#assets magazine | Explore Tumblr Posts and Blogs

mostlysignssomeportents · 5 months

Text

Podcasting “Capitalists Hate Capitalism”

I'm touring my new, nationally bestselling novel The Bezzle! Catch me in Torino (Apr 21) Marin County (Apr 27), Winnipeg (May 2), Calgary (May 3), Vancouver (May 4), and beyond!

This week on my podcast, I read "Capitalists Hate Capitalism," my latest column for Locus Magazine:

https://locusmag.com/2024/03/cory-doctorow-capitalists-hate-capitalism/

What do I mean by "capitalists hate capitalism?" It all comes down to the difference between "profits" and "rents." A capitalist takes capital (money, or the things you can buy with it) and combines it with employees' labor, and generates profits (the capitalist's share) and wages (the workers' share).

Rents, meanwhile, come from owning an asset that capitalists need to generate profits. For example, a landlord who rents a storefront to a coffee shop extracts rent from the capitalist who owns the coffee shop. Meanwhile, the capitalist who owns the cafe extracts profits from the baristas' labor.

Capitalists' founding philosophers like Adam Smith hated rents. Worse: rents were the most important source of income at the time of capitalism's founding. Feudal lords owned great swathes of land, and there were armies of serfs who were bound to that land – it was illegal for them to leave it. The serfs owed rent to lords, and so they worked the land in order grow crops and raise livestock that they handed over the to lord as rent for the land they weren't allowed to leave.

Capitalists, meanwhile, wanted to turn that land into grazing territory for sheep as a source of wool for the "dark, Satanic mills" of the industrial revolution. They wanted the serfs to be kicked off their land so that they would become "free labor" that could be hired to work in those factories.

For the founders of capitalism, a "free market" wasn't free from regulation, it was free from rents, and "free labor" came from workers who were free to leave the estates where they were born – but also free to starve unless they took a job with the capitalists.

For capitalism's philosophers, free markets and free labor weren't just a source of profits, they were also a source of virtue. Capitalists – unlike lords – had to worry about competition from one another. They had to make better goods at lower prices, lest their customers take their business elsewhere; and they had to offer higher pay and better conditions, lest their "free labor" take a job elsewhere.

This means that capitalists are haunted by the fear of losing everything, and that fear acts as a goad, driving them to find ways to make everything better for everyone: better, cheaper products that benefit shoppers; and better-paid, safer jobs that benefit workers. For Smith, capitalism is alchemy, a philosopher's stone that transforms the base metal of greed into the gold of public spiritedness.

By contrast, rentiers are insulated from competition. Their workers are bound to the land, and must toil to pay the rent no matter whether they are treated well or abused. The rent rolls in reliably, without the lord having to invest in new, better ways to bring in the harvest. It's a good life (for the lord).

Think of that coffee-shop again: if a better cafe opens across the street, the owner can lose it all, as their customers and workers switch allegiance. But for the landlord, the failure of his capitalist tenant is a feature, not a bug. Once the cafe goes bust, the landlord gets a newly vacant storefront on the same block as the hot new coffee shop that can be rented out at even higher rates to another capitalist who tries his luck.

The industrial revolution wasn't just the triumph of automation over craft processes, nor the triumph of factory owners over weavers. It was also the triumph of profits over rents. The transformation of hereditary estates worked by serfs into part of the supply chain for textile mills was attended by – and contributed to – the political ascendancy of capitalists over rentiers.

Now, obviously, capitalism didn't end rents – just as feudalism didn't require the total absence of profits. Under feudalism, capitalists still extracted profits from capital and labor; and under capitalism, rentiers still extracted rents from assets that capitalists and workers paid them to use.

The difference comes in the way that conflicts between profits and rents were resolved. Feudalism is a system where rents triumph over profits, and capitalism is a system where profits triumph over rents.

It's conflict that tells you what really matters. You love your family, but they drive you crazy. If you side with your family over your friends – even when your friends might be right and your family's probably wrong – then you value your family more than your friends. That doesn't mean you don't value your friends – it means that you value them less than your family.

Conflict is a reliable way to know whether or not you're a leftist. As Steven Brust says, the way to distinguish a leftist is to ask "What's more important, human rights, or property rights?" If you answer "Property rights are human right," you're not a leftist. Leftists don't necessarily oppose all property rights – they just think they're less important than human rights.

Think of conflicts between property rights and human rights: the grocer who deliberately renders leftover food inedible before putting it in the dumpster to ensure that hungry people can't eat it, or the landlord who keeps an apartment empty while a homeless person freezes to death on its doorstep. You don't have to say "No one can own food or a home" to say, "in these cases, property rights are interfering with human rights, so they should be overridden." For leftists property rights can be a means to human rights (like revolutionary land reformers who give peasants title to the lands they work), but where property rights interfere with human rights, they are set aside.

In his 2023 book Technofeudalism, Yanis Varoufakis claims that capitalism has given way to a new feudalism – that capitalism was a transitional phase between feudalism…and feudalism:

https://pluralistic.net/2023/09/28/cloudalists/#cloud-capital

Varoufakis's point isn't that capitalists have gone extinct. Rather, it's that today, conflicts between capital and assets – between rents and profits – reliably end with a victory of rent over profit.

Think of Amazon: the "everything store" appears to be a vast bazaar, a flea-market whose stalls are all operated by independent capitalists who decide what to sell, how to price it, and then compete to tempt shoppers. In reality, though, the whole system is owned by a single feudalist, who extracts 51% from every dollar those merchants take in, and decides who can sell, and what they can sell, and at what price, and whether anyone can even see it:

https://pluralistic.net/2024/03/01/managerial-discretion/#junk-fees

Or consider the patent trolls of the Eastern District of Texas. These "companies" are invisible and produce nothing. They consist solely of a serviced mailbox in a dusty, uninhabited office-building, and an overbroad patent (say, a patent on "tapping on a screen with your finger") issued by the US Patent and Trademark Office. These companies extract hundreds of millions of dollars from Apple, Google, Samsung for violating these patents. In other words, the government steps in and takes vast profits generated through productive activity by companies that make phones, and turns that money over as rent paid to unproductive companies whose sole "product" is lawsuits. It's the triumph of rent over profit.

Capitalists hate capitalism. All capitalists would rather extract rents than profits, because rents are insulated from competition. The merchants who sell on Jeff Bezos's Amazon (or open a cafe in a landlord's storefront, or license a foolish smartphone patent) bear all the risk. The landlords – of Amazon, the storefront, or the patent – get paid whether or not that risk pays off.

This is why Google, Apple and Samsung also have vast digital estates that they rent out to capitalists – everything from app stores to patent portfolios. They would much rather be in the business of renting things out to capitalists than competing with capitalists.

Hence that famous Adam Smith quote: "People of the same trade seldom meet together, even for merriment and diversion, but the conversation ends in a conspiracy against the public, or in some contrivance to raise prices." This is literally what Google and Meta do:

https://en.wikipedia.org/wiki/Jedi_Blue

And it's what Apple and Google do:

https://www.theverge.com/2023/10/27/23934961/google-antitrust-trial-defaults-search-deal-26-3-billion

Why compete with one another when you can collude, like feudal lords with adjacent estates who trust one another to return any serf they catch trying to sneak away in the dead of night?

Because of course, it's not just "free markets" that have been captured by rents ("Competition is for losers" -P. Thiel) – it's also "free labor." For years, the largest tech and entertainment companies in America illegally colluded on a "no poach" agreement not to hire one-anothers' employees:

https://techcrunch.com/2015/09/03/apple-google-other-silicon-valley-tech-giants-ordered-to-pay-415m-in-no-poaching-suit/

These companies were bitter competitors – as were these sectors. Even as Big Content was lobbying for farcical copyright law expansions and vowing to capture Big Tech, all these companies on both sides were able to set aside their differences and collude to bind their free workers to their estates and end the "wasteful competition" to secure their labor.

Of course, this is even more pronounced at the bottom of the labor market, where noncompete "agreements" are the norm. The median American worker bound by a noncompete is a fast-food worker whose employer can wield the power of the state to prevent that worker from leaving behind the Wendy's cash-register to make $0.25/hour more at the McDonald's fry trap across the street:

https://pluralistic.net/2022/02/02/its-the-economy-stupid/#neofeudal

Employers defend this as necessary to secure their investment in training their workers and to ensure the integrity of their trade secrets. But why should their investments be protected? Capitalism is about risk, and the fear that accompanies risk – fear that drives capitalists to innovate, which creates the public benefit that is the moral justification for capitalism.

Capitalists hate capitalism. They don't want free labor – they want labor bound to the land. Capitalists benefit from free labor: if you have a better company, you can tempt away the best workers and cause your inferior rival to fail. But feudalists benefit from un-free labor, from tricks like "bondage fees" that force workers to pay in order to quit their jobs:

https://pluralistic.net/2023/04/21/bondage-fees/#doorman-building

Companies like Petsmart use "training repayment agreement provisions" (TRAPs) to keep low-waged workers from leaving for better employers. Petsmart says it costs $5,500 to train a pet-groomer, and if that worker is fired, laid off, or quits less than two years, they have to pay that amount to Petsmart:

https://pluralistic.net/2022/08/04/its-a-trap/#a-little-on-the-nose

Now, Petsmart is full of shit here. The "four-week training course" Petsmart claims is worth $5,500 actually only lasts for three weeks. What's more, the "training" consists of sweeping the floor and doing other low-level chores for three weeks, without pay.

But even if Petsmart were to give $5,500 worth of training to every pet-groomer, this would still be bullshit. Why should the worker bear the risk of Petsmart making a bad investment in their training? Under capitalism, risks justify rewards. Petsmart's argument for charging $50 to groom your dog and paying the groomer $15 for the job is that they took $35 worth of risk. But some of that risk is being borne by the worker – they're the ones footing the bill for the training.

For Petsmart – as for all feudalists – a worker (with all the attendant risks) can be turned into an asset, something that isn't subject to competition. Petsmart doesn't have to retain workers through superior pay and conditions – they can use the state's contract-enforcement mechanism instead.

Capitalists hate capitalism, but they love feudalism. Sure, they dress this up by claiming that governmental de-risking spurs investment: "Who would pay to train a pet-groomer if that worker could walk out the next day and shave dogs for some competing shop?"

But this is obvious nonsense. Think of Silicon Valley: high tech is the most "IP-intensive" of all industries, the sector that has had to compete most fiercely for skilled labor. And yet, Silicon Valley is in California, where noncompetes are illegal. Every single successful Silicon Valley company has thrived in an environment in which their skilled workers can walk out the door at any time and take a job with a rival company.

There's no indication that the risk of free labor prevents investment. Think of AI, the biggest investment bubble in human history. All the major AI companies are in jurisdictions where noncompetes are illegal. Anthropic – OpenAI's most serious competitor – was founded by a sister/brother team who quit senior roles at OpenAI and founded a direct competitor. No one can claim with a straight face that OpenAI is now unable to raise capital on favorable terms.

What's more, when OpenAI founder Sam Altman was forced out by his board, Microsoft offered to hire him – and 700 other OpenAI personnel – to found an OpenAI competitor. When Altman returned to the company, Microsoft invested more money in OpenAI, despite their intimate understanding that anyone could hire away the company's founder and all of its top technical staff at any time.

The idea that the departure of the Burger King trade secrets locked up in its workers' heads constitute more of a risk to the ability to operate a hamburger restaurant than the departure of the entire technical staff of OpenAI is obvious nonsense. Noncompetes aren't a way to make it possible to run a business – they're a way to make it easy to run a business, by eliminating competition and pushing the risk onto employees.

Because capitalists hate capitalism. And who can blame them? Who wouldn't prefer a life with less risk to one where you have to constantly look over your shoulder for competitors who've found a way to make a superior offer to your customers and workers?

This is why businesses are so excited about securing "IP" – that is, a government-backed right to control your workers, customers, competitors or critics:

https://locusmag.com/2020/09/cory-doctorow-ip/

The argument for every IP right expansion is the same: "Who would invest in creating something new without the assurance that someone else wouldn’t copy and improve on it and put them out of business?"

That was the argument raised five years ago, during the (mercifully brief) mania for genre writers seeking trademarks on common tropes. There was the romance writer who got a trademark on the word "cocky" in book titles:

https://www.theverge.com/2018/7/16/17566276/cockygate-amazon-kindle-unlimited-algorithm-self-published-romance-novel-cabal

And the fantasy writer who wanted a trademark on "dragon slayer" in fantasy novel titles:

https://memex.craphound.com/2018/06/14/son-of-cocky-a-writer-is-trying-to-trademark-dragon-slayer-for-fantasy-novels/

Who subsequently sought a trademark on any book cover featuring a person holding a weapon:

https://memex.craphound.com/2018/07/19/trademark-troll-who-claims-to-own-dragon-slayer-now-wants-exclusive-rights-to-book-covers-where-someone-is-holding-a-weapon/

For these would-be rentiers, the logic was the same: "Why would I write a book about a dragon-slayer if I could lose readers to someone else who writes a book about dragon-slayers?"

In these cases, the USPTO denied or rescinded its trademarks. Profits triumphed over rents. But increasingly, rents are triumphing over profits, and rent-extraction is celebrated as "smart business," while profits are for suckers, only slightly preferable to "wages" (the worst way to get paid under both capitalism and feudalism).

That's what's behind all the talk about "passive income" – that's just a euphemism for "rent." It's what Douglas Rushkoff is referring to in Survival of the Richest when he talks about the wealthy wanting to "go meta":

https://pluralistic.net/2022/09/13/collapse-porn/#collapse-porn

Don't drive a cab – go meta and buy a medallion. Don't buy a medallion, go meta and found Uber. Don't found Uber, go meta and invest in Uber. Don't invest in Uber, go meta and buy options on Uber stock. Don't buy Uber stock options, go meta and buy derivatives of options on Uber stock.

"Going meta" means distancing yourself from capitalism – from income derived from profits, from competition, from risk – and cozying up to feudalism.

Capitalists have always hated capitalism. The owners of the dark Satanic mills wanted peasants turned off the land and converted into "free labor" – but they also kidnapped Napoleonic war-orphans and indentured them to ten-year terms of service, which was all you could get out of a child's body before it was ruined for further work:

https://pluralistic.net/2023/09/26/enochs-hammer/#thats-fronkonsteen

When Varoufakis says we've entered a new feudal age, he doesn't mean that we've abolished capitalism. He means that – for the first time in centuries – when rents go to war against profits – the rents almost always emerge victorious.

Here's the podcast episode:

https://craphound.com/news/2024/04/14/capitalists-hate-capitalism/

Here's a direct link to the MP3 (hosting courtesy of the Internet Archive; they'll host your stuff for free, forever):

https://archive.org/download/Cory_Doctorow_Podcast_465/Cory_Doctorow_Podcast_465_-_Capitalists_Hate_Capitalism.mp3

And here's the RSS feed for my podcast:

http://feeds.feedburner.com/doctorow_podcast

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/04/18/in-extremis-veritas/#the-winnah

#pluralistic #technofeudalism #yanis varoufakis #rents #profits #economics #podcasts #locus magazine #mp3s

1K notes · View notes

wraithdance · 1 month

Text

Good Boy [part 1/2]

CW: Mentions of canon childhood trauma & abuse, loss of virginity (Simon), using sex as self harm, my man being traumatized and bitch-less, awkwardness, eventual reader mention, lots of internal dialogue I’m setting sumthn up for the next part

Simon is aware he wasn’t pretty or particularly personable. He didn’t ever really need to be.

Even before the scars and the night terrors that kept him up as he meticulously arranged and dismantled his service pistol, he’d never been one to get the girl.

The years spent supporting his mother and saving Tommy’s ass, while also surviving his father’s blows, took up what was a joke of a childhood. There were no movie dates or pretty birds under his arm or texting his phone (not like he had one). Not even the time to wank to whatever model graced the cover of the cheap magazines his mother hid.

He’d lost his virginity in the most clinical way in the back of the butcher shop he’d worked as a teenager. Couldn’t remember the face of the bold older girl that offered to suck his cock when he went on break. Simon had been befuddled that she’d wanted to repay him with a quickie because he’d discounted the cut of meat she’d been sent to pick up for her mother. He’d accepted nonetheless and followed as she lead him to the back of the alley between the shop and laundromat.

Simon had been stiff, unable to enjoy the feeling of her hot, pink glossed mouth taking his prick as far as she could manage. He’d been too preoccupied with the fear of being caught by his boss and the uncomfortable feel of her teeth snagging the sensitive skin of his shaft. He remembered her offense when she’d asked him if she was making him feel good and he’d said no.

At 18 he was still unaccustomed to the concept of lying to spare another’s feelings.

Expecting her to give up he’d tried to thank her (which offended her more) and stuff his cock back into his work jeans. Instead she’d rolled her eyes and lifted her skirt, positioning herself against the brick wall. She’s all but snapped at him to hurry the fuck up and put his cock inside her.

His hands had trembled as he worked himself into her cunt. She’d hissed around the gum in her mouth when he’d pressed the head of his cock past her slick hole, barking that he was too big and to go slow. He tried, the restraint it took to not chance her ire and rut into her like a dog made his teeth crack with how hard he clenched his jaw. She’d yowled like the female cat that made home behind the trash can when it was in heat. He’d nearly slipped out of her afraid he’d hurt her. She’d called him a fucking idiot and demanded he fucked her until she said stopped. So he did.

The force of his orgasm nearly made him black out, through the muffled roar of his blood in his ears, he’d been able to heed her warning to pull out.

He’d been apologetic about the cum that dripped on her open toed shoes. She’d ignored him and scrapped what she could off with a business card he kept in his apron, while he buckled his pants. She’d come inside to grab her parcel of meat and ignored him. His boss had come from the back office and took one look at the retreating girl before shaking his head at Simon.

When he’d joined the military he’d lost what was left of his naivety. There was no room for apologies and mincing words when seeing the life drain from your enemies eyes. For the first time in his life his roughness and straight speech was an asset.

Tactical. Strategic.

Those were the kind of things they said in praise as they pat him on the back.

He’d embraced it, embraced the part of him that would always be his father’s son and he raised hell in honor of his majesty.

He couldn’t look himself in the eyes in the mirror much less imagine the kind of life MacTavish went on about. Always talking about a house in the highlands and a pregnant wife with a barn full of children.

‘Ye can’t tell me ya don’t want the same L.T’

Johnny would say in the dead of night. Always while ‘keeping company’ at Simon’s shoulder while he watched the world through his sniper. Simon’s hands had always sweat beneath his gloves at the talks of imagined lives outside of the shithole safe house they were holed up in. Sometimes he’d grunt noncommittally and Johnny would take the hint and entertain himself with something else. Other times it took a gruff

‘Shut the fuck up MacTavish’

Johnny would be blissfully quiet awhile and the part of Simon that was still his mother’s son would rear his head long enough to transmute a sense of guilt. It was always short lived because Johnny was persistent, forgiving.

He’d bounce back after some time and laugh at whatever joke Simon had in his arsenal in lieu of an apology.

‘It’s alright L.T we’ll find ye a nice Lass to settle down with’ MacTavish’s eyes would sparkle in mischief. Convinced that was the solution to every problem.

Simon thinks about it often when in the bare apartment he calls home when forced on leave. On nights he can’t think of anything but of the echoes of blood and blows across his body, he thinks of what it would be like to have something to come home to. He never gets too far because there’s no frame of reference to use. Just a nameless girl who’d taken his cock in an alley way.

Simon learned that the more he lost himself to the entity that was Ghost the more women gave him the time of day. It was like the self loathing and dark acerbic energy that kept him tethered to the living was a beacon.

The first time it happened he’d made a mousy girl cry. She’d been dared by her friends to approach him at a bar. He’d felt her eyes on him throughout the night, choosing to ignore her. The mask protected him from the itch that came with being perceived in civilian life. He’d been somewhat prepared for her to get the courage to come up to him, having learned that some people were stupid enough to go against their predator/prey instincts. He hadn’t been prepared for the soft hand that trailed across his back to get his attention.

He’d humiliated her. Towered over her and cut her down with words until dark spots danced at the corner of his visions, until she’d burst into sobs. He’d thrown down cash to cover his tab and left. The echoes of her friends calling him a fucking bastard on his heels.

Much like the first time he’d had sex he responded better to blatant requests to be fucked. The requests nearly always when out at drinks with his team. He’d gotten good at recognizing the telltale signs of desperate interest. The glance over of his mates, the dilated pupils as they took in his mask and covered form. On the days he couldn’t be arsed he ignored them. When he needed to feel something other than nothingness he’d meet their eyes. Signal with his head to meet him in the dingy hallway or the back alley.

Always the same as the first time. Spreading their legs against the brick, rutting deep and wasting his spend on the asphalt. With experience he’d learned to grip their necks and maneuver their bodies just so. Overtaking their senses and giving them the fantasy of being just a cunt for him to fuck. In the end he always felt like the one being used.

Sometimes they wanted more from him. A kiss, a call, a second time. He’d occasionally entertained it, the prickling desire to have that dream Johnny painted. It always ended the same. His career kept him away, he was too closed off, the novelty of fucking the guy who scared their friends wore off. And he was left feeling more like a shell.

He stopped recognizing himself in the mirror after a while. A stranger stared back at him with lifeless eyes and a body that belonged to someone else.

The night he met you he’d been unprepared. You’d stared at him like the others. Flickering eyes back and forth taking him in with interest. Gaz and Johnny had noticed and made jokes that set his teeth on edge. He’d told them to piss off.

He caught you staring at him once more, holding your gaze with lidded eyes. You didn’t look away or act coy and embarrassed.

Good.

Subtly he motioned to the bars entrance. You frowned.

He watched you stand up and collect your bags and he took down the rest of his tepid beer. Gaz and Johnny whistled loud and obnoxiously, until Price rallied them in with a half hearted threat.

Simon is making his way through the crowded pub keeping track of your movements. He’s got a cigarette out and lit when you cautiously tip toe out into the night.

He’s watching your nervous shuffling from behind the tendrils of smoke. You seem to make up your mind about something because your shoulders set apart and you straighten your back. Brave little thing.

“Can you model for me-“

“Lift your skirt-”

Your eyes are peeled wide in disbelief. He’s honestly just as confused but hides it with a flick of the cigarette ash.

“Wot?”

“Uh? I asked if you could model for me,” you’re not quite fidgeting but you aren’t really focusing on him. Your eyes are looking just past his shoulder in a facsimile of eye contact. Something about it bothers him.

He flicks the half spent cigarette to the concrete and pulls away from the wall. You don’t step back from his size or flutter your eyes like a pretty bird. You’re taking him in like you’re categorizing him.

“Wots this about modeling? I thought you followed me out to ask for my cock.”

Your nose wrinkles at the crassness.

“No sorry, I thought you just wanted to talk in a quieter area,” you look around at the alleyway for a spell before facing him. “Honestly it seems a bit unsanitary to have sex out here don’t you think?”

He snorts. He’d never heard any objections before. He’d also never had sex in a bed either though.

Simon had long since learned he was good enough to fuck in alleys or cars between shifts. Sometimes couches if he made it across the threshold. Never had any qualms around it until you mentioned it.

It’s a grating thought he doesn’t want to dwell on. He’s turning to leave when you step in front of him with arms raised.

“Wait!” He is glowering down at you unimpressed.

“I’m sorry I really did want to ask you to model for me!” You’re panicking and inching closer to the bar door as if hoping to block his exit with your body. A laughable thought. You must realize it too because your hands drop listlessly to your side.

“Listen, I’m an author and I need someone to pose for a cover mock up for a series.” He scoffs.

“And you thought I’d be a fit?”

“Well yeah!” Your eyes light up in excitement and you ramble out a stream of things he doesn’t quite catch. His focus on the curve of your cheeks and the sense of life you emit. His cock is half chubbed in his pants watching you.

After awhile your rambles trail off and you stare at each other. Realizing he had no plans to respond you sigh in defeat.

“Look take my card,” you’re reaching into your pocket for a wrinkly square. “I’m serious I really do think you’d be a great model for my series and I’d really like to treat you to coffee if you’re willing to hear me out.”

Simon isn’t sure why he takes the card, but he does. He’s looking at the hand doodled picture of a dog and the chicken scrawl beneath the text stating ‘Expert Dog Walker’. He gives you a flat look that causes you to grimace.

“It’s my day job, you know what they say about starving artists and all.” You joke.

He doesn’t laugh.

He instead pockets the thin square and steps around you. You’re on his heels following him inside. He gives you a look as a sign of dismissal that you scoff at but you take the hint.

He watches you leave from the corner of his eye while he settles down at the table with his team.

‘You’re back a little early mate.” Gaz prods.

“The lass dinnae look too happy with your performance LT what did ye do? Do ye need me to tell you how to put it in.” Soap claps a hand over Simon’s shoulder that he shoves off.

Price observes him quietly with arms crossed. Simon doesn’t tell them about your odd little request at all.

He fingers the card in his pocket throughout the night. He looks at your scrawled name as he washes the eye black from his face, your card tucked into the mirror.

He has the number memorized by the time he’s done.

#wraith king #simon ghost riley

449 notes · View notes

s-4pphics · 2 months

Text

errrr……. hey…

uhhh this is awkward hey what do we do when we’re grieving? write ab arranged marriages slayyyyyy errrr yeah here’s that see yall next month or year or whatever

—

“I want a divorce.”

Your tone doesn’t waver nor break, voice engulfed in plainness.

It was one of the issues Ellie’s had since your marriage: an act to combine assets initiated by your parents. They never intended to have a daughter — you told Ellie the night of your honeymoon — but when your mother laid eyes on you, warming you with the skin of her chest for the first time, she painted your entire future in her mind. An object. The finest to be drenched and drowned in riches and diamonds, only living under multi-million dollar homes owned by your husband’s family name. Just as long as you played your role. A silent, unopinionated, docile baby-making machine.

Your parents nearly had a heart attack when they found one of your diaries filled with pictures of naked women, either hand drawn or torn from pages of your father’s filthy magazines. Your mother told you she should’ve aborted you, just when you thought you’d finally have a normal birthday party. The heavy breaths of your sobs extinguished the flame above your 18th candle.

But you’re 22 now; fabulously wealthy, married and…

Staring at your wife… plainly, even though the flames in your eyes rages war. The dining table is a battleground and a red dot punctures right through Ellie’s forehead. She’s not sure what you are.

Your marriage was not ideal. Not only was it forced and filled with shame, but Ellie grew resentful rather quickly. Towards the man that brought her into such a shrouded lifestyle, towards the heavens above for cursing her with life, but when she couldn’t attack, she brought it to your bedroom. You suffered, she’ll admit. It only took two weeks into your marriage for her to find an escape through other unassuming women while you laid in your shared bed with a tear-soaked pillow. You never knew when she’d come home, but when she did, she never failed to berate you. It carried on for months, the blame; blaming you for everything that’s happened to her thus far, despite her knowing that you’re a victim just as much as she is. You were her only emotional outlet. Or punching bag.

But despite every torment she threw your way, you never failed to smile at her the next morning with her coffee in your hands.

You always remained silent. Until now.

The delicious meal you prepared has soured on her tongue. All she can do is stare at you in disbelief.

She takes in the polite fold of your hands, 16 carat, rose gold, wedding band still on your ring finger. Her eyes rush over the plumpness of your lips, the delicate curve of your nose, the rise and fall of your chest… the way your breasts expand in your flowery dress with each breath.

Ellie swallows, nearly choking at the sudden dryness in her throat.

“… What?”

“I want a divorce.”

Your tone raises. Not aggressively; that wouldn’t fit you. You wanted her to hear you.

She huffs despite the burning tips of her ears. “I’m sure.” She mocks with a smirk.

Your eyes squint. “I’m not joking.”

“You know who else wasn’t?” She leans across the table, pinning you with her gaze, “Our parents. They don’t give a fuck about what we do and don’t want. We’re lucky they put us together.”

“I…”

Ellie flinches when your voice cracks to a whisper. Never once has the shell you mask yourself in cracked. Not once. Not in front of Ellie, your parents, her family, even strangers. You’ve never failed to put on a dazzling smile for the spectators.

“I want to be in love.” Tears free fall from your eyes and your chin trembles, “There’s no… I don’t have anyone. I never did.”

“I thought we could… at least be friends. I know you didn’t want this, I know — b-but… I can’t keep doing this. I feel like I’m dying—“

Ellie knows you’re talking about her, and guilt swallows her whole. It’s a shame, really; you’re gorgeous when you cry. Why’s her heart pounding this madly?

“I want someone to treat me like I-I’m alive, no one sees me, I d — don’t feel real —“

Ellie stands when your often assembled appearance begins to crumble. She’s never seen you so shattered, gasping for air like it’s limited. She recognizes this. You’re breaking, just like she did the night before she signed her life over to your family.

“Hey—“

Your seat goes flying back when your heeled feet plant on the marble floor, manicured nails clutching at the skin of your chest raw. She rushes over when your sobs crack, desperately trying to get air in your lungs with pleading and fearful eyes.

“Hey, hey, look at me, c’mon—“

Your fists pound against her chest in between wails, makeup streaking down your face, clumping your fluttery lashes. She calls out to you with hands on your soaked cheeks, tells you to count, to spell your name for her, but you can’t hear. You can’t function. Have you ever been this close?

Ellie curses before her hand flies into the jug filled with sphered ice cubes, shoving them into the side of your neck. They melt instantly from the heat of your skin, but you gasp and flinch from the cold.

“Yeah, feel that? Feels nice? Focus on that.”

Her hand delves into the jug until your jerky breaths calm into spluttered exhales. She’s sure she’s frost bitten.

You’re quiet again. Docile again. Anxious. Embarrassed. Heartbroken. And so fucking angry. Ellie’s getting whiplash looking into your eyes. They’re speckled with gold and… something foreign. She can’t place it. The hand on your cheek swiftly falls to her side.

“You—“ she clears her throat when you wobble, vibrating form pushing up against her, nose almost brushing hers, “You alright?”

But you say nothing, eyes distant. You simply step out of your heels with tightly clenched fists and jostled hair before walking towards the staircase.

“I’m very tired.” You say plainly over your shoulder before trekking up the steps. She watches cautiously until a door slams shut. She, after minutes of gawking at the staircase, takes in the scenery around her. Everything is where it should be… minus your plate is cold and untouched. But your wine glass is empty. She's not sure where the bottle is. Since when do you drink?

Her mind is unsettled and there’s a stutter in her chest. Your home is silent. A heaviness that weighs her down.

She assumed that the uncomfortable twist in her gut was from her own wrongdoings since your marriage.

Not at all.

Ellie’s concerned. There’s something off about you.

More off than usual.

#ellie williams concept #ellie williams au #ellie williams angst #ellie williams x female reader #ellie williams blurb #ellie williams x reader #ellie williams #ellie x fem reader #lesbian

767 notes · View notes

seeminglydark · 2 months

Text

A look-book and little break-down of Caro’s style and fashion Journey. I didn’t include their cheer uniform or GasCo uniform because those really didn’t influence their actual style much, other than the Varsity jacket and work jacket. I thought it would be fun to set it up almost like a magazine article and I’m in love with the results. I hope you enjoy it too. (The cover is my fave thing ever, just so you know.)

Here’s the Text:

Caro Greene, Cheerleader to Ghosthunter! An exclusive look at superstar Caro Greene’s style evolution. From femme to them!

The Teenage Years! Caro has been aware the high-femme style their parents chose for them was not the look they wanted for a long time, but didn’t know how to address it. Pairing their best friends tee-shirt over their Prom dress was the first step in figuring out their own personal style! From there, they tested out the route of borrowed too-big sweaters whenever they weren’t under the watchful eye of their family.

GasCo Era! Years of emotional neglect build until Caro chops off their hair, an asset more important to their parents than their happiness, and finds themself abruptly homeless, with nothing but some jeans, shirts and an oversized jacket belonging to their long-gone boyfriend. They get a job at the local gas station, and are gifted a new jacket that fits, with their new name on it, in their favorite color! More gender exploration leads them to a better haircut, and their first time trying a binder, and starting to not hate how they look.

Thrift stores, Sneakers, and T! Now in a new environment with supportive people at the GasCo, Caro discovers thrift stores and the tacky ‘80s aesthetic of their dreams. After years of other people controlling their body and looks, starting on low T is a big step in taking back control. They start wearing crop tops and sleeveless tees to show off new body hair, but also love chunky colored sweaters since they’re always cold. Sneakers go with everything, and when you’re short, the possibilities are endless in the kids shoes section.

Mil-Liminal! Caro’s podcast Mil-Liminal goes viral, and they are given the choice of staying faceless and anonymous, or taking the stage in live shows. They decide to do a face reveal, and that means choosing an iconic ‘look’ for their live performances. They choose their favorite color, GasCo Purple, and a jacket that is a blend of their varsity jacket and GasCo work jacket, two clothing pieces that always made them comfortable. They wear their trans identity on their sleeve, and top it off with the snapback look they donned years ago on their first venture ‘out’ as a teenager. The rest is history!

Current Caro! Which brings us to the present! There’s been some small changes, oversized sweaters and tees with a cosmic theme, which is new for the usually spookified Caro. They’re sporting white hair instead of their trademark blond, and have added a cross earring and a pendant to their Mil-Liminal uniform. A black snapback shows up as often as the purple one, and there’s a new bounce in their step, but perhaps they’ve just been indulging in too much coffee these days.

Caro Green is from my webcomics Seemingly Dark and Mil-Liminal, and podcast Mil-Liminal.

#original characters #look book #fashion #mini comic #nonbinary #trans journey #80s aesthetic #ugh I might even make a post with just the cover image #it heals my heart #anyway enjoy!

411 notes · View notes

katakaluptastrophy · 10 months

Text

What do the Fifth House actually do?

Sure, yes, ghosts and tradition and the Heart of the Emperor, and Watchers Over the River - but none of those things give you the kind of assets that mean you can dress your cavalier in a coat that "probably cost more than the Ninth House had in its coffers" for a dinner party.

It's made clear very early on that the Fifth are a power to be reckoned with. When they first receive the letter about the Lyctoral pilgrimage, Gideon assumes it would be on the Third or Fifth. Harrow, meanwhile, has frequently-repeated anxieties about the Ninth being subsumed by the Third or Fifth, to the point that she worries that the anniversary party invitation may be an attempt to wipe out the other Houses. Teacher describes the Fifth's relationship with the Fourth as "hegemonic". The Fifth loom so large in the cultural imagination, they even inform the name of the made up porn magazine that Gideon offers to Crux.

The links between the Third and the Fifth that both Gideon and Harrow make seem to reflect both the fact that these two Houses have particular power and influence, but also that they frequently cooperate. Judith writes about the close cooperation of the Second, Third, and Fifth, a relationship which becomes a source of tension as the scions seek to establish authority after the Fifth are murdered. Judith says:

“The Fifth are dead. I take authority for the Fifth. I say we need military intervention, and we need it right now. As the highest-ranked Cohort officer present, that decision falls to me.” “A Cohort captain,” said Naberius, “don’t rank higher than a Third official.” “I’m very much afraid that it does, Tern.” “Prince Tern, if you please,” said Ianthe.

Which makes it sound as though Abigail might technically have been considered the highest ranking person at Canaan House (likely because she was head of her House and not an heir in waiting like Judith or Coronabeth), and that following her death there is some question as to whether the Second or the Third should take control, but notably no suggestion that anyone else might.

We know what the Second do: they are the leaders of the Cohort and the Bureau, the military and intelligence that forms the core of imperial expansion. Most of the information that we get about the other Houses talks only about their cultural or ritual roles in the empire - we get very little in the way of gritty details of what happens outside of the Dominicus system.

We know a little bit about what the Third does - according to Tor they are cultural trendsetters and players in soft power, but the one detail we get in GTN itself is revealing: when Gideon imagines her glorious future in the Cohort, one of the assignments she considers boring is the prospect of being "in some foreign city babysitting some Third governor." Which makes it sound rather like the Second are conquering the planets and the Third are then running them. But the books are even lighter in details about what the Fifth do, beyond ghosts and manners.

However, there is one suggestive detail: an important topic in HTN is stele travel - the necromantic FTL used by the Nine Houses. And Mercymorn, in describing a stele, specifically states that Fifth House adepts are required for their construction. Which rather makes it sound like the Fifth have a monopoly on the manufacturer of the technology required for FTL travel. Now that in and of itself could be the basis of their enormous wealth - selling aerospace tech to an ever expansionist military is probably quite lucrative.

But there's another element of House imperialism that only gets mentioned in passing that doesn't seem to be entirely accounted for, which Judith describes in As Yet Unsent:

"Their other line of attack is the business contracts. They claim that the services asked of them by the Emperor were set down in lifetime contracts by previous generations, who assumed the contracts would be terminated upon the Emperor’s death."

There are obviously some unanswered questions about the imperialist project of the Nine Houses - both Augustine and Coronabeth question quite why it works the way it does - but from the above it sounds like in many respects it functions exactly as you would expect an empire to: as a vehicle for the exploitation of others' resources.

Perhaps the Cohort themselves administer these business contracts. Perhaps they fall under the purview of the Third House planetary governors. But if you're exporting resources from the living planets of your empire to the mostly desolate planets of the Dominicus system, you're going to need some FTL ships and a whole lot of bureaucracy.

And if there's one other detail that we get about the Fifth, it's that there is something significant about the political power of their bureaucracy. As Judith puts it: "Quinn himself is a Fifth House bureaucrat with all that entails."

Are the Second, Third, and Fifth so close and so powerful because they form the bedrock of the empire: the conquest, control, and exploitation of planets beyond the Dominicus system?

#the locked tomb #tlt #abigail pent #magnus quinn #judith deuteros #coronabeth tridentarius #the fifth house #the third house #the second house #We regret to inform you that spreadsheets dad is maybe running the necromantic East India Company

1K notes · View notes

leah-lover · 5 months

Text

A person more than an athlete. Nika mühl x reader

Love always had a way of consuming you. Whether it was your friendships, relationships with your parents, your friends, or even your romantic relationships, you felt the love in every part of your body. You loved deeply and wholeheartedly.

You were also a dedicated person. You gave your career all you had which in turn got you a championship in your freshman year.

Women's sports were trending, and you were on top of the pyramid. From sponsorship deals, to ads, interviews, and magazine shoots, you were everywhere. The spotlight didn't mean much to you though. All you cared about was the sleeping body next to you.

Nika was to you the prettiest girl in the world. For her you would absolutely do anything.

“ Good morning.” You whisper into her ear before you kiss her shoulder. “ Morning.” she responds, shifting to lay on her back.

You two start kissing. The kisses were short and sweet which left you needing much more. “ Baby I am gonna be late for class.” She says after pulling out.

“ But…” you start to protest before she cuts you off. “ Babe I still have to go all the way to my room, get ready and go to class. We will finish this later okay?” She says before getting out of bed. You sigh loudly as she wears her shirt and gets her stuff. “ I love you “ you say although what you say isn't clear because your face is hidden by a pillow. “ I love you too. I will see you in practice.” she says before she leaves.

The rest of the day went as usual. You got ready for class, which you attended. You then changed into your huskies' track suit and went to the gym.

You started out training all right. You did your activation, some shooting drills, lifted some weights and got some cardio done.

You didn't talk nika during all of this because coach geno sat you all down in the first session of the year and said. “ You all are UConn players now, you have a big legacy to follow. You need to focus, work hard and train hard, and while you are part of this team relationships with your teammates are absolutely forbidden.” However, you couldn't help but fall in love with the Croatian international, she captured your heart more than basketball everdid.

You thought something was up when the coach asked nika to go to his office for a chat but you didn't give it much thought instead you hung out with Paige and Kk. You didn't see nika leave because you were too busy learning a new dance with Paige.

“ Hey, can you give me a minute?” said the coach to you.

You then enter his office with an unsettling feeling in your stomach.

“What's up coach? “ you say as you dit opposite his desk.

“ Look, I am gonna be as straight with you as I was with nika. You heard what I said the very first time you came to this gym. And you know what is gonna happen now.”

“ Coach with all do respect you can't do this. We are good assets to this team and we have been performing well. We won a whole championship last year while being together.”

“ I'm afraid it is not up for questioning. You will terminate this relationship. You agreed to this when you first signed the contract with us. The contract stated that inter team relationships are forbidden. Plus Nina already agreed to it.”

You didn't know how you got out of that office or how you walked across campus to your dorm. All you knew was that Nika and you were done.

You opened your door, got in and sat on the floor as soon as you closed it. You started to uncontrollably sob. That's when you feel familiar hands wrap around you. Her smell and her touch were comforting.

“ I love you so much.” she whispered in your ear. You could feel her tears on your cheeks.

“ he said you agreed to the bullshit he said.” you say wiping your tears.

“ I couldn't not agree. If he cuts me from the team I am done. I have to go back home and all of this will be for nothing.”

“ We can keep it a secret again. I don't want to live without you.”

“ Baby, if he catches us again we can't come back from it. I love you so much baby but I can't.”

You kiss each other multiple times while holding one another on the floor of your dorm. Nika then leaves and you stay on the floor heartbroken for a long time.

You flipped a switch as soon as she left the door knowing that you aren't gonna wake up next to her, sleep next to her, kiss her, or be inside her.

The next day at training was miserable to say the least. You didn't sleep the night before, you didn't smile, or talk to anybody. Your performance displayed your sadness. You were missing easy shots, and you clearly weren't focused. You didnt talk to nika or look at her. You started like that for 2 weeks you didnt talk to anybody, all you thought about was how much you modded her touch.

“ baby please don't do this.” said nika to you one the way to practice. “ We need to talk.” she says before she pulled you into the medic’s room.

As soon as she closed the door, she pinned you to the wall and started kissing you. You missed the taste of her lips, the weight of her hands on your waist, the way her hands rubbed you sides and her tongue swiped across your.

“ i missed you so fucking much.” she says after pulling out.

“ I am not whole without you. I can't do anything without you. I missed you so much.” you say before kissing her again. You were hungry for her, you needed her more than anything in the world.

“ I don't like this without you. Would you please come back to me?.” she asks while swiping her thumb on your cheek.

“ if it cost me my life to be with you again.” you respond.

'I love you baby.’ she adds.

“ I love you more than you will ever know.” you respond.

#nika mühl #nika muhl #uconn women’s basketball #uconn huskies #uconn wbb #paige bueckers #women's basketball #wbb #ncaa women’s basketball #ncaa wbb #nika muhl x reader #woso #woso fanfics #woso imagine #woso community #woso x reader #woso request #woso smut

689 notes · View notes

milksuu · 11 months

Note

Hey hey heyyyy!!! It's me, the one that keeps stalking your page! 💙🧚‍♀️

I wanna say that OML I LOVE YOUR WRITING!!! AAAAHHH! And I'm so so so happy to see that

anyways, this is a request for how the heartsteel boys would react to a lover with big bazoinkers who usually wears baggy clothes suddenly wearing something tight fitted??? Heheehehehe.

Also, how would the react if you were hit on by someone else due to their lover having big personalities?? (You don't have to do this one if you're uncomfortable ofc!!)

Also, keep up what you're doing, feeding my unhealthy obsession with these fictional (but very attractive) men. I hope you have an amazing day/night!!!🧚‍♀️🧚‍♀️

❥ prompt: So, you got the big boinkers. The huge bagonzos. The gigantic bonobos. Whatever guys called boobs these days. You're super self-conscious about them, ever since you hit puberty. You've tried to hide them. But with the upcoming red-carpet event for the music awards, you can't wear baggy clothes next to your Heartsteel boyfirend. You had to look your best. Or as some would say, your breast. ❥ content/warnings: mild suggestive themes, possessive boyfriend energy, over protective boyfriend energy ❥ characters/pairings: v!Heartsteel (aphelios, ezreal, kayne) / f!reader

APHELIOS

Aphelio's thought you always looked cute and comfortable in your hoodies. In casual form, it was his aesthetic as well. Until the time came for a special event.

Aphelio's hadn't imagined exactly what you would wear. But surely, it might be a long-sleeve and turtleneck to match your conservative style. He understood how you felt about your particular assets. He would never suggest you to wear anything that didn't make you feel secure.

He was absolutely wrong. So, so, so wrong. (Wait. Did he actually like being wrong?) He got the long-sleeves part right. But the black mini-dress you sported hugged all the curves you possessed. With just a bit of thigh fat squeezed at the hem. If Aphelio's could ever speak again, he'd beg to be immediately silenced between those thighs. And at the top, there was a glorious boob-window that any e-girl would go absolutely rabid to have.

He had to look away a few times. Thankful to have a mask covering most of his flustered features. Maintaining a semblance of composure, he led you by the hand, speaking to you through squeezes between your hands.

Down the red-carpet, with flashing lights, the two of you posed. One camera man took a picture a little too angled for his liking. Your hand trembled in his. Blushing and holding your breath. Embarrassed tears pricked the corner of your eyes. Afraid of the possible lewdness that would be plastered in magazines. You didn't want to even imagine the headliners. And what would they say about Aphelio's? That he was dating some sort of 'all-boobs-no brains' bimbo? You wanted nothing like that for him.

Aphelio's sensed all of your emotions and didn't hesitate his next move. He dragged a discreet foot against the carpet, folding it in a manner that caused the paparazzo to trip. When the shady-cameraman fell, his camera smashed to pieces against the ground. The man dramatically fell to his knees, holding his head and weeping in buckets.

You gasped. Aphelio's merely rolled his eyes dismissively, tugging you way. He knitted his brows, and squeezed your hand tightly. You knew exactly what he did. You smiled, condensing your chest against his arm.

Feeling his face heat up again, he looked away. After acting so cool, and looking so cool, there's no way he'd let you see him blush like a high-school boy.

EZREAL

Ezreal never minded you wearing baggy clothes. He thought it was fun—for him! He loved diving underneath your oversized hoodie, and poke his head out the other side. Like you two were some odd circus attraction. That, or pretend he was a sailor drowning in a sea of boobies. He liked wearing the stylish hat.

He wasn't exactly sure what you would wear to the event, but he wished it was something he could fit inside later. He was joking. That was a total joke. So long as you were comfortable in it, he didn't mind.

When he saw you step out of the limo, his jaw completely dropped. He felt like one of those cool male-lead movie stars. Taking off his glasses in iconic slow-mo fashion, mouthing the words "Oh, Baby."

He spared zero time to lead you by the arm. Ready for from some press worthy photos he knew you two were going to absolutely rock.

Making it to the concessions room, where the liquor and horderves were plenty, it was prime time for music stars to socialize.

One young rapper approached, way too drunk off his drink, slurred with a smirk at your general direction. Commenting on whether or not Ezreal paid for you to have boob job in order to please him.

The giddy-boyish-sunshine smile turned utterly dark. The laugh he forced was ear grating. It chilled you to the bone. There was a flash of yellow. And briefly, you felt your arm empty of his presence. Then the scene unfolded. The man's drink completely spilled all over him. Another flash. He was pushed, stumbling to the ground.

Ezreal merely snickered into his suit sleeve when bouncers in the room dragged the drunk man away by the collar. Deeming him too drunk and unfit for the show, and subsequently tossed out.

Ezreal tugged you off to a far, secluded corner. He took you into his arms, squeezing tightly. Apologizing into your ear. You smiled softly, and rubbed his the back. Reassuring him you weren't hurt by the comment. And gave him a grateful kiss into his hair for sticking up for you.

KAYN

Kayn 'Big ol' Tiddle Bitties'. If he could change his middle name to that, he would. It'd be his other rap persona, in ode to your breasts. Rhaast approved. And sure, you may be insecure about them, but Kayn fucking hell wasn't. He swore, one day, he would scream in praise at the rooftops. (Thankfully that hasn't happened...yet.)

He prayed to every demon, anti-christ, Eldritch God on this forsaken plane of existence for you to bless his presence with those huge knockers. And holy shit, did you ever at the event.

From the outfit alone, if he leashed himself for you, and placed a crop in your hand, he'd be on all fours. This wouldn't be a classy event anymore. It'd be an all-out fetish party.

Sadly. Reality kept it to a red-carpeted event. Where he had to act professional. Lead you accordingly, and restrain himself on every level possible. It took all his effort to not just call an Uber and take you in nearest love-hotel.

After mingling before the show, it was time for the awards. You took your seat next to each other. As the event played on, with various performances, you felt something being thrown into your cleavage. You looked down, spotting popcorn. Turning a cheek, you saw a group of young men laughing. Making comments about your breasts, and high-fiving one another when they 'made the shot'.

Kayn noticed. And boy, was he about to lose his shit during a performance speech. You placed a hand against his chest, whispering for him not to make a scene, and not allow the clowns to hurt his reputation. Fine—he wouldn't commit a crime. But he would show them who they were fucking with.

You slapped a hand over your mouth, muffling any lewd noises. Kayn planted his face in your cleavage, biting and licking your chest. He took up all the popcorn, and spat it out the guys like buttered bullets. They jumped with looks of disgust, cursing under their breaths about how damn crazy he was. With a final growl, they scurried away.

Kayn cackled, and you had to shush him when Yone leaned back in his chair and gave a look.

an: holy shiii tysvm for this req. @ccraccz! you're a genius. pls keep stalking my page *smooches you* sadly i have to break this up into two parts, since I wasn't expecting to make it so long??? lmfao??? pls stay tuned for part 2

#heartsteel #heartsteel x reader #aphelios #sheida kayn #ezreal #kayn x reader #aphelios x reader #ezreal x reader #x reader #reader insert #league of legends #league imagines #LoL #request #reqs open #part 2 coming soon #yone cameo in kayn's section is what i live for

582 notes · View notes

narklos · 9 months

Text

Half-Life Links and Resources

I've put together all of the links I've collected over the years relating to Half-Life for you all to peruse and enjoy.

If you feel like I've missed something, shoot me an ask and I'll add it. :,)

Take a peek under the cut, and have fun!

Gordon Freeman's Bio

Raising the Bar (Book of HL1 and HL2's development)

Half-Life Magazine Archive

HL2's Original Opening Scene Script

TCRF's Proto HL2 Documentation

TWHL's Forums

My own collection of HL model references

My own collection of cut/unused G-Man voicelines

VCC Wiki (Treasure trove of unreleased Valve resources)

Project Beta (Archives HL2's development builds and art)

SourceRuns (Forum) (Wiki)

Archived City17 Forums

Leaked Beta HLA Ending (HLA basically had a hard reset on its development a year into the game's devcycle, that's a whole 'nother rabbit hole)

Cut HL maps in the Postal 3 Leak

HL2's E3 Presentation Assets (Tech Demo) (Trailer) (Assets) (Download)

Mike Shapiro (G-Man's VA) Singing the Blues!

HLA - Lost Radio in the Vault

The HLA Black Mesa Conspiracy Theorist (Many believe this to be Barney's hideout, as Barney was meant to appear in HLA but was cut)

HL2 EP2 Cut Citadel Destruction (Addon is no longer available)

An Unused G-Man Ravenholm Appearance

'Human Science' Pre-Vis (Cut Dr Breen speech from HLA)

Return to Ravenholm (Cancelled Episode 4)

Some forums going over the HL2 2003 Leak (Winamp) (Techspot) (Leak Download)

HL1's 1997 Alpha (Steam) (Project Beta)

Archived Facepunch Forums

Kerry Davis' Door Talk (This was during HLA's development but before the game was announced, and goes through a lot of the tech we'd see in the released game. Back then, HLA was known only in code leaks as 'HLVR'. Remember- HLA had a massive reset in its production!)

Gabe Newell Officially Announces HL3!!11

#half life #hl2 #half life alyx #text post

334 notes · View notes

perplexingly · 2 months

Note

this is really random but i think the original painting in your post was not the original, the piano in particular looks like CGI but not sure, either way here is the original! its way more atmospheric so i wanted to share https://artsandculture.google.com/asset/view-2/RQGa1enAO9-oww?childassetid=UAFOSRlpYuaFcQ

Thank you, it looks lovely! I'd be careful with seeking cgi when you find slight discrepancies - especially works such as this that had been lithographed, printed on postcards, in magazines etc

The one I included in my post I found in this article, https://culture.pl/en/article/diagnosing-chopin-uncovering-a-life-of-illness, where the photography's credit is given to Polona National Library. Rather than touched through CGI, it looks to me like the original painting was photographed, printed on a postcard, and then that again was photographed to be shared digitally

Speaking of different versions of this picture, I'm also a fan of the first sketch from 1905, I like the way the brighter colors blend into each other

80 notes · View notes

writingwithfolklore · 4 months

Text

5 Ways to Set Yourself Up For Success as an Aspiring Author

While these things don’t guarantee your manuscript will be picked up or that you’ll sell more books (and aren’t necessary to achieve that!) here are five things that publishing houses look for in authors to help make the book as successful as it can be, and you can start working on now.

1. Get an agent

I can’t say this is true across every publishing house, but in my small publishing house that accepts submissions from both agented and non-agented writers, we move the agented writers to the top of the manuscript pile. This is because they already have a professional in the industry who has vouched for the work.

However!! Important to note that a bad agent can tank your chances as much as a good one can raise them. I had a coworker say about a particular agent, “if I was on the fence about a manuscript and saw (the agent) was representing it, I would move it to the pass pile.” The agent was in general difficult to work with and didn’t actually listen to what her writer wanted, demanding for the house to make poor marketing decisions for the book based on her own personal opinion on what looked good. Oh, and she had also worked in publishing for Penguin Random House for over a decade, so what previous experience they have in the publishing world isn’t all you should consider when reaching out to agents. You want people with lots of experience actually—y’know—agenting.

Check out their previous clients and how many they have! Yes, small agents with only a few years of experience can still be amazing—but make sure you do your research no matter how experienced they seem and see if you can’t do a background check. (The agent mentioned above ended up firing her author! I’m sure the author has tales to tell about her).

2. Come up with marketing ideas

Your publicist is going to do so, so much work for you. Seriously, we have some really awesome publicists who are kicking ass submitting to contests and putting on events and sending authors on tour—but they’re also managing several titles at once, so authors who can pull their own weight a bit when it comes to coming up with marketing ideas for their book are highly appreciated.

If you ever have any ideas on how to reach your specific audience, write them down and try to fill them out with as many details as possible (who is involved, where will it happen, how will it happen, how much funding it requires etc.) and share them with your publicist, the marketing team will thank you for it!

3. Form relationships with the industry!

This one is huge! One thing we actually ask of authors right off the bat is if they know any industry contacts such as booksellers, media contacts, or other professionals/authors. If you can, intern/volunteer/or work for a newspaper, magazine, book store, agency, or anything similar. Having a list of people who know and like you to reach out to for writing articles or otherwise supporting your release is going to help a lot with the promotion and selling of the book! People are much more likely to help out or feature the book of someone they know, rather than a stranger, so start collecting your contacts now.

4. Grow some sort of social media following

Definitely not essential, but seen as a boon for sure if writers already have a community that are likely to support their new release. If you can point to a group of people that already like you or are interested in your work, we’re going to see that as an asset! Especially for book launches—there’s no greater publisher’s fear than a tanking book launch, and it’s so much more likely to go well if you have a community of people you know will show up.

5. Trust your publishing house

You’d be surprised how many authors drag their heels and kick and scream when it comes to the marketing decisions our team makes. While yes, a cover you aren’t necessarily thrilled about, or author bio that sounds a little too self-aggrandizing can suck a bit, know that these decisions are coming from people who have decades of experience in the industry and know how to get your book into the hands of readers. If they think a certain cover, title, subtitle, bio, photo, layout, etc. etc. would be best for your book, trust them. They’re the pros.

I’m happy to answer any other questions you have about the publishing world!

#writing #creative writing #writing community #writers #screenwriting #writing inspiration #books #filmmaking #film #writing advice #publishing industry #publishing advice #trad publishing #traditional publishing #5 Things to Set yourself up for success as a writer looking to get (trad) published #5 things #getting published

96 notes · View notes

glossdebut · 25 days

Text

Take a Bite Ch. 1

✧ PAIRING: yoongi x fem!reader

✧ SUMMARY: Your fledgling career as a music journalist is finally going in some kind of direction that must be on the path to success. Your coworkers like you enough to invite you out on Fridays, your boss is starting to think you’re competent enough to let you score a few bylines, and you're finally getting the hang of InDesign. All of your hard work, late nights, and complete lack of a social life are starting to pay off... Even if it all came at the expense of the longest relationship of your life. Fine. You've accepted the fact that romance isn't for you, under any circumstances. You won't risk your career for anybody. Not even Min Yoongi.

✧ TAGS: slow burn, eventual smut, eventual romance, producer yoongi, music journalist reader, neighbors to friends to lovers? you'll see, reader is bad at feelings, reader is post-break up

✧ WARNINGS: social drinking, mechanical bull-related injuries lol

✧ WORDCOUNT: 2.7k so far

✧ STATUS: ongoing

✧ AUTHOR'S NOTE: hi! i'm aqua and this is my first ever fic so please be nice!! i will be crossposting this work and all future works on my ao3 of the same name. i'm figuring out how this works as i go, so please be patient with me. tags are subject to change with every update. i won't have a posting schedule for this one, but i have the first few chapters pre-written, so expect an update sometime next week!

Chapter 1: Lay Your Cards Down, Down, Down, Down

Although this is the furthest thing from your scene, you can’t help but think to yourself that you should invest in some cowboy boots. You could make them work, you’re sure of it.

Even if you know you would never pull the trigger on purchasing any, too far out of the comfort zone of your normal style, the thought is the only thing keeping you sane—that, and the sound of Cowboy Carter blasting through the speakers of the bar, a welcome reprieve from the drawling, boring country anthems you’d been suffering through for the past hour or so.

You pride yourself on seeing the merit in all genres of music, you do. You were always the type of person who puffed up her chest when you told people ‘I listen to everything,’ uncaring of how pretentious it may sound. You mean it. It’s an asset in your line of work, and as far as you’re concerned, a little bit of pretentiousness is a small price to pay for the, quite frankly, baller route your fledgling career is heading in.

But a Western bar? Not the kind of place you’d spend a precious Friday night willingly. Another hazard of the job.

After months of skillfully avoiding the weekly Friday nights out with the other rookie reporters at the magazine, you’d run out of excuses not to join them. If four years studying communications taught you anything, it was that connections are everything in the journalism business. Even more so where the music industry is concerned.

So here you are, at your fourth stop of your night of bar hopping with your extroverted and extremely drunk coworkers, nursing warm beer and observing from the least populated corner you managed to scout upon entry. All things considered, you had been a good sport at the three previous stops. You just draw the line at square dancing with the people you work with. College may have beaten your fear of impromptu phone calls and talking to strangers out of you, but your social battery can only take so much.

Your phone battery, too, you think bitterly as you stare down at the low battery warning on your screen. Okay, so you’ll finish your shitty beer (because you’re not quite successful enough yet to afford wasting alcohol that you’re paying for) and then use your phone’s remaining juice to catch an Uber home. No biggie.

You’re in the middle of turning off your phone with full intent to work out the kinks of your exit strategy when you realize, with irritation, that your chosen corner is about to be invaded.

Your eyes land on a pair of black Dunks ( in a Western bar? your mind supplies, as if you have any room to judge in your Docs) and travel up, past torn black jeans and a black shirt, and just when you’re sensing a theme with this guy, your eyes reach a head of (regrettably, very nice) black hair and a pair of the darkest eyes you’ve ever seen. Anish Kapoor would wail at the sight of these eyes, you think.

As if sensing your apprehension, your corner-thief raises his free hand (the other clutching a plastic cup of his own) palm out, as if to say ‘I come in peace’ and stops in his tracks.

“I can find another spot,” corner-thief says, the low rumbling of his voice barely audible above Texas Hold ‘Em. “I’m just waiting for one of my friends to get bored or injured so I can leave.”

“Injured,” you repeat, despite your better judgment to take him up on his offer and let him be on his way. But your phone is dead and you’re a little bit drunk, bored, and even for an unwanted partner in social evasion, this guy is nicer to look at than the frat guys playing beer pong you’ve been observing for the better part of an hour.

Corner-thief grins a stupidly charming gummy smile, leaning just the slightest bit closer to be heard better but still keeping a respectful distance. As if he’s still wary that you’ll lunge at him if he encroaches on your space any further. Good man.

“There’s a mechanical bull upstairs,” he says, using his index finger on the hand holding his cup to point at the ceiling above you both.

Of course there is. With your luck, you’ll also have to peel someone off of the floor later after going head-to-head with the bull.

“Not your thing?” you guess, glancing pointedly at his Jordans, and he shakes his head, huffing through his nose in what you can only guess is a laugh.

“No, I wouldn’t say so.”

He pauses, shifting from foot to foot for a moment before speaking again. “So, will you share your wall? I can look around again but this place is more packed than I would’ve pegged it for.”

You nod and he smiles again thankfully, taking the spot on the wall next to you. That should be it. Two strangers who don’t want to be here standing in companiable silence next to each other while they wait for their friends–or coworkers, in your case–to put them out of their misery and let them go home.

But… You consider your options, your phone taking its dying breath in your pocket, and you sigh, turning to him.

“Y/N,” you say, holding out your hand for him to shake.

He takes it with his free hand, giving you an amused look. “Yoongi.”

“What’s that look for?”

He laughs again, a little bit more this time, and your heart does a stupid, funny thing. “I don’t think I’ve ever been greeted by a pretty girl in a bar with a handshake,” he says, causing you to flush and pull your hand away as if it’d been burned, your shoulders tensing as you take a sip of your beer.

A western bar certainly isn’t your scene, but admittedly, neither are bars or clubs in general. You got all of that out of your system in college where everyone was awkward as fuck or too drunk to care that you were, and ever since you got your degree you have lived and breathed your work. Your social skills were never quite up to par, but you didn’t realize you were this fucking embarrassing.

“I came out with coworkers right after we got off, so I think I’m still kind of in work mode,” you lie, and as if sensing that you feel slightly made fun of, Yoongi shakes his head.

“I didn’t mean it as a bad thing, swear,” he says, tilting his head at you. Dark eyes considering you. “Honestly, I’m thankful you’re putting up with me at all. I don’t think I’d be so kind if the roles were reversed. I know firsthand how hard it is to find a spot to breathe in places like this.”

You feel your shoulder muscles relax just the slightest bit. “I thought about sending you away, but I couldn’t help it. My heart aches when I see an introvert in need of a hiding spot,” you attempt to joke.

“At least I’m out with friends,” he says sympathetically. “I’ve done the coworker thing before. It’s a drag.”

“It’s weird ,” you correct. “I mean, I sit in meetings with these people. I avoid answering their emails all day. Why is it considered rude to not want to see them piss drunk?”

Yoongi hums in agreement, nodding his head. “What do you do, anyway?”

“I work for Look Here Magazine,” you reply, straightening up a bit in pride when Yoongi’s eyes flash with recognition, his body turning so his shoulder is against the wall now. You turn as well, facing him. “I write for the music section.”

“No shit? I’ve probably read your stuff, then,” Yoongi says, grinning.

He’s cute. Hot. You can’t help but notice, no matter how hard you’re trying not to. The way that he seems to carry himself in particular, you think, might end up driving you crazy if you’re exposed to it for too long. Maybe you’ve been living under a rock, but you’ve never met a fellow wallflower that still exuded such confidence. He wears it insanely well.

“Look Here covers a lot of big artists,” you hear him continue. “I’m a little surprised you’re hugging the wall, honestly. This place is nothing compared to music industry parties.”

“Ah, I only started a few months ago,” you admit, looking down into your cup. “Not a lot of bylines yet. I haven’t made it into a room with an artist that big yet.”

“But you want to,” Yoongi guesses, and you nod, looking up to meet his eyes. He looks impressed, impressed by you , and that… does something to you. Huh. “Shit, that’s… That’s really cool.”

“Thanks,” you say. You can feel your cheeks heating up again, and you’re suddenly very eager to turn the attention away from yourself. “What about you? What do you do?”

“Ah,” Yoongi says, fixing his eyes to his cup just as you had a moment ago. “I’m a music producer, actually.”

You perk up at that. So that’s why he reads Look Here, why he seemed so interested when you told him what you do.

“Anything I’ve heard?” you ask, leaning in like he’s about to tell you a secret. Networking never stops.

He watches as you lean, his mouth turning up at the corners in a smirk. “Probably.”

You wait for more, but it doesn’t come. Shithead. So much for that.

“You’ve gotta give me more than that,” you say, and god, you can hear the pout in your own voice. Are you that drunk? Flirting for a lead in a story?

“I don’t,” Yoongi says simply, his smirk in full force now. Mean and annoying and hot. He hasn’t leaned away from you yet. “I want to know more about you, actually. Journalism is hard work. I’m surprised you have time to go out like this.”

“Like I said, I was forced.”

“Still. Spending time with your friends or family or partner or whatever must take priority when it comes to your free time.”

Why is he so interested? You scrunch your nose, trying to figure out what he could be fishing for here. You don’t make it a habit to divulge the details of your sad excuse for a personal life to strangers, but the alcohol has loosened your lips. Maybe you need to talk about it. It’s not like you’ll ever see him again, anyway.

“My family is back home. My best friend is this insanely talented playwright. She’s constantly traveling. I see her when she can get some time to fly out.” You take a quick sip of your drink, ignoring the pang in your chest. Sometimes it sneaks up on you, how lonely you are. “Other than her, it’s just me, really. The dating thing… Nobody really seems to get how demanding my job can be, and it always ends in hurt feelings.”

There’s a long pause, and you’re worried you’ve shared too much. You’re enjoying talking to Yoongi. You know it doesn’t matter, that you’ll likely never see him again, but it would really, really suck if his permanent mental image of you ends up being ‘lonely weird drunk girl,’ even if that’s what you are. You force yourself to look up at him. The look in his eyes makes your heart flip stupidly again.

“I get that,” he says, and his voice is soft, barely audible over the music filling the space. You’re reading his lips more than anything, honestly, and you don’t let yourself look at them for too long. He may be pretty—unbearably so, you’re realizing—but he’s a stranger. A mean, annoying, hot, pretty stranger, but a stranger nonetheless. Every guy says he gets it. This needs to stay what it is, you think. Momentary companionship between introverts who would rather die than square dance.

You don’t get much time to agonize over it. Whatever is going on between you and Yoongi is intercepted quickly by his phone buzzing in his pocket and his responding grimace when he pulls it out to check it.

“Namjoon fell off of the mechanical bull,” he says, like he’s completely unsurprised by that news. He downs the rest of his drink and pockets his phone again, pushing off of the wall. “I’ve gotta deal with that.”

You nod, pulling what you hope is a sympathetic face. “Good luck.”

His bottom lip catches between his teeth, and you hold your breath. He looks like he wants to say something, torn between rushing upstairs to save his friend and staying, just for a moment.

You think you know what he wants to say, think foolishly that maybe he wants to ask for your number, and you honestly don’t know if you’d give it to him if he did. You’re so used to saying no.

He runs his fingers through his hair, opens his mouth to speak, and then he looks down like his phone is buzzing again. When he looks back up, it seems like he’s thought better of it.

“Thanks for sharing your wall,” he settles on, smiling congenially. You smile back, and then he’s heading towards the stairs.

Good, you think. You know better. If he really gets it, he does too.

★ ★ ★

You’re dragged out to one more bar before you finally make it home, your interaction with Yoongi having knocked you off-kilter enough to agree to a few more drinks.

It does wonders for your social status at work, you’re sure, but by the time you’re dropped off you’re dizzy-drunk, fighting to stay upright in the elevator of your apartment building.

You’re fumbling and failing at getting your key into the lock of your front door, tongue poking out of the corner of your mouth in concentration, when a voice calling your name a few feet to your right almost makes you jump out of your skin.

You yell, clutching your chest, and when you turn to face the owner of the voice that almost made you lose the contents of your stomach on your doormat, you’re greeted by none other than corner-thief-mean-annoying-hot-pretty Yoongi himself, leaning against the door to the apartment two doors down.

“What the fuck,” you blurt out dumbly, and he laughs. At you! How dare he stand there, lean there, all hot and annoying and in your apartment building for some fucking reason and laugh at you.

“I was going to ask if you needed help,” he says, and oh, fuck. You were safe from just how deep his voice was under the thrum of the music at the bar, but in the quiet of your apartment building this late, you can hear it just fine. Feel it, even. Feel it in places you do not want to humor right now. “I’m going to take a wild guess and say you do.”

It’s obvious that Yoongi is faring much better than you are, although his night clearly didn’t end after the mechanical bull incident. Faster than you can react, he’s right in front of you, gently taking your key from your hands and turning it in the lock, like it’s easy.

“Gonna make it in okay?” he asks, looking down at you. You force your brain to make words.

“I’ll be okay,” you assure him, your tongue heavy in your mouth. “Are you stalking me?”

He huffs a laugh, shaking his head. “I think we’re neighbors.”

“Oh.” Oh. Okay. That’s fine. Just because he’s your neighbor doesn’t mean you have to do something stupid, like see him ever again.

“Give me your number,” he says softly. Oh.

You blink at him, and he grins. Gummy smile. You feel like you’re going to vomit all over his Jordans.

“In case you ever can’t use your keys again,” he clarifies. “I told you, those music industry parties are killer.”

And really, you’re powerless to resist. You give him your number, using all of your remaining brain power to remember the order of the digits. Seemingly satisfied, Yoongi pockets his phone and steps back, heading back to his front door.

“Goodnight, neighbor,” he says, unlocking his door with ease. “Sleep on your side.”

You swallow thickly and nod, slipping inside your own apartment as quickly as you can manage.

Once you’re in, you sink onto the floor, your back pressed against the door behind you. Your cat, perched on your coffee pot, stares at you in your drunk, flustered state, unimpressed. Offended, even, judging by the way she licks her paw.

You’re so fucked.

✧ shoot me a reply or an ask if you enjoyed this chapter! feedback is always appreciated <3 join my taglist if you want to be tagged in future chapters!

PREVIOUS CHAPTER ✧ MASTERLIST ✧ NEXT CHAPTER

#ugh i hope the formatting on this isn't trash i tried so hard #take a bite #min yoongi x reader #min yoongi x you #min yoongi x oc #yoongi x reader #yoongi x y/n #yoongi x oc #min yoongi x y/n #min yoongi fic #yoongi fic #bts fic #bts fanfiction #min yoongi fanfiction #yoongi fanfiction #minors dni #glossdebut

115 notes · View notes