#artistsband
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Kim Gordon, Sonic Youth
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Opus World Recordings, the immensely talented artists band has electrified the atmosphere with energetic Rap beats and captivating soundscape on their new track "First Off" on Spotify , Feat.Dubble0 & KillaKyleon
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Why did hozier do what he did on Nfwmb. Why did he do that to me
#[stephen a smith voice] i think we should consider having him arrested#he will have to answer for his crimes one day#hozier#artistsbands
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Patti Smith Band, Paradiso, Amsterdam, 2007
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Throbbing Gristle gig Guildhall Northampton, 1979
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Throbbing Gristle. No Bones, Guildhall Northampton, 1979
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Bauhaus Band in costume: Heinrich Koch, Werner Jackson, Clemens Röseler, Andor Weininger, Georg Fulda. Foto: T. Lux Feininger 1927
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Destroy All Monsters. The end is here
#destroyallmonsters#mikekelley#theendishere#jimshaw#caryloren#artistsband#niagara#destroy all monsters
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1) DAM, 1975. 2) John Reed, Mike Kelley, Cary Loren, Jim Shaw. 3) Cary Loren. Mike in Trout Mask, Goggles, God’s Oasis, 1975. 4) Cary Loren. Niagara smoking topless, 1974.
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Return of the repressed: Destroy All Monsters, 1973 - 1977
Formed in 1973, the first edition of Destroy All Monsters was formed by University of Michigan art students Mike Kelley, Jim Shaw, Niagara (artist), and filmmaker Cary Loren (artist). They performed in the Ann Arbor area from 1973–1976, and their only release was a one-hour cassette of their recordings available only through Lightworks magazine. Their early music was influenced by Sun Ra, Velvet Underground, ESP-Disk, monster movies, beat culture and futurism. Their sound was experimental, psychedelic, darkly humorous and droning
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Destroy All Monsters. Mike Kelley (vocals, percussion), Jim Shaw (guitar), Cary Loren (guitar), words (Mike Kelley), music (Cary Loren), 1975.
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Martin Kippenberger, Greatest Hits, 1996. With Rüdiger Carl, Sven Åke Johansson, Christina Hahn, Achim Kubinski, Eric Mitchell and Albert Oehlen.
"Like most visual artist’s musical forays, the recording career of Martin Kippenberger has been relegated to a footnote to his output in the plastic arts. Kippenberger’s discography numbers eight records, mostly seven-inches, whose tracks were first collected on the 1996 self-released CD Greatest Hits (...)". Alan Licht, Artforum, jan. 2011
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thinking abt Mitski singing “darling play your violin / I know it’s what you live for / darling play your violin / we will manage somehow” in because dreaming costs money my dear vs singing “mom can you wash my back this once / and then we can forget / and I’ll leave what I’m chasing / for the other girls to pursue” in class of 2013
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white ppl listened to nina cried power and thought hozier was just yelling out random names
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the fact that hozier’s music is influenced heavily by black artists should be evident imo but the fact that this man really makes a point, both in his music and beyond, to be like “my music literally would not exist without the work of black artists” and you man wanna talk about florence and the machine.... i am truly ASTOUNDED
#like i am AGHAST#i am BLOWN AWAY#hozier#artistsbands#i'm going to stop yelling about this but good lord
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i hope lil nas x felt genuinely comfortable coming out and didn’t just do it because all the speculation and people “exposing” him put pressure on him to do it........
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