#asking because maybe people most likely think I'm dead

[verypeanutgarden]

Bakugou Katsuki would be the type to be a hopeless romantic, but would never realize your crush on him. Even if you smack him in the face with it. Now we are here in 1A classroom...

•••••••

Bakugou would never admit it, even if it will cause him is life. That the books hidden under his bed, are romance novels. From Jane Austen to Nora Roberts. He may be a hopelessly romantic nerd but he is one that can up anyone. But the moment you came into view the very first day of school, that whole dynamic went away. He became calmer, to the point Midoriya had thought he died that day.

"Hey, bakugou?" The sound of your voice caught his attention. Pulled him right out of his day dream, he turned towards your direction. A simple nod to say keep taking.

"I was thinking maybe we could start the assignment Mr. Aizawa gave? So that we can be done by tomorrow." You continued happily. Oh how he wants to listen to your voice everyday, he thought. But he just ended up turning away and giving a nod. Which to be honest was more than what people get now-a-days.

"Okay! We can work...at your room? So it's more comfortable for you" You suggest, Bakugou being slow nodded and agreed but really. He was just spacing out and staring at you, but of course he will never admit that. So he didn't know what he agreed too.

As the day is about to end, the majority of the class headed towards the dorm to rest up and start the day all over again tomorrow. Of course the brooding Bakugou, went to the training room instead of going with the rest. Completely forgetting he was supposed to meet with you...around 6pm he started to head to the dorm. The dorm still had lights on and everyone was just finishing with dinner, Bakugou had set his back down and grabbed what seemed to be curry but ended up looking like death. So he visibly passed and up the opted for the left over fish from this morning. Finishing the dinner he heads upstairs to shower.

Before he headed to the shower he simply texted Kirishima if he would like to hang out, but not bothering to try to see Kirishima's reply. Simply throwing his phone on the bed and heading to the shower in his room.

The steam leaves the bathroom as Bakugou steps out, as he goes to reach for his phone. A knock on the door with the towel around his waist way lower than it needs to be, he pauses and assumes it's Kirishima. As he reaches for the door saying, "Took you long enough-"

Bakugou stops dead in his sentence, realizing it is not Kirishima he was talking to but you. With only a towel covering himself.

So at that moment Bakugou learned his lesson to pay attention.

"Um...I see you didn't expect me...uh-" You reply awkwardly. Before you could even form a sentence the door simply closed in your face and you were left in the hallway stunned. As you paused for a minute and raised your hand to knock on the door, before you even touched the door it swings open to a fully dressed Bakugou.

"What do you want?" He asked in a hurry. You tilt your head to the side confused.

"I'm here for the assignment I asked you about awhile ago?" You replied with your eyes trailing to his chest because god knows even with a hoodie you can still see all the muscles. Stopping yourself, you fidget with your fingers.

Bakugou ends up clueless as to what you mean, then in clicked. The hero intern assignment that Aizawa assigned, and since you were also under Best Jeanist. You two were assigned to be partners in the assignment.

"Yea." He said as he opens the door wider and gestures you to come in.

Hes room was surprisingly the most neat you have ever seen. It looked like a five star hotel, and coming for a man? Who is not in his 30s is a weird feeling. As you stand in the middle of the room the sound of the door closing too you out of day dreaming. You feel bakugou walking up behind you, and pass you. He then gestures to you to sit at the bed.

"So...where do you want to start?" You started.

He blinked once, then twice. He then replied, "We can start with the problems." Scratching the back of his neck as a form of habit when nervous. But hes not going to tell you that. With the sound of the air conditioning filling the silence, you drop the notebooks you were holding and opened to the page needed for the assignment. You handed him the page and asked which he would like to do.

An hour later, he sat on the floor in front of his bed with his back turned to you while u layed on your stomach facing the back of his head. You would be lying to yourself if you said you were definitely NOT looking at how his shoulders were flexing at every small movement, or how his breathing is steady but every now and then he takes that deep breath and exhale, or how his back is a testimony to his dedication to his workout and body, or how his hair-

"Y/n?" He asked. Cutting you off your train of thought. He had finish his assignment and he had wanted to given to you, as you went and grabbed the paper you pen fell out of the bed and rolled at the bottom of his bed. You moved closer and tried to grab what fell below, only to be stopped by a hand on you wrist.

"Don't." He said firmly. "Why? Im just getting my pen" You replied. He said nothing only to reach down and grab the pencil that rolled and hand it to you. Being as curious as you are you asked him, "What is under here?" You asked and he stayed quiet. It was a surprise he hasn't kicked you out of his room.

Of course you knew you had limits with bakugou, and you knew not to ask again. But you just couldn't help yourself.

You kept asking him for the remainder of the hour you spent in him room to finish the assignment.

"Bakugou...come on, if its dolls I wouldn't tell." You teased him. He practically snap his head at you and just turned his head to his notebook. After which you still kept bothering him until, he snapped and he turned his face towards you. Only a few inches apart, this was unlike him. Because by now he would have kicked you out.

"Shut it y/n, or I will make you shut up." He said almost like a whisper. Hes eyes grew wide, and he turned his head he was about to apologize until you suddenly said,

"Really? Shut me up then, bet you can't..." You replied. You knew not to bite back but, you got petty.

Bakugou's pupils exploded, no one would talk back to him before. Now you, the beautiful you is challenging his patience. He knew he liked you the moment he heard you talk back to mineta. He knew he liked you the moment he saw how you were when you fought. Good enough to beat anyone that comes your way, and he liked that you challenge him. He smirked at you only to shut you up with him holding your wrist and pulling you closer.

"Anything to say big shot?" He replied. You couldn't say a word, "Thought so." He said cockyly but before he could say another word.

The door opens, and poor Kirishima paused and knew he was going to die that night. As Bakugou turns hes head to the door, you could hear the explosion popping off his hands...wait why is there a popping sound?

Before you knew it poor kirishima was running away before the explosion would go off from Bakugou's hand.

All that happened after was a blur because here you are now, a pro hero. In a relationship with the soon to be top one hero Dynamight...well soon to be engaged that is. He just picked up the ring and hes on his way home...

[thenexusofsouls]

"Yeah, it would be wild... in all the wrong ways," Wade said. "Better that, though, I guess, than... than losin' your kid entirely..." And just like that, he had kindof a moment with himself. His head shook a little as he tried to get rid of the thought. What would his and Rose's kid been like? Would she even have let him be a part of its life? If Crenshaw had lived, would Rose have wanted to raise the kid with him instead? He'd never know... 'cause Crenshaw, Rose, and the baby were all dead because of his catastrophic failure as a leader and a friend. Wade cleared his throat awkwardly. "Anyway..." he whispered.

"I'm definitely not the ideal candidate for 'dad,' that's for sure. I guess it couldn't hurt to try at some point, but... not with my life the way it is now. I don't wanna be the reason my kid grows up angry at the world because he had a shitty childhood, you know? It's a big deal, bein' a parent. If I don't think I can do it right, then I'm not gonna do it," Wade said firmly. That it was important to him was plain to see.

Wade felt so badly for Rockland. Clearly, he was a great kid. Good head on his shoulders. Some issues, but all good kids had a sprinkling of those. To hear him say he kept messing up all the time made Wade sad, because that wasn't coming from him, it was coming from someone who kept telling him that. "Sounds like a problem with whoever's sayin' that, not you. So what if you keep messin' up? Mistakes are important in life, man. That's how people learn things. That's how we find out what not to do, and how not to conduct ourselves. Every kid makes mistakes and screws things up, they're still learnin' shit. If someone keeps harpin' on that like it's somehow unacceptable or somethin' out of the ordinary, sounds like their hang up, not yours."

He knew well, though, how powerless kids were sometimes to help themselves. They only had so much agency and then it was up to the parents, the guardians, the relatives, etc. to be the teachers and protectors. If those people dropped the ball or were abusive, kids couldn't do much about that most often. "I'm sorry," he said. "I'd say you could come stay with me, but I think that's call child abduction in most states," he said by way of a little levity, since the boy looked so downtrodden. "But hey... I'm probably gonna stick around in this city for a while. If you ever need help, you need a place to stay overnight, you need a little cash to get by... you can always ask me, okay? It won't fix everything, I know, but maybe it'll take the edge off to know you've got a safety net, right?"

Wade let Rockland look at the photo as long as he wanted before putting it back into his wallet. "Yeah, they were. They were really good people who didn't deserve to die like that," Wade said stoically. "That photo was as painful as it was somethings he could never part with.

He tried his best to answer the boy's question without getting too dark again. "Yeah, I had the most experience out of all of 'em. We uh... Sometimes when you go after bail jumpers, things get ugly. They run, they fight back, sometimes there's guns or knives or explosives involved, so we had our own weapons and tactical gear and all that. We functioned like a military unit, and I was like their officer. Ronnie and me, we were actually retired military, so we had more formal training, and we helped make sure everybody else knew how to use all the weapons and equipment, everybody understood the laws and what we were allowed to do, all that stuff. I researched the jobs, I made the plans, and out in the field, I gave the orders, and everybody had their part. Sometimes time and safety were an issue, so we had to be a well-oiled machine, you know? And we were, I thought. 'Til I went and fucked it all up. They did what I said, no questions asked. I demanded it of 'em. I ran a tight ship. And I got 'em all killed."

"Opera? Get the hell outta here, what're you talkin' about, opera..." Wade said, laughing more. "Do I look like I'd belt out an aria to you? Nah, man, I'm all about rock. Classic rock, that's where it's at. What about you, what kinda music're you into?"

When Rockland whipped out his own family photograph, Wade nodded. "Nice. Is that you in there?" he asked, pointing to the woman's belly. "That's nice that you carry that with you like that. It's important to remember loved ones. It keeps us grounded, right? It's not good to go around with your head stuck in the clouds." He'd meant that as a real sentiment, but then, feeling things were getting a bit heavy, he tried to lighten the mood once more. "Foggy clouds in your face... gettin' rained on... every now and then a migratin' goose flies at your head, you get hit upside the head with goose ass, it's just not good to keep your head up there."

Well that caught their attention alright. A middle finger had shot into the air, directed at a group of teens across the street who were hovering by a Duncan Donuts long closed for the night. The boy beneath the hoodie, propelling said finger, sneered. Just like that, the group of five moved towards him, the tallest, Shacks, sauntering forward with an irritating air of confidence. And to think, there'd been a time when Rockland had thought he was cool.

"You can't seriously blame us, Rocky." He looked to the others with cruel amusement, "It was a prank, get a sense of hum-" Too busy searching for the favour of his crew, he'd missed the draw of the younger teen's fist before it met his cheek.

"Prank my ass, I could've been arres-oof." Rockland was tackled by Archie, the smallest of the bunch, who was about a head shorter than he was, but kinda stalky for his age, and with the element of surprise on his side. Cane clattering out of hand, and across the sidewalk, the lanky teen scraped across the pavement, electric pain radiating up from his tailbone. He caught the breath that had been knocked out of him just in time to catch the thump of a fist to the nose in return. - For Wade

Wade didn't know what to make of this city yet. He'd only been here a couple days and was still trying to get his bearings. It wasn't a bad city, he thought, just cold. Just... really cold when you're alone, like all cities are. Nevertheless, Wade did some hunting and stocked up on other supplies, always wanting to stay on the move. That's how he got jobs, and that's how he kept sane.

Tonight had been quiet enough so far... that is until he heard sounds of a fight. But a fight... between kids? Was he hearing this right? Wade made his way toward the sounds, and sure enough, some kids whose parents were absent and whose bedtimes must be fast-approaching were going at it. Or rather, several kids were beating up on one unfortunate one.

"Hey! Come on, cut it out, what the hell're you guys doin'?!" Wade yelled, hoping to scatter the bullies. "You know better than this, get off him! Don't make me call the cops!" he said, watching as they all scattered... save for one. Wade knelt down beside the boy lying on the ground. "Hey, buddy, you okay?" he asked gently.

[averlym]

which is gayer? SIX or Adamandi (real)

adamandi

[fionnaskyborn]

there's something to be said about the very specific feeling of frailty you feel when you come face to face with just how little you've experienced. twenty-odd years on planet earth and you haven't really watched all that many movies. an unlived life facing an uncertain future. i do not know where to point the finger of blame because i live untethered from my past, floating in the present with no clear point of reference no clear definition of who i am or what happened to me and how i turned out the way i am (fucking. can you guess why five is my favorite game. insert that one lyric from that one modest mouse song.) but you're still here, and you can still learn, and you can catch up, but it still feels like you're a pitiful little nobody looking for excuses trying to explain why you're still new to the whole being alive thing. i've got a good head on my shoulders, though, for all that's worth, so i think i might be fine.

in other news, i watched scarface tonight. it was certainly a movie. don't really understand how the movie made it big, but it did have some damn good music. i mean, i don't know. i'm still learning about the world i live in. maybe it really is as much of a masterpiece as people make it out to be and i'm too dumb to see the reason why it's considered a classic. maybe i'm right. i can't tell at the moment. it's kind of a beggars can't be choosers situation - if you ain't watched that many movies, then you can't really be a good judge of quality. but, oh, well. it's one more movie watched. it's a win because i watched a movie. and i'll watch more movies.

[fingertipsmp3]

The class went better and worse than I expected

[blue-ink-pearls]

So, I know people are really desperate for Sandra Lynn to have hooked up with Pamela Dawn instead of Bobby Dawn, and I completely understand that!* Bobby Dawn is slimy and awful and we don't know much about Pamela, so maybe she's better? But it is 100% Bobby Dawn for two very clear reasons:

Sklonda literally said it was him

Bobby Dawn has always been a predator

The first thing we learn about Sandra Lynn's affair during Spring Break Sophomore Year was that she had just left Aguefort (she dropped out her senior year and got a diploma later on) and she was very young. She was asked to join an established adventuring party of people who were older than her and that had lost one of its members. She fell in love with another member of the party that was already in a relationship, they had an affair, and then when the affair was discovered, Sandra Lynn was blamed, kicked out of the party, and her name was smeared as far and wide as possible by the person who had taken advantage of her so that person could absolve themselves, likely in the eyes of their partner and the party.

So what we can immediately deduce from this is that Sandra Lynn was an outsider to her new adventuring party, likely looked down on as "just a kid", maybe disdained for being a dropout, and most definitely resented for taking the place of the (presumably) dead party member. She was in actively dangerous and stressful situations while questing with the party and she probably had little support from the group during that time.

Sandra Lynn was very very vulnerable.

When he met Sandra Lynn, Bobby Dawn would have been about 20 years younger than he is now, likely in his late 30s/early 40s.** Probably still handsome, still a "dashing" active adventurer. He was married to Pamela already (not just in an established relationship), since he had a child by then that was close to grown and I don't think the Church of Sol would be very happy about a child out of wedlock. He would have been a cleric of Sol and probably still preaching "the good word of Sol" but it likely wouldn't have been constant. You can't give sermons while fighting monsters. I'm sure he even saved Sandra Lynn's life a few times!

The thing about Bobby Dawn being a televangelist now, but not then, is that when he was young, he was probably just as good at persuasion, at finding vulnerable people and exploiting their weaknesses to get what he wanted, and yet he hadn't made a name for himself as a televangelist, so people wouldn't know to be wary of him trying to convert or manipulate them.

The scene between Bobby and Kristen, when Kristen is pretending that Cassandra died shows exactly what kind of terrible person Bobby really is. He is happy to find Kristen devastated, that she is having "a real dark night of the soul" and needs guidance. He refuses to help Kristen stay at Aguefort (something that's within his power), despite knowing how beneficial that would be to her well-being, because that goes against his own goals. He is smug and condescending and cruel. He is preying on Kristen's devastation and vulnerability (not knowing it's an act), to draw her back into the fold of the Church of Helio/Sol.

The person who did that to Kristen, is the exact same person who took advantage of Sandra Lynn when she was still basically a kid, just out of high school. He took advantage of her feelings for him, her inexperience and isolation. And then, when they were discovered, he threw her away and made her the villain so he could get away with it.

He ruined Sandra Lynn's life. Yes, she's happy now with her daughter, her partner, and the beautiful home they've made at Mordred Manor with Adaine, Kristen, Lydia, Ragh, Tracker, Zayn, Aelwyn, Boggy, and 15 cats. But Sandra Lynn ended up with self-esteem and relationship issues that she is still dealing with to this day. Those issues ruined her marriage, could have ruined her relationship with Jawbone, and likely played a hand in the difficulties between her and Fig in Freshman Year, as Sandra Lynn saw her daughter take her first steps into the world of adventuring.

Because Sandra Lynn first wanted to be an adventurer and Bobby Dawn took that away from her, just like he tried to do to Kristen.

Bobby Dawn has shaped his career as a high priest of Sol and as a televangelist by portraying himself as the epitome of righteousness. He is rotten to the core, a predator in a job where he is meant to help people, and I CANNOT WAIT to see the Bad Kids take him down.

*I don't really understand it. Pamela Dawn is likely just as bad as Bobby. She's the chief paladin of the church of Sol, her husband is a televangelist and a High Priest of Sol, and she would have been around the same age as Bobby and having an affair with a vulnerable young girl who she then kicked out of the group and slandered. It being Pamela would still be awful!

**Even with the assumption that both Bobby Dawn and his child had their kids at a young age, the math still has to take into account that Sandra Lynn's daughter is the same age as Bobby Dawn's GRANDSON.

[docholligay]

Do you think authors sometimes don't realize how their, uh, interests creep into their writing? I'm talking about stuff like Robert Jordan's obvious femdom kink, or Anne Rice's preoccupation with inc*st and p*dophilia. Did their editors ever gently ask them if they've ever actually read what they've written?

Firstly, a reminder: This is not tiktok and we just say the words incest and pedophilia here.

Secondly, I don't know if I would call them 'interests' so much as fixations or even concerns. There are monstrous things that people think about, and I think writing is a place to engage with those monstrous things. It doesn't bother me that people engage with those things. I exist somewhere within the whump scale, and I would hope no one would think less of me just because sooner or later I like to rough a good character up a bit, you know? It's fun to torture characters, as a treat!

But, anyway, assuming this question isn't, "Do writers know they're gross when I think they are gross" which I'm going to take the kind road and assume it isn't, but is instead, "Do you think authors are aware of the things they constantly come back to?"

Sometimes. It can be jarring to read your own writing and realize that there are things you CLEARLY are preoccupied with. (mm, I like that word more than concerns). There are things you think about over and over, your run your mind over them and they keep working their way back in. I think this is true of most authors, when you read enough of them. Where you almost want to ask, "So...what's up with that?" or sometimes I read enough of someone's work that I have a PRETTY good idea what's up with that.

I've never read Robert Jordan and I don't intend to start (I think it would bore me this is not a moral stance) and I've really never read Rice's erotica. In erotica especially I think you have all the right in the world to get fucking weird about it! But so, when I was young I read the whole Vampire Chronicles series. I don't remember it perfectly, but there's plenty in it to reveal VERY plainly that Anne Rice has issues with God but deeply believes in God, and Anne Rice has a preoccupation with the idea of what should stay dead, and what it means to become. So, when i found out her daughter died at the age of six, before Rice wrote all of this, and she grew up very very Catholic' I said, 'yeah, that fucking checks out'.

Was Rice herself aware of how those things formed her writing? I think at a certain point probably yes. The character of Claudia is in every way too on the nose for her not to have SOME idea unless she was REAL REAL dense about her own inner workings. But, sometimes I know where something I write about comes from, that doesn't mean I'm interested in sharing it with the class. I would never ever fucking say, 'The reasons I seem to write so much of x as y is that z happened to me years ago' ahaha FUCK THAT NOISE. NYET. RIDE ON, COWBOY.

But I've known some people in fandom works who clearly have something going on and don't seem to realize it. Or they're very good at hiding it. Based on the people I'm talking about I would say it's more a lack of self-knowledge, and I don't even mean that unkindly. I have, in many ways, taken myself down to the studs and rebuilt it all, so I unfortunately am very aware of why I do and write the things I do most of the time. It's extremely annoying not to be able to blame something. I imagine it must be very freeing. But it ain't me, babe.

Anyway, a lot of words to say: Maybe! But that might not stop them from writing it, it might be a useful thing for them to engage with, and you can always just not read it.

Also, we don't censor words here.

[inkskinned]

most writing advice is good as long as you know why it is good, at which point it is also bad. the hardest thing (and most precious thing) about being an artist is that you gotta learn how to take critique. i don't mean "just shut up and accept that people hate your work," i mean you need to learn what the critique is saying and then figure out if it actually helps.

i usually tell people reading my work: "i'm collecting data, so everything is useful." i ask them where they put the book down, even though it's too long for most people to read in 1 sitting. i ask them what they thought of certain characters. i let them tell me it was really good but i like it more when they look a little stunned and say i forgot i was reading your book, which means they forgot i exist, which is very good news.

sometimes people i didn't ask will read my work and tell me i don't like it. and that is okay, you don't have to like it. but i look at the thing that they don't like and try to figure out if i care. i don't like that you don't capitalize. this one is common, and i have already thought about it. i do not care, it's because of chronic pain and frankly i like the little shape of small letters. you use teeth and ribs in all your work. actually that is very true. i don't know what's up with that. next time i will work to figure out a different word, thank you. you're whiny, go outside. someone said that to me recently and it made me laugh. i am on the whine-about-it website as an internet poet. you are in my native habitat, watching me perform a natural enrichment behavior. but i like the dip of whiny, how the word itself does "whine" (up/down, the sound out your nose on the y), but i don't know if i want to feel whiny. maybe next time i will work on it being melancholy, like what you would call a male writer's poetry.

repeated "good" advice clangs in a bell and doesn't hold a real shape, dilutes in the water. like sometimes you will hear "don't use said." you turn that around in your head and it bounces off the edges of your brain like it is a dvd screensaver. it isn't bad advice, but it feels wrong somehow, like saying easy choices are illegal! sometimes i will only use "said." sometimes i will just kick dialogue tags out to the trash. sometimes i make little love poems where the fact that i do not say "said" is very bad, and makes you feel bad in your body, because someone didn't say something. i am a contrary little shitbird, i guess.

but it is also good advice, actually. it is trying to say that "said" sometimes is clutter. it makes new writers think about the very-small words and very-small choices, because actually your work matters and wordchoice matters. "i know," you said. "i know," you sighed. "i know." we both know but neither of us use a dialogue tag, because we are in a contemporary lit piece.

it is too-small to say don't use said. but it is a big command, so it gets your attention. what are you relying on? what easy choices do you make? when you edit, do you choose the same thing? can you make a different choice? sometimes we need the blankness of said, how it slides into the background. sometimes we don't.

i usually say best advice is to read, but i also mean read books you don't like, because that will make you angry enough to write your own book. i also mean read good books, which will break your heart and remind you that you are a very small person and your voice is a seashell. i also mean you need to eat books because reading a book is a writer's version of studying.

my creative writing teacher in the 7th grade had a big red list of no! words and on it was SUNSET. RAZORS. LOVE. GALAXY. DEATH. BLOOD. PAIN. I liked that razor and love were tucked next to each other like birds, and found it funny that he believed we were too young to know the weight of razor in the context of pain. i hated him and his Grateful Dead belt, where the colored teddy bears held up his appraisal of us. i hated his no list. it is very good/bad advice. i wasn't old enough yet to know that when you are writing about death you are also writing about sunsets and when you write about love you are tucking yourself into a napkin that never stops folding.

back then my poetry was all bloody, dripped with agony when you picked it up. i didn't know there is nothing beautiful about a razor, nothing exciting about pain. i just understood sharpness, which he took to mean i understood nothing. i wrote the razor down and it wasn't easy, but it was necessary. that's what i'm saying - sometimes it's good advice, because it's not always necessary. and sometimes it is very bad advice, because writing about it is lifesaving.

hang on my dog was just having a nightmare. i heard that it is a rule not to write about dogs - in my creative writing mfa, my teacher rolled her eyes and said everyone writes a dead dog. the literature streets are littered in canine bodies. i watched the rise and fall of his ribs (there is that word again) and had to reach out and stop the bad dream. when he woke up he didn't recognize me, and he was afraid.

it is good/bad advice to say that poems and writing have to mean something. it is bad/good advice to say they're big feelings in small packages. it is better advice to say that when my dog saw where he was, he relaxed immediately, rubbed his face against me. someone on instagram would make fun of that moment by writing their "internet poetry" as a sentence that tumbles across a white page: outside it is sunset and my dog is still in a gutter, bleeding a galaxy out of his left paw. or maybe it would be: i woke the dog up/the dog forgot i loved him/and i saw the shape of a senseless/and impossible pain.

the dog is alive in this one, and he is happy. when i tell you i love you, i know what i said. write what you need to write, be gentle to yourself about it. the advice is only as good as far as it helps. the rest is just fencing. take stock of the boundaries, and then break them. there's always somewhere else you could be growing.

i love you, keep going.

[mr-ribbit]

gonna rant again bc im seeing a lot of trans women on my dash having to carry the heavy lifting to argue for their basic respect and a lot of other queer people who want to ??? get mad about that apparently. for the record as usual: im tme, im not speaking for anyone besides myself and my perspectives, but I am trying to reach out to fellow tme people to level with y'all from inside the house.

i thought we all got past the 'calling people gendered terms when theyve asked you to stop' thing in like. 2012. i swear we were allllll on board with not calling women dude anymore, nerfing sir and ma'am, neutralizing collective terms for groups, and all of that was like, during the onceler era. that's how we got off-putting shit like folx into the mix - remember???? why are we here again.

to those who I've seen claiming that they REALLY genuinely don't want to offend anyone, and that theyre trying to understand the dude thing, and they don't want to be seen as transmisogynistic when they aren't: ok. let's talk about it. step one, stop sending that really loaded anon to a trans woman you don't know, and close that in-group hatepost with 100 replies from people name-dropping trans bloggers they don't like. try to open your mind and assume for the duration of this post that I am not cynically trying manipulate thousands of tumblr users into making Bro the next big swear word, but a fellow queer human being who thinks you're all being pretty intentionally obtuse about an upsetting trend in our community

to be clear: this post is about the issue of trans women being called bro, dude, man, etc., particularly in recent tumblr discourse about transmisogyny, and the backlash they face if they get upset about it. this is also maybe moreso about the shitty ass excuses I see tme people make for why they supposedly can't stop doing this.

so let's go through some of the things I've been seeing people say they don't understand, supposedly in earnest, about this issue

"I DIDNT USE DUDE AS A MASCULINE TERM. I CALL EVERYONE BRO. MAN IS A GENDER NEUTRAL TERM"

I'm not actually going to exhaust my list of reasons why dude/bro/man are not strictly neutral, but you should be pretty aware that all words have context. Dude might be seen as neutral in many contexts, sure, but 'woman who is frequently called a man by others' is a situation where the context adds extra meaning to your words, just like calling someone "sweetie" might be neutral in some cases, but if you've got the context of knowing that's your coworker who's half your age, it's a bit less neutral. If you're not capable of reading that context and being tasteful about when you say dude, then you need to at least be ready to respond gracefully when someone asks you to stop. This is the part I'd rather focus on.

"BUT I DIDNT MEAN IT THAT WAY. IM NOT TRANSPHOBIC"

I think you should consider broadening your perspective *beyond* your intention behind the word. people may already understand that you meant the word neutrally and therefore didn't have transmisogynistic intent, but that's not really the entire scope of what people are saying. if that's your only concern, you're just trying to clear your record, not actually listen to what they're saying.

there are lots of words people don't enjoy being called, and in most cases, when they say 'pls don't call me that', people respect that and move on. even if the word isn't a slur, if it hurts someone's feelings, we all as a society have agreed that it's pretty shitty to keep calling them that. if your friend asked you not to call them 'buddy' anymore because their dead grandparent called them that, or something equivalently personal, you'd probably respect that instead of telling them 'but I call everyone buddy!!' right? even if you didn't really understand why it bothered them so much?

there is a prominent tendency for trans women to be denied this privilege, and when they ask not to be called dude or bro, people don't seem to respect this request as much as they would in other situations. when I accidentally use a gendered word and someone tells me they don't like it, I try to respond with something like "my bad, I didn't mean it as misgendering but I can see you were still bothered by it, so I'll try not to keep saying it. sorry!" and most people are willing to accept that. when trans women ask people this favor, a lot of people get VERY defensive, and treat the request as inane or unfair, instead of just apologizing and moving on. this is why people are upset when this happens, and it's why people are calling your actions transmisogynistic

also like you might not be doing this, but a lot of people DO use dude and bro in an intentionally gendered way to make trans women uncomfortable. it's a power play bigots use to talk down to them or otherwise maliciously harass them. do you know what arguments they use to defend that behavior when called out on it? 'oh I call everyone that' 'dude is gender neutral calm down' 'dont overreact its just a word'. by acting like this, youre all just giving credence to those same arguments.

"WELL THEY SHOULDNT GET SO MAD AT ME WHEN I DIDNT MEAN ANY HARM"

they can get as mad as they want!! also, are you sure they're 'mad'? or are they just expressing their feelings about a negative topic to you, and it makes you feel bad, so you have to make them out to be unreasonably emotional? how do you think they should have phrased 'dont call me that' to better spare *your* feelings?

also like, in most cases, these women do not knowww you. if your main response to someone saying you disrespected them is to say "I didnt mean it that way, I meant it in a friendly neutral way", well that's NOT YOUR FRIEND! she has no idea what your opinions are or what you think of her!!! she has no reason to assume you only upset her in a friendly way and not a bad unfriendly way! but she did get upset, and she did the one thing she can do which is *tell you what upset her* and your response is to say "well actually you shouldn't be upset at all"??????

and another thing:

it's not just the issue of using the word 'dude', it's because you're coming off extremely dismissive of women who have asked you to stop doing something that harms them, and because your argument is basically that they just shouldn't be so bothered by it. or that they're stupid, irrational, or otherwise crazy for telling you that it bothered them at all, just because you Technically used a gender neutral word according to Your Rules. be honest, does that seem fair? If people were calling you something that bothered you enough to ask them to stop, and they responded like this, how would it make you feel?

focusing solely on your intent and what the words mean when you use them is the same thing as saying "just get over it". no woman should need to Prove to you that 'dude' is gendered for you to care about what she's saying. the fact that you're asking people to do that sucks and makes you look bad, which is why people are arguing with you and calling you a misogynist.

especially those of you who are only doing this with trans women who are actively arguing with. you're wielding misgendering as a cudgel and we can all see it, grow up please.

[marzipanandminutiae]

"EUROPEANS ATE GROUND-UP EGYPTIAN MUMMIES!!!! ALL THE TIME!!!"

sounds much more dramatic than

"Europeans sometimes consumed ground-up Egyptian mummies, or fluid found inside the chest cavities of mummies, or a type of tree resin that became associated with mummies because it kind of looked like the bitumen used in the embalming process, or the dried and ground flesh of very specific European dead- most likely a bit of all of the above at various times in various places. but it's hard to say what the proportion of each was- and at least one early Middle Eastern physician, Abd al-Latif al-Baghdadi from modern-day Iran, also advised the use of the Body Cavity Liquid variety hundreds of years before the first documented use of mummy by Europeans. so it was a medicinal thing in the areas from whence the mummies came, too. unsurprising seeing as a lot of cultures- including Europeans -have done Corpse Medicine with their own people for centuries. there was also been pushback against the medicinal use of mummies in Europe since at least the 16th century; it remains unclear how popular the notion was at any given time. so the answer to Is This A Good Symbol For The Effects of European Colonialism In Egypt remains a resounding 'ehhh...?'"

"because the whole idea is, is it not, that Europeans were literally consuming the dead bodies of a non-European people who would have had no reason to sell their dead without a European market. and that's kind of true! there was a market that created a demand! but they were also already putting the bodies to these uses closer to home before Europeans started, because this whole thing began with both Arab and European doctors misinterpreting other Arab doctors who were talking about the medicinal qualities of tree resin. so really it's not as simple a situation as we might like to believe."

"and Mummy Brown paint is like this whole other situation where it was supposed to be made from ground-up mummies but often wasn't because Cost-Cutting, and a lot of artists didn't really like it anyway, and others used it thinking the name only referred to the color, and one time Edward Burne-Jones attempted an Egyptian funeral for a tube of Mummy Brown paint because he was so horrified with the origins, so while that's a more straightforward as an Oh Shit Violent Colonialism situation, people merrily waltzing into shops and buying one tube of Dead Egyptian Person, please, my good man! wasn't quite as widespread as one might now think"

"for me, the more compelling image of Europe Fucking Egypt Over is that of a white archaeologist peering curiously into a pit where Egyptian people are working tirelessly to excavate a tomb, their names to be lost to history in favor of whatever rich white person they toiled for. even that image is not without complicating factors- I, imagining it, am a white woman who cannot ask those Egyptian men what they think and feel about all their role in all this -but to me it seems more reliable than the VERY complex and often misinterpreted history of the mummy trade, even as I understand it after like an hour of research"

"on the OTHER HAND, does it even matter if people in the Middle East were already doing mummy medicine, when Europeans increased demand? does it even matter if Europeans felt bad or at least grossed out about Mummy Brown paint or if it wasn't ~always~ real mummies? maybe it doesn't! maybe my instincts as a history worker to say It's More Complicated are clouding my judgment on the nature of colonialism! or maybe they aren't! or maybe different people will think I'm right or think I'm full of shit and that's just the nature of doing public history on The Tungles!"

"anyway I have COVID and should probably go to bed now"

"this article and the Wiki page for Mummia are very well-sourced"

[number8bciate]

I couldn't let myself forget you.

Set in season four, so spoilers ahead for that. This is based on episode five, I believe.

Cw: Lila and five in episode Five :P

You and five hadn't known one another long, a few years at most, but in that short amount of time, he had found himself growing quite attached to you. He wouldn't admit it outloud. That's just the kind of man he was. He didn't need anyone, but no one could understand him. He couldn't explain it either because he would sound just as insane as the people he had been investigating, but then there was you.

You were too nieve for your own good, but part of him loved you for it. It meant that anything he told you in your head made sense.

"Wait- that was our stop." Lila and Five spoke at the same time, pressing their hands and cheek against the door of the train as they tried to manipulate the train into going back but the platform that they needed to be on just got smaller and smaller and smaller.

Year one

Five thought about you all the time. When he was getting shot at, he thought of how you might bandage his wounds if he got hit or how you would scold him because he was in a dangerous situation. He sat down in the train station, watching Lila as she ate, wondering if she had been having the same thoughts about his brother, or if maybe she was thinking of her kids. He hated the fact that the memory of you was the only thing that kept him going, that kept him trying to get back home, not his family, but you... to be honest, you felt like his family now.

Year Two

"What's that?" Lila asked, peering over the older boys shoulder as she cut his hair for him, trying to catch a glimpse of what had been occupying his thoughts for the last few weeks. He shielded the book from her view, smacking it shut to ensure that she wouldn't see the contents. "Come on, Five!" She pressed, leaning over his shoulder, trying to grab his book, she thought it was harmless, he did not.

"Lila!" He yelled at her, with a different kind of tone in his voice, he was desperate, clearly, he was grieving too and she knew that but she was only trying to lighten the mood a little.

Year Three

Five had now filled three separate books with something in them, Lila wasn't sure what it was, but every time she tried to ask, she got a response not too far off a rabid dog that was protecting it's property, she knew it was important, which was why she wanted to know, which was why she waited until he was dead asleep to try and find out what it was one last time.

She skimmed through the pages that were mostly filled with useless words that made no sense put together, but Five's handwriting had never been the best anyway. She flipped through each page. Only one thing was recurring, and it was a random drawing of someone she knew but didn't know from where.

Year Four

The both of them were growing tired. It was hard to keep running and running with no sight of the end. Five knew Lila was fed up. He understood why, but he couldn't give up, not when he knew that you were still out there waiting for him because he knew you would be.

Year Five

"Hey Five." Lila leaned onto Five, both of them trying to find some sort of warmth between them as the cold metal of the train station dug into their backs. He hummed softly, looking around the room, trying to see if there was something they had missed. He knew there wasn't, but he thought he'd try anyway. "You know that greenhouse, the one with the strawberries?" She started, leaning her head fully on his shoulder now. He nodded, not willing to speak because he knew what her next suggestion would be. "How about we stop there for a few days? I- I know we've - I know we need to get home, I'm just... tired." He understood. Of course he did. He had been through this before, but the time before, he was all alone.

"Sure." He said softly, turning to look at the stacks of books that he had filled, he thought of you, and realized you'd want him to take a break, you'd beg him to, and so he decided he would go, but only for a few weeks.

Year Six

Five walked into the green house, looking at Lila and then the berry bush she was tending to. She tossed one strawberry at him, then another, then another. "If you keep that up, we won't have any left for the winter." He smiled as she threw one more and turned to her as she began walking towards him. She tripped up in a few watering cans that had been discarded on the floor, and he caught her just before she was able to hit the floor.

"Oh- sorry." He noticed the blush on her face, then felt his cheeks begin to heat. His hand rested on her cheek, cupping them and rubbing his fingers over her soft flesh, then he looked to the strawberries on the floor and pulled away, running to the stack of books on the table and joting down a few notes. "What just happened?" She walked over to him, her arms crossing as she leaned against the wall.

"What do you mean?" He asks, slamming the book shut and poking it into his bag. He turned to her, noticing that she had a slight pout across her face.

"Whatever that was." He stared at her for a while, shrugged his shoulders, and walked away.

Year Seven

"I'm going out to look for some more scrap metal."

"What happened to the stuff we already had?" Lila asked curiously, looking the boy up and down. He rubbed his fingers over the braclet in his pocket, the one he had made.

"I have no clue." He walked out of the house and back to the train station. He grabbed a few wires, tugging on them before he slipped and dropped his flashlight down onto the tracks. He looked both ways, just to be safe and climbed down onto them. "What's that?" He thought out loud as he grabbed a book he had never seen before. He climbed back up onto the train platform and opened the book. "That's my handwriting." He pointed out to himself as he read what was throughout the pages, figuring out that it was their way home.

"What's that?" Lila asked, sitting down next to him.

"A way home." He said simply, flipping through more of the pages, everything inside of his head clicking together like it had been obvious the whole time. He shook his head in disappointment in himself.

"Wait, what?" Lila asked, chasing after him as he ran back to their house and packed up his bag. "Should we think about this first?" She suggested.

"Think about what?" He asked, stuffing the books into his bag as he changed into what he had been wearing the day they had left.

"That- Maybe this is a trap of some sort? Set by the older, uh? Younger? You." She followed him around the house, trying to keep his pace as he charged out the door.

"I'm willing to take the risk, why aren't you?" He turns around. She almost smashed right into him.

"I am. I just think we need to consider the fact that this could be a trap." He understood her concern. Some people would rather not take the risk, there was a chance that this was a trap, and that they would die.

"Stay here if you want, I'm going." He decided and made his way back to the train station, her following closely behind him.

When they returned, it had only been an hour or two, you were sitting in between Allison and Luther and bounced your leg nervously, wondering where Five could have gone. Lila, walked in through the door followed by Five who's eyes searched the room until they landed on you. You jumped up out of your seat and ran over to him, wrapping your arms around him and holding him close. He nearly cried, as much as he hated to admit it, his eyes welled with tears, feeling you pressed against him was something he didn't think he'd ever feel again. "I wasn't gone that long." His voice shook, but only slightly as you pulled away from him to check him for any injuries, because you knew how careless he could be.

"It was too long." You smiled though, no matter how pissed you were at him for not returning your calls or texts, you were just glad he was alright.

He looked around the room again and stuffed his hand onto his pocket, feeling the braclet that he had forgotten about. The two of you walked to the center of the room, you sat down where you had been and five remained standing, you glanced over to Lila who had a distant look in her eyes as she looked at her husband and then you looked back to five, who was now standing right infront of you, playing with something in his pocket.

Everyone's attention was brought to him as he cleared his throat, he knew it was sudden, and he knew he would jump off the side of a cliff if you happened to not reciprocate his feelings, but he dropped down onto one knee and pulled a bag out of his pocket. Allison, who was now sitting up straight with a face full of surprise gasped at the sight if her oldest brother on his knee.

"I- Jesus. Uhm." You looked to Lila who, unlike before, was now focused on Five, but it wasn't that unusual, right? Besides the fact that her face held signs of jealousy and sadness, it wasn't weird at all. Your heart fluttered when he held out his cupped hands towards you, his eyes pleading with you to take the bag that was in them. "Y/n.." He spoke carefully, as his cheeks began to redden as Allison's reaction threw him off the piller of confidence he was once standing on.

You nodded, ready to hear what he had to say, you hands grabbed the bag but remained in their place, trying to soothe the old man's nerves as he worked up the courage to speak. "Will you give me the honor of.. marrying me?" You squealed and jumped out of your seat, pulling Five to his feet and you kissed him. "Will you?" He whispered to you this time.

"Yes I will." You kissed him once more.

Once the excitement settled down, and the bracelet sat proudly on your wrist, you noticed the bag that your fiancé had brought in with him. "What's that?" You asked, pointing to the bag. He bit his lip nervously and pulled a few of the books he had filled up the bag. Revealing the contents to you. The words didn't make sense to you either, until you saw your face, the soft brush strokes that he used to draw your hair and your eyes, you had never looked so beautiful.

He kissed your cheek and whispered into your ear, his lips brushing against them. "I- I couldn't let myself forget you."

"You remembered I like strawberries." You pointed out, you ignored the way he flinched when you had mentioned it, but he ran his fingers over the words and nodded softly.

"Of course I did."

[soaps-mohawk]

I just saw someone talk about Simon Riley being a rapist and the only way they tried to confirm it is by saying that he is a war criminal and all soldiers are misogynistic and sexist and they also talked about how he dreamt of hurting women in the comics when that's quite literally a normal reaction by being raped by both men and women (what I mean is that abused people sometimes dream of becoming someone they're not and don't want to be) but they conveniently forgot to mention how that "dream" was a nightmare. (Just wanted to rant about this and see your opinion)

The sigh I let out when I saw this ask this morning.

I'm so sick and tired of seeing this discourse. Not just in this fandom but in every fandom. Maybe it's just because I'm old and my frontal lobe is fully developed, or maybe it's because I was in fandom back in the days where there were no tags. You were lucky if you got a warning at the beginning of a fic. Most fics you walked in blind and if you didn't like something? You hit the back button and found something else.

This sudden mainstreaming of fandom has ruined these spaces. People come in, refuse to "learn the rules" that most of us learned by just existing in these spaces and watching others interact. There were no written rules back then. We learned by observing and occasionally being guided on fandom etiquette by those more experienced than us. Now it's just like people come in expecting fandom to be like every other space on the internet and then get defensive and angry when they realize it's not. Fandom is cringy. It's nerdy. It's happy and sunshine and it's dark and ugly like every media out there. Us creators and those of us more experienced in fandom have been screaming how to exist in fandom spaces from the rooftops but no one is listening and then everyone wonders why creators are leaving these spaces. Why fandoms keep getting abandoned.

All of that aside, this discourse about FICTIONAL characters pisses me off. Simon Riley is a FICTIONAL character. He has no morality, there is no right or wrong because he's FICTIONAL. You can make him do whatever you want to do because he's NOT REAL. You can give him wings and have him fly and guess what?? Cool, that can happen because he's NOT REAL. You want to make him a rapist? Cool, you can do that because he's FICTIONAL. You can make him whatever you want to make him because he's a character. He's not a living, breathing human being. There are no consequences of his actions because he's FICTIONAL!!!

Don't even get me started on this sudden discourse about dark fics and dead dove that's appeared recently. Dark media has existed for literal centuries. The Epic of Gilgamesh from 1800 BCE. The Odyssey. Mostellaria by Plautus. The Castle of Otranto published in the 1700s. Frankenstein. Dracula. The works of Edgar Allan Poe. Lolita. Hell, look at the Bible. The Bible, especially the old testament, is fucked up. Even in the watered down, bastardized King James version, the things the old testament "God" supposedly did, when you sit and actually think about them outside the lens of religious brainrot, are super fucked up.

People have been creating dark media for a long time. Horror has existed for a long time because it plays to our worst fears. It gives us a safe way to express those fears and to experience them without having to experience them first hand. You wouldn't bitch at a horror movie director for including things like rape and gore and murder in their movies?? So why is writing different? You think every horror movie director agrees with the things they portray on screen? You think every horror movie director would go out and murder someone just because they made a movie about it? No, because we're allowed to portray things in all forms of media, we're allowed to write things without morally agreeing with them. Guess what, most people that write rape or assault or violence, aren't going out and doing those things in real life. They don't support those things in real life. In fact, people that write dark fanfics are some of the loudest protesters against those things.

If you want to make Simon Riley a real person, guess what? He's not going to be even morally grey. Most people in the military are not good people. They're not. The people that are good people in the military, or were in the military, are the ones saying that the loudest. People that got tricked into joining, people that got promised things, people that did it because they had no other choice and then realized what it was really like after getting in? Those are the people to listen to. Not Call of Duty, not the people trying to convince you to join because they're glorified sales people and have a quota to fill. Look up videos of what happened in Iraq and Afghanistan at the hands of American and British soldiers. You would not like Simon Riley if he were a real person.

But he's not real. He's FICTIONAL. Even as a fictional character, he's not a good person. So many Call of Duty fans put on the blinders and ignore the fact that these men are out here committing awful acts of violence and killing people because they're "the good guys." People love to forget that Price literally kidnapped a woman and a child and had them held at gunpoint to get information out of someone. Not only that, he was okay with it. If he were a real person that did that, you would not be questioning if he were a good person or not. You can tell the people that have never played the games or watched playthroughs, who only know these characters through the lenses of fanfics and artwork and headcanons.

Call of Duty is military propaganda. They paint these men as heroes, make it easy to put the blinders up and ignore the things that are happening, the things they're doing so that they can convince young men that they want to do that and they should join the military so they can go out and do that too. That's Call of Duty's audience. That's who they're creating these games for. These young, impressionable boys who get excited by the violence and the action who will go on to fill quota numbers for recruiters. Call of Duty was not made for us, the people writing fanfiction and creating art for it. This side of the Call of Duty fandom will be the first to tell you all of this.

This side of the fandom creates fanworks which would turn Activision's eyes red. We babygirlify their military propaganda because it actively goes against what Activision is trying to do. It goes against what Call of Duty is at its core. Sure, some people water it down a lot, and others keep it more realistic to what these men would be like in real life, because it's FICTION. You can portray these characters however you want because that's what fiction is for.

And guess what, anon? Rape kinks exist. Consensual non-consent exists. It's well known. And guess what? Victims of sexual assault and rape can develop those kinks as a coping mechanism. Here's a study from the NIH website, and if that's too complex for you, here's a VICE news article that uses that study. People can write rape and rape kinks and CNC and noncon and not support it in real life. People can write those things to bring awareness to the fact that they happen to people in real life, or because people in real life have those kinks. People write those things to help victims, to support them. It's cathartic. Dark media most often is created for catharsis. It gives people an outlet, and it allows people to experience those things in a safe, controlled environment for whatever reason.

And that's the thing, anon. People don't have to give anyone a reason for why the consume that kind of media. Creators don't owe anyone an explanation as to why they create it. It's none of your business, and if you're not comfortable with it, then don't consume it. You can turn off the TV if a horror movie is too much for you. People walk out of theaters all the time because a movie is not what they were expecting, be it because it was bad or because it was too graphic or violent or disgusting. You start reading a book and you don't like it for whatever reason? You put the book down and pick up another. Why do people have such a problem with not reading fanfics they don't like? Why do people have such a hard time just blocking creators that make things they don't want to see. Most dark fic and dead dove creators put ample warnings on their blog and their posts. That's why those tags exist. You don't like it and you don't want to see it? Then block and move on and let others enjoy what they want to enjoy.

You pearl clutchers are ruining fandom and soon there won't be anything for you to enjoy. If you can't handle fandom, then don't be in it. There is no algorithm here. You're going to see things you don't want to see and it's very easy to just block and filter tags. There was a time on Tumblr where you couldn't filter tags. I remember those days. You had to download the X-kit extension to block things, and that only worked on desktop. The fact Tumblr gave us the option to filter tags on the site and on the app was a big deal when it was rolled out. I remember so many people that didn't want to use the app when it first came out because you couldn't block potentially triggering tags.

It's not a creator's problem if you were triggered by their media. Life doesn't come with trigger warnings and it's a blessing that it's become so normalized to include warnings at the beginnings of fics. There's websites that exist for other forms of media that will give trigger warnings. If you can look up trigger warnings for a movie and decide not to watch it, you can look at the trigger warnings for fics and decide not to interact with it. You're not out here emailing the directors and producers of movies that include triggers you don't like, telling them they're awful people for including those things in their movie and they shouldn't. Yet you have no problem coming into the comments and inboxes creators who do this FOR FREE because we wrote one dark fic. Because we wrote something that's triggering to you.

And yes, some abuse victims go on to be abusers, some people continue that cycle because they don't have the help and support to break it. It's a sad thing that happens, but it happens. It happens in the fictional world and it happens in real life. People can make that happen to fictional characters for whatever reasons they want.

I've written dark fics. I've written several. I consume "disturbing" media for fun. I've read books and watched movies that would send these pearl clutchers to the hospital. Hell, I've probably written things (some published, some that will never see the light of day) that would turn these pearl clutchers inside out. Guess what? That's okay because it's FICTION. It's cathartic. I don't have to give my reasons why because it's no one's business except those I decide to tell because I trust them and I know they'll support me. I don't support those things in real life. Just because I write for Call of Duty doesn't mean I support the things the game portrays. If you consume Call of Duty media be it the games or fanfiction, does that mean you support what the game supports? What the creators of the games support? What militaries around the world support?

Think about that next time.

I’ve made my stance very clear here before, but I’ll do it again. In real life, I am anti military, anti war, anti gun violence, anti genocide, anti fascism, anti terf, anti homophobia, anti conservative, anti rape, anti domestic violence, anti colonialism and pro choice.

Just because I may create or consume media with those things in it, does not mean I support them. It's high time some of these pearl clutchers learn that.

The next time you want to come into a creator's inbox or comments and spew hatred towards them because of the things they write, why don't you do something useful with your time instead.

This will be my only discussion on this topic. I will not be answering any more asks like this. I will delete and block anyone who tries to come "well actually"-ing into my inbox. If you don't agree with this stance, then get off my blog and block me.

[forever-rogue]

you asked for fallout request, so here i am, eagerly writing this…

i’ve been craving a cooper howard x reader oneshot where him and the reader are navigating through life in their own way. maybe a run in with tricky people?? angst?? fluff??? it’s up to you best friend. THANK YOU!!!

AN | Alright, let’s goooo. First go around with Cooper and we had to go with some fluff because that is my specialty. I’ve loved Fallout for a long time and I love the show too❤️

Pairing | Cooper Howard (The Ghoul) x fem!reader

Warnings | language; gun violence

Word Count | 3k

Masterlist | Main 

─── ･ ｡ﾟ☆: *.☽ .* :☆ﾟ. ───

You weren't sure if you'd call yourselves friends.

More like…an unwitting duo of sorts. Unwitting on your end more than anything.

You'd promised him that you absolutely didn't need company or anyone to assist you. He'd insisted that the only way he'd let you go on your own was over his dead body. You'd contemplated that idea for a few moments. Given his reputation, you decided not to push him too much.

The realization that he was a stubborn old man who wasn't going to change his mind was the only reason he was still next to you. Begrudgingly, mind you.

“How much further, darlin’?” His deep voice cut through your internal monologue and you shot a glare in his direction, “I'm starting to think you're not the best judge of distance.”

“If you're just going to complain,��� you pointed over your shoulder back to the last town you'd passed through, “you're more than welcome to go back and terrorize that town. I told you that I didn't need you to come with me.”

“And why would I listen to you, huh?” He rolled his eyes lightly as you scoffed, “you'd be dead before the sun went down, sweetheart.”

“So what?” You turned on your heel, walking backwards so you could face him, “why do you care?! You don't even like me!”

“Contrary to what you believe, I do have somewhat of a conscience,” his voice was gruff but somewhat soft, “and if I let you go and then heard that you were killed, I'd be a little annoyed.”

“Why?” 

“Because I’ve already saved your life once,” he so sweetly reminded you as you sighed heavily, “and I didn't just save your life so you could go and be killed by someone else.”

“Ain’t that sweet? You’re a modern day prince,” you mocked his twang as his expression refused to shift. It was almost annoying how unfazed he remained the majority of the time, “I had it handled. You happened to come at an inconvenient time.”

“If that's what helps you sleep at night,” he had to fight to hold back a laugh as you turned back around and you marched in front of him, making it a point not to look back at him. He had to be the most infuriating person you'd ever met. He'd had two hundreds years to perfect being annoying and he had done exceedingly well.

─── ･ ｡ﾟ☆: *.☽ .* :☆ﾟ. ───

The two of you had been traveling together for a number of days. You'd managed not to kill each other, luckily, but otherwise things had remained mostly the same. Silence, and if it wasn’t silence, it'd be harsh words and fast quips.

You didn't hate him - not really. You hated the idea that anyone, let alone a man, believed that you needed help. You'd had things handled and would have kept yourself safe. He'd just happened to come fight when you were in the midst of either killing or getting killed. 

He wasn't going to let that go anytime soon. That much you already knew about him.

“It’s cold,” you announced as the two of you made camp for the night. You pulled your jacket tighter around your frame but it was no use, “I’m cold. Can we make a fire?”

“That, princess, is one of the many reasons you need someone out there to keep an eye on you,” if you didn’t know any better, you’d almost have thought that he was being kind - nice. 

“Listen,” you sat down and leaned against one of the trees near the clearing you’d decided to call home for the evening, “I know it’s not exactly safe or the best idea, but I’d rather do that than freeze.”

“It ain’t even that cold,” he mused, stripping off his overcoat and tossing it over to you. You made a sound of surprise, but didn’t hesitate to put it on, “life really was different for you, wasn’t it? I’d say it was almost as easy as those vaulties had it.”

“It wasn’t…” you knew he wasn’t wrong. You’d come from a place of privilege, having been born into a family with wealth, new world wealth anyway, and had it pretty easy for a surface dweller. You’d lived in a large, well stocked and safe home with people around to do your bidding. Those were some of the perks of having a father that was some sort of merchant prince, “it wasn’t like that.”

“Yeah?” he rolled out his bedroll, a bitter laugh escaping him, “sounds like you had nothing to do and everything done for you.”

“I mean…” you trailed off, knowing it was futile to lie to him. He’d known your father after all; Cooper Howard was the one sent to fetch you and return you home once your father had found out you’d run away, “it was…good sometimes. There were a lot of bad times too. But I still know how to do things for myself. I could kill you with my bare hands if I wanted to. I’ve done it before.”

“Huh,” he grabbed a vial and downed it one go, his eyes never leaving your face, “guess that makes you a killer. Just. Like. Me.”

“I did what I had to do,” you swallowed thickly, blinking back tears that threatened to well up. Cooper knew that you had run away, but he didn’t know the full extent of what had happened to cause you to run away, “and we’re here.”

“Tell me what happened,” your eyes snapped to him as you tried to weigh his words in order to see if he was being serious or not. He’d never really taken an interest into your personal life, but you wondered if that was because he genuinely didn’t care or if he’d just created some sort of creed for himself that didn’t allow him to get close to anyone, “what made you run away from your sweet little life, darlin’?”

“Cooper,” you wiped your hands on your thighs and shrugged your shoulders nonchalantly. You’d never really said his name before and that caught him off guard, “does it really matter?”

“It’s still buggin’ you, clearly,” he mirrored your position and crossed his arms over his chest, “and we ain’t got nothing but time.”

You inhaled deeply before slowly exhaling and looking at the sky. You could feel his attention still focused on you, “my father told me that there was a man I was going to marry. I told him no and he told me that I didn’t have a choice. Said man found me shortly before the wedding was supposed to happen and he…he tried to…”

You paused for a moment, wiping away the tears that had unwittingly rolled down your cheeks. Cooper’s gaze had darkened but he was still watching; the expression on his face looked like he was ready to commit murder.

“He didn’t get a chance to do anything,” you said softly, “I killed him before he could. But he managed to get me a little bit when he was trying to fight me off. That’s why I had a black eye and all the bruises.”

“Darlin’-”

“I didn’t hesitate, Coop,” your expression steeled as you looked him in the eyes, “and I won’t hesitate now. A man will never tell me what to do. And I don’t need anyone thinking I need someone to protect me.”

Cooper had been listening with rapt attention, his mind already thinking of the things he could do to your father.  Bringing you back to him definitely wasn’t one of those things. He’d made up his mind about that almost the moment he’d met you. You’d been sporting a black eye and cut lip, dried blood caked on your hands and arms. He was smart enough to put two and two together.

“For what it’s worth,” he looked back at you with the gentlest expression you’d seen on him, “I’m sorry for what you had to go through. Those are not men, those are monsters.”

“And you’re going to bring me right back to him,” it was a question presented as a statement. You weren’t entirely sure what his plan with you was; you’d been scared to ask. But he also wasn’t hadn’t mentioned a word of bringing you back to your father, “aren’t you?”

“I ain’t bringing you back,” he admitted and you couldn’t keep the surprise off your face, “I never was. I’ve been around a long time, little girl. I know what your father is. I figured it was a better option for me to find you than someone else.”

“You’re not?” you hated how small your voice sounded; how you almost sounded scared. In a way you were. Scared of going back to the place that you hated and would surely make sure you suffered, but you were also scared of forging a new path. You didn’t really know where you were going or what you were going to, “really?”

“On one condition,” of course. You waved your hand, motioning for him to go, “you admit that you have no clue where we’re going and we’ve basically been making this hell of a trek for no real reason.”

You tried to look serious for a moment, but you couldn’t help but start to laugh at how well he could already read you. Cooper was so taken aback by the soft, sweet sound that he couldn’t help the smile that tugged up the corners of his mouth. When you managed to catch your breath, you looked at him and cocked your head to the side, “I have no clue where we’re going and we’ve been making this hell of a trek for no real reason.”

“Honesty,” he pulled one of his knees toward his chest and drummed his fingers on it, “it’s refreshing. You’re gonna be alright, kid.”

“There’s a place,” you murmured after a few moments of silence, “that my mom told me about when I was little. She made it sound like this magical place. I guess really, that’s where I want to go.”

“I hate to break it to you,” Cooper said, “but magical places don’t really exist. They never really did.”

“I know,” you admitted softly, “it just seemed like that when I was young. She died a long time ago, but I’d always think about that place, going there someday.  She said it was west - just go west and you’ll know when you’re there.”

“Hmm,” he nodded and paused for a moment before getting up and grabbing some nearby sticks and bringing them to the center of the clearing. He started making a fire before you could even question him, “if it draws anything out, I’m sure we can handle it.”

“Thanks Coop,” you watched him work, an odd feeling settling in the pit of your stomach. Once the fire was going, he settled down near you, “Cooper?”

“Hmm?”

“We are going west, right?” your question caused him to chuckle before he reached into his pocket and pulled something small out that he passed over you. It was a small silver compass worn and weathered just like him.

“I’m sorry to tell you, sweetheart, but we’ve been goin’ east for the last couple of days,” he shrugged as you groaned at yourself. At least you didn’t have anywhere to be at any particular time, “had I know we’ve been searching for a magical place, I could have told you we were going the wrong way.”

“I guess I’m not as handy as I thought,” you grumbled to yourself, clutching the compass tightly in your hand, “you know you don’t have to come, right?”

“I know,” he nodded, “you think anyone could force me to do something against my will, you don’t know me at all, sugar. Now stop your yapping and get some rest. We’ll start heading west at sunrise.”

You paused for a moment, pulling his coat tighter around you, “thanks, Coop.”

─── ･ ｡ﾟ☆: *.☽ .* :☆ﾟ. ───

The next couple of days of trekking passed in relative peace. The two of you were now making your way west for whatever magical place your mom had made you dream of you. You weren’t sure why Cooper was still with you, but you weren’t about to complain. He provided some decent company since you’d had your little heart to heart, but he owed you nothing. You weren’t exactly complaining; he was the closest thing to a friend you’d had in a long time.

But, as things would have it in the wasteland, life threw a wrench in your plans. A wrench in the form of two raiders that definitely weren’t looking to get chummy. 

“Ugh,” you groaned as the two figures approached from a distance. The two of you were outside of a saloon, trying to decide whether to keep pressing on for the evening or staying put and turning in. Cooper followed your line of sight and made a sign of annoyance, “why do I feel like they’re going to make trouble?”

“Well, darlin’, that’s because they’re about to make trouble,” he touched the brim of his hat and pulled it further down. 

“Look who it is,” one of the men sneered at the two of you. He looked about as unfriendly as they came, “the Ghoul of the hour and his little bounty.”

“We heard you were having some trouble delivering her back home,” his partner came up and eyed you without shame. He looked disgusting with greasy hair and rotting teeth, a sinister expression on his face, “so we came to take over.”

“Go fuck yourself,” you spit at him, reaching for the dagger that was at your side. You felt Cooper reach for your hand and gently squeeze it in order to stop you from making any rash moves.

“What this charming sweetheart means is that she is not going back with you,” Cooper smirked at them, “so you can run along now.”

“Fucking Ghoul,” the first man snarled at him, “you couldn’t even do your job. Turn the bitch over and we’ll let you go alive…or whatever the hell you are.”

“You can go back to my father and tell him that he can go fuck himself too,” you hissed, blood boiling with sheer annoyance and anger, “and if you don’t turn around right now-”

“What?” His voice was sticky sweet and filled with vinegar as he smiled at you; both of them had pistols in their hands and that made your stomach churn. They could easily get the jump on you, “you’ll kill me?”

“No,” Cooper pushed you behind him and looked at them with a grin on his face. Of course he’d  be enjoying this, “but I will.”

“Why don’t you just-” but the man couldn’t get another word in as the sound of the gunshot rang through the air, causing you to stumble backwards and cover your ears. A second shot rang out within seconds and you saw the other body fall to the ground. 

It happened so fast that you couldn’t help the shock that ran through your body, causing you to let you let out a loud sob. You’d seen death before, you’d seen things much worse than before but there was something about the moment that was overwhelming. 

Blood spattered the side of the building, causing you to dry heave as you noticed the bits of brain and bone clinging to it. Your ears were still ringing as you tried not to completely lose your grip on reality.

“Hey,” you heard his voice cut through the fog and you felt his hand on your shoulders, helping to keep you steady and upright. You shifted your gaze up and found his eyes concerned, “hey.”

“I-I…” you couldn’t even form a proper sentence as you looked at him, “they…you. You saved me.”

Before he could even respond, you threw your arms around him and held tightly onto him. He was taken aback for a moment before he hugged you back, and you could feel his breath of relief. There was something so good and reassuring about the feel of his arms around you.

“You would have had it handled,” he insisted and you shook your head. 

“No,” you looked at him and to your surprise he gently wiped away your tears, “I couldn’t have. I couldn’t have saved myself this time. Thank you.”

“No need to thank  me, darlin’,” he took your chin in his hand and kept your gaze on his, “I’ll be right here if you need me.”

“I do,” you wrapped your fingers around his wrist and nodded slightly, “I do need you. Don’t go.”

“The only place I’m going is west,” there was that smile again, the one that rarely graced his features. The same one that made your legs feel like jello, “are you comin’?”

“Yes,” you promised, “I’m coming.”

“Well then, we best get goin’ sweetheart,” he glanced over the carnage that he left behind, “before someone else comes to make trouble.”

He checked himself over to make sure he had everything ready to. You missed the feel of his touch almost immediately. 

Once he made sure he had everything, he held his hand out to you.

You took it without hesitation. 

[teencopandthesourwolf]

He freezes. Doesn't know what the hell else to do. 

He can't picture it: Derek can't remember the last time somebody put their arms around him. 

Was it Laura?

Of course it was Laura. How could he forget that? Derek has gotten pretty good at blocking things out—a little too good, it seems.

She didn't tell him anything before leaving New York. Didn't say a fucking word, just up and vanished. Derek had woken up one morning and she was gone, because she'd known without a shadow of a doubt that Derek would've only followed her if she'd have said a single word to him.

Nobody ever granted Derek’s wishes, no matter who he prayed to. Those desperate pleas where he asked to go back and get a chance to fix things, they all went unheard.

Laura left to go back to the place they both wished still existed just as it had; a place they were wanted alive, not dead. It wasn't fair that it was the very same place they would be hunted down if they did return, like the rabid animals the Argent's presumed they were.

Leaving the way they did meant they hadn't gotten the chance to see if anything was left at the house. They couldn't even mark graves, and grieve properly. 

That same place also happened to be the place they'd been born, the place they'd grown up and called home.

Derek had never wanted Laura to face all of that alone.

The burnt down house. The nothing where there was once everything.

The thought still haunts him. One of so many. 

Beacon Hills is home—but it's the home Derek had helped raze to the ground with his selfishness and stupidity. Everything he and Laura had ever known, everyone they'd ever loved, it was all gone, now. Derek had taken those things away from his sister and hadn't even had the guts to tell her. Tell Laura they were all gone because of him, tell her that everything that had happened to their family, to them, was all his fault.

In the aftermath of the fire Laura hugged Derek, and had kept hugging him, over and over in those weeks and months and years that followed. She would pull him into her arms hold him tight, whenever she could sense it was all getting to be too much for him again.

Alpha.

Big sister.

But Laura only knew about some of the reasons why it sometimes felt like too much effort for Derek to keep on breathing.

He never told her about Kate.

And Derek, the fucking coward, he'd allowed Laura to hold him, feeling the flames of shame on his cheeks every time, hot as those that took the lives of his parents. His family. His pack. 

Now, he remembers that last time. 

“I'm going out.” 

Laura stood up, walked around the two mismatched armchairs and stopped him by throwing both her arms around his neck, pulling him into her and hugging him, scenting him. 

It always took him a moment to respond these days, but Derek hugged her back. 

“What's this for?”

“You. Because I know whomever's bed you end up in tonight, you won't be asking for one of these.”

Oh, fuck no. Derek couldn't handle that. Did she think he was out sleeping with people? Never again, not after…

He pushed his sister off him, gently; a stark contrast to the harsh words that followed. 

“Don't fucking coddle me. And fuck you, Laura—I don't sleep in anybody's bed but my own.” A single mattress on the floor of the lounge of their shitty one bedroom apartment. Derek had so many shameful memories, and crawling into his sister's bed every night for the first year after the fire was one of them. “Just—leave me alone.”

Laura was the one—the only—person Derek had left in the entire world, yet his guilt was constantly pushing her away. 

“Where do you go to, little brother? You might not be clinging to me anymore, night after night, nightmare after nightmare, but you're rarely in your own bed most mornings.”

She hadn't meant it as a dig. Derek knew that. She was his sister, and she loved him.

Maybe she thought he was making progress? Seeing people. Moving on.

Derek spent his nights waiting outside of dive bars, and hanging around in back alleys and dark places, desperate to find scumbags to taunt who were big enough and hard enough to at least attempt to kick the living shit out of him.

Derek hated being a werewolf, now. He wanted to get hurt and stay hurt.

“Just—out.”

Then Derek turned his back on Laura, leaving her to stand there and watch him walk away as he left her to go out looking for a fight, without looking back. 

That was the last time somebody put their arms around Derek—and the last time he saw his sister alive.

It was two years ago. Derek doesn’t think he has taken a full breath, since. 

Now here he is—standing in his stupid big loft that he bought for his betas, yet another pack he managed to destroy—having given away more than he should, with skinny yet strong arms wrapping as far around his shoulders as they'll reach. 

Stiles.

“You don't have to hug back. But you can, if you want to. I won't tell,” the kid jokes. It's his way to connect, his connection to the world. A coping mechanism, Derek thinks.

He knows all about those.

“I…” he doesn't have the first fucking clue of how to handle this. Or how to admit he needs it—to himself, let alone somebody else. He doesn't know how to admit that he wants it. 

But this is Stiles. The one person in Derek's life who seems, for some unfathomable reason, to give a fuck about Derek. To care about him.

Slowly, very slowly, Derek lifts an arm and awkwardly rests a hand on Stiles's upper back, feels the muscles jump slightly under the kid's baggy clothes as he tentatively spreads his fingers and finds the back of Stiles's neck. 

Stiles's voice hitches just a touch as he says, “These can be on tap, you know. If you want them. Stilinski hugs are the best hugs, dude. Believe.”

And Derek finds he does believe. For the first time in forever, Derek believes there could be something good in his life again.

More confidently, now, he brings his other arm up to wrap around Stiles's waist and hugs Stiles tighter, properly, and allows himself to be hugged back.

Derek wonders how he has gone so long without this kind of closeness. Lived without this kindness.

He decides to let the 'dude' pass. Because maybe—maybe it wouldn't be so bad after all, to be somebody's dude? 

Stiles's dude.

It's a fucking ridiculous moniker and yet Derek suddenly couldn't care less. 

“I think I'd like that,” he whispers into the forbidden place where Stiles's jaw meets long, pale neck. "Dude."

Derek can feel Stiles's smile as the kid squeezes him harder. And, ironically, Derek feels as if he can breathe again. 

.

for @greyhavenisback bc i want to hug you in person and can't <3 (unedited, forgive me!)

[heartfullofleeches]

Ride or Die

Yan 🌽star + Stoner Reader

Summary: After a deal gone wrong, you text your roommate for help.

[Mentions of Weed]

-

Thursdays are pizza night.

It isn't much in the grander scheme of things, but to Brie it is the domesticity of the relationship blossoming between you. Not exactly just friends, yet still barely pushing the limits of the platonic bond you already shared before moving in. You've kissed him before, allowed him to sleep in your bed- Then again, the "kiss" was a conducting force for a mouthful of smoke you gave fair warning for him to prepare himself for; the night in your room being the outcome of him spitting up a lung moments later.

Brie didn't know what to do anymore.. Continue this little game of cat and mouse, praying somewhere deep down you feel the same way about him. Or move onto someone else, never able to give them the entirety of his heart because he knows a part of it will always belong to you.

"Why can't I cry anywhere else but the produce isle!" Brie bitterly whispers to himself as he swabs the corners of his eyes with the sleeve of his sweater. Your sweater to be more precise. He'd rather not have a repeat of last week- That sweet lady was only trying to console him, but his face gets red as the tomatoes he used for his sauce crying over what may never be.

Whatever.

As far as Brie was aware, you didn't have a partner nor anyone you were really interested in, and you practically told each other everything. Maybe somewhere along the line, he could find happiness in this in-between stage in your relationship. Even if you weren't his partner, he still had you as a shoulder to cry on and the best roommate he could ask for.

"Get over yourself, Brie- You're going to make them the greasts pizza they've ever had, and if they haven't already fallen in love with you - they'll met someone who's a shitty cook and realize what they're missing!"

Isn't that the dream? These days, it feels like you're the only thought on his mind. He can hear your voice now.

"Brie? Brieeeee~ Pick up or I'll use your full government. Heh, you know I'm messing with you. But, seriously, pick up."

Oh. That's... your ringtone. The message was one of the first voicemails you left him when he purchased a new phone. He's missed plenty of calls from you hearing it out to completion.

"You rang, babe?"

That got a good chuckle out of you the first time. It was a total blunder on Brie's end, but you insisted he keep the nickname if he wanted to. There's no jovial air coming from your end of the line. Not even a snicker as your voice picks up over the silence.

"I need your help."

Never in your years long friendship had he heard you sound so serious before. There were glimpses - swiftly desected by your infections laughter or the change of topic, but never like this.

"I'm, I'm on my way." Brie switches his phone over to his left ear, propping it up with his shoulder. "What's wrong? Are you sick? Did you hurt yourself?"

"I think I killed a guy."

The line goes dead.

Brie gazes upwards at the tiled ceiling, phone slipping from his grasp as his thumb hoovers where the end call button once was. He regains his grip on the device as a text message comes in.

Its a picture of the body. Sprawled out with their arms and legs angled in different directions.

He can't catch his breath. Brie has always tried to drill it into your thick skull he'd do anything for you no matter what - and he meant it. Taking someone's life... It's unforgivable in most people's eyes. Especially the law's. If you got caught. If he lost you- What would that mean for him? The future you had together?

Racing through the aisles like a chicken without its head, Brie makes several stops on his way to the cash register. Cleaning, household goods, cutlery. He grabs items as soon as they're checked out and stuffs them into his backpack as he pays, evading his ritual of fishing through his wallet for the exact cash and change.

Brie isn't crazy enough to run red lights. He does, however, forget his seatbeat as he floors his car home; flying just beneath the legal speed limit for the area. He speeds up the tiny flight of stares leading to your apartment - bursting through the already unlocked front door.

"Babe! Baby, in here- I brought bleach, and trash bags, and- and.... These knives should be sharp enough to cut up their limbs- We can even move closer to my parents if we have to!"

Tripping over his own words and feet, Brie dumps the the contents of his backpack on the living room floor. It's then he notices how clean the floor actually is. No blood stains, no evidence of a fight. His eyes search the room, falling upon you in an unbothered state - seated on the couch next to a shivering man nervously sipping from a glass of water.

"Brie!" Standing, you make short work of the distance between you as you swarm Brie with a firm hug. "Missed you, pretty boy. You're back a little sooner than I expected not gonna lie."

Adrenaline depleting, Brie points over your shoulder at the stranger. "I thought he was..."

"He? Oh, right!- Brie, this is Nicky. Nicky, this is Brie. He came to buy some of my stash since his med card just expired and he doesn't like buying full price. Normally I would've done it elsewhere since I don't want to bring strangers into your space, but he's heading out of town once he leaves.... If he still can."

Nicky offers a timid wave to Brie, placing his cup down seconds before collapsing on the couch.

"Don't worry, he should be fine after a little nap."

Air flows freely through Brie's lungs as he clings onto you. You aren't a murderer. There isn't anything jeopardizing things between you- besides himself.

"You're such a jerk."

Pulling away from your embrace, Brie was torn between slapping or kissing you as you grin back at him. "What? Didn't actually think I killed the guy, did you?"

"Yes?! Because of your little prank I wasn't able to get everything I needed for dinner! I was ready to throw my entire life away for you! And it's all just a big joke to you!"

"Thanks, Brie."

Tension building behind his eyes, a soft kiss to his forehead keeps the tears at bay just a little longer.

"It's nice to have someone I can depend on for anything. That's rare to come by these days. If you're ever in the same situation, but for real- you know who to call."

Sniffling, Brie rests his head on your arm.

"You're damn right I do."

[sully-s]

Batman Quest To Get A Birkin Bag

Ok so I have a very indulgent, SuperBats head fanfic that keeps me company on days that I forget to charge my earphones while walking my dog and to bore my wonderfully accommodating friends over dinner.

Long story short it’s a character study about Clark after his death. Doomsday kills him becuase we do not subscribe to Synder movies in this household.

Mostly its about Bruce grieving and reflecting on his ten+ year marriage with the man of steel with a large helping of the Justice League members bonding and finally getting to know Bruce and in turn Clark. (Kal never really got to say specifics about his life because Bruce wanted to keep his identity secret therefore a lot of Clark's life was private.)

For most of the fic Clark’s dead. But I'm one for angst with a happy ending so he comes back. How he comes back I have all kinds of versions but I just want to share this really silly one that I’m slightly obsessed with.

It’s about two years after Clark died. Currently, Bruce and Hal are off-world for a two-month mission. Shortly after they leave the League are battling some sorcerer who's in possession of a Jinn. During the battle two of the three wishes are used and at the end it's Flash who gets to use the last one.

He wishes for Clark to be revived back to life.

Jinn says he can't do that

Flash thinks of course just like in Aladdin you can't bring the dead back, make someone fall in love or wish for more wishes.

The Jinn is like how dare you think that's not within my power of course I can bring back the dead, I can't bring back Superman because Clark's not dead. he's just in his grave too weak to break out of his grave due to the lack of sunlight.

Flash hears this and immediately rushes over to dig up Kal.

The next month and a half are all about Clark adjusting to the changes over the last three years (Like having a new kid at the manor: Tim) Meeting new members (Green Arrow, Martian Man Hunter), and really bonding with his teammates ect.

While waiting for Bruce's return Clark asks Barry what he'd like.

Barry is confused

Clark clarifies that Barry was able to bring back one of Bruce's loved ones “to life.“ That’s never happened and for a man like Bruce who loves deeply for his family he going to be very grateful and he will not take “I’m just glad I could help” for an answer. So Barry needs to think of something or Batman will.

Barry doesn't know what to ask for but knows that Bruce is rich. He figures this would be a great time to get that designer bag that Iris always wanted but they could never justify ever buying. (Listen I don’t know if Iris is a designer girly but in this fic she really just likes this one bag.)

So Bruce and Hal get back and after the big celebration party, the JL held for Clark and Bruce's reunion. Bruce approaches Barry thanks him and asks if there’s anything he can do.

Thinking Barry is going to ask for a house, pull some strings with his Brucie persona so he can better his life at his job or status. Maybe ask for Bruce to fund or set up a wellness program for people in Central City.

But Barry is just like: Uh well Iris has always liked this bag.

And Bruce is thinking Really Barry You brought the love of my life back to life I’d move mountains (without Clark’s help) for you and you want some designer bag for your wife?

Bruce: Do you have a picture?

And as soon as Barry shows him the bag Bruce knows moving mountains would be so much easier.

The bag Barry wants to get is a Birkin Bag.

Now if you know anything about Birkin bags 1. they’re stupid expensive. 2. If you can afford one that doesn't mean you get to buy one. Hermes the company that makes them has this irate practice that you have to work up a good relationship with the store and the sales associates in said store to even get the privilege to buy a Birkin (usually by buying a ton of other Hermes products you don’t want.) Sometimes you buy half the store but if you’re not a high-profile client or they don't like your image they just brush you off and postpone your chance to ”buy” a Birkin. And if you do all of the above prerequisites You don't even get to pick the bag they "give" you one. Want a pink colorway? Sorry here's lime green you're welcome.

Now Barry has no knowledge of any of this and just thinks a Birkin is just some overpriced bag. The problem is Iris only likes this one colorway ( Size 35cm, Red Alligator Exterior, Gold hardware, Yellow Slik interior ect.)

This is going to be near impossible.

But In Bruce's mind, Flash did the impossible in bringing back Clark (Bruce thinks Clark was wished back to life because that's the story everyone is sticking to. Because the emotional trauma of letting Bruce know that Clark was alive the whole time rotting away in a grave for 2 years is not on anyone’s todo list.) So he will get this bag Even if it kills him. He's the goddamn Batman.

And all this lead up is to what I'm actually obsessed with

I just love the idea that Bruce is running around Brucie-ing it up to try to get in Hermes' good graces but his image of being a drunk playboy is activity stopping him from buying any bag.

He calls up the Daily Planet and starts setting up all these puff PR-boosting articles to up his image. Which starts rumors becuase Burce Wayne doesn’t do interviews so why now?

Gotham elite catches wind that Burcie Wayne wants a Birkin richest man in America can't get one. So they all start getting Birkins. They ware them to his galas, just to troll Burcie. The elite jump on the waitlist inflating the list to stupid long. Hermes starts to wear the exclusivity of Brucie Wayne as a sign of good taste and prestige. Bruce searches the second-hand market and can't find the colorway Iris's wants.

Bruce goes undercover as a worker for a local Hermes store to become his own sales associate just so he can get around the prejudices of Bruce Wayne image and start racking up a sales history. (He just selling and buying to himself lol.)

So Bruce is playing a luxury salesman using his background of old money and Alfred’s butlering to woo potential buyers. Working his first retail job ever. Having to suck up to management so he can plead his case about Bruce Wayne. Using his access to get informed on what bags are currently available, who’s on the waitlist, where they rank, and criteria on how and what moves you up the list ect.

After months and becoming the number one salesman, he makes his case to allow Brucie Wayne to buy a bag.

It’s declined.

So he switches tactics.

He just makes a new cover as a recently won lottery winner looking to burn cash and wants to burn it with Hermes. And starts a new sale history. Using all of his knowledge and intel about what gets you on the waiting list.

He gets stonewalled a few times by former co-workers that he gets around by blackmailing them with gossip and infractions he witnessed or was told In confidence when he was a fellow sales associate.

Finally, his lottery winner persona is put on a waitlist. The only problem is he’s at the very bottom.

So what does he do?

He suties up As Batman and starts intimidating all those who are higher on the list than his lottery winner cover rocketing him up the list.

He hits a roadblock when he tries to scrace a woman on the list who doesn’t believe he’s actually Batman becuase “Why would Batman even want with a Birkin?”

Which leads to an escalation that gets him an earful from Superman who’s called to the scene by said woman whos terrified after Batman strings her upside down over the edge of her high-rise penthouse.

Clark offers to buy the bag becuase who wouldn’t want that kinda of PR endorsement?

Which Bruce vittamently refuses becuase it would cheapen the gift.

Finally, after a week of terrorizing wait-listers, his lottery winner persona is “given“ the opportunity to buy a bag.

But disaster strikes when that lucky break he thought he got because he was next on the list was actually bad luck becuase the person was bumped off becuase they bought the bag that Bruce had painfully calculated to purchase which was the only bag that would be made in the next 3 years that has the colorway that Iris wanted.

So Bruce tracks down and comforts the buyer in the dead of night as Batman. The buyer freaks out and says they didn't even want this colorway and really wanted a Caranery yellow ostrich skin colorway and if he could get her that one she'd trade for it.

This leads Bruce to play matchmaker for a series of buyers that have Birken Bags they don't love and would trade for their dream bag. And after months of fetch questing and matching sad Birken owners around the world with their dream bags Bruce he pulls it off. He finally gets a Canary, yellow ostrich skin colorway Birkin bag trades it for Iris’s dream bag. Only to find out it was ruined in a car crash that was caused by an alien invasion 2 months before that the JL had a particularly nasty time with and it was Bruce’s Batmobile that was thrown into her parked car.

The bag is a mess the zipper borken, missing hardware, leather scratched. But Bruce so done with everything accepts the trade and takes it back to the cave. Where he proceeds to 3D scan the bag then composite a CAD model and starts to collect all the raw components of the bag himself.

Getting only the best materials (much better than what Hermes was using) Talking to Killer Corc on how to find the best alligator pelts. Flying to India to personally pick out the red dye for the color. Mining the gold for the hardware from an asteroid that was threatening the Watchtower.

After he has everything Bruce proceeds to by hand construct an exact replica of Iris's dream bag. Essentially making the most over-budgeted fake to exist. Where he finally gives it to Barry (who has no inkling of the time and effort Bruce has put into this side project that has taken the better part of a whole year) who jokes in saying “Oh wow takes 12 months to run to the store huh?”