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kitausuret · 1 year ago
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❤ + Harry
You knew this was coming
You're right, I did see it coming, even though you watched me go through all of Harry's comics in the space of.. what.. two months? This man bore firsthand witness to my epic joys and tremendous sorrows. Anyways.
It's actually kind of difficult for me to pinpoint exactly what I love about Harry without saying like, "everything". I've already talked about how much he reminds me of my own dad, and of course I've talked about how much I like him in my favorite ships, but like, what specifically about him is it? Is it because he's just a silly little guy? Is it because he learns to be earnest? Is it because he learns his own version of confidence, rather than the type that his father wants him to have? Is it the bowties? Is it the dadliness?
But really, what I love about Harry is his journey towards self-identity. As long as you can ignore all the (waves hands at Kindred) bullshit, especially post-OMD there's so much there as far as Harry just accepting himself? When he learned to stop living underneath his father's shadow, it was just so good and so excellent. I only wish we could've seen more of him being a dad and repairing his relationship with Normie. I also honest-to-god feel like we deserved some kinda confirmation about Harry being Not Straight, because in my heart of hearts I know it to be true.
So, I guess, what I love about Harry? Maybe it's all of the above.
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(Marvel Team-Up #5; Conway, Kane. I just love Harry's tiny little loose curl of hair. And I was trying to post something other than a HarryFlash panel.)
Send me ❤️ and a character and I’ll tell you my favourite things about them
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nevadancitizen · 4 months ago
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-> CH. 13: THE JOYS OF SOVIET TECHNOLOGIES
synopsis: you celebrate the release of kollektiv 2.0, and meet a kind stranger and an american danseur that both seem really familiar.
word count: 1.9k
ships: Connor/Reader, Hank Anderson & Reader
notes: the long wait is over!!!! the research essay has been slain and i have time to write again :)
HoFS taglist: @catladyhere , @foggy0trees0 , @princessofenkanomiya , @n30n-f43 , @igna4400 (if you'd like to be added to the taglist, just ask!)
HEAD OF FALSE SECURITY MASTERLIST
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The bright sun above fills you with a pleasant warmth, but the plentiful trees that line the canal provide a wealth of shade. Automated paddle boats cut through the water at a languid pace, giving the couples inside plenty of time to talk and a semblance of privacy.
People are friendlier now than at any other time of the year – you’re all attending a festival, so it makes sense. They smile and shake your hand and greet you with a happy “Is it not an amazing day, comrade?” 
The booths you walk past are showing off the new weapons they’ve developed and their upgrades (you’ve never seen a Kalashnikov in person before!), THOUGHT devices and their benefits, and a myriad of other advanced technologies only now being revealed to the public. But the bells and whistles are to be expected – today is a celebration of Facility 3826, after all.
The date is June 12th, 1955. And it’s a wonderful day to be a citizen of the glorious Soviet Union.
As you walk by, machines continue their routines. VOV-A6 Techs work on foot to deliver crates (you’d almost mistake them for humans if not for the mark on the middle of their backs and the unfeeling, unmoving mask they have for a face). MTU-7 Bumblebees move cargo crates through the sky, the sound of their blades beating against the wind sending a soft hum through the air. TER-A1 Tereshkovas guide tourists through the city, their feet barely scraping the concrete as they move. 
“Good day, comrade!” Someone’s voice cuts you from your thoughts. It’s a facility representative – a man dressed in a white labcoat, a crisp black tie, and a THOUGHT device (a module placed on the temple with wires that float off the browbone to reach over to the opposite temple). “Come closer! I’m here to help.”
“Hello, comrade,” you say. You look over at the booth he’s standing by. It’s a short silver pole, no taller than him, with a circular tray floating around it, rotating slowly. It has little different colored modules on it, each floating above their designated coupling. 
“Would you like a THOUGHT device?” He asks. “It’s high time you got one!”
“No, thank you.” You hold up a hand. “I’m just browsing for now.”
“Why restrict yourself to browsing when you can get your own personalized device this very instant?” The man asks. “I can help you pick out the right unit. It can even match your eye color!”
He picks up one and holds it close to your face, as if gauging it. “Ah, yes! A violet gooseberry model would suit you well.” He takes the module away and looks you over. “You… are polymerized, aren’t you?”
“Yes, sir,” you say. “But… I thought those devices weren’t going to come online until next Monday.”
“That’s right, comrade. But some people like to get it early, like a pre-order.” He tosses the module on the tray, and it magnetizes back to its coupling. “At the moment, the device functions as a personal telephone set and headlight, but it also allows the user to get used to wearing it on their head.”
“Well…” You look over the modules on the rotating tray. “It’s free, right?”
“Absolutely!” The man says, a smile on his worn face. “Allow me to connect you.”
He gestures to the booth, telling you to take your pick. You look over your options before picking out one that’s a crisp cerulean blue – you don’t know why, but the color seems nice to you. Like it reminds you of something, or someone. You pick it up even as the device tries to stay magnetized to its coupling. You turn it over in your hand before pressing it to your temple. It sticks, and wires come out to reach over to your other temple, like a half-crown or half-halo. 
The man presses a finger to his THOUGHT device. After a few moments, a confused look crosses his face. 
“Khm, that’s odd…” he says. “It seems I can’t access your biometric data. Maybe there’s some sort of malfunction…? I’m so sorry.”
You take off the module and return it to its place on the tray. “Ah, don’t sweat it. I don’t wear a lot of jewelry, anyway. Thanks for telling me about it, though.”
“Of course, comrade,” the man says. “Again, I do apologize. Have a good day!”
“You too.” You turn to walk, but stop yourself. “Actually, sir – I have a question, if you don’t mind.”
“Yes?” He says. 
“It’s about…” You gesture vaguely around. “The people. They’re all speaking English. I don’t mind, since I can speak it. But I would expect at least some Russian.”
“Oh, yes!” The man laughs. “Facility 3826 is promoting the learning of English, just in case anyone sees anything of American origin. This is so if anyone sees or hears English, they’d be able to discern whether or not it’s a threat to the goodness of our Union. The festival is a good time to practice for people that are still learning.”
“That makes sense,” you hum. “Thank you.”
You continue walking down the street. It would’ve been nice to have a transportable telephone, but it’s not like you’re in dire need of one. You can figure that out later. 
There’s a small crowd gathered around a RAF-9 Engineer juggling various things it’s taken from the crowd: pochette-style purses, children’s toys, cigarette cartons. You stop at the edge of the group and watch as it throws the items up and catches them with pinpoint accuracy. 
There’s a hand on your shoulder. “Hey, kid.”
You turn and see a man. He’s late forties, early fifties at most. His hair brushes past his ears in an untamed, grey mop and his beard matches it. His face is worn, but his gap-toothed smile is kind.
“I’m sorry, comrade.” You smile politely. “But I… don’t recognize you. You’re probably mistaking me for someone else.”
“Oh, shit,” he says, removing his hand from your shoulder. “You look like someone I know. My bad.”
“Well, I’m sure your friend is around here somewhere!” You try. “They may be at one of the cheburek or bliny stands. There’s a really good one selling bliny just down that way.”
The stranger checks over his shoulder, where you were pointing, then looks back to you. “I’m not from around here. You mind showing me the way?”
You check your pocket watch and mentally count the time until Dmitry Sechenov’s grand speech. You’re not crunched for time yet, and it would do you good to have something to tide you over until you could eat a real meal.
“Yeah, sure.” You start walking, and the stranger matches your pace.
“The stand has a few fillings,” you say, both to fill dead air and to make the silence less awkward. “Fruit preservatives – cherries, apples, plums, berries – meat, honey, or just plain with butter and salt.”
“What’s your recommendation?” The now-somewhat-familiar stranger asks. 
“Well, in the spring, they’d have imported lemon preservatives,” you say. “But it’s summer, so that well’s dried up. I’d just go with the cherries. Sweet or bitter, it doesn’t really matter to me.”
“You’re just makin’ me hungry,” the stranger mumbles with a smile.
You laugh. “That’s the idea, no?”
After another minute of walking, the stand comes into view. Two men are operating the stand, and the soft scent of batter on the griddle beckons you closer. A radio is playing.
“Look at the menu,” you tell the familiar-stranger. “Take your pick. It’s cheap, so I’ll pay.”
You look around while he looks at the menu. There’s other people, obviously, and some on the canal are pointing at a man in an automated paddleboat. You barely hear whispers of “It’s comrade Major Nechayev!”
You turn your eyes away. Nechayev doesn’t really interest you. From what you’ve heard, he’s just some military dog leftover from the Red Army. What does interest you is the crowd across the canal. 
They’re gathered around some sort of stage that must’ve been assembled temporarily for the festival, like an American carnival. You watch for a few moments, but can’t glimpse what’s happening on stage. 
The stranger pulls you out of your thoughts. “Hey, what’re they talkin’ about on the radio?”
You turn back to him. “Huh?”
He points at the radio that’s playing on the bliny stand. It’s playing a jingle: “For the greatest advancements in cosmetic enhancements, there’s only one man you should be trusting your glam with!”
You listen a little longer and catch a name – Doctor Steinman – and roll your eyes. “It’s that underwater city off the coast of Iceland. The one that uses the same technologies as the ones invented to create the Neptune complex here.”
The stranger nudges you. “Why’re you rollin’ your eyes?”
“The city won’t last,” you say. “They say that it’s a city where the great won’t be brought down by the small. And all those immigrants go to Rapture thinking they’ll survive the fire of American-based industry. But they forget that, even in utopia, someone has to scrub the toilets.”
“Yeah, that’s a factor most forget,” the stranger says. 
“Eh, what else do you expect from capitalists?” You shrug. “Let’s just order. What do you want?”
The stranger looks back at the menu. “Uh… a bliny with… apple preserves.”
You quickly order your bliny and his and fork over the rubles, then look across the canal. The performance is still going. 
“Listen, khm,” you say to the stranger without looking away from the stage. “Can you watch our order? I want to see what’s happening across the canal.”
“Uh… yeah, sure,” the stranger says. 
You thank him quickly and hurry over the bridge to get to the other side of the waterway. You slowly make your way through the crowd – not to the front, but just enough so you can see…
A danseur? (Or a ‘ballerino’ in other countries, you suppose.) He’s wearing a form-fitting black shirt and a matching pair of tights. His pointe shoes are a soft pink, just a few shades off his skin tone. A THOUGHT device crowns his head – the same cerulean blue model you were looking at earlier. 
As he moves, he matches the music perfectly. It’s like he was born to extract the flow and rhythm from music and express it in dance. His feet don’t break their arch and don’t falter, even for a split second. 
Then, he turns. On his front, over his left breast, is a small American flag. 
Your eyebrows crease. You lean over and quietly ask a nearby woman, “He’s from America?”
“It was made in America,” she whispers back. “It’s an android, comrade.”
The danseur turns his head as his arm swoops up to point his fingertips to the sky. His soft, brown eyes lock with yours with you and you feel… you don’t know what you feel. It’s something physical, on your back. Maybe someone bumped into you? But the crowd isn’t moving. 
You take a step backwards as he continues staring at you, stock-still. You take another, then look behind you. The crowd is gone.
“Какого хуя?” You mumble. 
You look back up at the danseur. He’s moved a little closer, his feet just barely stepping off the stage. He comes closer, his movements still fluid and graceful, like he’s still dancing.
“Officer?” He asks softly. 
“What?” You say. 
His hand comes to your face, his fingertips just barely brushing across your jawline. His lips start to form a word, but –
-> CH 13: GOOD, HONEST SNAKE OIL – IF THERE IS SUCH A THING!
synopsis: after you and arthur swing by the sheriff's office, you go on a run to hunt a bounty and meet a man who seems really familiar.
word count: 1.3k
ships: CH: “mister kamski? the officer is stable, and is responding well to the reintegration system.”
notes: EK: “make sure they go through each as quickly as possible, chloe. i need to see if they can get back on their feet.”
HoTS taglist: @catladyhere , @foggy0trees0 , @princessofenkanomiya , @n30n-f43 , @igna4400 (if you'd like to be added to the taglist, just ask!)
HOUSE OF TRUE SECURITY MASTERLIST
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“I got it.” A voice pulls you to look over at the entrance to the Valentine’s Sheriff’s Office. It’s Arthur Morgan, holding up a folded-up wanted poster. 
You lean down from your horse (a beautiful Dutch Warmblood named Bronya) and reach out to Arthur as he approaches. “Give this to me.”
Arthur hands over the poster, and you unfold it. It’s for one mister Benedict Allbright – needed alive, for a reward of fifty dollars.
“He needs to be living?” You say. “This is unlike you.”
Arthur mounts his horse, a Tenessee Walker named Marie. He clicks his tongue and presses his legs together against Marie’s flank once, and she starts trotting. You and Bronya follow. 
“Was the only one there,” Arthur says as you pull up beside him. “They says he’s been poisonin’ folks with some ‘miracle cure’ from here to Annesburg. Says he killed more ‘n Landon Ricketts without even pullin’ a trigger.”
“Troubling,” you say. “He is dangerous?”
Arthur looks over at you. “Would I bring you along if he was?”
“He cannot be more trouble than Angel Island,” you say. 
And everything comes rushing back. The Wild West is being tamed. A robbery in Blackwater went wrong, and you and the rest of the Van der Linde gang were forced to flee east – the exact opposite of where you wanted to go. And you’re only in this mess because of the officials operating Angel Island. They somehow messed up your papers, and you couldn’t get the work you were promised. You were forced to steal, lie and sometimes even kill to get your way. 
The date is June 12th, 1899. And it’s a normal day as a somewhat-citizen of the United States of America.
“Where is this… Allbright?” You ask. 
“Fellers down at the Sheriff’s said he was holed up in some gorge north a’ here,” Arthur says. 
“Ah! I know what you speak of,” you say, squeezing Bronya’s sides with your claves. She breaks into a canter. “Follow!”
“Now, you can’t just –!” Arthur makes an exasperated sound, then matches your speed. “At least give me a warnin’!”
You laugh, the sound full of warmth. The ground beneath the horses’ hooves turns from the mud of Valentine into the drier dirt of the outer town limits. 
A few minutes later, you pull off the well-trodden trail and into the knee-high grasses. You lead Arthur through the sparse trees that make up the edges of Cumberland Forest.
“How come you know these parts so well?” Arthur asks, breaking the somewhat-silence.
“I have a good head,” you say. “After riding through this place once, I know it, um… I know it like…” You grumble, frustrated. You know what you’re trying to say, but just… can’t articulate it right. You’re tempted to just say it in Russian, but Arthur wouldn’t understand, and you would risk any passerby potentially becoming hostile. (Shouldn’t you speak better English than this? You remember speaking better English than this…)
“What’re you tryna say?” Arthur asks. He’s used to this.
You take one of your hands away from the reins and hold it up. “Something to do with hands. I know it like… like my hands know it?”
“Like the back of my hand,” Arthur corrects. 
“That!” You chime, re-taking the reins in hand. “I know it like the back of my hand.”
You hear the sound of water running along a riverbed and perk up. “We are close.”
Marie follows Bronya as you guide her up a slope into a small alcove carved into a mountain. It’s a thin slope – on one side is the mountain, and on the other is a twenty-meter drop into a river. The alcove is housing a man – supposedly Benedict Allbright – and his horse.
You turn back to Arthur and jerk your head towards Allbright. He’s always been the more intimidating of you two, so you’re letting him lead this one. 
Arthur grunts and dismounts his horse before walking by Bronya, towards Allbright. “Oh, what we got here?”
He continues walking forward until he comes to a stop just before Allbright’s bedroll and campfire. “Are you Benedict Allbright?”
Allbright stands, backing away from Arthur a bit. “N-no, sir.”
“You kinda look like him,” Arthur says. “And we was told he’d be up here.”
“No, uh,” Allbright says. “Not me, sir.”
“It’s because…” Arthur sighs, and looks out of the alcove, down at the river. “I wanna buy some medicine. And, I heard… I heard good things.”
The corner of your mouth twitches up. Arthur could rival Hosea with his tact for semantics, even if he adamantly denies it. 
“I’ll pay – in gold – i-if you can help me find him. It’s just…” Arthur glances over at you, then the ground, like it pains him to look at you. “My brother’s child over there is real sick. Russiatitus, they was callin’ it. Rare disease. We tried all them medicines they said to try, but… nothin’s workin’.”
“Oh!” Allbright looks over at you through his spectacles and smiles. “Well… if it’s for the ill, I’d be more than happy to help!”
He turns and walks over to his bags, picking out a small bottle filled with a viscous, dark yellow liquid. “I’m a healer, y’know? A medical man.”
Allbright turns back and hands it to Arthur. “Finest medicine in the state.”
Arthur pretends to be wowed, then tosses the bottle off the edge of the alcove and into the river. Before Allbright has time to react, he’s drawn his revolver. So have you. You spur Bronya to walk forward, past Allbright’s horse and partially into his camp.
“Game’s over, mister.” Arthur angles himself so that he’s blocking the only other exit. “Put your hands up – we’re takin’ you in.”
“Takin’ me in?” Allbright repeats, like it’s the most ridiculous thing he’s ever heard. He puts his hands up. “What for?”
“Apparently that stuff you’re pushin’ is killin’ folk, n’ there’s a price on your head,” Arthur says. “I don’t know, it ain’t my business.”
“C’mon, partner, that’s crap. I’m a healer! I-I’ve got an aura… I speak to spirits! I’m a scientist!” Allbright insists. “Folks get real angry for no good reason, and this… this is a mistake.” He looks over at you. “S-surely you can talk some sense into him?”
“Hm…” You twitch your nose and shrug, not lowering your gun. “No.”
“Keep your hands up, buddy.” Arthur reaches forward carefully, taking Allbright’s gun from its holster and tossing it into the river. “They only want you for questionin’.”
“I – I have to insist that this is a mistake,” Allbright says. 
“Don’t be a fool,” Arthur says, corralling him towards the edge of the alcove. 
You look down at the river, then notice… a man. He’s looking up at you from where he stands in the riverbed, his pants soaked up to the knee. And – shit, from where he’s standing, he can clearly see you and Arthur pointing your guns at Allbright.
“Arthur,” you say without looking away from the man. “A man is watching. Maybe he is thinking we are robbing.”
“Go get ‘im,” Arthur says. “I got this handled.”
You click your tongue and tug on Bronya’s reins. She turns and starts walking down the slope to the river. 
The man doesn’t run as you approach him, despite your saddlebag holsters both holding rifles. Instead, he’s just… staring, with soft, brown eyes. 
He seems… familiar. Really familiar. Then again, Angel Island is on the west coast, and you’re pretty far from there, so you’ve seen a lot of people while in America. But… the bright blue stain on his temple seems so familiar. God, you swear you know him. Where is he from?
“You are watching me and my friend?” You ask, jerking your head towards the alcove. “The man is a bounty. He has been killing people from here and eastward, poisoning them with a… tonic. We do not rob for joy. We hunt bounties.”
The man walks forward, almost stumbling on the stones of the riverbed. “Officer?”
You rack your brain for that word, but come up with nothing. “I – I do not know the meaning of this English word… officer.”
He swallows thickly, then takes a breath. His lips start to form a word, but –
-> CH. 13: LET’S TALK HOMECOMING (THE MILITARY OPERATION, NOT PROM)
synopsis: you wake up on a helicopter, fresh from being saved, and meet a pilot that seems really familiar.
word count: ~900
ships: CH: “they were relatively unresponsive to that one. shall i introduce one that is less familiar?”
notes: EK: “yes. it should still be american, but... mixed with soviet suffering.”
ToFS taglist: @catladyhere , @foggy0trees0 , @princessofenkanomiya , @n30n-f43 , @igna4400 (if you'd like to be added to the taglist, just ask!)
THREAT OF FALSE SECURITY MASTERLIST
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“Wake up,” a voice mumbles. A hand grasps your shoulder and shakes you. “C’mon, commie…”
You open your eyes and see a man that’s familiar, but not. Like you’ve known him your whole life but only really registered his existence just now. He’s wearing a half-balaclava with a skull pattern and a beanie, and the skin around his ice-blue eyes is smeared with black greasepaint. 
“What the hell is happening?” You manage through gritted teeth. You shift and try to sit up from the bench of the helicopter you’re in, but he pushes you back down. 
“You got the bright idea to follow the twin brats to find Elias,” he says. “Into a goddamn burning house, no less. Jackass.”
You groan and close your eyes, bringing a fist to your forehead. “Keegan, don’t. Not right now.” His name slips from your lips before you even realize it. (So you do know this man, and probably the rest of the people on this helicopter… odd.)
In a fashion that seems familiar, it all comes back to you in a tidal wave of information. The energy deserts of Iraq, Saudi Arabia, Kuwait, and the rest of the major oil producers dried up a decade ago, sending the world into a panic. The entirety of South America united under the banner of the Federation of the Americas and the guide of General Diego Almagro, both willingly and unwillingly. General Almagro was assassinated in 2015, but his presence was still felt as the Federation took over Panama, then Costa Rica, then Nicaragua, working their way up to Mexico and, the other night, Dallas, Texas. 
You are a part of the Ghosts: a spec ops team set on beating back the Federation, even if it is a losing battle. 
The date is June 12th, 2027. And it’s a godawful day to be a citizen of the burning remains of the United States of America.
Hesh (one of the ‘twin brats,’ even though Logan is two years younger) pulls Keegan away and shoves him up against the wall of the helicopter. “You need to get this bird back on the ground. We’re not going anywhere!”
Keegan pushes him back easily, then adds, “Calm down, kid.”
“Hey!” Merrick body-slams Hesh into the wall. (He’s never been known for his gentleness.) “We just saved your asses!”
“We didn’t need your help!” Hesh snaps. 
Merrick takes hold of the collar of Hesh’s tac vest. Keegan taps your legs, and you sit up, pulling your legs up to your chest. Good thing you did – Merrick shoves Hesh down on the bench a moment later. 
“The hell you didn’t,” Merrick spits, towering over Hesh.
Elias shoves Merrick away with a, “Stow it! All of you.” (His voice is slightly muffled through his full-face balaclava, but it carries authority all the same.)
There’s a lot of light violence happening in the cabin of this helicopter, but you suppose that’s to be expected when the military comes around.
Hesh stands, facing Elias. “We have to go back! Our dad’s down there, and we’re not leaving without him!”
Logan stands too, signing at Elias. His words are angry, and his face is drawn into something like a snarl. He’s signing fast, but you manage to pick up something about him kicking everyone’s ass and tacking on a “TRUE BIZ” at the end, meaning that he’s not joking.
“That’s real admirable of you, Hesh, and I’m sure you can, Logan,” Elias says, sitting them both back down. “But your father’s not there anymore.”
He takes off his mask, revealing himself. 
“Dad?” Hesh says. “This whole time you were one of them? You’re a Ghost?!”
You look up and exchange glances with Keegan. Neither of you were really ones for surprise plot-twists or epic reveals. From what you can see, his expression looks bored and his eyebrows are drawn together a little, like a silent, ‘Can you believe this shit?’
You get up and Keegan automatically holds onto your shoulder, just in case you were to fall. You walk closer to the open cockpit, keeping a hand on the wall for the same reason. 
“What even happened?” You ask once you and Keegan were an acceptable distance away from the commotion. 
Keegan lets go of your shoulder and leans against the back of the pilot’s seat, crossing his arms. “Burning houses tend to collapse, dumbass. You got a roof tile right to the face.”
You rub your cheek and lean back against the wall adjacent to the cockpit. “Somehow that doesn’t shock me.”
The helicopter jolts a little bit and your head snaps over to the cockpit. From where you’re standing, you can see the co-pilot. He’s facing forward, but you can see the sparse freckles that dot his face and the tuft of brown hair that escapes the gel that slicks back the rest of his hair. The headset he’s wearing has a bright blue circle painted on the earcup – it must be a sign of his squad, or whatever pilots are a part of.
Your eyebrows furrow. He seems familiar, somehow. But not like how Keegan was familiar, and not like Merrick, Hesh, Logan, or Elias. He’s… you don’t know how to describe it.
The helicopter jolts again, and a hanging carabiner knocks the back of your head. Keegan huffs out a laugh when you whimper a small “ow.”
The co-pilot looks over his shoulder and back at you. You meet his soft, brown eyes. 
“Officer?” He says softly, his hands still on the yoke of the helicopter.
“Try Sergeant,” Keegan corrects. 
He glances at Keegan, then back to you, his eyebrows furrowing. His lips start to form a word, but – 
-> CH. 13: THE SMALLEST CHURCH IN SAINT-SAËNS
synopsis: come to the church.
word count: 1.2k
ships: don’t listen to them.
notes: you’re with us now. we’ll take care of you.
ToFS taglist: just come to the church. please.
TALES OF FALSE SERENITY MASTERLIST
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You hear waves crash on the coast before you’re even fully aware that you’re on a beach. A church stands before you, sea-worn and rotted. A banner, yellowed with age, hangs above the entrance, reading: Holy Church of the Amnesiac (formerly the Dolorian Church of Humanity). 
You walk up the stairs to the entrance, the rotted wood barely holding your weight. When you reach the door, you raise your fist and knock. 
A few moments later, someone answers the door. The person who answers is covered head-to-toe in police riot armor with a duster jacket on top. Their headgear resembles a reinforced gasmask with dark green lenses, and the words FORGIVE ME MAMA are messily carved into their helmet.
They look you over, then take your hand. 
You don’t know why, but you follow them inside. The inside is somewhat dilapidated, but still nice. The pews have been pushed aside to create a common space and the floor is littered with rugs and blankets and a few sparse pillows. People are scattered about, laying on the pews or sitting on the floor. 
A few of them perk up at the sight of you, but the person corrals you to the front of the church, where a figure is sitting. Their silhouette is stark against the light shining through the stained glass window behind them, which depicts a woman holding up two fingers with her right hand and cupping a breast with the other. The windows that would have been her lungs are punched out, leaving sunlight shining through.
“Come, friend.” They wave you over. “Sit with me.”
You look at the person who escorted you to the front of the church, and they nod, then turn away and leave you.
You ease down and sit with the person, tucking a leg under you. You look over at them – they’re dressed in all black, a cloth mask covering the bottom half of their face and their clothes covering the rest of their body. Their knee-length jacket flutters in the slight wind of the smashed-through windows.
“What is…” You gesture around. “This? This church.”
“This is the Church of the Amnesiac,” they say. “And I am the Hunter of Vilebloods. You need not tell me your name – I have been awaiting your arrival, as has the rest of the church.”
“Who are you?” You ask. “I mean, I know your name, but… what is the purpose of this church? Because from what I can tell, it’s not worship.”
The Hunter takes a breath and sighs. “We do not know. We are simply wanderers that have found our way here. This is not our home. We are all… bereft of memory. Something has cursed us, and I know that you have happened upon this curse, too.”
“What do you mean?” You ask. “I – I have memories.”
“Think back.” The Hunter looks into your eyes. “Think back to when you were but a child. Can you?”
“Of course I can,” you say. 
“Then tell me,” the Hunter says. “Recount your first memory.”
You look away and think back. “I… visited the Exhibit of National Economy Achievements when I was a child. I must have been… five, or six. There were machines there, both modern and vintage. It was a beautiful place that showcased the highest of Soviet achievements.”
The Hunter hums in response. “Your next memory?”
“When my father gave me a Makarov pistol,” you say. “He gifted it to me when I was ten years old. He never let me fire it, but it was still important to me. I had a hell of a time getting it over to the States when I immigrated.”
The Hunter tilts their head. “I… do not quite know what a Makarov pistol is, or where the States are, but please. Continue.”
“And then, my next memory is… when I was sixteen.” Your eyebrows furrow as you remember. “There was an accident, and I lost both of my legs. Luckily, I was able to be quickly fitted with prosthetics that mixed existing technology with neuropolymer. I was able to move my legs, but unable to really… feel them.” You sigh. “Now I have different ones, as I wasn’t done growing at sixteen. That, and the technology has improved.”
The Hunter shifts how they’re sitting so that they’re closer. “That is your next memory? There is… nothing in between?”
“N… no?” You say, unsure. “Is there supposed to be?”
“Typically, yes,” the Hunter says. “There is a menagerie of memories for one to look back on. Family, friends, parties and religion… but are you admitting that there is nothing?”
“Well, it…” You think for a moment, then admit in a small voice, “Yeah. I don’t remember anything until I emigrated from Chelomey.”
You feel something push against your leg – something solid and furry. You look over and see an orange cat with a little backpack rubbing against your leg, then sniffing at your shoes. He looks up at you and meows softly, as if noticing your sudden spike in stress.
“Hello,” you say softly. You reach out a hand and rub your fingers together, making a soft sound. The cat sniffs at your fingers before pushing his face against your hand, purrs starting to rumble in his tiny kitty chest.
“Who is this?” You ask, starting to gently scratch at the cat. 
“That is Stray,” the Hunter says. “He does not have memories, just like the rest of us.”
“But I do have memories,” you insist. 
“I apologize. I misspoke. He has… gaps in memory, just like the rest of us.” The Hunter looks over your shoulder and around the church. “Just like the Courier, the Tarnished, and everyone else here.”
You sigh, looking at the Hunter. “So what happens now? I died, so… is this all the afterlife has to offer? The Holy Church of the Amnesiac and a cat?”
The Hunter returns their eyes to you. “Oh, you did not die. You simply just… left your body behind.”
“What?” You snap, and Stray bolts. “What do you mean?”
“Did you really think that this is all dying has to offer?” The Hunter asks. “A church and a cat and a few sad wanderers?”
“I…” You trail off. “Maybe! The philosophy I read about isn’t about death and what comes after. It’s the philosophy of man and his nature.”
“Man and his nature,” the Hunter echoes. “What a fickle thing one’s nature is. And I can see your very nature being unraveled before me in this very moment.”
“I don’t…” You groan and bring a hand to your forehead. There’s a sinking feeling in your stomach. “I don’t know what to make of this. This is all just – it’s too much.”
“You will emerge victorious. And if not, you will return to the church, and we will send you on your way again,” the Hunter says. 
They reach out and draw you closer, holding you against their side with an arm around your shoulder. They lean down and whisper in your ear, “It has been an honor, but we really must say good-bye. Now go, cleanse the tarnished streets of your homeworld. And may the good blood guide your way.”
-> CH. 13: WAKE UP & SMELL THE ASHES
synopsis: you wake up and kamski explains everything.
word count: 1.7k
ships: Connor/Reader, Hank Anderson & Reader
notes: the long wait is over!!!! the research essay has been slain and i have time to write again :)
HoFS taglist: @catladyhere , @foggy0trees0 , @princessofenkanomiya , @n30n-f43 , @igna4400 (if you'd like to be added to the taglist, just ask!)
HEAD OF FALSE SECURITY MASTERLIST
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“Officer?” A soft, melodic voice calls. “Officer, can you hear me?”
You groan and turn on your side, away from the light that’s burning into your eyelids. “Huh…?”
“Officer, you need to wake up,” the voice continues. 
You open your eyes slowly and look up, only to lock eyes with… Chloe. What is Chloe doing here?
“You’re awake.” Chloe smiles and cups your jaw. “I will alert Mister Kamski right away.”
She looks away as her LED flickers, as do her eyes. After a moment, she looks back down at you and takes her hand away. You lay on your back, close your eyes, and wait.
A few minutes later, Kamski enters the room. You sit up, then immediately regret it when a stabbing pain shoots through your head. 
You screw your eyes shut and cover your eyes with a hand. You grind out, “Kamski, what the fuck am I doing here?”
“Lay back down,” Kamski says. You feel Chloe put a hand on your shoulder, and she guides you back down. The pain subsides enough for you to open your eyes again. 
Kamski takes a seat by your bedside and leans forward, his elbows on his knees. You look over. 
“Again, what the fuck am I doing here?” You say. “I… I died. I remember dying.”
“You did,” Kamski says, as if it was a completely normal thing to say. 
“Then how the hell am I alive?” You hiss. 
Kamski leans back in the chair and crosses his leg over his knee. “Do you remember your childhood?”
“Snippets,” you snap. “I just had this conversation. Now tell me how I’m alive after being shot in the goddamn head!”
“It’s simple,” Kamski says. (It’s not.) “You were never alive to begin with.”
You shoot up from the bed. “Чего?!” Again, Chloe pushes you back down.
“You know philosophy. Do you know Chariton Zakharov?” Kamski says, not pausing to give you a chance to answer. “Of course you do. You’ve read The Life, Death, Neuropolymer-Induced Transformation, and Secondary Death of Chariton Radeonovich Zakharov. In one of his letters, he wrote, ‘The radiance of pure reason, and it alone, can illuminate the path of humanity. Because a human being is not a body. It’s a way of thinking.’ I wanted to prove that.”
“I don’t really care to talk about philosophy right now!” You snap. 
Kamski holds up a hand. “Just wait. The sooner you understand this, the sooner you’ll get to see that android. What was its name again? Connor?”
“Connor!” You echo. “He’s here?! Take me to him – now!”
“Listen to me first,” he says. You grit your teeth and do your best to settle as he continues. “I wanted to create something that no one had created before. Obviously, I already did this with androids. But I wanted to go further.”
You nod, telling him to continue. You really want to get this over with. 
“So I thought, what about an android that thinks of itself as a human?” Kamski lets out a scoff-laugh. “Ridiculous, right?”
“If it’s ridiculous, I have no doubt that you probably did it,” you say. “Where is this android-human? Show me it so I can go.”
Kamski reaches under the chair and pulls out a mirror, then hands it to you. You take it and look at it. Sure enough, it’s a reflection of yourself, looking just as confused as you feel. 
“I don’t… understand,” you say, looking up at Kamski.
He taps the surface of the mirror. “You’re looking at it.”
You look at the mirror again. There’s nothing human-looking behind you – just a reflection of yourself in bed.
Kamski leans closer and whispers, “It’s you, Officer.”
“What an absurd idea.” You look at him. “Surely you’re joking, yes?”
“I’m not.” He leans back in his chair. “You’re the first android that was fully tricked into thinking that it’s human. You’ve been living this delusion for eleven years, ever since you thought you emigrated from Chelomey.”
“Again, this is idiotic!” You snap. 
“You only remember core components of your childhood,” Kamski says. “The Exhibit of National Economy Achievements. Your pistol. The accident.”
“I…” You sigh. “Yes, but –”
“Your parents didn’t traumatize you,” he says, tilting his head down and looking at you through his eyelashes. “That was what you were gonna say, right? That people with childhood trauma have gaps in memory and don’t remember a lot of their childhood.”
The words you had prepared die on your tongue. You look away. “Then who am I? Tell me, if you know so much about me.”
“Do you want me to tell you the truth?” He asks. “Or to recount the lie you’re used to living?”
“The truth,” you say before you can change your mind.
“There was a baby born in Chelomey with the same name as yours. Same birthday, same birth year. It was stillborn – didn’t even have a chance to take its first breath,” Kamski says. “That was where I got your birth name and birthday. Tensions between America and the USSR were already tense back then, so it was easy to fake documents. Your birth certificate, your passport, affidavits of income and support, your permanent residency card. You won the Green Card Lottery during a low-emigration year. You thought you got lucky, but you didn’t. I fabricated everything.”
There’s a sinking, swirling feeling in your stomach. You don’t really… know what to feel. You feel numb, somehow? But also like you’re ready to explode – to ask Kamski what the fuck he’s going on about, to tell him that he sounds like a raving lunatic, to tell him that you don’t believe a word he says. 
And yet… you do. It… it makes sense, somehow. Why would America let a nondescript Soviet such as yourself in? And into cybersecurity, no less.
“It’s obvious until it isn’t, isn’t it?” Kamski says. 
“M… my legs,” you say. “Why did you take my legs?”
“You needed to have some excuse for how you felt,” he says. “You didn’t have aches in them, nor did you experience any real pain. Right?”
“Yes,” you say. “Just phantom pain. But…” You sigh. “How am I able to feel? Not touch, but emotions. I thought correctly-functioning androids weren’t supposed to feel emotions.”
Kamski furrows his eyebrows. “You never did find a ‘patient zero’ for deviancy, did you?”
“No,” you say. “All we know is that it started in Detroit, and spread… across the country…”
A horrible feeling overcomes you. You were patient zero, weren’t you? You were the first to break your programming, to feel emotion and to feel pain – even if it was only imagined. And you probably infected Connor, too, didn’t you? You are the reason for his pain and suffering and all the turmoil he’s going through. You’re the root cause for the pain and suffering and turmoil everyone’s going through. 
“You are the free radical. The outlier,” Kamski verbalizes your thoughts. “You were the spark of chaos that was required to start the revolution.”
“I didn’t want to start the revolution,” you say. Your voice is softer and more shaky than you’d like it to be. There’s a burning in the back of your throat. “I just… I just wanted to solve the case that was assigned to me.”
“But you did.” Kamski stands, then starts walking towards the exit, as does Chloe. “You are the deviant android that infected others. The others you infected started a revolution. There are no two ways about it.”
“I want to go home,” you manage.
“Chloe,” he says. “Get Connor.”
There’s a door opening, then rushed footsteps as someone comes to your bedside. You look over. It’s Connor. His LED is stuck on red. 
“Officer?” He says. His soft, brown eyes search yours, lingering on the hot tears that swell at your waterline. Your bottom lip trembles. 
Connor immediately sweeps you into a hug – one unlike the one you’d shared back at the station. This one is firm, bordering on desperate as he clutches at the back of your shirt. He rests his forehead in the crook of your shoulder and lets out a shuddering exhale.
“Officer,” he says softly. “Officer, I’m so sorry.”
“What?” You say. “What do you have to be sorry for?”
“I didn’t do a good enough job of protecting you,” he says. “You got shot. I… I failed my mission. And I don’t have anyone to blame but myself.”
You exhale shakily and lean your head against Connor’s. His hair tickles the side of your nose. Tears slip from your eyes, and there’s a lump in your throat that makes it hard to talk. “Don’t be. We were… we were both being stupid.”
“The revolution is still going,” Connor says. “Markus has instructed me to wake up the thousands of androids housed at the CyberLife assembly plant. I want you to come with me.”
“What?” You pull back and meet his eyes. “But that would be a suicide mission.”
“They’ll let us in,” he says, his voice full of conviction. “I’m an RK800, and you’re an android. We can act like we’re there for an emergency meeting.”
“You knew?” You snap. “You knew all along?”
“No!” Connor says, clutching you tighter. “Chloe told me. It explained everything. I couldn’t believe it at first, but… the evidence was too convincing, and it aligned with everything I had already learned about you.”
“Right,” you say. “Right. Obviously. I’m just…” You furrow your eyebrows and screw your eyes shut. “Everything’s a lot right now. And it seems like everything bad that’s happening in the world is happening to me.”
He draws you back into the hug, rubbing up and down your back. You rest your head in the crook of his shoulder, and you’re overwhelmed by a smell you only now recognize as Connor’s – clean, leather, and a hint of something else.
After a few minutes, you sigh and squeeze around his middle. “Okay. I’m ready to go.”
“Are you sure?” He whispers.
“Yeah,” you mumble back. “Let’s go before I realize how stupid this is.”
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trash-can-sam · 1 year ago
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now I may be cornplating here but. One interesting thing I noticed about MTAS and MTAP is the difference in how the research is structured in terms of the roles the characters have in the system.
in the My Time Universe (MTU for short ig) its notable that the seperation between research and archeology is a lot less clear, with archeology informing researchers on how to view the machines theyre studying and what exactly to look for, and research informing archeology about the purpose of what they find. They are very much close together, as being a researcher is less about discovering new solutions and more about discovering how old solutions worked and how to reappropiate them in a world where they’ve backslid in knowlege. Archeology is still very much about the stories and history of locations where research is still very much about the science, but the line dividing what those two things mean is a lot more blurry.
Now, you can see this seperation a bit in MTAP, with Petra being more archeology focused and Merlin being more research focused, but both are still interested in the other fields, both of them wanting to discover both the how of the science and the why of the archeology. Merlin and Petra work closely together, overall united in their goal of discovery for the sake of discovery.
However, MTAS takes this more cooperative approach and splits it, into Qi and Grace, showing you both sides seperately through two people who do not get along, using their fields to say something about how they think as well, and I think thats an interesting change. It sort of shows you both parts seperately, but brings attention to how they are still closely intertwined.
Qi has no real interest in people or individuals, and doesnt really care about how stuff got there. He does still speculate, like when you find the equitorial mount and hes like “there was probably an observatory here” and he still has a lot of knowlege of old world stuff, obviously. But his focus is very much on the innerworkings of the technology, how he can use it and how he can improve it (and how he can make silly things that cater to his specific interests,) hes also not really interested in it for discovery itself most of the time and will just straight up avoid things he has no interest in (Rosy) despite the fact they would probably further knowlege.
Grace, although she also is interested in how the tech works and knows a lot (both because of her actual job and interest in archeology), is more interested in the personal side. I dont know if she was actually writing a research paper on the Breach or if that was a hoax, but I feel like regardless of if shes an actual archeology student on the side or not, she did take a class on it and it is an interest of hers, because I cant think of any other reason she would want the thing’s she asked you to get. Grace is more interested in what objects say about people than how they work. She also has a goal other than discovery itself, she wants to use this knowlege to help her discover how people themselves tick. 
This makes them sort of at odds with eachother, and although their actual fields dont really come up, its more of a symbollic type of battle. Is efficency more important or is the human experience? Do we focus more on the human component, truly understanding and engaging with the past, or do we focus on the best way to optimize and improve past technologies? And really, its a false dichotomy. Both exist, and they exist together and inform eachother, as shown with Merlin and Petra. 
I just find it interesting the approach they both take, MTAS taking the system shown in MTAP and elaborating on it with stronger personalities both interested for more selfish reasons. I dont really know if I worded this correctly but I tried I hope you see my vision.
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raviosprovidence · 1 year ago
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I'm sure this is a struggle many writers can relate to so im just here to get my feelings out
So for background, I want to be a screenwriter. I've always been fascinated by stories blah blah blah you know the drill. When I was about 15/16, I created my own urban fantasy universe that i now dub the MTU (mythic telivised universe). Over the years, many stories within this universe came and went, and as of right now, I have 3 *solid, defined shows that are very fleshed out*. One story has been around for almost 7 years, one has been around for almost 5 years, and one has been around coming up on a year. Two of them have at least one spin offs that are developed as well.
Around the time of last year, I was wanting to do more. I realized i did not want to be beholden to this universe as my only way to tell stories. I needed more. Thus, started my journey to try and make something new.
My first attempt was a rewrite of hades/persephone, but in my own lore and actually making it make sense. I got pretty far into development, actually making a world and developing a fair few of plotlines. In the end, due to a lot of different things going on in my life, i ended up dropping it. After that, i created the last of my MTU main series, and sort of forgot about making something else.
Throughout the next few months, I cycled through many, many different universes outside the MTU. A story re-imagining hyrule. A pirates story. A story about 7 different chosen ones that was about finding yourself and your family. A story about mermaids (which some of y'all know as Current) that was gonna be about working together and rebuilding. A monster collector story critiquing the genre. A story about bird people trying to find peace in their land. There were probably many, many more nuggets that were dropped.
I eventually realized i had a problem. I had so many ideas that *could* be true fleshed out stories. But I couldn't commit no matter how hard I tried. And it was especially infuriating (and I'm sure funny) to my irl friends who i rambled to about these stories. I was so desperate to show I wasn't a one trick pony and that I absolutely could make something different, that I never sat down and actually, well, thought about the idea beyond a few weeks. It's incredibly frustrating to be known as a creative and be "too creative for your own good." Never settling on anything because you're always chasing after the high of starting something new. I was comparing myself to...well, myself. The past me who was in high school/college and had way more patience to actually sit down and develop something. For some reason, I felt like i was running out of time. As of right now, I am about to enter the last year of my educational career. And chances are, I probably won't go back to just Going To School ever again (if i do, i'll probably be working too). And yeah, maybe I do feel like i have something to prove. It's scary, going into the creative world up against so many other talented people. Against a career field that is failing its employees. Against literal robots who are trying to steal my job.
But i realize...I can't do anything about that. one day, I'll get some of my work out there. I'll just keep on creative and writing and excitedly telling my friends about my work. And as of right now, I actually made something outside the MTU that has a coherent storyline! And I'm proud of it!
If you guys want to ask me anything about my projects, past of pressent, or want to vent about creation. Go ahead. My asks are open. I'm here for y'all
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janjanseneasybranches · 3 months ago
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rwizakakiza · 5 months ago
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Somo: INUKA, PIGA HATUA (Part 6: ENDELEA KUOMBA). Please SUBSCRIBE and ...
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Somo: INUKA, PIGA HATUA.
°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°
Fuatilia YouTube.
Https://youtube.com/@Rwizakakiza
Sehemu .VI.
.....BWANA anasema, "Haya! INUKA , mbona UMEANGUKA kifudifudi hivi?"
......Yoshua 7:10.....
C. KWANINI MUNGU ANAKWAMBIA LEO "INUKA, PIGA HATUA"?
Sababu ya:
4. KUTOJIBIWA UNAVYOTAKA.
Watu wengi wanaacha kumwomba MUNGU au wanaacha wokovu kwa sababu hawakupata walichokuwa wanataka, bila kujiuliza Kwanini hawakutendewa. Je naombaje na Kwanini naomba?
....."Hata mwaomba, wala hampati kwa sababu mwaomba vibaya, ili mvitumie kwa tamaa zenu".
.......Yakobo 4:3.....
Hapa zipo sababu 4 za msingi za kutojibiwa unavyotaka:-
i. KUTOJIBIWA KWA WAKATI.
Kwa sababu unaomba vibaya, yaani hauna mastahili ya kupata unachoomba, kwa sababu una dhambi unayoificha.
(Afichaye dhambi zake hatafanikiwa......Mithali 28:13)
Au kwa sababu hutumii jina la YESU
(‭Mkiniomba neno lo lote kwa jina langu, nitalifanya......Yohana 14:14)
Au kwa sababu maombi yako ni tofauti na Neno lake linalokupa haki ya maojiano.
(Unikumbushe, na tuhojiane; eleza mambo yako, upate kupewa haki yako.....Isaya 43:26)
Au kwa sababu sio mapenzi ya MUNGU kwa wakati huo.
(Maandalio ya moyo ni ya mwanadamu; Bali jawabu la ulimi hutoka kwa BWANA..... Mithali 16:1).
ii. KUTOTAMBUA KAMA UMEJIBIWA.
Unaweza ukajibiwa alafu usielewe kama umejibiwa, Hii ni kwa sababu unapoomba huenda hauko makini na unachokiombea yaani MAWAZO yako na UNACHOKITAMKA kwa nje haviendani. (Unaomba kufanikiwa, unawaza ugumu wa maisha na unakiri maisha magumu). Kinachofanya ujibiwe ni kibali cha maombi kinachotokana na maneno na mawazo yako kuendana.
.......MANENO ya kinywa changu, Na MAWAZO ya moyo wangu, Yapate KIBALI mbele zako, Ee BWANA.
.....Zaburi 19:14.....
iii. KUKOSA SHUKRANI.
Hii ni sababu kubwa pia ya kutojibiwa unachotaka kwa sababu ya kukosa ahsante kwa MUNGU. Unapokosa shukrani kwa MUNGU unahesabika kama aliyekufa, na kama umekufa huna haki yoyote ya kupata.
.....Shukrani hukoma kutoka kwa wafu, kama kutoka kwake yeye asiyekuwapo; bali mwenye uzima na afya atamhimidi BWANA.
......Ybs 17:28.....
iv. MAOMBI NA SADAKA
Kumbuka kichocheo au kisemeo cha maombi yako ni sadaka yako. Kila ombi uombalo liambatanishe na sadaka. Kinachokuwa ukumbusho mbele za MUNGU ni Maombi (Sala) na sadaka, na sio maombi tu au sadaka tu.
.....Kornelio alikuwa mtu mtauwa, mchaji wa MUNGU, Yeye na nyumba yake yote, naye alikuwa AKIWAPA watu SADAKA NYINGI, na KUMWOMBA MUNGU daima.
Akaona na Akamtazama sana, akaogopa akasema, Kuna nini, BWANA? Akamwambia, SALA zako na SADAKA zako ZIMEFIKA juu na kuwa UKUMBUSHO mbele za MUNGU.
...... Mdo 10:2-4.....
Inuka, piga hatua songa mbele kwa mbinu bora za kuomba, utafanikiwa, Amina.
5. KUPOTEZA KWA AJILI YA BWANA YESU.
.....Tutaendelea.....
Rejea
“Until now you have not asked [the FATHER] for anything in My name; but now ask and keep on asking and you will receive, so that your joy may be full and complete".
......John 16:24.....
Ev. Erasmus Pascrates Kakiza
+255 782 546 914
@2024 The year of my shining.
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msa-firi · 2 years ago
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Demu hana shida na masuferer, Ni vile Hauna game mtuangu. Ladies keep asking me what I do, Nawashow me ni mtu wa mjengo, Mwenye shamba, nyumba na gari. Na kijana ukichengwa kubali. Usiongee mbaya ukibwagwa na mwanamwali." https://www.instagram.com/p/CmLg7puKdwn/?igshid=NGJjMDIxMWI=
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sodrippy · 5 years ago
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Smb could get like a whole ecosystem w moving tattoos all over... like a coral reef w fish swimming all over and the plants moving... lil clownfish hiding in sea anemones... lionfish... sea horses... they could all scatter when a shark came by n stuff like that... fuck you could do like the Layers of the ocean
coral reef.....i see everyone's been drinking their galaxy brain juice today oh my god
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queen-mabs-revenge · 5 years ago
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The Amazing Spider-Man: "Driving" with the Storms (presented in chronological order)
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deheerkonijn · 3 years ago
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For the Gimli's homescreen post, what are the different apps? 👀
Hehe, my fave part about making modern Minas Tirith, so thank you for asking! :)
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Fitfreak is a micro nutrition app based off MyFitnessPal (by Underarmor)
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SFax App is the Minas Tirith Transit (MTT) app that will give you public transit schedules and delays, like any number of metro apps.
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Arda Ex is American Express
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MNN (Middle Earth News Network) is a BBC parody.
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Müver is an Uber/carshare parody.
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The MTU app is Minas Tirith University, where Gimli teaches. I guess it could be like, campus news, general resources, maybe his faculty email.
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The red P is for Palantir, which is like this universe's Google.
And then the mail app is just an email app but obvs i swiped design inspo from Gmail. :)
Not pictured here we've also got LaLaLir (Tiktok, a play on the elvish word for singing), Twitter (Just twitter lol), Zâram (Zoom, @roselightfairy pulled from Dwarvish meaning lake/pool/mirror), Archer (Netflix), and West-Gate (Duolingo, named for the gates of Khazad-dûm)
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targaryenplots · 7 years ago
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[ text ] A (aventura) M (mistérios) I (intrigas) G (gargalhadas) O (orgulho) S (superação)Futuretweets
tweets do neymar texts  || @ladymcdnight
[text from: rhys to: julchen] Fico feliz que pense isso dos seus amigos, mas se essa é a sua ideia para me fazer com que me sinta melhor em relação a eles, não foi muito efetivo. Mas aprecio a tentativa.
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denofgeek · 4 years ago
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Marvel’s God of Mischief appears to tied to the legendary skyjacker in the trailer for his new Disney+ series.
At 7:59 pm last night, a frantic text arrived. “LOKI IS D.B. Cooper?,” it asked incredulously. That the mysterious message arrived from my friend Brian, the world’s biggest Predator fan and a manager at my local comic shop, indicated that big happenings were afoot in the Marvel Television Universe (yeah, the MTU is now, especially after yesterday, a thing). You see, he knew that D.B. Cooper is an obsession of mine, one that I’ve written about on this very site before...
[Read more at Den of Geek]
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lexgiveth · 7 years ago
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would you rather mudar algo do passado ou descobrir seu futuro? (qualquer escolha vai alterar o presente)
“Descobrir o futuro, é claro. Há muito que eu poderia fazer se ao menos tivesse controle exato dos próximos passos...”
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rwizakakiza · 10 months ago
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JINA LA YESU LINAUMBA YASIYOKUWEPO KUWEPO.
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Leo tuangalie uweza uliomo kwenye jina takatifu na kuu sana kuliko yote la BWANA YESU, ambalo linatengeneza yaliyoshindikana kuwezekana na yasiyokuwepo kuumbika.
.....BWANA YESU anasema "‭Ukiniomba neno lo lote kwa jina langu, nitalifanya".
..... Yohana 14:14......
Kwa tamko hilo la BWANA YESU linaonyesha wazi uweza uliomo kwenye jina lake ambao unaweza kumsaidia mwamini akaishi na kuona furaha ya Wokovu wake.
ANGALIZO: Sio kila mtu anaweza kulitumia jina la YESU KRISTO likaleta matokeo kwenye maisha yake (Wengine umewasikia mtaani wakilitaja kwa wanavyotaka wao hata kukemea, lakini halileti matokeo yoyote)
Anayelitumia jina la YESU KRISTO na likaleta matokeo ni mtu mwenye sifa zifuatazo:
Mosi
AMEMKIRI na KUMWAMINI YESU KRISTO.
(Yaani YESU KRISTO amefanyika kweli BWANA na Mwokozi kweli wa maisha ya huyo mtu)
Pili
KUTAMBUA HESHIMA YA JINA LA YESU.
(Hata kama umemkiri na kumwamini YESU KRISTO, kama huheshimu jina la YESU, ukalitumia utakavyo halitaleta matokeo. Mfano - Kulitumia jina la YESU Kwenye mizaha, kulitaja bila sababu za msingi, kuliandika ovyo ovyo {TYK, yexu, bwana /bw yesu, nk}).
Tatu
KUTAMBUA UWEZA WA JINA LA YESU
(Inakusaidia kujua siri ya kimamlaka ya Kimungu iliyopo kwenye jina, kwamba unapolitaja umemwita MUNGU BABA, MWANA na ROHO MTAKATIFU).
Nne
KUTAMBUA UWEZO WAKO NA NAMNA YA KULITUMIA JINA LA YESU.
(Usipojua mamlaka na uwezo ulionao na jinsi ya kulitumia vyema jina la YESU hautapata matokeo sahihi).
Unaweza kutumia jina la YESU KRISTO kuumba kisichokuwepo kikawepo. JE NI KITU GANI UNATAKA KIUMBIKE MWAKA HUU? (Ni Uchumi, siasa, Mume/mke/Watoto, afya, Ujasiri, Uzao, Ustawi, Mafanikio, Elimu, Ndoa, Wito wako, biashara, Ofisini, Utambulisho wako au Kampuni au huduma, nk).
Tumia jina la YESU KRISTO kudai haki yako iliyoko kwenye mapenzi ya MUNGU nawe utapata, maana BWANA YESU amesema 'Ukiomba kwa jina lake, YESU atalifanya'. Lipi unataka afanye mwaka huu 2024?.
Rejea
‭‭ "‭‭If you ask Me anything in My name [as My representative], I will do it".
.......John‬ ‭14:14‬.......
(WhatsApp: +255 782 546 914)
@2024 The year of my shining.
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disappearinginq · 4 years ago
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📚- What media have you written the most fanfiction for? 📺- What media (Show/Movie/Game) would you like to write fanfiction for, but haven’t yet? 🌍- Written any crossover fics? If not, what would you write for a crossover fic?
📚 Definitely a toss up between Magnum and Lucifer - Lucifer has the longest fic, but Magnum has the most one shots, especially if you break down the Bad Things Happen fic into individual ones. But Lucifer makes me less angry, so I have fewer things to “fix”. 
📺  Haunting of Hill House. I have one loosely in the works, but I do so love Steven Crain, and I am really, honestly baffled by the fandom’s interpretation of his character (like to the point I wondered if I was watching a different show), and I need to fix it. Well - not fix, because you know, interpret how you will, but...share a different perspective of someone who has been that person (not with the ghost bit, but the one who has been the sober one around a drug addict that they cared deeply about but could only be pushed so far). 
That, and Prodigal Son. Except, I think I keep overthinking it and I don’t want to get sucked into another novel length fic, but I feel like I need context to explain how JT and Malcolm are by themselves investigating something in upstate NY and have the Benders come after them. 
🌍 Successful ones? Haaaaaaaaaaaaard no. I think I wrote part of a very ambitious one that was a crossover between the Invisible Man, Now and Again, and the Pretender, and honestly, there might have been something else thrown in there too, but I don’t remember, because I was...twelve? Thirteen? It was a trashfire of epic proportions. An equally failed attempt was one between MacGyver and Stargate SG-1. So given my track record of 0 and 2, maybe, but only if in the same established concept universe? Like I’m never going to write a crossover between Star Trek and Lucifer, but Magnum and MacGyver , or any of the movies/shows of the MCU/MTU, sure. I just can’t get over the hump of too many things being too different to try and write a sensible crossover otherwise, and I have only ever seen one person do it well:  When Worlds Collide  by elfinblue. 
Thanks for the asks! As always, loads of fun and it did actually make me try and use the wayback machine to find the terrible crossover attempts, but alas - swallowed into the void. Ohhhhhhhh well. :-D 
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