “we had only been seeing each other for a month, but it meant something to me,” his voice softens.

“To me too,” you shake your head, “I’m so sorry, Satoru. I don’t know how to make it up to you,”

“I know,” he smiles, “have dinner with me,”

You blink. “why?”

“What do you mean, sweetheart? Everyone eats dinner, it’s a—“

“Satoru,” you sigh, “I didn’t believe you, I didn’t trust you, how can you forgive me like that? How could you want to be with someone like that?”

“Well, you made a mistake — you forgave me for the other mistakes I made during our time together, and if I hadn’t let my team convince me that my fake reputation as a playboy would help sell my image — maybe we wouldn’t have been in this mess to begin with,” his fingers brush against yours, “besides, I want to believe in second chances — because I’d want to believe you’d give me one too,”

Your fingers intertwine with his, “Even when I don’t deserve it?”

And he lifts your hand to his lips, blue eyes glinting like an ocean dabbled in sunlight, “All the more for you make up for, right?”

This wasn’t right. No. No.

“Satoru, Toru, please,” your fingers cupped his face, your fingers smeared with his blood as Maki pulled gou away, “no, no!” You don’t remember screaming, but you know you did because your throat was raw, your tears streaming down your face as your hands shook, staring at the dried blood on your fingers.

He promised you he would win. He promised you he would come back. He promised you a life, a family, a home — something beyond jujutsu.

And now you were left with nothing but that.

“I’ll come back,” he had murmured in your ear the night before, his fingers tracing your cheek, “there’s no way I won’t. Have you ever seen me lose?”

You give a small chuckle, “You just got trapped in a box for almost twenty days?” And he pouts, as he tilts your head up, fingers sliding against your cheek.

“It was a one time fluke, sweetheart,” and his lips grazing your lips, “and I’m here now aren’t I?” you hum, “and I’ll always be there,”

“In every life?” He smiles.

“In every one.”

In every one — except this one.

“One would think you’re helpless, if you pout like that,” you teased, as you crawl into bed beside him, a smile on your lips, as he tugs you steadfast into his arms, “it’s only been a few minutes,”

“It felt like a lifetime,” he presses a kiss to your head, “Is he asleep?” And you nod, a sigh on your lips as you settle into bed.

“After about twenty minutes of arguing, he passed out while I was telling him a story. He’s still not accustomed to this mansion,” neither were you — you had spent a few nights lying awake after jerking from the clutches of sleep — the paranoia still rampant in your mind. But those thoughts were a little farther now as you lie against his chest, heart thrumming under your body — the very heart you were meant to stop, and a chuckle escapes your lips.

“What is it?” He raises an eyebrow, and you shake your head.

“Why did you help me?” You draw circles on his chest, “you had every reason not to,” your fingers traced a line across his neck, “I even held a knife to your neck,”

“And that was very attractive,” and you roll your eyes, “what? I like a woman who takes charge,”

“Oh I know,” you chuckle, your lips pressing sweet kisses to his neck, “but I still don’t understand — you had every reason to distrust me, we barely knew each other, and yet—“

“You were still the girl I fell in love with that night,” he murmurs, “I just knew you were something special and when I saw what you were doing — trying to uproot corruption, I knew I was right. And I knew I had to make you my duchess,”

“Well I’m not your wife yet,” you tease, the words barely out of your mouth before he’s got you pinned under him, “Toru—“

“Now, I told you I was going to seize my fate when I saw it,” and he kisses you, stealing every thought from your mind and every breath from your body, his touch filling you with warmth in return, “and I see it right in front of me,”

“And what does it look like?” you smile against his lips, as he leans down to kiss you again.

“Bright.”

“Is it just me or do these paparazzi lights get brighter and brighter each time?” you rub your eyes as the two of you slide into your car for the night, the driver setting off towards your home.

“I don’t know, I was too busy being blinded by my gorgeous wife,” and Satoru’s hands are all but under your dress, sliding up and down your sides, before one cups your cheek, “did i mention how incredible you look, sweetheart?”

You hum, “about a million times,” your fingers slide against his shoulders until he’s practically lying on top of you against these leather seats.

“That’s a million times too little — you look incredible, sweetheart. This dress was made for you,” and his lips taste as sweet as his words, your fingers sliding into his snowy locks while his slide against your bare thighs, “and I can’t wait to take it off when we get home,”

“You’re going to take it off now if your hands slide any further up,” he draws a shiver from you as his hands do just that, daring further up your thighs, “Toru—“

“Don’t worry, the partition is up and it’s just you and me, sweetheart,” and he’s sinking to his knees on the floor, as his hands slide up your dress, “just keep your voice down, don’t want anyone hearing my wife, do we?” And his lips are grazing your inner thigh, his smirk against your skin, “good thing I relieved you of those pantyhose, huh?”

“Toru,” you whined, as his fingers parted your thighs, and he could see your all too soaked panties, a damp patch and the fabric nearly translucent while it clung to your clit, “please—“

“So needy — and now that mouth of yours is being as honest as this one,” his lithe fingers tug aside the crotch of your panties to expose your cunt, “all this f’me? Been like this since our make out earlier? Surprised I didn’t see your cum drip down your legs,”

And his words make you squirm, “Satoru, I swear to god—“ and his lips kiss your clit, as two fingers tease at your entrance, gathering your pre on his fingertips.

“You don’t have to call me god, Princess — just Satoru is fine,” he murmurs as his lips close around your clit, as his fingers work inside your walls, a delicious stretch that draws a pretty gasp from your lips, your head falling back against the leather headrest.

The sounds of the squelch of your cunt and the slurping of his lips against your clit rang in your ears — your fingernails digging into the seat as your other hand clamped over your lips.

“That’s it, just like that, Princess,” his tongue darts out to drag circles around your clit, while his fingers find the spot that makes you see stars.

“I’m—“ you manage, before you’re cumming around his fingers and lips, your toes curling as you do, head back against the headrest. Your eyes find him to see him looking all too perfect even ruffled, as his lips were glossy with your release, tongue darting out to clean it, before he licked his fingers one by one.

“And you were worried about the paparazzi noticing your missing pantyhose,” he murmurs, pressing a kiss to your lips, letting you taste yourself on his tongue, a smirk against your mouth, “let’s hope no one saw that,”

And there’s a sharp rap on the window, “Sir and madam? We’ve arrived,” and his lips quirk, as he adjusts your clothes, cleaning your smudged lipstick with his thumb, as you reach up to wipe his lips where the lipstick had gone.

“Shall we celebrate my win properly?” He opens the door and slides out of the car, holding out his hand for yours.

“As we always do?” And your fingers find his, as he presses his lips to the back of your palm.

“Always, Princess.”

“Are you ready yet, Princess?” Your Prince’s arms slid around your waist, his lips already at your neck, as his ocean blues met your gaze in the mirror, “how lucky is our kingdom to have such a lovely future queen? And how much luckier am I to have her as my wife?”

“We do not know if the people will approve of me still, Toru,” you murmur, eyes shying away from his, your fingers finding the infinity around your neck, “you promised me forever, but will they grant it to us?”

“Do you have such little faith, sweetheart, in your future husband?” His fingers find your chin, tilting it upwards to meet your gaze, “I’ve already done the impossible — I charmed you over the last two decades haven’t I?”

“More like wore me down,” and he pinches your cheek, before he presses a kiss to the affronted skin, “re-defined the long game,” and he kisses your nose, “and stole my heart and soul while I wasn’t looking,”

“I never steal,” he smiles that same smile that was emblazoned in your memory all those years ago, when he emerged from the woods with not a unicorn, but a baby fawn he had frightened from very same thicket, “I only take what was given to me,” he smiles, “and you willingly handed over your heart the moment you let me into your life,”

“What was I thinking?” you murmur, cupping his cheek, “now I’ll have to deal with the politics of a kingdom for the rest of my days,”

His lips curl widely, as his lips find yours, a heat that simmers into passion and then into simple love, “I promise, in exchange, I’ll spend the rest of my days making you the happiest you’ve ever been,”

“The happiest, huh?” you murmur, foreheads pressed together, “that’s a tall order, so you think you can do it?”

“I know I can,” he smiles, his arms pulling you impossibly closer, “because I’ll never trying to make you happy, Princess.”

“You’re far too happy with this arrangement,” you say through the door, arms crossed as you pressed your back against it, “I don’t want to come out,”

“You agreed to this, c’mon sweetheart, you’ve taken countless pictures of me—“

“You’re a model — it’s literally your job,” you glare at him through the door, “I’m behind the camera — not in front of it,”

“But you’re just as beautiful in front of it as you are behind it,” and you can hear his pout through the door, “if you really don’t want to, sweetheart, I won’t make you—“

And the door opens, your lips curled in a pout as you emerge in a cerulean gown — the same color as his eyes, the very same that widened upon seeing you.

“Was this necessary?” you squirm in place, as he bites his lip, eyes raking over you, “Toru—“

And he’s in front of you in an instant, his arms winding aaaaaaaaround your waist, “I want to kiss you so badly, but I’ll mess up your makeup,” your breath catches, so his finger brushes against your lips and presses it to his own lips, a little of your lipstick sticking to his lips.

“Toru,” and his lips quirk at the nickname, “why do you want to take pictures of me?”

“Because, I want pictures of you that are just for me,” he gently takes your hand, pressing a kiss to your wrist, “because I’ll never have this moment with you again, but I’ll have these pictures with you,”

“And when do I get pictures that are of you and just for me?” And he presses a kiss to your head.

“Anytime you want,” he murmurs, “we have all the time in the world, don’t we?”

Time — that was the one thing Satoru Gojo always lacked. It felt as if his whole life was an hourglass, waiting for the sand to run out — and the one time it came close, blood seeping like sand through his neck, he was able to turn it on its head, until time was on his side agai.

He wasn’t sure if time was on his side now.

He could only see the winter sky above — flecks of white he could think were snow but never be sure if that was his vision going blurry. He couldn’t feel anything — but he heard the all too distant squelch of his blood against the ground, the sounds of footsteps, the feeling of his body being lifted, a smile still on his face.

He was going home — the one person who always made his world right side up — the only person who could catch the sand that slipped between his fingers and hold it between warm palms. He forced his body to keep running — to keep going, the flow of cursed energy may have come from the stomach and his brain may be able to power his reversed curse technique — but that didn’t compare to his will to make it home — make it to you.

“Toru! Satoru!” he couldn’t will his eyes to open, only managing the barest flutter of his eyelids, “it’s okay, Shoko’s got you, I got you,” you murmur, a soft brush that must but your lips.

Love was always the most twisted curse of them all — and he knew it had always been a curse to love him. Anyone drawn into his orbit seemed only doomed to fall around him — whether it was by their choice, his choice, or fate’s choice.

Fate. That was a word he never had put a lot of stock into. Suguru always said there was a certain order to things — sorcerers were made to defend humans, and that was our duty. He had replied that fate was an excuse for people too afraid to challenge the status quo.

Maybe Suguru took that too seriously.

When Suguru defected — Satoru knew something had to change — he couldn’t let others go even when they had that blue spring. The time that he had stayed frozen in — even as everyone else left, he still lived in those moments, and so he barely lived in the present at all.

Not until you had shattered his self made prison.

And it wasn’t without difficulty.

He told you so many times that it was dangerous to love him, it was foolish to love a person like him with a constant target on their back because inevitably the target would shift to you. And he didn’t want to live in a world without you — but he could choose to, as long as you were the one who would live.

But you were steadfast in your love, roots cracking through concrete until he was covered in your ivy, entangled so deep that there was no escape��because one look from you had stolen his reservations out from under him. Because loving you was as simple as breathing — it just was.

“I would want you to curse me — in every life.”

That’s what he told you the night before this battle — because he knew if he didn’t make it in this life, maybe he could be with you in the rest of them. But how many days would it take until you couldn’t remember the sound of his laugh, the smile on his lips, the way his face looked — because he always feared the same about outliving you. He would only want to outlive you, if only because he didn’t want you to have to bear the pain of outliving him.

Love was twisted, he thought — as your lips brushed his, he could hear you whisper sweet nothings, falling on deaf ears, but heard all the same — once one found it, they cannot live without it — until they have to.

His eyes flutter open, and he sees the blurry image of your face, scarlet smeared on your face, as his hand shakily lifted to your cheek, “I love you, sweetheart,” he manages barely a whisper, “I’ll see you again, I promise.”

Maybe he did curse you in the end — because your souls were bound together in existence — to fall into each other’s orbit and live together happily in every lifetime—

Your fingers gently shut his eyes closed, as tears streamed from your own — except in this one.

“Is it really a curse to meet you again?” you had murmured that early morning, as dawn peaked over Tokyo, and his lips brushed against yours, “sounds like a blessing,”

“You know that blessings often wear disguises — and words like that always carry a price—” but his lips curl, “but if the price is to meet you and fall in love again and again, I suppose I could pay it.”

“‘Suppose?’” you repeat, and he laughs at your immediate pout.

He kisses away your pout, as you slowly melt into his kiss, “Y’know I’d pay any price to fall in love with you again, sweetheart”

You smile, “Just stay with me in this one, that would be enough.”

Did other lives matter when this was the only one he had fallen for you in this life? He wanted to stay with you here — in this moment, in this time — he wanted you in every life — not just all the others.

And he vowed that he would— his fingers twitched—

He would love you in this life too.

✧ a/n: i hope you guys enjoy this one!! i had a lot of fun writing it. it might not be everyone's cup of tea but hey, i enjoyed it. although i questioned my writing ability a lot while writing it lmao

✧ taglist: @gojolova4eva, @xxemmarldxx, @gojolvrr34, @lilbrubby, @jaixxxsc, @hatsunemitskislobotomy, @elaemae, @gojonegs, @captain-shittykawa, @sillyrabbitreads, @akumicchi, @satorustorm, @equikaz, @imaginativeghorl, , @dhoranbolt, @strawmariee, @catsgomurp, @that-goth-bisexual, @fushitoru, @dazailover1900

#sab [mlist]#satoru gojo x reader #satoru gojo smut #gojo satoru smut #satoru gojo fanfiction #jjk x reader #jjk smut #jjk fanfiction #gojo x reader #gojo x you #satoru gojo x you #gojo smut #jujutsu kaisen x reader #jujutsu kaisen smut #jujutsu kaisen x you #gojo satoru fanfiction #gojo satoru x reader

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luminnara · 11 months ago

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Traditions | Feyd-Rautha x Reader

REQUEST: As Feyd-Rautha's wife-to-be, you have moved to the Harkonnen homeworld to await your wedding. You're doing your best to adhere to their customs, but when a supposed doctor examines your 'purity,' Feyd-Rautha's reaction is anything but calm.

MASTERLIST

Requests are open! This was one of the first I received for Feyd-Rautha, I hope you enjoy!

WARNINGS: SA in a medical setting (not graphic but also more than just implied), canon typical violence (also not graphic)

Harkonnen customs were strange.

Harkonnens were strange.

Everything about Giedi Prime felt alien to you—its black sun, bathing the world in infrared; its barren landscape, polluted and abused by years of unbridled industry; and, perhaps most of all, its nobility, the Baron and his his nephew, Feyd-Rautha.

“A Harkonnen?” You had choked out when your parents informed had you of the decision. You had been in disbelief, as if reality had come to slap you in the face. All you had ever known was your homeworld and the comforts of the family palace, on a planet that was lush and beautiful. Everything you had ever heard of the Harkonnen homeworld was the opposite—harsh and inhospitable, its people even more so. You had resisted the information initially, refusing to believe that your life was changing so suddenly and so dramatically.

But, ever the dutiful daughter, you stood and met the na-Baron when he arrived, openly staring at his appearance while another Harkonnen introduced him. Feyd-Rautha was extremely pale, his skin nearly white, and, like the rest of the delegation from Giedi Prime, he was hairless. He did not even have eyebrows, and as your father welcomed him to your world, you wondered if he was truly hairless, everywhere.

As your thoughts wandered, the na-Baron’s eyes slid to you, meeting yours. You suddenly felt as though you had been caught doing something naughty, the way he looked at you, drinking you in, tilting his head slightly as he appraised you.

“Is the na-Baron pleased with what he sees?” You spoke up in a moment of bravery.

His eyes raked over your body and he smirked, making a rough sound you assumed might be a laugh.

“Oh yes, princess.” His voice was just as harsh as you’d expected. “Very.”

Feyd-Rautha spent a week on your planet, courting you in the ways of your House. He presented you with gifts of refined spice and Harkonnen riches, knives and strangely austere jewelry. He walked with you in the evenings, where you spoke of mundane things, unsure of what you were meant to do in his presence exactly, and he watched you like a hawk hunting a field mouse. When the week was up, you accompanied him back to Giedi Prime to prepare for the wedding, leaving your homeworld behind.

Feyd-Rautha was less well behaved when not surrounded by the members of another House. He was an unsettling, panther-like man, always on the hunt for something to kill…and when you arrived on his planet, you saw that he sometimes killed without abandon, fighting drugged prisoners in a public arena to satisfy his own ego.

You were not sure that you wanted him as your husband—he seemed somewhat disinterested in you, leaving you to the guest chambers you would eventually be moving out of in favor for his bed. Your first week on Giedi Prime was another of courtship, though this time in the ways of his people, and you were honored to witness his fighting prowess in that arena beneath that strange sun. You dined with him and his uncle the Baron Vladimir, a large and unpleasant man, one you could tell your husband-to-be felt no real love towards. Feyd-Rautha simply enjoyed that he would one day take the Baron’s place, and when Vladimir commented on your figure one evening, you saw the way Feyd’s jaw tensed. Perhaps he did want you as his wife, after all.

Another strange Harkonnen custom revealed itself to you toward the end of that week, when a doctor entered your chambers and informed you that your purity was to be inspected.

“My apologies, but…what?” You asked, confused. You had never heard of such a thing. Surely he couldn’t possibly mean what you thought he meant…?

“We must ensure that none other than the na-Baron have had you, milady.” The man explained. You noticed he sported a gray sash around his middle, and you assumed it was some sort of uniform. “It must be guaranteed that you are untouched, and that the heir you provide will be the na-Baron’s and no one else’s.”

You felt your face grow warm with anger and embarrassment. “Is my word not enough?”

“I’m afraid this is tradition, milady.” He stared at you with intense, beady eyes. “The na-Baron was eager to honor the customs of your House. You do not want him to think you are refusing those of House Harkonnen, do you?”

No, you did not. The last thing you wanted was to anger Feyd-Rautha and potentially drive your future husband even further away from you. You did not want to seem rude, nor did you want to cause a fuss…and you had been examined by doctors before, though perhaps not for this exact reason. You could withstand a few moments of awkward discomfort, you reasoned, if it meant avoiding an unhappy marriage.

“You do not have any instruments,” you noted.

The doctor smiled, revealing the black teeth of the Harkonnens. “Medical instruments are not necessary for this, milady. Please, move to the bed so that I may examine you.”

You rose from your place at the simple table in the center of the room, abandoning your half-eaten breakfast. As you turned, you felt the doctor’s eyes watching you a chill prickled the back of your neck. You needed to relax, you told yourself; if you were expected to produce an heir, there would be many more invasive check ups far stranger than this. You had seen your mother pregnant with your younger siblings, and had heard her speaking with the midwives and Bene Gesserit woman who stalked the halls of the palace back home. Perhaps this was how you could ease yourself into all of that.

When you turned to face the doctor once more, you were relieved to see him standing just as you had left him. His smile unsettled you, but then so did most Harkonnen features, you realized as you sat on the edge of the bed.

“Lay back and relax, milady.” He said, approaching you. “This won’t take but a moment.”

-0-

To your surprise, Feyd-Rautha joined you for lunch that day. A servant had been sent ahead to inform you that the na-Baron would be arriving to your chambers shortly, but when he did, you insisted on eating elsewhere. The encounter with the doctor had done more than simply unsettle you—it had rattled your nerves, leaving you feeling angry and confused. Though the man was long gone, you had no desire to remain in that room any longer than you absolutely had to, and lunch could not come early enough.

The na-Baron led you to his own chambers and food was served for you there, at a well-sized table just as austere as the rest of the building’s furniture and decor. He watched as you picked at your food, pushing it around on your plate but hardly eating any, and he took the opportunity to attempt conversation.

“We will be wed soon,” he said.

You wanted to roll your eyes. You were in no mood for small talk, but remembered who exactly you were dealing with and stifled a sigh. “Yes, na-Baron, we will.”

He smirked. “I look forward to the consummation, milady.”

You felt bile rising in your throat. The thought of anyone touching you again at the moment made you sick and angry, and you hated him for his people’s customs.

Feyd-Rautha tilted his head as he looked at you. “Do you not?”

“I am sure it will be everything we hope for and more,” you grumbled, looking down at your plate.

“It is unavoidable,” he growled. “We must produce an heir.”

“And we will!” You snapped, glaring up at him. “And you will be happy to hear that your doctor’s examination went as expected, my lord.”

The venom in your words stunned him almost as much as the words themselves. If Feyd weren’t so busy working through what exactly you had just said, he may have been tempted to bend you over that table just to show you how hard you made him, wedding night be damned…but there were other matters at hand now.

“Doctor?” He asked, eye twitching as his brow furrowed in thought.

“Yes, the one who confirmed that I am, in fact, pure,” you spat, voice laced with pure malice now.

You saw what could only be anger bubbling inside of him as he straightened his shoulders. “How exactly was this achieved?”

“By—by the usual means, I presume,” you said, quickly growing afraid of Feyd-Rautha’s infamous temper should it make an appearance. “He…confirmed that I am…that I have never…”

The na-Baron stood suddenly, knocking in the table in his haste. “Describe him to me.”

“I-I don’t know, he was a doctor!” You stammered. “He looked like every other Harkonnen, I don’t know—“

“What did he wear?”

“A-all black, like everyone here…a sash, a gray sash, around his waist, and he had no instruments—“

“What?” Feyd-Rautha roared, fists slamming down onto the table.

You jumped at the sudden outburst, staring in confusion as he stood. "I apologize if I've upset you, I don't understand why you--"

"Come." he hissed, grabbing your arm roughly and hauling you out of your seat.

You shrieked in surprise, stumbling to keep up as he dragged you out of the room and down the corridor. "Na-Baron, what is the meaning of this?!"

You received no answer. Feyd-Rautha was too angry to speak, shoulders hunched and full of violent tension as he stomped down the halls. Servants and Harkonnen nobles alike scattered upon seeing him, and as you twisted your head to look back at them, you saw them whispering and looking after you with pity on their faces.

"Feyd-Rautha, this is absurd!" you protested.

He came to a halt in front of a door. Though the wait for it to slide open only took a few moments, it felt like agony, and you had nowhere to look aside from the na-Baron's heaving form. You had never seen a person so angry before, so utterly enraged that he was practically incoherent. His silence was frightening, as when the door finally opened, you felt relieved...until he grabbed you once more and brought you inside with him.

The room was full of Harkonnen men, and as they looked to the door in surprise, you realized that you had entered some sort of lounge. You recognized their uniforms as military, and at the sight of their na-Baron, they all immediately stood, saluting him and bowing their heads.

"Which one?" Feyd-Rautha hissed, pulling you to stand at his side.

"What?" you asked, still confused by this entire operation.

"Which man?" he asked, voice strained as if he were holding himself back.

As you looked around at the Harkonnens, whose faces were stoic but whose eyes were frightened, you realized what your almost-husband was asking of you. It was difficult to tell them apart--their pale faces blended into one, their uniforms all nearly identical save for subtle distinctions of rank. Then, an idea; the gray sash you remembered, surely the doctor still wore it? If he were there in the room with you, perhaps you could--

Yes.

There he was.

You recognized his face and your lips pressed into a thin line. Feyd-Rautha, whose eyes had been glued to you, watching your every tiny, minute move, noticed the way your eyes lingered. His lip curled into a sneer as he turned to look at the man, whose comrades had all immediately stepped away, leaving him alone and exposed.

"Captain." the na-Baron's voice was dangerous. It was terrifying. You had never heard another human make a sound so guttural, so animalistic, and yet still manage to form it into a recognizable word.

As the man took a panicked step backwards, Feyd-Rautha stalked toward him. Your future husband smoothly pulled a long knife from a hilt on someone's hip as he passed them by, and you could only stare as the captain was brutalized.

You had never seen such agony.

When Feyd-Rautha was finished with him and the room had finally quieted after the screams died out, he stood from the fresh corpse and turned to you, holding a weapon now dripping with dark blood as he faced you.

"For you," he said simply, sincerely, bowing his head yet never breaking eye contact.

You stared. You had no idea how to react upon witnessing such a barbaric act, one that was sure to play out in your nightmares for weeks to come. When you felt panic rising in your chest you forced it down, and mustered all of the courage you possibly could to say, "Thank you, my lord," and bow your head in return.

He seemed satisfied with this as the knife clattered to the floor and he strode forward to you. "Let us leave."

You agreed wholeheartedly, following him and leaving the other soldiers to collect the pieces of their captain, now strewn across the lounge. Feyd-Rautha held your arm once more as he led you down the corridor, though this time, he was far more gentle. Something had been released from within him, his bloodlust sated and his anger quelled for the moment, and as the reality of what you had just witnessed him do crashed down around you, you stumbled to a halt and doubled over.

"Milady?" he asked, confused, before he turned to see you holding a hand over your mouth as you desperately tried not to be sick. His hands gripped your elbows as he faced you, undeterred by your retching. "What is this? He is dead, there is nothing to--"

"You killed him!" you choked out as you gasped for air, the bile in your throat still threatening to come up.

"Yes," he said, head tilted as he looked at you. "Of course I did. For you, as a gift." Then he paused, thinking. "...Was there another? An assistant?"

"No!" you managed to swallow down the last of the bile, throat burning as you grasped your sweat-slick forehead with your palm. "No, there was only him, but--why would you do such a thing?"

Now he was truly bewildered. "Why wouldn't I kill the animal whose hands touched you before mine?"

"Because...I..." you huffed, glaring at him. "What is going on? What is all of this, over a custom of your people? I did not enjoy his examination by any means, but I am doing everything in my power to accept the customs of House Harkonnen with grace and dignity no matter how awful they are and this entire spectacle has now made that very difficult, na-Baron!"

"House Harkonnen does not practice such a thing," he sneered, eyes angry once more.

Your shoulders dropped in horror. "...Excuse me?"

"That man should never have been within a thousand lengths of you."

"...Oh..." the panic had returned, but now, it felt much worse, and your voice sounded impossibly small. You lowered your hand to your lips, chewing your nail in agitation.

"Do you understand?" Feyd-Rautha asked, still holding your elbows.

"...Yes, I'm afraid I do..."

He leaned in, his forehead meeting yours as he still stared at your eyes. You found his to be a deep, dark blue, an abyss that threatened to swallow you up. But right now, you wouldn't mind such a thing, if it meant you could hide away from the world forever.

"No one will every lay a hand on you." he growled. "No one but me."

"...You killed him for me," you whispered.

"I did."

"You avenged me...yet you did not proclaim your reason in front of those other men?"

"I do not need a reason to take a life," he barked a laugh.

You just nodded.

"And I would not humiliate my wife in such a manner." he straightened once more, letting go of your elbows and offering you his arm once more.

"Thank you," you said as you took it and began walking.

"It does not matter to me if you another man has had you before." he said, staring forward. "I know the children you will bear will be mine."

He said it with an arrogance that may have annoyed you had the situation been different. Now, it was a comfort that he had such a big ego.

"That is correct, na-Baron," you said, sighing in relief. At least the whole ordeal was over now, and you doubted anyone would be foolish enough to cross your path now that one man had already been publicly eviscerated.

"Call me Feyd."

"Thank you," you glanced up at him with a small smile. "Thank you, Feyd."

#feyd rautha x reader #feyd rautha #tw SA

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luveline · 8 months ago

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𝐧𝐨𝐭 𝐟𝐚𝐮𝐥𝐭, 𝐣𝐮𝐬𝐭 𝐥𝐨𝐯𝐞 | 𝐚𝐚𝐫𝐨𝐧 𝐡𝐨𝐭𝐜𝐡𝐧𝐞𝐫

When someone hurts you, you and Aaron both need time to get better, and to put things right. fem, 8k

cw canon typical violence, graphic scenes and imagery of assault/battery, recovery, mentions of being sick, issues eating. established relationship, lots of angst and comfort, hotch being vulnerable, jack being sweet

˚‧꒰ა ✮ ໒꒱‧˚

You lay backward over the luxurious stretch of the couch and sigh as your spine gives a sharp crick. Your head feels heavy after a long shower, your arms ache from a day at work, but the feeling of soft cotton on your legs deters any moping.

I hope these are more comfortable, his note read, a white post it note stuck to a boutique bag. You wrap an arm around your waist remembering how Aaron’s message had made you feel: spoiled, and considered.

You’d mentioned in passing that all your pyjamas are old and rough as a consequence, thought nothing of it, and promptly forgot about the conversation entirely.

When Aaron finally comes home tonight, you’re going to give him a proper thank you. You can imagine his reaction to such a thing, his smile as he says it’s no problem, his eyes shuttering closed as you press a kiss to his cheek. You hadn’t realised how prevalent affection would become in your life after meeting him, but everything he does inspires love. Awful, soft, marshmallowy love where he looks at you and you want to sit in his lap.

You slide your phone up your chest lazily and click the button on the side to light the display. Aaron hasn’t claimed to know when he’ll be home tonight. All he’d said was to let yourself in.

It’s odd but not the worst thing in the world to be alone in his apartment. There’s less and less free space each time you visit as Jack begins to outgrow his and his fathers lodgings, but there’s never a stain or bad smell, the Hotchner apartment feels homey. You’re excited whenever you’re invited to spend the night with them.

Maybe some time soon he’ll ask you to move in, or better, to marry him. You’re not a hundred percent sure how you feel about marriage, about being someone’s wife, but there’s a great well of pleasure to be found in the idea that Aaron would want to marry you. He makes you feel loved already in a hundred different ways but the ring might be nice, like a symbol to signify how much you mean to him.

You rest your hand across your eyes. It’s silly to think of. Sillier to want so soon. You’ve been together for just under a year, and you have no false hopes about rushing into the future, but it’s certainly a future you want with him (and with Jack, too). He’s taking things slowly for a hundred different reasons but he loves you, and gifts like your new pyjamas cement that. He really listens to you.

Your phone rings a moment later.

You smile at the screen. It’s nice to be in love with someone who loves you too.

“Hey,” Aaron says when you answer, his voice warm even through the phone, “I didn’t think you’d answer.”

“How come?” You sit up with a little start.

“It’s getting late, honey. I called Jess and Jack was already gone.” He doesn’t say anything further.

“Are you okay?”

“I wanted to hear your voice, I think.”

“Well, where are you?” You struggle to envision him speaking saccharinely like this where his colleagues could hear him. He’s nice to you often, but he’s a reserved man.

“I’m just,” —a crunching sound of metal, the trunk of his car closing— “about to get in the car. I’ll be home before ten. Can I have you until then?”

“I don’t see any reason to say no. But do you think you could come home a little faster? I have a crick in my neck.”

“And you want me to fix that?”

“You always fix my neck.”

“How have you done it?” There’s a sound you assume to be the car door closing, but you can’t hear anything beyond that.

“I have bad posture.”

“You have perfect posture.”

“No, it’s quite bad.”

He laughs loudly. It took some time to draw the humour from him but he isn’t as stony as you’d think, and for a while he didn’t have much worth laughing for, anyways. Whenever you hear it, you try to prompt it twice.

“You don’t have to lie to me, Aaron, it’s just like when you said my weird rash wasn’t weird.”

He laughs again, to your pleasure. “It wasn’t weird, it was a heat rash, I promise. You act like you’ve never seen heat rash.”

“One of us goes to hot cities all the time and one of us lives permanently in Virginia.”

“What are you talking about? Virginia’s far from cold. You’re being argumentative, I can see your smile in my head. I’m never going to fix your crick if you keep acting like that.”

“No, don’t be like that,” you laugh, tipping back into the cushions. “You’re always such a sore loser.”

“What did I lose?”

You can tell from his tone that you’ve promised yourself one of those hugs that borders on a straight jacket tightness, his face tucked into your neck as he asks you to repeat yourself. What did I lose? he’ll ask again, kissing your chin, the line of your jaw. Tell me clearly.

“It hurts,” you say honestly, “please don’t be mad. I really need one.”

“I’m not mad… I’m going under the overpass, my signal might cut out.”

“Okie dokie. Hey, did you eat? I can make you something for when you get home. I got groceries.”

“I’m not hungry, but you can make yourself hot cocoa, and I’ll drink it when I get there,” he says.

“Or I could make us both some?”

“It’s much more fun if I drink yours before you can, honey. You know that—”

You pause in the quiet, then hear a quick beeping. You pull your phone from your ear and find the call disconnected.

Cruel overpass, you think.

Sure he’ll call you back, you take your phone into his kitchen and set about finding all the things you’ll need for hot cocoa. One mug, because you should hate when he forces you to share, but you love the feeling of his fingers on yours as he takes it and the thankful kiss he dots on your cheek.

The kettle is uncomplicated. You toy with the stovetop, set the kettle on the burner, and let the temperature rise. It begins whistling lightly a mere thirty seconds later.

You click your phone on again. He’ll have passed through the tunnel now and will be calling you back any minute. You stare at the phone, hoping to summon him, slouched over the counter with the tin of cocoa powder by your fingers. The kettle whines with growing heat, but cool air kisses your back.

Goosebumps rise. Up and down the lengths of your arms, the back of your neck—

A sudden chill.

The lack of air comes before the hand, the pain a rush, a burst to be away from. Leather on your neck creaking without sympathy as a hand tightens and drags your body back against something hard.

Not Aaron. Your scream comes strangled under cruel fingers as you fight to move forward again, straight for the burner, the kettle shoved across the burner grate and exploding with scalding water, heat of the burner kissing your chest— you scream, only it’s worse than a scream, sound from the deepest part of you forcing itself past the heat at your neck as you try to fling yourself away from the pain.

You fall with a hard clout. “Stay still!” comes out enraged against the back of your neck. You drop to your knees, the pain lighting flaring up your chest, your gaze frantic as you search for a flame that isn’t there. You’re not on fire, you’re crawling and then scampering up into a standing position when the heavy weight drops itself on you again and smashes your face into the floor.

All your fight leaves you. Your ears ring. Your panic wanes but the pain stays alert in your mouth.

A hand grabs you by the back of the head and drives your face into the ground. It’s like light in your eyes and your nose, the brunt of it, the crack of your bone and the hot trickle of blood that swiftly follows. You gurgle in pain, spluttering and gagging against the linoleum, waiting for Aaron to turn you over and say sorry. It’s an accident.

Blood drains from your nose in spurts to match your racing pulse, so much blood you can see your eyes reflected in the dark stretch of it. Water drips down the front of the stove, your breath aches and begs, and your attacker takes a measured breath.

He flips you over. You can’t slide away, there’s nothing left in you, your head a second body as he raises something.

Your phone rings on the counter.

“Please, don’t,” you plead with a sob.

You pass out as the pain connects. Just as quickly as it started, your body takes the reins.

—

There’s a strange darkness waiting for you. Like waking before your alarm and stealing those last minutes, body aching, not wanting to get up and face the day. Aaron gets up early every morning, sometimes as early as four AM, and whenever you get up with him your eyes hurt for hours.

Nothing, nothing, nothing.

Hey, hey, I think your boyfriend’s coming.

What will he make of my handiwork?

You didn’t stay awake long enough for that one, did you? But you’re waking up now.

The pain is enough to wake you up again, a hot drag down the side of you to your hip and in. You aren’t aware of the sounds you make, but you can hear them. Your panicked squealing as the heat presses further and further in. Your crying, and your whispering, “Stop, stop.”

“There’s handsome,” the dark voice says. “I’ve gotta go hide somewhere, does he carry after hours? I think I’ll find out.”

“Oh,” you say, feeling sickly. You attempt to curl into yourself, when did you turn onto your back? “No,” you mumble, lips wet with something hot.

“Honey?” a voice asks.

“Honey,” you repeat, woozy again, darkness falling in all over again, where it stays.

Honey, are you in here?

—

The window behind Aaron’s shoulder is cold. Rain patters fast like floods, thunder occasionally chewing through clouds, and Jack Hotchner cries sluggish tears into his dad’s shoulder.

Aaron has his eyes closed. They’ve been at this for a while. “Shh, shh shh, buddy,” he says softly, patting the bottom of Jack’s back. He’d sway him back and forth if his arms weren’t about to fall off.

Jack squirms closer, no room left between them.

“I know it’s scary,” Aaron says.

Jack just cries. This approach of quiet support isn’t working; Jack isn’t a baby that needs to be put to sleep, he’s a panicking little kid, and Aaron needs to change gears. He ushers him away from his chest and crosses his arm behind Jack’s back. Careful, he shifts Jack’s weight to free his other arm and brings his fingers up to the silky brown hair dropping onto Jack’s forehead.

“She’s okay,” Aaron says, stroking Jack’s hair. His little forehead is clammy. “She’s not hurting. I know it looks scary, honey, but… she’s just resting.”

Jack looks him in the eyes. “Her face.”

“I know.” He nods emphatically. “It’s hard to see. Blood isn’t nice. You don’t have to see her again today, not if it’s too scary.”

Jack lifts a hand to Aaron’s face. Clumsy but with clear attempts to be careful, he wipes at the skin under Aaron’s eye. Aaron bites back a smile.

“I look tired,” he says.

“Yeah.” Jack brings his hand back to wipe his eyes. He sobs as he does it. Aaron can’t describe the ache it gives him to see it.

“Buddy, I’ll do it. Let me wipe your face. I can do it.”

Jack drops his hands. Aaron turns his hand and wipes the smudge of Jack’s tears from hot cheeks, testing the waters with a little smile.

“I couldn’t see you under all those tears.”

Jack does a little smile back. “Yes you can.”

“I couldn’t! But now I’ve wiped all your face I can see you again. You’re handsome, did we know that?”

Jack giggles. He sniffles, and he presses his palm to Aaron’s neck. “I don’t want her to be sad, dad.”

“She’s going to be sad, because something scary happened, but it’s okay. I’m gonna take care of her.”

Aaron would offer to take him home, but they can’t go home. They may not go home for a long time —the team is still trying to work out how someone made it into the apartment without alerting the building’s security or Aaron’s internal system. And then escaped again without Aaron’s notice. Until then, Aaron has to make a decision about a safe house, for himself, Jack, and Jess, though she's extremely unreceptive to the idea.

Aaron has to look after Jack, and he needs to take care of you.

“What do you think, bud?” he asks, cupping Jack’s head in his hand. “Do you want to go home?”

“You said I can give her a hug.”

“If it’s too scary, we don’t have to. I don’t want you to get upset again.”

“I’m not scared. I want to give her the hug,” he says.

Aaron pulls him in for a hug of his own. “Okay, buddy. Just try to think of it like this. She’s where she needs to be to get better. Everybody here is looking after her. She’ll be okay soon.”

Aaron looks over Jack’s head down the hospital hallway. It’s a quiet ward, and here between the main ward doors and the hallway that leads down to the individual rooms there’s complete silence. Night is approaching quickly again, and with it comes Aaron’s panic. Your head turned into a puddle, your face lax of expression in the dark. He can’t stop finding the women he loves bloody and on their backs.

“Ready?” he murmurs. “Can you walk with me? My arms are tired.”

“Yeah.”

Aaron puts Jack down gently onto his feet. He neatens his hair, chucking him under the chin as he goes to see his smile. He’s so pretty, like Haley was, with shiny eyes. He’s a beautiful kid. Aaron takes his hand and together they make their way down the hallway to your room.

You’re sleeping.

Aaron herds Jack through the door and to the plastic covered chair by your side, where he lifts him up and sits him down. He stays between you both. Jack isn’t scared of you, just the blood, but he wants to show Jack that he’s going to protect him from anything he needs protecting from. He also desperately wants to touch you, and reassure himself that you’re still breathing.

He looks for your hand. Your pinky finger is splinted, but he can take it with care, give the palm of it a squeeze.

The blood matted in your hair has finally been washed away after a turbulent day, as well as the staining that marred your face. Your nose is broken, and looks it, the bruises so fierce your eyes have turned puffy and your top lip has inflamed. There are second degree burns in multiple places but most affectedly on your chest. There’s a stab wound at your hip, allegedly done with a small blade. It nicked your small intestine. The bandages laid over you are a lump under your hospital gown.

Aaron looks at you, and he feels a passionate disdain for himself. He wishes he could… be someone else. Someone who doesn’t have such a deep connection to a job that hurts the people around him, over and over. Haley used to say he was obsessed with being the hero, but this doesn’t feel heroic.

“Do you wanna give her your cuddle?” he asks softly.

Jack stays sitting.

He’ll have to give it to you himself. Careful, Aaron leans down over your prone body and presses a half kiss to your ear, the only place that won’t hurt.

You have an IV drip going into your arm, painkillers, an ECG monitor to the left. The room is white but busy, you’re a burst of colour against it all, your cuts and bruises, the evidence of violence he can’t remove. Aaron’s tired. He perches on the gap of bed by your leg and holds your hand, turning to Jack, who watches with a frown.

“She’s sleeping,” Aaron says.

“When can she come home?”

“In a few days.” He feels the pad of your hand, terrified of your broken finger but needing to hold a part of you.

“Why is she sleeping all day?”

Traumatic experiences are exhausting. “I think she might want to be alone, so she sleeps.”

“Should we go?”

Aaron shakes his head. “I think we should stay. When she wakes up again she’ll be happy to see us, because we’re not strangers.”

“We’re family,” Jack says. He’d liked that, when the nurse asked you how Aaron was related to you. Family only.

“We’re her family,” Aaron agrees.

If he somehow miraculously fell out of love with you, you’d still be family to them. You’ve given so much of your heart since you met them. Aaron wants everything you have to give.

You wake in a slow, slow upheaval. It takes effort on your part, the opening of sore eyes, the dreary decision to face your pain. Your hand jumps in his but relaxes when he shushes you, your slimmer fingers stilling under his rubbing thumb. For a split second, you keep your gaze half-lidded, jaw soft, like you’ve been indulging in a stolen nap.

Then your breath catches and you screw your eyes tightly.

“You’re okay,” he says, quietly, and not as lightly as he means to, “you’re okay, you’re okay, you’re okay,” in quick succession.

“Hurts,” you say, and gasp, a whine stuck in your throat.

He doesn’t know what to do. Jack shouldn’t watch this but he can’t leave you alone. “It’s okay,” he says, holding your wrist to stop it climbing up your bruised face.

You were worse the first time you woke up. Catatonic, then sobbing. You mumble and whimper now, pain threading goosebumps down your arms.

“It hurts too much,” you say. A sob falls out of you like you’ve been ripped open.

Aaron doesn’t think, but an instinct sparks. The pain, to hit you right out of the gate like this, to make you say something like that when you’ve always always made your problems small, must be torture. It must feel new and sudden all over again.

Aaron checks that Jack is alright and leaves the room. He looks down one hallway and then the other, but there’s no nurse around —he races to the reception desk and begs the two nurses there for help with you, “She’s in intense pain,” he says, grasping the desk.

The nurse he’s more familiar with clears her throat. “Mr. Hotchner, she’s already had enough motrin for two people at your request, she really shouldn’t need–”

“Pain is just as important to treat as the injury.”

A second nurse puts her salad down with raised brows. “Do you want to overdose her?”

“Excuse me?”

Aaron has always seen himself as a gentleman, but the argument that ensues is tricky to navigate while remaining respectful, and he’s no closer to better treatment for you by the end of it. He gives each nurse a disapproving glower and takes his phone from his pocket, turning on the spot, ready to call whoever it is he needs to call for a second opinion. He’s not gonna listen to you cry when there’s no need.

He pushes the door open with the phone still clutched in his other hand. Jack’s climbed onto your bed. He cuddles your face, sitting by your pillows and bent over you protectively.

Aaron lets out a breath.

“It’s okay,” he says, his arm behind your head and his arm on your shoulder. “W’gonna take care of you.”

“I know,” you say, crying without sound, shaking under his arms.

His cheek smushes against your forehead. Your eyes are closed and your face braced for contact Jack doesn’t make, careful not to hurt you as he rubs his cheek into your skin. Your blankets are falling off of you from the squirming and your bruises shine with tears in the light, but Jack has calmed you down some.

Aaron shouldn’t have left Jack with you. He’s been so scatterbrained since he found you when he should be the opposite, but Jack is doing better than Aaron managed alone.

“I’m sorry for crying,” you say slowly. “I’m hurting, but it’s not bad. I’m okay.”

“That’s good. You have a big scratch on your face, and bruises.”

“I know.”

“Dad says you have a bruise on your tummy too.”

“I got lots of bruises, but it’s okay. Don’t worry about me.” You bring your hand up injured and uncaring to rub his leg. “You’re being a really brave boy, thank you.”

A tear rolls down your cheek.

“It’s teamwork,” Jack says. “I hug you and you hug me.”

“Is that what you want? You want a hug?”

“I want to go home,” he says, hugging you harder.

You grasp his arm loosely where it’s just under your chin. “Jack, can you move your arm?” you whisper.

Your breath comes quickly, but Jack moves his arm away from your bruised neck and you try to calm yourself down.

Aaron jolts himself back into action. “Sweetheart,” he says, rushing to sit Jack back and give you more space. “Are you okay?”

“I’m fine.”

He watches. Not sure what to say. Not sure saying anything is wise. You squint at him through your lashes, eyes opening slowly, your mouth a line pressed hard to stop from crying.

“I think it's time for Jack to go home,” he suggests gently.

“Yeah,” you say, eyes swimming with tears.

“No.” Jack squeezes your head again, to your panic.

“Jack, buddy, please don’t touch her neck,” Aaron says, grabbing Jack from your pillow.

He erupts into tears again. Frantic and vying for you, Aaron tries to calm him and he kicks against his chest, tears turning to disgruntled sobs at not getting what he wants. You wince, pressing your face completely into the pillow.

Aaron carries Jack from your room, phone in hand.

—

Is she breathing? Can she talk?

I don’t– I don’t know, I don’t– She’s breathing. Honey, can you hear me? I don’t know what to stop. I don’t know where it’s all coming from.

Where’s the worst of the blood?

It’s everywhere.

Abdominal? Chest?

I can’t tell. I can’t tell.

Mr. Hotchner, you can’t panic. Does she have a chest wound?

Yes. Yes, but–

Is she conscious? How’s her pulse? Be ready to start chest compressions.

Honey, can you hear me?

Your name said clearly.

“Hey, can you hear me?”

“Yes,” you murmur.

“If you need a minute, that’s okay.”

You cover your mouth with your hand. Emily Prentiss has a soft voice like your boyfriend’s when she wants to have it. She’s never spoken to you like this, none of his colleagues have, but since the incident, everybody treats you like you’re made of glass.

Cognitive interviews are meant to happen immediately after an accident, but you weren’t up for company. Aaron promised this would be on your terms, that Emily is the most practised, and that she’s reaped the most information from them than the rest of the team. So far, it’s worked to drag bad memories to the surface.

“Maybe we should start from the beginning.”

There isn’t a beginning. There’s just conversation. Aaron’s hand on your heart and his shaky voice, so unlike him.

“Okay.”

Emily reaches for your hand. She smiles, and her nice features get nicer. That’s another thing they all share, good looks. “Okay. What did you notice, in the kitchen? It’ll help if you close your eyes,” she reminds you.

You close your eyes.

“What stuck out?”

“Nothing,” you murmur. “I’ve been in there lots of times, and nothing ever changes.”

“Nothing? Not even the drawings on the fridge?”

“Jack’s particular about his best work, even if I think they should all be on display.”

Emily’s voice turns to a shard of itself. “What did you do? Can you take me through it step by step? Make yourself a cup of hot chocolate.”

“I never got that far.”

“What did you do?”

“I filled the kettle.”

“What kettle?”

You don’t understand the need for specificity, but you answer. “Aaron got it for me, when he… he told me he loved me, and when we got home he’d bought me a kettle and a bunch of stuff to make my being there easier. The kettle, because… he said something about superheated water. How the microwave can be dangerous, and this would be easier than a pan.”

“Alright. Okay, and what did you do after that?”

“I put the kettle on the stove.” You lit the burner, and heat kissed your palm, and suddenly the room had felt cold. “I got goosebumps.”

“When?”

“The kettle started to whistle, and it was cold.”

“And then–”

“Then he grabbed me.”

“Yeah,” Emily says softly.

You touch your nose. “I tried… He didn’t feel like a person. He didn’t feel like someone I was fighting, it was just painful.”

“Like he was quick on his feet?”

“He was silent. I didn’t hear him until I made him fall.”

“How big did he feel?”

Your stomach churns. Big. He’d felt big.

Where’s the worst of the blood?

“He said he was going to hide,” you remember.

“He said that? He said ‘hide’?

“Yeah. And he asked me if Aaron carries after hours.”

“When was this?”

It’s a headache. You try to remember more, because that’s what they need right now. If you ever want to go home, if you want Jack to go home, you need to remember more. The BAU are good, but nobody can make a map out of slivers.

“That was at the end,” you say.

“After he stabbed you?”

You wince. “Yes. After.”

“You’re doing so good,” she praises, “I just want to fill in the gaps.”

“I can’t remember. I was unconscious.”

“When Hotch found you?”

“No, before.”

“Before?” she asks.

You’re sick of sitting there with your eyes closed. Sick of your hands shaking with nowhere to hide them, and sick of feeling sick, your nausea as present as the stinging pain of your burned wrist against your sleeve each time you move.

You open your eyes and look around the conference room for something interesting. How nice would it be to think of something else for a few minutes?

“He called it handiwork when he cut me. Asked if I thought Aaron would like it,” you say, bordering monotonous as your gaze fizzles, unfocused, across the room.

“Okay, Y/N. Okay. I know you’re tired.” She reaches for your hands to squeeze at the same time. “You did really well. Any details at all are details we can use to find him.”

You’re not in the mood for talking anymore. Tears burn your eyes, waiting for a blink to set them loose.

“I want to see Aaron,” you confess quietly.

“I’ll find him for you.” Emily stands but bends, the dark of her hair a contrast to her pale face. She’s lovely, and her hand is gentle on yours. “Are you okay? Can I get you something to eat?”

So Aaron’s not keeping that to himself. “I want to see him, please.”

“Yeah. Okay.”

This is a horrible room. It’s not their fault, but the big white board is tacked with bad photos of grisly cases —currently your own. You stare at a photograph of your blood in the kitchen and don’t know what to do. Should you look away? You hadn’t realised you bled so much.

You turn your chair toward the door. Emily looks back as she leaves and smiles at you softly, but your eyes are already moving to the smaller dry erase board by the doorway. It’s ‘Hotch’s turn to clean up on Thursdays. How strange that they make the boss clean the conference room.

You can picture him picking up coffee cups and wiping down the table. You can always picture Aaron.

You can see him hovering over you, his hand pressed to the bloody mess of your hip to stop the blood.

“It’s okay,” you whisper to yourself, wanting to break from the memory, following Aaron’s example. “It’s okay, it’s okay, it’s okay.” You repeat it into your hands, head tilting down. You sink until your knuckles touch your knees.

That’s all he says when you panic. He’ll say it over and over again until you can breathe right. I have you, I have you, you’re okay.

He’s much quieter this time. You hear his footsteps, his familiar gait, your head pounding too hard to move. Aaron makes a sound between a sigh and a hum, like he’s saying a sorry hello as he kneels in front of you. His hand takes your face, rubs softly over your ear.

“My head’s just hurting,” you murmur.

He doesn’t respond. You sit together for some time as your mind races with bad memories, your fear a rush of goosebumps down the lengths of your arms and thighs. It’s hard not to think about what happened, mostly because you’re still a walking bruise, your stitches sting when you move, the blisters on your chest ache, all of it inescapable. But it’s your anxiety that plagues you most. You’re in a constant state of dread.

You had no idea someone could hurt you as badly as they had until it happened, and now you’re desperate not to be hurt again.

“You have to look after me,” you say eventually, throat sore with how awful it feels to say.

“Yes, I do.”

“Please don’t let me get hurt again.”

Total silence. You sniffle at his lack of an answer, only slightly comforted by his hands at your wrists now, pulling them from your face. “Let’s sit up,” he says, standing himself. “Come on, let’s sit up. You shouldn’t be putting so much pressure on your abdomen.”

You lean back and everything aches like a stretch after a long run or a bad night’s sleep.

Aaron pulls a chair next to yours. When he sits, your knees are pressed in between one another’s thighs, so close he could hug you. You might need one. He’s given you a ridiculous amount of them each day, some for him and some for you.

He has with him a takeout box and a bottle of water.

“Here,” he says, popping the seal of the drink. “Three sips.”

You feel like crying, but you drink. He opens the takeout box to reveal a normal looking sandwich already cut into two halves, but he takes a plastic knife from his pocket, peels away the wrapping, and cuts the sandwich again into quarters.

“I’m gonna be sick,” you say.

“No, you’re not. You won’t be.” He presses the sandwich flat with his hands and holds it to you until you take it. “Please, Y/N. You only have to eat what you can.”

“I don’t want it.”

“Please.”

“Did Emily tell you about my interview?”

He reaches for your thigh. Mildly unlike him when you aren’t at home. You assume it to be a tether for your sake. “No. Is there something you think I should know?”

“I don’t want to say it again.”

“Then you don’t have to. Someone will tell me when I get back.”

You pinch the fluffy bread in your hands, eyeing wearily at the wet insides. “Can I come with you?”

“You’re having trouble in the cognitive interviews, you won’t want to hear what we have to say.”

You split the sandwich in half again, watching as salad and mayonnaise ooze from the bread.

“If you don’t eat, you won’t get better,” he says, a touch stern.

“I can’t eat when you won’t let me come with you.”

“I’m not the only person capable of protecting you. I…” He circles your wrist before you can make a mess. “Can you please eat it?”

You take a bite to appease him, your stomach roiling, food wet and cold on your tongue. You eat the whole quarter queasily, a lump at the back of your throat begging you to stop.

Aaron takes an empty hand and rubs it tenderly. “Thank you,” he says, that rubbing turned more forceful, his hand journeying to your elbow and back again.

It’s sweet how attuned he is to your needing his touch, but mortifying. This entire experience had been embarrassing from start to end. Couldn’t defend yourself, can’t get to grips with it, and can’t keep anything down. Aaron looks at you and your bruises and you wonder if he’s seeing you with blood matted in your hair, or hearing you beg for him to get you something stronger. All you’d wanted was a sedative.

“I’m far from the only person capable of protecting you,” he says.

“You saved me,” you say. You mean it in every sense of the world.

“…This is my fault.”

“I want to be with you,” you say honestly. “I don’t feel okay by myself right now, I just need you, or I feel so sick I wish that I died.” The anxiety is marrow deep.

Aaron looks gutted. “Don’t say that.” His hand goes back to yours, back to tenderness. “I know you're scared.”

“Then why won’t you listen?” you ask weakly.

“I’m listening to you,” he says, his tone a dulcet, pleasing softness you’ve never ever heard before, “I need you to be safe, and I need Jack to be safe, and I can’t do that while he’s still out there.” His brows pinch together, agonised. “I’m sorry you’re scared. I didn’t protect you. But I won’t let anything happen to you again.

“I love you. Please believe that I’m doing what’s best for you right now.”

You turn your head away. He cups your cheek regardless.

“I love you,” he says again.

“I know.”

“No, I love you.”

He’s saying sorry.

“I love you,” you mumble back.

“How are you feeling? Is anything hurting more? Weeping?”

Your eyes are heavy at his touch. “You only looked at me a couple of hours ago.”

“Alright. Can I kiss you? I need to go.”

You don’t answer. Aaron kisses your chin, your jawline, the type of roving, teasing kisses he’d give as he squeezed your sides, only he doesn’t squeeze you, he can’t without hurting you. His hand hesitates just above your deepest wound.

His bright kiss works to spark a modicum of life back into you. Not a lot, but enough. It was likely his intention, some quick prodding kisses to remind you of something happy between you both.

You curl your fingers over his hand and turn your face for a chaste peck. He smiles, the curve of his lips evident and relieving against yours.

“Someone will take you back to the safe house, okay? Give Jack a kiss for me,” he says.

You nod. Aaron strokes your cheek.

—

Your assailant could have killed you while you were vulnerable, but he didn’t. “He assumes he’ll have another chance,” Emily surmises.

“That’s cocky,” JJ mutters.

“It’s telling,” Aaron says. “But he won’t.”

The coaching has been extensive. You, sick, a breath from tears and hurting, your shoulders in his hands and his grip too tight. If someone tells you I’m dead, you wait. If Morgan tells you I’m dead, you ask Rossi. If he says I’m dead, you ask Emily. You can’t believe the first thing someone says. No one is going to move you from this safe house to another without seeing me first. If I do get hurt, you and Jack will be moved separately. You will always get my confirmation before you’re moved.

I’m not gullible, you’d said, wincing at his sharp tone.

It’s not about that. People will lie, and they will lie well. They will talk their way into the house if you let them. You can’t let them.

I won’t.

He’s racing against a countdown, because no matter what he says, what you know, or how many agents wait outside your house, sometimes it’s a force of will.

Foyet didn’t need much more than that.

He admittedly feels on surer footing knowing where you are. The decision to guard you without putting you in WITSEC is aching and scary but better, too. He knows where you are. He can be there in ten minutes. No guessing games, but no hiding for you either.

Your dread is taking over everything you do. Today’s the first day since you came home almost two weeks ago that you could function without a live-in nurse or Jess there to look after Jack, and already he’s worried, because he’d convinced you total honesty was what’s best for the both of you, and so your texts are candid.

One an hour for his sake, more if you're up to it.

Threw up my beta blockers. Jack misses you, he wants to make you a Lego boat and fishing rod, but I’m not sure how to do it. Please make sure you eat dinner.

Your next message makes him smile, thankfully. I’m kidding about the dinner thing. Ha. I had one of those gels you got for me, and Jack wants fries, so I’m making waffle fries.

He texts back quickly. Eat dinner. Please tell Jack I miss him too, and don’t worry about the boat, he’ll work it out. Then, feeling awful, he adds, I love you

Aaron should go home. He’d feel better if he knew he was there to help you keep your medication down, but if he leaves… He knows his team will give you everything they have, but he has more. He can fix this.

He can’t fix this, god, his head hurts badly. You’re covered in cuts and bruises and burns and he thinks he can make up for that? You’ve been brutalised. Aaron can’t believe this is happening again.

He rubs his brow.

“You okay?” Emily asks.

When he looks up, JJ is gone.

“I’m fine.”

“It’s okay if you’re not.”

He’s not fine, but he knows what she’s asking. “I’m okay enough to do this,” he says.

It’s hard not to confuse you with memory, your hurting similar to his own, your situation one that he’s already lived. Haley will haunt him for life. It doesn’t usually feel as punishing as he fears he deserves: he gets to remember the best parts of her everyday. He sees her in Jack all the time. He sees her in you, occasionally —you’ll touch his hair or rub his arm like she would’ve done, and it doesn’t make him miss her any more than he does, he’s not in the business of wishing you weren’t yourself, he loves you, but he remembers her. Aaron remembers how he failed her every day.

He can’t fail you, too.

“Is it ever easy?” Emily asks.

Aaron looks around for a bottle of water. “Is what?”

“Being in love.”

He thinks about it. “I must make it look hard.”

She laughs softly. “Sometimes, yeah.”

Maybe that’s not fair, then, to you. For him to make it seem difficult to love you. To fail to correct Emily when she asks.

He chooses his words carefully. “Loving her is the easiest thing in the world. But… I continue to work a job I know makes me hard to love in return.” And that puts you in danger.

It doesn’t feel wrong to be sincere. Perhaps it’s easier with Emily. She saw so much of him during Foyet, and she’s family, truly. He can tell her how intense it’s felt.

“Well, it doesn’t seem hard for her,” Emily says.

He shakes his head.

She continues regardless, “Even during her cognitive, she mentioned the first time you told her you loved her. When it was over she wanted to see you over anything else.”

But I put her here, he wants to say. Or doesn’t want to say at all, but instead knows with surety.

“She can’t eat if I’m not home,” he says. What a thing to do to someone. “It’s my fault.”

Emily smiles, hair slipping off of her shoulder as her expression turns to playfulness. “I think you’re seeing it all wrong. Something bad happened to her, and you’re so safe to her that you make it better when you’re with her. That’s not fault, Hotch. Just love.”

He turns his attention back to the board without another word.

—

When the day comes, when they find the man who hurt you, you’re sitting at home with Jack Hotchner in your lap. You’re laughing at his laughing, cartoon fish on the TV, and Aaron’s got a gun in his hand fifty miles away. You both giggle, nearly in hysterics as the safe house living room glows pink and red, Jack’s favourite character swimming hurriedly across the screen, as Aaron negotiates the arrest.

Usually capable of mediation, Aaron finds his patience completely unravelled. He offers the UnSub two choices: he surrenders now, immediately, and he keeps his life, or he deliberates and Aaron kills him.

He has reason to believe the UnSub will try again, of course. Will keep hurting you until it sticks.

He goes home satisfied.

“Dad’s home!” you say excitedly, your movie long finished, your thighs numb and stitches stinging where Jack has leaned against you. You encourage him off of you as the front door closes, the cold air from outside rushing in.

“Honey?” Aaron calls.

“Yeah!” You stumble into a standing position, sure you look about as disgusting as you have since the situation began, promptly sitting back down as head rush hits.

Jack races for the door, meeting Aaron in the hallway with a whoosh. “Hey!”

“Hi, buddy, what are you doing?”

“We watched Finding Nemo,” Jack says, “and now I’m hugging you, duh.”

“Duh. Well, I need to talk to Y/N for five minutes. Can you wash your hands for dinner?”

“Yeah.”

“You okay?” he asks.

“I’m fine.”

You hear the sound of a light kiss, and then Jack rockets across the hallway and up the stairs. Aaron walks into the doorway, tie still knotted but with no suit jacket, and you know what he’s going to say before he says it. He wears a strange expression.

“You got him?” you ask.

He puts a white bag on the coffee table, looking down at you fondly. “I got him.”

“How did you find him?”

He crouches down in front of you. He’s so careful to be harmless to you now, so tentative. “You’re not the only woman he hurt. We dealt with him in the past. From the information you gave Emily during your interview, and the information he left behind, we found him… If you weren’t as brave as you are, I couldn’t have kept you and Jack safe.” He holds your knee. “Thank you.”

You stare at him. Staring, wondering what he means. “Brave?”

“Brave.”

“I’m a coward.”

He shakes his head. “No. You’re not.”

All you've done for days is cry and throw up and bleed, literally. You’ve ruined clothes and sheets, thrown up in his lap, terrified and aching. Each time was met with the same gentleness. A kiss on the cheek, or a hand rubbing your back. Is that bravery? You feel like a baby.

Aaron’s brow is relaxed. He takes your two legs into his hands, and he looks at you with a reverence that leaves you breathless.

“You’re hurt forever because of me,” he says quietly, you strain to hear him, “because of who I am, and what I choose to be.”

“How can you say that? It’s not your fault.”

“It wouldn’t have happened to you if I hadn’t missed his MO the first time.”

“You’re not putting the knife in anyone’s hand,” you argue.

“But it keeps happening.”

His hair shines dark and wet. It must be raining outside, the safe house walls are thick, the windows shuttered permanently, you haven’t heard a peep. You stroke it back from his forehead.

“Remember… when we first got together, and you told me you were sorry for how hard being with you could be. And I said it was okay, that it wasn’t hard, and you said it would be?”

“I remember,” he says, practically mouths.

“I was so afraid when...” You swallow roughly. “I still am. But not– not of you. Not of what you can do. When you told me it was going to be hard, I thought, well, it’s worth it, because I really liked you then and I love you now.” Tears collect in your eyes. Safe. I’m safe. “And you look after me, so– so–”

You stop as your voice turns to glass, worried you’ll make a fool of yourself and cry in his hands.

“I didn’t want this for you,” he says.

“Nobody wants this. Bad things happen to everyone, but who has someone like you to look after them?”

He breathes out heavily. “Please… don’t cry.”

You wipe your cheeks, taking a lengthy pause before you say, “I’m okay now.”

He looks at you in silence.

“Come and sit with me,” you say, scrubbing your cheeks, hot tears cooling on the backs of your hands. “Your knees.”

He actually smiles. It changes his entire face. “What about my knees?”

Aaron sits on the couch next to you atop Jack’s blanket, a bag of pretzels tipping between your leg and his. You attempt to rake his damp hair into submission as his fingers run against your thighs, fishing for pretzels to put back into the bag.

You’d like for him to grab you and kiss you harshly, give you one of his straight jacket hugs, some roughhousing, but you won’t get that from him until you're better, and even then, it’s up in the air. So much has changed.

But not everything.

“I love you,” you murmur, fingertips scratching down behind his ear to the back of his head.

He turns to you, sagging with relief and exhaustion. “Kiss?” he asks quietly.

You nod. He holds your cheek, and you close your eyes at the same time for a kiss. It’s not a lot, but you have time. He can give you another one when you’re both better recovered.

He pulls away. You open your eyes, finding his closed, his face downturned. “I love you.”

“I love you, too.”

“Was Jack good?”

“Jack’s always good.”

“Did the nurse have anything to say about your chest?”

“She said it’s healing okay. That I need to use, uh, scar patches when they start to scab.”

“I can get those.”

“I know, I knew you would.”

He gathers you up for a hug. For a moment, you think he’ll move on, that the end of your nightmare will kill his remorse, but he breathes in, nose wedged against your cheek.

“Do you think that tonight, we could pretend it didn’t happen?” You’d like to just sit with him, press your hand to his chest and doze. It’s the first night in a while that you’ll feel completely.

“Yeah. I can do that.” He hugs you rather tightly. “Do you want to see your present?” he asks, relaxing his grip.

“My present?”

He grabs the bag on the coffee table and places it in your lap. “I’m worried it’ll remind you of bad memories, but I wanted you to have nice things then, and I still do.”

In the bag, there’s a pair of pyjamas. Very different to the ones you’d been wearing when you were attacked, they were girly and sweet, soft in your hands, these are sturdy. Still soft, but thick. The shirt is short-sleeved and the pants cuffed at the ankles, a hoodie tucked underneath them, and a packet of minky socks.

“Thank you,” you say.

Thanks for everything, for saving you twice, for taking care of you at your worst, and for wanting you to have something comfortable to wear at the end of it. To have experienced an abjectly cruel battering will leave its marks in your forever, but you meant what you told him. He looks after you, and you love him.

He kisses your shoulder. “You don't need to say that.”

He doesn’t add anything else, his nose pressed to your shoulder, his hand on your hip. Whatever goes unsaid can be felt in the other’s touch.

˚‧꒰ა ✮ ໒꒱‧˚

thank u for reading!! it’s been a long time since I wrote a fic for hotch and it’s hard to write him being vulnerable but I hope this is alright anyways and that you enjoyed :D please consider reblogging if you did enjoy it (cos that way my fics get shown to more people <3) ❤️

#aaron hotchner x reader #aaron hotchner x you #aaron hotchner x y/n #aaron hotchner #aaron hotchner fic #aaron hotchner oneshot #aaron hotchner drabble #aaron hotchner imagine #aaron hotchner fanfic #aaron hotchner fanfiction #hotch x reader #hotch #hotch x you #hotch blurb #hotch drabble #criminal minds #criminal minds fanfic

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space-blue · 2 months ago

Text

Fixing Vander and Silco's story (a bit)

Using canon events! Sadly we can't actually fix it, but I hope this makes it a little better. I make my own edit proposal at the end that changes the bar scene to include Felicia without issues.

They meet in the mines, and meet Felicia and her partner there too. They end up together somehow (I think we can put the brotherly allegations to rest now, eh?) and one of them (or both) inherit/buy a bar.

Although Vander is the barman, there is no indication Silco doesn't own or co-own the place. After all he comes to take it eventually as his own, and he's still not bartending. That's just not his gig.

It's implied that Vander and Silco made it, as in, got away from the mines, while Felicia clearly didn't, as she comes home to both her daughters with mining gear and gloves.

So despite Vander and Silco building the Lanes together, the mines aren't closed, and the work "isn't done".

Felicia says they've done it, and Vander is happy to celebrate their success. Meanwhile, Silco has his "NoZ" Nation of Zaun book in which he's scribbling, still planning.

Vander's first memory that Viktor sees even has Silco holding that book.

Later, in season 1 episode 3, we see that Vander tells Silco that he had Vander's respect, the Lanes' respect, but it "was never enough".

There's also this fakeout moment in the memory at the bar, where Vander says they're done, and Silco replies with "You're gravely mistaken". And I thought he was going to go all zealous and say "We'll only be done when we have the Nation of Zaun", but no, he claims he's Bozo 1.

And imo, he is probably right. He calls out Vander in act 1 saying "I trusted you and you betrayed me", and Vander does not contest this. It makes the most in character sense as well that Silco is the brains of the operation while Vander is the brawn.

And we can conclude that Silco's goals were always "bigger" and that the Lanes were indeed not enough.

Years pass, during which we can only assume Silco keeps building his Nation of Zaun and Vander happily bartends and manages the Lanes with Silco. Felicia keeps working the mines and raises Vi, then Powder.

Vi is at least 11, if not more, by the time she's on the bridge. This is just consistent with her model, but also to make her 18+ by the time of act 2.

It's a long ass time for Vander and Silco to be running a bar and the Lanes together. Even assuming Vi is more 8 or 9yo, Vander and Silco spend all that time being together.

Sadly, their models aren't aged very well.

We are also forced here to make some unfortunate assumptions.

It's not a problem, IMO, for Silco to know Felicia and be close to her. It's a problem for him to not be close to Vi and Powder too. Close enough to recognise them at least.

It's easy to say, "Well, Felicia went back to the mines and raised her kids and wasn't super involved with Vander and Silco, who lived much higher up in their bar." Adult friendships and all that.

IT MAKES SENSE, but then it makes zero sense that Vander would murder his life's partner, a man he's been with 10 years at MINIMUM (fuck knows how long they were together while in the mines), over the death of a friend in a revolt they allegedly BOTH participated in.

The memories also imply that Silco is responsible somehow, for throwing a molotov. And yet the molotov doesn't kill the enforcer.

But Vander is shown in the opening of Act 1 season 1 pummeling one to death himself, long after the rest of the revolt has died down. That enforcer wasn't getting back up lol

So whatever we pick, because the writers made Felicia and Silco close, they create a plot hole either way.

Either Vander is whacko and murders his husband over a dead friend at a revolt he set up (since he repeatedly apologises for what he did, and claims he "lost his head after she died" and had that guilt on his hands too)

Or Silco and Vi and Powder spend ALL of season 1 acting like they don't know each other at all. Then Silco takes in Powder and somehow never comments on the fact he was friends with her mom.

Everything being triggered by Felicia's death also means that Vander's emotional thematic moment dropping the gauntlets after seeing what his violence led to is then followed up by a horrible attempted murder on the love of his life, which is... you know. Bad writing.

So I propose that they indeed drift apart. Silco knows of Felicia's kids, and they hangout a bit, but they aren't that close. She's busy mining and being a mom, and Silco is busy making the safe Zaun he promised to deliver.

The creation of that Zaun leads them to act out revolts and uprisings. Vander is happy to follow. He's angry, like he tells Vi. And this manifests in violence. Silco points his violence. It's how they create the Lanes and the moniker of Hound of the Underground. A hound usually has a master, after all.

Vander is Silco's hound, and I think, in Vander's mind this absolves him of some of the consequences of his actions.

So when his friend dies on the Bridge, even if they haven't been that close in a while, well, it's easy to put the blame on Silco.

Since we're following the new canon timeline... we'll have to have him go back with the girls, ready to turn a new leaf.

I think the best way here is to have him either dropping them at an orphanage, or back at their home (trusting Vi to look after Powder for a while) or with friends.

That way, Vi and Powder aren't immediately in Silco's legs back at the drop.

Then Vander and Silco take part in the "clean up" at the bridge. They go get bodies, and since they have no real estate in the fissures, they commit them to the sea (we have canon monsters in there, so I'm sure it all gets gobbled up).

That way, we explain why Vander is weirdly shaved, and why Silco and him are at in the Pilt: they just commited the bodies of the fallen to the waters.

There may have been many others, but Silco and Vander stay there, in the shallows, as they talk.

Vander is done. He doesn't want more of this. He thinks Silco went too far with pushing this one to the bridge. Piltover got defensive and they lost too many people.

Silco doesn't get it. Where he goes, so does Vander, but Vander is his own man, he decided to come too, and he killed enforcers too. Felicia's death is tragic, but as he later will tell Renni about the death of her son: at least she died fighting for the cause, and not some petty infighting, or worse, an accident at the shitty mines.

Vander, the Hound, is not only mad with grief, he refuses to carry the blame of his own actions. It's a character flaw and that's fine! The angry man channels that anger with violence, the only way he knows how.

Silco is probably shocked, and may not say the right things to calm Vander down.

Silco is under the assumption that Vander BELIEVES IN HIS DREAM. That he's a true believer of the Nation of Zaun, like Sevika turns out to be. A true believer would understand sacrifice. A true believer would understand too, that stopping now, after Felicia's death, would make THAT VERY DEATH POINTLESS.

So maybe he screams at Vander! What do you MEAN abandoning the fight? What do you mean, being content with the Lanes? How dare you? You'd make her sacrifice meaningless! You'd make Felicia die a pointless death!

And Vander would bellow that it's over. No more death. No more bloodshed. He rescued her kids from that bridge, and they don't deserve to die too, they don't deserve to see more death.

And Silco screams back that it's their job to create Zaun so these children won't have to see more death. Vander is just delaying the struggle.

And then, perhaps, Silco may even mock him. Say that Vander can't change like that. That he's not that sort of person, to just hang up his gauntlets and go peaceful. That Felicia's blood is on his hands too, and that the only way out is through more blood, more sacrifice.

It would be a horrible point to make, if then Vander truly loses it. Silco runs, and Vander's hound comes out, just grabbing Silco and trying to drown him.

It would be poetic, because then Vander goes home in shame. Gets his arm patched up, hides the scar under a brace, collects the kids and tries to pretend like HE CAN BE THAT MAN. Even though he surrendered his gauntlets and metaphorical violence, and tries to lean into the bartender chill persona, there's what he did to Silco.

And later he'll tell Vander "I'll show you what you really are". Because Silco knows that Vander's promises of being a peaceful good dad are flimsy at best.

Anyway, Vander goes home, and eventually the impact of what he's done really hits him. He's single now, and with kids, and the Lanes to run, and nobody knows where Silco is.

Vander slowly realises Silco was right about one thing. Just because Vander followed, doesn't mean he wasn't behind that event on the bridge. Becoming the solo leader of the Lanes has to have hammered that home for him. Suddenly so much responsibility thrust on him.

So Felicia's death was on him too, and his actions against Silco are the proof that he is indeed the sort of man Silco said he was. At any rate, surrendering violence as his first reaction to any trigger will take a lot of work.

He goes to their old hideout and leaves a letter for Silco.

In the happy AU, Silco finds it, and returns to Vander BEFORE ever meeting Singed. There is no glowing eye, no shimmer, and no cannery.

In our AU, Silco never finds the letter. He finds Singed instead. Starts helping him develop shimmer.

I've been thinking that since the goal of shimmer is a form of "keeping alive" and also "bringing back to life", then it's possible that Silco's glowing eye is a byproduct of shimmer experimentation.

And that the only way to keep it alive and function is more shimmer injections. It would otherwise be grey and dead like in the Nice AU.

So Singed is also a factor here. He gives our Silco a real way to deal scary violence to Piltover. And this changes our Silco. He's more radicalised, and more opposed to Vander, having discovered that Vander works with Grayson to keep Zaun under Piltover's boot (basically making sure the boot stays, but doesn't press down too hard).

Vander is, as always, the enforcer of the status quo.

And though this works for them timeline wise, it sadly doesn't change the fact that Silco should know who Vander's kids are.

Vi and Jinx can be excused for not recognising him, what with him being one of their mom's adult friends, and scarred. But Silco doesn't have that luxury. His great friend Felicia had two very distinctive kids, ONE OF WHICH VANDER FUCKING NAMED! And her death triggered his husband so badly he tried to kill Silco over it. If anything, Silco would be hyper-aware of Felicia's kids.

And no amount of alternate fix-its changes that. It's permanent damage to season 1's Silco.

I feel like we can fix Vander's side of things by inventing an entire scene at the Pilt as I did above, but we can't fix 10 years of knowing your friend's kids and then a lifetime of acting like you don't know them.

I think it also cheapens the found family aspect of both Vander and Silco's adoption. You're left to wonder if they took in the girls only because they were friends with the mom.

Silco's adoption of Jinx and co-dependence with her was great because it spoke of the similar shape of their traumas, and how unexpected their bond seemed.

But now it's redolent of friendly obligation. And lies.

How would I fix it by keeping Felicia in the picture?

I would fully remove Felicia's one-on-one with the boys. That night at the bar? It's a party. Young Sevika is here too!

Felicia and many others are there, all congratulating Vander and Silco over the creation of the Lanes. Eventually Silco tires of the social niceties and goes to write in his notebook at the bar. Or maybe there's a montage of the night as the crowds thin.

In the end, Silco is writing, and Vander is still socialising. He talks to 3 people--Felicia, her husband, and a random person. They thank him for all his work. They've done it! And the conditions in the mines are so much better now thanks to XYZ!

Vander is beaming, he's just so pleased. It's clear for him this is the end goal. Felicia asks him, pointing to Silco, if he's okay.

Vander laughs, says Silco is fine, but he's already got his head back in the clouds. You see, Silco doesn't just want the Lanes, he dreams of a free Nation of Zaun.

The other 2 laugh, but Felicia sobers up. She rubs her belly, thoughtful. Then she says "Sounds like a dream worth fighting for."

I don't think she even needs to say anything about being pregnant, but she could go on with something like "I'm expecting. A girl, I think. I know. And I would love if she could grow in a safe city. I'm so scared she'll have to live the way I did, growing up.'

And Vander smiles sadly and tells her, 'We've gotten this far, and we're not going back. We'll make Zaun safe for your kiddo, I promise you that.'

And that's it.

Vander knows OF Felicia. She is a community member. He knows her enough, maybe from Lanes meetings, that eventually he can recognise her children. But they're not friends, and SILCO definitely isn't friends.

And the disagreement after the bridge is fully about where to go from then on, and Vander deciding he wants to run the Lanes and keep them safe, that what they have now is good enough, while Silco wants "more".

That disagreement can turn nasty, and the fact Vander tried to drown Silco becomes a statement about how violent and temperamental he is as "The Hound of the Underground". Something he'll regret soon enough and spend the next few years working hard to try and change.

What do you think?

#vander #Silco #arcane #arcane meta #zaundads #vanco #vi arcane #powder arcane #jinx #felicia arcane #zaun #arcane 2 #arcane s2 #arcane spoilers #arcane silco #arcane vander #long post #meta

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mostlysignssomeportents · 4 months ago

Text

Sandra Newman’s “Julia”

The first chapter of Orwell's Nineteen Eighty-Four has a fantastic joke that nearly everyone misses: when Julia, Winston Smith's love interest, is introduced, she has oily hands and a giant wrench, which she uses in her "mechanical job on one of the novel-writing machines":

https://gutenberg.net.au/ebooks01/0100021.txt

That line just kills me every time I re-read the book – Orwell, a novelist, writing a dystopian future in which novels are written by giant, clanking mechanisms. Later on, when Winston and Julia begin their illicit affair, we get more detail:

She could describe the whole process of composing a novel, from the general directive issued by the Planning Committee down to the final touching-up by the Rewrite Squad. But she was not interested in the finished product. She 'didn't much care for reading,' she said. Books were just a commodity that had to be produced, like jam or bootlaces.

I always assumed Orwell was subtweeting his publishers and editors here, and you can only imagine that the editor who asked Orwell to tweak the 1984 manuscript must have felt an uncomfortable parallel between their requests and the notional Planning Committee and Rewrite Squad at the Ministry of Truth.

I first read 1984 in the early winter of, well, 1984, when I was thirteen years old. I was on a family trip that included as visit to my relatives in Leningrad, and the novel made a significant impact on me. I immediately connected it to the canon of dystopian science fiction that I was already avidly consuming, and to the geopolitics of a world that seemed on the brink of nuclear devastation. I also connected it to my own hopes for the nascent field of personal computing, which I'd gotten an early start on, when my father – then a computer science student – started bringing home dumb terminals and acoustic couplers from his university in the mid-1970s. Orwell crystallized my nascent horror at the oppressive uses of technology (such as the automated Mutually Assured Destruction nuclear systems that haunted my nightmares) and my dreams of the better worlds we could have with computers.

It's not an overstatement to say that the rest of my life has been about this tension. It's no coincidence that I wrote a series of "Little Brother" novels whose protagonist calls himself w1n5t0n:

https://craphound.com/littlebrother/Cory_Doctorow_-_Little_Brother.htm

I didn't stop with Orwell, of course. I wrote a whole series of widely read, award-winning stories with the same titles as famous sf tales, starting with "Anda's Game" ("Ender's Game"):

https://www.salon.com/2004/11/15/andas_game/

And "I, Robot":

https://craphound.com/overclocked/Cory_Doctorow_-_Overclocked_-_I_Robot.html

"The Martian Chronicles":

https://escapepod.org/2019/10/03/escape-pod-700-martian-chronicles-part-1/

"True Names":

https://archive.org/details/TrueNames

"The Man Who Sold the Moon":

https://memex.craphound.com/2015/05/22/the-man-who-sold-the-moon/

and "The Brave Little Toaster":

https://archive.org/details/Cory_Doctorow_Podcast_212

Writing stories about other stories that you hate or love or just can't get out of your head is a very old and important literary tradition. As EL Doctorow (no relation) writes in his essay "Genesis," the Hebrews stole their Genesis story from the Babylonians, rewriting it to their specifications:

https://www.penguinrandomhouse.com/books/41520/creationists-by-e-l-doctorow/

As my "famous title" stories and Little Brother books show, this work needn't be confined to antiquity. Modern copyright may be draconian, but it contains exceptions ("fair use" in the US, "fair dealing" in many other places) that allow for this kind of creative reworking. One of the most important fair use cases concerns The Wind Done Gone, Alice Randall's 2001 retelling of Margaret Mitchell's Gone With the Wind from the perspective of the enslaved characters, which was judged to be fair use after Mitchell's heirs tried to censor the book:

https://en.wikipedia.org/wiki/Suntrust_Bank_v._Houghton_Mifflin_Co.

In ruling for Randall, the Eleventh Circuit Court of Appeals emphasized that she had "fully employed those conscripted elements from Gone With the Wind to make war against it." Randall used several of Mitchell's most famous lines, "but vest[ed] them with a completely new significance":

https://law.justia.com/cases/federal/appellate-courts/F3/268/1257/608446/

The Wind Done Gone is an excellent book, and both its text and its legal controversy kept springing to mind as I read Sandra Newman's wonderful novel Julia, which retells 1984 from the perspective of Julia, she of the oily hands the novel-writing machine:

https://www.harpercollins.com/products/julia-sandra-newman?variant=41467936636962

Julia is the kind of fanfic that I love, in the tradition of both Wind Done gone and Rosenkrantz and Gildenstern Are Dead, in which a follow-on author takes on the original author's throwaway world-building with deadly seriousness, elucidating the weird implications and buried subtexts of all the stuff and people moving around in the wings and background of the original.

For Newman, the starting point here is Julia, an enigmatic lover who comes to Winston with all kinds of rebellious secrets – tradecraft for planning and executing dirty little assignations and acquiring black market goods. Julia embodies a common contradiction in the depiction of young women (she is some twenty years younger than Winston): on the one hand, she is a "native" of the world, while Winston is a late arrival, carrying around all his "oldthink" baggage that leaves him perennially baffled, terrified and angry; on the other hand, she's a naive "girl," who "doesn't much care for reading," and lacks the intellectual curiosity that propels Winston through the text.

This contradiction is the cleavage line that Newman drives her chisel into, fracturing Orwell's world in useful, fascinating, engrossing ways. For Winston, the world of 1984 is totalitarian: the Party knows all, controls all and misses nothing. To merely think a disloyal thought is to be doomed, because the omnipotent, omniscient, and omnicompetent Party will sense the thought and mark you for torture and "vaporization."

Orwell's readers experience all of 1984 through Winston's eyes and are encouraged to trust his assessment of his situation. But Newman brings in a second point of view, that of Julia, who is indeed far more worldly than Winston. But that's not because she's younger than him – it's because she's more provincial. Julia, we learn, grew up outside of the Home Counties, where the revolution was incomplete and where dissidents – like her parents – were sent into exile. Julia has experienced the periphery of the Party's power, the places where it is frayed and incomplete. For Julia, the Party may be ruthless and powerful, but it's hardly omnicompetent. Indeed, it's rather fumbling.

Which makes sense. After all, if we take Winston at his word and assume that every disloyal citizen of Oceania is arrested, tortured and murdered, where would that leave Oceania? Even Kim Jong Un can't murder everyone who hates him, or he'd get awfully lonely, and then awfully hungry.

Through Julia's eyes, we experience Oceania as a paranoid autocracy, corrupt and twitchy. We witness the obvious corollary of a culture of denunciation and arrest: the ruling Party of such an institution must be riddled with internecine struggle and backstabbing, to the point of paralyzed dysfunction. The Orwellian trick of switching from being at war with Eastasia to Eurasia and back again is actually driven by real military setbacks – not just faked battles designed to stir up patriotic fervor. The Party doesn't merely claim to be under assault from internal and external enemies – it actually is.

Julia is also perfectly positioned to uncover the vast blank spots in Winston's supposed intellectual curiosity, all the questions he doesn't ask – about her, about the Party, and about the world. I love this trope and used it myself, in Attack Surface, the third "Little Brother" book, which is told from the point of view of Marcus's frenemy Masha:

https://us.macmillan.com/books/9781250757531/attacksurface

Through Julia, we come to understand the seemingly omniscient, omnipotent Party as fumbling sadists. The Thought Police are like MI5, an Island of Misfit Toys where the paranoid, the stupid, the vicious and the thuggish come together to ruin the lives of thousands, in such a chaotic and pointless manner that their victims find themselves spinning devastatingly clever explanations for their behavior:

https://www.bbc.co.uk/blogs/adamcurtis/entries/3662a707-0af9-3149-963f-47bea720b460

And, as with Nineteen Eighty-Four, Julia is a first-rate novel, expertly plotted, with fantastic, nail-biting suspense and many smart turns and clever phrases. Newman is doing Orwell, and, at times, outdoing him. In her hands, Orwell – like Winston – is revealed as a kind of overly credulous romantic who can't believe that anyone as obviously stupid and deranged as the state's representatives could be kicking his ass so very thoroughly.

This was, in many ways, the defining trauma and problem of Orwell's life, from his origin story, in which he is shot through the throat by a fascist: sniper during the Spanish Civil War:

https://www.rjgeib.com/thoughts/soldiers/george-orwell-shot.html

To his final days, when he developed a foolish crush on a British state spy and tried to impress her by turning his erstwhile comrades in to her:

https://en.wikipedia.org/wiki/Orwell%27s_list

Newman's feminist retelling of Orwell is as much about puncturing the myth of male competence as it is about revealing the inner life, agency, and personhood of swooning love-interests. As someone who loves Orwell – but not unconditionally – I was moved, impressed, and delighted by Julia.

Tor Books as just published two new, free LITTLE BROTHER stories: VIGILANT, about creepy surveillance in distance education; and SPILL, about oil pipelines and indigenous landback.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/09/28/novel-writing-machines/#fanfic

#pluralistic #reviews #books #orwell #george orwell #nineteen eighty-four #1984 #little brother #fanfic #remix #gift guide #science fiction #sandra newman

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boke---hinata---boke · 3 months ago

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RON WEASLEY GUYS

The best most canon divergent my brain has been but please guys hear me out i

Okay so we all know the things that Harry, Ron and Hermione had to do to get to the sorcerer’s stone in the first book. Devils Snare, the key, the riddle and Wizarding Chess. We know that the Chess set was the work of Professor Mcgonagall, and assuming the protections were meant to work that means that Mcgonagall would have to have been an incredible chess player. Not above average, like GrandMaster level player. Given this when Ron beats McGonagall she is taken aback. Only 3 other people have beaten her, Albus, Severus and Tom Riddle. She takes to playing chess with Ron in the nights following in the common room (Ron doesn’t sleep at all until Harry wakes up and is back in the dorm). She has not beaten him. At the end of year feast when Dumbledore awards him points for the “best chess game Hogwarts have ever seen” the Slytherins and Ravenclaws are utterly ill. Throughout the rest of his Hogwarts career Ron is challenged by more and more students to play chess, Theo Nott, loses to him and the Slytherin students begin to look at him differently. Half of the Ravenclaws in their year watch in awe as he swiftly beats Parma. It continues like this through his time at Hogwarts, he has never lost. The Slytherin students begin to see his cunning mins, right after he beats Pucey, who is infamous for thinking 20 steps ahead. When Ron beats Marietta Edgecombe the Ravenclaws begin to follow him, they watch nearly all of his matches and take notes, completely ignoring the 5 pave paper due tomorrow. After Ron has beaten all of the students Snape (who has been listening to the whispers in the Slytherin common room) challenges him. The whole school watches with bated breath. It is well known that Snape has only ever lost to two people: Dumbledore and Voldemort. McGonagall promises him 15 Knuts if he wins, she can’t contain the shame any longer.

The ensuing chess match takes place over the span of several days, Snape is frequently writing late notes for the students who wish to see it. Other teachers are arriving to their respective classes late. Every time the game is paused Dumbledore casts the anti-tampering ward. This continues for nearly a week, Ron wins. Snape has never respected a Gryffindor more in his life (he is doubly harsh on him in potions, you beat one of the best players in the nation and you mean to tell me your potion is still bubbling??[Ron knows that Snape is seeing him, he just smiles and tweets for a few minutes before a perfect potion is bottled{Snape keeps them in his personal store]}) Eventually Ron is set to play Dumbledore, he is utterly terrified. Soon enough the match is the talk of Wizards across the nation, the Weasley family are all overjoyed for him, win or lose. The game begins and reporters from the Daily Prophet are there, Ron almost cracks, almost In the end after a week and a half Dumbledore’s eyes twinkle, with renewed vigor as he forfeits. Word gets out to Voldemort- he immediately tries to recruit Ron as a Death Eater. Every time Ron rejects him Voldemort sends an increasingly expensive and rare gift. Eventually Ron says if Voldemort vows to not hurt Harry that he will play him in chess, just once. The winner decides their own boon. The world is watching with baited breath as the best chess player and one of the most calculating minds in a century take the stage.The game lasts fornearly 2 weeks, a peace settles over the UK that has not been since Voldemort rose in that grave. The two declare a tie. No body wins, but Voldemort does realize that the war has become far too brutish.

#harry potter #hogwarts #slytherin #ron weasley #tom riddle #albus dumbledore #ron is a chess grandmaster #severus snape #smart ron #please guys ik its soooo canon divergent but ugh i just ugh #not cannon compliant #fuck the canon #chess #hogwarts school of witchcraft and wizardry #wizarding world

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vigilskeep · 3 months ago

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hey harker! very much enjoying the lucanis/illario/general crow posting, and im gonna encourage more: now that you’ve had some time to sit with the game i was really curious to hear more about your opinion on lucanis becoming first talon. i can’t help but feel like it’s completely glossed over that lucanis is definitely going to get chewed up by this job in most save states. i have mixed feelings about it personally - but setting those aside because i’m asking about yours.

i TRULY cannot express this enough: that villa is a tomb and if we do not get him out of there we are burying him in it

lucanis does not want this job. he has straight up canonically always avoided thinking about this by assuming he would die before it becomes something he has to deal with. he reacts with paralysed disbelief to being given it and seems to have barely registered it for the rest of the game. and even if he did want it, lucanis is not capable of this job. none of his skillsets are managing people, or making ruthless calls, or watching out for himself. the only driving force behind him being pushed into this is caterina, who will not be around to do the admin and protect him from external threats forever. and she only wants him to do it in the first place because she had a good heir—his mother—and has needed to project that dead daughter onto lucanis for his whole life, to believe she hasn’t already gambled and irrevocably lost her family’s future decades ago. but lucanis’ incapacity to ever say no to her, which is what lets him stay that eternal teacher’s pet, is one of the most obvious shining examples why he would be so bad for the job!

it would be an uphill battle for anyone to recover control of an assassin house that until last week was being run by your cousin who tried to kill you. it would be an uphill battle for anyone to lead the crows in the aftermath of the antaam occupation. it would be an uphill battle for anyone to cope with the fact that relying on viago and teia—which lucanis with his resources and skills has no choice but to do here, even if he didn’t simply like them and make choices based on liking people because he is not a strategist—presents them as an alliance that any other ambitious talon must cut down to get anywhere. three out of eight of the talons is such a ludicrously dangerous number. it does not take an overwhelmingly brilliant mind to notice that there’s more of us than there are of them

the best man for the job would still be fighting for their life, and lucanis is far from the best man. caterina was! and she still lost five children and six grandchildren holding it! that’s so many! have you guys ever seen that one post about people who kept getting a new outdoor cat every time the last one got eaten by cougars and it was pointed out they were basically just feeding cats to the cougars. that’s what caterina dellamorte was doing having kids

the points in lucanis’ favour off the top of my head are the weight of the dellamorte name and reputation, that his victory over illario was decisive and public, and simply the fear factor that he is a god slayer and, lest we forget, a fucking abomination. is that enough to keep him alive? for how long? under what level of constant anxiety and moral degradation for his very soft over-caffeinated heart? all for the questionable gain of several large and empty villas and the privilege of dragging out the slow and lingering death of a family that, you guessed it, you love it, it’s the thedas favourite: has no! next! generation! heirs! at all!!!

(unless illario has a bunch of kids somewhere. i think that would be objectively pretty funny, a sentence i managed to type most of before feeling ill. oh god we need to get them out.)

i apologise that my tone here is somewhat hysterical but i have been living in the mind of my rook, a character very aware of the realities of crow politics who loves lucanis very much. it does not surprise me that lucanis was once again incapable of even conceptualising saying no to his grandmother and accepted the title, or that the idea of abandoning her legacy and his family would seem insurmountable to him when he has been raised to believe it’s all he’s for and he is the last one shouldering the weight. but i am saying this with total and absolute confidence: this is another prison and he is going to die in there if nobody gets him out.

#veilguard spoilers #lucanis dellamorte #it was a wild decision to have those insane two options for illario be his quest choice and not whether or not we get him out of this #but i went with more of an in-world response to this ask bc thats more fun to me.#crow studies

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deeplyshalllow · 2 months ago

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An in depth study of the Lion Cub Scene in the Wicked Movie

Elphaba and Fiyero's meeting

Dancing Through Life

Sorry it’s taken a little longer than I expected to come out with this essay, I’ve been busy general pre-Christmas stuff and then recreating the entirety of Heather the Musical with Funko pops – you know, the usual. In any case, in a way I’m glad that it’s taken slightly longer as it’s meant that the movie screenplay has come out in the meantime so I can make the odd reference to that.

[Elphaba practices her ‘toss, toss,’ Fiyero notices.]

“You’ve been Galindafied.” [smiles at her fondly,] “you don’t need to do that, you know. Come on, let’s get to class.”

This is essentially the same line as in the musical (though my best friend was quick to point out removed Fiyero imitating the ‘toss toss’ and I’m pretty sure she nearly walked out of the cinema in outrage), and I think it serves the same purpose. The idea that Galinda is indeed continuing on her mission to make Elphaba popular and Elphaba is somewhat receptive to it. Fiyero, though fondly, kind of thinks the whole thing is a little ridiculous and finds Elphaba fine the way she is.

This scene is actually the one most impacted by what was cut from the screenplay. In the screenplay version we do not have the “Let’s get to class” line as it’s actually set a considerable amount of time (potentially a few months) before the Lion Cub. I go into much more detail here but basically there is a montage between the “toss toss” scene and the Lion Cub scene that shows time passing and Elphaba, Galinda, Fiyero, Nessa and Boq becoming friends.

Elphaba is wearing different clothes when she enters Dillamond’s classroom than in the “toss toss” scene, so I am going to take this as canon that there is still the same time jump, as it makes a lot more narrative sense (otherwise there’s very little time before Elphaba goes to the Emerald City for anyone to become friends). Therefore, by the scene in Dillamond’s classroom we are to assume a few months have passed, and Elphaba regards Fiyero as somewhat of a friend that she’s comfortable enough being around, if in a bit of a superficial “my best friend’s boyfriend” sort of way.

The scene continues mostly as it does in the musical, Doctor Dillamond tells the class he’s no longer permitted to teach, Elphaba is cross and tries to stop it, Doctor Dillamond is taken away. All this is expected and as expected of Elphaba’s character considering her previous scenes.

What is new is Fiyero’s reaction to Doctor Dillamond being taken away, he also stands up and shouts “hey!” he’s clearly not the only student distressed, but aside from Elphaba he appears the most distressed. It’s immediately clear that “Nothing matters but knowing nothing matters” is not as true as he makes it out to be. In my opinion, this is a very good change from the musical, as it sets up his actions later in the scene, he’s on Elphaba and the Animals’ side, he’s always been on their side.

Fiyero, however, does not react like Elphaba. After the initial outburst, he is silenced and sits down like the rest of the class (albeit he is one of the last to do so) and does not respond to her challenge to the class of “Are we all just going to sit here in silence?”

Elphaba, never one for staying silent, like her musical counterpart, continues to challenge the teacher and get increasingly distressed through seeing the Cub in the cage (the premonition of seeing Dillamond in a cage here is, obviously, new to the movie and I think mostly serves to show how distressed she is – I don’t think she’s really realised what she’s seeing is the future, but it may haunt her later).

“Can you imagine a world where Animals are kept in cages and never learn to speak. This Lion Cub seems so frightened. What are we going to do?”

“I’m sorry, we?”

And here we see the dichotomy between Elphaba and Fiyero, both care, both are upset, but Fiyero is not one to spring to action in this situation without outside provocation – again, he’s sung an entire song about how he’ll get less hurt if he pretends not to care. While Elphaba wants to do something no matter what the cost, Fiyero is stuck on the practicalities of the situation: they are powerless students, they will immediately be stopped so, at least for now, he does not try.

“Well someone’s got to do something,” [Elphaba slams her hand on the desk, causing poppies to float in the air, putting everyone to sleep]

[Fiyero, stares around, not falling asleep but somewhat bewildered, Galinda falls asleep on his shoulder] “hey, hey, c’mere,” [lays Galinda’s head on the desk].

The spell going from making everyone crazy dance, to poppies putting everyone to sleep is a change for the movie, and I think a good one. I don’t think the crazy dance would have worked as well in film format, and the poppies is obviously a lovely reference to the Wizard of Oz – ultimately though, I don’t think it changes much about the narrative.

What I do find really interesting about this scene is the inclusion of Galinda and Nessa. In the musical, neither are in the class, so the casting of Elphaba’s spell seemed to imply that she didn’t magic Fiyero because he was the one person she liked. In here, the two of them are present, and are spelled too, so Fiyero being left out has got to be for a different reason – I read somewhere on Tumblr that apparently they’ve said this will be explored in part 2 and I hope so, because my reading is that it’s another sign that Fiyero alone cares as much about this as Elphaba.

“What is happening?”

“I don’t know, I got mad and...” [Elphaba notices that Fiyero has already got up and is heading towards the Lion Cub] “Fiyero, what are you doing?”

[Fiyero, having already got the Lion Cub out of the cage like the amazing, kitty saving, hero that he is]

“Well, are you coming?”

I love this. I love this so much. Script wise this is not very much of a change from the musical, in fact only one line of Fiyero’s is cut, “Alright just don't move! And don't get mad at me!” but the fact he moves the beat before, that the moment he realises there now is something they can do, which won’t get them stopped or in more trouble than the good they can do, he springs into action – does so much for his characterisation. It’s so very clear from this that he’s doing this because he cares about the Cub too, he’s doing because he wants to himself rather than to help Elphaba, I also like that the removal of this line takes away any idea of blame or frustration at Elphaba’s powers – Jonathan’s Fiyero never really judges her for being unusual.

This scene, both in show and film, is always excellent at showing why Fiyeraba suit each other. Elphaba is all passion and fire, she cares and will fight, but will also go in headfirst without thinking of the consequences. Fiyero, meanwhile, needs the spark of passion and push to act, but when he does act he is careful and tactical, he gets what he wants but in a way that smoothes the consequences of Elphaba’s rash actions and gets at least the majority of them out safely (see also: Throne Room Scene, Corn Field Scene).

There’s nothing particular to note in the bike scene, but I appreciate the cute reference to Mrs Gulch and Toto in the Wizard of Oz (that reference alone made me pleased I watched WOO a few days before I saw Wicked).

[Madame Morrible enters the classroom and sees everyone asleep] “What in the name of Oz?” [immediately writes a letter to the Wizard]

Not Fiyeraba related but I think it’s important to note what’s going on here. Madame Morrible has seen not only that Elphaba has cast a spell, but what she has cast the spell to do (to free an Animal). She’s not writing to the Wizard because she sees Elphaba is already talented enough to see the Wizard (as a first time viewer is led to believe), she’s speeding up the process so Elphaba is safely at the Wizard’s side before she can become any more pro Animal rights. It’s another great addition to canon, showing how much Morrible is in control even in act 1.

Also, Fiyero, who is also not in class, is completely overlooked, because being seen as a himbo often puts him beyond suspicion (she probably assumed he was just skiving off).

We have a few lines cut from the show here:

Elphaba: Careful! Don't shake him!

Fiyero: I'm not!

Elphaba: We can't just let him loose anywhere, you know. We have to find someplace safe...

Fiyero: Don't you think that I realize that? You must think I'm really stupid or something!

Elphaba: No, not really stupid.

These lines are in the screenplay so they’re a recent cut, but I think it’s still important to see the impacts of them being taken to. Again, we see the Fiyeraba relationship being a little less antagonistic than in the show. They still wind each other up a bit, because they defend themselves from the world in such radically different ways that they don’t quite understand the other at times (which we’ll see later in this scene), but they’re not actively sniping at each other in the movie. It’s times like this where we see their similarities, they are supporting the same cause, they have the same end goal in mind and, when they are both sure what they’re doing is right, they’re both very focused on getting it done.

It’s probably important to note that from here on out the musical and movie script is almost identical, so this becomes more of an analysis of the scene in both works, though I will point out where I think the movie particularly differs.

[Elphaba puts Lion Cub down so he can drink water] “I didn’t mean to scare you.”

“Why is it you’re always causing some sort of commotion?”

“I don’t cause commotions, I am one.”

“Yeah, well that’s for sure.”

Now the Lion Cub is somewhat safe, and resting Elphaba and Fiyero are finally given some time to think and interact.

These are musical lines, but again they hit differently with the meeting scene in the movie. Fiyero constantly uses derogatory humour about himself/his persona, so offhandedly that I’m not sure he even realises he’s doing it anymore. So it’s natural for him to think that Elphaba’s response is the same semi-joke at her own expense as he so frequently does to himself, so he plays into it.

“So you think I should just keep my mouth shut, is that what you’re saying?”

Elphaba, however, does not share quite the same self derogatory humour, any time she insults herself she truly means it. While Fiyero is desperate for people to see him for who he pretends to be, Elphaba wants people to like her for whom she really is. So she doesn’t see Fiyero’s reaction as him laughing at her joke, but instead as him also insulting her and, again, she goes on the defensive.

I get a feeling this also harks back to Elphaba’s relationship with her father, and the general reaction whenever she talked back or accidently did magic. Elphaba is used to being told to shut up, used to be seen as lesser and it’s just happened again with a boy she’s beginning to like and trust.

“What? No, no, I’m saying-”

And, again, Fiyero answers back, because he didn’t mean that – Elphaba puts him on the back foot once again when interacting with her – for all his smooth talking and easy charm Elphaba cuts right through it, because she simply will not let him act like that with her. If she is to trust him she needs to see his true feelings.

“Do you think I want to be this way?”

“I th-”

“Do you think I want to care this much?”

“I mean-”

“I know that my life would be much easier if I-”

There’s so much self loathing in Elphaba’s feelings about herself, so much of an assumption that everything she does is the wrong thing, that she could be better. Fiyero has basically said nothing against her, even less than in the show. This is all her criticising herself.

But it’s interesting what she says. It’s not the usual “no your opinions on why I am green are stupid” stuff, it’s vulnerable stuff. It’s her admitting that all the things people say to her, and the way she’s treated hurt, that she would dearly like to just be normal. Without really realising it, she’s allowing Fiyero to see a lot more of herself that she usually lets on.

“Do you ever let anyone else talk?”

This is a mask slip for Fiyero. Not in a big way, but it’s him suddenly having to be direct and real with her. Elphaba makes Fiyero have to express real feelings and emotions (even if at the moment it’s mostly frustration).

“Sorry.”

Fiyero letting his mask slip breaks Elphaba out of her rant. Again, it’s the same in the musical, but I do think there’s an added part in the movie where it references Fiyero calling out her defensiveness in the first scene. It gives Elphaba a second to reassess and realise it wasn’t an attack. She apologises, she’s also out of her natural comfort zone of unrelenting defensiveness.

“I just-”

“But can I just say one more thing?”

[Fiyero motions for her to go ahead]

“You could have walked away back there”

The realisation the Fiyero isn’t attacking her has allowed Elphaba to rethink, and for it to sink in what Fiyero has actually done, that he didn’t just freak out and run away, that he cared, that he helped her. And I think this sobers her up a little, to question and to see Fiyero in a new light.

[Fiyero shrugs] “So?”

I always find this line so interesting, because Fiyero hasn’t noticed yet that his mask has slipped. He acted on instinct to help Elphaba, to save the Cub, we see here that Fiyero’s natural instinct to care about things has never been very well hidden (which is why the mask is completely off by the time we hit Act 2).

“So, no matter how shallow and self absorbed you pretend to be.”

“Um, excuse me, there is no pretence here, I happen to be genuinely self absorbed and deeply shallow.”

I love this line. Obviously I love this line. I’ve loved it for 15 years. Have you seen my username?

But anyway, now he’s been made aware of what he’s been called out for Fiyero pulls himself back, tries to put his walls up again.

It’s interesting, because this line is obviously an old one, but it fits very well with Jonathan’s movie Fiyero persona, it’s more self derogatory humour, it’s more deflection, but it’s also something so dumb that someone genuinely dumb probably wouldn’t say it. It’s not really up to his usual standards of charm, Elphaba has, once again, put Fiyero on the back foot.

“Oh please. No you’re not, otherwise you wouldn’t be so unhappy.”

[awkward silence as they stare each other down]

Elphaba is not buying Fiyero’s words. She tells him straight out that he’s more than that, completely rejecting his happy, carefree, persona. She’s seen that he wants more out of life than this.

Again, such interesting parallels to Fiyero calling out Elphaba’s defensiveness in their movie meeting.

“Fine, if you don’t want my help.”

Fiyero is scared. And for the first time we see him react in anger. His normal act of charm and stupidity has not worked at all, so he falls back to having to try and push her away without this.

“No, I do.” [Elphaba grabs Fiyero’s hand]

I mean obviously there’s supposed to be some kind of electricity here, but I think it’s more than that. I think it’s Fiyero and Elphaba having realised they’ve found a kindred spirit. That both of them have suddenly found themselves vulnerable, without masks, and really seeing each other for the first time. They have let each other into more of their feelings than they expected to and it’s both elating and terrifying.

[Back in the classroom Galinda wakes up, notices both Fiyero and Elphaba are gone]

I feel like this is supposed to be the first niggling hint Galinda gets that there are feelings between Elphaba and Fiyero, especially because the “I’m not that girl” chords in the background start here rather than in the background of Fiyero and Elphaba’s scene. Like nothing right now enough to truly alarm her, but something she’ll look back on and realise this was the start.

“What did you mean to do back there? And why was I the only one you didn’t do it to?”

[long silence]

“You’re bleeding.”

Suddenly Fiyero is the one challenging Elphaba, asking her questions she’s scared of answering. And she, like Fiyero, isn’t quite ready to face what it means, so she changes the topic.

“Mhmm” [Elphaba reaches out to touch Fiyero’s scratch, at first Fiyero flinches, but then lets her], “there. It must have scratched you.”

“Yeah, or maybe it scratched me or something.”

This change of topic does not work at all, just ends up bringing them closer. Although, I must say, I miss how much it was an almost kiss in the musical. I feel like this version had a bit less chemistry, which was a shame. Still, it is the pinnacle of the sexual tension, where something more could happen and they both know and want it.

[Fiyero retreats] “I’d better get to safety, the Cub.”

With this line and the last we see Fiyero go back to full on saying dumb shit when Elphaba flusters him (we saw it when he first met her, and will see it again in the throne room). Fiyero is often very smooth with words so it’s always telling when she renders him unable to use this.

“Of course.”

“Get the Cub to safety.” [Fiyero grabs the Cub and runs away]

[Elphaba gets up and shouts after him] “Fiyero!”

Fiyero chickens out, scared by his feelings. Elphaba calls out after him. Both of them are changed by the day and the challenge to their personas but both end up, in their own ways, talking themselves back into them. Fiyero goes back to Galinda, who loves him for his dumb playboy persona, while Elphaba sings a song essentially saying she’s not good enough for him because of who she is and how he’ll like Galinda better. But we know for the future that it is obviously something that sticks with them and will alter their actions and perceptions of each other going forward.

Fiyero and Elphaba have always been a story of two people afraid to show the world who they really are, who dislike the other’s persona but who discover that they both love the other for the traits they hide from the world. While this scene isn’t necessarily that different from its musical counterpart (which is also excellent), I do think the softening of Fiyero and some of the antagonism from Elphaba, puts a little bit of a different spin on things. It makes it very clear that they are two people that share ideals and, while they hide from the world, both, when push comes to shove, will do anything to make it a better place. I think the movie does an excellent job to show why they suit and are attracted to each other, and also a good job of foreshadowing that neither of them will ultimately shy away from giving up everything to do what is right.

An In Depth Study of Elphaba and Fiyero in the Train Station Scene

#wicked the movie #wicked musical #wicked #fiyero #elphaba #fiyeraba #wicked movie #wicked meta #Lion Cub Scene

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tricoloreddango · 9 days ago

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Yandere Phainon inspecting your body

Phainon x gn! reader

cw: dubcon-ish touch and exposure, yandere Phainon, suggestive, clothes withholding, love bombing, humiliation, reader is insecure, Phainon is slightly delusional. Word count: 1.5k

Imagine Phainon being so obsessed with you that he feels compelled to inspect every part of your body.

There was nothing about you that Phainon didn’t glorify, whether some parts of you would be considered as imperfections by others or not. Anything less fitting for the beauty canon only made you more human to him.

Unfortunately for you, such sentiments got him force you to face each of your insecurities, as you now stood in front of him in nothing but your underwear, for him to inspect your body. You weren’t much eager to end up in this situation, but Phainon’s few sweet and affectionate poet-like lines got you convinced enough to let him put you in this state. Suddenly, your shared bedroom no longer felt like a safe space for you to rest in his arms and talk to him about anything your mind has gathered throughout the day.

You didn’t move, a sense of shame and humiliation burning you and keeping you in your spot. Instead, it was Phainon circling you, his eyes scanning each part of your body with looks of appreciation or analysis. You’ve never felt more vulnerable in your life before, because while you’ve been intimate with Phainon before, he never made it a show of scrutinizing you; or rather, it was easy to forget yourself and acknowledgment of your physical being when lost in bliss.

You felt even more nervous when he finally stopped in front of you, a supposedly warm smile on his face. What will he do now? “You look so tense as if I’m going to eat you up or something,” he chuckled lightly, his voice so soft that it didn’t match the stressful situation. “I just wish to admire my other half for a little bit.”

Phainon was either not aware of the discomfort and creep this circumstance would have brought anyone, or he simply made you look like a fool here—you’re so silly, so shy, so insecure over nothing and he’s your loving lover worshipping you regardless.

When his hand landed on your stomach, you immediately tried to grab his hand, but he kept it on your belly. “Phainon, I think you’ve seen enough!” you protested in distress, feeling out of your body’s comfort, when he caressed one of the rolls here. “Shh, my love. You have nothing to worry about,” he said reassuringly and kissed your forehead, but any further protests, he’ll simply ignore. In his mind, you were just too self conscious over nothing, and exposure therapy might do you well. Isn’t this what people wanted, to be accepted by their partners for each part of them? He found you most beautiful anyway.

You felt like crying. Your belly was one of the most sensitive spots on the list of your insecurities, and now you had to be worried where his hand will land next. And you were right to worry, as his right hand ended going up onto your nose next.

“Such a cute nose,” he said gently, rubbing his finger down the bridge of your nose that was curving to the side. A little bit crooked, enough to make you hate it sometimes. Your nose scrunched upon his touch, both from intrusion and your growing sense of unease, only for Phainon to chuckle again. “You are quite sensitive here too! Maybe I should kiss your face all over the next time.”

The idea should have sounded affectionate to you, yet with how unbearable he made his touches, his words filled you only with worry. You really weren’t sure how comfortable with Phainon’s touch you will be after he’s finally, hopefully, done with the body inspection. “Phainon, I’m not feeling like—“ you tried to say no again, but you gave up in the middle when you noticed he wasn’t even listening to you. You assumed letting him do this will end this circus show sooner.

Phainon was instead busy being marveled by the idea of your beauty he created in his mind; coming up with it each moment of analyzing and deciding that you have a lot he loved about, but even more he didn’t want others to see. “I don’t think I ever want to let you go, beloved,” he whispered to himself.

It was becoming ironic that any other day you’d cry from the happiness hearing such words, only for them to be uncomfortable to hear this time.

Phainon moved to stand behind you next moment, making you feel less in control when you couldn’t see his face and judge his intention on it. You jolted when he touched your back, no matter how warm his hand was. The spot was so specific and you knew he found your mole, one you always hid by denying yourself of backless clothes; more darker and bigger than the rest, enough for you to deem it as disgusting.

His voice was cheerful anyway, “Haha, I must have left that mole on your back in the previous life you had. I’ve heard that moles are where a soulmate kissed you in your previous existence.” The implication of him considering himself to be your soulmate in this life too was clear. Would you really want to be bonded to him for the rest of your life? You felt loved by Phainon, but each day of Phainon monopolizing you in his life has started to overwhelm you lately.

At this point, tears started to gather on your lashline. Phainon didn’t see your face, but he noticed the small tremble of your back, and leaned in to kiss your mole between your shoulder blades. “These must be the tears of happiness, I assume,” he murmured against your skin, as he enjoyed the warmth of your skin against his face and wanted to stay like this for a second—human’s flesh to flesh, all alive—with his cheek pressed against your back. “To finally have someone who will love you regardless of your imperfections, when others may not be so accepting of you.”

You suddenly squirmed and tried to move forwards after hearing that. Phainon made it sound like a compliment, but in your state of mind or maybe even objectively, this compliment was nothing but backhanded. He wasn’t denying you have something to worry about—instead, he was confirming your imperfections are indeed real and to worry about, and that others might actually hate them like you do. Phainon didn’t let you move, and wrapped his arms around you, and after trying to fight him off of you for long, dreadful seconds, you finally gave up and broke down.

He held you behind you like this, letting you cry in his arms. “I know, I know,” he said softly, trying to comfort you. “You have nothing to worry about anymore, not if you have me.” He kissed your shoulder gently, he kept spilling soothing words into your ear, and you squirmed again. You wanted to scream in frustration at how much he misunderstood. You weren’t happy, you weren’t relieved, you felt as if each part of you was unpeeled from your body for him to see and made to sound as if they were actually ugly—just accepted.

It’s your body first, and so a mind exploration was just a matter of time with him.

Especially now, when even your crying sounded and looked beautiful to Phainon. He was more focused on observing you than worried about your feelings, his love for you growing, as even your vulnerability was worth of worshiping. He felt so departed from his human side, it felt comforting to see humanity through you. And even if you might feel rejected by others, wouldn’t it mean you’ll need him even more?

Right when your cries were near dying down, you thought this torture was finally over, just for Phainon to grab onto your thighs next—in your mind, so disproportionally big to the rest of your body. He was standing behind you still, talking directly into your ear. “So soft… I wish I could sleep on your thighs every night, instead of our pillows…” he mused teasingly, and his grip on your waist tightened from his excitement he felt from just talking about you for so long like a madman. “Though I assume that wouldn’t be really comfortable for you. However…” Phainon’s voice was filled with intention. You felt dread fill you—your lover clearly wasn’t done with you, when you already felt near breaking point for today. You just stopped crying!

“I think you should stay undressed like this,” he continued his speech with contented tone, making you feel scared at this point. Trashing in his grasp didn’t stop his romanticized talk, one you desperately wished to shut down as you couldn’t bear this undressed state anymore. “I wish to see you like this for a bit longer, just for the rest of the night while I hold you in your sleep. I’m sure there’s many more parts of you I didn’t get to fully explore and love.” But you didn’t feel like you’ll be able to sleep near him tonight, not when he plans to stare at you like a creep all night.

Before you could protest again, Phainon maneuvered you around, needing to kiss you with desperation after all that he has learned about his lover today.

#yandere phainon #yandere phainon x reader #phainon x reader #phainon x you #yandere hsr x reader #☆—tcdwrites #cw dubcon

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mcuamerica · 8 months ago

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Stranded | Part Two

Featuring : (future) Azriel x Fem!Reader, Eris x Reader (platonic), Rhys x Sister!Reader

Summary: Amarantha is dead and you finally get to go home. Requested by @sidthedollface2 here.

Warnings: 18+ only, description of ruined wings and skin scarring, canon level violence, not proofread (i'll do it later), let me know if anything was forgotten...

Disclaimer: I do not own SJM’s characters, only the ones I create for the purpose of this story. This is a work of fiction. I do not give permission to repost my work on any other platform or medium. Please be respectful.

Dividers from @saradika

Part One

You felt your magic return to you the day Amarantha died. It was such an ordinary day.

You were in your cabin, that Eris had found for you the moment your wings were burned. You couldn't return to the Night Court without putting yourself in danger of Amarantha finding you, so you stayed in Autumn.

You were cooking when it washed over you, feeling as if you could finally breath again. You tested your abilities, seeing how much you could do. You were able to engulf the entire room in darkness when you were satisfied it returned.

You lost hope 10 years prior, when one of the local villagers said that all of Amarantha's court was bound to Under the Mountain. That meant you wouldn't be getting anymore visits from Eris, and even in the 40 years before that, those were few and far between. You were lucky Autumn Court was on her "good" side, because she never looked too deep into the woods. From what Eris told you, Rhys had taken her to bed.

You knew Rhys, and you could guess that he did it to keep her eyes from turning towards the Night Court. Towards you. Or Velaris.

So, you lived your simple life. The cabin Eris gave you came with a horse, that you would take to and from the local village. You were able to maintain a garden. And the best thing about living in Autumn was you never had to brace a bad winter or a sweltering summer. You missed the seasons dearly, you missed Solstices and Starfalls. Most of all, you missed your family.

It still haunted you that Rhys was taking on the burden of the Night Court by himself. You wished you could be there with him.

And, the rest of your family was running Velaris. Without you. You had to wonder if Azriel and Mor ended up together, being trapped in the beautiful, romantic city all these years. You wouldn't if Azriel regretted leaving you that night. Or if he was happy you were gone.

One thing you couldn't get over, even after all these years, was that he left you. Sure, you could handle yourself, but he left you. His best friend. Even when you were young, you always wanted to be around Azriel. Once Cassian and Rhys stopped tormenting him, you were allowed to be around him. He was always the first one to show you techniques with his sword, or new flying maneuvers. But then Mor came alone, slept with Cassian, and that was it. Azriel had been pining after her since then. You weren't resentful of it until he left you the night everything went to shit. When you lost your magic and your ability to fly.

Even know, when the wind was raging in the forest, you teared up. You wish there was some way to be able to fly again. But you grew up in the Illyrian war camp with your mother and brother. You knew what destroyed tendons looked like. There was no hope. Even after Eris and his healers did everything they could to heal them as best as they could. The membrane was in tact, albeit thinner than normal, and you had full function of stretching them in and out. But, the proper strength to fly would never be resorted.

At least you had your magic back. And you waited for Eris to come find you, to placate his father enough that he had time to tell you what happened. You assumed, knowing the depletion of magic was tied to Amarantha, that she died. You really hoped that was the case. You could go home. You could see your brother. You could ignore Azriel for the rest of your life. It never even occurred to you that you could probably winnow back home. You hadn't been able to do it for a long time.

Instead of Eris bursting through the door that afternoon, it was shadows, followed by a heaving Azriel trying to catch his breath.

"(Y/N)!" Azriel exclaimed, bounding over to you. Before you had a chance to step away, he wrapped you in an embrace. One you couldn't help but melt into. You might be mad at him, but after 50 years of being apart, you were happy to see him.

You pulled away, seeing tears in Azriel's eyes as he looked you over. His eyes landed on your wings. "What did they do to you?" He asked, searching your eyes.

"After you left me that night, three of Beron's sentinels burned my wings." You said, taking a deep breath.

"I need to write a note, and then you can take me home. Is Rhys there yet?" You asked.

"I don't know, I've spent all day having my shadows look for you. I was hoping you made it to Winter... I didn't think you would still be here." He said, pausing as you started to write.

You wrote to Eris, letting him know that you would be going back to the Night Court. You also told him that you would support him if he ever needed anything. You tucked the note into an envelop and left it on the counter.

"Okay... can you winnow us?" You asked, holding out your hand.

He gazed over you again, unsaid words clear in his eyes. "I'm sorry, (Y/N). For everything. For leaving you. For not coming to get you-"

"Azriel.. please.. take me home. And then we can talk about it." You said.

He nodded, staring at you for a few moments before he took you hand and darkness enveloped you both.

Rhys was pissed.

He may have been happy to see his family, and to tell Mor and you about how he found his mate (even if she was with Tamlin), but the instant he saw your wings, he knew something was wrong. Before even asking the rest of his family what happened, he pulled you into a room alone.

After recapping what happened Under the Mountain, and more tearful hellos, he asked you to sit down. "Tell me what happened." He said.

You looked down, taking a deep breath. "That night that Amarantha took your magic, and you closed the borders to Velaris, I got stuck in Autumn. Azriel had left to go help Mor with something. I couldn't even winnow to the Night Court borders." You told him what happened with the sentinels, how Eris found you, and then watched as Rhys settled into the quiet deathly rage.

"He did this to you?" He asked, barely above a whisper.

"No," you quickly corrected. "Eris helped me." There were tears in your eyes now. "He- Let me just tell you how it started..."

Eris brought you to a cabin on the outskirts of the Autumn borders, close to a village but far enough that no one would look for you here. He had his best healers come to help heal you, but with their lack ox experience repairing wings, they couldn't completely heal them. You back even still had scarring on it from how hot the sentinels burned through them.

When Eris couldn't stay because Amarantha sent for all High Lords and their heirs, he had a healer stay with you. Until you were back to your normal health. And then, he offered to help you get to the Night Court. Said he would personally take you to the Moonstone Palace. But he warned you how cruel Amarantha already was, and how she was taking more and more people prisoner (to be part of her "court") Under the Mountain. You chose to stay in the cabin. If you couldn't go back to Velaris, you didn't want to go to the Night Court. Not when your brother was actively trying to get Amarantha to avoid it. The return of the Lady of the Night Court would surely set her eyes towards you. And Rhys would pay the price.

Eris would visit you as often as he could. Since Autumn was on Amarantha's good side, she let Eris and his brothers out more. When he was able to step away from the Forest House, he would visit you. Bring you more supplied, new clothes, sometimes even new furniture or paint to refresh the cabin. All the while, he kept you up to date on what was happened. One day, you asked why he was helping you.

"Because I can... and it was my family's sentinels that harmed you. You had no one else around. If you were to die out here, what would I tell you brother? It would have caused an even worse relationship between us. And I'm hoping to have his support when I overthrow my father. If we can tackle Amarantha first... and.. I'm hoping one day you can counsel your brother to help me as well." He explained.

"So you're helping me for your own gain?" You asked.

"I'm helping you because it's the right thing to do... and I've grown fond of this little escape." He answered.

That's how it was until three courts tried to rebel, and Amarantha barred anyone from leaving Under the Mountain. Even Eris. You wondered why he hadn't shown up when you went into the village to grab some more food, when you overheard the rumors.

"He truly helped you? He never hurt you?" Rhys asked.

You shook your head. "No, he never hurt me. He never tried anything. He... was kind. And caring. And I owe him my life." You said, looking up at Rhys.

He nodded, thinking for a moment. He paused his pacing and looking at you dead in the eyes. "Azriel left you?" He asked, seeming to recall what you first told him.

"...Yes." You said after hesitating.

"I'm going to kill him." He growled.

Your heart skipped a beat, knowing Rhys might just well kill Azriel for putting you in harms way.

"Wait- no. Please.. go easy on him." You said.

He paused, taking a deep breath. Darkness was pooling around his ankles. You could tell he was trying to reel it in. "I'm going to beat him to a pulp."

Better than killing him, you thought. You relaxed for a moment before Rhys rushed out from the door. You chased after him to see the first blow to Azriel's face. Then to his gut. Then to his legs to knock him on the floor. All while Rhys growled out in between each punch,"You. Left. My. Sister. In. Autumn?!"

Azriel didn't even fight back.

Part Three

A/N: Another tough one... I think this will have 1 or 2 more parts... which I probably won't get to writing until Sunday or Monday night (I know, i'm sorry!) Thank you all so much for your support!

Tagging: @feiwelinchen @circe143 @sidthedollface2 @crazylokonugget @i-am-infinite @thestartitaness @buttermilktea11 @tele86 @yearninglustfully @bunnyredgirl

Main Masterlist

#acotar #azriel x reader #acotar fic #acotar spoilers #azriel shadowsinger #azriel #azriel spymaster #azriel acotar #acotar fanfiction #katie writes

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ramblings-of-a-chaotic-neutral · 7 months ago

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Hello again everyone! It's time for another Merlin au! This time featuring Uther's propaganda and a healthy dose of misunderstandings and pain! :D

This au was inspired by an idea that I pitched in a reblog of one of @tamaha's amazing posts! (Also, shoutout to my awesome mutual @achillesuwu, since you asked to be tagged when I wrote this! :) ) You can find that original reblog here!

EDIT: You can find part two of this au here!

In canon, we know that Uther had children drowned for using magic, and that most of those children were likely warlocks who were born with their magic. However, we also know that most people in Camelot believe that magic is a choice and that it's impossible for someone to be born with it, so how did Uther justify to his people both the existence of child warlocks and the killing of children for something that they had no control over?

Well, Uther utilized his propaganda to justify killing young warlocks. He found some ancient text that hypothesized that warlocks got their powers from being reborn demons, and he used those very shoddy sources to justify his actions.

He spun stories about how warlocks looked human, but weren't human at all. He told the people that while those warlock children might have looked like regular humans, they would grow into powerful demons that would hunt down regular humans and eat their souls to gain more power.

Uther's propaganda campaign was successful, and soon, warlocks were some of the most feared magical creatures in Camelot. The people were terrified at the thought of a beast that could consume souls and blend in among them, unable to detected until it was too late.

Warlocks were a regular element of the nightmares of all of the children in Camelot, who would jump at every shadow and wonder if it was a warlock, there to devour them. Arthur was among those children, lying awake late at night, trembling with fear at the thought of any person he passed on the street being a warlock who would eat his very soul, denying him any afterlife and instead turning his soul into more magical power for the warlock.

And fast forward to some point after Arthur's become king, Merlin has a pretty painless magic reveal. Arthur and the knights were out hunting, they all get ambushed by bandits, Arthur takes a bad hit that would probably be fatal, but Merlin rushes to his side and, without hesitation, uses magic to heal Arthur's wound.

Arthur was, of course, very upset to learn that his manservant and best friend has magic, and they have a big argument over it, but no one physically attacks anyone (despite Gwaine's threats to kill Arthur and the rest of the knights and run away with Merlin).

So, everyone endures a rather tense and awkward ride back to Camelot, where Merlin is the recipient of many irate glares from Arthur and reassuring looks from the knights. When they reach Camelot, Arthur bans Merlin from his presence until he calls for Merlin again. He says that he can't stand the sight of Merlin at the moment, but Merlin will owe him a full explanation later. Merlin tearfully agrees and holes himself up in Gaius's chambers for a few days, while Arthur makes an ass of himself with his foul mood, snapping at everyone in the castle.

The knights try to point out to Arthur that while, yes, Merlin had magic and had lied to Arthur, he had only revealed it to save Arthur's life. Most of the knights used that point as a tool to comfort Arthur and ease his temper, but Gwaine used that fact to rub it in Arthur's face how terrible of a person Arthur was being towards the man who had just saved his life.

Finally, after the whole castle had to suffer through five days of Arthur's prattish and unpleasant behavior, Arthur summoned Merlin to his chambers, feeling calm enough again to actually hear whatever nonsensical reasons Merlin would give for turning to magic.

You see, what Arthur, the knights, and pretty much everyone in the castle had assumed was that Merlin had probably just picked up on some small useful enchantments and healing spells for Gaius's old study of that material. Arthur was angry at Merlin for turning to magic, but he could understand where Merlin was coming from.

Everyone knew that Merlin cared about his friends to the point of idiocy, so it made logical sense that Merlin, since he had the resources available to him, would resort to learning healing magic in case of an emergency. Arthur understood that aspect of Merlin more than anyone else.

Knowing that Merlin's magic was probably just the result of him being a loving and caring idiot did help ease the blow for Arthur, and truthfully Arthur didn't plan on punishing Merlin at all. To Arthur, hopefully confining Merlin to his chambers for a few days would discourage any future stupidity along these lines, and they could put this entire situation behind them.

So, when Arthur summoned a distressingly pale Merlin to his chambers and demanded an explanation, he expected to receive some stuttered response about learning a few spells from some of Gaius's spare books and to extract a promise out of Merlin that he'd never turn to magic again, and then everything would be fine.

However, when a wrought looking Merlin opened his mouth to explain, Arthur's heart plummeted to the floor. At the very first words of Merlin's explanation, "I was born with it," Arthur's chest went cold, and he took a few staggering steps backwards until his back hit the cold wall behind him, his eyes seeking out his blade.

Merlin was born with magic. That made Merlin a... a...

"Warlock," Arthur whispered, his eyes teary and terrified all at once.

Merlin stopped his explanation and tilted his head at Arthur, a small grin pulling on his lips. Arthur flinched back slightly at the sight of it, unable to form a coherent thought beyond the all-encompassing terror, dread, and sorrow that swirled around his mind.

"Ah, so you do know the correct word for it then! Yes, I am technically a warlock, but the distinction doesn't really matter that much anyways."

Merlin made a dismissive gesture with his hand, as if his words hadn't just completely shattered Arthur's heart. Arthur couldn't even listen to the rest of Merlin's explanation through the rush of his heartbeat and breathing in his ears.

The terror gripping his heart shouted at him to fight or flee, don't just stand there waiting for him to decide that he's feeling peckish for souls!

Arthur suddenly registered the pallor of Merlin's skin and the hollowness of his cheeks and came to the awful conclusion that he doesn't have much time, Merlin's already hungry and Merlin was stepping closer there was no time to escape nonono!

Arthur closed his eyes, unable to look at what must have been Merlin unfurling whatever demonic jaws he kept hidden and preparing to eat Arthur's soul...

But the sensation of his soul being devoured, whatever that was supposed to feel like, never came. Instead, he just felt a hand on his forehead, and after a few seconds another one cupped the side of his face.

Arthur hesitantly opened his eyes, almost not wanting to look upon Merlin's happy, friendly face that had always brought nothing but comfort. He didn't want those caring eyes to be that last thing he saw before he died at Merlin's hand!

Slowly, Arthur steeled himself and blinked the tears from his eyes, willing to at least face his death like a true warrior, looking at it head-on.

But, as his vision cleared from the tears, Merlin didn't look like his death, or like any sort of soul-eating monster. He just looked like Merlin, and by god wasn't that the worst part of it?

Merlin slowly smiled at him as his tears dried, coaxing him away from the wall and towards his armchair by the fireplace. Merlin gently guided him over to chair and helped him into his seat, holding Arthur's hand the entire time.

Arthur, once he was sitting, looked over at Merlin, still holding onto his hand and whispering comforting words to him, and Arthur felt like a small, scared child again, freshly awoken from a nightmare and jumping at every shadow.

It took what must have been hours for Arthur to catch his breath, stop his tears, and cease his body's terrified trembling, and Merlin sat next to him the entire time, drying Arthur's tears and comforting him.

Eventually, Arthur looked Merlin in the eyes again, and he could find nothing in them but love and care.

Whatever Merlin was, however hungry he must have been after going five days without being able to hunt for souls to devour, he apparently didn't see Arthur as a target.

Arthur took a deep breath, maintaining eye contact with Merlin. Alright, Merlin might be a soul-eating demon straight out of Camelot's worst nightmares, but he saw Arthur as a friend, not a meal. Arthur... Arthur could work with that.

He just... he needed more information before doing anything else. Merlin was still looking at him with love and concern, and with each passing moment, Arthur became more and more convinced that Merlin was still Merlin, warlock or not. And damn it all, that still counted for something. It had to count for something.

Now that his fear was marginally under control, questions swirled around Arthur's head. How did Merlin even eat souls before this? How often did he need to eat? Did he need to also eat food, or did he sustain himself and his powers on souls alone?

Before he could ask Merlin any of the pressing questions that were on his mind, Merlin had already helped Arthur out of his chair and towards his bed, readying a limp Arthur for bed whilst the king was drowning in his own thoughts.

Before Arthur even knew it, Merlin was pulling blankets over him and snuffing out the candles in his room. Merlin promised to visit Arthur again in the morning to tell him more, and Arthur barely registered his words over the storm of his own thoughts.

When morning came, Arthur couldn't even tell if he had gotten any sleep throughout the night or not, but he woke up exhausted either way. Only a few minutes after the sun had risen, Merlin burst into the room, still looking paler than usual and helping himself to one of the sausages that was supposed to be a part of Arthur's breakfast.

Just the sight of Merlin eating anything made Arthur feel slightly queasy, imaging some terrified soul being devoured at Merlin's hands. Arthur took a deep, steadying breath before getting out of bed, allowing Merlin to dress him as he normally did.

Merlin, much to Arthur's relief, was still acting like nothing had changed, like he was still the same harmless Merlin that Arthur knew him as before yesterday.

If that was how Merlin wanted to act, then Arthur was fine with it. Truthfully, even with all of the questions that Arthur had surrounding Merlin's nature, he found that he didn't really want answers to any of them. Answers would make this new reality, one where Merlin was never harmless at all and where there was a demon hiding under his best friend's skin, real for Arthur. If Arthur didn't have any answers, then he could just... pretend that everything was still fine, like nothing was wrong.

To keep Merlin by his side, he would gladly accept ignorance and pretend like nothing had changed.

However, there was still one issue that Arthur needed an answer to, to confirm that Merlin was still the man who Arthur always thought him to be.

As Merlin was cleaning up Arthur's breakfast plate, Arthur cleared his throat, getting Merlin's attention. Merlin quickly turned around to meet Arthur's gaze, but Arthur didn't feel scared meeting his eyes this time.

"Merlin, I'm willing to let everything that was revealed yesterday be forgiven, and everything can go back to normal."

Merlin gave Arthur a beaming smile at his words, and Arthur continued with a solemn heart.

"However, there is one thing I need to know. You've never..."

Somehow, the words eaten the soul of an innocent person were so vile that they refused to pass Arthur's lips, so he chooses an alternative.

"... hurt anyone who didn't deserve it, right? And you never will in the future? If we are to have any sort of trust between us, you must answer me honestly"

Arthur figured that, if Merlin was indeed forced to eat souls to survive, Merlin was probably feeding on bandits or enemy soldiers that Arthur and the knights would've killed anyways. It was the only explanation, as innocent people didn't mysteriously turn up dead regularly enough in Camelot to indicate that Merlin was feeding on them, and Arthur knew, deep down, that no matter what he was, Merlin would never do such a thing.

Merlin froze at Arthur's words, his smile falling. He lowered his gaze briefly, before meeting Arthur's eyes once more, determination shining brightly in his eyes.

"Arthur, I swear to you, anyone whom I've hurt with my powers were enemies of Camelot. Whatever I've done, I did it to protect you and your subjects."

Arthur nodded, satisfied and relieved by Merlin's answer. Nothing had to change then, Merlin was still his friend and manservant, albeit with powerful magic and an appetite for the souls of his enemies. Arthur could... tolerate that.

As the weeks went on, Arthur found himself thinking about this new side to Merlin less and less. Merlin was still acting exactly as himself, so there was no reason for Arthur to worry, let alone dwell on any thoughts of warlocks.

(And if he had a familiar nightmare from his childhood featuring a warlock, then that was Arthur's business and Arthur's business alone.)

Everything was fine, and months passed without any incidents. That was, however, until Arthur noticed Merlin becoming paler, his cheeks hollowing out again, and his eyes sporting heavy bags. As he took in the changes in Merlin over the past few days, he came to the sickening conclusion: Merlin was getting hungry again, and would need a soul to eat soon.

But Camelot was at peace, there were noticeably less bandits roaming the streets in the past year, and no assassins had come to the castle in the past months. Arthur could see that Merlin's usual... hunting grounds... had been drying up, and he needed to find a solution immediately. Arthur shivered at the thought of what devastation Merlin would unintentionally bring down upon all of them if his hunger ever got out of control.

After several hours of brainstorming on Arthur's part, he finally had an idea. It sickened him to have to consider, but he would do what he had to for the sake of Camelot.

Arthur called for Merlin to follow him as he made his way into the dungeons, where only one prisoner was currently being held. The prisoner was a minor noble who had killed several of his own servants and then used his status as a member of the nobility to cover up his involvement in the murders.

However, the nobleman was sloppy, and there was evidence left behind that proved his guilt without a doubt. He was set to be hanged for his crimes in two days time, as per Arthur's own judgement at the noble's trial, but... if he was going to be executed anyways... perhaps his death may be of use.

(What Arthur didn't know was that the real reason why Merlin looked so exhausted was because Merlin had spent every night for the past week searching for and compiling evidence that the nobleman was behind the murders, as the bastard would've gotten away with it otherwise.)

To Arthur, the criminal's death could be used to ensure that Camelot's only source of magical protection (and Arthur's best and dearest friend) didn't starve to death or go into a hunger-induced rampage, whichever came first.

Slowly, Arthur made his way to the nobleman's cell with Merlin trailing after him, where the criminal was bound to a chair on Arthur's orders. Arthur solemnly opened the door to the cell, gesturing for Merlin to follow him inside.

As soon as Arthur set foot in the cell, the nobleman started begging him for mercy, pleading with him to lower his sentence, not knowing what punishment Arthur truly had in mind for him. Ignoring the soon-to-be dead man, Arthur turned towards Merlin, who was startled by Arthur's intense stare.

"Arthur? What's going on?"

"Merlin," Arthur choked out, his voice rough with guilt, sorrow, and fear alike. Merlin rushed to Arthur's side at the sound, trying to urge him out of the cell, away from whatever issue was causing Arthur such pain.

Standing firm, Arthur cleared his throat.

"Merlin, I need you to... to do something for me."

Concern marred Merlin features as he reached out to Arthur.

"Of course, I would do anything for you Arthur."

Arthur swallowed roughly, trying to force his next words out of his throat. He'd ordered executions before, hell, he'd even ordered this man's execution before, but this was much, much harder than any of the other orders he'd given.

"Merlin, I need you to... take care of this man, as you normally do for enemies of Camelot."

Merlin reeled back with shock, looking somewhere between confused and hurt.

"Arthur, you can't possibly mean for me to..."

"I'm sorry, but yes Merlin, it needs to be done."

Merlin stared at Arthur for a few more moments, before slowly nodding his head and turning towards the bound criminal.

As Merlin stepped closer to the doomed noble, Arthur closed his eyes and turned his head away. Perhaps it was cowardice, but if there were ever a time for Arthur to show such cowardly behavior, it was here. He didn't want to see this part of Merlin.

He did, however, hear everything. There was a scream from the criminal, which was sickeningly cut off by a loud wet crunch that echoes off of the cell's walls, and then there was no sound in the cell except a very loud silence.

Arthur slowly opened his eyes to the sight of Merlin standing in front of a corpse and tried to believe that everything was still normal.

And that's a wrap on this au! Man, that got darker than I expected it to be.

Be sure to let me know if you'd like a continuation of this au!

And, as always, thank you for reading through my ramblings! :D

#bbc merlin #merlin #merlin bbc #arthur pendragon #merlin au #merthur #merlin prompts

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luminnara · 11 months ago

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Unheavenly Creatures | Feyd Rautha/reader (NSFW 18+)

Summary: Feyd Rautha has taken a liking to you, a handmaiden accompanying your mistress on a diplomatic visit to Giedi Prime. He decides it's time to add another darling to his collection.

Warnings: knife stuff, blood stuff, mentions of murder, sex, a lil cannibalism, sex sex sex, dubcon-ish tones? lots of biting, it's feyd rautha it's not gonna be all sunshine, but he is also not as terrible as canon entirely so idk

Word count: 6k

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The Harkonnen palace was a cold place, not in the sense that the air was crisp and you could see your own breath, but rather that the austerity of its halls and monochromatic decor felt positively frigid. As if even the buildings weren’t meant to harbor life on this toxic, forsaken rock anymore. Everything you had seen of Giedi Prime so far had felt the same—stark, brutal, inhospitable. A barren wasteland with blinding white skies and dark acid rain.

And yet, House Harkonnen seemed to thrive beneath the black sun, growing numerous and powerful and rich. Before arriving, you had heard horror stories, rumors of what Baron Vladimir and his nephews were like, none of them pretty. When you had been informed you’d been chosen to accompany your own House’s leaders on a diplomatic trip to the Harkonnen homeworld, you’d considered pretending to be sick to get out of it. Faking your own death had seemed like a valid option at that point.

But with little choice of your own, you were forced to follow along as a handmaiden, and from the moment you set foot on Giedi Prime, you were determined to keep your head down and hope that the meetings went smoothly so that you could return to your own planet as quickly as possible. As you walked dutifully behind your Lady, hands folded and eyes trained on your feet, you couldn’t help but wrinkle your nose at the putrid, chemical air, unaware of the dark eyes watching you.

“My nephew, na-Baron Feyd Rautha,” Baron Harkonnen rasped, his voice like dry gravel. His words had you glancing up to finally look at what the Harkonnens considered royalty, and what was supposed to be a quick peek turned into a curious stare. The Baron himself was a large man, and he was levitating, wearing a long black robe that touched the ground even while he was so high above it. Tubes connected him to what you could only assume was some sort of breathing apparatus, a dark, spherical thing floating behind him. Standing behind him to his right was a much younger man, dressed in black and staring directly at you.

You felt a chill fly up your spine.

Feyd Rautha tore his eyes away from you and inclined his head in acknowledgement, looking to your Lord and Lady as formal pleasantries were exchanged. You kept your eyes down once more as you finally moved indoors, where the air was fresh and stale at the same time, and the walls were imposing and cold.

You followed along as your Lady was given the grand tour, a journey that ended at the guest wing. You were shown to your room and all but locked inside, left alone to inspect your temporary lodgings. If the rest of the palace was bleak, this was entirely featureless—a single boring bed sat in the center, a small table off to the side. There were no windows, not a shred of natural light despite how high the ceiling was. How anyone could willingly design such a place was beyond you, and you counted yourself lucky to only have to endure it for a short time.

Dinner was served that evening, hosted by the Baron and his nephew. You were permitted to join, dressed in a plain white gown as you sat in silence, doing your best to disappear. You could feel Feyd Rautha’s eyes upon you as you ate and tried to ignore him, cutting into what must have been meat and realizing it was rare at best, perhaps an organ from some large beast. Nonetheless you ate it, finding it adequate and perhaps even tasty, eating in the calm and measured manner expected of you back home.

Suddenly, Feyd barked a laugh. “A pet at the dinner table?”

You glanced up at him and found yourself fascinated once more. His pale skin, nearly white, was completely smooth; you had yet to see a Harkonnen with hair, though you did not know whether they removed it or simply never had it in the first place. His blue eyes were so dark they appeared black in contrast, and as he grinned at you, all you saw were black teeth, and it was somehow beautiful in that brutal, gruesome way of Giedi Prime.

“Do your pets always dine with you?” He rasped, his tone mocking.

“Na-Baron, she is not a pet,” your Lady said sternly, and you felt safe knowing that she would defend you. You were loyal to your House for a reason, after all; you knew your leaders would bring you home safe and sound. “She is my attendant.”

“You must forgive my dear nephew,” the Baron said. “Your customs are not ours.”

You expected a rebuttal, but none came, and Feyd Rautha’s eyes remained glued to you as you ate.

-0-

The negotiations seemed to stretch on.

After dinner, you had helped your Lady retire for the night and then returned to your chamber, laying in bed as you stared at the distant ceiling. All the stories you had heard of the Harkonnens swirled in your mind, and you thought of their recent extermination of House Atreides and shuddered. Your House was desperate to stay in their good graces, you knew, and who could blame them? No one wanted to end up slaughtered like the Atreides.

You told yourself that you were safe. Even if the Harkonnens had lured your Lord and Lady to Giedi Prime under false pretenses, you were only a servant; there was no reason to kill you as well. Aside from Feyd Rautha’s comments at dinner and the stark discomfort of the palace, nothing had happened to make you believe you were a target, and though you knew it was borderline blasphemous, you took some solace in the knowledge that it was more worth their while to kill your masters than you.

When you finally relaxed enough to close your eyes, however, sleep came surprisingly easily, and your dreams were simple and comfortable.

In the morning, you prepared the Lady for the day, and then she and the Lord entered their meeting with the Baron, leaving you alone. There was nothing to do but wander the guest wing, though that only occupied you for a short time as there was absolutely nothing to look at. Nothing in the way of art decorated the walls, and the architecture was so smooth and so plain you quickly grew bored of it. You doubted you would be permitted to participate in anything that even semi-resembled entertainment, and as minutes stretched into hours, you realized your feet had taken you out of the guest wing and into a corridor you had no memory of.

You turned in a circle, seeing nothing and no one familiar, and made the decision to continue on. Surely someone would have informed you of any off-limits areas upon your arrival, and with absolutely no guards in sight, it couldn’t be that bad for you to wander this area as well.

Your steps echoed around you, breaking the oppressive silence of the hall. The architecture was bafflingly different compared to that of your home, where wood and warm stone blended together to create buildings that felt welcoming. On Giedi Prime, everything was harsh and inhospitable—including the people and their homes.

Though your interactions with the Harkonnens had been brief thus far, you could confidently say that they weren’t winning any popularity contests, except perhaps amongst themselves. Nearly everything you’d ever heard about them was bad, and so far, you mostly found them strange; the Baron was fearsome in the way a sick, desperate animal was, with those eyes that followed people as if he were wondering what it would be like to crush their necks in his hands just because he could.

His nephew, on the other hand, was fearsome in the way a predator was. His movements were smooth and confident at dinner the night before, his eyes calculating as if counting how many moves it would take him to press a knife into your gut. You had heard of Feyd Rautha, the pretty boy of Giedi Prime, but you had never seen him before yesterday, and quite frankly, you had expected something else…but then again, what had you even expected at all? The na-Baron was surely cruel just as his uncle was, but he seemed…different.

The clang of metal followed by the sound of a muffled thud startled you out of your thoughts of Feyd, and with a start, you realized you were standing outside a closed door. It was the first noise you’d heard that wasn’t your own all day, and your heart pounded as you quickly stepped back. Perhaps you should run, lest you be caught outside the guest wing. Perhaps it wouldn’t matter at all, as no one has explicitly ordered you to remain in your chamber. And, above all else, perhaps you were curious about what lay on the other side of the door, and you took a step forward again.

It was only a heartbeat later that it opened, revealing Feyd Rautha.

“Well, well,” he said, voice rough, “what do we have here?”

He was dressed in all black, in what you assumed were casual clothes for the Harkonnen royalty.

“Apologies, Feyd Rautha,” you said quickly. “I was passing by and heard a sound.”

You could feel his eyes raking over you as he listened. Then, a smirk crept across his lips, and he help up a bloody dagger.

He did so slowly, and you knew it to be an attempt at intimidation. He wanted you scared. He wanted to shock and disgust the outsider who came from another great house, who had surely never encountered anything like him before.

But you were tougher than that. You may have been a handmaiden for a spoiled aristocrat, but on your planet, hunting was common. You’d had your fair share of field dressing game, and you weren’t one to shy away from a knife.

You eyed the dark blood dripping from the blade, then focused on his face once more. “I apologize if I have caused an interruption.”

“Not at all,” he said, brow twitching as he tilted his head slightly. “Though you are to address me as na-Baron. Only my darlings may use my name.”

“Of course, na-Baron. My apologies.”

“Why are you not in the guest wing, little pet?”

“I have nothing to do, na-Baron.” You shrugged.

This time, he grinned, baring black teeth. If he expected you to cringe away, he would be surprised to find that you seemed almost unimpressed with the display. “So you walk freely, as though you own this palace. I could kill you for the insolence.”

You looked at him boredly.

“I could gut you.” He took a step towards you. “Stick this knife into you. Right. Here.”

He was standing before you, the tip of the blade poking your belly, still grinning. At your lack of reaction, however, the grin faded slightly, nearly faltering.

“Not there,” you replied, a bit amused by his lack of skill.

“What?”

“If you aim to gut me, that’s a terrible place to start.” You wrapped a hand around his and moved the knife over slightly. “This is better.”

He watched your face. “You’re a Bene Gesserit witch.”

“No,” your lip quirked in a small smile. “No, I’m experienced in the ways of hunting and traditional field dressing. Our House is known for them.”

“You’re a hunter? A weak, little thing like you?” He pressed the blade against your dress and laughed.

You considered stepping back, away from the na-Baron and his knife, but you recognized the growing fervor in his eyes. He wanted to hunt, to pursue, to drive the blade forward until he could feel your blood on his skin. Feyd was like a hunting hound, eager to follow the scent of his prey, easily triggered by the chase. So you stood still, studying his pale, smooth face.

“The Lord and Lady enjoy hunting on the estate.” You finally answered. “I often assist in dressing the game after.”

“But have you killed?”

“My uncle took me hunting when I was young. I learned much about the ways of nature and the hunt.”

“You speak so formally,” he taunted, leaning in.

“I do, na-Baron,” you replied curtly. “I do not wish to offend.”

With a sick smirk, he leaned into you even further, lips brushing your ear. “Have you killed a human?”

You watched him from the corner of your eye, and he watched you.

“Na-Baron, I fear I’m lost. I’ll return to the guest wing promptly if you’ll point me in the right direction—“

“Don’t change the subject, pet.” He drew back. “Lying to me is unwise.”

You swallowed hard. “Why do you wish to know?”

“You’ve caught my eye, little one,” he withdrew the blade, leaving the smallest stain on your dress. “And you’ve already told me all I need to know.”

You felt a chill, the back of your neck tingling as you watched him raise the bloody knife and lick it clean. Feyd Rautha was dangerous. More dangerous than you knew.

“Return to the guest wing,” he rasped. “I must attend to my darlings. They grow lonely without me.”

You stared, perplexed, as he strode away, an uneasy feeling washing over you as you turned and hurried back the way you had come. The sooner you could leave Giedi Prime and its unnerving House, the better.

-0-

“What?”

“Hush.” Your mistress scolded you, but you barely heard her.

Your head was too busy spinning.

“You are to remain here,” your Lord repeated. “In the employ of the na-Baron Feyd Rautha.”

Your heart dropped in a sickening way.

“You’ve been so very good to me,” the Lady said. “You’ll serve House Harkonnen very well, I am certain of it.”

“But I-I—I’m…” you paused, trying to catch your breath and quell the panic tightening your chest. “I’m loyal to our House, milady. And I want to return home, to the palace, and serve you.”

“Baron Harkonnen was insistent,” your Lord said flippantly. “It seems Feyd Rautha approached him sometime after our meeting yesterday, and this morning as we finalized the agreements, it was decided you’d be included in the negotiations. Imagine that, a fresh alliance with House Harkonnen and a fine sum for a handmaiden!”

“You…sold me?” You asked, your voice sounding incredibly small.

“Now, I’m sure you’re nervous, but really, these Harkonnens are nothing to worry about. Those nasty rumors back home are simply that, and I’m sure you’ll be well taken care of. Now, we must depart at once, and you are to be shown to the na-Baron’s chambers.”

“Ta ta, dear one!”

And just like that, your entire world was shattered.

As you followed a Harkonnen servant through the corridors, you kept your head down. You felt furious and lost, anger twisting in your gut. So much for loyalty—never before had you been made to feel so easily replaced, and yet they had given you away so willingly you could hardly believe it. Whatever negotiations had been made, whatever new deals struck, you had been deemed unimportant enough to your House to simply be left in the care of a dangerous man, and now you felt your very life was suddenly in grave danger.

“We have arrived, milady,” your guide said timidly, hunching her shoulders and clasping her hands tightly as you turned to look at her.

“Thank you,” you replied, brow furrowed slightly in confusion. “Am I to…enter?”

“Yes, milady,” she seemed to bite the words, not angrily, but in an effort to get them out quickly.

“Is Feyd Rautha inside?”

“Yes.” Came the whispered affirmative.

The bald woman was nearly trembling, and you felt as though perhaps you should be, as well. Feyd Rautha had been intimidating every time you interacted with him, and now that he had made the baffling decision to demand you remain on his planet, you were beginning to think you ought to fear him.

But he was only a man, you reminded yourself as you faced the door. Not a god. Not some supernatural being. The na-Baron was flesh and blood.

With a deep breath, you opened the door.

“You enter unannounced?” A familiar voice rasped.

Feyd Rautha was indeed inside what appeared to be living quarters, and the room seemed lavish by Harkonnen standards. A large bed with black sheets sat against the far wall, before which was a simple sitting area featuring oddly shaped sofas, all black as well. A mirror was mounted on the wall near the bed, and you chose not to wonder about its placement. You spied two doors on either side of the room, and in its center, stood the na-Baron.

“I was told to come here,” you said, voice tinged with irritation.

“And so you have,” he smirked, twirling a dagger in his hand as he approached you. "Obedient."

When he reached you, invading your space and nearly brushing against your chest with his, he caught the way your nostrils flared angrily and grinned. His black teeth, previously so fascinating, brought only annoyance now, much like the rest of him.

“May I ask what exactly is going on, na-Baron?”

“Oh, I simply couldn’t let you leave,” you felt his blade as the flat of it pressed up against your chin, forcing you to look up at him. “I had to have you, pet.”

“I am not a pet,” you spat, unable to contain yourself any longer. “And I demand to know exactly why I’ve been sold as one.”

The knife was pulled away as Feyd circled you. In the mirror near the bed, you could see him looking you up and down, appraising you freely now that the two of you were hidden from the rest of the galaxy.

“Your masters gave you away easily,” he said, stopping behind you. “They did not realize your true potential.”

“My potential?” You hissed, head jerking to the side to watch him from the corner of your eye. “And what might that be, na-Baron?”

In a blink, he had leaned in, rough hands suddenly gripping your sides as he brought his lips to your ear. “Call me Feyd.”

His too-hot breath on your neck and the tone of his voice caused your anger to stutter. “I-I thought only your darlings called you by your name?”

“Oh, it’s a clever pet,” he taunted, nipping your earlobe sharply. When he saw that you stayed still and didn’t flinch, he seemed pleased. “What do you know of my darlings?”

“N-nothing, I don’t even know what that means,” you answered truthfully.

“My darlings,” he began, a hand moving up to brush through your hair, short in the style of your position—former position—within your—former—house. “Are the most beautiful creatures. They are very special to me.”

You were in danger.

You knew it.

“I want you.” He said simply, pressing his lips to the back of your neck, and you knew he meant in every way. “Give yourself freely.”

“Why me?” You asked, mustering your courage to speak above a whisper.

He chuckled at that, running his tongue up your spine to the base of your skull. “You are just right, the perfect addition. You are unafraid. You have a taste for meat. And you have killed.”

You were silent for a moment, jaw squared. “I never told you that.”

His hands were creeping over your hips now, across the front of your dress. When he spoke, his voice was low and heady. “Who was it?”

Another long pause came as you wrestled with yourself, your tongue feeling too big for your mouth as you finally tried to speak.

“My father.”

As Feyd Rautha let out a guttural groan at your admittance, you stared at yourself in the mirror, and nearly didn’t recognize the person you saw.

“You and I are alike, pet,” his hands squeezed at you harshly while his nose pressed into your hair. “I killed my mother.”

A part of you felt sick at the suggestion that you were anything like the monster that was Feyd Rautha Harkonnen. Another part of you felt a strange comfort in the knowledge that you weren’t the only one in the room who had committed parricide.

“I haven’t shared that in a long time,” you admitted.

“Did he fight it?”

You could feel his arousal as he pushed his hips against you, the sensation bringing an unexpected fire to your core.

“Yes.”

“Did he deserve it?”

You stared at yourself in the mirror and saw an unexpected harshness in your eyes, the polite handmaiden now completely absent, replaced by what you had feared you truly were ever since the day of your father’s death; a killer.

“Yes.”

But if you had feared that you were bad for it, that you deserved punishment, Feyd Rautha seemed determined to prove otherwise. He turned you in his arms, never letting go, and brought his lips to yours in a greedy kiss.

“I need you now,” he breathed, almost sounding vulnerable for a moment.

“Take me,” you said against his lips, determined not to stop and think about what exactly you were doing.

If you were going to be kept and tortured by a Harkonnen prince, you may as well enjoy your last moments, right?

Feyd Rautha guided you to his bed in a way that was somehow both smooth and rough, gentle and demanding. He didn’t want to break you, but he wanted to see how far he could bend you before you snapped. He wanted to test you.

Your dress was quickly thrown to the wayside, torn by his dagger, his clothing following suit. As you lay on your back, fully bared to him, he crept over you, eyes taking over your body as he continued his earlier appraisal.

“So strange,” he muttered as he brushed his fingers over the soft hair between your legs.

“Are you…truly hairless?” You asked, eyeing his smooth groin. “You don’t…remove it?”

“Hair is…barbaric.”

You could have laughed at the irony of him of all people calling you a barbarian.

“I do not hate it on you,” he decided after careful consideration. “Perhaps you will keep this, for now.”

You had the odd feeling that you should feel grateful for the honor.

“It will set you apart from my other darlings,” his body moved over yours, eclipsing you as his hand reached between your legs.

He stroked you there, rubbing in a way that wasn’t gentle, wasn’t harsh, and wasn’t patient, all at once. When his lips captured yours once more, your mind spun—but it was a decidedly more pleasant spin than that short while ago when your entire world came crashing down. Feyd Rautha, while somewhat terrifying, was exhilarating, and as his fingers plunged inside of you and his kisses turned into demanding bites, you thought that perhaps this wasn’t so bad.

“That’s it,” he breathed, voice husky. “I want to hear you.”

Your whines and moans filled the heavy air. Feyd Rautha sought to conquer you, you realized; as you came, it wasn’t so much a favor to you as it was an ego boost for him. Either way, you benefited, and as he sheathed himself within you and his hips began rocking back and forth, you were glad for the warm up.

“F-Feyd,” you panted, nails digging into his back as you wrapped yourself around him.

He answered you with a low moan, face hidden in your neck. The na-Baron was merciless, driving into you over and over…but the heat that bloomed inside of you, that feeling that stemmed from your belly and ran all the way to your fingertips…was exhilarating.

He leaned back, one hand gripping your hip harshly, no doubt leaving bruises. The other found your throat and his fingers wrapped around it, squeezing, reminding you who he was. The heir to the Harkonnen throne. The pride of Giedi Prime.

Feyd Rautha.

Your face tingled as he held you, eyes seeking out his. The blue was nearly black, his pupils huge, like a big cat hunting in the dark. He was watching you, frenzied, feral in his ministrations, as if you were his prey and he had finally caught you. Just as your vision began to tunnel he let go and you gasped, gulping in air as he suddenly pulled out of you and rolled onto his back, manhandling you easily as you sank down onto him once more.

His hands were like a vice, pulling your hips down as he pushed up into you, still fucking you mercilessly even in this new position. You would never have expected this from him; you felt too powerful on top of him, too in control of someone who gave you every reason to assume that he wanted to be. That he would be the one weighing down on you, that he would forever and always be hovering over you as he made harsh demands. He was, truly, not as harsh as expected...not that you had ever, for a second, expected to be there with him.

He watched your tits bouncing above him, so much flesh laid bare for him to enjoy, and he soon pulled you down. When you expected him to return to your swollen lips, however, he instead moved his mouth to your chest, greedily sucking and biting your soft skin. He sank his teeth into you, reveling in your sharp gasp, answering it with a beastly groan that was so low and so loud you half imagined it must have shook the walls. The sound had your stomach twisting delightfully, your head fuzzy as Feyd Rautha pulled you closer, closer, closer, until you hardly knew where you ended and where he began. Half-formed thoughts swam in your head, none of them coherent, all of them about him as you desperately clawed at the arms that held you so tightly. He had wanted you, and now he had you, completely, all of you, in every sense of the word.

In that moment, you didn't hate it, or him, or that place; you wanted more. You wanted more of him. As your orgasm mounted, breaths coming in gasps, eyes glued to the pale man below you, you felt happy. Later, you would try to reason with yourself, tell yourself that it was simply chemicals in your brain that brought this on, but in that moment, you wanted nothing more than to do this over and over and over again with him.

"Yes," he rasped, voice muffled by your breasts. You felt the wet heat of his tongue in your cleavage, followed by the sharp bite of his teeth as he pulled you down onto himself. "Take it."

"Feyd," you gasped, eyes squeezed shut as your fingernails dug into his scalp. "Feyd!"

It came out as a half-scream as you felt the sting of his teeth, and it was enough to push you over the edge, plunging down into the abyss that was Feyd Rautha's love. His breath stuttered as his hips drove up against you, a growl sounding from deep within his chest as he came inside of you.

You felt his heart pounding as he held you, a sheen of sweat covering his smooth, pale body. You slumped over him, arms falling onto his shoulders limply. You thought you heard him laugh lightly.

"Good," he said, more to himself than to you.

He moved you easily, rolling you off of him and onto the bed as he pulled himself out. You felt slick and thoroughly used, not in a bad way, but in the way you imagined lovemaking should feel. You had never expected to feel such passion from Feyd Rautha, of all people. From a Harkonnen.

"Come." he stood and slipped his arms under you, scooping you up. Your arms immediately hooked around his neck, and as he carried you to one of the adjoining rooms, you wondered at how natural it felt to be with him now.

The door opened to reveal a steamy, dark bathing room, a large basin filled with dark liquid positioned in the floor. Feyd Rautha sank down into it and as you leaned your head against his shoulder, you heaved a sigh. The liquid was thicker than water but thinner than mud, like nothing you had ever felt before, and it was warm, soothing your bitemarks and sore muscles.

"What is this?" you managed to ask after several minutes of silence.

"Hmph." Feyd Rautha laughed, his whole body moving with the sound. "Oil and blood."

He paused, waiting for your reaction.

"...Ah." you said, wrinkling your nose for a moment as you looked down at the bubbling goo. "...It's nice."

His lips spread into a wide grin. "You don't find it disgusting, my darling?"

"It feels too nice to be disgusting right now."

Feyd Rautha moved a large hand to the side of your head and held you against him, pressing a kiss to your temple in a way that was almost tender. "Rest now. You will need it."

Too tired to ask why, you simply nodded, sinking into him as the blood bath steamed around you. If this was to be your fate now, you didn't mind it; and if he killed you tomorrow, at least your final day had turned out somewhat enjoyable.

-0-

"Do you like it?'

The question was simple, only four words, and yet it was never one you had expected to hear Feyd Rautha ask.

You had been living in his chambers for a week, sleeping next to him, eating with him, wearing what he chose and accompanying him wherever he went. You saw more of the Harkonnen palace--the training room was a frequent haunt, and you realized that it was the room you had wandered to on the day of your first conversation with him. You saw more of Feyd Rautha, as well, and you noticed how quickly he often decided to kill those around him.

But not you.

Never you.

He had yet to do anything worse than bite or scratch, occasionally bending your limbs too far when he tested your physical capabilities in his bed but always letting you go just before any real injury occurred. You often felt the smooth metal of his blades, but they never cut deep; he mentioned once that perhaps he would mark you with one soon, leave a scar that only he would ever be allowed to see, but he had yet to enact that fantasy. You weren't sure if that was good or bad.

Now, you stood before him, wearing a simple black dress that clung to your body and shone as if it were always wet, and your head felt too cold.

"I...don't hate it," you decided as you looked at your reflection.

"Good." he ran a hand over your smooth scalp.

"Will it grow back?"

"At first." he said in his accent that was growing more and more familiar to hear. "Eventually it will stop."

"And the rest...?"

He smirked, turning you to face him. "I told you, that will set you apart from my other darlings."

At the mention of their collective name, a hiss sounded from across the room.

You twisted your head to the side, spying the two women you had been introduced to three days earlier. One--who you had learned had been Feyd's the longest--sported a thick black line down her forehead today, but they were otherwise identical. They watched you curiously, bald heads tilted as they looked at you with big, black eyes. Their dresses were similar to yours, and as you glanced back at the mirror, you realized how you really didn't recognize yourself anymore.

Your teeth had been stained black already, your hair and eyebrows shaved and then the skin treated with something that the servants had explained would keep the hair away. You had already undergone one strange Harkonnen beauty treatment in what you had come to learn was a medical spa, and it was the only one that had frightened you--a strange machine had bared down upon you and done something to your eyes, injecting something that changed them and yet didn't change them, causing them to become big and black like Feyd's other darlings. You actually thought your eyesight was better now, somehow.

You matched them now, you realized, like a member of a set. Feyd Rautha's third concubine.

It was an upgrade from your last job, you supposed.

"It suits you." he pressed his lips to the base of your neck. "My darling."

"Thank you, Feyd," you said, growing more and more used to calling him by his name with every time you said it.

You felt him smirk against your skin. He was no doubt very pleased with himself, having managed to completely transform a murderous handmaiden into a sinister harpy in the course of only one week. Granted, Giedi Prime's days were significantly longer than on your home planet, but it was still a commendable haste.

"Come." he rasped in that gravelly voice you were beginning to love. "All of us. It is time for the arena."

He set off towards the door and you waited for the others before falling in behind them, moving as if the three of you had always belonged together.

"Will there be food?" one of them asked in a harsh, hissing voice.

"Yes," Feyd said gleefully.

"Hearts and lungs?" the other asked hopefully.

"Only the best for my darlings."

"Human?" she demanded clarification.

Feyd looked back over his shoulder, his eyes finding you even though he knew you had not asked the question. "Of course."

You stared back at him, swallowing hard. Human?

He grinned, and the others looked at each other excitedly. They both glanced to you and you gave the best black-toothed grin you could, not wanting to give any of them any reason to be displeased with you. Not after you had done so well all week.

Feyd Rautha led the way to the arena you had learned he loved to fight captured Atreides soldiers in, and after a short preparation (during which he killed at least two servants), a guard led him away while you and the others were taken up to a viewing room.

When you stepped inside you saw that a feast had already been laid out, platters of rare meat covering a short buffet table. As sunlight--or a lack thereof? Giedi Prime's sun continued to baffle you--light the room in that strange, black and white, infrared way, you stared at the food. You recognized it. Despite its human origins, you had no reason to be disgusted by it--because you had already eaten it, on that very first night, when Feyd Rautha had watched you cutting into your meal and commented on your presence at the dinner table.

As the others approached, picking out their favorites--lungs for one, a heart for the other--a grin found its way onto your face. Yes. Perhaps this was exactly where you belonged.

The crowd outside erupted in a roar of cheers as Feyd stalked into the sandy arena, and as you settled in next to the others to watch, you smiled to yourself. There was nowhere else you'd rather be in that moment than on Giedi Prime, eagerly awaiting the moment you could return to Feyd Rautha's chambers and celebrate his victory.

PART TWO

#feyd rautha #feyd rautha x reader #unheavenly creatures

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