#as in Sidney’s husband? Mark from scream 3?

[midnightpsychos]

❝Jeez doll - it’s not a competition of who’s better with what they’re saying but clearly this prison hasn’t strikes you for the person that you are. You are realizing that I’ll get out one way or another and who’s this little guy here? What did you say your name was? Jason? You sure you aren’t a shitty version of Jason Voorhees, are you?❞

The Ghostface Criminal and the scarred Victors

Based on this thread with @prettycutepsycho

It had been sometime after the final showdown, Emma's life hanged by a thread but she survived.. Now she was facing The one who shot her with prison bars between the two Ethan could see that the moment that that he shot her flashing before her eyes before a stern greeting unaware of someone was with them but not physically

"Hello Ethan"

[deathb1ooms]

sidney + mark for reasons

I love you

neil and maureen prescott weren't strict per se, but you could call them cautious and overprotective. maureen had never told her husband about her past, but she had made it very clear that she didn't trust boys when it came to her daughter. he was very similar in that vein and wasn't very enthusiastic about sidney's wanting to date. despite all of this, a persistent billy loomis got sidney to agree to date him when they were sixteen years old. the first year sidney attempted to take things slow as she heard her mother's pleas to ' just be careful '. after her mother's death, sidney became sex adverse but couldn't explain why. after the reveal of billy's actions, sidney began to understand that it was because she had known deep down that he wasn't who he said he was. for the next two years, sidney went through sex repulsion from the fact that she allowed herself to sleep with the man who'd murdered her mother. she didn't feel taken advantage of in that way, instead feeling angry with herself for not trusting her gut and giving in to prove that she wasn't withholding from him. after meeting derek in college though, sidney again talked herself into being okay with being touched and allowed herself to trust another man again. sidney was intimate with derek without actually going all the way with him, one thing being a lot more important than the other. but in the end, derek ended up a victim solely due to the fact that he cared for her.

all of that to say ― sidney does not trust mark in the beginning.

when she first arrives to the city, after pleasantries and catching up, her first question is to ask dewey if kincaid is to be trusted. the only police officer and man that she has allowed to care for her is dewey and if he had said in that moment ' I don't trust him ' they would not have ended up together. that is a promise. but he had faith in the detective and that immediately meant sidney did. there is clear chemistry between the two as they interact throughout and the way they connected over ' what's your favorite scary movie ' ' my life ' ' mine too ' pointed in a very clear direction.

after the events of scream 3, things get hazy because of course scream 4 does not exist to me.

sidney never would have pursued mark because she would have believed it to be a quick death warrant signed, but mark seems the type to do it. he would call and text, persistent without being creepy, and would be insistent on being able to protect himself from anything and anyone who came for her. it would take a lot of convincing but she would inevitably give in.

once she finally gives in to him, she spends so long scared of the other shoe dropping. it affects their relationship for a long time because she just can't let herself relax. but he's there. always there. ready and willing to understand what she's been through and her fear and apprehension for what could happen. his resilience and stubbornness is what gets them through the rough patches and then when she finally believes that he won't hurt her, and that he agrees to the chance of getting hurt by being with her, she agrees to move in with him and then eventually marry.

after experiencing a shitty high school relationship, the fact that the first man she ever let touch her murdered her friends and mother, her second boyfriend was murdered for being with her and trying to protect her, it took a lot for her to get comfortable with anyone. but something about mark just fit with her so well. he understood her and didn't judge. he didn't blame her for everything that happened, even on the days when she blamed herself. he was strong in the ways that she was weak and weak in the ways she was strong. if nothing else in her life went right, he was the one thing. he saved her life.

[polyghostfacehours]

Thoughts on Scream 2022 - The Legacy Cast

!!SPOILER POST AHEAD!!!

This will be my thoughts on the Scream 1996's cast's involvement in this film.

This post spoils major plot points of the movie and anything regarding the OG Scream 1996 Cast.

I'll be doing one on the new cast and the overall plot of the movie probably sometime tomorrow!

SO

Firstly, Ill get into the Billy and Stu stuff, because y'know Im sure thats what a lot of you are here for.

Billy Loomis:

-Billy. Holy shit Billy. What they did with him was phenomenal. When I first saw Skeet, I almost yelled. He appears like 4 times in the movie.

- It's wild how he seemed almost like one of the good guys here. Encouraging Sam to find the killer and kill them. Telling her that she's in danger and it's time to "slice some throats!"

- THE SCENE WITH HIM IN THE END. When he just nods over to the bowie knife for Sam to grab???? How proud he look at her in the end with that, like, fatherly nod??? In-fucking-sane.

- I know he's supposed to just be a hallucination, but idk. Part of me feels it's a ghost. Or maybe that's just wishful thinking.

- So he didn't look exactly how he did in 1996, ofc, but the de-aging tech ended up looking a LOT better than I expected. Some parts of his face looked weird, definitely filled out parts of his face wrong and gave him a slightly different bone structure. But they did as good as they could.

- Overall, I LOVED his involvement in the movie. It feels a little OOC, but then again, he is a hallucination. And if he is a ghost? Welp, that's excellent fanfic potential lmaoo.

- Bro how did they de-age his voice though?? Skeet's voice has def changed, but it sounded so much like himself from Scream? It was wild.

Stu Macher:

- And then Stu. Oh Stu. He got shafted SO hard.

- Throughout the whole movie, Billy's full name is constantly brought up. Stu's full name get's said, like, twice. Usually it's either just Stu. OR WORSE, they just called him Billy's accomplice a few times ;^;.

- Stu had a sister, and her name was Leslie! I assume she was older and had already moved out by the time Scream happened, since Vince is 25 I think, so she had him in '96. Likely she was in college or older, since Stu was already a senior when Scream happened.

- Vince, his nephew, is a total sleazeball. I have no idea if Vince even mentions Stu, because during the scenes he was on I was a little distracted. But I don't think he does.

- That's about it for Stu. There's very little regarding him in the movie. I think he is dead, because no one speaks about him in the present tense.

-BUT, maybe they mentioned him so little for a reason? Maybe he really did survive and is just in prison. And the reason they didn't want to mention him too much is to leave that possibility open?

Dewey:

- Dewey. Oh Dewey.

- Of the legacy cast, he had the biggest role

- Seeing Tatum's ashes in his trailer got to me ngl. I actually gasped.

- Speaking of trailer, he lives in one now. Had to forcefully retire, irreparable nerve damage, and he and Gale are divorced, though they clearly love each other still.

- I was neve the biggest Dewey stan. But I was fucking GUTTED when he died. It felt like a beloved uncle passing away. And Gale screaming had my heart clenching.

- He didn't deserve to die like that. It's tragic. He lost everything he loved in his life, and then died a horrible death.

- Ghostface saying "It's an honor." to kill him had me gasping. I'd imagine it really WAS an honor to be the person to finally kill Dewey Riley.

Sidney and Gale:

- Sidney is married! Her husband's name is Mark. Most likely Mark Kincaid from Scream 3! She also has 2 daughters.

- Sidney definitely took a backseat here, and this was clearly so the new cast could shine. While I do adore the new cast, I was definitely hoping to see her more.

- I wish she had more of a reaction to Dewey dieing. We see Gale going through some grief, but we don't really get to see Sidney's.

- Sidney and Gale tag-teaming for the third act was everything I loved and more. She and Gale are such a force to be reckoned with! It's also nice seeing older women represented and heroic in a film! Women in Hollywood get shafted once they hit 35, and they rarely get to be badass.

Tatum and Randy:

- We see Tatum's ashes in Dewey's trailer. It hurt, but I was so happy to finally see a nod to Tatum.

- Randy having a shrine at Martha's place was incredible! The photo of what I assume to be Randy's senior photos were adorable!

[taylorj8771]

The retirement fic ive been working on for more than a year…

Part 1, Part 2, Part 3, Part 4, Part 5, Part 6, Part 7, Part 8, Part 9, Part 10

If there's one thing Sidney has always wanted but never allowed himself to have, it's children. It's not that the possibility has never come up — he had a few close calls in his younger years — but he's never let himself plan for it. Let himself actively want it.

Sidney wakes up on the first day of his retirement — forty-one years old with aching joints and half a head of gray hair — and all he can think is that the room just slightly down the hall from his would be perfect for a nursery. He shakes himself of the thought and crawls out of bed with a moan, ready to get started on his day.

For once, there's no plan. There's no place he has to be or anything he has to do. Retirement hadn't seemed as daunting a thing while he was still playing, but the lack of a routine for his day makes him feel uncomfortable. He forces himself to move through the motions of getting out of bed anyway. He showers first, then brushes his teeth before heading down to his kitchen.

He wonders if he should modify his usual breakfast of four eggs, three pieces of toast with avocado spread across, and a protein shake. It's been his go-to for almost two decades. He cracks only three eggs, only prepares two pieces of toast, and skips the shake, and when he's sitting down at his kitchen table he has to remind himself that this routine is okay to change.

He thinks about Tanger as he cuts into the eggs, about his choice to quit at thirty years-old instead of "riding til they die" like they planned to do together. Alex is a teenager now and Kris has gotten to do nothing but watch him grow up back home in Montreal from the moment he made his choice.

Sidney forces himself to focus on his breakfast.

---

The second day of Sidney's retirement is even more restless than the first. He's marked today off as a workout day, two days removed from locker clean-out after an upsetting first round playoff exit. He needs to remind himself over and over that he made this choice, his contract ended and he told the team to move on, and he's not allowed to change his mind as he slides the weights onto the bench press.

Later, he shakes through leg-presses with weights lighter than he's used in years and tries not to cry.

---

The third day of Sidney's retirement starts with a phone call from his mother. She wants to make sure he's doing okay and see if he wants any help packing his things to make the move back to Cole Harbour. He's thought about selling his Pittsburgh home a number of times and heading back to Canada for good. It leaves something uncomfortable lingering in his chest every time. She still thinks Sidney coming home is a done deal and he hates to break her heart.

He calls Taylor once he's finally gotten off the line, still laying in bed with the spring sun streaming through the curtains. There's a toddler screaming in the background when she answers with her familiar, "'Ello?"

"Hey, Tay."

"Oh, Sid. Hey, bro. What's up?" He can hear dishes clanging in the background and the soothing voice of Taylor's husband trying to calm their daughter.

"You have a few? I hate to interrupt."

The kitchen noise fades significantly as she moves into another room and then there's the faint sound of cartoons. "That's not true, you love to call at the worst times."

"It's never intentional. Is everything okay?"

Taylor sighs, "Jaime has a new tooth coming in but you know how she hates the teething rings so it's a no-win. I'm just glad I have plans today so I can get away from it for a while." There's a soft "that's not nice" in the background and Sidney knows his nephew's voice.

"Let Chris know I said hi and that I love him," Sidney says, clutching the phone tighter to his ear.

"I tell all my minions you say that after you call, Squid. So, what's up?"

"Is that Uncle Sid? Can I talk to him?"

"Did you finish your homework? We'll call him back after school and you can talk to him then, okay?"

"Thanks for asking if I had plans today," Sidney says.

"You're retired now.” She laughs, “You don't have anything planned."

Sidney's silence must let her know she's hit a nerve because the background noise is completely gone now. "Is everything okay?"

"Yeah, yeah. Of course. I'm just–"

"Mom was bugging you again?"

Sidney sighs deeply, "Yeah. How'd you know?"

He can hear the smirk in her voice when she says, "Mother's intuition." Her pitch changes, reassuring, the way it's been every time he's called her since he decided this would be his last year. "Why don't you come home, Sid? At least for the summer. I know you're struggling with this but having the summer off is no different than any other year. It might help you figure out the next step."

"I don't need to figure out the next step, Taylor. You know this was planned, I don't know why it's hitting me so hard now that it's here.

“The next step from coming home for the summer is always one month off and then back to training. There's no training this year."

"Who says? Why not try to run a marathon?"

He laughs bitterly at that.

"I know why it's hitting you so hard and you do, too. You should still be playing and you would be if that jackass of a coach had any idea how to hockey. I mean—"

Sidney cuts her off with a sharp, "Taylor."

"Sorry. I just wanted you to have another shot at it."

"I know."

"Woo," she blows out, a puff of air pushing against the phone's mic. "Okay, so, something helpful. Maybe you shouldn't treat this summer different than any other. It's always done you good to just come home and let yourself just relax for a little while. Deal with the retirement part of things when it's time for the season to start up again."

It's the sincerity in her voice that gets through to him, making him long for home in a way he hasn't felt in a long while. "Can I take the boys camping next month?"

"Only after the school year ends. But definitely. Dmitri's been asking about you. Followed the series like you used to watch playoffs."

"Yeah? I'm sorry I couldn't win it once they were old enough to remember."

"They have pictures and lord knows we have enough videos of them with the Cup. They just miss you."

"I miss them, too." Sidney pushes the covers down to his waist and swings one leg out over the top of them. "Alright. I guess I'll look into flights. It's just for the summer, right?"

"Right. Nothing is different about this off-season than any of your other twenty."

"Twenty-four."

"Excuse me, nothing is different about this one than any of your other twenty-four off-seasons."

"Kiss those kids for me."

"You know it. Love you, bro."

Sidney smiles, "Love you, too, sis."

Sidney spends the rest of his day dragging his feet around the house. He responds to the happy retirement texts he's been getting for the past few days, schedules his weekly FaceTime chat with the Fleury children, and eventually books himself a flight home to Cole Harbour. Before he knows it, it’s dark out and he's tucking himself back into bed.

[ghostampire]

I don't see any reason to disagree, sounds cool.

Damn, why did I think of that... It's horrifying to realize that scream 6 is revealing Richie to the audience, as if that makes sense. Again some creepy man who groomed a girl has a crazy family out to avenge him. So much attention (as if we didn't get enough of that in scream 2). And what about Amber? Her parents don't care? They didn't take a chance on the original script and didn't risk revealing Amber's identity and motive and Tara's trauma to the fullest extent. Although I feel like the movie wouldn't have been worse if they had made the little sister the center of the movie again. It's like the filmmakers are repeating her fate (she was abandoned by her sister, then her girlfriend, and now this). Sam could have quite successfully unfolded alongside her with her father-daughter dilemma.

Back to the "their motive is so stupid", mmm I'm tired of hearing that from others. Yes, it's simple, but that doesn't make it worse. I don't find it silly, but rather very realistic, even a little sad. Richie is a narcissist who took advantage of a girl for his ambitions, and Amber is such a teenager very susceptible to a lot of things, and considering her sociopathy and constant inhibition of her inner self in society… Like I said, the movie is a coincidence.

Oh yeah, I like to imagine what would happen if Tara was Ghostface. Given the motives of the killers from the previous installments, that would be perfect. I'd love to see exactly this type of betrayal as Sam hesitates and finally learns the truth. How Sidney feels a connection to this girl more than she would like. Being attacked by a guy you've only been dating for 6 months? That reminds me of something… (then fans complain about how easy it was to guess who was under the mask hmm) How about the betrayal of a family member, which basically unites Scream 3 and 4? (and it would also be really cool cuz we finally find out that Sidney's husband is that Detective Mark)

I'd watch Tara deal with her mother, cuz that would be insane.

Maybe before tying up Tara, Amber was trying to convince her friend to play along with her plan? Maybe Amber really wanted Tara to survive, since there had been so many "attacks".

Someday I'll accept the fact that Chad and Tara had something, but… not today.

I think Sam couldn't completely help her sister through this trauma anyway. Yes, their soulmates betrayed them, but these are completely different situations. Amber was with Tara when her mother got drunk every night and Sam ignored and disappeared from sight. Probably thanks to Amber, Tara would be able to come to terms gradually or accept the fact that, yes, Amber killed her friends and probably Tara's hands are also stained with blood. Because they stayed together. Amber knew which buttons to press so Tara could breathe more freely, but Sam couldn't. Or she would have needed more time. Tears would choke her if her sister was in sight, because that would always be a shitty reminder that they were survivors. A reminder that the Woodsboro massacre changed everything.

[topbeautifulwomens]

#Josh #Pais #blackandwhite #bookme #eyes #makeupideas #modelling #musically #paris #smile #studio #youtube

In the late 1980s, Josh Pais began appearing on television in an episode of NBCâ€s hit sitcom “The Cosby Show” and CBS’ Emmy Award-winning sitcom “Murphy Brown.” After playing a tiny part in the made-for-TV movie Teething with Anger, he made his big screen debut in director David Hugh Jones’ take on Stephen Metcalfe’s play, Jacknife, starring Robert De Niro and Ed Harris.

Entering the fresh decade, Pais secured a recurring role as medical examiner assistant Borak (1990-2002) on NBC’s police procedural and legal drama “Law & Order.” During that time, he was too cast in writer-director Anne Flournoy’s romantic comedy How to Be Louise (starring Lea Floden) and portrayed the aggressive Raphael in Steve Barron’s 1st film in the franchise, the live phase version of Teenage Mutant Ninja Turtles (both in 1990). Afterward, he returned to the small screen in the television films The Second Greatest Story Ever Told (1994; starring Mira Sorvino and Malcolm McDowell) and On Seventh Avenue (1996).

Pais spent the slumber of the 1990s in Herb Gardner’s film adaptation of his own Tony Award-winning play, I’m Not Rappaport (1996; starring Walter Matthau), Robert Bella’s comedy about love, death and rock ‘n roll, Colin Fitz (1997; with Matt McGrath and Andy Fowle), and Darshan Bhagat’s dark comedy Karma Local (1998). He was also seen in writer-director John Hamburg’s crime comedy Safe Men (1998; starring Sam Rockwell and Steve Zahn), John Dahl’s cult hit Rounders (1998; starring Matt Damon and Edward Norton), Steven Zaillian’s Oscar-nominated adaptation of Jonathan Harr’s real life-based book, A Civil Action (1998; starring John Travolta), and Wes Craven’s Oscar-nominated biopic about Roberta Guaspari-Tzavaras, Music of the Heart (1999; starring Meryl Streep).

Meanwhile, TV audiences may catch him in the syndicated sci-fi series “Star Trek: Deep Space Nine,” NBC’s highly-acclaimed police procedural series “Homicide: Life on the Street,” HBO’s popular drama/comedy “Sex and the City” and the Sci-Fi Channel’s “The Crow: Stairway to Heaven.” From 2000 to 2001, Pais also appeared in three episodes of NBC’s police procedural drama “Law & Order: Special Victims Unit,” playing Robert Sorenson. During that time, he also guest starred on Foxâ€s drama “The $treet” and ABC’s single-camera comedy series “The Job.”

He also continued to contribute to his film-acting resume with roles in Wes Craven’s third installment in the successful satirical horror films, Scream 3 (2000; with Neve Campbell, David Arquette and Courteney Cox Arquette) and Robert J. Siegel’s coming-of-age tale Swimming (2000; starring Lauren Ambrose). He also appeared in Billy Morrissette’s dark comedy Scotland, Pa. (2001; starring James LeGros, Maura Tierney and Christopher Walken), based on William Shakespeare’s tragedy “Macbeth,” and in Ron Howard’s Academy Award-winning film A Beautiful Mind (2001; starring Russell Crowe), which was inspired by the schizophrenic Nobel Prize-winning mathematician John Nash.

After appearing in the comedic TV movie Porn ‘n Chicken (2002), he went back to the big screen in Joel Schumacher’s drama/thriller Phone Booth (2002; starring Colin Farrell), writer-director Thomas McCarthy’s BAFTA-winning indie The Station Agent (2003; with Peter Dinklage and Patricia Clarkson), and Fred Schepisi’s light-hearted family comedy starring numerous generations of the Kirk Douglas family, It Runs in the Family (2003).

Meanwhile, Pais also stepped behind the camera to direct and write the documentary 7th Street (2003), which he also starred. His work later won an award at the Boston Independent Film Festival.

Returning in front of the camera, Pais appeared on NBC’s police Procedural drama “Law & Order: Criminal Intent” and the ABC sitcom “Hope & Faith.” He was then cast in the 2005 films The Reality Trap, a satirical caper-comedy by writer-director Michael Bergmann, Little Manhattan, a romantic comedy film directed and written by husband and wife Mark Levin and Jennifer Flackett, and Confess, a political thriller by writer-director Stefan C. Schaefer. He followed it up with roles in Sidney Lumet’s comedy-drama based on the longest Mafia trial in American history, Find Me Guilty (2006; starring Vin Diesel), and Bradley Wigor’s drama comedy, Unconscious. On television, he was spotted as a guest in an April 2006 episode of HBO drama series “The Sopranos.”

2007 saw Pais in writer-director Paul Soter’s directorial debut, the comedy Watching the Detectives (starring Cillian Murphy). He also appeared in two films that premiered at the 2007 Sundance Film Festival: writer-director Mitchell Lichtenstein’s independent dark comedy horror Teeth (starring Jess Weixler) and writer-director Mike White’s drama comedy Year of the Dog (with Molly Shannon, Laura Dern, John C. Reilly and Peter Sarsgaard), in which he portrayed Shannonâ€s stress-prone boss named Robin.

Pais has completed writer-director Noah Buschel’s upcoming film, Neal Cassady (starring Tate Donovan), a biographical drama about the inspiration for the character of Dean Moriarty in Jack Kerouac’s classic On the Road. He will quickly wrap up writer-director Peter Himmelstein’s drama thriller, The Key Man, alongside Jack Davenport and Hugo Weaving. He is also set to become a regular in the upcoming TV drama that will debut on ESPN in July 2007, “The Bronx is Burning,” adapted from Jonathan Mahler’s bestselling book, “Ladies and Gentlemen, The Bronx is Burning.” In the show, which will star John Turturro, Oliver Platt and Daniel Sunjata, Pais will portray Reporter Phil Pepe.

Name Josh Pais Height 5' 7″ Naionality American Date of Birth 21 June 1964 Place of Birth New York, USA Famous for

The post Josh Pais Biography Photographs Wallpapers appeared first on Beautiful Women.

source http://topbeautifulwomen.com/josh-pais-biography-photographs-wallpapers/

[mysticaltwoface]

"and you must be Ethan aka the crazy ex... I'd say it's nice to meet you but it really isn't" Jason hugged Emma to keep her calm

The Ghostface Criminal and the scarred Victors

Based on this thread with @prettycutepsycho

It had been sometime after the final showdown, Emma's life hanged by a thread but she survived.. Now she was facing The one who shot her with prison bars between the two Ethan could see that the moment that that he shot her flashing before her eyes before a stern greeting unaware of someone was with them but not physically

"Hello Ethan"