#assignment 3

[cookie2351]

The Curious Case of Hotel Hollow - Assignment 3 Update & Development

For the group assignment Katherine's game was chosen to be developed. The game is called "The Curious Case of Hotel Hollow" and is a murder mystery game.

The game:

"The Curious Case of Hotel Hollow" is a pixel-art style platformer game that brings a good mix of light heartedness and strategy to a murder mystery.

Navigate through the platforms to find the clues to the mystery while utilising your flashlight, newspaper and broom to swat off the ghosts that try to stop you in your tracks.

Be careful though, the more you encounter ghosts, the more spooked you get.

Can you solve the murder before you get too scared?

Group one page assignment submission:

The clues will be located in different rooms in the hotel and the player must avoid the ghosts or scare them away with their torch. Find the clues to solve the mystery and survive.

Assets I created to be implemented into the game:

[thisbluespirit]

make me choose: @pers-books asked Silver or Sapphire.

[kelseys0311]

I decided to choose Henri Matisse, he tends to use a lot of bright and bold colors to create lively and energetic paintings. His work had a lot of bright reds, blues, and greens, arranged in simple yet striking patterns. Matisse’s colors express emotions and movement, making his art feel joyful and alive. His use of color isn’t just about decoration it creates a connection with the viewer, inviting them to feel happiness and warmth. Matisse’s work is a celebration of life, making his art both uplifting and easy to connect with.

[rclose01]

Some more excellent assignment 3 !

[mennatullahsalah]

2. Ideology

Figure 2: Frans Lemmens,"Kassita", 2012

 As per Scene-Now’s Fadila Khalid[1], this photograph features “three generations of one family, gathered together on low-ottomans around a table laden with ara’eesh and chai in front of them, laughing joyfully.” This is a family of Berber tribe gathering and having tea in Morocco[2]. “Kassita” is the name of the small town in Northeast Morocco[3], where this shot is taken.

This Photograph is a part of an Exhibition Called “The Archive of Love” and falls under the subtitle: “The Love for your Family”. Through this subtitle, it is plainly explained that this captured moment depicts the ideal definition of family in the Moroccan town “Kassita”. It is emphasized that all generations should ideally stay connected, share food, and sit together. The ideology of family union appears to be a positive and appreciated value through the subjects’ smiling facial expressions and the casual body language. This value appears to be a natural and ideal belief in the Moroccan town. Accordingly, this photograph emphasizes the ideological construction that this traditional concept is good.

 It is interesting to mention that the photographer is Dutch[4], who might find this scene very different from the one he has in his own western culture, and thus may not share the same ideology about family as the subjects of the photograph nor the Arab audience of it- because ideology is diverse and subjective. In addition, non-Arab audiences may find other connotations to the photograph, because they do not share the same culture and thus ideology. Nonetheless, the location where the photograph is produced makes it submissive to the dynamics of Moroccan social and ideological power.

[1] Fadila Khalid. (n.d.). An archive of love: The exhibit exploring intimacy in the Middle East. SecneNow. https://scenenow.com/ArtsAndCulture/An-Archive-of-Love-The-Exhibit-Exploring-Intimacy-in-the-Middle-East   

[2] Alamy, A. (n.d.). Morocco, Kassita, Rif mountains, family of Berber Tribe having tea. Get creative with stock photos and videos from Alamy. https://www.alamy.com/stock-photo-morocco-kassita-rif-mountains-family-of-berber-tribe-having-tea-51365294.html?imageid=C9D1BAEE-7CBC-4831-8C56-B26CFFC9CFD4&p=37592&pn=1&searchId=cd4ee641bf34781a8ccdb1380d60cca4&searchtype=0

[3] What does kassita mean? (n.d.). Definitions.net. https://www.definitions.net/definition/kassita

[4] Frans Lemmens - Google search. (n.d.). g.co. https://g.co/kgs/hz8muH

[soadghoniem]

#Assignment 3

[sopuu]

animation of jimmy getting owned in real life

bonus gif of him celebrating i made for funsies :] oh the oblivious bliss...

[onlineexamhelper-expert]

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November 27, 2023 - Monday

My giant plant is back! She is a bit dehydrated from being abandoned in the other place for a week but she’s here. I’m trying to recuperate myself, my plants, the house; everything 🌱

Today I made a make-up assignment for students who failed biology last semester.

[onyxeagle171]

Assignment 3 Development #11

Week 11 came with the first developing prototype of our group project "The Way Home" - to start we had a title screen and level select.

Designing this was a unique test, as I hadn't previously done any prior work with menus. While not complex to delve into, I ran into an unexpected issue with the font - we had been wanting to use the Sue Ellen Francisco font for it's homey style, but the typical text of Gdevelop couldn't properly display it. The font was too tall for Gdevelop's display boxes, leading to the use of a free converter to turn the font into variously colored BitMaps for use in the game. Once this was settled, the main meat of the 1st level was created. We had decided on Beans - the new name of our feline protagonist - needing to explore the side of the building to find a way inside.

To do this, we used a couple of gently guided puzzles (a movable bin and a climbable drain pipe) to introduce the player to the game and it's fairly standard platformer movement.

Making this process, one of the more tedious parts was having to construct dialogue bubbles and text, which reduced and decreased in opacity depending on play distance. This proved time consuming given Gdevelop's lack of functions, but was ultimately simple. Moving forward into the next week, the group plans to finish constructing level 2 (with our first and only enemy, no less!). We intended this one to be a more difficult level with less handholding and a more substantial challenge for players.

[cookie2351]

Assignment 3 Playtesting and Early Post Mortem

"The Curious Case of Hotel Hollow" gameplay testing:

We went into this game project with a large scope. The aim of the game was to solve the mystery by finding clues throughout the game while fighting off ghosts and navigating the puzzles of the hotel rooms. The players aim was to collect all the clues to reveal and then fight off the cause of the mystery. Or if they failed along the way and got too scared, they would run away.

As can be seen in the gameplay footage, the game incorporates a scare meter in the top left that fills up when ghost come into contact with the player. The player also has a torch battery that if it runs out leaves the player very vunerable to the ghosts, so they have to be careful with usage. There are light switches in the rooms that once turned on scares the ghosts away and allows the player to save their precious torch battery.

As the scope of our game was so big, there were some cuts made that we aimed to implement.

At this stage though the game is in a playable state!

To be added are the art assets as furniture decorations and objects. Also, the wooden and stone tile sprites to fit more with a hotel aesthetic.

With such a short time to create a viable project and such a large scope we are happy with our ability to produce a working game, although far from its original aim. We had grand ideas for the level design and decorations and player obstacles but just didn't get to the stage of development to implement them.

[givesonl]

Assignment 3 - Postmortem

As we reach the end of our development cycle, it's time to reflect on the journey of creating our game. This post-mortem highlights the key aspects of our development process, the challenges we faced, and the successes we achieved.

Concept and Vision

Our game was envisioned as an engaging platformer with a focus on fluid movement mechanics and a captivating story. We aimed to blend challenging gameplay with a rich narrative, providing players with an immersive experience.

Development Highlights

Initial Prototyping:

Core Mechanics: We started with the basics – running, jumping, and dashing. Early prototypes focused on perfecting these mechanics to ensure they felt responsive and satisfying.

Visual Design: Initial art assets were created to establish the game’s aesthetic. We focused on a vibrant and inviting visual style to attract players and create a memorable experience.

Playtesting and Feedback:

User Feedback: Conducting multiple rounds of playtesting was crucial. We gathered detailed feedback on controls, level design, and overall gameplay experience. This feedback was instrumental in shaping the final product.

Iterative Improvements: Based on playtester feedback, we made several iterations. Key changes included adjusting control mechanics, enhancing obstacle visibility, and revising the lives system to balance difficulty.

Final Touches:

Narrative Integration: We refined the storytelling aspects, embedding the narrative more seamlessly into gameplay. This helped create a cohesive experience that kept players engaged.

UI and Visual Enhancements: Final adjustments to the UI and visual elements ensured clarity and improved player experience. This included adding visual indicators for abilities and interactive objects.

Challenges Faced

Balancing Difficulty: One of the main challenges was finding the right balance between challenging gameplay and accessibility. Ensuring that the game was difficult enough to be engaging, but not frustrating, required multiple iterations.

Technical Hurdles: Implementing smooth and responsive controls while avoiding bugs was a significant technical challenge. Issues with dash mechanics and collision detection were particularly tricky to resolve.

Successes and Achievements

Player Engagement: The positive feedback from playtesters on the game’s art style and core mechanics was a huge success. Players enjoyed the visual design and found the movement mechanics satisfying.

Community Involvement: Involving the community through playtesting and feedback sessions was invaluable. It not only helped improve the game but also built a supportive community around our project.

What’s Next?

While this marks the end of this development cycle, it’s just the beginning of our journey. We plan to continue refining the game based on ongoing feedback and are excited about future updates and potential expansions.

Thank you to everyone who supported us along the way – from our dedicated playtesters to our talented development team. Your contributions have been essential in bringing this game to life.

[whysosiriusb]

Assessment 3 Post-Mortem

Over the last few weeks, our group has put in plenty of work into finalising our game, Asteroid., and subjecting it to plenty of playtests. Guided by the advice of the textbook, particularly Chapters 1 and 9, we strived to design a fun and enjoyable experience for the player. Overall, we were very satisfied with the game we designed. The aesthetic was what we intended, the functionality was all present, the sound design and music matched the style of the game as well. We implemented a cutscene, designed new enemies and a brand new wave system to scale the difficulty as the player progresses. Playtesting highlighted several flaws in our game design, but we also had plenty of solutions to hopefully fix these issues and make the game more enjoyable for players.

If we had to redevelop the prototype, the main advice would be to alter the movement physics from the beginning, as this was the most common item of feedback we received. That way, we could spend more of our time during playtesting focusing on other elements of the game. Also, we should increase the ultimate gain, as this would have allowed every player to see the ultimate and give proper feedback on it. Furthermore, updating the UI elements in advance would have allowed players to be less confused regarding their functionality, and can thus devote more of their attention to the game instead of trying to figure out what the various UI elements were for.

If we had to change the design of the prototype, there are a few things we could have altered. Firstly, a greater variety of enemies would have increased the challenge for players, and prolonged the time until players began feeling unengaged, though hopefully these new enemies could keep the player engaged at all times. Furthermore, although we had a score, we originally intended to implement a scoreboard, but we never did. This would be a great way to encourage players to keep trying again to beat their high score, and add in another element of challenge to the game. Additionally, we could have added in various powerups that could briefly affect the moment-to-moment gameplay. The ultimate ability was one such example, though we had planned several others such as a shield or an asteroid storm, however, we never managed to get these implemented. Lastly, adding in a tutorial stage would have helped players understand the objective of the game and combat, the controls and the use of the UI, ideally removing any confusion they may have had before starting the game proper.

Overall, I was very happy to have worked on this game. I had the opportunity to test myself in creating music, something I hadn't done before, as well as work collaboratively on code using GitHub, which I had also not done prior to this project. Working within the design framework of another person's game was quite challenging at first, but once we all understood the intentions of the games original designer, we were able to work within the framework and concept he created to develop his game concept into a fully developed prototype.

Fullerton, T. (2018). Game design workshop : A playcentric approach to creating innovative games, fourth edition. CRC Press LLC.

[rclose01]

more great photo work for A3!

[mennatullahsalah]

1. Representation

Figure 1: Noureddiine Ait Mouden, “All things that have meaning, own the short age”, 2021

           This photograph “All things that have meaning, own the short age” belongs to the Moroccan artist’s latest collection: “Between Life and Roses”. In this collection, the artist portrays the impact and “life” that flowers give to different human beings[1]. These impacts differ from one person to another. He highlights that although flowers have short age, yet the meaningful effect they have on our lives is immortal, because how these flowers make us feel is carved and continues to live in our memories.

           In this photograph, the artist sets the composition by representing a young Moroccan boy (the subject), who smells a bunch of vibrantly colorful flowers (the element of his collection). Their placement and scale makes them the audience’s focal point. Through this composition, Mouden depicts the human relationship with flowers. The human observes the flowers’ vibrant pleasing colors and smells its aromatic fragrance to induce joy and happiness as an effect. The natural sunlight comes from top right direction, that casts the shadow of the flowers on the boy, and I think this symbolizes the effect that flowers have on our souls. The below level camera angle shows the clear blue sky, which keeps the audience focused on the main subjects without distraction. Also, the color blue transmits a calm mood to the audience, which aligns with the calm effect of smelling the fragrance of beautiful flowers, and this again links back to the artist’s theme and main message.

           The choice of the subject also contributes to the effective communication of the message. The artist mentions in his Instagram post that flowers provide us with life even though the flower itself has a short life. Thus, the choice of featuring a young boy that is still starting his life (juxtaposing with the flower that is ending its lifecycle) successfully communicates the message that flowers pass life (positive impact and meaning) to us as human beings for us to carry on and continue against life’s hardships. Besides, the young age of the subject most likely associates him with innocence and this accentuates the spiritual message of the artist, and makes it touch the audience’s hearts. As per my research, children of Morocco face issues like child labor, migration, and sexual violence[2]. According to this cultural context, I interpret that this image employs the flowers as symbols of hope that Moroccan children sniff, dreaming of a better future.  

This is how the photographer effortfully arranged the composition of the image to visually represent his message and meaning to the audience.

[1] Between Life and Roses. (n.d.). Instagram. https://www.instagram.com/p/CWy67-_qhIa/?igshid=MDJmNzVkMjY=

[2] Children of Morocco and Western Sahara. (2022, October 31). Humanium. https://www.humanium.org/en/morocco-and-western-sahara/

[lavphire-games]

Week 13 - Assignment 3 Postmortem

What I learned

How to collaborate with others in the creation of the game

Making a title screen

Making an interactable tutorial

What I struggled with

There was a problem where building the game will result in the image below happening, though it is now fixed.

And that's it for my blog posts for IGB120! All in all, I had fun creating all the games for the unit, and will be making more in the future.

[onyxeagle171]

Assignment 3 Group Formation and Planning #10

Leading into week 10, we got to form groups of three with our peers as we prepared to get into assignment 3 - creating our very own game based off one of our OneSheets. During this, I paired up with the awesome Natalie and Brandon, where we decided to further develop Nat's design, called "The Way Home".

Going from here, we amended and worked over the onesheet to adapt it for the assignment. From the start, the group was eager to keep the unique charm of the proposal - we kept the platformer and story based aspect, focusing more on narrative and puzzles rather then hack-n-slash, infinite progression or the like. We decided to make 2-3 levels with the story and proceed from there.

In terms of group talents, we all had our general specialties. Nat was the artist, to create assets for the game, while Brandon was happy to facilitate putting most of the assignment together and largely manage the writing. Meanwhile, I was volunteered coding and putting the game together in Gdevelop. Happy with our allocations, we got to work putting together our part 1 submission - which included what our lecturer's referred to as our "Minimum Viable Product" (also known as an MVP).