#as far as i'm aware they're the only character confirmed to have been present in every loop right?

[kiir-bee]

Looping buddies

[queen-simia]

now that ep 4 is live to the public, I can finally post what I've been sitting (and spinning) on for like a week, wheeee!

Major Monkey Wrench spoilers abound, so putting below a cut if you haven't yet seen the latest episode. And if you haven't seen it (or the rest of the series), you can do so here:

now ON TO THE INFODUMP

Shrike's status

so, since the beginning, I've been putting all my money on Shrike being an artificial being. Not in the sense of robotics/cyborgs and the like, but in the sense of a one-of-a-kind bioengineered creature. Since he was confirmed as an endling (as opposed to just hinted at in past episodes), I'm choosing to take that as a bit of reinforcement; his species is still marked as "unknown" by LAW, and if no one knows what you are and you're the only one they've ever seen, it's safe to assume they assume you're the last of whatever you are.

now, in a leap on my part, I'm further going to postulate that Shrike is actually an engineered squid. As in an honest-to-god Earth cephalopod, albeit in the same sense you can call a human a monkey. I think that maybe our boy Shrike is the end result of years-long genetic modification and breeding programs to create something closer to human shape and intelligence, but with whatever attributes his human creators wanted from squid...

...maybe attributes like producing ink.

"that's stupid, what makes you think that?" Glad you asked, Strawman! Here's what I'm drawing from:

Scratch's nicknames for Shrike

As much as these can be considered throwaways, Zeurel and Ash have been very good about sneaking in foreshadowing in dialogue. I don't fully think Scratch is calling Shrike "squidhead" just to be antagonistic (though in-universe, he certainly is; I doubt the character himself in canon has that kind of insight); I'm choosing to believe it may be a bit of a Chekhov's gun.

Shrike's design inspiration

In Tumblr ask replies, Zeurel's confirmed Shrike's design is based heavily on Humboldt squid, and he finds cephalopods and deep-sea life in general interesting. It's going into meta rather than narrative precedent, but I think for these reasons, having Shrike actually be an ascended squid wouldn't be that far out of the blue.

Shrike's terran connections

It's been established that Earth no longer exists, and what humans remain are persona non grata in LAW space. They're the reason behind the Cataclysm/the creation of Secondary Green, and what artifacts remain are traded on the black market (as implied by Scratch and Jaw Bone dealing in them, neither of whom are exactly upstanding citizens).

Yet somehow, Shrike speaks primarily in a canonically dead Earth language—Latin Spanish—and thinks highly of terrans/terran culture. He apparently is the only being in LAW space who does both. One could argue he picked up Spanish through exposure to contraband as a LAW officer, but even his translated speech is Spanish-accented. That to me is a clue it's his native language, as opposed to one picked up later in life. Maybe he doesn't speak it all that well, but it's what he learned as he grew up.

I believe that Shrike's interest in terran artifacts isn't so much fannish as it is nostalgic, though he doesn't realize it (yet). Remember, we don't know his true age—he's only estimated to be in his mid- to late 20s. He could very well be several decades or even 800+ years old, and for reasons yet unknown he isn't aware of it. Hell, he knows what VHS tapes are and how to watch them, something present-day kids are unfamiliar with right now. Even if he was treated as only a scientific specimen in his youth, something about Earth/its people may have been warm and familiar enough to endear terran mementos to him. But it's now too far gone in the past for him to remember why exactly he loves them so much.

Shrike got no dick

(originally posted to Twitter before the Shittening)

Canonically, the boy is Ken-doll smooth both front and back. Even though he has a gender (Questionably Masc™), he has no sex. Maybe his species could reproduce asexually, but it's pretty unusual for complex bipedal critters to do that. Plus, there's the fact that no peehole and no butthole also mean no bodily waste excretion, which is pretty much a death sentence for most life forms that run on metabolic processes. Therefore, I'm taking all these as artifacts of Shrike's artificial creation (and not just so it's more difficult to make show-accurate porn of him).

The Primaries, LAW, and Secondary Green

So there are three godlike beings that ostensibly also serve as the basis for government, referred to as the Primaries. Only one has been directly referenced as active in LAW government—Primary Red—but given the colors of the three LAW divisions, one can safely assume there must be a Primary Yellow and Primary Blue (whether they also govern, are off doing something else, or are AWOL is a mystery for now). It also just so happens that interstellar travel takes place in subspace pathways in the same colors as the Primaries (with varying speed depending on color), and spacecraft is fueled by "ink" in those corresponding primary colors.

It's also revealed in a news chyron in ep 4 that an intergalactic-capable drive had been in development (and had been stalled by bureaucracy) for at least 20 years, and is now ready to deploy. It's referred to as a Trinity drive, and required Primary Red's approval before it could officially launch. I think it's pretty safe to assume it's a form of propulsion that combines all 3 colors, however the in-universe physics work in that case. At the moment, it's been shown that using the wrong type of ink in a color drive will cause an explosion and a tear in space at best (at worst, we don't know yet), so whatever science went into developing a drive that combines colors must have been fairly dangerous (or potentially threatens to weaken whatever power the Primaries hold over LAW citizens).

Secondary Green

Background details are vital lore sources in Monkey Wrench. If you paid close attention near the beginning of ep 1 (and can easily read backwards text), you already know what's in the box the boys pick up in ep 2: something called "Secondary Green." It was evidently once in Chester's possession, but by the time Kara caught up to him, he'd already sent it on its way to LAW.

The second and third episodes refer to the Cataclysm being caused by terrans. The third episode explains the green corruption's effect on life forms, and LAW subsequently quarantining it to prevent its spread. It also shows Secondary Green corrupting the bit of Them that gets too close into the horrific black-green monster that overtakes the Bucket. The fourth ep has Jaw Bone directly refer to the terrans' "false idol" in reference to the Cataclysm.

While I was typing later paragraphs, I hit upon a possibility I hadn't even considered for what Secondary Green could be. So now, I've got 2 potential reads:

1. Secondary Green was the humans' attempt at recreating the Primaries' power for themselves. Whether this was to undermine LAW or to try to join the galactic stage at the Primaries' level has yet to be seen, but either way, it ended up biting humanity in the ass. Secondary Green and/or a byproduct of it/its creation ended up destroying Earth and a good chunk of its neighboring Milky Way space, and landed whatever humans remain squarely on LAW's shit list.

Now, those of you who remember me from pre-2018 Tumblr also know I'm pretty heavily into Mass Effect. That universe's version of the Milky Way also was governed by an alien-run coalition: the Citadel, which tightly controlled the means to interstellar travel (although the Citadel species did not create these means, they just found and activated them first). Thus, the similarities to the idea of a three-pronged alien government holding the keys to interstellar travel and commerce and forcing you to play nice if you want in have been resonating in the back of my mind whenever I watch Monkey Wrench.

The similarities end in that MW's answer to the Protheans are still very much alive and active, and are directly overseeing galactic travel, commerce, and government. There aren't established mass relays, but every ship contains its own "relay" in the form of ink drives. These can open portals into respective colors of subspace to get from one side of the galaxy to another faster than conventional propulsion (so far, red is the fastest, and blue seems to be the median speed everyday schmoes like our boys can access). And, most importantly, the means of this travel are less an external technological development and more appear to be tied to the nature of the Primaries themselves; these beings are not just obeyed, but worshiped (see Scratch's oaths in ep 3 and the red officer greeting Shrike and Armstrong exchange in ep 4).

However, there are still two very important similarities between these two settings that I think should be kept in mind:

i. Trouble started when humans started sticking their fingers into the galactic government's pie. In Mass Effect, it was shoehorning Shepard into the Spectre program and wriggling humanity's way into the Citadel Council. In Monkey Wrench, it was messing with fundamental forces it didn't yet understand and (maybe) creating human-made Great Value primaries, which resulted in at least one: Secondary Green.

ii. Control over interstellar travel—specifically, access to subspace—is a cornerstone of power. In Mass Effect, you need a specific form of reactor in order to engage the mass relays and "cheat" your way to FTL travel. These relays are heavily guarded and regulated by the Citadel; humanity famously learned this when it activated Relay 314 near Pluto and got a knock-knock from the police in the form of a turian armada. In Monkey Wrench, you need to equip specific color drives and fuel up at ink stations, which presumably are subject to LAW regulation and pricing.

In both settings, Earth appears to have taken a look at the galaxy already being run by someone else and immediately thought, "but how do I get around this?"

Engineering Secondary Green was MW Earth's answer to this question. Unfortunately, it backfired and drove humanity to (functional) extinction and criminal status.

2. Secondary Green is an unintended fusion of Primaries Yellow and Blue. This would explain their current-day absence (provided they don't directly appear in later episodes), and the subsequent fall of LAW enforcement into disorder that Armstrong alludes to in ep 4. Humanity was up to something that attracted the Primaries' attention—perhaps tapping into pocket dimensions, like the one embedded in Shrike's head?—and maybe things went awry. One way or another, Primaries Yellow and Blue's intervention ended in them fusing into a new anti-entity, Secondary Green. Instead of fostering life, their combined and imbalanced power corrupted it.

Left to their own devices (and likely hawkish methods, given Red oversees enforcement), Primary Red sealed off Earth's part of the galaxy and declared humanity LAW's enemy. The quarantine for justifiable safety/life preservation reasons, the outlawing likely to create the narrative that humanity was entirely to blame and not at all any fault of Primary interference (and maybe some vengeance for losing their comrades).

Or maybe, Red is covering their tracks.

LAW and Order

So the League of Aligned Worlds (LAW—yes, it's an acronym) is the current empire ruling civilized space in the Milky Way galaxy, under direct command of the Primaries (or at least Primary Red). There are three established branches: enforcement/military (red, which Shrike was once and has since defected from), science (yellow, which Dr. Agness impersonated), and commerce (blue, as represented by Killix and Sixty-Two, who appear to be led by an as-yet unseen Commander Tezzoree).

Being a centralized civilization, LAW has certain cultural and legal standards it expects its citizens to observe. Commerce and community are enabled by way of implanted universal translators á là Star Trek, but with one specific caveat: swearing is not allowed. It's so not allowed that it's physically punishable through painful translator auditory feedback—interestingly, people in earshot get punished this way as well just for hearing it.

Maybe it's a form of socialization, in that LAW hopes you're nice enough not to want to hurt your fellow citizens by swearing? Or that your fellow citizens, having had pain inflicted on them, will browbeat you into compliance? Either way, it's a window into current LAW space being severely authoritarian in both the moral and legal senses.

This extreme authoritarian approach doesn't prevent corruption, however. Corporate lobbyists exist, as demonstrated by Chester in ep 1, and LAW officials patronizing vice industries like sex work (see the end of ep 3) is not unusual. And current LAW is disorganized to the point of each division being largely ignorant of what's going on in the others: Neither Killix nor Sixty-Two were aware Shrike is a defector, nor do they bat an eye at him admitting as such. Armstrong is able to impersonate a red officer with either stolen or purchased equipment, and even he's astonished that LAW keeps such loose tabs on itself that they still have Shrike registered as an active officer. Dr. Agness is able to get away with impersonating a LAW scientist, and the LAW representatives who collect her don't appear especially ruffled by it.

It's possible that this rigid adherence to authority and subsequent breakdown in the ability to enforce it is due to Primary Red being the only Primary left. The harder you clench your fist, the more sand slips through your fingers, and all that. However it happened, Red is at the moment the only one at the wheel, and they don't seem to be able to keep it together on their own.

aight, so where's this leave us

so for now, I think these are where we may be headed:

a: Shrike was genetically engineered to be in the running as a peer to/defense against the Primaries, but aligned with Earth. He has a means to access a pocket dimension/subspace, could possibly be a source of ink (either as secretion or in the form of his blood), is an exceptional marksman, and possesses anthropomorphic form and (allegedly) intellect. The problem is, he turned out anti-authoritarian, impulsive, and kinda stupid. He was disposed of at some point and now wanders space as the only one of his kind.

b: The same program that produced Shrike also created Secondary Green. Unfortunately, something happened—whether through accident or external manipulation—that turned it into a rampaging force of destruction. We have yet to see whether humans really did just monumentally fuck up, or if LAW is rewriting history.

c: LAW is on its way to collapse through Primary Red's mismanagement. Whether said mismanagement is through the other Primaries going missing on their own, or through a power grab on Red's part is the main mystery.

hooray done for now oh god

[your-local-grubdog]

Pikmin 4: Heritage Theory

Warning for MAJOR Pikmin 4 spoilers, including: various end of day conversations, post-credit events, late game piklopedia and treasure hoard entries, and also the final boss.

As a sort of re-boot of the franchise, Pikmin 4 introduces a lot of new ideas to the series. Among them is the idea that the various alien species in the game are much more closely related than we first realized - and perhaps more connected to PNF-404 than we would have ever thought in the other three games. I wanted to go over the various texts in the game that touch on this idea and talk about them a little because, hoo boy, the IMPLICATIONS. I call it a theory in the title for a lack of better wording but it honestly just feels like a canon fact that's never directly stated. There's just that much evidence, much of which all but outright says what happened.

Apologies if the images are a little low quality, Tumblr crunched them up badly. I provide image descriptions so hopefully that makes up for it.

As this has many end game spoilers (which, final warning for those), I'm going to assume that anyone reading beyond this point knows the basics of the game's story, world, and characters. Thus I won't be explaining every last little thing.

Somewhat early on, Olimar makes the following observation in his Voyage Log:

[ALT ID: Olimar's Voyage Log, entry 60, "Lost Civilization": Some of the objects I call treasure seem to be more complex than they initially appear. It makes me wonder... who made these? And where are they? I don't sense their presence here at all, but I suppose they could be hiding in the shadows, secretly watching me. END ID]

This vaguely threatening entry does confirm that the characters, or at least Olimar, are aware that there was indeed a civilization on PNF-404 at some point. It should also be noted that the Japanese website includes notes from another character who is also aware of the ancient civilization, though the canonicity of it is debatable. I'll get back to that "they're in the shadows, watching" line in another post, as it presents its own can of worms. For now, what matters is that the characters are aware that this planet was once inhabited and Nintendo is drawing attention towards that.

Where this starts to get weird and interesting is with Olimar's Treasure Hoard entries on the Heroic Shield, Memory Fragment (Center Right), and Buddy Display. I can't show all of their text in just one screenshot and the pikipedia hasn't added every treasure note to the Pikmin 4 treasures as of writing, so I'll only be including the segments most related to this conversation.

[ALT ID 1: Treasure Hoard, Olimar's Notes, Heroic Shield (segment): That would mean these living beings must have looked something like us... I wonder who they were and what their faces looked like. Could they have been our ancestors who migrated through space to our planet long ago? (the treasure is a pin showing the helmet of a human-style spacesuit) END ID 1]

[ALT ID 2: Treasure Hoard, Olimar's Notes, Memory Fragment (Center Right) (segment): I'm amazed that such a similar species could exist in the far reaches of outer space. I've heard that organic components can travel through space on meteorites and comets. Could there be a connection between my planet and this one? (treasure is of a puzzle piece with part of a dog's face on it) END ID 2]

[ALT ID 3: Treasure Hoard, Olimar's Notes, Buddy Display (segment): I can't find any evidence of them in any of the existing creature databases. But there's something familiar about them. It's almost as if I've met them before... I guess I'll chalk it up to an ancient memory that's been imprinted on my genome. (treasure is a photograph of two earth dogs) END ID 3]

There is so much to unpack here alone. Olimar straight up theorizes that there may be a connection between PNF-404 and Hocotate, even going to far as to propose if maybe the people of PNF-404 (or at least the people who made the Heroic Shield) may be his ancient ancestors. He does also theorize that a meteorite may have carried "organic components", which is technically possible, but I'm not sure how that would occur in a way that carries said components from one non-destroyed planet to another and leading to creatures evolving in eerily similar ways. Honestly, I'll chalk that one up to an early theory of his, a red herring on Nintendo's part, and thus not something to think about too much. Especially sense, in the Buddy Display, he considers his ability to somewhat recognize Earth dogs as an "ancient memory... imprinted on my genome". While I'm not sure of the science behind such a claim, we also have to take this from a story telling perspective - which is that Nintendo is all but screaming "there is a connection here". Not just in relation to the aliens and the planets, but also in relation to the dogs.

Speaking of the dogs, Olimar's notes on the final boss of the game presents yet more evidence to a connection - this time focusing more on the connection between Earth dogs and space dogs.

[ALT ID 1: Piklopedia, Olimar's notes, Ancient Sirehound (segment): These results would indicate that 99.9 percent of the canine creature's DNA matches Oatchi's, and that the only difference between Oatchi and Moss may be the natural presence or absence of a leaf tail. END ID 1]

[ALT IDs 2 and 3, as one naturally leads into the other: Piklopedia, Olimar's notes, Ancient Sirehound (segment): If these two theories prove to be true, it would suggest the possibility that this ancient creature is a common ancestor to two canine species from vastly remote star systems. And that, perhaps, there are even more hidden secrets out there that could hint at a fascinating yet inconceivable truth the universe has yet to reveal... END IDs 2 AND 3]

I'm not sure what else to say here; the evidence speaks for itself. The Ancient Sirehound and Moss - both from PNF-404 - closely match the genetics of Oatchi, who is from an entirely different part of the universe. For the Sirehound to be genetically related to Oatchi, then members of the Sirehound's species would have had to leave PNF-404 and migrate to other planets. Their care takers - humans - would have had to go with them.

I also find it worth pointing out that the Sirehound's arena is filled with various human items, such as shoes and toys. It's honestly a little haunting to find them so deep in a dark cave, unused by humans for who knows how long. The ruined toys in particular really get to me. We don't know how old the Ancient Sirehound in particular is, but the idea that humans once hid in this cave from something or that their dog brought the items here for comfort is really depressing.

[ALT IDs: various hard-to-see images of the human items in question, including: pillows, pipes. gardening tools, a fork, adult sized shoes, baby sized shoes, various children's toys, and other objects I couldn't quite make out. All of them are either partly submerged in water or at the very edge of water, leaving them covered in mud. END IDs]

I think by now it's safe to say that, yes, humans left Earth with their dogs at some point in time. Yet there are still MORE pieces of evidence to suggest this idea, this time coming from Shepherd's family history. Because we really needed to be beat over the head with evidence, I suppose. All are presented in numerical order as shown in-game.

[ALT ID 1: Rescue Journal, Shepherd Family History, entry 1: Thanks to the technology that has come from space exploration, our lives have grown much easier and far safer, and on-planet rescue requests have decreased dramatically. But as migration into space continues to grow, our services continue to be needed. So I'm happy to announce we are extending our rescue services to the frontiers of space! Signed, Paniya Shepherd, 82nd Captain. END ID 1]

[ALT ID 2: Rescue Journal, Shepherd Family History, entry 2: We've done it at last! We have flown to space! Out in this great, limitless expanse, not a sound can be heard. And yet, I can still clearly hear the pounding of my own heartbeat. Space--how it overflows with possibilities! There can be no doubt. This is one giant leap forward for our kind. Signed, Ed Shepherd, 65th Captain. END ID 2]

[ALT ID 3: Rescue Journal, Shepherd Family History, entry 6: The Shepherd family has lived with dogs from the very beginning. We understand that if we love and respect these creatures as we do our own--if we pay attention and observe their behavior closely--then we can break down the walls between our species and truly understand one another. Signed, Kain Shepherd, 16th Captain. END ID 3]

[ALT ID 4: Rescue Journal, Shepherd Family History, entry 7: "Beyond the sky itself there lies a beautiful blue planet." Those words have been passed down from captain to captain, calling to each of us. I can't imagine what sort of place this blue planet might be, but it's said to be home to even more dogs and folks that we have here. One day, I hope to fly beyond the sky...and into space. Signed, Maris Shepherd, 7th Captain. END ID 4]

[ALT ID 5: Rescue Journal, Shepherd Family History, entry 8: Many years have passed since we first began to make this land our new home. Still, we need more time to complete our environmental adaptations. In the meantime, we must survive so that, one day, we can pass down this new history to our children, and pass down the ways we've learned to rescue and protect everyone. One day we will live here in peace. Signed, Mark Shepherd, 2nd Captain. END ID 5]

[ALT ID 6: Rescue Journal, Shepherd Family History, entry 9: The surface! We made it at last! Finally, we can begin making a fresh start here on this planet. Of course, it will take many long months and years before what we've built here will be anything like what we once had. But we won't be alone. Our beloved dogs will be by our side as we walk this long, difficult road. Signed, Aral Shepherd, 1st Captain. END ID 6]

There is so much here, all confirming that ancient Giyans (and Captain Shephard's direct ancestors) 1) migrated to this new planet in search of a "fresh start" and 2) proceeded to migrate to other parts of space many generations latter. It also hints that they know of a "blue planet" - a common nickname for Earth - which is home to more people and dogs. Most certainly, it is the planet they came from - making Giyans human, or at least an evolution of humanity, and perhaps all other alien races in Pikmin 4 (from Hocotations to Koppaites to Ohrians to Conohanins to anyone else from the twenty one named planets (excluding PNF-404) in the series) are also descendent from Giyans. It would explain why they all look so similar in game - though we can safely assume that Hocotations are at least descendent from Giyans based on Olimar's notes. Further more, the leafling cure requires cells from a non-leafified individual who is genetically similar to the individual in question. We're never told how Yonny gets these cells (and, given we're talking about Yonny, I'm too afraid to even ask) but the fact that the medicine works for anyone regardless of what their home planet is suggests that they are, in fact, more or less the same species.

How different the various aliens look from Humans is easily chalked up to evolution. We know minor changes in height could, theoretically, happen within just one or two generations spent on a planet with different gravity than Earth's. It would make sense that this would be exacerbated over many many more generations, especially if the gravity is much stronger. Which, to quote the Pikipedia, "According to Brittany, the gravity on Koppai is roughly ten times stronger than on PNF-404." Given their matching heights, it's probably safe to assume similar applies to the other planets, and thus over the generations the people shrunk. Again, the exact scientific validity of this is questionable, but given the semi-fantastical nature of Pikmin I believe we can suspend our disbelief enough to let this story work. We already have to do that for how the Pikmin as a species function, after all. As for oxygen becoming toxic in the 8th history entry Mark Shephard does state that "we need more time to complete our environmental adaptations". Be these natural or artificially induced (as he is only of the second generation), it is again safe to suspend our disbelief to say that humans just adapted to these new worlds. Besides, Koppaites at the very least retained (or possibly gained back?) the ability to tolerate at least low amounts of oxygen.

The real problems come in the time frame and the loss of history. It's never stated one way or the other if people are aware of their ultimate connections back to Giya, so I won't discuss that, but it is very obvious they have forgotten their connection to Earth/PNF-404. Furthermore, it's made clear that the Giyans lost the ability to travel through space by the 7th generation and only regained it by the 65th. If they had access to space flight, they would certainly have archives of their heritage - and they do indeed seem to have some idea of what it is, given how Earth has become a legend. Yet, the Shephard family history as far back as the migration to Giya was preserved - why not anything else? The inconsistencies and questions make this part of the tale hard for me to ignore, yet we have no answers. This is pure speculation, but if I had to provide an answer I think a solar flare hit Giya and destroyed their technology, making them start over. Perhaps these early Giyain-Humans were so reliant on technology at this point that there were no books or oral traditions to preserve this heritage lost when the tech was destroyed? Though, somehow, the Shephard family would have to be one of if not the exception to this. Again, the previous is pure speculation, but it's the best we can do for the time being.

There's also the question of when and how Earth dogs changed to look like the Sirehound, which would of had to happen before the migration to space given that Oatchi has the same body plan. And then why did Moss's species become so much smaller?

Still, even with all these plot holes, I think it's pretty damn clear that Nintendo intended for our favorite little aliens to be the evolutionary decedents of humans. How and if they'll use this plot point remains to be seen, but it does open up a whole bag of opportunities for the universe of Pikmin. One that, frankly, deserves to be explored.

[thewebcomicsreview]

Oh hey, Hamsteak 2. Looks like Vriska's...back in Alternia? In a dreambubble?

they sent the thief here in search of power; the power to escape the containment i so painstakingly set up for them

Al confirmed as the Candy narrator. Also confirmed that the black hole is "containment" for the dreambubbles and non-canon worlds, and that all the ghosts falling in wasn't an accident of fighting Lord English.

the black hole could only ever shelter them for so long, and in their haste to shrug off my protection they have opened the door to something far, far hungrier.

This panel is a callback to Karkat about to open the door to the New Universe. Where there were interrupted by Jack Noir. Vriska is interrupted by-

Yoo! It's Davepeta! Who feel into the black hole and has been conspicuously absent ever since. They're the only Ultimate who is not connected to Dirk, and in some ways the only "true" Ultimate. Interesting that Al considers them such a threat, when Davepeta has never been anything but benevolent.

Looks like it's all the sprites, in fact. Why...are there two Nannasprites? Oh god, I'm being pushed to the endless limits of my ability to remember Homestuck Lore. Is one of them pre-retcon? I do not remember.

ERISOLSPRITE: wwe'vve been here for liike a miilliion fuckiin 2wweep2. DAVEPETASPRITE^2: B33 < actually we just got here DAVEPETASPRITE^2: B33 < this place didnt even exist until she popped in ERISOLSPRITE: gue22 ii'll fuck my2elf.

It didn't exist until a character arrived, at which point it retroactively existed the whole time, like how a planet works.

DAVEPETASPRITE^2: B33 < does that not sound insane to you fefeta? FEFETASPRITE: 3833 < 383

What? How are Davepeta and Fefeta coexisting? That definitely doesn't make sense.

Well, logic be damned, it's apparently time for a Vriska training arc.

Gah! Talksprites! Also, Vriska enters "Hell" on page 666 of Homestuck 2, which is I think the first time this comic has aimed at any kind of Meaningful Number.

God, we are full on visual novel here. I didn't know Ren'Py could export to web, but I guess it shouldn't surprise me. I presume/hope the save option is default and won't be needed here, it's 1:30am.

Tavros is here and, much more oddly, alive. I suddenly understand jack shit.

I have no memory of Tavros ever forgiving Vriska for anything...or, for that matter, Vriska even being aware she did anything that needed to be forgiven. I presume she's just lying here, though.

This line combined with this pose is the essence of Vriska

So, Vriska's being forced to "grow as a person" and her big idea to finish her character arc is to atone for her sins by getting Tavros to take revenge on her. Vriska thinks that the secret to gaining power is getting Tavros to kill her.

I wonder where she got that idea.

But that time she refused to mind control Tavros into killing her, she wanted him to grow from it, too. Now we're past that.

I felt smart for remembering the K8LL ME bit but we're being really obvious about it now so I guess they just assumed everyone would and I'm not special :(

Oh shit. Erisol wasn't kidding.

Davepeta roleplaying being a cat who dies horribly is kind of the perfect synthesis of Dave and Nepeta. What is this music. It's very toot-y.

Oh hey a text log. How convenient. So we're trapped in a time loop, then, explicitly recreating Groundhog Day. I guess that explains the infinity hourglass on the Plot Point machine.

Vriska's having a bad couple of years.

Davepeta is "countless" cool dudes and kitty girls, which I think is the first explicit confirmation they're an Ultimate Self, though that was pretty strongly implied at least. The only Ultimate to do so without Dirk's involvement.

Stop letting me intuit things and then immediately making them clear! I don't care if it's good writing, it's making my liveblog bad!

It's so weird to compare this Davepeta to the one in Homestuck OG. There Davepeta was presented as this wise sage mentor figure who'd achieved enlightenment, and here they're much more of "Dave + Nepeta's combined silliness as one character". It's a subtle difference, but go back and read Davepeta giving this same kind of talk to Jade back in Homestuck 1. I guess that's the difficulty of a character with so little screentime in the original, they're either very limited or they feel slightly off.

Oh my fucking god, a to-be-continued select screen. Shit, that takes me back in an unexpected way.

Also, from the associated news update, "the big flash" is apparently several months away (10/25?), and I have to say they might want to be careful about overhyping it, if they have small flashes and now Ren'Py novels that are just preludes. If it's anything less than a Cascade after months and months of hype it could fall flat where a surprise [S] Enter would've popped the fanbase hard.

[halliescomut]

Love Sea Episode 1 Thoughts

My overall thoughts and musings for Ep 1 of Love Sea. Disclaimers: I did not read the novel. I may talk about Mame's use of problematic tropes and overall troubling storytelling, but I may not. I'm not here to grade the quality of her work. Mame as a creator is known for specific issues, and I'm not necessarily ignoring them or approving of them just because I don't call them out. I have seen every Mame show multiple times, so I am indeed well aware.

Okay getting started on ep one, I will start with my two 'complaints' that are sort of connected. The tone of the episode has some pretty wild swings. The most notable is on the boat when Rak is upset, and then it cuts to what is probably 15 minutes later when he's calmed down and they're flirting again. The tone shift is just kind of disorienting in the instance. The tone shifts throught the rest of the episode seem more based around who is the 'subject' whether Mut, Rak, or Mook and so make more sense, but are still kinda sharp. Secondly, while I know Mame isn't they type to take things slow really, I did kind of feel like the hug on the boat was a bit too soon. It's not that it was necessarily out of character for Mut, because I don't think it was, but just that he still doesn't know Rak so going in for that hug was really a leap.

What I did like:

I'm very much a fan of the country mouse, city mouse type of story, and just the general humor that comes from having a CitySlickers kind of plot, so I do enjoy the bits of humor related to Rak now being in a pretty rural community, and I'm hoping that the opposite does present similar comedic opportunities when Mut goes to Bangkok with Rak. That being said it is a bit of a fine line between fish out of water humor and kind of degrading someone because they aren't familiar with an environment they never had the ability or opportunity to experience, so hopefully that line is tread carefully.

I'm interested in learning more about Rak and his kind of writing hang ups. The information that gets introduced is that Rak writes romance novels, but he can't write sex scenes if he's not like actively involved in a sexual relationship.

I'm wondering if this will be an explicit inclusion of and Ace or Aro character, which is fairly rare in media overall, but especially in Thai BL, when having a character say they are explicitly gay is a fairly recent development. Mame in particular has been overall more inclusive of different sexualities, having explicitly Pansexual and Bisexual characters, as well as Gay and Lesbian characters. And there are many valid reasons to read Ae from Love by Chance as Aromantic or Asexual (or both really) but it's is never explicitly said. So having Rak be Aro would be a wonderful step forward there. Overall I'm interested in how this particular storyline plays out.

We don't really learn much more about Rak this episode, which feels appropriate, because he's meant to be closed off. So I imagine we will learn more about him as Mut learns more about him. I do know that there are people that find characters like Rak, Sky, or even Type off putting as they're often very rude in order to keep people at arms length, but I do have a soft spot for cranky characters with emotional walls. IRL their behavior would be frustrating and I would not appreciate it, but in fiction I will allow it and often enjoy it.

As far as what we learn about Mut, he is interested in money, but he doesn't want it just for nothing. He makes it clear that he really only wants it in trade for doing the work he's been hired to do, which does indicate his overall honorable personality. We see that he's pretty beloved and trusted by his community, which kind of confirms that honorability. If he were some shady beach bum people wouldn't trust him the way they do. We also see that Mut takes active interest in his community and it's members, so it's clearly mutual respect and affection. It's pretty clear to me that this is shown to us, the audience, to reinforce that Mut for all of his playfulness is a responisible and kind person, so we feel comfortable with him pursuing Rak. I think it's also something likely to be observed by Rak in future episodes to help him feel more secure with Mut.

Overall, outside of setting up the story and initial attraction with Mut and Rak, there isn't a whole lot else of note. We do get the introduction of Mook and Vi, the GL side couple. They have two very short scenes, so we truly don't learn a lout more than their names, and we're all aware that the GL side couple in Wedding Plan was lacking, so here's hoping this attempt it better.

The views and the setting of the episode are absolutely gorgeous, and there are some very long shots that take in that environment and setting. It's something that I don't know is necessary, but I definitely understand the reasoning since it is some really beautiful scenery.

I was also a bit concerned with how 'similar' Mut and Rak would be to Prapai and Sky, and while there are clearly parallels, I don't feel like it's a cut and pasting of them into a different setting.

Additional kind of negative note: don't love the line reinforcing colorism "your pale skin shows you're pure of heart"...it's not great. Especially when you combine it with them leaning into a common colorism casting trope of a darker complected actor playing a 'poor' character and a paler complected actor playing a 'rich' character. Like yes the difference in complexion would make sense since Mut and the other members of his community would just be outside often and for extended periods, it's still kind iffy. Also not a huge fan of the whole conversation about hair removal and the reinforcement of that beauty standard. Granted it's up to an individual what they want to do with their own body hair, but it does still set an unrealistic standard and that's unfortunate.

[felixcloud6288]

Higurashi: Atonement Recap

This was the first time I've actually read this arc in its entirety. I've read bits and watched the anime, but this is the first time I've actually sat down to read this in its entirety. The same will be true of everything going forward.

This is my absolute favorite arc in Higurashi. This is billed as merely the Answer Arc to Abducted by Demons, but it is so much more than that.

I mentioned how I felt Eye Opening and Atonement work hand-in-hand to prepare us for the finale, and since I'm finished with this arc, I can go into more detail now.

Abducted by Demons introduced us to Higurashi and paved the way for Cotton Drifting to TRULY show us what Higurashi is. Abducted by Demons showed us the supernatural horror thriller aspect and once we were in, Cotton Drifting told us that we were actually trying to discover the truth behind the horrors.

Then we have Eye Opening and it introduces us to the concept the Answer arcs. It softballs us by presenting Answer arcs as alternate perspectives of events that clue us into what was really going on.

Then once we're in, Atonement comes in to show us what the Answer Arcs TRULY are. These aren't merely explaining what was actually happening; they're also telling us what could have been done differently to avoid a tragedy.

And with each arc, we're seeing the protagonists get a little closer to fully averting things. Eye Opening spiraled head-long into a tragedy and Shion only realized what she could have done differently after it was far too late. Atonement instead fought with itself constantly to keep things from being as bad as they could have, but it still couldn't stop tragedy from happening. And in the next arc, we'll see things progress even closer to averting tragedy.

Along with being the Answer arc to Abducted by Demons, Atonement is also half of the Answer to Curse Killing. We have a probable explanation to many of the more supernatural events that happened in that arc, such as what happened to Teppei's body and the reason behind Keiichi apparently being at the festival. Now Massacre will be able to focus on the "What could have been done?" aspect.

And noticeably, while other supernatural concepts have been presented and disproven, Atonement confirmed there is some supernatural aspect to the story. At the very least, Oyashiro is real, these arcs are actually events that have been repeating for 100 years, and Rika is aware of all of it.

I've mentioned it a few times that this arc is simultaneously a Question and Answer arc. Rena's perspective shows us the events leading to a tragedy and the half-truths and misunderstandings that drive her. And at the same time, we're shown Keiichi's perspective filling in the gaps and clearing things up.

And one devious thing it does at the start that I admittedly fell for is it uses your expectations from previous arcs to trick you into thinking the opposite of things at first. Keiichi has been the perspective character for three question arcs and perspective switched to Shion for the first answer arc. So when we have Rena as the perspective, we might think she's going to give us a clear perspective of Abducted by Demons, only to find out that's not going to happen at all.

Atonement manages to bring up Beyond Midnight's value to a degree. Since Atonement is not a retelling of a previous event, Beyond Midnight gives us an idea about what is ultimately supposed to happen. So we have that same sensation as in Eye Opening where we're left waiting to see how the tragedy happens. And that just leaves us wide open for when Keiichi remembers Abducted by Demons and there's suddenly a chance to avoid what will happen.

Ending-wise, this is the trap ending. Despite everything, we still get a bad ending where everyone dies. And it feels like we were cheated. Everyone worked hard to stop a tragedy; their bonds were strengthened; love redeemed; etc and then we're told BTW they all died in a gas eruption the next day.

You should be angry about this. The Disaster was a background event; a tragic and fitting end to a tragic tale. But now it's a tool that something is using to rob us of the happy ending everyone fought for.

We didn't get the grand miracle of a happy ending this time, but we did get a few small miracles. Keiichi remembered what he's done and will always trust his friends, Rena truly understands that her friends are there to help her, Ooishi realized how much of a fool he's been trying to pursue the Sonozakis, and Akasaka finally came back to the village. Next time, they'll do better and we'll be closer to a happy ending.

We've reached the end of the second act. All the smaller conflicts have been resolved and our protagonists can now face the true antagonist behind everything as we head into the final act.

One artistic quirk I've noticed through this arc is the use of light and dark. Scenes with Keiichi tend to be brightly lit and take place during the day. Meanwhile scenes with Rena tend to be more dimly lit and take place at night. There also appeared to be a very minimal shadow filter over Rena-centric scenes.

The full moon appears a lot during the latter parts of the arc (And apparently was out for a full week) and most instances we see it are tied to scenes related to Rena's fears, Keiichi's sense of powerlessness, and the moment Rena calls out Keiichi for his crimes.

But when Keiichi and Rena fight each other, it peaks out of the clouds and brightens the sky, as if that's the moment when Rena could truly be saved. It dimmed only during the moment when Rena was about to kill Keiichi only to become even brighter when she realized what she was doing.

All that being said, this was my favorite panel.

I don't have any particularly deep reason for it. Rena was hiding in the dark of a broken van when she decided to turn on a lamp, and this is what she imagined in that moment when she was processing all the bloody handprints she saw.

I guess we could say it represents her own fears at the moment. She is stumbling in the dark, grasping for whatever she can find and afraid that there are enemies all around her waiting for her to make herself visible to them.

But anyway, I chose it cause it looks cool and creepy.

And now for the summation of the story and the greater mystery. As mentioned earlier, this arc reveals there are supernatural aspects to the story, but Oyashiro appears to be a benign figure at worst. We haven't gotten much information about the mysteries or the cause of the Disaster this arc. Instead, the protagonists became equipped to figure this out in the future.

That said, I did bring up a few things in Chapter 7 that likely tie Irie, Takano, and Tomitake to the "Tokyo" organization first mentioned in Time Killing. But we don't have any additional information to use and we can't say what role "Tokyo" has in all this.

We also were given extra details arguing that the Disaster was some sort of coverup. However the actual reason behind it is muddied by Takano's occult writing.

So let’s sum everything up.

Bold text is new info.

Character Info:

Keiichi Maebara: He moved to Hinamizawa three weeks ago. He was a generally average student but excelled when he started cram school. However he became frustrated and his father decided to move to Hinamizawa after some things happened. the stress caused Keiichi to assault little girls with a toy gun, causing one girl to suffer serious eye injury.

Rena Ryugu: Birth name “Reina”. She had moved out of Hinamizawa when she was younger. At some point she assaulted three boys with a bat and smashed every window in her school. In her psych evaluations, she frequently talked about Oyashiro-sama as if she is possessed by it. She moved back to Hinamizawa a year ago. Her mother had an affair and left Rena and her father leading to her behavior and decision to rename herself.

Mion Sonozaki: Leader of the group’s after-school club. She has several misdemeanors due to her actions during the village’s protest against the dam project. She’s the heir to the Sonozaki family and lives with her grandmother. She has a demon tattoo on her body. She was born as Shion Sonozaki but was forced to become Mion when she was given the demon tattoo.

Satoko Hojo: Related to the second and fourth set of victims. She and Rika live together. She had a bad relation with her step-father to the point she falsely accused him of abuse. She relied heavily on her brother when they were living with their aunt and uncle. She believes herself cursed because she had damaged the statue of Oyashiro-sama a few years ago.

Rika Furude: Related to the third set of victims. Rika is the head of the Furude family which is one of the main houses of Hinamizawa. She’s in charge of the priesthood. Rika is believed to be the reincarnation of Oyashiro. She has the power to see the future and foresaw the murders as well as her own imminent death in 1983. She's able to communicate with Oyashiro and has been aware of the repeating cycle of events. She has existed for about 100 years.

Shion Sonozaki: Mion’s twin sister. Shion lives in Okinomiya with their parents. She’s the manager for the Hinamizawa Fighters baseball team. She loved Satoshi and has been trying to uncover the truth of the series of murders after he vanished. She was born as Mion Sonozaki but was forced to become Shion when her sister got the demon tattoo.

Curaudo Ooishi: A detective with the local prefecture who wants to figure out the cause of all the deaths. He suspects a group within the village is behind the deaths. The villagers call him Oyashiro-sama’s messenger because he’s interacted with every victim prior to their deaths. He has dealt with the Sonozakis in the past and has a scar because of it. He was friends with the dam project manager.

Jirou Tomitake: A photographer who visits Hinamizawa several times through the year. He died by scratching out his throat. Jirou Tomitake is not his real name.

Miyo Takano: A nurse at the local clinic. She’s interested instudying the doctrines of Hinamizawa. She went missing after the Cotton Drifting Festival. She was strangled and her corpse was cremated. Her autopsy suggests she died the night before the festival however. The night of the festival, Takano was driving off the main road with Tomitake’s bike in the backseat. She wrote several occult stories based on Hinamizawa's legend. And while they're not true, she did correctly predict the disaster in one of them.

Kyosuke Irie: The main doctor of the Irie clinic. He is also the coach to the Hinamizawa Fighters.

Satoshi Hojo: Satoko’s older brother. He used to be part of the after-school club. He disappeared a year ago. Prior to his disappearance, he started carrying a bat and practiced his swinging. He also became distant from the club. Satoshi may have been the one who killed his aunt. It was believed that he had been saving money to buy Satoko a doll, but then he withdrew the money and vanished on her birthday. However the doll Satoko wanted had been purchased that day.

Mamoru Akasaka: A police officer from Tokyo. He came to Hinamizawa in 1978 to investigate a kidnapping case. Rika warned him to return to Tokyo and later told him about the imminent series of murders and asked Akasaka to save her. Akasaka did not heed her warnings and as a result, his wife died in an accident. He never returned to Hinamizawa, but later wrote a book about the mysteries about it. He returned to Hinamizawa 22 years.

Village details:

Hinamizawa was originally known as Onigafuchi. The residents were believed to be descended from demons and the nearby villages offered tribute out of fear.

Oyashiro-sama is believed to be a god who gave the demons human form so they could live amonst humans

After the war, Mion’s grandfather, Souhei Sonozaki, used black market funds to bring great prosperity to the village.

There are three main houses in Hinamizawa: The Sonozakis, the Kimiyoshis, and the Furudes.

The villagers have a strong sense of unity and will work together to cover up any crimes a villager has done. However, this has allowed someone to slip into the village and commit murders unimpeded.

Murder Mystery details:

Since 1979, someone has died each year during the Cotton Drifting Festival.

The first death was the director of the Dam Project. He was murdered and dismembered by several people. The person who took the right arm is still at large.

The second death was Satoko’s parents. They fell off a cliff. The wife’s body was never found.

The third death was Rika’s parents. Her father died of an illness and her mother drowned herself in the swamp. Her body was never found.

The fourth death was Satoko’s aunt. She was beaten to death. Satoko’s brother Satoshi also went missing around that time. While a drug addict had been convicted for the murder, it may be possible that Satoshi was the actual killer.

The fifth death was Jirou Tomitake. He clawed out his throat after apparently being attacked by several people. Tomitake’s death is suspected of being drug induced.

Miyo Takano was also murdered. She was strangled and then burned.

Every death has a pattern of one discovered death and one missing person. People in the village refer to the disappearances as the person being “demoned away”.

The villagers refer to the series of deaths as Oyashiro-sama’s curse due to the connections to the dam project. However, each new victim is less and less connected to the project. Tomitake had no connection at all, and Ooishi suspects the murderers are just targeting outsiders at this point.

Oyashiro-sama’s Curse and other mysteries

Rika Furude was found disemboweled outside Furude Shrine. The reason and perpetrator are unknown.

Poisonous gas erupted from Onigafuchi swamp enveloping the village and killing its residents. The disaster is neither natural nor divine in origin. The local environment is completely unharmed, implying the poison gas eruption is not true at all.

Rika predicted the series of murders and her own death. However, she did not foresee the destruction of the village.

Many relatives to the villagers went mad after the disaster and several died under mysterious circumstances.

One speculation is the villagers were infected by alien brain parasites and the disaster was a coverup by the government trying to eradicate them. While there is likely some coverup, the alien parasite theory was a story made by Takano.

The village was closed off for 20 years after the disaster.

Onigafuchi swamp was sealed with concrete early in the containment, supposedly to seal the poison gas.

The World as a whole:

Oyashiro is real, but their involvement in all this is unknown.

The world has been trapped in a loop for roughly 100 years.

Rika appears to be the only one aware of the loop.

Additional Speculations:

A group called "Tokyo" was behind the kidnapping incident in 1978. It has no affiliation with the Sonozakis or any major figures in the village.

One of the kidnappers in the incident is working as a gardener.

There are some loose affiliations that might tie Tokyo to Irie, Takano, and Tomitake but the true nature of that affiliation is unknown.

back

[specialshinytrinkets]

🪲Boys will be bugs🪲

(Technical stuff under cut)

Original Bug Popuko and Bug Pipimi toy pictures from this post

OML LOOK AT THE TWO BOYS!!!!! XDDDDDDDDDD I guess I have been starved of caption writing for long enough to do this, so.... here we go!

One of the things about this duo that is. Making me shake and yell is that, technically speaking, they're kinda opposites. But not really. They're simular, but different. In terms of headcanons — that is for sure. Let me explain.

Gumball is the star of the show. It's his world for a reason — if Gumball stops existing, the World (as in, the extraterrestrial omnipotent forces of scriptwriters) is going to do everything in its power to return things to status quota [See also: "The Static"]. The eyes are all on them. They can't escape being Universe's favourite boy. He suffers and doesn't quite know that, being shoved from one wacky situation into another, often being misinterpreted and laughed at, without proper guidance (this Gumball angst post has rewired my brain and you're gonna have to Get Over It).

As for Grave, he's a one-off character. He's starved of attention both in meta and in-universe sense. Why, you may ask? Well, because I don't believe that a child of loving, attentive parents would earn money via illegal burger selling. And rap during work without any specific purpose, only to entertain himself (amd maybe, as intention, others). He's nowhere and everywhere, possibly existing in the background for much longer than presented, with Mr Small referencing a guy who left EJHS for supposedly lying and working at the cemetary. Very interesting coincidence.

So, we have a guy about whom barely anyone strongly cares, and a three-episode character. Both are well-deep into humour as coping mechanism (with Gumball it's confirmed; with Grave — cutting up dead animals as a teen is definetely traumatic). Both are selfish in their own right. And both probably feel lonely!

But with Grave being adopted by Needlemeyers (because of course he is), that adds extra interest. Now he's directly tied to a person who suffers from Gumball's hijinks. So how would he feel meeting Gumball? And how would he feel after finding out Gumball has their own mental struggles? Would there be a sense of kinship? Of the need to guide the young cat through life? And considering that Needlemeyers would greatly care of Grave, what would Gumball feel when hearing of mothers, who DON'T throw their child into a desert to prove his worth?

Oh, and. Don't forget about the queerness. And gaming. Never forget. These fools are like that one meme: "-What do you think of gay marriage? -As far as I'm aware, all marriage is gay marriage." They are nigh interchagable. And I love their moronic energy.

[piracytheorist]

Choose violence ask game: worst blorbofication? and what's a character no one really likes but you do and why?

I'm not in the Star Wars fandom or the Harry Pοtter fandoms, so I don't have first-hand experience with fans of Kylo Ren and Severus Snape, but from what I've seen they're the first that come to mind in manner of "THIS is your blorbo? THIS DUDE??" Kylo Ren is an immature, unstable supremacist who is most inappropriate to be in any position of power, and the way fans are only presenting him as a "poow misundewstood boyyyy" is... ew. And then Rise of Skywalker came and redeemed him because why by the way and only made it worse, basically accepting all the poor takes.

Now, about Snape, there are far worse things to criticize the franchise and its t*rf of a creator about, but it certainly doesn't help that big-ass youtube channels that pride themselves over being unbiased and open-minded actually support him and think he was a hero all along. And look, I ain't saying he's not an interesting character! He was! As a prideful bigot who should never ever have been allowed to teach kids. Alan Rickman hit the performance out of the park in the movies and unfortunately, that created a problem (not Rickman's fault though) because it made people conflate "well-acted character" with "morally good character" and no. Snape was a bastard with poor priorities and horrible coping methods. His trauma doesn't mean shit when he's made it his life's mission to inflict as much trauma as possible onto his students. His emotional sacrifice in the end doesn't justify or undo the horrible way he treated innocent people around him. His pain over losing Lily doesn't hold any ground when he belittles Harry at any possible chance just because he was the living proof that Lily rejected him.

Anyway, oof, yeah. There may be worse cases out there but these are the ones I can come up with now.

About a character I like but everyone else doesn't... I'm choosing a currently relevant character and it's Nightfall/Fiona from Spy x Family, but listen. I don't "like" like her. I don't root for her goals and I don't support any of her actions she takes towards that goal. I think she is very blinded and biased. I don't want her to end up with Twilight... but I feel she's very interesting in the way of bringing such interesting material into the narrative and giving us an informed view of Twilight, and her bias and obsession actually help towards that. She's the one that confirms to the audience that Twilight's smile hides actual genuine emotion behind it.

She's obsessed enough to have studied Twilight's pretenses and acting enough to notice the real emotion. She's infatuated enough for it to make her jealous. She's self-confident enough for us to know the smile is real, and not her paranoid interpretation that she's "losing" him. Twilight's happiness with the Forger family is something she wants to prevent because she wants him to be happy because of her and only and that competitiveness is what makes her observant enough to notice and emotionally upset enough to point it out for the audience to know for real.

But, at the same time, she genuinely wants him to be happy, because of her, and because he knows the real her. She doesn't want to use tricks to gain his attention and praise, she hasn't even shown to try and change his opinion on Yor by lying about her. Her sabotaging of the relationship comes in the form of exposing Yor's weaknesses, not making up fake ones to trick Twilight into thinking she's less worthy.

Don't get me wrong, as I said, I absolutely do not support her and I don't want her within a ten-mile radius from Yor. But I think there's more in her other than her "Notice me senpai" thing, and there's traits that actually point her towards a redeeming path. She just has to become more aware of the world around her and especially how said world views her. Then maybe she can rearrange her priorities and find ways to be happy that don't depend entirely on Twilight becoming her husband, and hopefully, understand that Twilight's place is within the Forger family, not with her.

So, yeah. I "like" the dynamic she brings into the narrative, I like how she can offer to the audience a side of Twilight that Twilight himself doesn't allow. I don't like her but I like her role in the story.

🔥 choose violence ask game 🔥

[amaya-chwan]

Takeaways from Therapy Game Restart 14 + Illustration Book Release Date

Hello again everyone! ❤️💛💜

It's finally here... chapter 14! In all its glory! 😍🥰✨

Before we get to our takeaways, just some news I missed in the last post!

🎉 SENSEI'S ILLUSTRATION BOOK WILL BE RELEASED AROUND THURSDAY, 23RD SEPTEMBER! 🎉

Image taken from this Twitter post from Dear+!

It is titled "日ノ原巡イラスト集　DARLING" and boasts a collection of illustrations from Sensei's works so far: Secret XXX, Therapy Game, and Kamisama no Uroko.

The current price is ¥2970 with tax (¥2700 without tax). If you'd like to preorder it on your proxy shopping service, I've found it on the Comi Comi Studios website here! The bonus for purchasing it on this website is a B5 clear file~ I haven't seen it on Animate just yet, so fingers crossed it'll appear on their website soon with another (different) bonus! ❤️💛

Alright, with this amazing news done, let's move onto our takeaways, the long awaited takeaways! Thank you for being so patient with me! 💜

My short life update: currently in week 8 of lockdown and I haven't left my house in a long time other than for exercise or groceries. But I do have my vaccination appointment booked so YAY! 🎉

Here are our takeaways for this chapter:

Oh man, we pick right up from the last page of chapter 13. MINATO, BB, YOU LOOK SO PAINED! 😭

Sensei is the BIGGEST tease... that's all we got of that Minato and Shizuma scene...👀😭

The female staff at the veterinary hospital have really mellowed out! They're not bad, after all. ☺️

Oh dear, Nakajou-sensei, please get better ASAP!

Whoa... did Onodera just...?? I'm starting to think back to that Onodera discussion we had a couple of months ago... 🤔

Poor Shizuma, always roped into Onodera's workplace stuff! IT'S BECAUSE YOU HAVE GREAT PEOPLE SKILLS, SHIZUMA! PROUD OF YOU! 😍🙌

Man, Onodera has a really... blunt way of saying things to her human clients. Wow, brave. 😲

But I will say, Onodera really is good with animals. 🙌

Yet again, I think about that Onodera discussion we had... 🤔🤔

And that’s it for this chapter’s takeaways! For a more detailed breakdown/summary of this chapter, please continue after the cut! There may or may not be a surprise scene (or two) there. Please keep reading if you want to see~  😉✨

Our chapter begins where we left off in chapter 13--Minato pinning Shizuma down on the bed. Shizuma looks up at Minato and reflects on his actions that caused the pained look he is seeing.

Image taken from this Dear+ Twitter post!

On the next page (title page), the dialogue reads: Shizuma wants to understand what it is about his director (Onodera) that is making Minato uneasy. // However, that beautiful liar hides it well...

(I believe we are taken back to the morning before Shizuma and Minato meet up for their date.)

The title page features Onodera walking back to the clinic, bread in hand, with a cat cozying up on her leg. We are then brought to the clinic's lunchroom, with the female staff and Shizuma on break. The roster in the room shows that Onodera is extremely busy, Nakajou-sensei has afternoon house call appointments, Tatsumi is Nakajou-sensei's support for these appointments, and Shizuma has a half day and finishes in the afternoon in lieu of working on his scheduled day off.

Shizuma asks his coworkers what presents they like from their partners and takes note of their answers. One of the female nurses asks if it's Minato's birthday. Shizuma confesses that their relationship has been affected by the various things happening lately, so he wants to get Minato a gift before seeing him later that day.

The nurses quickly pick up that the gift is a "tribute" of sorts as this line of work means a lot of missed appointments and dates, and Shizuma confirms their suspicions. While the nurses realise male-male relationships and male-female relationships aren't that different in this aspect, everyone in the lunchroom is alerted to someone shouting Nakajou-sensei's name.

Shizuma and a nurse see Tatsumi with Nakajou-sensei, who has collapsed on the floor. While the staff are concerned about Nakajou's well-being, she brushes it off as a dizzy spell. Before they can help her up, Onodera sweeps her off her feet and carries Nakajou to her (Onodera's) office. While Nakajou asks Onodera to put her down out of sheer embarrassment, Shizuma and Tatsumi are in shock, with Tatsumi commenting on Onodera's manliness in that moment. One of the other nurses gently smacks Shizuma's shoulder and tells the two to grab a blanket and a drink for Nakajou.

In her office, Onodera asks Nakajou why she's been overworking herself to the point of collapsing. The nurse (who gave the gentle smack) very obviously hints to Onodera that it is her fault. As Nakajou calms the nurse by saying that's just how the director is, Tatsumi asks Nakajou about their afternoon appointments. She says she'll be fine to go after a little rest, but the nurse says she mustn't overexert herself.

After a few back and forths about who should go and the clients' needs/personality (picky about the vet, had a pet that doesn't like men, etc), Onodera says she will go. The nurses are shocked and reminisce about all the issues they've had when Onodera interacts with the owners. Tatsumi and Shizuma stand there, and can very clearly imagine those situations happening.

While Onodera rearranges and informs the nurses of the shift changes to accommodate Nakajou-sensei, Shizuma has a terrible premonition that unfortunately comes true: he is appointed as Onodera's support for the afternoon house calls.

Wearing a sulky expression, Shizuma packs the necessary equipment in Onodera's car and reminds her that he has a very important engagement that night that he cannot miss, and as such will leave immediately after the house call appointments are done. Onodera bursts his bubble, and tells him to give up on those plans while he can since this is the line of work he's chosen.

As Shizuma reads the client files, he questions Onodera on why he is her support when he's never attended to these clients before. While Onodera tells him that good coordination is important with a physician's support and that he's the only one she can rely on to give her an honest opinion and calm the clients, Shizuma realises that he's basically the mediator between her and the owners. She confirms that this is his strong point, has great expectations for him, and proceeds to drive. Shizuma then reads the patient files at lightning speed, realising there's a threatening 'something' that Minato has sensed, but that's just how the director is. He then vows to make it to their meeting tonight, no matter what.

The first three house calls, as expected, involve Onodera insulting and angering the owners--Onodera tells the first client that his insistence on seeing Nakajou rather than a 'young' director is having a negative effect on his pet who needs immediate medical care; Onodera offends the second client, inferring from their conversation that her pet's appearance is more important than the need to shave their fur and get an ultrasound done; Onodera accuses the third client of being irresponsible in caring for his exotic animals and asks for more effort on his part. In all three scenarios, Shizuma awkwardly smiles while trying to ease the tension.

The scene skips to Onodera and Shizuma arriving at their fourth and final house call for the day. Just as Onodera explains to Shizuma that she must check a whole host of things at house calls (and indirectly be too blunt about it with the owners), Shizuma asks her to consider the owner's feelings and change when and how she says things. She glares ahead in silence, and Shizuma is just glad that she is now aware of it. He again reminds her to talk with the owner nicely and gently as he probably won't be able to help with the next client as their pet dislikes men. Onodera tells him to just sit in the corner and witness the client become furious while he doesn't help, making him feel slightly guilty for saying that. He is now adament on not helping her.

They reach the owner's home and we meet an elderly woman named Shiratori and her 9-year-old male cat, Tono. Shiratori apologises to Shizuma as her cat doesn't like men. Tono hisses at them as Onodera opens his cage, but is then coaxed into submission by Onodera who covers his vision with a towel and takes him into her lap to calm down. Shiratori and Shizuma are surprised at his sudden docile nature, with Shizuma witnessing how well she deals with animals.

As Shizuma looks on at Onodera while she completes a check on Tono, he sees she is crumbling at the friendliness and talkative nature of Shiratori, who sings nothing but praise for Onodera and how her family must be proud to have such an amazing daughter. Aiming to ease her troubles and remembering the earlier guilt-trip she gave him, he redirects Shiratori's attention to her broken fly screen and offers to fix that plus everything else that needs repair in her home.

Onodera watches as the two leave the room for a bit before apologising to Tono for ignoring him. Tono looks on at Onodera happily while she asks him how he can live with such a lively human and to tell her his secret to this. She brings him into her arms once more to check his limbs, and as Tono looks up smiling at Onodera, Onodera sees her reflection in Tono's eyes, and both seem to realise something.

BG Text: Stare...

Suddenly, Shizuma and Shiratori, who are busy fixing the window, hear a loud crash and rush into the room to find Tono atop the cabinet and Onodera on the floor, with her hair in disarray. In the next panel, Tono is shown to be hiding in the bookshelf, looking on irritatingly at the humans. Shiratori apologises to Onodera, who shakes it off and says it's nothing to worry about and no harm's been done.

Shiratori asks if Onodera will fix/tie her hair up again, but when Onodera says her hair tie was broken when Tono used her as a launchpad to get on the cabinet, Shiratori runs to get her a new one. As Shiratori gushes over the 3 piece dopey looking character hair tie set she received as a present from her grandchild (and lets Onodera pick one), a greatly displeased look is plastered on Onodera's face. Shizuma, in shock, notices her displeasure and hopes she just thanks Shiratori for it. And Onodera does, bringing a great big smile to Shiratori's face.

As Onodera and Shizuma leave, Shiratori says she's glad to have talked with Onodera and invites her to come over again. As she says this, we see Onodera looking back with a blank look in her eyes.

And that’s it for this chapter! THANK YOU FOR READING THIS FAR! 💜 While I was surprised at the lack of Minato in this chapter (Sensei legit is such a tease, LOL 🤣), I'm happy we can learn more about Onodera. Ngl, I'm starting to really question if Onodera is male or female now, given what transpired in this chapter. I guess we shall see in the next one!

I also changed the formatting a bit and removed the bullet points. Please let me know which format is better/easier to read! Ahah!

EDIT: Spelling and grammar checks are done! Didn't change a lot, but hope it reads better! 💜

📢 As always, please support Hinohara-sensei by purchasing her books and CDs! 📢

And please also refrain from resharing these translations and images outside of this post! Thank you for understanding! ❤️💛

There won't be a chapter in next month's (September release) Dear+, so I shall see you in two months for the next chapter (Dear+ November Issue, to be released in October).

As always, stay safe during these turbulent times and look out for each other and for your loved ones! 💜❤️💛

[lokiondisneyplus]

Director Kate Herron calls from her childhood bedroom. She's staying at her parents' home in Southeast London for the summer, having spent the past year apart due to the pandemic and directing her latest series, Marvel's Loki. "It's so surreal seeing the show go out," she says over Zoom, "and being in the room that I was last in as a teenager."

Loki's first three episodes have seen the God of Mischief (Tom Hiddleston) team up with Agent Mobius (Owen Wilson) and the all-powerful Time Variance Authority to track down a fugitive Variant of himself: A female Loki that goes by Sylvie (Sophia Di Martino) who's set on blowing up the Sacred Timeline and, with it, the MCU as we know it.

"My dad, bless him, he was never into Marvel before, but now he's obsessed with it," she says. "When I got the job, he started watching his way through the films, and he's got all these different YouTubers that he now watches for theories, and he tries to get spoilers out of me. He's like, 'What does it mean?!' and I'm like, 'Dad, I can't tell you!' It's very sweet, but very funny."

Now, with three episodes left of the season, she's bracing for their first family viewing experience. "I might not be able to, though. I might be like, 'You have to watch it by yourselves and then we can talk!'" she laughs. "Wait to hear the Loki theme and be like, 'Oh, I can go downstairs now.'"

In the meantime, Herron fielded all of ET's midseason questions about making Loki's bisexuality canon in the MCU, flexing more of his magic than ever before and why Sylvie isn't really Lady Loki or the Enchantress.

We are halfway through the season. Outside your parents, how has the reaction felt so far?

It's been amazing. We had these big ideas in it -- like, about free will and good and evil -- and wanting to [know that] if we're going back in with Loki because he's so beloved, that it's going to be a good story for that character, but some fresh terrain. I think the response has been pretty joyous and it's just so fun seeing what people are liking, what people's theories are. I couldn't be more happy, to be honest.

Being someone who appears pretty online and active on social media, how deep are you going into reading what people say and diving into those theories and all that?

I definitely read a lot of them -- I don't comment on them -- but I used to love Lost and Game of Thrones, and I was on Reddit, commenting, like, "Ooh, maybe it means this or means this," and I think that's the fun thing with our show, right? Our fans are so smart and it's fun seeing what they're getting right and what's not right but is very interesting. The Easter eggs they dig up are always amazing to me. Some of them we put in there, and I'm like, "Well, let's see..." and I'm like, "Oh, they found it!" So, it's really fun tracking it online. It's very weird directing something where you know every frame will be [screen]grabbed by some fans because they're looking for stuff.

I loved your tweet about why it was important for you to confirm that Loki is bisexual in the show. Not really reveal -- because he's bisexual in the comics -- but make that canon. Talk to me about having those conversations with Marvel.

I think it was something very important to everyone. And I felt like, OK, how can we acknowledge this? We have aspects of the story that are there, so how do we build this into the story so it feels earned in the moment? I didn't want it to feel like we were just wedging something in, but we had this beautiful scene where these two characters are being really raw and really honest about who they are, and I was like, "Well, it is a part of who he is and who they are." For me, talking with Michael [Waldron] and Bisha [K. Ali], it just felt like it was the right moment for that line. This episode is really beautiful for me, because it's these two characters getting to know each other, so in that sense, it felt like the right place for that conversation to happen. And I thought it was done really beautifully by the writers.

Obviously, like I've said, it's very personal to me, and I said it was a small step in some ways -- because obviously, he's just talking about it -- but in the bigger scale of things, I'm like, oh no, it's massive actually. If I saw that when I was 10, it would be really big for me. It's been really nice getting comments from people online. Some people were like, "It helped me actually talk about how I feel to my family and helped me come out." And I thought, "Well, if it helped one person do that, then it's worth it."

This is the MCU's first lead character who is openly queer. Did you know that? Were you aware of how big a milestone this would be?

Yeah. Well, in some senses, yes, and in some senses you're never sure, right? Because [Marvel is] so secretive about all their other projects. [Laughs] For me, I was like, I'm telling Loki's story, it's a part of who they are and I just want to acknowledge it. It's canon in the comics and if we can make it canon in the films, that would be amazing. When I came on board, I was like, if there's a way to do this, it would mean a lot to me and, I'm sure, a lot of people. But it was very welcomed, and I think we're all very proud of how we did that.

This may be getting into spoiler territory that you aren't able to talk about, but acknowledging one's sexuality is one important part of representation, seeing it play out through relationships is another. Can we expect to see any further exploration of what it means for Loki to be bisexual in this show?

I'm trying to think how to answer your question. [Laughs] I would say in our story, this is how we acknowledge it. But I hope that that paves the way for deeper exploration.

We're halfway through the season. What were your biggest goals in these first three episodes?

I think the biggest one was obviously, the Loki we're with in this story is on a completely different path, so it was tracking his character in the sense that he basically sees this amazing arc that the other Loki had gone on across the MCU movies, he sees that he reconciles with his brother, but that wasn't him in that moment. He's watching a different version of himself. But seeing that moment and seeing that he has room for growth and change is really interesting with our Loki, because he's in a very different headspace. So, it was tracking, what's familiar about this character from the Loki that we've seen over the last 10 years go from villain to antihero? And what is going to be completely different and completely different sides to this character that we get to now dig our teeth into? That was something really important to me and to Tom and the writing team, and it was really fun unpacking that and what his identity means.

The other challenges, honestly, were just setting up the TVA, because it's outside of time and space and giving that a grounding and a reality and making that feel like a whole new exciting corner of the MCU. That was a big responsibility, and I was really excited by that. And then you have the bigger arc of the story, but you also knowing it's going out weekly on TV. So, how are we going to track this week by week. Where are we leaving the characters and what are we leaving for the audience? Something we always thought about was we knew there'd be discussion week to week, so it was like, "Where are we going to give them certain bits of information across the show?" We wanted to provoke conversation and discussion about even just things like free will, you know?

I will say about the TVA, I'm basically a human Miss Minutes stan account. I think she's the baddest bitch in the MCU. I watch every Miss Minutes fancam that pops up on my Twitter feed.

She's incredible! What I love about it is that she's in our first episode and she actually used to come out of the presentation that Loki watches -- she came out on the screen -- but it was too crazy. We were like, "OK, we can't do that in the first episode. We'll do it in the second episode!" But what I love about her is that we're seeing the TVA through Loki's eyes and it's, like, the status quo, right? And if our status quo is a Southern-talking, Roger Rabbit-style clock, the show is going to probably get quite weird. I think that's what I love about her. And obviously, Tara [Strong] is awesome. Yeah, Miss Minutes is a lot of fun.

You talked about exploring who Loki is and could be. He's always had an arsenal of powers, but in this series, you really get to explore and define what his power set is. What were those conversations like?

That was something else, coming in, I was so excited about. We have six hours of him, let's see some more magic. Because across the comics, he's super powerful, and for example, in the last episode, that's what was so exciting to me about that, the oner at the end of episode 3 was that I've seen a lot of oners but I haven't seen one with magic. So, I was like, let's put loads of magic in there! We get Loki using his telekinesis and his magic blasts and then also Sylvie, as well, and her powers.

For me, it was exciting getting to bring those in in a way that pushed the story forwards. Because I get it, when he first lands in the TVA, they can't use magic, so I know if I was watching, I'd be like, "What? No magic?!" But I think that's the fun thing is, we still have three episodes to go and also it was fun to put him on Lamentis and see him using his powers in different ways. It was definitely something important to me and the team, was to get to show a little bit more of him. But across the films, you can only do so much. Now we have six hours, so it felt like, of course we have to delve into that more.

I don't know if you saw this on Twitter, one of my favorite reactions to episode 3 was someone tweeted a screenshot of Sylvie screaming and her hands glowing and wrote, "she did the meme!!"

[Laughs] That's great!

We've now officially met Sylvie, and we're starting to piece together that this may be sort of a hybrid character of Lady Loki and Sylvie Lushton, the Enchantress. Are you able to confirm that you pulled from both to create your Sylvie? Or is that something that's to be further revealed?

I would say there's more to be delved into. One thing I would say is, like, she's different to the comics. Like, she's a unique character, but obviously, there's things that have been pulled from. I think for her character, she's on the run and she's called Sylvie and she's dyed her hair. The blonde that we associate with Sylvie is played in that sense, but it makes sense for her character within our story. But I would say deeper than that, yeah, there's more to be revealed about her character to comes.

The main thing I would say is: Lady Loki in the comics is a very different character to our character, obviously. I love that character and I think she's got a very different journey. But our Sylvie is a female Loki, in that sense -- because in episode 1 and 2, they know it's a Loki they're tracking -- but I think that's part of the discussion. It's almost like Loki -- as in Tom Loki -- he's like, "Wait, how much of my life have you got? Who are you?" And I think that's the real question is, who is she? So, we will discuss that as the show goes on. Why does she not like being called Loki? What's her past? Where did she come from?

Tom and Sophia have such great chemistry, but how challenging was it for you and Michael and Sophia and the writers to create a character that essentially has to match up with our Loki, who's had however many films to become the fan-favorite character that he is?

It starts in the writing. Because she's a unique creation, and that was exciting and I was intrigued where they were pulling from with the comics. I was like, OK, that's cool. Beyond that, I think it's casting it. Sophia is an incredible actor. I've worked with her before. She has this fire in her and she brings this amazing vulnerability to all her characters, but she's also, like, so funny. It's just, so many of these things she always brings, I was like, they're so Loki. So, I was like, "We've got to get her to read!" And we were just all blown away by her read of it.

She definitely can hold her own. That's the other thing, as well. I know her, and I was like, she will hold her own. I know she will. Because she's going against Tom's Loki and that's such the fun thing about them. Even just on the train, where it's the end of the world and Loki's solution is, "I'm going to have a party and I'm going to have a drink. I'm going to have a lovely time." And her solution is, "I'm not going to have a glass of champagne, thanks. I'm going to focus on the mission of getting off the moon." Those little differences is what's quite fun about them to me. How are they different, and how are they the same?

Was there something you got to do as a director in these first three episodes that you had never done before that you were especially excited or nervous or both to tackle?

I suppose so much of the show, right? Because I've done a lot of drama and a lot of comedy, but they were like, "Here you go! Here's the reins to this massive, genre-driven piece where you have to set up a new corner of the MCU and you're going to have this beloved character." There was a lot to carry. But I'd say in terms of something I was excited about, only because Kevin Feige was teasing me, when we filmed the big oner at the end of episode 3, I was really inspired in the writing, because it sounded like you were really with the characters. I love doing long takes anyway and I remember thinking, "Oh man, this sequence feels like the one that we should do as this oner," because I want the audience to feel like they're with Sylvie and Loki in this moment, and it's also a moment where you finally start to see an apocalypse and it feels more real, because you're seeing the horror and the terror that's going along with that.

For me, that was exciting, but the really cheesy bit that made me so excited is they had these foam rocks that fell on people, but it felt like real movie magic to me. I was so obsessed with the rocks. I was like, "Oh my god. This is like real, big Hollywood filmmaking." And I remember Kevin Feige was like, "You can take a rock home, if you want," and I was like, "Oh my god!" So I have this rock. It's in bubble wrap now, and I'm going to unpack it when I move into my place. But that's probably honestly the most excited I've ever been. [Laughs] I was just so excited by the rocks. Oh, and also, I remember when we were at Roxxcart and Tom gets thrown into those robo dogs, I was obsessed with the robo dogs. He was like, "I think this is the happiest I've ever seen you." So, those are my favorite moments on set. The foam rocks and the robo dogs.

Somebody's going to come into your flat in the future and there's going to be a shelf with just a rock and a robotic dog on it.

Mhmm! And I'll be like, "Yeah, guys, I did something." [Laughs] They'll be like, "What is this...?" But the foam rocks are genuinely amazing, because they look like real, heavy rocks, but they're so light. I was so fascinated with them. I was so excited. I made a lot of low budget stuff before this, so it was a big deal to me.

My favorite part of the first three episodes is the Kate Berlant cameo. How did that come to be?

Basically, I love comedy and my producer, Kevin Wright, does as well, and we were trying to think of people that could be fun. We've got Josh [Fadem] in episode 1, and that was a miracle. I just spoke to her about the part and was like, "This is a very small role, but if you're interested, you're very talented and you're so funny." And she was like, "You know what? That sounds really fun. Renaissance faire? Yeah, I'll come do it." So, it was very kind of her to come down and do that for us. She's so funny, man. She's so funny.

Do you let her riff at all?

We did. We have a lot of alts and a lot of very extended bits of her talking to the Minutemen. I think there's one where she talks about a bird show at the faire. She's so funny. I was very flattered and grateful that she did that for us.

I'm going to start the #ReleaseTheKateBerlantCut campaign. I want a whole episode of her alts. Or she can be the new Stan Lee and cameo in every MCU project. Before I let you go, if you had to choose one word to tease these upcoming three episodes, what is that word?

Hmm. I thought of one word, but then I'm like, it's spoiler-y, so I can't say that. [Laughs] Oh, one word. Exciting? I have to say "exciting," because I can't say the other one I wanted to say!

[mid-nighttiger]

Hi! I was just wondering if you've ever stumbled across this video on YouTube? The title's pretty eye-catching: An Analysis of the Hidden Misogyny and Racism in Disney Star Wars | Video Essay, but it's not really misleading or clickbait. There's a LOT, and I'd say it feels like a conspiracy theory, but... it seems pretty well-researched (there's sources in the description box), and it has some really interesting points about the sequel trilogy... and I was wondering what you think?

this is the video in question

it's a very long video (almost 2 hours), and for me the part that holds the most water is in the final 2 minutes or so, where they say:

As a very ironic conclusion, I have to admit the possibility that all of this is a coincidence... [A] conspiracy theory... just doesn't make sense to [Disney's] overall financial strategy... It's far more likely that the writers and directors just didn't know how to properly write female or minority characters. It's far more likely that most of the writers are white men, that any subconscious biases against minorities leaked into their writing, that they're not even consciously aware that they have these racist tendencies. It's far, far more likely that these hidden biases against women are present in all men, and those biases just leaked through into the scripts. The most logical conclusion is that there is no agenda. There is no conspiracy.

with that part, i agree wholeheartedly

the breakdown of racism and misogyny in the st films itself is mostly fine. they are right that there are a lot of racist and sexist undertones in the st, even though disney tries to sell it as progressive. but i think they're a little too insistent that there must be a conspiracy. the video would be a lot stronger if they used their mountain of evidence to show how people's biases manifest in the work they create, and just how pervasive it is. it happens all the time, without conscious thought, in every little thing we do, and that's why we have to always be actively working to be conscious of our biases

most of the points they make i can attribute to one of these things:

subconscious biases. generally, racist media/actions don't happen because someone sat down and said, 'wow, let's make some racism today.' they happen because people carry biases that shape their work and actions, and because there was nobody in the writer's room to check those biases and say 'hey maybe we shouldn't do that'

capitalism. disney wants to make money. they want to capitalize on the star wars nostalgia, which is why so many things from the ot are still around. they want to make safe storytelling choices that won't alienate large parts of their fanbase, but they also want to seem progressive so they can market their films to women, gays, and poc, regardless of whether the message behind the façade is actually progressive

fan response. this ties into point 2. it's pretty well-known now that things like reylo, kylo ren redemption, finn and rose being sidelined etc happened because enough fans were loud enough about it that disney thought it would make an impact on their bottom line. it's why we know that fans can make a difference in what kind of media is created, and why discussions of racism and sexism in fan spaces is important

just plain bad writing. especially after abrams' recent 'maybe a plan would've been good,' confirming what we pretty much knew all along, that the writers had no idea what they were doing

imo, conspiracy theories only hurt the examination of racism, sexism, etc in media/community spaces. people think, 'well i'm not part of a racist conspiracy,' and then they stop there and don't self-reflect and realize that they too have biases that come out subconsciously

[leakinghate]

The timelines are confusing to me and I may be wrong but as far as I'm concerned Honerva becomes Haggar while she was pregnant (or that's what s5 shows us) so how Lotor knew about Honerva??? They'd prolly change smth on the narrative looking at the nycc poster, the whole happy family is together, unless they're just from an alternate reality. Enlight me Hate, there must be smth i'm missing on??? Did Lotor meet his pre-corrupted mother?

Hello Anon! I hope you don’t mind, but I’ve used your ask as a springboard for a spot of meta.

Haggar, Honerva, etcetera

Honerva was pregnant with Lotor when she and Zarkon died in the rift.

The cinematography in s3e7 ‘The Legend Begins’ is very carefully framed so that we never get a look at Honerva’s stomach in the time circa where she falls ill...

But.

There’s several different pieces of evidence in-show to prove that she was pregnant, in addition to the EPs explicetly confirming it in an Afterbuzz interview post Season 5.

The in-show evidence is more in implication. Haggar is not aware of her previous identity as Honerva or her marriage to Zarkon; thus Lotor couldn’t have been conceived after the rift. But Lotor was unambiguously born after the rift as we see both a heavily pregnant Haggar and a baby Lotor in s5e2 ‘Blood Duel’. This also goes a long way to prove that Zarkon, on the other hand, was fully aware of Haggar’s previous role in his life; as he was present for Lotor’s birth and knew that the child was his son.

Lotor has never met pre-corruption Honerva personally. We don’t know how exactly he first learned of his mother’s identity, but the options are innumerable. He might have found out about her by coming across her research, Dayak may have told him, or he might even have learned of her from Zarkon himself - just to name a few.The NYCC poster...

...raises a few interesting questions.Is this just a cute, non-canon visual thrown in to break fans’ hearts? No, I doubt it.I’ve seen a few people speculate that this implies there will be some sort of time travel element to season 8. Now, I harbor a seething hatred of time travel as a narrative device, so I’m choosing to ignore this option.

No, I think this little family is indicative of a return of the Alternate Realities.

We keep saying, that even though it’s the final season, we 'don’t know what Haggar wants’.

But y'know? I think we DO.

Haggar’s motivation? Is her family.

When she didn’t know who she was she was content to serve Zarkon as his witch, because even if she didn’t remember the specifics, she knew he was important to her.She had no outside ambitions beyond acquiring more knowledge, but even those were always in service to Zarkon’s own ambitions.

She never knew Lotor; so she felt no attachment to him.Zarkon dies and Haggar remembers that Lotor is her son at almost exactly the same time. The 'No!’ from her that prompts her to activate spy-cam Shiro, is because she has just learned that the only two family members she has are about to fight each other to the death.

After Zarkon is dead her motivations switch to Lotor. She wants to possess/protect/control him: it’s complicated. Everything she has done since season 6? Is to retrieve Lotor from the rift and/or exact revenge on Voltron for trapping him there; she sends Sendak after the lions because she needs a ship constructed of quintessence infused trans-reality ore to gain access to the rift. Of the two we know to exist, Sincline is already inside it, so that leaves Voltron.

I think the twist with Haggar/Honerva is that she doesn’t have a huge, universe altering motive; but that the destruction she will wreck is all motivated by her rage and grief over her family.

Haggar considers Lotor as belonging to her, through some twisted version of maternal feeling. She would likely have been completely comfortable serving as Lotor’s witch, as she did for Zarkon, if he would have her. But he won’t. He despises her.

And she in turn despises all that she perceives as coming between her and her goal of possessing him.

If she believes Lotor dead then her rage will be even worse.I think Lotor is still in the rift, and I think when he’s eventually removed from it it’s going to look like he’s dead and/or gone. VLD has nothing that would lead us to expect that reversing time is possible, and I strongly doubt it will introduce such now. So when Honerva sees that both Lotor and Zarkon are lost to her, her only recourse will be to tear open another reality and try to find a new version of both of them (hello happy family from the NYCC poster). She’s either going to attempt to usurp her alternate self’s life, or try to kidnap a new son and husband.

I think it’d be a great twist. Here we are expecting her to have been serving a dark god of some sort, trying to end reality as we know it, and I think it’s just going to boil down to Team Voltron fucked with the wrong person. Or, the wrong person’s family.

It’s the most twisted version of the 'devoted wife and mother’, the kind of roles that older female characters are often relegated to - but taken to its darkest extreme. It’s the exact type of trope twisting VLD likes.

I don’t think the paladins take Haggar seriously as a threat. They first met her as a subordinate to Zarkon, and never were actually enlightened as to her actual power in the Empire. After all, she hasn’t ever independently attacked them. For all we know, they may assume that Lotor was behind the Shiro clone situation.

It makes sense. She activated Shiro to extract Lotor just as they were about to deal out whatever punishment they had in store for him, and then the virus almost blew up the castle. If we the viewer hadn’t seen the other side? It looks like it was a backup plan by Lotor to destroy them should the truth ever come out.

From their point of view? it looks like Haggar was working for Lotor.

Aren’t they in for a surprise.

[thedispatched]

Ok so I finally read the soompi post defending Lucas and I wanted to share my thoughts:

They presented some strong points, but their bias is also pretty obvious and they always land with such bold assumptions that just don't make sense. It makes me a bit skeptical.

Anyway, I'll start with the information they got from the ooooshiiim account and the twitter prediction account:

The user ids they represented are def real, that can be easily confirmed by going to websites that translate user handles to ids.

But them comparing one manga character to lucas and assuming that somehow that disproves OP 1's claims is hilarious LMAO. The description of the fictional character would literally fit most male idols, idk how they went like "oh this guy severely resembles lucas, another evidence yay!"

As with the Instagram account, I can't seem to find it?? If, say, it's really OP, did they happen to find the soompi post and decided to delete the Instagram account/change the username? This is also poses the possibility that the Instagram account isn't actually real, but I guess we'll never know.

I also wish the soompi lumi provided a link to the account and some more elaboration on how their cyber investigator found it through the twitter acc's digital footprints. The manga part is very elaborate but most else is just pretty vague which I find a bit questionable?

The said fabrication of the chat records: doesn't the gaps depend on what version of WeChat it is? I searched for "wechat screenshots" and some gaps can indeed be as big as the ones in the chat records.

It would also have been better if they highlighted the gap inconsistencies/misalignments they are pointing out because personally I don't see it(but maybe it's just my eyes bluffing).

I don't have much to say about the schedule parts since I don't follow their schedules closely and I'm too lazy to search for it, but I guess what those fans said do make sense.

The voice messages: I don't have much to say either since I don't speak korean. But last time I heard the alleged voice message and the bubble one lumis are using as proof, they didn't sound alike. But then again, I don't know korean.

The sasaeng photos: I guess it also kinda makes sense. But I feel like the fan who said they got the same photo OP 1 had provided should have just showed a screenshot of her conversation with the sasaeng she claims to be selling them, I mean, the photo is already out, so what difference of not specifying which photo it is/not showing the screenshots of her conversation with the sasaeng would make?

The ring part: the soompi lumi's argument also seems pretty valid. It really does not look like his finger.

The OP 2 part: I don't know mandarin or cantonese so I can't really comment on the nuances the fans are trying to point out. I don't understand the red boxes though, were those part of the original photos OP 2 provided or are they highlights of the misalignments lumis are trying to point out?

The OP 3 part: Oh they can definitely be a guy, but it's also possible that they didn't use their actual gender in the account(I myself do that all the time, for privacy reasons). But once again, we will never know which is true.

The photo is indeed very questionable. Why is the background blurred? Why are there plushies everywhere? Why is there a reflection of what seems like a man in the glass when they're supposedly alone? But there seems to be a door and a small hallway reflected on the glass too? It looks clean and hotel-like. And the one who took the photo seemed to be sitting right besides him based on the photo's angle. If it's taken by a sasaeng staff as fans have claimed, how did the sasaeng staff secretly took a photo like that while literally sitting besides lucas and with other people around them(like the "man in the glass") without the other people in the dorm questioning what the fuck is that staff doing? But another explanation I can think of(if the photo really came from a sasaeng staff) is that a member took the photo(with Lucas being aware of it) and somehow the sasaeng staff managed to get it?

With OP 3's chat records, again I don't see the gap mistakes or misalignment they are pointing out, I again tried to look at WeChat examples on the internet and the difference between the size of the messages and the dates is a normal thing, so is the gap between 2 messages vs the gap at bottom of the chat. And the "difference" between the two s's in lucas's username they are pointing out is honestly ridiculous. The photo is taken from an asymmetrical angle, of course the sizes would look unequal.

The sleeping photos: the plushies' textures don't look the same, dorm plushie looks more rough while the plushie Lucas is sleeping with looks softer and fuzzier. And if it was taken by a sasaeng in the wayv dorm as fans have claimed, how the hell is the sasaeng within such a close proximity? There's so many people in the dorm and I doubt they'd be all asleep at that time to not notice that a sasaeng is right besides their sleeping member literally photographing him.

The jacket and photo receipts: Oh I've seen this on another article. I'm convinced with the debunking of the jacket part, and receipts are everywhere in the internet. I guess it isn't impossible that OP 3 might have just took the receipts somewhere online.

OP 4's surfing video: Yes, same pose, but different angles? That does not look exactly the same as the one he showed in his socials. But that black spot is definitely questionable.

OP 4's WeChat records: Oh another questionable one. Especially the imbalance in the color value. But once I again I think it would have been better if they provided the links to the other debunk posts they included because man I can't see the cutting traces in the chats that they are pointing out.

OP 1's second post: again I think the difference in wechat date layouts depend on the version? And why did most koreans themselves didn't question the difference in OP 1's wechat? Like if korean wechat really don't look like that, wouldn't they point it out?

"their account creation dates and account activity all falls within the same time period." Um no?? 2015, 2019, 2018 are same time periods??

In conclusion, as I said before, I think the soompi lumi presented strong points that really make you question the credibility of the allegations, but their intense bias towards lucas makes them quite questionable, too. And the way they treat every debunk post like the absolute divine truth is pretty off-putting.

I'm convinced not everything in the allegations are true. I'm just curious about the severity of his actions. Maybe he dated them, but maybe he wasn't an asshole? But if that's the case why would they try to ruin his image if he treated them right? Or maybe he really was an asshole but some of the story isn't true? Ah I'm still so confused of what to think but I believe there has to be some truth in the story, but just how bad is the truth???

thank you for sending me your thoughts! it's always interesting to see what other people think. (and sorry for the late reply!)

i'm not gonna say much as i've talk about my thoughts on the post already.

i agree about the manga, it's absolutely ridiculous how comparing one manga character to lucas debunks their claims. that's just one example of one of the far fetched assumptions that made me lean more towards not believing the article.

part of me also wondered if they created the ig account for their article but like you said, we’ll never know.

even if it doesn’t look like his finger in the messages, I’m pretty sure he mentioned winwin in the texts ??

I know some people blur the background of photos for either aesthetic, or mostly for privacy reasons.

I honestly don’t know how people are seeing a man in the reflection. It’s a literally blob. You can’t make out any (person) shape.

The jacket and receipts is the only thing I took away from that article that I actually kind of believed. I talked about this with another anon. That is super easy to fake, but the photos were also originally blurry so a “blur” around the words would be hard to solidify as evidence unless the photo is in ultra hd or something lol. But to me this is the most believable to be fake.

I once saw a twitter thread pointing out how the messages weren’t photoshopped and explained why they looked “misaligned” or whatever but I can’t remember what it said exactly besides auto translations. I won’t be able to find it again because it was so long ago :/

Someone can correct me if I’m wrong but wechat is more of a China thing? Like not a lot of people outside of China/non-Chinese use it. You’re right about why Koreans didn’t point it out, but I don’t think they’d know if they don’t use it ??

You asked a lot of questions and pointed out a lot of things that are something to think about, but I don’t think anyone has a clear answer unless you have an extreme bias.

I also wondered the severity of his actions. I think this whole thing is a mix of truth and lies. We all want to know the truth and the worst part is we never will. Like you said, how bad is the truth?

(I might edit this later and add some stuff 😅)

[amaya-chwan]

Therapy Game Restart Discussion: Who is Onodera?

Hello everyone! Hope you are all well~ ❤️💛💜 I've had a headscratcher of an ask/message regarding Onodera, so I figured I'll make it into one big post!

Before I begin this Q&A/discussion post (feel free to comment below if you have any thoughts), I have looked through past chapters to gather the information I will put into this post to support my predictions. Not all chapters are readily available for everyone at the moment as only one volume of TGR is out right now, so I shall put the chapter numbers for your future reference! ⚠️ Also, just a note! These opinions are my personal thoughts, conjectures, and opinions, so please don't think I am saying one idea or speculation is wrong--this is just how I see it, and of course I could very well be wrong! And I also am not fluent in Japanese, so I may have some translation errors!

⚠️ Also, a warning, this will be a long post! Keep reading if you're interested and please let me know your own thoughts!

First, in an earlier ask, I was directed to a translation group that said Onodera is a man. With the help of Google and Google Translate (because I don't understand/speak Spanish), I found that post (dated April this year) and the origin of the picture they used in that post. The image is from Hinohara-sensei's 13th August 2020 tweet here and is also below for reference:

Now, all I can remember from first seeing that image is "Woow, so pretty! A female character? A love rival? A threat? OH it's the infamous director they're all talking about???"

This image was released around the time chapter 8 was released, i.e. the first chapter we see Onodera in full.

Looking at the image again, I can see how Onodera could be seen as a female or a male. Onodera has long hair, yet no visible breasts. There is no evidence of an Adam's apple, but that could just be because of the turtleneck as part of their outfit. Furthermore, in chapter 13, we see a view of Onodera from behind. There are no "womanly curves" visible in this view of Onodera.

After searching some Japanese blogs, some fans also had the same thoughts: no breasts = possible male, the shape of the face etc. Here are the blogs I found: [1] [2] [3] but most of these are from around chapter 8.

Just about the breast argument: there are a lot of different shapes for breasts. I learnt that when working at a department store selling bras during university. It is possible that Onodera is really flat chested or just has very little breast tissue. Not sure if that's getting too technical now, ahah, but what I want to say is that the lack of breasts isn't a definite yes to Onodera being a man.

Hinohara-sensei also has not explicitly stated throughout TGR so far (ch1-13) that Onodera is male or female.

From chapters 8-12, Onodera is always referred to as 院長 (director) by Shizuma and the nurses at the clinic. No gender-specific pronouns have been used in the story nor by any characters to refer to Onodera when speaking so far (that I have read). So confirming Onodera's gender is just misleading at the present moment.

We do find out in chapter 9 that Onodera's first name is 昌 akira. Akira is a gender neutral name in Japan. It is often given to males, but it is not uncommon for females to have this name. Which, I think, is genius on Sensei's part. It leaves us all thinking!

Q: So Amaya-chwan, what do you think Onodera's gender is?

Just for me as I've been reading TGR the past 1.5 years, I see Onodera as a woman as I have been "encouraged" to see Onodera as one by the little subtleties in the story, and Minato sees Onodera as a female, so I probably am viewing Onodera in Minato's POV.

(Please keep reading on for more insights and answers to questions! Really, this post is long! 😅)

In chapter 9, Onodera's older brother, who is also Shizuma's university professor (and his last name is not Onodera), makes small talk with Shizuma regarding the staff at his placement:

Shizuma's professor says: By the way, Shizuma-kun, how've you been!? You haven't been bullied, have you!? // The female team here is scary, right~ You know, Nakajou-kun and I were in the same grade...

So here, I'm made to think Onodera's clinic is pretty much all female, including Onodera too.

Fun fact: His professor uses the suffix -kun for Nakajou-sensei, yet Nakajou-sensei is a female and -kun is commonly used for males these days. But, it is also used for females in very specific situations. I'm not too sure what the situations are, but I have heard them used for females before.

In the same chapter (9), while Shizuma is changing out of his scrubs in the men's locker (?) room, Onodera walks in. He is slightly flustered, and kindly reminds her that she's walked into the men's locker room. Her reaction is "Huh? Ahh..." So here, again, I am made to believe Onodera is female.

While no gender-specific pronouns have been used to address Onodera, Minato and Itsuki have referred to Onodera as a female in chapter 13.

The kanji for "female/woman" is 女. In these two images, Minato refers to Onodera as 上司の女 female superior, and from Minato's story, Itsuki hence calls her 職場の女の人 female from (Shizuma's) workplace. This is the only time Onodera has been referred to as a female.

⚠️ Just a note going forward in this discussion, I will now call Onodera "she/her" as that is what I believe Onodera's gender is at the present moment!

Now, I did get a second ask from an Anon! Here they are below with my responses:

This one is about what's behind Onodera. I think she's a pretty interesting character. I actually think she's a trans woman or a non-binary trans woman. Sensei has been dropping so many hints to that... The name her brother calls her might be her dead name. He complains about her hair and what their father would say. She's designed to have flat breasts, perhaps she's not under hormone therapy, perhaps her "trips" and "days off" have something to do with reassignment surgeries...

She most definitely is an interesting character. I wouldn't say Onodera being transgender is out of the realm of possibility because the story is still ongoing. But regarding her name, I don't know if I'd call it a dead name since it is gender neutral already. Perhaps the kanji for a male Akira name would be different to a female one though?

About the hair comment (ch10), I just thought it was unruly? I honestly didn't think too much of it! What I will add is that the kanji for hair (髪) is used, but the reading is あたま head. Not sure why just yet, so I'll just leave that here as some extra information for the moment.

Not sure what I really think about a) her flat-chestedness and b) her insanely long business trips yet! I figured a) might be a character design, and b) she really is a top-notch veterinarian so she's probably in high demand. But I could be completely off the mark!

Also, I don't know where to add this random bit in from the story, but in chapter 12, we find out that Onodera has been calling one of the staff the wrong name for more than 10 years now. Not sure if this new piece of info affects anything?

But again, that is a very interesting prediction/thought you have about Onodera, and I wouldn't say it's not possible!

She's kind of a female Minato, psychologicallly and in appearance, which brings some challenges. And one more thing that I think hints to that: "I'll make it so your body can never be satisfied by any woman", Minato says to Shizuma. As the last chapter leaves it at that, we don't know exactly what he is talking about. [spoiler?] I haven't seen the Japanese text yet to be sure if he's clear about topping Shizuma.

That was exactly my thought when she was first introduced! That's part of the reason why I think Minato sees her as a threat, especially when he saw her for the first time and was told she is a 美人beautiful person (both in chapter 12). She and Minato definitely share some characteristics, but I find she's a bit more socially-awkward than Minato given her background (Chapter 9 & 10).

For the dialogue, the Japanese lines and the most literal translations I can give are:

今から　静真くんを抱く From now, (I'll) hold/embrace you, Shizuma-kun.

どんな女に出会っても　絶対満足できない体にしてあげる No matter the women you encounter, I will make it so your body definitely cannot be satisfied (by any of them).

Hopefully we'll find out what Minato means by that exactly in the next chapter, which I hope comes to me this week!

But if that's what he's talking about, it's 1. poor Minato being transphobic (besides being biphobic towards his own boyfriend)* 2. poor Minato probably foreshadowing his own fall. If Onodera happens to be a woman with a d**k, she can do whatever Minato thinks a cis man only can do. That's not what will make Shizuma stay by his side. Shizuma will stay by his side because he loves Minato. And that's that. Debunks biphobic myths, debunks transphobic myths. *He's not a bad person, he's got issues

Okay, this is probably as straight-forward as I can say this, but I just want to say that I don't know enough about the issues faced by the LGBTQI+ community. My friends have kindly answered all my questions so far as I don't want to be ignorant or rude when learning more about my friends and the community. I don't want to give off the air that I'm assuming anything since I don't want any misunderstandings. And I am fully aware that I need to educate myself more regarding this!

So about Minato, I'm not completely sure what you mean by number 2. But he definitely has his share of trauma, insecurities, and fears regarding his relationship with Shizuma. Having Onodera as a threat in this story really helps drive Minato's growth. The story is titled Therapy Game Restart, so what I gather from the title is that Minato is going to face another fear/insecurity he has, something deeply-rooted in him, and it's going to get really heavy and complicated, but he will eventually get through it and it will help him heal and grow as a character, and hopefully strengthen his faith in his relationship with Shizuma.

So far, I believe this "fear" is carrying on from +Play More, that Shizuma can be whisked away by a female at any moment.

But yes, Minato has to realise for himself that his and Shizuma's love, relationship, and bond is strong enough for him to not worry about Shizuma leaving him so abruptly. He has to learn to trust in Shizuma more, and TGR is slowly revealing that, especially in chapter 13.

I'll stop here. I have already written long analyses on this series and I think about making them public at some point. But it would be nice to hear from you! Maybe I'm completely wrong in my interpretations! I'm really sorry for being so annoying and maybe using inappropriate language. I really didn't mean to bother you. But I never see anyone making these points. I just want to know if I'm thinking unreasonably...

I love reading different analyses, opinions, story predictions, the whole lot!! So please feel free to ask me or post your own ideas. It's always a welcome thing for me to discuss stories and learn new things! Don't be sorry that you're being a bother or annoying, because it's not a bother at all!

We're all allowed to have our own ideas and opinions about stories, and these ideas will change once something is canon in the story, and ultimately is something we will have to accept too.

So yeah, just my two cents. Thank you for being so patient with my response, dear Anon!

To anyone reading at this point, thank you for reading this far! ❤️💛💜

I shall see you in our next set of takeaways~ As always, stay safe and take care of yourselves and your loved ones! 💜

(2021-05-17: Speedy proofreading is done ahah! And yes, my brain is still so full of 山河令/Word of Honor right now, so I have been VERY distracted! Highly recommend this drama, guys! It's up for free on the official Youku Youtube page! Totally not an endorsement, but I love this drama! AHHHHH!! Gong Jun [Simon] be living on my mind rent free~)