#as well as her wings 2!!

[bunnygirlism]

Meet Juno!! She’s a guardian angel who poses as a hundkopf medic n is currently in a rivalry with a ‘possessed’ engineer !!

ik that I don’t have much story of her,,, BUT I LUV HER DESIGN SMMMMM AAAAAAHDHDJWJXIDISJDJ

but I’ll try! 2 summarize her story lawl

so basically, Juno is a higher-class angel n was sent to guard a special sumone,,, so in her days on earth she disguises herself as a wolf-person to apply 4 Mann Co, the same company that the special some1 works in…

her real form is much more complicated,, so she chose this form as a humanely disguise,! :D

[hinamie]

shows up a day early with a nobara birthday tribute

[uncharted-constellations]

Back to our originally scheduled programming, Minish Cap!

Edit: Redid Zelda because she was bothering me

[r0semultiverse]

Rose & Kanaya as Castiel & Dean Winchester from Supernatural sprites

rosemary but it's destiel

Feel free to use these for whatever you want or for edits, just credit me for these outfit designs &/or sprites! It took a lot of hours to come up with these! 💜

[collieii]

idk if this is controversial but i don't think vash is ashamed of his scars. i think vash is mainly concerned abt the picture he presents to the world and other peoples well-being/feelings. so the reason he doesn't like others seeing his scars is because he think it will make them uncomfortable, and it also sort of undermines the image he wants to project of someone who's very sillygoofy/carefree etc. similarly, i don't think vash is ashamed or insecure about being a plant/having those inhuman features, more he's concerned with how other people react to them. (the plant stuff esp makes sense to hide given how people literally stoned him lmao)

but yeah i don't think he's filled with self loathing over the scars and being nonhuman. i feel like vash's self image is fine, he just prioritizes how others feel and reacts based on that. his whole philosophy of covering up how he feels inside (that smile is fake!) is based on this principle, it doesn't matter if he's depressed as hell as long as he can pretend it's ok, because external presentation and how you affect the world is what really matters to him.

[sorrcha]

skaldi and ruarc, dancing in the shadows

[funeralprocessor]

The problem with having OCs is that you might just develop a fursona or two and not realize it.

[dailyfatefigures]

Saber - 1/7 Scale - Pajama ver. by Wing

[atomskdluffy]

I finished Baldur's Gate 3 tonight, and I am almost completely satisfied. It was a spectacular game! A lot of thought and patience goes into it, especially when you play like I do with mods that expand the party and my insatiable need for loot. The story and the characters are all beautifully written, and I can see how there might be thousands of different ways to play it! I think the only addition I could possibly ask for is for something at the very end, one of those sequences where the narrator tells us what each character in the party goes on to do after the credits roll. Other than that, I am quite satisfied with how it turned out! I got the endings I wanted, the mods I used upped the quality of life to the max, and I had so much fun playing! If you have the time for a game as involved as this one, I absolutely 100% recommend it!

[opens-up-4-nobody]

...

[madasacrow]

Shook Canon!Benji around in my brain too much and now he's actually part robin/sparrow/bird oh no

[electricfied-wolf]

Does anyone even remember this au lmao. I drew some stuff for the dragon shifter au a while ago, and I just decided to say fuck it and post it. I drew these in a public place with very limited materials (ZERO wifi so I couldn’t google reference photos) so if they’re not the best then I’m sorry lol.

[baphofemme]

yet more strangely vivid dreams i had the other day (yesterday and the day before), this time it's a twofer

[exopelagic]

I am baking cake at midnight and it is going to kill me <3

[crayonverse]

u would not believe the torment it took 2 make nicoleta look good

i FINALLY settled on a design for nico that i actually like looking at because i realized he works best with black and gold. sorry to that mess of purple but i actually based nico off a golden ring dragonfly now

i also redrew/slightly edited the other refs i posted as well. all i wanna do now is redo Elijah's ref and then i can do some more writing work >:3

[ambrosiagourmet]

I've been thinking about Laios' succubus lately. Mulling it over a bit.

Because I've seen these pages brought up a fair bit, but almost entirely in the context of shipping (on all sides, really). And I really want to understand what they are doing for the story beyond that.

When I went back to reread the scene and section, a few things caught my interest: the way Laios responds to both forms of his succubus, the themes of the volume the chapter is found in, and the other events of the chapter itself.

So let's dive into those three things, and what I think they say about the succubus scene's purpose.

Laios is never fully frozen by the succubus

So. If you compare Marcille and Chilchuck's reactions...

to Laios':

-

There is a difference. Sure, the basics may look the same once it turns into Scylla Marcille, but even then, it functions differently.

Chilchuck and Marcille are completely frozen once they catch sight of their succubus. Izutsumi, as well, isn't able to look away, and completely freezes up once her 'mom' starts talking to her. As Chilchuck describes, "just looking at them makes you unable to move."

And yet, Scylla Marcille has to actively convince Laios to comply. He even looks away from her at one point!

Laios accepts this succubus, but he is never actually helpless to it in the same way. Taken in? Convinced? Sure, at least enough to let things happen that he probably should question more than he does. But magically compelled? Not really. Not the same way as everyone else is. So that's interesting. But let's move on for now.

2. Volume 9 is all about drive and desire

I don't often look at chapters within the context of the volume they are included in, but I think there's some really fun things to be found with that perspective in mind.

For one, volume 9 starts with an exploration of what desire brought Laios to the dungeon:

And ends with a question of what desire brought Laios to the dungeon:

It's also very concerned in general with questions of why people do what they do. Why they are in the dungeon, why they are with the people they are with, why they stay, what they fight for.

In addition to Laios, we see it with Marcille...

Izutsumi

Kabru

and Mithrun

Hell, we even get it for the demon!

It's certainly not the only volume concerned with desires and motives, but it is particularly focused on these ideas.

The succubus scene fits quite well into the ongoing question about desires, especially Laios' desires. It is even placed at an interesting spot within the volume. The volume is six chapters long, and the scene takes place at the start of the 4th chapter. It's almost smack-dab in the middle.

With all this in mind, it is interesting that, with both versions of the succubus Marcille, it's not totally clear which parts of her Laios is rejecting.

The first version of Marcille looks human, but Laios attacks when he identifies her as a monster. The second Marcille looks like a monster, but he seems to believe that she is the real (human)(ish) person that he knows. So is he rejecting the monster at first, and then accepting the person? Or is he rejecting humanity and only interested in the monstrous?

Something to consider as we look at the next point...

3. the rest of the chapter is a seduction, too

This is one of those things that might not be apparent on a first reading, but is crystal clear on a revisit. We see the succubus try and charm Laios over 7 pages, and then see the Winged Lion do the same thing for the next 19.

Much like the succubus, it offers the mingling of monsters and humans. Much like the succubus, it offers belonging.

(and this is the point where I absolutely must also link this post by fumifooms on the succubus, which has some great ideas on how the scene is informed by Laios' trauma and desire for acceptance!!!)

But, back to the point. The Winged Lion wants to feed on Laios just as much as the succubus did, and it uses similar strategies to try and make that happen. Though this chapter isn't really the turning point for the next Lord of the Dungeon (it is Marcille who will, eventually, become the Lion's next victim), it certainly behaves like it is.

Laios is convinced. The succubus gets its meal. By the end of the volume, the reader begins to understand how concerning his desires are. Together, it is all very good at building up that sense of dread and pending disaster, as we see exactly how and why Laios might just fall into the Lion's open arms and bring about the end of the world.

-

So that's the three things I noticed. But there's still something I want to touch on by looking at the way these observations overlap, and what they reveal, together.

As I said, by the end of the volume, you can feel the tension growing. Just as Kabru and Mithrun do, you look back for an answer to the questions that have been built, chapter by chapter: why is Laios here? Where will his loyalties fall? This chapter, and scene, seem to prove the inevitable truth: he will choose the monster, of course. He will choose the seductive, easy power of the Winged Lion.

But the details of what actually happens tell different story: one in which the Lion is wrong.

First, as a reminder - even in Scylla Marcille mode, the succubus never fully entrances Laios. It convinces him, but it doesn't have him completely under its thrall.

Similarly, in the dream, the Lion does convince Laios to embrace the world he is offering. But even within that dream, Laios continues to ask questions that will be vital to him later. It is because of those questions that Laios comes to a new understanding about Thistle.

And it's this realization that he cites later as part of his reason for refusing the Lion's offer.

He is thinking through things the entire time, just like he continues to question the succubus even after it turns into Scylla Marcille.

Laios also expresses an interesting reason for why he wants to see the future of this world. He's not just invested because it would mean people liking what he likes, or him getting to spend time with monsters. The thought that comes immediately before his acceptance is about what he wants for monsters and people.

I don't think it's a coincidence that this statement - "we're living beings that share the same world, but all we can do is keep killing each other" - can apply to the various humans races just as much as it does to humans and monsters. The thing he is thinking about here isn't just a matter of his personal daydreams. It's an idea that underpins every conflict in the story.

Laios caring about how people as well as monsters in this manner is something that the Lion gets wrong every time. Even at the end, he still frames Laios' desires entirely around hating people and loving monsters.

The Lion has heard him express an opinion about the future of the world! It happened right there in the dream, right in front of him! He just didn't take it seriously, and didn't view it through any lens other than "Laios likes monsters more".

He's convinced that he understands how to get to Laios. Maybe the Lion can't truly see everything, or maybe his vision into everyone's deepest desires has made it hard for him to realize how much choice still matters. That people can, and do, choose which desires to act on, and how to act on them.

Whatever the case, he's wrong about Laios, and the story shows us this over and over again.

After all, look at how the succubus interaction plays out:

A monster uses Marcille to appeal to Laios...

He realizes that something about the situation is wrong, and rejects her.

It changes strategies, and makes new offer: to turn him into a monster.

It also assures him that his friends are, or will be, taken care of.

He accepts. Or rather, allows the monster to have its way with him.

But Laios is not as helpless as he initially appears, and what the Lion thinks is a successful seduction also contains the seed of an idea that will allow Laios to later resist him.

We even get to see Izutsumi playing a similar role in both instances, as the one person fully able to take action in the face to the illusion.

The story lays out what is going happen, and then explicitly tells us that the demon and the succubus are thematically related.

The chapter performs a great sleight of hand here - everything about it seems to indicate that Laios is doomed give in to the option to have his deepest desires realized. But if you look closer, it also contains the evidence that he won't. There's a lot more going on for him.

Yes, he still falls for obvious tricks. He is still extremely into monsters, and he still doesn't feel like he fits in with other people. He may, deep down, crave to surrender to the monstrous - to let it absorb him. But he questions more than he seems to. He considers more than people realize. He cares so much more than anyone gives him credit for.

And I think this is part of why we see the succubus called back to so many times, especially with the wolf head addition to his Monster Form, which he specifically added due to his encounter with the Scylla Marcille.

This all stays with Laios. It doesn't just foreshadow the path of the story, it is fundamental to how and why he walks that path. It's not about him choosing monsters, and it's not about him choosing people. It's about how he considers both, and cares about both.

And it's about the forces that think they already know his answer. Mithrun and Kabru. The Winged Lion. The succubus.

It's about how they are wrong.